Viscous

Viscous (pronounced vis-kuhs)

(1) Of a glutinous nature or consistency; sticky; thick; adhesive; having relatively high resistance to flow; Having a thick, sticky consistency between solid and liquid.

(2) Having the property of viscosity; of or pertaining to viscosity.

1350–1400: From the Middle English, from the Middle French visqueux and the Late Latin viscōsus, the construct in Latin being visc(um) (mistletoe, birdlime (made with mistletoe berries)) + -ōsus.  The –ōsus suffix (familiar in English as –ous) was from Classical Latin from -ōnt-to-s from -o-wont-to-s, the latter form a combination of two primitive Indo-European suffixes: -went & -wont.  Related to these were -entus and the Ancient Greek -εις (-eis) and all were used to form adjectives from nouns.  In Latin, -ōsus was added to a noun to form an adjective indicating an abundance of that noun.

Lindsay Lohan assessing the viscosity of engine oil in Herbie: Fully Loaded (2005).

Viscous is a word widely used in many fields to impart the idea of stuff which (literally or figuratively) tends to stick together, usually in comparison with other stuff which in similar circumstances to some extent separates.  One of the most established instances of use is in clinical psychology where its used to refer to the behavioural tendency in patients repetitively and circumstantially to talk about a restricted range of topics, something identified as common in patients with temporal lobe epilepsy (TLE).  These patients are said also to exhibit heightened levels of social cohesion and the tendency to become "interpersonally clingy" which manifests in prolonging interpersonal encounters.  Clinicians have as a tool the Bear-Fedio self-report viscosity scale although it appears to be something which may be of most use when results are aggregated as a large data set because while one study found a laterality effect (left TLE patients exhibited greater viscosity than right TLE patients), other investigators using Bear-Fedio found no effect.  It’s thought the contradictory findings may be a result of the small (five) number of items on the scale and Bear-Fedio fails to discriminate repetitive circumstantial speech from increased social cohesion so it may be that laterality effects, when observed, are associated with one of these behaviors and not the other.

Lindsay Lohan in Herbie: Fully Loaded: Viscosity in action.

Synonyms include slimy, gooey, syrupy, adhesive, clammy, gelatinous, stiff, tenacious, thick, tough, glutinous, mucilaginous, viscid, gluey and ropy and the antonym is inviscid.  Although the comparative is more viscous and the superlative most viscous, in chemistry, engineering and physics, technical terms line extraviscous semiviscous and hyperviscous abound.  In science and engineering the derived terms include hyperviscous, pseudoviscous, elastoviscous, electroviscous, gyroviscous, isoviscous, nonviscous, semiviscous, ultraviscous, viscous damper, viscousless & viscosimeter.  Viscous, viscid, viscoid & viscoidal are adjectives, viscously is an adverb, viscousness, viscosity, viscose & viscidity are nouns.   

Kim Jong-un (b 1983), Supreme Leader of DPRK (Democratic People's Republic of Korea (North Korea)), admiring the viscosity of industrial lubricant.

In the physics of fluid dynamics, viscosity is the quantity expressing the magnitude of internal friction in a fluid, as measured by the force per unit area resisting uniform flow.  Many industrial lubricants have high viscosity and low viscosity lubricants typically are used in light-duty applications where lower loads (and consequently lower temperatures) are present.  Viscosity is a measure of the frictional force between adjacent layers of fluid in motion.  A fluid with no resistance is called an ideal (or inviscid) fluid but such substances exist only in controlled laboratory conditions because the second law of thermodynamics requires all fluids to have positive viscosity.  Fluids with a high viscosity, such as pitch (aka bitumen, asphalt or tar), can appear to be a solid but experiments, conducted over decades, confirm their flow.

Cravat

Cravat (pronounced kruh-vat)

(1) A cloth, usually of wool or silk and trimmed with lace, worn about the neck by men; especially popular in the seventeenth century.

(2) A decorative fabric band or scarf worn around the neck by women (obsolete).

(3) In modern use, a type of necktie worn by men, having long ends hanging in front, the most elaborate form of which is the “dress cravat”, “Ascot band” or “Ascot tie”.

(4) In medicine, a bandage made by folding a triangular piece of material into a band, used temporarily for a fracture or wound.

(5) As “hempen cravat” a euphemism for the hangman’s noose (hemp a fibre used to make rope.

1650-1660: From the French cravate, an appellative use of the French Cravate (Croat), from the Dutch Krawaat, from the German Krawatte, from the Serbo-Croatian/Хр̀ва̄т (Hr̀vāt) (Croat).  The name was adopted because the neck adornments were worn by Croatian mercenaries serving in the French army during the Thirty Years' War and was quickly absorbed into French fashion.  Cravat is a noun, cravatting is a verb and cravatted is an adjective (both verb & adjective are now rare); the noun plural is cravats.

