Martyr

Martyr (pronounced mahr-ter)

(1) A person who willingly suffers death rather than renounce their religious faith, most notably those saints canonized after martyrdom.

(2) A person who is put to death or endures great suffering on behalf of any belief, principle, or cause.

(3) A person who undergoes severe or constant suffering (often applied informally to those subject to chronic conditions such as rheumatism or migraine headaches).

(4) A person who seeks sympathy or attention by feigning or exaggerating pain, deprivation (fake martyrdom) or who willingly assumes some sort of easily avoidable (self-imposed martyrdom), both usually applied in a facetious or derogatory manner.

(5) To make a martyr of someone (especially by putting to death); to persecute, to torment or torture.

Pre 900: From the Middle English noun marter, from the Old English martir & martyr, from the Ecclesiastical Latin martyr, from the Doric Greek μάρτυρ (mártur (martus & mártyr)) (witness), a later form of the Ancient Greek μάρτυς (mártus (mártys & mártyros)) (witness).  The verb was from the Middle English martiren, from the Old English martyrian, from the noun.  The noun martyr referred to one who bears testimony to faith, especially one who willingly suffers death rather than deny their religious faith and specifically one of the Christians who put to death because they would not renounce their beliefs.  The verb developed in the sense of "put to death as punishment for adherence to some religious belief (especially Christianity) and was from the Middle English martiren, from Old French martiriier (and influenced by the Old English gemartyrian, from the noun martyr) and Middle English also had the mid-fifteenth century verb martyrize.  The general sense of "constant sufferer, a victim of misfortune, calamity, disease, etc" was in common use by the late sixteenth century while the Martyr complex (an exaggerated desire for self-sacrifice or assuming burdens) dates from 1916.  The noun martyrdom ("torture and execution for the sake of one's faith) emulated the use in the Old English and in the more abstract sense of "a state of suffering for the maintaining of any obnoxious cause", came to be used in the late fourteenth century.  The word has proved productive in its proliferation.  Martyr is a noun, martyrization, martyrdom, martyrology, martyry, martyrer, martyrship, martyrion, martyrium, martyrologe, martyrologue, protomartyr are nouns, martyring, martyrize & martyrizate are verbs, martyrish & martyresque are adjectives, martyred is a verb & adjective and martyrly is an adverb & adjective; the noun plural is martyrs.

Self-help for one's self.

The word was adopted directly into most Germanic languages (Old Saxon, Old Frisian Old High German et al), but fourteenth century Norse used the native formation pislarvattr (literally "torture-witness" meaning "one who suffers death or grievous loss in defense or on behalf of any belief or cause" (which could be personal, devotional or political).  Danish, French, Norwegian & Swedish all used the modern English spelling (some language groups in the old British Empire modified the spelling (notably under the Raj) while others picked it up unaltered).  Among other languages there was the Proto-Brythonic merθɨr, the Dutch martelaar, the Estonian märter, the Finnish marttyyri, the Old French martire, the Scots mairtyr, the Maori matira, the German Märtyrer, the Hungarian mártír, the Old Irish martar, the Old Italian martore, the Italian martire, the Lombard màrtul, the Neapolitan marture, the Catalan màrtir, the Occitan martir, the Galician, Spanish & Portuguese mártir, the Romanian martor, the Sardinian màrturu, the Sicilian màrtiri, the Scottish Gaelic martai and the Tagalog martir.  The origin of the Greek word is uncertain but may have been connected to mermera (care, trouble), from mermairein (be anxious or thoughtful), from the primitive Indo-European smrtu & mrtu-, source also of the Sanskrit smarati (remember) and the Latin memor (mindful).  Not all etymologists support the theory, usually because the phonetic relationships are dubious, suggesting a more likely origin lies in Archaic or Pre-Greek, perhaps even as a loan-word.  The Arabic شهيد (shaheed or shahid) (witness) in Islam refers to a martyr and appears often in the Quran (in the sense of "witness") but in only one instance can it be understood as  "martyr", the sense it acquired in the Ḥadīth, the vast body of work produced by authors which documented the words and thoughts attributed to the prophet.  The variations in the translations of these texts are legion and there has been cynical exploitation of this by the recruiters to jihadist causes who tend to seek out and merge the most punitive of the translations and the rewards to martyrs of 72 (the number varies) dark-eyed virgins appears with frequency.

Self-help for those with a difficult mother.

