Rack

Rack (pronounced rak)

(1) A framework of bars, wires, or pegs on which articles are arranged or deposited.

(2) A fixture containing several tiered shelves, often affixed to a wall.

(3) A vertical framework set on the sides of a wagon and able to be extended upward for carrying hay, straw, or the like in large loads.

(4) In certain cue sports (pool, snooker), a frame of triangular shape within which the balls are arranged before play; the balls so arranged.

(5) In butchery & cooking, the rib section of a fore-saddle of lamb, mutton, pork or veal (historically used also of the neck portion).

(6) In nephology (the branch of meteorology concerned with cloud formation, structure, classification, and dynamics), as “cloud rack”, a group of drifting clouds.

(7) In machinery, a bar, with teeth on one of its sides, adapted to engage with the teeth of a pinion rack and pinion or the like, as for converting circular into rectilinear motion or vice versa (best known from the “rack & pinion” steering apparatus used in motor vehicles).

(8) An instrument of torture consisting of a framework on which a victim was tied, often spread-eagled, by the wrists and ankles, to be slowly stretched by spreading the parts of the framework; there were many variations.

(9) As “on the rack”, originally a reference to the torture in progress, later adopted figuratively to describe a state of intense mental or physical suffering, torment, or strain.

(10) In equestrian use, the fast pace of a horse in which the legs move in lateral pairs but not simultaneously (the “horse's rack”).

(11) In military use, a fixed (though sometimes with some scope for movement for purposes of aiming), a framework fixed to an aircraft, warship or vehicle and used as a mounting for carrying bombs, rockets, missiles etc.

(12) In zoology, a pair of antlers (more commonly used of wall mounted trophies (eight-point rack etc)).

(13) In slang, ruin or destruction (a state or rack).

(14) In slang, a woman's breasts (often with a modifier).

(15) In slang, a large amount of money (historically a four-figure sum).

(16) In military, prison and other institutional slang, a bed, cot, or bunk.

(17) In slang, to go to bed; go to sleep.

(18) In slang, to wreck (especially of vehicles).

(19) In slang, as “to rack up”, a sudden or dramatic increase in the price of goods or services.

(20) In slang, to tally, accumulate, or amass, as an achievement or score (often expressed as “racked up”).

(21) In vinification (wine-making), to draw off (wine, cider etc) from the lees (to “rack into” a clean barrel).

(22) To torture; acutely to distress or torment (often expressed as “racked with pain”).

(23) To strain in mental effort (often expressed as “racked her brain”).

(24) To strain by physical force or violence; to strain beyond what is normal or usual.

(25) To stretch the body of a victim in torture by the use of a rack.

(26) In nautical use, to seize two ropes together, side by side:

(27) In cue sports, as “rack 'em up”, to place the balls on the tales in the correct spot with the use of a rack.

1250–1300: From the Middle English noun rakke & rekke, from the Middle Dutch rac, rec & recke (framework) and related to the Old High German recchen (to stretch), the Old Norse rekja (to spread out), the Middle Low German reck and the German Reck.  The use to mean “wreck” dates from the late sixteenth century and was a phonetic variant of the earlier wrack, from the Middle English wrake, wrache & wreche, a merging of the Old English forms wracu & wræc (misery, suffering) and wrǣċ (vengeance, revenge).  Except as a literary or poetic device (used to impart the quality of “vengeance; revenge; persecution; punishment; consequence; trouble”) or in some dialects to mean “ruin, destruction; a wreck”), wrack is now archaic.  The equestrian use (the fast pace of a horse in which the legs move in lateral pairs but not simultaneously (the “horse's rack”)) dates from the 1570s and the origin is obscure but it may have been a variant of “rock” (ie the idea of a “rocking motion”).  Nephology (the branch of meteorology concerned with cloud formation, structure, classification, and dynamics) adopted “cloud rack” (a group of drifting clouds) from mid-fourteenth century use in Middle English where the original spellings were rak, recke & reck, from the Old English wrǣc (what is driven) and related to the Gothic wraks (persecutor) and the Swedish vrak.  The use in vinification (wine-making), describing the process of drawing off (wine, cider etc) from the lees (to “rack into” a clean barrel) dates from the mid fifteenth century and was from the Old Provençal arraca , from raca (dregs of grapes), ultimately from the by then obsolete Old French raqué (of wine pressed from the dregs of grapes).  The use in butchery & cooking (the rib section of a fore-saddle of lamb, mutton, pork or veal (historically used also of the neck portion)) dates from the mid sixteenth century and is of uncertain origin but was probably based upon either (1) the cuts being placed on some sort or rack for preparation or (2) having some sort or resemblance to “a rack”.  Rack is a noun & verb, racker is a noun, racking is a noun, verb & adjective, racked is a verb and rackingly is an adverb; the noun plural is racks.

Lindsay Lohan in her natural habitat: with clothes rack, rendered as comic book character by Vovsoft.

In idiomatic use, the best known include “racking one’s brains” (thinking hard), “going to rack and ruin” (to decay, decline, or become destroyed”, “on the rack” (originally a reference to the torture in progress, later adopted figuratively to describe a state of intense mental or physical suffering, torment, or strain) and “racked with pain” (again an allusion to the consequences of being “racked” “on the rack”).  The “rack” as a description of a woman’s breasts is one in a long list of slang terms for that body part and dictionaries of slang are apparently divided on where it’s the breasts, genitals or buttocks which have provided the most inspiration for the creation of such forms.  The Australian slang “rack off” is an alternative to the many other forms popular in the country used to mean “please go away” including “sod off”, “piss off”, “fuck off”, “bugger off” etc; depending on context and tone of voice, these can range from affectionate to threatening.  The term “clothes rack” was once used to describe attractive women whose only function in public appearances appeared to be being conspicuously well-dressed.

Luggage rack & ski rack page in the 1968 Chrysler Parts Accessories Catalog (left) and promotional images for the 1968 Chrysler Town and Country (right).  Because the full-sized US station wagons could be fitted with a third seat in the back compartment (thus becoming eight-seaters), the roof-rack was sometime an essential fitting.