Military influences in fashion are not unknown and cravats came into fashion in France in the mid-seventeenth century in imitation of linen scarves worn by the Crabats, formations of light cavalry forces which as mercenaries were attached to forces which fought on the side of the Catholic League in the Thirty Years' War (1618-1648).  The word cravates in French meant “Croatians” and the name in this context has come to be thought an ethnic label but in the narrow technical sense it was a generic designation of the light cavalry from the Hapsburg Military Frontier, which included Croats, Hungarians, Serbs, Wallachians, Poles, Cossacks and Tatars.

Methods of tying a cravat in eighteenth century France,

When first it came into use in French fashion, it was commonly made of lace & linen or muslin edged with lace, the long flowing ends tied in a variety of ways and it has evolved, the modern cravat more of a necktie, passed once round the neck, and tied in front in a bow although in popular culture one of the most popular depictions seems to be the style popular in the early-mid nineteenth century: a triangular silk kerchief (usually black), wrapped twice round the neck, in imitation of the stock; prior to that, starched linen cravats were worn by gentlemen (an those aspiring to be thought one) and a perfectly tied example was thought one of the markers of the class.  The cravat differs from the scarf which, whether tied, passed through a ring, or held by a pin, hangs down over the shirt front and in some ways is functionally similar to a muffler.

Like many of the symbols of civilizations associated with Europe, the cravat’s antecedents lie to the east, similar arrangements in cloth used as signifiers of high social status in both Ancient Egypt and China while in the art of the Rome of Antiquity, there are many depictions of jewels and other decorative constructions appearing around the neck which strikingly resemble the later cravats.  Throughout Europe too, a scarf around the neck was an old custom and part of the costumes of many European nations, worn in all climates although those in colder places were obviously thicker and often purely functional.  The tied scarf was well known as a visible part of national costumes in various Croatian provinces: In Omišalj it was the facol (which the Ancient Romans called the focale), in Baranja in the east it was the poša, and in the north the rubec.  Cultural anthropologists trace the earliest know reference to such garments in the region to the area surrounding of the village of Turopolje where they were known as podgutnica or podgutnjak.

The legend is that girls and women would give their scarves to boyfriends and husbands going to war and when tied around their necks, they represented ownership papers by which a man would display his loyalty.  This apparently did happen in some villages but seems not to have been a national tradition and quite how long a young man’s promise of fidelity lasted once the troops had marched isn’t known but the idea proved useful to military commanders who came to value a distinctive scarf as a way of distinguishing one soldier from another in the clatter of battle.  Europe being for centuries a blood-soaked place, the black and red colors of the Croatian scarfs became well-known on European battlefields because the Croats were highly-valued mercenaries in the Habsburg, Bavarian, Spanish, Danish and French armies, noted for their efficiency, innovations in tactic and tight discipline.  Napoleon Bonaparte (1769–1821), a fair judge of such things, said more than once “I never had more braver and better soldiers.  Croats, they are the best soldiers in the world.  If I had only 100,000 Croats, I would conquer the entire world!”

Chanel jacket with cravat.

At the time, the scarves worn by the military were called podgutnjak or podgutnica and mode of different materials ranging from the rough linen or wool items of ordinary soldiers, to the fine silk and cotton-wool of officers.  Whatever the construction, it quickly was adapted to become a functional piece of military kit which served purposes beyond identification because, attached to the neck by knot it also fulfilled the basic purpose of holding the rest of the clothes together, something vital in close combat.  Tied around the neck, it protected against cold and could be used to cover the lips, preventing dust from coming into his mouth while in the heat, it was protection from the sun and a rag with which to wipe away sweat.  Usefully too, the fabric protected a soldier’s neck from irritation, insect bites or scratches from rough military clothing (something which was quickly understood by fighter pilots in the Battle of Britain (1940) who soon discarded collars and ties for silk scarves) and for soldiers on horseback, silk in particular proved its worth in deflecting sabre strikes.  Finally, the scarf served also a tourniquet or field dressing.

Lindsay Lohan in Gucci Porcelain Garden Print Silk Gown featuring an all-over Dutch toile in blue and white with a high ruffled collar and bib, ruffles at the sleeve, pussy bow at the neck, and a blue and red patent belt at the high waist (Stg£4,040 (US$7,300)), One Family charity launch, Savoy Hotel, London, June 2017.  The cravat should not be confused with the pussy bow although visually, they can be similar.