Martyrdom was of great interest to the Church, illustrated by the frequency with which martyrs to their faith were canonized (made into saints).  As a branch of theological academia, martyrology (history of the lives, sufferings, and deaths of Christian martyrs) became a district thing in the 1590s, either as a native formation from the noun martyr + -ology, or from the Ecclesiastical Latin martyrologium, from Ecclesiastical Greek martyrologicon.  The suffix -ology was formed from -o- (as an interconsonantal vowel) +‎ -logy.  The origin in English of the -logy suffix lies with loanwords from the Ancient Greek, usually via Latin and French, where the suffix (-λογία) is an integral part of the word loaned (eg astrology from astrologia) since the sixteenth century.  French picked up -logie from the Latin -logia, from the Ancient Greek -λογία (-logía).  Within Greek, the suffix is an -ία (-ía) abstract from λόγος (lógos) (account, explanation, narrative), and that a verbal noun from λέγω (légō) (I say, speak, converse, tell a story).  In English the suffix became extraordinarily productive, used notably to form names of sciences or disciplines of study, analogous to the names traditionally borrowed from the Latin (eg astrology from astrologia; geology from geologia) and by the late eighteenth century, the practice (despite the disapproval of the pedants) extended to terms with no connection to Greek or Latin such as those building on French or German bases (eg insectology (1766) after the French insectologie; terminology (1801) after the German Terminologie).  Within a few decades of the intrusion of modern languages, combinations emerged using English terms (eg undergroundology (1820); hatology (1837)).  In this evolution, the development may be though similar to the latter-day proliferation of “-isms” (fascism; feminism et al).  In the Roman Catholic Church (an institution long given to making lists of stuff), an important part of martyrology was the index (or calendar) of martyrs, arranged according to their anniversaries (ie of their martyrdom).  In Middle English there was the late fourteenth century martiloge (the register of martyred saints), from the Medieval Latin martilogium; the related coining was martyrological.

Self-help for those with a difficult boyfriend.

Except where it’s unavoidable, the American Psychiatric Association's (APA) which publishes the Diagnostic and Statistical Manual of Mental Disorders (DSM), tends not to use popular forms like “martyr complex”, bundling the condition in the category of narcissistic personality disorder (NPD), a cluster B personality disorder considered to be one of the least identified of the class, noting NPD frequently coexists with other psychiatric disorders.  A relatively recent diagnostic category, its development reflected not a distinct set of diagnostic criteria but rather the recognition by clinicians (psychoanalysts and psychoanalytic psychotherapists) that to classify certain difficult (though typically not neurotic) patients as psychotic was counter-productive.  The most often noted characteristics of NPD include grandiosity, the excessive quest admiration and a lack of empathy, coupled with underlying feelings of low self esteem issues and inadequacy.  In the DSM-5-TR (2022), the symptoms of NPD are listed as:

(1) A grandiose logic of self-importance.

(2) A fixation with fantasies of infinite success, control, brilliance, beauty, or idyllic love.

(3) A credence that he or she is extraordinary and exceptional and can only be understood by, or should connect with, other extraordinary or important people or institutions.

(4) A desire for unwarranted admiration.

(5) A sense of entitlement.

(6) Interpersonally oppressive behavior.

(7) No form of empathy.

(8) Resentment of others or a conviction that others are resentful of him or her.

(9) A display of egotistical and conceited behaviors or attitudes.

The early Church celebrated particularly the example of Justin Martyr (circa 100-circa 165, who appears in some texts as Justin the Philosopher).  His name wasn’t actually Martyr but it was adopted because his conduct in the face of suffering was thought exemplary.  He was in all probability a pagan and had sought education from schools in the Peripatetic, Pythagorean and Platonic traditions but was still unsatisfied unit falling into conversation with an elderly man he met on a beach who “…convinced him of the truth as it is in Jesus”.  His conversion to Christianity led to a lifetime of teaching, writing his apologia which culminated with his martyrdom, beheaded with six others under the reign of Marcus Aurelius (121–180; Roman emperor 161-180) although there’s nothing to suggest the emperor was involved in the sentencing.  For his faith he was of course rewarded with eternal life in Heaven but Justin too achieved a kind of earthly immortality, venerated as a saint by the Roman Catholic Church, the Eastern & Oriental Orthodox Churches and in the Anglican community.  Later, the legend arose that Marcus Aurelius became disposed to relax the persecution of Christians after a group of them prayed for rain and the subsequent storm was of such intensity it enabled him to avoid military defeat although, off and on, persecution continued and it wasn’t until the reign of Constantine the Great (circa 272-337; Roman emperor 306–337) began to emerge as the dominant religion of the empire.

The persecution of Christians will seem familiar to minorities living under many authoritarian regimes including the Falun Gong in China and the Baháʼí in Iran and many historians have concluded the reasons tend to be political rather than theological, structuralists summarizing things thus:

(1) Emperors in Rome were much opposed to gods their regime did not recognize, the Bible noting (1 Corinthians 8:5) “there be gods many, and lords many” but the imperial authorities did not own the God of the Christians.

(2) The Christian faith preached One who was God over all the earth, who knew no political frontiers and that pagan gods were mere idols.

(3) Christians could not join in pagan worship or the idolatrous acts which were part of the social or civic occasions of which the state approved. 

(4) Christians met as a secret society and were unsociable in their behavior, the assumption being they might be plotting against the state.

(5) Christians were seen to be threatening the financial and political interests of various powerful classes, priests, the makers & sellers of idols and those who bred and sole sacrificial animals.

(6) Christians and their ways were accused to be arousing the anger of Roman gods who proved vengeful in visiting upon the empire famines, earthquakes, military defeats and other punishments.

Foxe's Book of Martyrs (1653, the full title Actes and Monuments of these Latter and Perillous Days, Touching Matters of the Church) by John Foxe (1517-1587) was a review of the history of martyrdom in European Christianity with a particular focus on the suffering of the early English Protestants.