In transport, luggage racks were among the earliest “accessories” in that they were additions to hand & horse-drawn carts and carriages which enabled more stuff to be carried without reducing the passenger-carrying capacity.  There were “roof racks” and “trunk racks”, both there for the purpose of carrying trunks, secured usually with leather straps.  The most obvious carry-over to motorized vehicles was the roof-rack, still a popular fitting and still sometimes fitted as standard equipment to certain station wagons (estate cars).

1972 De Tomaso Pantera.

Although it wouldn’t have been something the designer considered, the mid-engined De Tomaso Pantera (1971-1992) had a rear section defined by buttresses which made it so suited to the installation of a luggage rack that Gran Turismo (an after-market accessories supplier) produced one which was as elegant as any ever made.  Because of the location directly behind the rear window, when loaded it obviously would have restricted rearward visibility so in certain jurisdictions doubtlessly it would have been declared unlawful but if one lives somewhere more permissive, it remains a practical apparatus.  Ironically, the Pantera had probably the most capacious frunk (a front mounted trunk (boot)) ever seen in a mid-engined sports car and one easily able to accommodate the luggage the car’s two occupants were likely to need for a weekend jaunt.  Even if superfluous however, in the collector market it’s an interesting period piece and well-designed; easily removed for cleaning, the four mounting brackets remain affixed to the deck lid.

1973 Chrysler Newport two-door hardtop (left) and 1973 Triumph Stag (right).

Larger cars of course carried more than two and if they travelled over distances, usually they carried luggage.  The full-sized US cars of the early 1970s were very big and had a lot of trunk space but many, with bench seats front and rear were configured as genuine six-seaters and that could mean a lot of luggage.  Accordingly, both the manufacturers and after-market suppliers in the era offered a range of luggage racks.  Upon debut, the lovely but flawed Triumph Stag (1970-1978) was a much-praised design which offered the pleasure of open-air motoring with the practicality of four seats (although those in the rear were best suited for children) but the sleek, low lines did mean trunk space was not generous and luggage racks were a popular fitting.

1959 Austin-Healey Sprite (left) and 1971 C3 Chevrolet Corvette Convertible LS5 454/365 (right).

There have been cars (and not all of them were sports cars) with no trunk lid.  In the case of the Austin-Healey Sprite (1958-1971), the lack of the structure on the early versions (1958-1961) was a cost-saving measure (the same rationale that saw the planned retractable headlights replaced by the distinctive protuberances atop the hood (bonnet) which lent the cheerful little roadster its nickname (bugeye in North American and frogeye in the UK & most of the Commonwealth).  It had additional benefits including weight reduction and improved structural rigidity but the obvious drawback was inconvenience: to use the trunk one had to reach through the gap behind the seats.  It was easy to see why luggage racks proved a popular accessory, sales of which continued to be strong even when later versions of the Sprite (1961-1971) and the badge-engineered companion model (the MG Midget (1961-1980)) gained a trunk lid.

Have trunk, can travel: Nor Cal’s (of Stockton, California) trunk lid kit for Austin Healy Sprite, May 1961.  Note the standard-sized license plate; the Sprite really was small.

However, noting Austin-Healey’s cost-cutting meant the Series 1 Sprite’s trunk came lidless, modern commerce quickly saw a gap (technically also a “lack of gap”) in the market and “lid kits” soon appeared.  Advertised as meaning “no more acrobatic maneuvers when loading luggage”, mention was made also of an installation making the spare tyre easier to reach, a matter in the early 1960s of some significance because tyres then were not as durable and punctures more frequent.  The advertising copy was selective in that it mentioned “no welding necessary” but neglected to point out an owner would need to cut the required hole; presumably, that would have been thought obvious.  It was a proper trunk lid in that it was lockable and said also to be “waterproof”, the latter a quality owners of British sports cars really didn’t expect so the novelty would have been a selling point.  For those Sprite owners whose family had gained a child, the improved accessibility to the trunk would have been most helpful because, as parents know, going anywhere with an infant requires carrying a large bag of stuff.  They might also have been attracted to the "baby seat" available as an accessory from the Healey factory; it was a design which would now be thought extraordinary (others might use a different term) but at the time it was just the way things were done.  

1963 Corvette (C2) Coupe. This was one of GM's official publicity stills and one can see why the decision was taken not to include a trunk lid but the absence enhanced structural integrity and it was this Chevrolet chose to emphasize.

Curiously, the Chevrolet Corvette (C1, 1953-1962) did have a trunk lid but when the second generation (C2, 1962-1967) was released for the 1963 model year, it had been removed and not until the fifth generation (C5, 1997-2004) did one again appear.  Access to the storage compartment in the "non-trunk" years could thus demand some athleticism but people didn't buy Corvettes on the basis on the basis of their utility as baggage carriers.  By the the twenty-first century, the Corvette's luggage rack moment mostly had passed but there were still those who retro-fitted them as a "period accessory" even though, in the modern collector market, the very sight of the things seems to upset some.

Racks on Porsche 911s.

Variations of the theme: ski rack (left), bike rack (centre) and surfboard rack (right).  The luggage rack has proved an adaptable platform and specialist versions are available for many purposes but in many cases the same basic structure can be used as a multi-purpose device with “snap-on” fittings used to secure objects of different shapes.  The Porsche 911 (in production since 1964) was an early favorite on the ski fields because of the combination of and air-cooled engine and the rear-engine/rear wheel drive configuration which provided good traction in icy conditions.

Mercedes-Benz and the ski rack.

Mercedes-Benz in the 1950s offered a variety of ski racks as a factory option and one available for the 190 SL (W121, 1955-1963, left) was thoughtful in that it permitted access to the trunk (boot), even if the skis were in place.  The design used for the 300 SL Roadster (W198-2, 1957-1963, right) was more conventional (and restrictive although it could be used with the soft-top up or down or with the hard-top installed but the unique, doors on the 300 SL Coupé (W198-1 (Gullwing), 1954-1957, centre) precluded the usual placement and the skis had to be centre-mounted.

