Mouse

Mouse (pronounced mous (verb form sometimes mouz))

(1) Any of numerous small Old World rodents of the family Muridae, especially of the genus Mus, introduced widely in other parts of the world.

(2) Any similar small animal of various rodent and marsupial families.

(3) As a verb (used with object), moused or mousing (1) to hunt out, as a cat hunts out mice, (2) to move a cursor about a screen using a mouse or (3) to prowl about, as if in search of something.

(4) In nautical use, to secure with a mousing (a turn or lashing of spun yarn or small stuff, or a metallic clasp or fastening, uniting the point and shank of a hook to prevent its unhooking or straightening out).

(5) As mouse-like, when applied to people, a descriptor of timidity.

(6) One of a brace of rodent-based slang terms to differentiate between the small-block (mouse motor) and big-block (rat motor) Chevrolet V8s built mostly in the mid-late twentieth century.

(7) In computing, a hand-held device used to control the cursor movement and select computing functions without using the keyboard.

(8) As a descriptor of hair color, a dull and lifeless blonde.

(9) In boxing, slang for black eye (hematoma).

(10) In early artillery, a match used in firing guns or in blasting.

(11) In the mathematics of set theory, a fragment of Zermelo-Fraenkel set theory with desirable properties (depending on the context).

(12) A small cushion for a woman's hair (obsolete).

(13) As mouse hair, an expression used to describe the suede-like covering used by some low-volume Italian car manufacturers for some interior fittings.

Pre 900: From the Middle English mous (plural mis) and Old English mūs (small rodent (also “muscle of the arm”)) (plural mȳs), from the Proto-Germanic mus, probably ultimately derived from the primitive Indo-European mus & muhs.  Germanic cognates include the Old Frisian mūs, the Old Saxon mūs, the Low German Muus, the Dutch muis, the Old High German mūs (German Maus), the Old Norse mús, the Swedish mus, the Danish mus, the Norwegian mus, the Icelandic mús & the Faroese mús.  Indo-European cognates include the Ancient Greek μῦς (mûs), the Latin mūs, the Spanish mur, the Armenian մուկ (muk), the Old Church Slavonic myšĭ, the Russian мышь (myšʹ), the Albanian mi, the Persian موش‎ (muš) & the Sanskrit मूष् (mūṣ).  Mouse & mousing are nouns & verbs, moused is a verb, mousy is an adjective and mousily is an adverb; the noun plural is mice (mouses a curious and best-avoided invention used to refer to the computer hardware).

Lindsay Lohan at Disneyland Resort, Anaheim, California with Mickey Mouse in 2003 (left) and, 21 years on, in 2024 (right).  Lindsay still looks good but Mickey hasn't aged a day.

The use to describe something (or more commonly someone) as timid or weak dates from the late fourteenth century and the phrase of diametric contrast “an or mouse” emerged in the 1620s.  The meaning "black eye" (or other dis-colored lump on the body) is from 1842 and is part of the jargon of boxing.  The familiar use in computing to describe a "small device moved by the hand over a flat surface to maneuver a cursor or arrow on a display screen" is from 1965, though the word had been applied to many objects with some vague remembrance to the rodent was applied to many objects since 1750 and was especially popular in Admiralty use.  The computer mouse picked up the name because the cord which connected it to the computer (which in the early days of PCs was usually a serial or bus connection) was compared to the creature’s tail; although the things increasingly are wireless and thus have no “tail” the name has stuck, divorced from the original imagery.  The preferred plural is mice (pronounced mahys); in the Old English it was mys and mice is thus an example if i-mutation.  The curious adoption of mouses as the plural for the computer mouse had no etymological or other basis and seems to have come into use to ensure references to the plastic pointing device wouldn’t be confused with rodents though it’s difficult to imagine that would often happen.  In the espionage community, MICE is a term used to refer to the four factors most likely to induce people to "work for the other side" by becoming traitor to their own country: Money, Ideology, Corruption & Ego.  In the hospitality industry, MICE is Meetings, Incentives, Conferences & Exhibitions which collectively describes a market segment distinct from activities such as weddings or birthday celebrations which can be held in the same physical space.  

Lindsay Lohan in Minnie Mouse mode, smoking.

