Thursday, August 17, 2023

Caprice

Caprice (pronounced kuh-prees)

(1) A sudden, unpredictable change, as of one's mind or the weather.

(2) A tendency to change one's mind without apparent or adequate motive; whimsicality; capriciousness; a disposition to be impulsive.

(3) In music, as capriccio, a term for a kind of free composition.

(4) A brief (and hopefully torrid) romance; a fling

(5) A model name used by General Motors (GM) in several markets.

1660-1670: From the French caprice (whim) & capricieux (whimsical), from the Italian capriccioso from capriccio (a shivering), possibly from capro (goat), from the Latin capreolus (wild goat).  Another theory, drawn from folk etymology, connects the Italian compound capo (head) + riccio (hedgehog) suggesting a convulsive shudder in which the hair stood on end like a hedgehog's spines.  The application in musical composition to describe a kind of free composition dates from the 1690s, the sense drawn from the Italian capriccio (the music characterized by a “sudden start or motion”); earlier it meant "a prank, a trick".  The closest synonym is probably whim but vagary, notion, fancy & fling can, depending on context, summon a similar meaning.  An act of caprice differs from a fiat in that the latter, although it may be arbitrary, is an authoritative sanction issued by those vested with a certain legal authority.  The descendents include the Danish kaprice, the German Caprice and the Romanian: capriciu.  Caprice & capriciousness are nouns, capricious is an adjective and capriciously is an adverb; the noun plural is caprices.

Famously capricious in her youth, Lindsay Lohan is now a mature and responsible mother.

Ford, and the rest of the industry, learned much from the Edsel debacle of the late 1950s.  Although unlucky to be launched into the teeth of the worst recession of the post-war boom, mistakes in conception, design and production had been many and may anyway have been enough to kill the thing.  The lessons learned had been expensive, depending on the source, a loss between US$250-300 million is usually quoted and that was at a time when a million dollars was a lot of money although how much of that loss was real or a product of taking advantage of accounting rules has never been clear.  None of the most expensive aspects to design and build (1) engine, (2) transmission, (3) suspension, (4) body platforms and (5) assembly plant production lines were unique to the Edsel, all being shared variously with other Ford, Mercury and Lincoln models; surprisingly little was exclusive to the Edsel, indeed that sameness was one of the complaints about a car which Ford had puffed-up as “all new”.  That essentially left interior and exterior trim, body panels, marketing and the distribution network to pay for.  Ford certainly lost a lot of money on the Edsel but perhaps not quite as much as the books suggest.  Still, it was a big loss and the corporate capriciousness wasn’t repeated in the 1960s.  The Edsel had been a bad implementation of a sound concept: a spread of brand-identities across a market with a wide price-spread so a corporation can achieve economies of scale using many of the same resources to produce products which to compete both at the low-end on cost-breakdown and in segments where prestige or exclusivity matters.  Ford’s notion was that General Motors (GM) and Chrysler were at the time better able to cover the market because both had more brand-names, GM having five: Chevrolet, Pontiac, Oldsmobile, Buick & Cadillac as did Chrysler: Plymouth, Dodge, De Soto, Chrysler & Imperial.  Ford had only three: Ford, Mercury & Lincoln (the short-lived Continental Division (1956-1957) a failure).

Thus the attraction of adding another, an idea which worked well with products like washing powder although, in the auto industry, costs tended to be higher and the model wasn’t essential to cover a broad market, Mercedes-Benz for decades successfully using the one brand for diesel taxis, trucks small and large, Formula One racing cars and cars up to the grandest limousines.  Indeed, the idea by Daimler-Benz to resurrect adopt the long moribund Maybach name to sit atop the range was a failure, reflecting the misunderstanding by the MBA-types involved of the value of the Mercedes-Benz brand which had been acceptable for kings, queens, popes, presidents and potentates.  Only salesmen with no background would think dotcom millionaires and the other newly-rich would be more attracted to Maybach than Mercedes.  Another brand might not have been a bad idea but Maybach should have been positioned as a platform for the front wheel drive and other categories which, frankly have only devalued the three-pointed star; while some have been good cars, they simply were not Mercedes-Benz as they once were understood. 

Nor is the idea infinitely scalable.  GM at one time had nine divisions and the pattern evolved that the brand names tend to appear in times of economic buoyancy (al la Edsel) and disappear during or after recessions (Edsel & De Soto after 1958; Imperial after the first oil shock, Oldsmobile, Pontiac, Mercury and Plymouth in the wake of the global financial crisis from 2008).  So, while the 1960s were about the most buoyant years yet, Ford didn’t repeat quite the mistake though they certainly repeated one aspect of the Edsel debacle although the implications of that wouldn’t play out for decades.