Maserati Mistral with ski rack, advertising copy for ZEGNA’s Winter 2025 collection.

Most ski racks were fitted using clamps or were in some way bolted to the bodywork or bumpers but for those with sufficient faith in the physics, some could be attached to glass with rubberized suction-cups.  These were best suited to “fastback” sports cars with rear windows which sloped at an acute angle.  Tuned for top-end power for high-speed touring, the Mistral probably wasn't an ideal choice for snow country but it certainly looked the part and contemporary testers praised the quality of the heater although the optional air-conditioning was found less impressive.

With over 2,200 coupés and spyders (roadsters) made between 1957-1964, the 3500 GT (Tipo AM101) had proved Maserati's most successful road car and although the volume may not seem high for close to eight years effort, the high-priced machines were much more profitable than the factory's earlier A6 (1947-1956) which was much more bespoke; in some years, fewer than a dozen were made.  By the early 1960s more 3500s had been made that all previous Maseratis (for road or track) combined but the car was looking dated and in some aspects the body construction owed more to the traditions of the 1930s than modern practice.  Its replacement was the Mistral (Tipo AM109) which, in an increasingly crowded market, proved a success, 844 coupés and 124 spiders made in a run between 1963-1970.  The Mistral was very much a transitional model, its lines hinting at future directions while it was the last Maserati fitted with the classic, twin-spark, DOHC (double overhead camshaft) straight-6 derived from the unit the company had used in sports car racing and with which it won the 1957 Formula One World Championship.  Produced simultaneously with the company’s new V8 models (Quattroporte (Tipo AM107, 1963-1969), Mexico (Tipo AM112, 1966-1972) and Ghibli (Tipo AM115, 1967-1973)), it was styled by Pietro Frua (1913- 1983) who must have fallen in love with the shape because it was for a while his house’s signature design language, variations on the theme appearing on both the AC 428 Frua (1965–1973) and the early Monteverdi High Speed 375.  Not all were happy with this recycling, lovely though the results were.

Markers of the state of civilization: Gun rack in the back window of pickup truck (left) and silver plate toast rack by Daniel & Arter of Birmingham, circa 1925 (right).

The toast rack has been in use since at least the 1770s and, like the butter knife, is one of the markers of living a civilized life.  That aside, their functionality lies in the way they provide a gap between the slices, allowing water vapour to escape, preventing it condensing into adjacent slices and making them soggy while also maintaining a buffer of warm air between so the cooling process is slowed.  In the way of such things, there have over the years been designs ranging from the starkly simple to the extravagant but some of the most admired are those from the art deco era of the inter-war years.

The gun rack in the back of a pickup truck is now a classic MAGA (Make America Great Again) look but the devices have been in use for decades and were always popular in rural areas with a tradition of hunting.  Whether such things are lawful depends on the jurisdiction.  In the US, some states have an “open carry” law which means one is free to carry certain firearms unconcealed and this includes gun racks which are similarly unrestricted; in states where an “open carry” permit is required, a separate permit is required for a gun rack to be used in a vehicle while in jurisdictions with no “open carry” legislation, gun racks are also banned except for those able to obtain a specific exemption.  So, it can be that travelling across state lines can involve some additional effort, even if one is authorized to carry a firearm in both placed.  Usually, this demands the weapon being unloaded and encased in an area inaccessible to both driver and passengers.

The rack as a marker of the state of civilization: Cuthbert Simpson, Tortured on the Rack in the Tower of London (1558), published in from Old England: A Pictorial Museum (1847) and reprinted in The National And Domestic History Of England by William Aubrey (circa 1890).

The most famous of the many apparatus of torture which proliferated during the Middle Ages (and beyond), the rack was an interrogation tool which remained in use until the eighteenth century.  Although the rack is most associated with the Roman Catholic Church's Inquisition, it was popular also in England as a device to extract confessions to various crimes, especially heresy.  The designers were imaginative and racks were produced in many forms including vertical devices and wheels but the classic version was a flat, bed-like structure, made with an open, rectangular wooden frame with rollers or bars at each end to which the wrists and ankles of the accused (or “the guilty” as often they were known) were secured.  The rollers moved in opposite directions by the use of levers with the victim’s joints slowly and painfully separated.  Among the rack "operators", it's believed many really enjoyed their work; for some in the Inquisition, it clearly was a calling.

RACK is used as an acronym, one being “Random Act of Conditionless Kindness” which seems not substantively different from the better known “random act of kindness” although presumably it imparts some depth of emphasis, given random acts of conditional kindness are likely the more commonly observed phenomenon.  In certain sub-sets of the BDSM (Bondage, Discipline (or Dominance) & Submission (or Sadomasochism) community, RACK means either “Risk-Aware Consensual Kink” or “Risk-Accepted Consensual Kink).  Both describe a permissive attitude towards conduct which is to some degree “risky”, undertaken on the basis of “a voluntary assumption of risk”.  In that it differs from the tastes of BDSM’s SSC (Safe, Sane & Consensual) sub-set which restricts it proclivities to things “not risky”.  The RACK practitioners acknowledge the difficulties inherent in their kinks and do not claim to make a distinction between “safe” & “unsafe” but rather between “safer” and “less safe” (ie degrees of danger).  What this means is that in extreme cases there are potential legal consequences because while the implication of RACK is that to some degree one can “contract out” of the statutory protections (citing a voluntary assumption of risk) usually available in such interactions, in the case of serious injury or death, the usual legal principles would apply.

Mile

Mile (pronounced mahyl)

(1) A unit of a unit of distance on land, derived from the 1593 English statute mile (equal to 8 furlongs) and still in use in some English-speaking countries.  In 1959, in a treaty established by a number of Anglophone nations (and subsequently ratified by most), it was defined as distance equal to 5,280 feet (1,760 yards; 1.609.344 metres).

(2) Any of many customary units of length derived from the Roman mile (mille passus) of 8 stades (5,000 Roman feet).