The cavalry must have been a dashing sight because before the mid-seventeenth century the custom of the knotted scarf around the neck was unknown urban Europe and it was the acceptance and rapid adoption by the French court which lent the sartorial innovation the respectability needed for it to become a fashionable garment among the nobility.  They phrase at the time was a la Croate (in the Croatian way) which was the root of the French word cravate and such was the impression made that in 1643 a special regiment of Royal Cravates was formed, named after the Croats who were in its ranks, the first cravat officially presented in 1656.  Despite the military origins, the cravat eventually became a symbol of progress in France and during the French Revolution a black tie was worn as a sign of protest against backward, outdated ideas.  From there, although revolution was suppressed, the ties spread to the Belgians, the Dutch and the English and Charles II (1630–1685; King of Scotland 1649-1651, King of England, Scotland and Ireland 1660-1685), upon on his return from exile uttered the words “Bring me a tie or I shall die”.

Donald Trump (b 1946; US president 2017-2021) with Boris Johnson (b 1964; UK prime-minister 2019-2022) (left) & Benjamin Netanyahu (b 1949; Israeli prime-minister 1996-1999, 2009-2021 & probably soon again) (right).  Fashionistas derided Donald Trump for his extravagantly long ties; he ignored them and does seem to have influenced the easily-led.

After this, the cravat became a cult and eventually a tie (the word derived from “to tie a cravat”).  The English had first favored white but as technology made things possible, colors and patterns became popular but in the nineteenth century, it was the Americans who made the notable structural change of cutting the fabric in three parts, then sewing them together, the advantage being they became both cheaper to produce and easier to tie.  According to two researchers from the University of Cambridge, theoretically there are 85 possible ways to bind a standard tie knot, assuming the number of “moves” is limited to nine (and it’s a scandal no Ignoble Prize was won for determining this).  One particular interesting finding which emerged from the mathematical modeling was that of the seven-dozen odd, only ten knots corresponded to conventional symmetry although most used with the modern tie are symmetrical including the plain knot, the double knot, the small knot, the classic Windsor, the semi-Windsor, the Albert knot and the American knot.  One convention is that ties should not be too long, something more-or-less observed until Donald Trump decided to pay tribute to the codpiece.  Ties of late have fallen from favor in the west although the Japanese remain big buyers, the uniform of the salaryman apparently still a lure and for those who wish to mark the tradition, international cravat day (Hrvatska in Croatian) is celebrated annually on 18 October.

Portrait of Ivan Gundulić (Dživo Franov Gundulić or Gianfrancesco Gondola in the Italian) (1589-1638), circa 1622-1630, oil on canvas by an unknown artist.  The most prominent of the Baroque poets from the Republic of Ragusa (now in modern-day Croatia), Gundulić is regarded as the Croatian national poet and this portrait is the oldest known image of a man wearing a cravatte (cravat).

Noted Instagram influencer, German-born Ivana Knoll (b 1992) was a finalist in the Miss Croatia competition in 2016 and the best-known fan to appear at the 2022 FIFA World Cup in Qatar, always attired in a variety of outfits using the Croatian national symbol of the red and white checkerboard, matching the home strip worn by the team.  Her outfits were much admired and she was a popular accessory sought by Qatari men for their selfies but she missed an opportunity by not including a checkered cravat which, if strategically tied to drape in just the right way, would have been most photogenic.

Quango

Quango (pronounced kwang-go)

A semi-public advisory and administrative body supported by the government and having most of its members appointed by the government.

1967, an acronym, cited usually as as...

Qu(asi)-a(utonomous)-n(on-)g(overnmental)-o(rganization)

...and in the occasional historic reference...

Qu(asi)-a(utonomous)-n(ational-)g(overnmental)-o(rganization)

Whether the correct form is QUANGO or Quango hands on which spelling one prefers.  It's certainly an acronym but sometimes such constructs become words such as radar (RA(dio)-D(etection)-A(nd)-R(anging).  As early as World War II (1939-1945), "radar" was in use as a common noun (thus losing all capitalization) at that at a time when many details of the technology remained state secrets although, because big masts and antennae dotted along the coast were impossible to conceal, the existence of the system was well-known.  Pleasingly, quango spawned some non-standard derivatives such as quangocracy and quangocrat.