1965 Ford LTD.

In 1965, Ford reverted to the business model which had worked in pre-Edsel times and introduced the LTD as an up-market option for their full-sized Galaxie.  It seemed a good idea at the time and it was, the option proving popular with customers and lucrative for Ford, the option package costing about US$175 to install yet it added some US$335 to the sticker price and the psychology of turning the mainstream Ford into a “luxury car” seemed also to exert a pull on the buyers’ wallets because it was possible to work through the option list and add some 30% to the bottom line.  Unlike most Galaxie customers, LTD buyers were inclined to tick the boxes.  Even at the time, although generally impressed with the thing (and in fairness to Ford much attention had been devoted to some basic engineering to ensure it was quieter and smoother than before), reviewers did ponder quite what the effect of moving a Ford up-market would be on the companion Mercury Division, positioned since 1938 as up-market from Ford, yet well short of Lincoln.  The corporation aimed to solve that problem by maintaining some differentiation between the two brands and to some degree this worked for decades but eventually the point of maintaining three distinct layers had ceased to have value for Ford and in 2011 Mercury was shuttered.

1965 Ford LTD.

The LTD (it apparently meant “Lincoln Type Design” and not “Limited”) did though have quite an effect on the completion with the entry level ranges of others soon augmented with similar options.  Chevrolet called their effort the “Caprice”, Plymouth, like Ford” preferred a TLA (three letter acronym) and opted for “VIP” while AMC used “DLP” which apparently stood for “Diplomat”.  Of them all, only the Caprice and the LTD endured but the concept overtook the industry which switched increasingly to adding variations of their basic models with as many “luxury” fittings added as the budget would permit.  There were critics at the time who criticized all this as “gingerbread” but buyers responded and soon tufted, pillowed upholstery in crushed velour or even leather could be had in even the most humble showrooms.  A popular name for such models was “Brougham”, borrowed from a nineteenth century horse-drawn carriage named after a member of the UK’s House of Lords and even if most weren’t aware of the etymology, they knew it sounded suitably aristocratic which was all that mattered.  What came in retrospect to be known as the “brougham era” lasted into the 1980s.

1969 Chevrolet Caprice four-door hardtop.

While never the biggest sellers, dealers liked to have four-door hardtops on display because of the perception they generated showroom traffic and although the collector market prefers two-doors (especially convertibles), the four-door hardtops were often Detroit’s most ascetically successful coachwork for full-sized cars.  In 1969, Chevrolet restricted the Caprice range to two & four door hardtops because the more elaborate interior trim (compared to the cheaper Biscayne, Bel Air & Impala) was more susceptible to sun damage which precluded offering a convertible.  That may have been the reason why in the same era some European manufacturers switched from timber veneer to leather for some vulnerable surfaces in a few convertibles although the published explanations were sometime different.  Improvements in the durability of materials meant that when the revised range was released in 1973, a convertible Caprice was added to the range.

1981 Holden WB Caprice.

Holden, the General Motors operation in Australia began selling their own Caprice in 1974.  In the tradition it was a more elaborately-appointed version of an existing model and in GM tradition replaced an existing badge as the top-of-the-range, the Statesman de Ville relegated to become the entry-level of the long-wheelbase cars, the basic Statesman (always aimed at the hire-car business) retired, mirroring Ford which dropped its Fairlane Custom and, adding a Marquis (a name borrowed from Mercury) as a Caprice competitor atop the Fairlane 500.  The Statesman & Caprice never quite matched the appeal of the competition but it did go out in surprisingly fine style, the WB range (1980-1984) a remarkably successful re-styling of the HQ-HJ-HX-HZ platform (1971-1980) which endured for almost half a decade after the smaller, Opel-based Commodore had replaced the mainstream models.  Developed in unusual secrecy, Holden were miffed to learn Ford’s ZJ Fairlane & FC LTD (released in 1979) had beaten them to the market by six months and included the additional side window they’d hoped would make such a splash on the WB.  Instead, they made much of the Caprice having a grill made from steel.  Not that long before, all grills had been made from steel but most had long switched to extruded plastic so to have one genuinely hand-assembled in steel was a point of differentiation although the public response was muted.  Despite the age of the platform, the attention to the underpinnings which began to be taken seriously after 1977 meant the thing was a capable, if thirsty road car and among the dedicated customer base, there was genuine regret when production ended in 1984.  In 1990, Holden revived the name for a stretched Commodore (some of which were even exported to the US and the Middle East to be sold as Chevrolets) and production continued until the Australian operation was shuttered in 2017.

Stunt

Stunt (pronounced stuhnt)

(1) To stop, slow down, or hinder the growth or development of; dwarf; arrested development.

(2) In botanical pathology, a disease of plants, characterized by a dwarfing or stunting of the plant.

(3) A performance displaying a person's skill or dexterity, as in athletics; feat.

(4) Any remarkable feat performed chiefly to attract attention.

1575-1585: From the dialectal stunt (stubborn, dwarfed), from the Middle English stont & stunt (short, brief), from the Old English stunt (stupid, foolish, simple (as in stuntspræc "foolish talk")), from the Proto-Germanic stuntaz (short, compact, stupid, dull).  It was cognate with the Middle High German stunz (short, blunt, stumpy) from the Proto-Germanic stuntaz (short, truncated), and the Old Norse stuttr (short in stature, dwarfed).  It was related also to the Old English styntan (to make dull, stupefy, become dull, repress).