The verb mouse (to hunt or catch mice) developed from the noun in the mid-thirteenth century and was from the earlier mousen while the noun mouse-hole (very small hole where mice go in and out, a hole only big enough to admit a mouse) dates from the early fifteenth century; from later that century, the noun mouser (cat that hunts mice) was an agent noun from the verb.  The adjective mousy (resembling a mouse) dates from 1812 was actually used mostly as a synonym of “mouse-like” to describe the demeanour of the timid although there are instances of use in zoology as an anatomical descriptor; after 1512 it came to describe hair color, now more memorably referred to as dirty blonde”.  The noun mousetrap (trap for catching mice) emerged in the mid-fifteenth century with figurative use noted since the 1570s.  The device however is an ancient design (which, conceptually, probably can’t be improved upon) and in the Old English was musfealle (literally "mouse-fall" after the imagery of the trap falling on the mouse); in the late fourteenth century Middle English it was mouscacche (literally "mouse-catch").

The figurative use of Mickey Mouse, the cartoon character created in 1928 by US animator Walt Disney (1901-1966) is interesting.  As an adjective meaning "small and worthless, petty, inconsequential" it was in use by 1951, presumably a reference to the less than exact accuracy in time-keeping by the popular, cheaply made Mickey Mouse wristwatch.  A similar negative connotation had emerged in 1935 to describe the innocuous but unimaginative dance-band music played as background in cartoon films.  However, by the 1950s, the Californian hot-rod movement had adopted Mickey Mouse as a contronym to describe the best and most desirable after-market equipment.

Small and big-block Chevrolet V8s compared, the small-block (mouse) to the left in each image, the big-block (rat) to the right.

Mouse and rat are informal terms used respectively to refer to the classic small (1955-2003 although still produced as a crate-engine) and big-block Chevrolet V8s (1958-2021 although still produced as a crate-engine).  The small-block was first named although the origin is contested; either it was (1) an allusion to “mighty mouse” a popular cartoon character of the 1950s, the idea being the relatively small engine being competitive with many bigger units from other manufacturers (which is some cases was true) or (2) an allusion to the big, heavy Chrysler Hemi V8s (the first generation 331 354 & 392 cubic inch (5.4. 5.8 & 6.4 litre) versions) being known as “the elephant”, the idea based on the widely held belief that elephants are scared of mice (which may actually be true although the reason appears not to be the long repeated myth it’s because the little rodents might climb up their trunk and it transpires they probably are more averse to bees).  The mouse (small-block) and rat (big-block) distinction is simple to understand: the big block is externally larger although confusingly the internal displacement of some mouse motors was greater than that of some rats.

The plural in Modern English

The tendency by the mid-1980s to differentiate between multiple rodents and multiple Computer-Aided Display Control Devices (as mice were first called) as mice and mouses respectively was curious.  While the onset of mass-market computing in the 1980s made some linguistic differentiation desirable (eg between program for software and programme for all other contexts), there has never been much chance, in any context, of confusing rodents with two or more computer mice.  Hopefully, mouses will go extinct.

One mouse, two mice.

That does beg the question of why multiple rodents are mice and not mouses given that would be the usual practice in English: add an “s”.  Among animals, the mouse is not unique in this variation; there’s also moose, ox and goose, none of which enjoy plurals created by adding an “s” and there’s no apparent consistency for were the model for oxen to be universal, Modern English would enjoy goosen, micen and moosen, an echo of Old English.  In Modern English, mostly the noun plural is made by adding an “s” but there are irregular plurals, many but not all of which are animal names.   

The first group of irregular nouns come from an obsolete strain of Old English and includes ox and oxen.  Old English was a West Germanic language spoken and written between the mid-fifth and late-eleventh centuries in parts of what are now England and southern Scotland; it’s in this the epic poem Beowulf was written.  Although unintelligible to speakers of Modern English, as it evolved, it retained some elements of Old English including the plural nouns oxen, children and brethren although the evolution was organic and not consistent; some other nouns, such as eye, house and hose used to be pluralized in a similar way, but those forms, eyen, housen and hosen are now dialectic or obsolete.  Hosen of course endures in Modern German, as in lederhosen but, there are at least five different ways German nouns can form the plural.

The second group of irregular plurals are mutants, also from Old English roots.  Examples include foot, goose, woman and louse which as plurals became feet, geese, women, and lice, all under the influence of German.  Mutated plurals are formed simply by changing the vowel sound of the singular, in a process called “umlaut”.  An “umlaut” is better known as the two-dot symbol seen above some German vowels, but there’s also a sense in which it’s a concept in technical linguistics.  While quite rare in Modern English, mutated plurals are in common use and include man & men, mouse & mice and tooth & teeth.