The concept of the quango is most often used in the UK but exists also in most developed economies such as Australia, Canada, New Zealand, the US and other English-speaking countries. Many countries with other language traditions have Quangos but tend not to use the term although in the English-speaking world, foreign Quangos may be referred to thus.  A quango is a hybrid form of organization, with elements of both non-government organizations (NGOs) and public sector bodies and typically an organization to which a government has devolved power, but which is still partly controlled and in most cases at least substantially financed by some organ of the state.  Despite the public positions of some, quangos are popular with politicians (of the left & right) because, properly structured, they can be used to execute a political agenda while permitting politicians to attempt to absolve themselves of responsibility for anything unpopular.

The term qango was created in 1967 by Alan Pifer (1921-2005) of the (nominally not politically aligned) Carnegie Foundation, in an essay on the independence and accountability of public-funded bodies incorporated in the private sector.  It describes an ostensibly non-governmental organization performing governmental functions, often in receipt of funding or other state support.  The growth in the number of Quangos over recent decades has been well documented but rarely exactly quantified; in many states where research has been undertaken, a not uncommon finding was that when attempting to define a definitive list, it was difficult to be certain just how many were functionally extant.  The core of the problem appeared to be that some quangos technically still exist in that while they have never formerly been dis-established, it may have been years since they were active.  In 2005, Dan Lewis, author of The Essential Guide to Quangos, claimed that the UK had 529 quangos, many of which were useless and duplicated the work of others.  A Cabinet Office report in 2009 found 766 although that may have represented a decline given there many have been 790 in 2008 although that was a decline from the 827 counted in 2007 but unfortunately, the notion there was ever a Bread Board or Cheese Board seems apocryphal.  Periodically, governments do cull or merge quangos but its inherently a Sisyphean task because (1) the well-documented phenomenon of bureaucratic inertia means organizations tend to remain or expand even if they've outlived their usefulness, (2) politicians are tempted often to add to the numbers because of the need to maintain lucrative dumping grounds for colleagues who are proving tiresome but can't otherwise be disposed of or (3) if a problem can be solved only by electorally unpopular measures, it's a good trick to create or afforce a quango onto which things can be dumped.  

Sunroof

Sunroof (pronounced suhn-roof)

(1) A section of an automobile roof (sometimes translucent and historically called a moonroof) which can be slid or lifted open.

(2) In obstetrics, a slang term used by surgeons to describe the Caesarean section.

1952: A compound word, the construct being sun + roof.

Sun was from the Middle English sonne & sunne, from the Old English sunne, from the Proto-West Germanic sunnā, from the Proto-Germanic sunnǭ, from the heteroclitic inanimate primitive Indo-European sh₂wen-, oblique of the Proto-Indo-European sóh₂wl̥ (sun).  The other forms from the Germanic included the Saterland Frisian Sunne, the West Frisian sinne, the German Low German Sünn, the Dutch zon, the German Sonne and the Icelandic sunna.  The forms which emerged without Germanic influence included the Welsh huan, the Sanskrit स्वर् (svar) and the Avestan xᵛə̄ṇg.  The related forms were sol, Sol, Surya and Helios.

Roof was from the Middle English rof, from the Old English hrōf (roof, ceiling; top, summit; heaven, sky), from the Proto-Germanic hrōfą (roof).  Throughout the English-speaking world, roofs is now the standard plural form of roof.  Rooves does have some history but has long been thought archaic and the idea there would be something to be gained from maintaining rooves as the plural to avoid confusion with roof’s the possessive never received much support.  Despite all that, rooves does seem to appear more than might be expected, presumably because there’s much more tolerance extended to the irregular plural hooves but the lexicographers are unimpressed and insist the model to follow is poof (an onomatopoeia describing a very small explosion, accompanied usually by a puff of smoke), more than one poof correctly being “poofs”.

Lindsay Lohan standing through sunroof: Promotional photo-shoot for Herbie Fully Loaded (2005)

1973 Lincoln Continental Mark IV with moonroof.

Sunroofs existed long before 1952 but that was the year the word was first adopted by manufacturers in Detroit.  The early sunroofs were folding fabric but metal units, increasingly electrically operated, were more prevalent by the early 1970s.  Ford, in 1973, introduced the word moonroof (which was used also as moon roof & moon-roof) to describe the slinding pane of one-way glass mounted in the roof panel over the passenger compartment of the Lincoln Continental Mark IV (1972-1976).  Moonroof soon came to describe any translucent roof panel, fixed or sliding though the word faded from use and all such things tend now to be called a sunroof.  Manufacturers in the 1970s devoted sizeable resources to develop the sunroof because of an assumption US safety regulations would soon outlaw convertibles but the election of Ronald Reagan (1911–2004; US president 1981-1989) in 1980 changed the regulatory climate.  Reagan, not fond of dopey rules which impinged freedom, assured Detroit there’d be no ban and the first American convertibles since 1976 soon appeared, one consequence of which was legal action brought by some who had purchased (and stored with expectations of profit) 1976 Cadillac Eldorados, claiming they had been induced to buy because of the promotional campaign by General Motors (GM) using the phrase "the last American convertible”.  The cases were dismissed on the basis that GM's statements were “reasonable at the time, based on advice from government”.  No action was possible against the government on several grounds, including the doctrines of remoteness and unforeseeability.