The origin of the noun use of stunt is obscure although all agree it’s of US origin circa 1878 and some sources suggest it was originally college sports slang though without evidence of youthful coinage.  Links have been suggested to the Middle Low German stunt (a shoulder grip with which you throw someone on their back), a variant of the colloquial stump (dare, challenge) (1871), the German stunde (literally "hour") and the Middle English stunt (foolish; stupid) but no documentary evidence exists.  The noun in this sense certainly caught on, applied particularly to aerobatic display by aircraft and gained a new life when Youtube and its imitators provided a platform.  Stunt historically was a verb, the familiar noun a later form, the earlier noun was stuntedness, the adverb is stuntingly and the adjectives stunty & stunted.

Lindsay Lohan with body double in Irish Wish (left) and in Falling for Christmas (centre) in which for the skiing scenes she used a stunt double (right).

In Film & television production, the terms "stunt double" & "body double" are sometimes used interchangeably but by convention they describe different roles.  The classic stunt double is engaged to perform those parts of the script which call upon an actor to do something especially physically demanding which typically requires special skills and may involve some risk; there there has been an injury toll among stunt doubles with deaths are not unknown.  The term body double is usually used of those engaged (1) to appear in scenes in which an actor wishes not to appear (such as those involving nudity) or (2) to permit something to be filmed which would otherwise defy the laws of nature (such as an actor having a conversation with themselves).  Advances in technology mean the laws of nature now are little obstacle to the impossible being depicted but many actors still have "no-nudity" clauses in contracts although the profession is now much concerned the combination of digital editing and artificial intelligence (AI) will soon render even all this obsolete.  Actually, at the technical level, flesh & blood actors might soon be (or already are) obsolete but their hope is audiences will continue to demand real people playing the parts.  Time will tell.  In her recent Netflix projects, Lindsay Lohan used a body double in Irish Wish (now slated for release in early 2024) but in Falling for Christmas (2022) needed a stunt double for the skiing scenes, the role taken by Rian Zetzer (b 1996), a Salt Lake City-based former competitive mogul skier and sponsored free-skier.

The Cunning Stunts (1977-1982)

Feminist theatre, although with identifiable roots in the Weimar Republic (Germany: 1918-1933), came to be recognized, theorized, and practiced during the 1970s in the wake of second-wave feminism.  Although it encompassed diverse theatrical work, it’s always been most associated with the overtly political, a movement motivated by the recognition of and resistance to women’s marginalization within social and cultural systems that reinforce male privilege and dominance.  In this it acted out a resistance to mainstream, male-dominated theatre culture and revived long-neglected works and performances by women from the dramatic texts of Hrotsvitha (circa 935–973), plays by Restoration playwrights such as Aphra Behn (1640–1689), Mary Pix (1666–1709) & Susanna Centlivre (circa 1669-1723) and dramas by the Edwardian activists most interested in suffrage, Elizabeth Baker (1876–1962), Cicely Mary Hamilton (1872–1952), Elizabeth Robins (1862–1952), & Katherine Githa Sowerby (1876–1970).

What emerged from the second wave came largely to be defined by three types of feminism: bourgeois/liberal, radical/cultural & socialist/materialist.  Critics treated the three in a hierarchical construct of respectability, bourgeois/liberal feminism treated as politically the weakest given it neither endorsed radical feminism’s desire to overthrow patriarchy in favor of women’s social, cultural and sexual empowerment, nor advocated the radical transformation of society’s economic, political and social structures as socialist/materialist feminism did.  Each dynamic had its aesthetic counterpart: bourgeois/liberal feminism remained attached to conventional realistic forms, but sought a greater role for women within the confines of traditional dramatic writing; radical/cultural feminism, heavily influenced by French theorists, explored a women’s language; socialist/materialist feminism found its aesthetic in the Brechtian legacies of presentational forms, techniques and performance registers.

In this milieu, the debut in London in 1977 of the feminist performance collective Cunning Stunts was unexpected.  Neither overtly nor even identifiably political, they were something of a reaction to feminist theatre itself, the members noting feminist “alternative theatre” had become elitist and they wanted a more accessible and spontaneous performer’s platform rather than a writer’s or director’s theatre, one which not only displayed the absurdity of male behavior but presented women being funny, flouting the prevailing glamorous image of women as entertainers.  The shows were musical, visual, highly energetic and existed mostly to offer fun rather than any political or cultural critique although later productions, such as Opera, said to use their “…versions of archetypal symbols and mythological characters drawn from astrology, matriarchal societies… to express the experiences of living as wimin (sic) in a male strangulated world” did suggest other agendas remained of interest.

Suffering the internal conflicts perhaps endemic to collectives, the Cunning Stunts dissolved in 1982, having seemingly worked their concept dry.  In the UK, much alternative theatre didn’t survive the 1980s, the Thatcher government dismantling many of the often left-wing local authorities which had provided a substantial proportion of the funding.