Finally, there are nouns where the singular and plural forms are the same, such as deer, fish, moose, sheep, shrimp and swine; these are called zero-plural nouns.  Many are animals, but there are others such as aircraft and species.  Even here, there are deviations such as the convention in science to use fishes to differentiate between one and multiple species of fish which makes sense in a way mouses never did.

The fish vs fishes thing does have history.  There are many references to fish in the Bible, never species, just fish singular or plural but translators rendered the plural as both “fish” and “fishes” even when not necessarily referring to actual fish.  Translators used “fish” in its plural sense when the Greek opsarion appeared, a word simply denoting food eaten with bread, which was often fish but it’s translated also as "fishes", the original spellings often "fysshe" and "fysshes".  Both the original 1611 and the 1789 revision of the King James Version are rendered thus:

John 21:8 And the other disciples came in a little ship; (for they were not far from land, but as it were two hundred cubits,) dragging the net with fishes.

John 21:9 As soon then as they were come to land, they saw a fire of coals there, and fish laid thereon, and bread.

John 21:10 Jesus saith unto them, Bring of the fish which ye have now caught.

John 21:11 Simon Peter went up, and drew the net to land full of great fishes, an hundred and fifty and three: and for all there were so many, yet was not the net broken.

None of this offers any revelation of grammatical or theological truth but it does illustrate the murky history of English plurals.  So, in English, there is no consistent rule for noun plural formations.  Unfortunately, the language is what it is and all that can be done is to memorize weird plurals, just as one has to learn irregular verbs.

Parturient montes, nascetur ridiculus mus

The “mountain in labor” is imagery dating from Antiquity (thought to be a Greek proverb) and has since often been used in Western literature.  The idea is of speech in a literary or political context which promises much but delivers little (ie “over promising and under-delivering” or “much ado about little”).  It’s best remembered in the phrase used by the the Roman lyric poet Horace (Quintus Horatius Flaccus, 65-8 BC) in the influential Ars Poetica (The Art of Poetry (19 BC)): Parturient montes, nascetur ridiculus mus (The mountains are in labor but only an absurd mouse will be born).

And don’t start like the old writer of epic cycles:

‘Of Priam’s fate I’ll sing, and the greatest of Wars.’

What could he produce to match his opening promise?

Mountains will labour: what’s born? A ridiculous mouse!

Gaiter

Gaiter (pronounced gey-ter)

(1) In fashion, a covering of cloth or leather for the ankle and instep and sometimes also the lower leg, worn over the shoe or boot.

(2) A waterproof covering for the ankle worn by climbers and walkers to prevent snow, mud, or gravel entering over the top of the boot.

(3) A cloth or leather shoe with elastic insertions at the sides.

(4) An overshoe with a fabric top.

1765-1775: From the French guêtre (belonging to peasant attire) from the Middle French guiestres (guestes the plural), from the Old French gueste, possibly from the Frankish wasta &  wastija (wrist) from the Proto-Germanic wastijō (garment; dress) and thus related to the German rist (wrist, ankle (and the source of the English wrist and the German Rist (instep)), from the primitive Indo-European root wer- (to turn, bend).  It was cognate with the Middle High German wester (a child's chrisom-cloth), the Middle High German westebarn (godchild), the Old English wæstling (a coverlet) and the Gothic wasti (garment; dress).  The original sense in English was "leather cover for the ankle".  Gaiter is a noun, the present participle is gaitering and the past participle gaitered; the noun plural is gaiters.

The related noun spat (short gaiter covering the ankle) which (except in technical and commercial use) is used only in the plural dates from 1779 and was a shortening of spatterdash (long gaiter to keep trousers or stockings from being spattered with mud), the construct being spatter + dash, the same idea as the noun dashboard which was a timber construction attached to the front of horse-drawn carriages to protect the passengers from mud or stones thrown up when the beasts were at a dash.  The figurative use of spats to refer the coverings used to conceal the (usually rear) wheels of a car by encapsulating the aperture described by the wheel-arch persisted in the UK and most of the old British Empire but in North America, "fender skirts" came to be preferred.