The highlight of the ceremonies marking the 70th anniversary of the founding of the People's Republic of China (PRC) was the military parade, held in Beijing on 1 October 2019.  Said to be the largest military parade and mass pageant in Chinese history, the formations reviewed by the ruling Chinese Communist Party’s (CCP) General Secretary Xi Jinping (b 1953; paramount leader of the PRC since 2012).  Held a few weeks before the first outbreak of COVID-19, the assembled crowd was said without exception to be “enthusiastic and happy”.  His particularly well-cut Mao suit was a nice touch.

Two generals of the Belarus Army in Hongqi L5 four-door convertible parade cars, take the salute during the parade to mark Independence Day of the Republic of Belarus, 3 June 2017.  Belarus is the only known operator of the L5 outside the PRC, the other matter of interest the debate in military circles about whether the hats worn by generals in Belarus are bigger than those of the army of the DPRK (Democratic People’s Republic of Korea (North Korea)).

Hongqi L5.The car carrying President Xi is the Hongqi L5, the state limousine of the PRC, the coachwork styling a deliberately retro homage to the Hongqi CA770, the last in the line (dating from 1958) of large cars built almost exclusively for use by the upper echelons of the CCP.  Most of the earlier cars were built on the large platforms US manufacturers used in the 1960s and were powered by a variety of US-sourced V8 engines but the L5 is wholly an indigenous product which has been built with both a six-litre (365 cubic inch) V12 and four-litre (245 cubic inch) V8 although neither configuration is intended for high-performance.  Interestingly, although Hongqi L5 have produced a version of the L5 with four-door convertible coachwork as a formal parade car and they have been used both in the PRC and in Belarus, the general secretary conducted his review in a closed vehicle with a sunroof.

US President Richard Nixon (1913-1994, US president 1969-1974) with Anwar Sadat (1918–1981; President of Egypt 1970-1981) in a 1967 Cadillac Fleetwood convertible, Alexandria, Egypt, June 1974; on that day, the motorcade was 180-strong.  Within two months, Nixon would resign.

The CCP didn’t comment on the choice of a car with a sunroof and it may have been made on technical grounds, the mounting of the microphone array presumably easier with the roof available as a mounting point and given the motorcade travelled a higher speed than a traditional parade, it would also have provided a more stable platform for the general secretary.  It’s not thought there was any concern about security, Xi Jinping (for a variety of reasons) safer in his capital than many leaders although heads of state and government became notably more reticent about travelling in open-topped vehicles after John Kennedy (1917–1963; US president 1961-1963) was assassinated in 1963.  Some, perhaps encouraged by Richard Nixon being greeted by cheering crowds in 1974 when driven through Cairo’s streets (a potent reminder of how things have changed) in a Cadillac convertible, persisted but after the attempt on the life of John Paul II (1920–2005; pope 1978-2005) in 1981, there’s been a trend to roofs all the way, sometimes molded in translucent materials of increasing chemical complexity.

Military parade marking the 70th anniversary of the founding of the People's Republic of China (PRC), Beijing, China, 1 October 2019.

Phatic

Phatic (pronounced fat-ik)

In linguistics (as phatic communication), denoting speech used to convey any kind of social relationship (of speech, especially of conversational phrases) used to establish social contact and to express sociability rather than any substantive or even specific meaning.

1923: From the Ancient Greek φατός (phat, phatós) (spoken; capable of being spoken) from φημί (phēmí or phánai) (I speak; I say).  Phatic is a verbid of phánai, from the primitive Indo-European root bha (to speak, tell, say), the construct being phat + -ic.  The suffix –ic is from the Middle English -ik, from the Old French -ique from the Latin -icus from the primitive Indo-European -kos, formed with the i-stem suffix -i- and the adjectival suffix -kos.  It was related to the Ancient Greek -ικός (-ikós), the Sanskrit श (śa) & क (ka) and the Old Church Slavonic -ъкъ (-ŭkŭ) and was a doublet of -y.  It attached to noun-stems to convey the meanings “characteristic of; like; typical & pertaining to”; on adjectival stems it acted emphatically.  The term phatic communion (bonding by language) was coined by Polish-born British anthropologist Bronisław Malinowski (1884-1942) in his essay The Problem of Meaning in Primitive Languages (1923).  Phatic is an adjective and phatically is an adverb (the rare phaticesque is non-standard); in the technical use of structural linguistics, phatic can be a noun; the noun plural  being phatics.