(3) Any of a variety of other units of distance or length, used at different times in different countries.

(4) In athletics and horse racing (as “the mile”), a race run over that distance.

(5) In idiomatic use (in both the singular and plural), a notable distance or margin.

(6) As “air miles”, a unit in an airline’s frequent flyer program.

Pre 1000: From the Middle English myle & mile, from the Old English mīl, from the Proto-West Germanic mīliju, from the Latin mīlia & mīllia (plural of mīle & mīlle (mile)) which translates literally as “thousand” but was a commonly used short-form of mīlle passus (a thousand paces), thus the derived mīlia passuum (thousands of steps), duo milia passuum (two thousand paces (ie “two miles’) etc).  The origin of the Latin word is unknown and was the source also of the French mille, the Italian miglio and the Spanish milla whereas the Scandinavian forms (the Old Norse mila etc) came from English.  The West Germanic word was the source also of the Middle Dutch mile, the Dutch mijl, the Old High German mila and the German Meile.  The spelling of the German forms came about because the Latin milia (a neuter plural) was mistakenly thought a feminine singular.  Mile & mileage are nouns and miles is an adverb; the noun plural is miles.

Fuel economy for the 2017 Dodge Viper GTC, estimated according the the method mandated by the EPA (Environmental Protection Agency).  The 14 mpg (miles per gallon) was calculated using a weighted formula on the basis of 12 city; 19 highway and isn't as thirsty as it may sound because a US gallon (3.785412 litres) is smaller than an imperial gallon (4.546092 litres).  The inclusion of a “gallons per 100 miles” number is unique to the US.  How many Viper owners achieved this level of economy isn't known and if one is at the controls of an 8.4 litre (513 cubic inch) V10 generating 645 horsepower (HP), the temptation exists to drive in a manner Greta Thunberg (b 2003 and not a Viper owner) would condemn; the Viper GTC was fitted with a speedometer graduated to 220 mph (355 km/h).  With the governor disabled (a simple and popular task), the top speed of a 2017 Viper GTC was 196 mph (315 km/h) but for use in competition (or on the street by the lunatic fringe), modified versions could be made to exceed 220 mph ("wind the needle off the dial" in the accepted slang).  In the matter of fuel economy, at all times it's a matter of YMMV (your mileage many vary) but once a Viper was travelling much beyond 100 mph, the EPA's 14 mpg average was a distant memory.  

YMMV: 2014 SRT Viper TA 1.0 in TA Orange over TA Black leather and cloth.

The noun mileage (which appeared also as milage and although the “mute e” rule would suggest this was correct it never caught on) was in use by at least 1754 in the sense of “allowance or compensation for travel or conveyance reckoned by the mile” and that was so politicians in the North American colonies could calculate how much they could claim for travel undertaken in the course of their word.  To this day, “travel allowances” remain the “entitlements” most valued by politicians looking to “rort the system”.  From the mid 1830s, the idea of mileage as “a fixed rate per mile” came into use in railroad system charging.  The meaning “a total number of miles” (of a way made, used, or traversed) was from the 1860s while the figurative use (usefulness, derived benefit) emerged at much the same time.  The long familiar mpg (miles per gallon) was a measure of fuel economy (miles driven per gallon of fuel consumed) and came into use between 1910-1912.  When the metric system was introduced to jurisdictions previously using imperial measurement, instead of replacing mpg with kpl (kilometres per litre), the measure used was L/100 km (litres per 100 km).  According to engineers, L/100 km was preferable because it emphasised consumption and thus aligned with other measures expressed to consumers (such as electricity or emissions), the argument being the psychology of “the lower the number the better” would be standardized.  So, whereas the higher the MPG the lower was the fuel consumption whereas with L/100, greater efficiency was implied by a lower number.  In a practical sense, because Continental Europe adopted L/100 km long before widespread metrication in English-speaking countries, a convention had been established so it would not have been logical to create another expression; thus except in the US & UK, consumption follows the industry’s preferred “input per output” method.

The phrase “she's got a few miles on the clock” referred either to (1) a machine which was old or had been much used or (2) a woman either (2a) older than she represented herself to be or (2b) with a past including many sexual partners.  The “few” in this phrase is used ironically whereas if a dealer in second-hard hand cars claims a vehicle “has done only a few miles”, the clear implication is “low mileage” and the “few” must be read literally.  A car’s mileage is recorded on its odometer which historically was a mechanical device unscrupulous second-hand car salesmen (an often tautological text-string) were notorious for “tampering with” so a vehicle could be represented as “less used” and thus sold for a higher price.  Odometers are now electronic so while the tampering methods have changed, the motivations have not.  A classic example of the legal principles involved in such matters is Dick Bentley Productions Ltd v Harold Smith (Motors) Ltd [1965] EWCA Civ 2, an English contract law case concerning the purchase by the Australian-born comedian Charles Walter "Dick" Bentley (1907–1995) of a used Bentley motor car.

1939 Bentley 4¼-Litre Sedanca Coupé in the style of French coachbuilder Henri Chapron (1886-1978).

This is not the car involved in the Dick Bentley v Harold Smith case which was a 1939 Bentley 4¼-Litre DHC (Drophead Coupé) by Park Ward which had anyway been re-bodied by the time of the sale which became a matter of dispute.  At any time a 1939 Bentley DHC would have been a genuine rarity.  The pre-war production records which remain extant are fragmentary and don't detail the builds down to body-type by year but marque specialists believe Park Ward in 1939 may have built as few as four DHCs (the then usual English term for as Cabriolet) and it's known two survive. 