The persecution continued until the year 311 when the Emperor Galerius (circa 258–311; Roman emperor 305-311) expired, meeting his death in a manner similar to that recorded in Acts (12:3) as that suffered by Herod Agrippa: “He was eaten of worms and gave up the ghost”.  Baffled yet convinced by grace with which Christians accepted their martyrdom, on his deathbed Galerius issued the Edict of Toleration and entreated Christians to pray on his behalf.

Banner

Banner (pronounced ban-er)

(1) The flag of a country, army, troop etc.

(2) An ensign or the like bearing some device, motto, or slogan, as carried in religious processions, political demonstrations etc.

(3) A flag used as the standard of a nation, sovereign, lord, knight, military formation or other institution (and by extension (1) the military unit under such a flag or standard & (2) a military or administrative subdivision).

(4) A sign painted on fabric or some other material and hung over a street, entrance etc.

(5) Anything regarded or displayed as a symbol of principles.

(6) In heraldry, a square flag bearing heraldic devices.

(7) In journalism, a headline extending across the width of a newspaper or web page (in print usually across the top of the front page); also known as banner line, banner headline, screamer or streamer.

(8) As a verb, in journalism, (of a headline), prominently to display (used in other contexts by analogy).

(9) In advertising, an advertisement appearing across the top or bottom or along one side of a newspaper or web page; also known as a banner ad .

(10) An open streamer with lettering, towed behind an airplane in flight, for advertising purposes.

(11) A placard or sign carried in a procession or demonstration.

(12) As an adjective, leading or foremost.

(13) Historically, a type of administrative division in Inner Mongolia and Tuva, made during the Qing dynasty; at that time, Outer Mongolia and part of Xinjiang were also divided into banners.

1200–1220: From the Middle English banere (piece of cloth attached to the upper end of a pole or staff), from the Old French baniere (flag, banner, standard) (from which modern French in the twelfth century gained bannière), from the Late Latin bann & bannum (variants of bandum (standard)), from a Frankish or West Germanic source, from the Proto-Germanic bandwa (identifying sign, banner, standard (and also “military formation under a banner”), source also of the Gothic bandwa (a sign), from suffixed form of the primitive Indo-European root bha- (to shine).

A non-official Royal Standard of Croatia, one of several designs used by those affiliated with the movement seeking to restore the Royal House of Croatia.

A banner was the standard (a type of flag) of a king, lord, or knight, behind which his followers marched to war and to which they rallied in battle.  From the early fourteenth century, there was also the related noun banneret, an order of knighthood, originally in reference to one who could lead his men into battle under his own banner, for centuries a common European practice when armies were organized ad-hoc for invasions and formations were deployed under their banners rather than being mixed.  It later came to mean “one who received rank for valiant deeds done in the king's presence in battle”.  As is still the practice, such honors had grades and there was also the bannerette (a small banner), awarded to those who provided service meritorious rather than valorous.  The reason a banner was attached to a tall pole and carried by “a standard bearer” was that in the swirl of battle, such was the clatter that communication by voice could soon become impossible over even short distances and the only way a commander could effectively re-assemble his troops into formation was to have them return to the banner.  This was the origin of the phrase “rally around the flag”, in the twentieth century re-purposed metaphorically although the figurative sense of "anything displayed as a profession of principles" was used as early as the fourteenth century.  The first use of banner to describe newspaper headlines which in large, bold type stream across the top of the page dates from 1913.  The term “banner blindness” was created in 1998 to describe the tendency of users to ignore banner advertising on websites.  Synonyms (depending on context) can include emblem, headline, bunting, pennant, streamer, advertisement, leading, colors, ensign, heading, pennon, standard, exceptional, foremost, outstanding, banderole, burgee & gonfalon.  Banner is a noun, verb and adjective, bannered is an verb & adjective and bannering is an adjective; the noun plural is banners.

Flag of the Commander of the Croatian Navy.

Technically, the term banner can be used to describe any flag, ensign, pennant or standard although it’s now less used for the more precise terms have come to be well-understood and are thus more popular.  Pennant was from the Middle English penon, penoun & pynoun, from the Old French penon, from the Latin penna (feather).  Although it wasn’t always the case, a pennant is distinguished by its elongated shape which tapers to a point.  It’s now especially associated with naval use, the advantage of the shape being that it tends to remain legible even in conditions where material of square or rectangular shape can become distorted.  Pennants are also used by sports teams and university societies.  In sporting competition, a championship is sometimes referred to as “the pennant” or “the flag” even though such thing are not always awarded as physical trophies.

Flag of the Socialist Republic of Croatia (1947–1990) under comrade Marshall Tito.

Ensign was from the Middle English ensigne, from the Old French enseigne, from the Latin īnsignia, the nominative plural of īnsigne.  By convention of use, ensign is now used almost exclusively by the military, especially by naval forces (the use to describe the lowest grade of commissioned officer in the US Navy (equivalent to a sub-lieutenant, and once used also in the infantry (the coronet fulfilling the role in the cavalry) dates from the role evolving from the assigned role of being responsible for the care, raising and lowering of flags and pennants, including the unit’s ensign).  In navies, the principal flag or banner flown by a ship (usually at the stern) to indicate nationality is called the ensign (often modified as red ensign, royal ensign etc).