Phatic communication at the bar table: Lindsay Lohan and her lawyer in court, Los Angeles, December 2011.

In linguistics, phatic communication is that which pertains to words in a perfunctory or procedural manner in accordance with social convention rather than to impart information or to convey some specific or explicit meaning.  Anthony Burgess (1917–1993) in his novel 1985 (1978) used an unusual structure in that the first section contained a number of essays and dialogues discussing George Orwell's (1903-1950) Nineteen Eighty-Four (1949) and the deconstruction of some relevant etymology and as a period-piece from "winter of discontent" England, it remains an interesting read.  Burgess suggested the classic example of phatic communication was the frequent and familiar exchange "How are you?" & "Fine", the question not literally disclosing and interest in the well-being of another but merely an acceptable form of greeting.  The response is often far from true but is the correct social convention and merely an acknowledgement of the greeting.

Phatic communication at the bar.  Lindsay Lohan, Lohan Nightclub, Athens, 2017.

In the English-speaking world, phatic communication varies in form between social classes but is almost universally perfunctory.  In other cultures it is more formal and sometimes a part of social rituals.  The Persian تعارف‎ (Taarof or Tarof) is a quasi-codified system of etiquette which, ad hoc, creates social relationships based usually on social rank.  The Japanese use a collection of phatic expressions which, unlike in English, tend more frequently to re-occur during conversations; In Japan they fulfill an essentially structural role and are known as the aizuchi.

Malinowski, Phatics and Social Media

Anthropologist Bronislaw Malinowski introduced two concepts for the study of language: context of situation and context of culture onto which he mapped the three strands of his semantic theory.  The first was the context of linguistic data; the second concerns the range of meaning and the third the context of situation which may allow one to disambiguate semantically unclear sentences.  Malinowski’s theories were for decades controversial in both anthropological and linguistic circles but enjoyed a revival of interest with the rise of social media.  What was identified as phatic communication on these platforms turned out to be the remarkable volume of micro-posts which appear to have their origins in the human need for social upkeep.  Unlike earlier forms of digital messaging such as eMail or SMS, a much higher proportion of messaging imparted no substantive information and had no practical value beyond its symbolic value of maintaining social contact.

In Malinowski’s model, the three phatic functions are (1) a social function to establish and maintain social connections, (2) a communicative function to demonstrate that the channel of communication is open and present oneself as a potential communication partner and (3) a validation and recognition function to indicate recognition of one’s interlocutor as a potential communicative partner.  None of this was unique to social media but cotemporary theorists added layers.  There is now (4) indexical information for social categorization (ie to signal different aspects of social identity), (5)  to negotiate the relationship, especially particular relative status, roles and affectivity (manifesting clearly in the forms of greetings and address used according to social or affective relationships) and (6) to reinforce social structure.

Bronisław Malinowski (1884-1942).

In linguistics, this construct came to be known as phatic culture, its social implication in everyday life being phatic function.  As has long been the nature of academic linguistics, something elegant and comprehendible (like Malinowski’s model) soon became a framework for smaller and smaller refinements including (7) the metalinguistic (verifying the code), (8) the emotive (expressing the sender’s state), (9) the conative (inciting the receiver’s response), (10) the phatic (maintaining contact with the receiver), (11) the referential (relating to a context) and (12) the poetic (existing as a construct for its own sake).

It does seem convincing the particular nature of phatic communication on the social is technologically deterministic.  In computing, the defining protocols used in messaging, notably SIP (Session Initiation Protocol) and SIMPLE (Session Initiation Protocol for Instant Messaging and Presence Leveraging Extensions) create the idea of “presence” as a signal to networks of users that communication is possible.  Historically, in social discourse, “presence” of someone which whom one has a relationship of some kind was physical and communication, phatic or otherwise, almost inevitable.  On the social, “presence” becomes both virtual and omnipresence.

Skullduggery

Skullduggery (pronounced skuhl-duhg-uh-ree)

(1) Dishonorable proceedings; mean dishonesty or trickery.

(2) An instance of dishonest or deceitful behavior; trickery.

(3) Underhand dealing.

(4) As sculdudrie or sculduddery, illicit fornication or something obscene respectively (archaic Scots dialectial forms).