Dick Bentley Productions had informed Harold Smith (Motors) Ltd (a dealer in “prestige” used cars) the company wished to buy a “well vetted” Bentley and the dealer offered one they represented as “having done only 20,000 miles [32,000 km]” since a replacement engine had been fitted.  However, after purchase, it was discovered the Bentley had “done some 100,000 miles [160,000 km]” since the engine and gearbox had been replaced.  Dick Bentley sued Harold Smith for a breach of warranty and succeeded on the basis of the difference between “a representation” and “an essential term of a contract”.  Because the dealer was trading on the basis of possessing expertise in the matter of such cars, representations made by the dealer about critical matters (such as mileage) constitute “a warranty” and a bona fide consumer purchasing the product for fair value is entitled to rely on the word of such a dealer.  Dick Bentley succeeded at first instance and the case went on appeal where the dealer was found to be liable because (1) given they were in the business of trading in such vehicles and represented themselves as “experts”, either (1) they knew the mileage claim was false, (2) should have determined the claim was false or (3) were anyway in a better position than the consumer to make that determination.  The dealer thus either possessed or should have possessed “superior knowledge” compared to any non-expert consumer.  What this means is a dealer would likely always be held to have offered “a warranty” if making such a claim but the proverbial “little old lady” knowing nothing of engines and gearboxes making the same claim on the basis of what she’d been told would not be held to the same standard.  Her statement would, prima facie, be “an innocent misrepresentation”.

The terms milepost and milestone were from the mid eighteenth century and described respectively (1) a post permanently set in the ground next to a roadway to mark the distance to or from a locality and (2) a stone permanently set in the ground and engraved for the same purpose.  The now obsolete adjective milliary (of or relating to a mile, or to distance by miles; denoting a mile or miles) dates from the 1640s and was from the Latin milliarius, from mille.  The blended noun kilomile (on the model of kilometre) was a unit of length equal to 1,000 miles and seems to have existed because it could be done; it has no known use.  In physics, the light-mile is the time taken for light to travel one mile (approximately five microseconds).  The light mile has never been part of the standard set of measures in physics and probably it also was calculated by someone because it could be done; it is of no known practical use although it may have some utility in comparative tables.

Gatefold cover of Miles of Aisles.

Miles of Aisles was the first live concert album released by Canadian-American singer-songwriter Joni Mitchell (b 1943).  Released in 1974 on the Asylum label, it was a double album in the usual gatefold sleeve, the recordings from a number of concerts which were part of her tour promoting the recently released Court and Spark (1974) album.  The performances on Miles of Aisles came variously from three venues in Los Angeles: the Universal Amphitheatre, the Los Angeles Music Center and the Berkeley Community Theater.  The album’s cover art was a photograph of the Pine Knob Music Theater in Clarkston, Michigan.  While Miles of Aisles was a thoughtful title for a live concert album, the most famous Miles in music was the jazz trumpeter Miles Davis (1926–1991); his output was prolific but his albums Kind of Blue (1959) and Sketches of Spain (1960) were his finest and two seminal moments in the evolution of jazz.

The “Chinese mile” was the li, a traditional Chinese unit of distance equal to 1500 Chinese feet or 150 zhangs; sensibly, under the CCP (Chinese Communist Party), the li was standardized as a half-kilometre (500 metres).  The “Scandinavian mile” began in 1649 as the “Swedish mile” and was set at a distance of 10,688.54 metres before in 1889 being defined as 10 kilometres.  The “Irish mile” was equal to 2240 yards (2048.256 metres; 1.272727 miles).  The “Italian Mile” (sometimes left untranslated as miglio (miglia the plural)) was a calque of the Italian miglio (mile), with the qualifier appended to distinguish it from other miles.  Although the best remembered from the peninsular (assisted by an appearance in the diaries of Galileo Galilei (1564–1642)), the miglio was one of many such regionalisms including the Genovese and Roman miles.  Italy’s shift from traditional “Italian miles” to the metric system happened gradually and unevenly over the nineteenth century, the process beginning in the period 1806-1814 as a consequence of the Kingdom of Italy being a client state of Napoleon Bonaparte (1769–1821; leader of the French Republic 1799-1804 & Emperor of the French from 1804-1814 & 1815)).  That however proved abortive because after Napoleon’s fall in 1814, many Italian states reverted to their traditional local units (miles, braccia, libbre etc) and not until after Italian unification in 1861 was the metric system officially adopted throughout the kingdom, becoming the legally mandated system of weights and measures.  In a act of administrative efficiency which might astonish observers of the modern Italian state, a definitive law of enforcement was passed in 1862 and, by the 1870s, successfully metrics had become the standard for administration, trade, and education.

However, this was Italy and among parts of the population, the “Italian mile” remained in informal use well into the twentieth century and although the miglio generally was around 1.85 km (1.15 miles), there were many regional variants including (1) the Florentine (Tuscany) Miglio Fiorentino (1.74 km (1.08 miles)) used in Galileo’s era, (2) the Venetian Miglio Veneto (almost identical to the Florentine, (3) the Roman Miglio Romano (1.48 km (.92 miles) which was essentially the old “Roman mile”, (4) the Neapolitan Miglio Napoletano (1.852 km (1.15 miles) which was the Mediterranean state’s contribution to the development of the nautical mile and (5) the Milanese Miglio Milanese which, at 1.85 km (1.495 miles) was close to the English nautical mile.  What also remained was the nostalgic, romantic attraction of the old words and although in 1927 when the Mille Miglia (Thousand Miles) road race was established, Italy had for decades fully “been metric”, the name was used to evoke the idea of a long tradition of endurance.  The memorable phrase “The past is a foreign country: they do things differently there.” is the opening line in the novel The Go-Between (1953) by the English writer L. P. Hartley (1895–1972) and to illustrate his point there is the old Mille Miglia, still in living memory.

The Mille Miglia was a round trip from Rome to Brescia and back and by the mid 1950s the cars had become very fast (speeds of 180 mph (290 km/h) were recorded and the 1955 race was won by a Mercedes-Benz 300 SLR (W196S) with an average speed close to 100 mph (160 km/h)).  At the time, that was dangerous enough even on a purpose-built circuit but the Mille Miglia was an event run on public roads which, while closed for the occasion, were poorly supervised and crowd control was in many places non-existent, people forming along the roadside to ensure the best view, literally inches from cars travelling at high speed.  Over thirty years, the race had claimed the lives of 30 souls but the eleven in 1957 would be the last because within days, the Italian government banned all motor racing on Italian public roads although since 1977 an event of the same name over much the same course has been run for historic vehicles which competed in the event in period (or were accepted and registered).  Now very much a social occasion for the rich, it's not a high-speed event.  The original event had been one of the classic events on the calendar in an era in which top-line drivers counted on attending a couple of funerals a year (possibly their own) and it’s the 1955 race to which a particular aura still lingers.