Wednesday, August 16, 2023

Sneaker

Sneaker (pronounced snee-ker)

(1) A high or low shoe, notionally intended to be worn when playing sport or other recreational activities, usually with a rubber or synthetic sole and uppers of canvas, leather or a synthetic material (sold as “a pair of sneakers”).

(2) One who sneaks; a “sneak”.

(3) A vessel of drink (a now archaic UK dialect form).

(4) A large cup (or small basin) with a saucer and cover (Indian English, now largely archaic).

(5) In biology, as “sneaker male”, a male animal which pretends to be a female to get close to a female, thereby increasing their chance of mating.

(6) In marine hydrology, disproportionately large coastal waves which can without warning appear in a wave train.

1550s: The construct was sneak + -er.  The origin of sneak is uncertain.  It may be from the thirteenth century Middle English sniken (to creep, to crawl), from the Old English snīcan (to creep, to crawl), from the Proto-West Germanic snīkan, from the Proto-Germanic sneikanan or snīkaną (“to creep, to crawl”) which is related to the root of both snail & snake.  Similar forms include the Danish snige (to sneak), the Swedish snika (to sneak, hanker after) and the Icelandic sníkja (to sneak, hanker after).   Alternatively, there may be a link with snitch, also of uncertain origin.  Snitch may be an alteration of the Middle English snacche (a trap, snare) or snacchen (to seize (prey)), the source of the modern English snatch.  A parallel evolution in Middle English was snik & snak (a sudden blow, snap).

The alternative etymology is as a dialectal variant of sneak.  The noun emerged in the 1590s as a development of the verb (as implied in “sneakish” in the sense of “creep or steal about privately; move or go in a stealthy, slinking way” and most etymologists have concluded it was probably a dialectal survivor from the Middle English sniken from the Old English snican, from the Proto-Germanic sneikanan.  The –er suffix was from the Middle English –er & -ere, from the Old English -ere, from the Proto-Germanic -ārijaz, thought most likely to have been borrowed from the Latin –ārius where, as a suffix, it was used to form adjectives from nouns or numerals.  In English, the –er suffix, when added to a verb, created an agent noun: the person or thing that doing the action indicated by the root verb.   The use in English was reinforced by the synonymous but unrelated Old French –or & -eor (the Anglo-Norman variant -our), from the Latin -ātor & -tor, from the primitive Indo-European -tōr.  When appended to a noun, it created the noun denoting an occupation or describing the person whose occupation is the noun.  Sneaker is a noun; the noun plural is sneakers.

Reader's Digest published a number of maps illustrating regional variations in the way things are described in the US.  While they didn't seem to indicate there was a costal v flyover linguistic divide, the Mason-Dixon line did seem to have some influence and there was something of an east-west divide.  One outlier however was "sneakers" which was found predominately to be prevalent only around the north & south Atlantic coasts, the rest of the country preferring "tennis shoes" while there were pockets in the Mid-West where "gym shoes" had traction.  The publication noted their map represented only the dominant form and that all forms (and other) could be found throughout the land.

According to Google Trends, in on-line shopping, while the numbers bounce around, they do so within a range and "sneakers" remains statistically dominant.

The noun sense of sneak as “a sneaking person; person of selfish and cowardly temper and conduct” dates from the 1640s a development from the verb; by 1700 it was used to describe “the act or practice of sneaking”.  The transitive sense of “stealthily to insert” was known by the mid-seventeenth century while that of “partake of or get surreptitiously” dates from 1883.  The phrase “to sneak up (on someone or something)” was in use by 1869.  As an adjective (in reference to feelings, suspicions etc) it was used in the sense of “not openly vowed, undemonstrative” from 1748 while the “sneak-thief” (one who enters through unsecured doors and windows to steal) was first so describe in 1859.  “Sneak previews” were originals viewings of movies held before their public release for friendly critics and others likely to provide helpful publicity, the phrase first used in 1938.

Nike Dunk SB Low Freddy Kruger (US$30,000), a tribute to the villain (or hero; opinions differ) in the Nightmare on Elm Street films, the Nike swoosh a nice allusion to the blades in the famous gloves.

The noun use of sneaker to describe certain rubber-soled shoes was in use by at least 1895 and thus (even if tangentially) linked to the use in the 1590s sense of “a sneak; one who sneaks around”).  The use for shoes was of course based on rubber-soled shoes being essentially noiseless in contrast to those which leather soles which were usually fitted with protective metal heel & toe plates to reduce wear.  A slang term for any soft-soled (usually rubber) shoe was “brothel creeper”, based on the idea that men who frequented such places preferred to do so silently so as not to be conspicuous.  The original term was actually “sneak”, first documented in accounts of prison life in 1862 as prisoners’ slang for both the wardens who at night wore “India-rubber shoes” and the shoes themselves.  The same issue was noted by the Nazi war criminals held in Spandau Prison between 1947-1987.  The prisoners had complained the heavy boots worn by the guards disturbed them but when the authorities issued rubber-soled footwear they found it harder to undertake un-noticed their many surreptitious activities.