Spats (left) and gaiters (centre & right).  Historically, gaiters were either medium (mid-calf) or long (reaching to the knee) while the shorter variations, extending from ankle to instep, were known as spats.  In the fashion industry, the terms gaiters and spats are often used interchangeably and except among the equestrian and other horse-oriented crowds, they now exist only as a fashion item, improvements in the built-environment meaning the need for them as functional devices has diminished.  These days, spats tend to be seen only in places like the Royal Enclosure at Ascot or smart weddings (used as a wealth or class signifier) although variations are still part of some ceremonial full-dress military uniforms.  Technically, a spat probably can be called a “short” or “ankle-length” gaiter but it’s wise to use “spat” because gaiters are understood as extending higher towards the knee.

Lindsay Lohan in boots with emulated gaiters, on her way to frozen yoghurt shop, Los Angeles, 2009.

Historically, gaiters were detachable and secured with a variety of fastenings (buttons, ties, buckles and even zips and Velcro), the advantage being they could be cleaned separately from the clothing they were used to protect.  Particularly in the longer versions, the leg-warmer fad of the 1980s was a borrowing of the look.  Boots with what is essentially a contrasting panel (often of a suede-like material) extending from the ankles sometimes as high as just below the knee capture the look of the gaiter.

Angioedema

Angioedema (pronounced an-jee-oh-i-dee-muh)

In pathology, a swelling that occurs just beneath the surface of the skin or mucous membranes.

1888: The construct was angio- + edema.  Angio was from the Ancient Greek ἀγγεῖον (angeîon) (vessel, urn, pot), a word-forming element meaning "vessel of the body," now often "covered or enclosed by a seed or blood vessel," from a Latinized form of the Greek angeion (case, capsule, vessel of the body), diminutive of angos (vessel, jar, vat, vase) of unknown origin but perhaps a Mediterranean loan-word.  The spelling if used before a vowel is angi-.  Edema (excessive accumulation of serum in tissue spaces or a body cavity) dates from circa 1400 (also as idema (a swelling filled with phlegmatic humors) and is from the Ancient Greek οἴδημα (genitive oidēmatos)(oídēma) (a swelling tumor), from οἰδέω (oidéō) (I swell), oidos (tumor, swelling) & oidéin (to swell) from the primitive Indo-European oid (to swell), source also of the Latin aemidus (swelling), the Armenian aitumn (a swelling) & aytnum (to swell), the Old Norse eista (testicle) the Old High German eittar (pus) and the Old English attor (poison (which which makes the body swell)).  Famously it's the first element in Oedipus.  In historic English texts are the alternative forms oedema & œdema, both non-standard and archaic except in historic reference.

Angioedema: pathologic and induced

Manifesting particularly in younger females, frequently as an allergic reaction to foods or drugs, the condition was originally called angioneuroticedema when described in 1882 by German internist and surgeon Heinrich Quincke (1842–1922).  There had been earlier clinical discussions in the literature but until Quincke published his reports, the condition had never been named.  In 1888, the Canadian physician Sir William Osler (1849–1919), coined the term "hereditary angio-neurotic edema" after noting there may be some hereditary basis and the words "angioneuroticedema" (directly from the German) and the simplified "angioedema" were soon in use.  The official (but now rarely used) alternative name is "Quincke disease: and in casual use there’s also "giant hives", "giant urticaria" and "periodic edema".

For specific purposes, it’s possible to induce localized instances of angioedema, the best known of which are those created from the use of "lip fillers" (in the West almost always some form of synthetic hyaluronic acid).

Angioedema is often seen in conjunction with hives (urticaria), a condition up to one in five people will develop at some time in their life and of these, a third will suffer angioedema as well.  Angioedema as an isolated condition, without hives, is much less common.  If the conditions occur together, the hives will itch and the angioedema will be itchy, hot or painful.  In isolation, angioedema will manifest either as itchy, hot and red swellings which are often large and uncomfortable or as skin-colored swellings which, while neither itchy nor burning, are often unresponsive to antihistamines.  In most patients, angioedema eventually disappears though it may reoccur following infection, when under stress or indeed with no obvious cause.  Although it tends to be a recurrent problem that reappears throughout life, angioedema is seldom caused by a serious underlying disease, nor does it cause serious illness or induce damage to internal organs.