300 SLR (Moss & Jenkinson), Mille Migla, 1955.

Won by Stirling Moss (1929-2020) and Denis Jenkinson (1920-1996), their Mercedes-Benz 300 SLR technically complied with the sports car regulations but it was really the factory's formula one machine (W196R) with a bigger engine and a streamlined body with seats for two.  It wasn't exactly a "grand prix car with headlights" as some claimed but wasn't that far off; officially the W196S (Sports) in the factory register, for marketing purposes it was dubbed (and badged) as the 300 SLR to add lustre to the 300SL Gullwing coupé then on sale.  The race was completed in 10 hours, 7 minutes and 48 seconds, a average speed of 157.650 km/h (97.96 mph) (the course was never exactly 1000 miles and that year was 1,597 km (992 miles) and at times, the 300 SLR touched almost 180 mph which enabled Moss to cover the last 340 km (211 miles) at an average speed of 265.7 km/h (165.1) mph.  The record set in 1955 will stand for all time because such a race will never happen again, the Italy which then existed now truly a “foreign country” in which things were done differently

Falstaff (Campanadas a medianoche (Chimes at Midnight, 1966) in the original Spanish) was a film written and directed by Orson Welles (1915–1985) who starred as the eponymous character.  Falstaff is a classic “miles gloriosus” and Welles considered him Shakespeare's finest creation; scholars will debate that but of all of the all, there was probably no role more suited to Welles the larger.

In literary use, the term “miles gloriosus” originated in a comedy by Plaurus (254-184 BC).  The miles gloriosus was a braggart soldier who, although a coward on the battlefield, boasts of heroic deeds in combat; he was the prototype of a stock character comic drama, the one whose true character is either notorious or discovered and is thus in the cast to be made a fool of by other players.  In English drama he first appeared eponymously in the five act play Ralph Roister Doister (circa 1552 although not published until 1567) by the English cleric & schoolmaster Nicholas Udall (1504-1556).  The play was something of a landmark in literature because it was one of the first works written in English which could be classed as a “comedy” in the accepted meaning of the word.  As a text it was of interest to the proto-structuralists because it blended the conventions of Greek & Roman comedies with the traditions of the English mediaeval theatre but the great innovation was the appearance of recognizably “middle class” characters as protagonists rather than the “supporting cast role” of doctors & lawyers who had played “second fiddle” to the mostly royal or aristocratic players.  That the “growth market” in theatre audiences came from this newly burgeoning class may at least in part accounted for the literary novelty and its development clearly is identifiable in some of the works of William Shakespeare (1564–1616).  Bobadill in Ben Jonson's (circa 1572-1637) Every Man in His Humour (1598) and Captain Brazen in George Farquhar's (1677-1707) The Recruiting Officer (1706) were exemplars of the playwrights’ depictions of a braggart but just in case people didn’t get it, in his epic-length fantastical allegory The Faerie Queene (1590), the English poet Edmund Spenser (circa 1552-1599) called his creation Braggadochio.  The epitome of the breed was Shakespeare's Falstaff.  Sir John Falstaff was useful to Shakespeare who had him appear in Henry IV, Part 1 (circa 1596), Henry IV, Part 2 (circa 1598) and The Merry Wives of Windsor (1602).  He was also granted a posthumous reference in Henry V (circa 1599), in which it's reported he has died off-stage.

The “last mile” is a concept in urban planning, transport logistics and telecommunications.  In urban planning, it refers to the final leg of an individual’s journey (traditionally Monday-Friday) from their residence to their place of word in a city’s CBD (central business district).  In modern cities, it’s a matter of great significance because while it is possible for a great number of people to park their cars at train stations or other transport interchanges a mile or more from the CBD, it would be impossible to accommodate all these vehicles in the CBD.  In transport logistics, it describes the final stage of delivery of goods, etc, from a distribution centre to the consumer, often involving greater effort or expense.  In telecommunications, it’s a conceptual term assigned to those components of the infrastructure carrying communication signals from the main system to the end user's business or home, often involving greater expense to install and maintain, and lower transmission speeds.  The terms “final mile”, “last kilometre” etc are synonymous.  The companion term “first mile” is from transport logistics and refers to the initial stage of delivery of goods etc, from the seller or producer to a distribution centre, often involving greater effort or expense.  A “middle mile” is a piece of jargon from the IT industry and refers to the segment of a telecommunications network linking an operator's core network to the local network plant.  Real nerds like to explain it as something like the “middleware layer” between software and hardware but the analogy is weak.

A “nautical mile” is a unit of length corresponding approximately to one minute of arc of latitude along any meridian.  By international agreement it is exactly 1,852 metres (approximately 6,076 feet or 1.151 of a statute mile; the abbreviations variously used are NM, M, nmi & nm (the latter conflicting with nanometre symbol although confusion is unlikely).  The term “sea mile” is now rarely used but in its odd appearance it’s either (1) a synonym for “nautical mile” or (2) (usually as “sea miles”) a reference to the age of a ship or experience of a sailor.  The original “sea mile” was a now obsolete Scandinavian unit of distance (about 4 nautical miles), a calque of the Danish sømil, the Norwegian Bokmål sjømil and the Swedish sjömil, the construct being the Danish sø (sea, nautical, maritime) + mil (the Danish mile or league).  The geographical mile (a unit of length corresponding to exactly one minute of arc (1/60 of a degree) along the Earth's equator (about 1855.4 meters, 2029.1 yards, or roughly 8/7 international miles) was also used as (an inexact) synonym of “nautical mile”.

Eight Miles High, the Byrds (CBS EP (Extended Play).