1856: A creation in US English, it was a variant of earlier Scots sculdudrie or sculduddery (both of obscure origin) which had been in use in colonial America.  In Scotland, sculdudrie originally meant “adultery” or “illicit fornication” and, with the unexplained spelling variation sculduddery, by 1821 the meaning had extended to a general sense of “bawdry, an obscenity".  By from the late nineteenth century, as skullduggery, in most of the English-speaking world, it came to refer to dishonest or deceitful behaviour.  Skulduggery is a noun; the noun plural is skulduggeries or skullduggeries.

Skulduggery is general underhanded behaviour or trickery, usually secret or devious. The noun plural is skulduggeries or skullduggeries, though both are rarely used in this form because the reference tends almost always to be to behaviour in a general sense to begin with.  Everybody except Tony Blair seems to understand the profession of politics is a venal business of lies and squalid skullduggery.  By the time of his valedictory address to the House of Commons, he’d managed to forget noble causes like New Labour’s “ethical foreign policy” which lasted only until it was explained to him that the UK’s armaments manufacturers realized great profits by selling weapons to regimes with appalling human rights records:   

"Some may belittle politics but we who are engaged in it know that it is where people stand tall.  Although I know that it has many harsh contentions, it is still the arena that sets the heart beating a little faster. If it is, on occasions, the place of low skullduggery, it is more often the place for the pursuit of noble causes. I wish everyone, friend or foe, well. That is that... the end."

Hansard: Tony Blair’s last official words as prime-minister.  Prime Minister's Questions, 27 June 2007.

Tony Blair, Gordon Blair & Peter Mandelson (left).  In the early 1990s, detesting the Major government, the press were fawning in their admiration and dubbed the trio "the three musketeers" but they're now usually thought of as "the good, the bad and the ugly, a collective moniker which may be generous to at least one of them.  There is no truth in the rumor the three politicians provided the template for the personalities of the "plastics" in Mean Girls (2004, right) although the idea is tempting, reading left to right (works for either photograph): Karen Smith (sincere, well meaning, a bit simple); Gretchen Wieners (insecure, desperately wanting to be liked) and Regina George (evil and manipulative).  

There was plenty of low skulduggery during the New Labour government, led first by Tony Blair (b 1953; UK prime-minister 1997-2007) and later by Gordon Brown (b 1951; UK prime-minister 2007-2010) but to get a good flavour of it it’s necessary to read the memoirs by them both, then the diaries of Alastair Campbell (b 1957; Labour Party apparatchik) and finally Peter Mandelson’s (b 1953; sometime member of the New Labour governments) The Third Man.  The books are best read in that order because it makes easiest the reading between the lines to work out why each included certain things and left out other stuff (or spun it in some strange and inevitably self-serving way.  It’s quite a fun process and actually necessary because while Campbell’s diaries are lively, the other three would otherwise be a hard slog.  It’s now sometimes forgotten that in the distant past of the post-Thatcher, early 1990s, Tony Blair, Gordon Brown and Peter Mandelson were seen as modernizing reformers and in the early years of government actually behaved in a way which suggested that was true.  It didn’t last however and Brown soon became consumed with jealously and eventually hatred for Blair who was denying him the premiership to which he thought himself entitled.  Mandelson meanwhile became resentful at being twice dismissed from office by Blair one grounds he thought unreasonable.  From this ensued what was pretty dirty business.

A practical manual of low skulduggery in four volumes:

Tony Blair, A Journey (2010), Random House, pp 624, ISBN 978-0-09-192555-0

Gordon Brown, My Life, Our Times (2017), The Bodley Head, pp 512, ISBN 978-2-78-739526-6

Alastair Campbell, The Blair Years (2007), Random House, pp 816, ISBN 0-09-179629-6

Peter Mandelson, The Third Man (2010), Harper Press, pp 584, ISBN 978-0-00-739528-6

Stucco

Stucco (pronounced stuhk-oh)

(1) A weather-resistant mixture of dehydrated lime, powdered marble, and glue, mixed with water and laid on wet, used in buildings to create decorative moldings or wall finishes.

(2) Any of various fine plasters for decorative work, moldings.

(3) Any of various finishes made with cement, plaster, or mortar, as albarium.

(4) A wall, facing, molding, or other work made of such materials.