Most commonly affected are the face, lips, tongue, throat and genital areas, the swelling lasting usually between one to three days although, in rare cases, there can be swelling of internal organs like the oesophagus, stomach or bowel which can trigger chest or stomach pains.  While itchy, tingling, or burning, often there are no symptoms other than the discomfort of the swelling.  Angioedema does not damage internal organs like kidneys, liver or lungs, the only danger being if the throat or the tongue swell severely, causing difficulties breathing and severe cases can demand the early use of medications such as adrenaline for anaphylaxis or icatibant for hereditary angioedema (HAE).  If the condition does not respond to these treatments, hospitalization may be required.

Ms Andrea Ivanova, before & after.

Few influencers have revealed a purpose more specific than Ms Andrea Ivanova (b 1998), a student from the Bulgarian capital Sofia, who has had over twenty injections of hyaluronic acid in her quest to have the world’s plumpest lips.  The results have been "encouraging" but, seeking additional fullness, she indicated recently she intends to pursue another course of injections.  Ms Ivanova is also a collector of Barbie dolls, the aesthetic of which she admires, and these are said to provide the inspiration for some of the other body modifications and adjustments she's undertaken.  Like the lips, other bits remain a work-in-progress, Ms Ivanova documenting things on Instagram where she enjoys some 32K followers.

Ms Andrea Ivanova: Instagram progress report.

Balkanize

Balkanize (pronounced bawl-kuh-nahyz)

(1) To divide a country, political entity or other geographical territory into small, quarrelsome, ineffectual states (can be initial upper or lower case depending on context of use).

(2) To divide groups or other constructs into contending and usually ineffectual factions (should always be initial lower case).

Circa 1920: A compound word balkan + ize.  Balkan is (1) the descriptor of the geographical Balkan Peninsula and (2) a general term of description for all or some of the countries within and beyond that geographical space.  Word is of Turkic origin, related to the Turkish balkan (wooded mountain range).  The ize suffix is from the Middle English isen (ise, ize), from the Old French iser (ize) from the Latin izāre (ize), derived from the Ancient Greek ίζειν (ízein), the ultimate root being the primitive Indo-European verbal suffix idyé.  It was cognate with other verbal suffixes, the Gothic itjan, the Old High German izzen and the Old English ettan.  It’s often used in conjunction with the suffix ation to produce the suffix forming nouns denoting the act, process, or result of doing something, or of making something, ie a noun of action (eg balkanization).  It’s from the Middle English acioun & acion, from the Old French acion & ation, derived from the Latin ātiō, an alternative form of tiō (from whence tion).  The alternative spelling is balkanise, a mostly British form.

Geopolitics: The Balkans.

Balkanize was coined to describe the turmoil on the Balkan Peninsula circa 1878-1913 when the nominally European section of the Ottoman Empire fragmented into small, warring nations.  There’s no consensus among etymologists regarding the author, most preferring, on the basis of documentary evidence, the English writer James Louis Garvin (1868-1947) while other suggests earlier Germanic sources. The geographical concept of the Balkan Peninsula dates from 1808 which conveniently aligned with the European provinces of the Ottoman Empire although the first known use of the word appears in a fourteenth century Arab map which named the Haemus Mountains and Balkan and Ottoman diplomats used the word in the 1560s.  Otto von Bismarck (1815–1898; Chancellor of the German Empire 1871-1890), Chancellor of Germany during the early decades of the Second Reich, well understood the instability of the Balkans and the threat its squabbles posed to European civilization.  While he affected a complete uninterest in the place, once saying the Balkans wasn’t worth “…the bones of one German soldier” and claimed never to bother opening the diplomatic bag from Constantinople, the troubles of the place often absorbed much of his time.  Although the quote "…the great European War would come out of some damned foolish thing in the Balkans" attributed to him may be apocryphal, he may have predicted the origins of World War I (1914-1918), many sources documenting his prophecy “…it will start in the east” although, much of what he wrote in his memoirs may be retrospective foresight.  Some though recorded their thoughts on the Balkans when memory was fresh.  While working at the UK Foreign Office in 1915, the future politician Duff Cooper (1890–1954) was dealing with the seemingly intractable disputes between Serbia and Bulgaria while managing the effects on Macedonia and Roumania (sic),  He noted in his diary: "If only all those damned little states could be persuaded to pull together."  In the hundred-odd years since, that must have been a sentiment felt by many foreign ministers.  

Geography: The Balkan Peninsula.