Lindsay Lohan with ensigns, flags and pennants.

Standard was from the Middle English standard, from the Old French estandart (gathering place, battle flag), from the Frankish standahard (literally “stand firm, stand hard”), the construct being stand +‎ -ard.  There is an alternative etymology which suggest the second element was from the Frankish oʀd (point, spot, place (and linked with the Old French ordé (pointed), the Old English ord (point, source, vanguard), the German Standort (location, place, site, position, base, literally “standing-point”))).  The notion is this merged with the Middle English standar, stander or standere (flag, banner (literally “stander)).  Standard is now the usual form when describing symbol of an individual, family, clan or military formation when presented in the shape used by national flags.

1957 Standard Ensign.  It typified the dreary products offered by much of the British industry in the post-war years.  The flag is the Red Ensign (Red Duster in nautical slang), the civil ensign of the UK, flown by British merchant or passenger craft since 1707.

The Standard Motor Company operated in the UK between 1903-1970 although in 1963 it ceased to use the Standard name on products sold in most markets, switching them to Triumph which would be used until 1984, the company having been integrated into the doomed British Leyland (BL) conglomerate in 1968.  In India, where the operations had become independent of BL, the Standard name lingered until 1988.  In 1957, Standard, having obtained from the Royal Navy the right to use the name Vanguard (the name of many ships and submarines including the last dreadnought (big battleship) ever launched) for their family car (the Standard Vanguard, 1948-1963), decided to continue the nautical theme by naming their new model the Ensign (1957-1963).  In the manner of the Citroën ID (1957-1969) and Mercedes-Benz 219 (W105, 1956-1959), the Ensign offered a large-bodied vehicle at a lower price, achieved by fitting a less powerful engine and substantially reduced equipment levels.  Until 1962 the Ensign was available only with a 1670 cm³ (102 cubic inch) for-cylinder engine which even in the pre-motorway era was thought marginal in a relative heavy car but, although slow, it offered a lot of metal for the money and sold well to fleets and the government, the military especially fond of them.  If the 1.6 litre gas (petrol) version was slow, also available was a version with a 1622 cm³ (99 cubic inch) Perkins P4C diesel engine, the low survival rate of which is sometimes attributed to so many being sold to the Coal Board or Wales and, having descended into Welsh valleys, they lacked to power to climb out.  The last of the Ensigns (1962-1963) were fitted with a 2163 cm³ (132 cubic inch) four-cylinder gas engine which proved more satisfactory but by then the Vanguard-Ensign line was outdated and the names were retired when the replacement range was marketed under the Triumph rather than the Standard marque.

Once the "Standard of the World": 1938 Cadillac Series 90 V16 Convertible Coupé (left), 1957 Cadillac Eldorado Brougham (centre) & 1967 Cadillac Coupe DeVille convertible.

Elsewhere in the automotive world “standard” was used in different ways.  Cadillac long used the slogan “The Standard of the World” and that was certainly true in the 1930s when the Cadillac V16s were at least the equal in engineering and craftsmanship to anything made in Europe an even in the late 1960s, although the “hand-made” years were over, the company still offered the finest engine-transmission combinations in the world and managed to master sub-systems like air-conditioning in a way it took the Europeans a few decades to match.  After about 1970, it was usually downhill for the old “standard of the world” although there have been some hopeful signs in the twenty-first century.  General Motors’ now defunct southern outpost, Holden, in first two decades (1948-1966), used standard to mean “basic”, the better-equipped versions being the “Business” and the “Special”.  In England, Jaguar’s pre-war use of SS as a brand (1934) was apparently derived from the company’s origin as the Swallow Sidecar Company (1922, so use predated the Mercedes-Bens SS (1928)) but after the association with the Standard Motor Company as an engine supplier, the factory began to prefer Standard Swallow, the cars sold under the badge Jaguar SS.  After the war, the SS label was dropped, the association with the Nazi Party’s SS (Schutzstaffel (security section or squad)) too unsavory in those times although the moment would soon pass, Jaguar in 1957 reviving the name for the XKSS, the road-going version of the Le Mans winning D-Type race car.  Chevrolet for years used the "SS" designation as did Holden and Nissan (sometimes as "Datsun") even had "SSS" models.  Such was the appeal of the 1957 Jaguar XKSS (they now trade in excess of US$10 million) that in 2016 the factory announced a run of nine "continuation" XKSS cars to complete the originally scheduled batch of 25, aborted by a fire after 16 had been made.  Hand-made and barely distinguishable from the originals, at US$1.4 million the continuation XKSS wasn't cheap except if compared to a 1957 model.     

Pennant of the commander of a flotilla of naval vessels in the Croatian Navy.