There are a number of alternative names for the shoes.  Some are obvious such as “basketball shoes” or “tennis shoes” and “sports shoe” is a classic generic but plimsole has also endured in some places.  That was based on the “Plimlsoll Line” (originally Plimsoll’s Mark) which was a line painted on the hull of British ships to mark the point the waterline was allowed to reach before the vessel was declared overloaded.  It was named after English Liberal MP Samuel Plimsoll (1824-1898), a strident advocate of shipping reforms (many of which were codified in the Merchant Shipping Act (1876) including the “Plimsoll mark”).  Plimsoll came into use in 1907 to refer to rubber-soled, canvas shoe because the band around the shoes holding together the two parts evoked an image of the line on ships.  The spelling quickly shifted to “plimsole” because of the sound association between “soll” and “sole”.  An earlier form was “tacky” (also as “tackie”) which was probably of Dutch or Afrikaans origin, or else from tacky (slightly sticky), a quality associated with rubber, especially before the introduction of vulcanization.  In South Africa, tacky is used not only of rubber-soled shoes but also of car type and often other things made from rubber.

Lindsay Logan, nueva embajadora de Allbirds (the new Allbirds ambassador), possibly on a Wednesday.

In 2022, Allbirds appointed Lindsay Lohan as an ambassador for its "Unexpected Athlete" campaign, focusing on her for the new limited edition of its most successful sneakers (they seem to prefer "running shoe") to date, the Tree Flyer.  The promotional video issued for the announcement was nicely scripted, beginning with Ms Lohan’s perhaps superfluous admission that as an ambassador for running “I am a little unexpected" before working in a few references to her career in film (showing again a rare sense of comedic timing), fondness for peanut butter cookies and the odd social media faux-pas, many of which she's over the years embraced.  The feature shoe is the "Lux Pink" which includes no plastics.  As a well-known car driver and frequent flyer who has for years lived in an air-conditioned cocoon in Dubai, it’s not clear how far up the chart of conspicuous consumption Ms Lohan has stamped her environmental footprint but US-based footwear and apparel company Allbirds claims its design, production & distribution processes are designed to make its products as eco-friendly as possible.  It is a certified “B Corporation”, a system of private certification of for-profit companies of their "social and environmental performance" conferred by B Lab, a non-profit organization which aims to provide consumers with a reliable way to distinguish the genuinely environmentally active from those which cynically “greenwash”.

Lindsay Lohan, Allbirds “Unexpected Athlete Ambassador”.

They’re known also as “gym shoes”, “leisure shoes”, “sandshoes”, “kicks”, “trainers”, “training shoes” and running shoes and in Australia, until the 1990s, one big-selling (and still manufactured) model (the Dunlop Volley) almost universally known as “the Dunlop” and shoe shops do document the difference between “basketball shoes” and “basketball boots”, the latter with an upper built higher to afford greater protection for the ankles.  Interestingly, sneakers (however described) have become something of a cult and many expensive variations are available although analysts see to believe much of the price-tag is can be attributed to profit rather than development or production costs and, like the luxury handbag market, there are claims of “limited availability” and “restricted customer list” but most conclude that usually the only “limit” is demand although some genuine short production runs have been verified, usually for promotional purposes.  They’ve become also an item frequently stolen and among certain demographics, being assaulted so one’s sneakers can be stolen is a not uncommon experience.  Somewhat related to that cultural phenomenon has been the emergence of an after-market for “collectable” or “vintage” sneakers never to be worn and preferably still in their original packaging.  The record price paid at auction is apparently US$2.2 million but some new sneakers associated with celebrities list at as much as US$25,000, intended presumably endlessly to be traded as collectables rather than worn, much in the manner of some of the rarest exotic cars which even the manufacturers admit are produced for just that market.

Squiffy

Squiffy (pronounced skwiff-e)

An informal term describing someone somewhere on the spectrum of drunkenness, now used mostly of mild yet obvious intoxication.

Late 1800s: Based on the surname Asquith and coined because of habit of Herbert Henry Asquith (1852–1928; UK prime-minister 1908-1916) in appearing in the House of Commons, visibly affected by alcohol.  From this he earned (and richly deserved) the sobriquet “Squiffy".  Squiffy, squiffier, squiffiest & squiffed are adjectives, squiffiness & Squiffite are nouns and squiffily is an adverb; historically, the the most common noun plural was Squiffites.  The concocted noun squiffinessness is wholly jocular and sometimes appropriate. 

HH Asquith was brought up in a provincial household in the puritan tradition where alcohol was rarely served but, after a second marriage in which he took a socialite wife and began to move in the circles of London’s glittering society, his fondness grew for fine wines and spirits.  These tastes he took with him when he entered parliament in 1885 and his assumption of the premiership two decades later did little to diminish his thirst.