To geographers, the Balkans is the peninsula south of Eastern Europe, surrounded by the Adriatic, the Ionian, the Aegean and the Black Sea; to the east lies Asia Minor.  Although there's little dispute among geographers, there have been many disputes about which states should be thought of as "Balkan".  Scholars have their reasons for their particular construct of what makes a geopolitical entity characteristically "Balkan" while others have their own agenda.  At the moment, the closest to a consensus is that eleven nations constitute (politically) the Balkans: (1) Albania, (2) Bosnia and Herzegovina, (3) Bulgaria, (4) Croatia, (5) Kosovo, (6) Moldova, (7) Montenegro, (8) North Macedonia, (9) Romania, (10) Serbia & (11) Slovenia.  It’s because of the historic construct of Greece as a cradle of Western civilization that, despite the geography, it’s not considered Balkan.  A different reservation is applied to the small portion of Türkiye (formerly Turkey) that lies northwest of the Sea of Marmara; because most of the Turkish land-mass lies in Asia-Minor, it’s thought part of West Asia although historically, when it constituted the core of the Old Ottoman Empire, it wasn’t unusual for it to be spoken of as “European”, Nicholas I’s (1796–1855; Tsar of Russia 1825-1855) the memorable phrase describing Turkey as the “sick man of Europe” ever since recycled when criticizing whichever European country was most obviously in economic decline.  In one form or another, Türkiye's application for membership of the EU has languished in various in-trays since 1959 (it was then seeking associate membership of the EEC (European Economic Community)) so the moment of it being thought European may have passed; even Ankara seems to have lost hope.

Lindsay Lohan on the cover of the Croatian edition of Cosmopolitan, May 2006.  Hearst also publishes a Serbian edition.

For centuries, wars, conquest and population movements have meant cross-cutting cleavages have beset the Balkan Peninsula, the bloody break-up in 1992 of the former Yugoslavia (formed at the end of World War II (1939-1945)) the most recent major event and some Balkan states are also considered "Slavic states" as they are typically defined as Slavic-speaking communities (Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Serbia, and Slovenia), something which influences their relations with nations to the east.  The other regional phrase of note is “Western Balkans”, used to refer to the countries on the western edge, along the Adriatic coast (Albania, Bosnia and Herzegovina, Croatia, Kosovo, Macedonia, Montenegro, and Serbia).  The ripples of the convulsions of the last round of balkanization, triggered by the wars of 1991-1995 which followed the breakup of Yugoslavia, may have played out with the constructs of North Macedonia, Kosovo and Montenegro now formalized (although Kosovo remains a work in political progress).  Although there remains the hope the gradual integration of the Balkan states into the EU may impose a permanent peace, the history of the region does suggest it’s one of those places best managed by competing spheres of influence which can administer rolling truces punctuated by occasional, small ethnic wars to effect minor adjustments to borders.  One hopeful sign however is that whatever the antagonistic bellicosity of Balkan politicians, the countries do tend to vote for each other in the Eurovision Song Contest.

Plastic

Plastic (pronounced plas-tik)

(1) Any of a group of synthetic (and usually hydrocarbon-based) polymer materials which may be shaped when soft and subsequently hardened.

(2) In slang, a credit card, or credit cards collectively (an allusion to the material typically used in their manufacture); money, payment, or credit represented by the use of a credit card or cards.

(3) Something (or a number of things), made from or resembling plastic (sometimes merely descriptive, sometimes as a slur suggesting inferiority in quality).

(4) Capable of being molded or of receiving form; having the power of molding or shaping formless or yielding material.

(5) In psychology, the quality of being easily influenced; impressionable.

(6) In biology of or relating to any formative process; able to change, develop, or grow; capable of adapting to varying conditions; characterized by environmental adaptability.

(7) Figuratively and in slang, something superficially attractive yet unoriginal or artificial; insincerity or fakeness in an individual or group.

(8) A widely used combining form (plastic surgery, plastic bullet, plastic explosive, chloroplastic, protoplastic etc).

(9) A sculptor or molder; any solid but malleable substance (both obsolete).

In physiology, producing tissue (obsolete).

1625–1635: From the Latin plasticus (that which may be molded or relating to that which has been molded), from the Ancient Greek πλαστικός (plastikós) (fit for molding, capable of being molded into various forms; pertaining to molding), from πλάσσω (plássō) (to mold, to form).  In Hellenic use, in relation to the arts, there was plastos (molded, formed) the verbal adjective from plassein (to mold) and from the Greek plastikós was derived both plaster and plasma.  Words vaguely or exactly synonymous (depending on context) include elastic, molded, synthetic, bending, giving, yielding, cast, chemical, ersatz, phony, pseudo, substitute, ductile, fictile, formable, moldable, pliable, pliant, resilient, shapeable, flexible & amenable.  Plastic is a noun, verb & adjective, plastically & plasticly are adverbs and plasticity is a noun; the noun plural is plastics and the seventeenth century spelling plastick is long obsolete.