Flag is from the Middle English flag & flagge (flag), of uncertain origin.  It may have been related to the early Middle English flage (name for a baby's garment) and the Old English flagg & flacg (cataplasm, poultice, plaster) or could have been merely imitative or otherwise drawn from the Proto-Germanic flaką (something flat), from the primitive Indo-European pleh- (flat, broad, plain), referencing the shape.  The modern flag is a piece of cloth, decorated with a combination of colors, shapes or emblems which can be used as a visual signal or symbol.  In Admiralty use, a “flag” can refer to (1) a specific flag flown by a ship to show the presence on board of the admiral; the admiral himself, or their flagship or (2) a signal flag or the act of signaling with a flag.  The now familiar use as national symbol is surprisingly modern.  Although flags and standards were of course common even before the current conception of the nation-state coalesced, it wasn’t until the eighteen century that the association of a flag with a country became close to universal.  One interesting quirk of national flags is that since Libya’s was redesigned, the flag of Jamaica is the only one on Earth not to include either red, white or blue.

A banner used in Croatia between 925-1102 (left), the current Croatian flag adopted after independence in 1990 (centre) and the Croatian naval ensign (1990).

One of the most ancient symbols to endure in modern nation flags is the red & white checkered pattern used to this day on the flag of Croatia.  The oldest known example dates from 925 and the pattern was used (with the odd interruption) for centuries, even when the country was a non-sovereign component of supranational states such as the Habsburg Empire.  A red star was used instead when Croatia was a part of comrade Marshall Tito’s (1892-1980) Jugoslavija (Yugoslavia) between 1945-1990 but the red & white checks were restored when independence was regained in 1990.

Ivana Knoll at the FIFA World Cup in Qatar.

Noted Instagram influencer Ivana Knoll (b 1992) was a finalist in the Miss Croatia beauty contest in 2016 and for her appearances at the 2022 FIFA World Cup in Qatar, chose a number of outfits using the national symbol of the red and white checkerboard, matching the home strip worn by the team.  By the standards of Instragram, the design of the hoodie she donned for Croatia's game against Morocco at the Al-Bayat stadium wasn't particularly revealing but it certainly caught the eye.  As if Gianni Infantino (b 1970; president of FIFA (Fédération Internationale de Football Association (International Federation of Association Football) since 2016) doesn't have enough to ponder, the former Miss Croatia finalist tagged FIFA in her posts, fearing perhaps the president may not be among her 600,000 Instagram followers and her strategy seems to have had the desired effect although whether the design which, does cover her hair, shoulders and legs, will prove sufficiently demur to satisfy the local rules, isn't clear.   The guidance provided by FIFA indicated non-Qatari women don’t need to wear the abaya (the long, black robe), tops must cover their midriff and shoulders, and skirts, dresses or trousers must cover the knees and clothing should not be tight or reveal any cleavage.  In accordance with the rules or not, Ms Knoll proved a popular accessory for Qatari men seeking selfies.

Croatian FIFA World Cup 2022 strips, home (left) & away (right). 

On the basis of her Instagram posts, the German-born beauty wouldn't seem to be in compliance with the rules but thus far there's been no report of reaction from the authorities but if she has any problems, Sepp Blatter's (b 1936; FIFA president 1998-2015) lawyers may be available.  They seem pretty good.  Paradoxically, although the impressively pneumatic Ms Knoll generated much interest in her hoodie, had she worn an all-enveloping burka in the red & white checkerboard, it might have gained even more clicks.

Tiramisu

Tiramisu (pronounced tir-uh-mee-soo)

An rich Italian semifreddo dessert made with espresso coffee-soaked layers of cake alternating with mascarpone cheese and chocolate; variations sometimes add liquor.

1972: From the Italian tiramisù, the construct being tira (pick or pull) + mi (me) + sù (up).  The Italian tirare (to pull, tug) is from the Medieval Latin, from the Vulgar Latin tirāre, of unknown origin but thought by most etymologists to be Germanic.  In the Italian it’s tiramisù and the alternative spelling is tirami sù.

Signor Campeol (1927-2021) with a slice of his tiramisu.

Aged ninety-three, Ado Campeol died on 31 October 2021.  Signor Campeol owned Le Beccherie, a restaurant in Treviso in the north of Italy and it was there the most celebrated modern form of tiramisu was created by his wife, Alba Di Pillo and their chef.  Constructed with espresso coffee-soaked biscuits, mascarpone and chocolate, it was added to the Le Beccherie menu in 1972 but, being never patented by the family, it became another of Italy’s many cultural gifts to the world. Around the world, there are variants of tiramisu which include different chocolates, spirits like rum or liquors but the original recipe (certified in 2010 by the Italian Academy of Cuisine) was alcohol-free because it was meant to be eaten by children too.  Quite when the concoction was first made isn't clear and there is evidence something similar may have appeared as early as the nineteenth century and there are accounts of similar dishes from the 1960s.

Lindsay Lohan with tiramisu, Terry Richardson (b 1965) photoshoot, 2012.

There has long been a dispute about the origin of tiramisu, including the tempting suggestion it was offered as an aphrodisiac in one of Trevisio’s brothels but the definitive modern version seems to be the one created at Le Beccherie, opened by the Campeol family in 1939 and managed after the end of World War II by Ado Campeol.  According to the co-inventor,  Italian chef Roberto "Loli" Linguanotto (1943-2024), the creation of tiramisu was entirely serendipitous, the result of a slip of the hand while making vanilla ice cream, some mascarpone cheese which had been spilled into a bowl of eggs and sugar proving to yield a delightful taste.  The chef and Signora Campeol experimented with combinations, perfecting the dessert by adding ladyfinger sponges soaked in coffee, and sprinkling it with cocoa.  They called it tiramisù which translates into English as "pick me up", a tribute to the refreshing sensation a serving provides.