Henry & Venita.

Nor did it seem to affect his vitality.  In his early sixties he became quite besotted with Venetia Stanley (1887-1948), the twenty-five year old best friend of his daughter and between 1912-1915 he would spend much time in cabinet writing her love letters.  One would have thought a British prime-minister might have much else on his mind in during these years, but “old squiffy” seemed to fit it all in, Andrew Bonar Law (1858–1923; UK prime-minister 1922-1923) admitting at the time that Asquith “when drunk could make a better speech than any of us sober”.  Sometimes though, even for him, it proved too much.  After one very long lunch left him more than usually squiffy, he fell asleep in the house, unable to be roused to speak in support of his bill dealing with the Church of Wales, leaving its carriage to the postmaster general Herbert Samuel (1870–1963) and attorney-general Sir Rufus Isaacs (1860–1935).  It prompted Arthur Balfour (1848–1930; UK prime-minister 1902-1905) to assure the good people of the Welsh Church that all would be well because the matters were in the hands of “…one drunken Christian and two sober Jews.”  The laws of of the nation have since sometimes been in less capable hands. 

Anti-squiffiness device: Lindsay Lohan wearing one of AMS's (Alcohol Monitoring Systems) SCRAMs (Secure Continuous Remote Alcohol Monitoring).

He led the government for eight-odd years, his first cabinet in 1908 probably the most lustrous of the century and his fall from office probably little to do with alcohol, his character simply not suited to lead a government during wartime.  In subsequent years, he retained a following that became a faction of the Liberal Party and which would be a notable factor in British politics; they were called the Squiffites, a formation easier on the tongue than Asquithite.  English has a rich vocabulary of synonyms for drunk including buzzed, inebriated, laced, lit, magoted, muddled, pissed, plastered, potted, sloshed, shit-faced, squiffy, stewed, tanked, tipsy, totaled, wasted, boozed, groggy, juiced, liquored, tight, under the influence & under-the-table; not all are used in every country and some overlap with descriptions of the effects of other drugs but it’s an impressively long list.  One interesting aspect of the use of squiffy is that it tends to be used with a modifier: the practice being to say “a bit squiffy” or “a little bit squiffy” and it seems now more applied to women.

There may on 4 August 2021 have been some sort of equipment malfunction somewhere in the apparatus used to record and broadcast parliamentary questions from the Australian House of Representatives because many viewers concluded the deputy prime-minister was a bit squiffy.  Question time is held at 2pm (just after lunch).  One constituent wrote to the speaker’s office to enquire and received an assurance from a staff member it’s not possible for a member to appear in the house while squiffy.  Her prompt response was helpful.

The Hon Barnaby Joyce MP (b 1967; thrice deputy prime-minister of Australia, 2016-date (the gaps due to "local difficulties")), House of Representatives, Canberra, Australia, 4 August 2021.  For observers of Mr Joyce who may be searching for the right word, when one is obviously affected by squiffiness, one may be said to be squiffed or squiffy; the comparative being squiffier and the superlative squiffiest.

Tuesday, August 15, 2023

Acnestis

Acnestis (pronounced ak-nees-tis)

(1) In zoology, the area of skin on the part of the back between the shoulder blades and the loins which an animal cannot reach to scratch.

(2) By extension, in humans, much the same thing.

1700s: From the Late Latin acnestis, the from Koine Greek κνηστις (áknēstis) (spine), from κνστις (knêstis) (spine, cheese-grater).  There are theories it may have been as construct of - (a-) + -κναίειν (-knaíein) (grate, scrape, scratch) (only attested in compounds) or from an incorrect segmentation of κατ κνστιν (katà knêstin) (on the spine) (based on translations of Homer’s Odyssey), ultimately from the primitive Indo-European kneh.  Acnestis is a noun; the noun plural is acnestises.

#Freckles: The acnestis area on Lindsay Lohan’s back.

Based on the earliest known texts in which the word appears, it was defined as: “That part of the spine of the back, which reaches from the metaphrenon, [then used to describe the areas between the shoulder blades] and the loins” and use was limited only to “those quadrupeds unable to reach it to scratch”.  The word has been used figuratively of political problems which are persistent & troubling yet we seem to lack the means to solve; they remain thus intractable: “In what has to be the longest post-election season in living memory, the last five months have felt like an acnestis upon our collective soul; like that little patch of skin on our backs that we just can't reach to scratch ourselves.  It's irritating.  It's annoying.  It's left us reaching and spinning around in circles.”  (A Wish List to Soothe Our Collective Itch, New Straits Times, Kuala Lumpur, Malaysia, 5 August 2008.

