Stucco (pronounced stuhk-oh)
(1) A
weather-resistant mixture of dehydrated lime, powdered marble, and glue, mixed
with water and laid on wet, used in buildings to create decorative moldings or
wall finishes.
(2) Any
of various fine plasters for decorative work, moldings.
(3) Any
of various finishes made with cement, plaster, or mortar, as albarium.
(4) A
wall, facing, molding, or other work made of such materials.
1590–1600:
From the Italian stucco (fine plaster
used as wall coating; coating made of pulverised gypsum, plaster), from the Lombardic
(or Langobardic, an extinct West Germanic language was spoken by the Lombards
(Langobardi), the Germanic people who settled in Italy in the sixth century. It
was already in rapid decline by the seventh century because the invaders
adopted the Latin vernacular spoken by the local Roman population) stucchi and related to the Old High
German stucki & stukki (crust; piece; fragment) from the
Proto-Germanic stukkjam & stukkiją (stump, piece), ultimately from
the primitive Indo-European (s)teu- & (s)tewg- (to push, stick,
knock, beat, shock, butt, impact) which evolved also into stock. It was akin to the German Stück (piece), the Old Saxon stukki (piece, fragment) and the Old
English stycce. The Germanic form survives in Modern German as
Stück. Stucco and stuccoer are nouns, the noun
plural being stuccoes or stuccos. The
verb (used with object) is stuccoed or stuccoing, a form attested from 1726.
In
English, the meaning of stucco diverged from the Italian and Germanic sense
from which it was borrowed. Whereas in
Italian when speaking of stucco, one might be referring either to the raw
material or the finished product, in English, it means exclusively the latter.
The female figure is thought to represent a maenad, one of the female followers of Dionysos. She’s depicted floating, her garment opened to the waist, her left leg revealed. She holds a long, thin wand-like stick over her left arm, a garland with ribbons in her right hand. Dionysus was the love child of Zeus and Semele and a rarity among the gods, his mother being a mortal. While the parentage is certain, there are two different versions regarding the birth, which, in the way of Greek mythology involve infidelity, jealousy, infanticide (by Zeus’ bitter wife) and reincarnation and it’s the idea of re-birth which saw him adopted as a god by several religions. Still his troubles didn’t end even after being re-born. Zeus, an early example of the absent father, entrusted the upbringing of Dionysus to the rain-nymphs who proved so diligent they were rewarded by being turned into a star-cluster but this failed to impress Zeus’s wife, Hera, who remained angry the evidence of her husband’s unfaithfulness was still alive and in vengeance, inflicted madness upon the child. In this state, for years and years he roamed the earth until rescued and cured by the goddess Cybele who instructed him in her rituals and he began to travel, teaching those he met how to make wine. In symbology Dionysus is thus the god of wine and the grape harvest and, because of his difficult youth, also of ritual madness & religious ecstasy. He’s depicted usually with a dual nature, the Greek’s cautionary tale about the good and evil of wine for Dionysus was known to bring happiness and joy to those around him but if angered, there could also be rage and brutality.
Stucco finish on Art Deco house, circa 1935.
Where conditions are suitable, stucco is a good choice for either flat surfaces or creating curves. Applied with a smooth or textured finish, it can be tinted across a wide spectrum or can be painted although, because of the porousness, many architects recommend against painting because it better to allow the building to “inhale and exhale”. Stucco is durable, properly maintained stucco buildings over a hundred years old are common, many from the nineteenth century, the survival rate influenced as much by the prevailing climate as the quality of the installation. The dampness which can cause mold through moisture transfer can also induce cracking in places prone to sub-zero temperatures, severe damage possible during freeze and thaw cycles. Cracks can happen too in places subject to wide variations in temperature because, being rigid, as a structure expands and contracts, the forces of push and pull will stress the material. For this reason, it’s ideal also to build in places of known geological stability, stucco more prone to fracture during movement than some other materials. Cracks in stucco are not uncommon yet should be infrequent, repaired most often with a flexible exterior caulk and most are now elastomeric and thus both strong and very flexible. Chips can be fixed with either a traditional stucco patch or, if large, set back in place using the acrylic caulk as a glue.
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