Many critics list Eight Miles High (1966) by The Byrds as the first true psychedelic rock song and the band's claim it had nothing to do with drug use was about as creditable as the Beatles asserting their song Lucy in the Sky with Diamonds (1967) was not a thinly veiled reference to LSD (the hallucinogenic drug lysergic acid diethylamide, better known as “acid”).  The lyrics from Eight Miles High genuinely were inspired by the band's flight to London in 1965 but “eight” was chosen because it best suited the music, even though commercial airliners didn't fly at quite that altitude.  At the time, the typical flight paths for the New York-London route involved a ceiling somewhat lower: Boeing 707, 33,000-37,000 feet (6.25-7.00 miles); Douglas DC-8, 32,000-39,000 feet (6.06-7.39 miles); Vickers VC10, 33,000-40,000 feet (6.25-7.58 miles).  In the context of artistic licence, eight was “close enough for rock 'n' roll”.  The song by the Byrds was not an allusion to the “mile-high club”, an institution one (informally) becomes a member of by having sex while aboard an aircraft in flight.  Although now most associated with those who contrive to do the act(s) on a commercial flight, “membership” has been claimed by those who managed the feat in both private and military aviation and the first known reference to the concept dates from 1785, early in the age of the hot-air balloon although the threshold then was set to a more modest 1,000 feet (0.1893939 of a mile).

The “international mile” is the same as the “land mile” & “modern mile” (ie the internationally agreed definition of 1.609344 kilometres) and the rarely used terms were coined simply to remove ambiguity in legal or other documents because over the centuries “mile” had in different places described distances greatly differing in length.  The mysterious “US survey mile” (1609.347 metres) is slightly longer than the now almost universal “international mile” and that’s a product of it being 5,280 US “survey feet” (0.30480061 metres) in length, the latter also slightly longer than the familiar 12 inch (304.8 mm) “international foot”).  To make things really murky, in the US, in formal use, a “statute mile” refers to a “survey mile” despite the lengths being slightly different.  Because the variation is less than ⅛ inch (3.2 mm), for most purposes this is something of no significance but over very long distances, it can matter if things like boundaries or target vectors are being documented, thus the need for precision in certain aspects of mapping.  Being a federal system with a long tradition of “states rights”, even when in 1983 the revised North American Datum (NAD83) was compiled and published by the NGS (National Geodetic Survey, a part of the NOAA (National Oceanic & Atmospheric Administration under the Department of Commerce)), the states retained the right to determine which (if any) definitions of distance they would use.  So, despite all State Plane Coordinate Systems being expressed in metric measurements, eight of the 50 states opted out of the metre-based system, seven using “US survey feet” and one “international feet”.

A “sporting” pursuit which merges the traditions of athletic track & field competition with the drunken antics of university students, the “Beer Mile” is conducted usually on a standard 400 m (¼ mile) track as a 1 mile (1.6 km) contest of both running & drinking speed.  Each of the four laps begins with the competitor drinking one can (12 fl oz (US) (355 ml)) of beer, followed by a full lap, the process repeated three times.  The rules have been defined by the governing body which also publishes the results, including the aggregates of miles covered and beers drunk.  Now a sporting institution, it has encouraged imitators and there are a number of variations, each with its own rules.  The holder of this most prestigious world record is Canadian Corey Bellemore (b 1994), a five-time champion, who, at the Beer Mile World Classic in Portugal in July 2025, broke his own world record, re-setting setting the mark to 4:27.1.  That may be compared with the absolute world record for the mile, held by Morocco’s Hicham El Guerrouj (b 1974) who in 1999 ran the distance in 3:43.13, his additional pace made possible by not being delayed by having to down four beers.

The respectable face of the University of Otago's Medical School, Dunedin, New Zealand.

Some variations of the beer mile simply increase the volume or strength of the beer consumed but in Australia & New Zealand, some were dubbed “Chunder Mile” (chunder being circa 1950s antipodean slang for vomiting and of disputed origin) on the not unreasonable basis that vomiting becomes increasingly more likely and frequent the more alcohol is consumed.  For some however, even this wasn’t sufficiently debauched and there were events which demanded a (cold) meat pie be enjoyed with a jug of (un-chilled) beer (a jug typically 1140 ml (38.5 fl oz (US)) at the start of each of the four laps.  Predictably, these events were most associated with orientation weeks at universities, a number still conducted as late as the 1970s and the best documented seems to have been those at the University of Otago in Dunedin, New Zealand.  Even by the standards of a country producing abundant supplies of strong beer and weed, the students at Otago were notorious for retreating from civilized ways although, it was at the time the site of the country’s medical school, thereby providing students with practical experience of both symptoms and treatments for the inevitable consequences.  Whether the event was invented in Dunedin isn’t known but, given the nature of males aged 17-25 probably hasn’t much changed over the millennia, it wouldn’t be surprising to learn similar competitions, localized to suit culinary tastes, have been contested by the drunken youth of many places in centuries past.  As it was, even in Dunedin, times were changing and in 1972, the Chunder Mile was banned “…because of the dangers of asphyxiation and ruptured esophaguses.”  Undetred, the students found other amusements.

In idiomatic use, to say “a mile wide and an inch deep” suggests someone or something covering a wide array of topics but on only a very shallow level (thus analogous with “jack of all trades and master of none”.  Despite the negative connotations, the “mile wide, inch deep” model can in many fields be useful.  In informal use, a “neg mile” is a unit of “saved travel” (ie an expression of a distance not having to be travelled).  A “mile-a-minute” means literally “60 mph” but was an expression used generally to mean “fast”, dating on a time where such a pace really was fast and although the World’s LSR (land speed record) was in 1899 set at 65.79 mph (105.88 km/h) and cars capable of the speed were in volume production by the 1920s, until the development of freeway systems (which, at scale, really began only in the 1950s), a sustained 60 mph wasn’t an everyday reality for most.  Indeed, in 1957 the admittedly hardly state-of-the-art British railway system was described as offering “mile-a-minute” journeys and then, in most cases, point-to-point, it would have been the quickest method.