It’s a linguistic curiosity that few dictionaries bother to list acnestis yet “back scratchers” seem to have been part of the domestic inventory of humans for about as long as the reliable archaeological record extends.  The conscientious Oxford English Dictionary (OED) includes an entry while noting it is “rare in genuine use” and that’s presumably always been the case even among zoologists.  It’s another of those words which has gained a (sort-of) niche in the internet age as lists of strange, obscure or unusual words have proliferated.  However, if acnestis never became a fashionable word, the ongoing popularity of back-scratchers (whether designed for the purpose or improvised from whatever fell to hand) confirms the condition remains endemic and in one episode of the the television cartoon series The Simpsons, Mr Burns (evil owner of the nuclear power-plant) lamented that because of an act of embezzlement by Homer Simpson (who needed the money for a proprietary baldness cure), he couldn’t afford to buy “the ivory back-scratcher” he desired.

A back-scratcher of nielloed steel and silver with gold inlaid, dating from circa 1601-1625 from the Mughal dynasty who ruled the Mughal Empire (circa 1526-1857).

It’s thought to have been crafted in Bidar, India using a method called “bidri”, a metal-working technique unique to India in which objects were fabricated from an alloy (95% zinc; 5% copper), colored a rich matt black and inlaid with silver.  The name Bidri is from the Deccani city of Bidar where the process is thought to have originated.  The back-scratcher has jeweled mounts while the be-ringed hand and the Makara (from the Sanskrit मकर and Romanized as Makara, a legendary sea-creature in Hindu mythology which, in Hindu astrology, is equivalent to the Zodiac sign Capricorn) head unscrews to reveal sharp blades.  During the nineteenth century, it was exhibited at the Society of Antiquaries and at the Archaeological Society and the unusual nature of the design induced lively debates about its function.  There was speculation it may have been a pointer used with holy manuscripts but most have concluded it was a back-scratcher for some rich or eminent person.

It’s now on permanent exhibition at the British Museum and the institution provides curatorial notes: “The object was dis-assembled (each terminal unscrewed to reveal a short flat pointed tool (dragon head terminal) and a longer chamfered blade (hand terminal).  The steel tool and blade were cleaned with acetone.  The object overall was cleaned using cotton wool swabs dipped in Silvo.  Cotton wool swabs dampened in White Spirit and then acetone were used to remove any traces of Silvo and to complete cleaning and degreasing of the surface.  Some areas of firestain remain”.  In the periodic conservation cleaning, the method uses Silvo copper polish, acetone propan-1-one & dimethyl ketone, white spirit composition & petroleum distillate.

Bear solves acnestis issue.

Ayatollah

Ayatollah (pronounced ah-yuh-toh-luh)

In Shiʿite Islam, a high title in the religious hierarchy achieved by scholars who have demonstrated advanced knowledge of Islamic law and religion.

1300s: A Persian word from the Arabic āyat (sign, testimony, miracle, verses of the Qurʿān) and allāh (God).  The Arabic ayatu-llah is literally "miraculous sign of God", the word Ayatollah (āyatullāh) best translated as “sign of God” although there are variations.  Word originates from passage 51:20–21 in the Qurʿān which the Shi'a, unlike the Sunni, interpret to mean human beings can be regarded as “signs” or “evidence” of God.  It’s most familiar now from the Islamic Republic of Iran, the Persian آیتالل romanized as āyatollāh where it’s an honorific title for high-ranking Twelver Shia clergy in Iran (and now also Iraq) that came into widespread use in the mid-late twentieth century.  There are variants: āyatallāh fī al-anām (آية الله في الأنعام), literally “Sign of God among mankind”, āyatallāh fī al-ʿālamayn (آية الله في العالمَین), literally “Sign of God in the two worlds”, fī al-ʿālamīn (في العالمین‎), literally “in the worlds” and āyatallāh fī al-warā (آية الل في الوراء), literally “Sign of God among mortals”.

Ayatollah (āyatullāh) is an honorific title in the clerical hierarchy in Twelver Imamite Shiism, bestowed by popular usage on those who have demonstrated outstanding scholarship both in Islamic jurisprudence and the holy Qur’ān.  Although the title had existed since medieval times, until well into the twentieth century, use was restricted to senior clerics (mujtahids) of Persian origin.  An imitation of the title ill Allāh (shadow of God) was traditionally applied to Persian Islamic rulers, which was confirmed by the use of āyat Allāh zādah (son of ayatollah), a counterpart of shāh zādah (son of the shah).  The first reputed bearer, Ibn al-Muahhar al-illī (d 1374), was styled Ayatollah in the twelfth century but it remained rare and didn’t come into general use until the late Qājār period (1796-1925) when, in 1922, Abd al-Karīm āʿirī-Yazdī founded the new theological centre of Qom.

Besides being a fully qualified mujtahid, the scholarship and theological authority of an aspiring ayatollah must be acknowledged by both his peers and followers.  In the period between the end of the Ottoman Empire in 1922 and the 1979 Iranian revolution, the title ayatollah became (although rare until the 1940s) clerically more ubiquitous, extended even (against their own traditions) to Sunnī religious dignitaries although, in Iran, the Sunni community does not use the title and it remains rare outside of Iran although in Iraq, is remains available to clerics of Iranian origin.  After the 1979 Iranian revolution, there were significant changes.  The title became more exclusive and a seven tier hierarchy was codified, including the role of nāyib-i imām (lieutenant of the imam), reflecting the assumption of both temporal and spiritual power by Ayatollah Khomeini who anyway removed any suggestion of collective theocratic rule with his adoption of the title imām, something historically unusual in Twelver Shīʿī.  Until then, the concept of niyābat (general vicegerency of the Hidden Imam) was purely theoretical.