Tiramisu recipe

This will serve 4-6, take about 30 minutes to prepare and will be ready to serve after a further two hours of chilling.  This recipe includes only Marsala wine but works well with liquors like Kahlua or Benedictine.

Ingredients

300ml espresso coffee, brewed
2 tablespoons Marsala wine
4 eggs
100g sugar
500g mascarpone
300g ladyfinger (Savoiardi) biscuits
200g shaved dark chocolate
Unsweetened cocoa powder

Instructions

(1) Brew coffee using a macchinetta.  In saucepan or other heatproof container, combine coffee and Marsala wine, stirring slowly, then set aside to cool.

(2) In a bowl, separate egg whites from yolks and whip whites until stiff.  In another bowl, whisk the yolks with the sugar until pale and smooth. This should take 3-5 minutes.

(3) Add mascarpone to the yolks and whisk slowly with an electric mixer. Add the stiffened egg whites and mix through with a wooden spoon until smooth and creamy.

(4) Dip ladyfingers into the coffee and wine. Spread a layer of the biscuits in a serving dish, add a level of shaved chocolate (depth according to taste) and spread a layer of mascarpone mixture on top. Sprinkle with cocoa powder. Repeat layers once more.

(5) Sprinkle the top with cocoa powder. Chill for 2 hours before serving.

Big-bite sized: two spoonfuls of tiramisu at 10 William Street, Paddington, Sydney, Australia.

Apparently in response to the waiters often hearing contented customers lament they were "too full for dessert", 10 William Street, a wine bar and restaurant in Sydney’s Eastern Suburbs, has begun offering their well-regarded tiramisu by the spoonful, the single-serve  listed at Aus$3.50 compared with a whole slice at Aus$17.00.  Whether this becomes at trend remains to be seen but for a restaurant, the economics are probably compelling because (1) it's viewed as an additional sale rather than someone choosing it over the full-sized dish and (2) preparation and presentation costs are minimal. 

Caesura

Caesura (pronounced si-zhoor-uh, si-zoor-uh or siz-yoor-uh)

(1) In modern prosody, a break (especially a sense pause), usually near the middle of a verse, and marked in scansion by a double vertical line (‖ or ||).

(2) In classical prosody, a division made by the ending of a word within a foot, or sometimes at the end of a foot, especially in certain recognized places near the middle of a verse.

(3) Any break, pause, or interruption, applied to poetry, music, literature, architecture and any creative work (used even by the odd (presumably literary-minded) coder).

(4) In typography, the technical term for the caesura mark ‖ or || (as the virgule in its obsolete form), a single slash).

(5) In historiography, a measure of history and time (where one era ends and another begins).

1550-1560: From the Latin caesūra (metrical pause; cutting, hewing (literally “a cutting” from caedere (to cut))), from caesus, the perfect passive participle of caedō (I cut down, hew).  The construct was caes(us) (cut; (past participle of caedere)) + -ūra (-ure).  The suffix -ure was from the Middle English -ure, from the Old French -ure, from the Latin -tūra and was used to create a word meaning (1) a process; a condition; a result of an action or (2) an official entity or function.  In Classical Latin, the caesura was “a metrical pause” from the primitive Indo-European kae-id- (to strike), used as “the division of a metrical foot between two words, a break within a foot caused by the end of a word” as opposed to a diaeresis which was “a pause between feet”.  Technically, caesura can be used as a synonym for pause, break, rest, interval, interruption, intermission, lull interlude, hiatus and even (in certain contexts), lacuna; however, it's an obscure word and use is better restricted to its traditional purposes; as a general principle, plain, simple and well-understood words are best.  The now obsolete alternative spellings were cesura & cæsura and other languages use variations including the Catalan cesura, the Dutch cesuur and the French césure.  Caesura is a noun and caesural & caesuric are adjectives; the noun plural is caesuras or caesurae.

In historiography, a caesura is measure of history and time; where one era ends and another begins.  The word is most used of concepts which have no exact start or end date such as “the Industrial Revolution”, “the Enlightenment” or “the colonial era” and in that it differs from periods exactly defined by other events such as “the Victorian Age” (1837-1901), “the Ming dynasty” (1368-1644) or “the Third Reich”" (1933-1945).  Such use can be extended to situations in which something precisely defined (like a century) has become vested with meanings which transcend the start and end point.  Some historians like to make the point that in the “grand sweep” theory of history, the twentieth century is best understood as having begun in 1914 (with the outbreak of World War I (1914-1918)) although they seem to differ on when it can be said to have ended, some citing 1989-1991 (fall of the Berlin Wall & the dissolution of the Soviet Union) and some, 2001 (the 9/11 terrorist attacks on the US).  The idea that what happened between 1901-1914 was really a continuation of nineteenth century tensions appears settled but whether that curious lacuna in history (during which, admittedly, much happened) between 1991-2001 was a coda to the twentieth century or a prelude to the twenty-first remains unresolved.