Lindsay Lohan and Herbie: promotional poster for Herbie: Fully Loaded (2005).  In the film, Herbie went faster than a “mile-a-minute”.

Although Herr Professor Ferdinand Porsche (1875–1951) wouldn’t have used the expression “mile-a-minute” when explaining to Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945) the dynamics of his KdF-Wagen, one of his claims was its ability to cruise “all day at 100 km/h” (ie a mile-a-minute) and that was true, the car unusual in being able to cruise at what was about its maximum speed.  That wouldn’t much have mattered were it not for the existence of the vast network of Autobahns Hitler was having constructed for a variety of reasons (job creation, military logistics, propaganda etc) but all those long roads and the KdF-Wagen were a perfect match.  The KdF-wagen (Kdf car) was notionally the product of the Gemeinschaft Kraft durch Freude (KdF, “Strength Through Joy”), the state-controlled organization which was under the auspices of the Deutsche Arbeitsfront (German Labor Front) which replaced the independent labor unions.  The car was soon renamed the Volkswagen Type 1 (people’s car) and it became better known in the post-war years as the “Beetle”, 21,529,464 of which left assembly lines between 1938-2003.  In the spirit of the KdF, in 1938 a scheme was announced whereby Germans could buy a Type 1 for 990 RM (Reichsmark) on the basis of depositing 5 RM per week.  The 990 RM was a number unrelated to economic reality and just an example of the regime’s propaganda but as things turned out, during the Third Reich (1933-1945) not one Type 1 was delivered to a civilian customer with the factory’s entire output allocated to the military or the Nazi Party.  It wasn’t until the early 1960s there were settlements in the last of the cases brought by those Germans who dutifully had for years continued to make their 5 RM deposits.

Since the 1580s the word had been used generically to mean “a great distance” and it’s used also as an intensifier, sometimes rather loosely and an expression like “the new beer tastes miles better than the old” is along the lines of a well understood phrase like “heaps of water”.  Although in idiomatic use, “mile” tends to imply something large, if an actual distance is being referenced, context matters because something said to have “missed by a mile” might literally have “missed by an inch”.  Related to that is the expression “a miss is a good as a mile” which means if one misses the target, often it matters not whether one missed by a fraction of an inch or a thousand miles..  If it’s said “give them an inch and they’ll take a mile” that means if someone is granted some slight right or concession, they will exploit that to take more.  In Middle English the word also was a unit of time, reckoned usually to mean “about 20 minutes”, reflecting how long it would take the typical, fit male to walk the distance.  The term "country mile" is an allusion to those those living in rural areas being allegedly prone to understating distances: when an inhabitant of somewhere remote referred to a place being "a few miles away", that could mean it was close by their standards of travel but it may well be twenty or more miles distant.  Phrases like "a couple of miles" or "a mile or two" were more encouraging but unlikely to suggest the "two miles" use in a city would imply.  Thus, "missed by a country mile" suggests being even more off target than "missed by a mile.   

A Chrysler Hemi-powered front-engined rail on California's Carlsbad Raceway's quarter-mile drag strip, 1964.  Operating between 1964-2004, the track was located six miles (10 km) inland from the Pacific Ocean in Carlsbad, on Palomar Airport Road at what is now Melrose Avenue.

The “quarter-mile” is literally one quarter of a statute mile (440 yards; 1,320 feet; 402.336 metres).  The emergence in the post-war United States of the sport of drag racing was a product of (1) dotted around the country there were a large number of tarmac airstrips which had become surplus with the end of World War II (1939-1945), (2) a large number of young men returned from service in the armed forces with sufficient disposable income to race cars and (3) a stocks of cars suitable to be “hotted-up” for use in acceleration tests.  The quarter-mile became the sport’s “standard distance” because of a mixture of cultural precedent and technical determinism (of the machines and the surfaces).  In the 1930s, even before “hot rodding” became a thing in the post-war years, young men were “street racing”, competing against each either from “light-to-light” or on semi-rural roads straight enough to be (1) suitable for purpose and (2) offering enough visibility to allow competitors to escape upon sighting a police car.  Many were informally measured (“tree-to-tree” for example) but some were better organized (air-strips even then used) and the quarter-mile was ideal because in the era a typical “well-set up” car could attain speed high enough to demonstrate its power and acceleration yet still be within the limits of safety imposed by most straight sections of road.  When the NHRA (National Hot Rod Association) was founded in 1951 to provide an organizational structure to street racing (and “get it off the streets” where it was becoming controversial), there was no debate about the default distance: a ¼ mile it was because that’s what just about everybody had been doing.

AC Shelby American Cobra 289 CSX2357 with parachute deployed at the end of test ¼ mile (400 m) run.  In drag racing circles, this is called “dumping the laundry”.

The object in drag racing was, from a standing start, to beat one’s competitor (classically drag races were conducted on two parallel lanes) by reaching the end of the quarter mile is less time and the winner was the one with the lowest ET (elapsed time); it didn’t matter if one’s opponent was travelling faster when crossing the line; it was all decided by the ET.  The TS (terminal speed) was of interest and sometimes an indication gearing was too high (ie a differential ratio numerically too low) meaning initial acceleration was suffering.  The sport produced sometimes shockingly single-purpose machines which did little very well except the quarter mile sprint, the ability to turn corners something of an abstraction and while good brakes were required, the fastest cars needed to be fitted with parachutes because if relying on conventional brakes, there was often not enough space to slow down before encountering a fence, tree or other solid object; even runways were only so long.  So drag racing was a balancing act between performance and safety and as it evolved into a multi-classification sport with categories ranging from genuine, stock-standard road cars to purpose built “rails” which looked like no car which had ever before existed.  Speeds began to rise and while in the 1930s 100 mph (160 km/h) at the end of the quarter mile was rarely attained, within decades, going beyond 300 mph (480 km/h) became common so for the fastest classes in top-flight competition the distance was reduced to 1000 feet (304.8 metres, 0.19 miles) and ⅛ mile (201 metres, 660 feet) racing has also formed a niche.