1590–1600: From the Italian stucco (fine plaster used as wall coating; coating made of pulverised gypsum, plaster), from the Lombardic (or Langobardic, an extinct West Germanic language was spoken by the Lombards (Langobardi), the Germanic people who settled in Italy in the sixth century. It was already in rapid decline by the seventh century because the invaders adopted the Latin vernacular spoken by the local Roman population) stucchi and related to the Old High German stucki & stukki (crust; piece; fragment) from the Proto-Germanic stukkjam & stukkiją (stump, piece), ultimately from the primitive Indo-European (s)teu- & (s)tewg- (to push, stick, knock, beat, shock, butt, impact) which evolved also into stock.  It was akin to the German Stück (piece), the Old Saxon stukki (piece, fragment) and the Old English stycce.  The Germanic form survives in Modern German as Stück.  Stucco and stuccoer are nouns, the noun plural being stuccoes or stuccos.  The verb (used with object) is stuccoed or stuccoing, a form attested from 1726.

In English, the meaning of stucco diverged from the Italian and Germanic sense from which it was borrowed.  Whereas in Italian when speaking of stucco, one might be referring either to the raw material or the finished product, in English, it means exclusively the latter.

Stucco relief panel from early Imperial Rome, dated to the second half of the first century AD, Metropolitan Museum of Art, New York.

The female figure is thought to represent a maenad, one of the female followers of Dionysos.  She’s depicted floating, her garment opened to the waist, her left leg revealed.  She holds a long, thin wand-like stick over her left arm, a garland with ribbons in her right hand.  Dionysus was the love child of Zeus and Semele and a rarity among the gods, his mother being a mortal.  While the parentage is certain, there are two different versions regarding the birth, which, in the way of Greek mythology involve infidelity, jealousy, infanticide (by Zeus’ bitter wife) and reincarnation and it’s the idea of re-birth which saw him adopted as a god by several religions.  Still his troubles didn’t end even after being re-born.  Zeus, an early example of the absent father, entrusted the upbringing of Dionysus to the rain-nymphs who proved so diligent they were rewarded by being turned into a star-cluster but this failed to impress Zeus’s wife, Hera, who remained angry the evidence of her husband’s unfaithfulness was still alive and in vengeance, inflicted madness upon the child.  In this state, for years and years he roamed the earth until rescued and cured by the goddess Cybele who instructed him in her rituals and he began to travel, teaching those he met how to make wine.  In symbology Dionysus is thus the god of wine and the grape harvest and, because of his difficult youth, also of ritual madness & religious ecstasy.  He’s depicted usually with a dual nature, the Greek’s cautionary tale about the good and evil of wine for Dionysus was known to bring happiness and joy to those around him but if angered, there could also be rage and brutality.

Stucco finish on Art Deco house, circa 1935.

In architecture, most building materials and methods of construction were easily adapted to structures designed with straight lines and predictable angles but stucco was especially suited to the shapes and curves of art deco.  Stucco is made from a mix of Portland cement, sand, limestone, water and chemical additives to increase material’s strength and flexibility.  It creates a rigid and durable material and, being fire and pest-resistant, it’s always been popular in residential buildings.  It’s regarded as low-maintenance but shouldn’t be treated as maintenance-fee, cracks can appear, even in high quality installations and, despite appearances, can’t be dismissed a merely cosmetic and should immediately be re-sealed.  Stucco is porous, so may not be suitable to use in a tropical climate, the proneness to moisture absorption meaning mold can appear, either on the surface or underneath and once there, can spread to framing.  The vapor barrier, usually of tar paper, which should be applied prior to installation, does act as a protective layer but in some conditions isn’t all that ameliorative.

Lindsay Lohan’s former residence (2011-2012), 419 Venice Way, Venice, California 90291.  417 & 419 Venice Way are a pair of mirror-image stucco buildings, built in 2007.  Lindsay Lohan lived in the one on the right (419) while the left (417) was occupied by former special friend Samantha Ronson.

Where conditions are suitable, stucco is a good choice for either flat surfaces or creating curves.  Applied with a smooth or textured finish, it can be tinted across a wide spectrum or can be painted although, because of the porousness, many architects recommend against painting because it better to allow the building to “inhale and exhale”.  Stucco is durable, properly maintained stucco buildings over a hundred years old are common, many from the nineteenth century, the survival rate influenced as much by the prevailing climate as the quality of the installation.  The dampness which can cause mold through moisture transfer can also induce cracking in places prone to sub-zero temperatures, severe damage possible during freeze and thaw cycles.  Cracks can happen too in places subject to wide variations in temperature because, being rigid, as a structure expands and contracts, the forces of push and pull will stress the material.  For this reason, it’s ideal also to build in places of known geological stability, stucco more prone to fracture during movement than some other materials.  Cracks in stucco are not uncommon yet should be infrequent, repaired most often with a flexible exterior caulk and most are now elastomeric and thus both strong and very flexible.  Chips can be fixed with either a traditional stucco patch or, if large, set back in place using the acrylic caulk as a glue.