Although others have co-opted it, the usual purpose of a caesura is the technical description a pause or break in poetry, dictated by the natural rhythm of the language and enforced by punctuation (as opposed to the demands of meter although critics do complain modern poets have been inclined to impose in idiosyncratic ways).  A line may have more than one caesura or it may have none and structurally, it close to the beginning it’s called the initial caesura; if near the middle it’s the medial and if towards the end, the terminal and in English writing, the medial is by far the most common.  For those really immersed in literary theory, an accented (masculine) caesura follows an accented syllable and an unaccented (feminine) caesura an unaccented syllable.  So rigid were the conventions of use in the Old English that it was unusual for a line not to have a medial caesura as a half-line marker, the technique appearing throughout Beowulf:

þær mæg nihta gehwæm || niðwundor seon,
fyr on flode. || No þæs frod leofað
gumena bearna, || þæt þone grund wite;
ðeah þe hæðstapa || hundum geswenced,
heorot hornum trum, || holtwudu sece,

Traditionalists like William Langland (circa 1332–circa 1386), brought up in the alliterative school, maintained the model: Pier’s Ploughman (circa 1377):

Loue is leche of lyf || and nexte owre lorde selue
And also þe graith gate || þat goth in-to heuene;

Readers in English thus owe a debt to Geoffrey Chaucer (circa 1344-1400) who developed the iambic pentameter which allowed set verse freely to adopt the rhythms and cadences of language as it was spoken: Prologue to The Canterbury Tales (circa 1380-1390):

With him ther was his sone, || a yong Squier
A lovyere || and a lusty bacheler,
With lokkes crulle || as they were leyd in presse.

Speak (2004) by Lindsay Lohan, pink vinyl edition, 2000 of which were in 2020 pressed for Urban Outfitters. No critic seems ever to have suggested Chaucer wouldn't have been a Lindsay Lohan fan: Anything But Me by Kara Elizabeth Dioguardi, John Shanks, Lindsey Lohan, from the album Speak by Lindsay Lohan.

Nobody told me that I'd be happy faces
Just trying to erase the traces || What came before me
A girl that I used to see somewhere buried deep
She's falling asleep and I trying to wake her set her free
 
Now is a never ending thing || One moment turns into another
Before I've had time to to run from all the other ones
And its so hard to live a dream
When the everything that they want you to be || Is anything but me
 
So much confusion circling inside my head
What this one and that one said || It's all an illusion
Cuz I'm still the same person no matter how fast I run
I'm trying to hold on to where it is I've come from

Sylvia Plath in Paris, 1956.

Chaucer was of course the modernist of his time and in the later Modernist literature he might have found lines to admire; "like a terrible fish" sounds Chauceresque: Mirror (1961) by Sylvia Plath (1932-1963):

I am silver and exact. || I have no preconceptions.
Whatever I see I swallow immediately
Just as it is, || unmisted by love or dislike
I am not cruel, || only truthful
The eye of a little god, || four-cornered
Most of the time I meditate on the opposite wall.
It is pink, with speckles. || I have looked at it so long
I think it is part of my heart. || But it flickers.
Faces and darkness separate us over and over.

Now I am a lake. || A woman bends over me,
Searching my reaches for what she really is.
Then she turns to those liars, || the candles or the moon.
I see her back, and reflect it faithfully.
She rewards me with tears and an agitation of hands.
I am important to her. || She comes and goes.
Each morning it is her face that replaces the darkness.
In me she has drowned a young girl, || and in me an old woman
Rises toward her day after day || like a terrible fish.

Hoodoo

Hoodoo (pronounced who-do)

(1) A set of spiritual practices and traditions created and concealed from slave-owners by enslaved Africans in North America, based on traditional African beliefs.  Practiced predominantly in the south-east US, its identifiable features include folk magic, rituals of protection, herbal medicine, charming of objects, and ancestor veneration.

(2) In casual use, bad luck, or a person or thing that brings bad luck, not necessarily associated with the supernatural; to jinx, to bring bad luck or misfortune.

(3) In geology, a pillar of rock, created by various forces of erosion (also known as spires of rock, fairy chimneys, earth pyramids (and in particular formations) tent rocks).

1870: A creation of US English meaning "one who practices voodoo", apparently a variant of Voodoo.  The meaning "something that causes or brings bad luck" seems to have emerged in the 1880s and it was being used as a verb by 1886.  Interestingly, in 2002, it was documented also as a distinctly non-religious American folk magic.  Until the late twentieth century, hoodoo was spelled with & without an initial capital letter in a most inconsistent matter, both forms sometimes appearing in the one document.  The modern practice (which seems compelling) is to capitalize in when the word is used in the context of the spiritual practice or the cultural identification but to use all-lowercase when referring to the geological formations or used as casual slang (perhaps surprisingly, there’s been little apparent interest in proscribing hoodoo in this sense on the grounds of cultural appropriation).  Hoodoo is a noun & verb, hoodooed & hoodooing are verbs and hoodooism is a noun; the noun plural is hoodoos.