Thoughts of Ayatollahs

"An Islamic regime must be serious in every field. There are no jokes in Islam. There is no humor in Islam. There is no fun in Islam. There can be no fun and joy in whatever is serious."

Ayatollah Ruhollah Khomeini (1900-1989; Supreme Leader, Islamic Republic of Iran, 1979-1989).

"The Victorian government must be serious in every field. There are no jokes in Victoria. There is no humor in Victoria. There is no fun in Victoria. There can be no fun and joy in whatever is serious."

Grand Ayatollah Daniel Andrews (b 1972), premier of the Australian state of Victoria since 2014.

The title Grand Ayatollah (Ayatollah al-Uzma) (Great Sign of God) is sometimes misunderstood and in none of the strains of Islam does a defined hierarchical clerical structure exist in the manner of the classical theocratic model employed in the Roman Catholic Church.  Being a Grand Ayatollah is not necessarily an indication of a place of high authority in any administrative structure.  Grand Ayatollah was a (historically rarely granted) honor and one afforded to an Ayatollah whose contribution to learning and knowledge of the holy Koran is such they are considered Marja'-e-Taqlid, (Grand Ayatollah now the usual form).  Although, practices have varied, for the title to be conferred, an Ayatollah would have been expected to have produced a substantial body of Islamic scholarship but analysts have concluded the favored works have tended to be those reflecting Koranic orthodoxy and of practical application rather than abstract explorations of the esoteric.  Again, because it’s not a centralized system, the number of active Grand Ayatollahs in Iran isn’t clear but they’re said to number in the dozens.

As a formal prelude to achieving the status, a treatise (risalah-yi'amaliyyah) (practical law treatise) is usually published, almost always a work which draws on and reinforces earlier traditions rather than anything new or controversial.  In this it’s more like the modern Western PhD dissertation, many of which appear not a genuinely new contribution to much.  The convention however works in conjunction with the political structures of state which in 1979 were absorbed by the revolution.  Upon assuming office as Supreme Leader in 1989, Ali Khamenei (b 1939) was granted the title Ayatollah although there appears to be no great history of Koranic scholarship and certainly not the customary risalah-yi'amaliyyah.  In recent years, there seems also to have been a bit of a nudge by the state-controlled media which sometimes refer to him as Grand Ayatollah or even Imam.  Foreign monitoring agencies however have reported the Iranian people seem unresponsive to the prodding and use of “Imam” seems still a historic reference only to the late Ayatollah Ruhollah Khomeini.

There has been a bit clerical inflation since the death of the Imam.  Although there exists in Shia Islam no codified hierarchical structure of ecclesiastical offices, observers have identified shifting conventions which move with the political climate of the day.  Possession of the more exalted titles used to depend on popular assent, granted only to the most prominent religious figures and those who were of necessity a Mujtahid, an important pre-condition being a demonstrable superiority in learning (aʿlamīyat) and authority (riyāsat) the latter definitely demanding popular support.  Not unrelated too, as structuralists like to point out, it helped if one was good at raising religious taxes (Khums).  Plus ça change...

Some presumably un-intended mission-creep resulted from the Imam’s educational reforms intended to secure the primacy to Koranic teaching.  The restructuring of the Shia seminaries created four layers of structured scholarship, those clerics attaining the highest qualification styled as Dars-e-Kharej (beyond the text) and thus assuming the title of Ayatollah.  Being an Islamic state, bureaucratic progression in the state bureaucracy was assisted by the qualification and the numbers graduating increased, the dynamic driven also by (1) a worsening economy which made state-sector employment increasingly attractive and (2) the unlimited ability of the seminaries to offer course to fee-paying students.  By 2017, it was estimated over three thousand clerics in Iran were calling themselves Ayatollah.

To mark “Mean Girls Day” on 3 October 2019, the Israeli Defense Force (IDF) took to X (the app then known as Twitter) and trolled Iran's supreme leader Ayatollah Ali Khamenei, Hezbollah leader Hassan Nasrallah (b 1960) and then Quds Force commander Qassem Soleimani (1957-2020), photoshopping the trio into a well-known scene from the film, labeling the image “There’s no one meaner than the mean girls of the Middle East” and advising the twitterati: “Don’t sit with them”.  It wasn’t the first time the Jewish state had deployed the movie against the ayatollahs: In 2018, in response to Ayatollah Khamenei calling the Jewish state a “cancerous tumor” which “must be eradicated,” the Israeli embassy in Washington posted a Mean Girls GIF asking “Why are you so obsessed with me?  On both occasions, the ayatollahs ignored the IDF's provocations.