The first known instance of Hoodoo in English was in 1870 but the origins are wholly speculative, etymologists concluding it was probably an alteration of voodoo, a word drawn from the Ewe and Fon languages of Ghana and Benin which reference a divinity although the Akan odu (medicine) may be related and there’s also the possibility of a link to the Hausa hu'du'ba (resentment and retribution).  Less likely, but not impossible is that it’s from the variant Hudu (spirit work) in the Ewe language spoken in Ghana and Togo.  The link with Voodoo however is most convincing because Hoodoo was as early as the late nineteenth century identified as an African dialect with practices similar to the mysteries of Obi (Obeah) in the Caribbean.

Pre-production de Havilland Comet (DH 106) with the original, square windows, England, 1949 (left) and Comet 4 (Registration G-APDN) in BOAC (British Overseas Airways Corporation (1939-1974 which in 1974 was merged with BEA (British European Airways) and others to later become BA (British Airways)) livery, Tokyo (Haneda International (HND / RJTT)), Japan October 1960.

The term hoodoo is often attached to objects thought jinxed.  When the de Havilland Comet (DH 106; the first commercial jet airliner), within a year of its first flight in 1949, began to suffer a number of catastrophic in-flight accidents, newspapers wrote of the “Comet hoodoo”, something encouraged because, in the pre “black-box” era, analysis of aviation incidents was a less exact science than now and for some time the crashes appeared inexplicable.  It was only when extensive testing revealed the reason for the structural failures could be traced to stresses in the airframe induced aspects of the design that the hoodoo was understood to be the operation of physics.  Other manufacturers noted the findings and changed their designs, Boeing's engineers acknowledging the debt they owed to de Havilland because it was the investigation of the Comet's early problems which produced the solutions which helped the Boeing 707 (1957) and its many successors to be the successful workhorses they became.  As a footnote, by the time the Comet 4 was released in 1958 the problems had been solved but commercially, the project was doomed and reputational damage done.  Between 1949-1964, barely more than 100 were sold although many did provide reliable service until 1981 and the airframe proved adaptable, dozens of military variants produced, the most notable being the Hawker Siddeley Nimrod, a maritime patrol version which was in service with the Royal Air Force (RAF) until 2011.

It’s because of the lessons learned from the Comet hoodoo that the apertures of airliner windows have rounded edges, the traditional four-cornered openings creating four weak spots prone to failure under stress.  Lindsay Lohan demonstrates. 

Pre-dreadnought battleship, USS Texas ("Old Hoodoo"), 1898.  Note the sailors' washing hanging from the railings, a long naval tradition.   

Sailors are said to be notoriously superstitious and probably didn’t need much persuasion to call the USS Texas “Old Hoodoo”.  The US Navy’s first (pre-dreadnought) battleship, she was commissioned in response to the naval arms race which developed in the Americas in the late nineteenth century although, despite the tensions, construction was undertaken as what would seem a leisurely pace; ordered in 1886, it wasn't until 1889 the keel was laid down and when finally commissioned in 1895, although not yet obsolescent, she was hardly in the forefront of naval architecture.  The ship's accident-prone reputation was well deserved and had started early with incidents of grounding, flooding (drowning three of the crew) and a collision with a dock.  However, she rose to the occasion and provided sterling service during the Spanish–American War (1898) but, ironically, her reputation was such that the Navy decided to use the now storied name for a new dreadnought, the USS Texas (BB-35), commissioned in 1914 and later declared a national historic landmark (and now the last surviving World War I (1914-1918) era dreadnought).  As sailors know, it’s bad luck to change the name of a ship and now named the USS San Marcos, the old Texas proved it so.  Towed as a hulk to shallow waters in Chesapeake Bay, resting on the bottom, she became an increasingly battered target ship, the US Navy using her for gunnery practice until the late 1940s.  Increasing water traffic however meant the hulk had become a navigational hazard and most of the remains were removed as scrap in 1959.

Hoodoos short (left), tall (centre) and clustered (right), Arizona, south-west US.

In geology, a hoodoo (also known as spires of rock, fairy chimneys, earth pyramids (and in particular formations) tent rocks) is a tall, typically thin, spire of rock formed by the processes of erosion (wind, rain, floods) and are forms usually of a relatively soft rock (such as sandstone) topped by harder stone which better resists the forces of nature.  Mostly, they exist within sedimentary rock and volcanic rock formations.  Hoodoos can be only a few feet high or exceed the level of multi-storey buildings and the shape they assume is wholly dictated by the composition of the rocks from which they’re formed, the erosional patterns differing according to the hardness of the material.  The introduction of the word hoodoo to geology seems to have happened in the late nineteenth century at the time when it had entered the vernacular to describe both the rituals of certain folk magic and the sense of doom or bad luck.  As the more remote regions of the western US were explored, the rocky structures were noted to be of not dissimilar spiritual significance to First Nations peoples and in some cases literally to be the petrified remains of those punished by the gods for their transgressions.

In the natural environment, temperature can also create structures with a hoodoo-like appearances.  Trees in Finland (left), a frozen fountain in Shevchenko Garden, Kharkiv, Ukraine (centre) and frozen Geyser in Letchworth State Park, New York with volcano-like flow maintained at the top (right).