Three decades of progress, Soviet style: 1958 Trabant P50 (left) and 1990 Trabant 601 (right).  In fairness, a 1959 and 2000 Mini enjoyed a not dissimilar degree of visual similarity.

Materials with plastic properties were attractive for car producers for different reasons.  It made low-volume production runs viable because the tooling costs were a fraction of the cost of those using steel or aluminum and in some cases the light weight and ease of modification was an attraction.  In the GDR (German Democratic Republic, the old East Germany), the long-running (1957-1991) Trabant's bodywork was made with Duroplast, a composite thermosetting plastic (and a descendant of Bakelite).  A resin plastic reinforced with fibers (the GDR used waste from both cotton & wool processing), it was structurally similar to fibreglass and it's a persistent urban myth that Trabants were made from reinforced cardboard.  Much despised in the early 1990s in the aftermath of the break-up of the Soviet Union (1922-1991), the Trabant was regarded as emblematic of the failure of the GDR's (and by extension the entire Eastern Bloc's) economic model but quickly the "Trubi" gained a cult following and the survivors of the more than three million produced (a greater volume than BMC's (British Motor Corporation) Mini (1959-2000)) gained a cult following.  More correctly, it gained a number of cult followings, some attracted by the "retro-cuteness", some with genuine, Putinesque nostalgia for the old Soviet system and other with a variety of projects as varied as EV (electric vehicle) conversions, the installation of V8s for drag-racing and the re-purposing in many forms of competition.  The Trubi is now a fixture in the lower reaches of the collector market.

1953 Chevrolet Corvette (C1).

By 1952 the success in the US of MG and Jaguar had made it clear to Chevrolet that demand existed for sports cars and the market spread across a wide price band so with the then novel GRP (glass reinforced plastic, soon better as “fibreglass”) offering the possibility of producing relatively low volumes of cars with complex curves without the need for expensive tooling or a workforce of craftsmen to shape them, a prototype was prepared for display at General Motors’ (GM) 1953 Motorama show.  Despite the perception among some it was the positive response of the Motorama audience which convinced GM’s management to approve production, the project had already be signed-off but the enthusiastic reaction certainly encouraged Chevrolet to bring the Corvette to market as soon as possible.  The name Corvette was chosen in the hope of establishing a connection with the light, nimble naval vessels.

1969 Chevrolet Corvette (C3) L88 Convertible.

The haste brought its own, unique challenges.  In 1953, Chevrolet had no experience of large-scale production of GRP-bodied cars but neither did anybody else, GM really was being innovative.  The decision was thus taken to build a batch of three-hundred identical copies, the rationale being the workers would be able to perfect the assembly techniques involved in bolting and gluing together the forty-six GRP pieces produced by an outside contractor.  Thus, by a process of trial and error, were assembled three hundred white Corvettes with red interiors, a modest beginning but the sales performance was less impressive still, fewer than two-hundred finding buyers, mainly because the rate of production was erratic and with so few cars available for the whole country, dealers weren’t encouraged to take orders; uncertainty surrounded the programme for the whole year.  Seldom has GM made so little attempt actually to sell a car, preferring to use the available stock for travelling display purposes, tantalizing those who wanted one so they would be ready to spend when mass-production started.

2023 Chevrolet Corvette (C8) Z06 Coupe.

From this tentative toe in the plastic pond, seventy years on, the Corvette remains in production as one of GM’s most profitable lines.  Introduced in 2020, the eighth generation (C8) Corvette is for the first time mid-engined and the materials used are radically different from the steel & GRP of 1953.  The platform is now a spaceframe (of six die-cast aluminium-alloy assemblies, augmented with stampings, extrusions, castings and hydro-formed tubes augmented by a single CFRP (carbon fiber-reinforced composite) piece) atop which is attached a body fashioned from CFRP.  Radically different though the C8 is in design, construction and the use of materials, the concept of a “plastic” body over a metal structure remains true to the 1953 C1. 

The notion of being "capable of change or of receiving a new direction" emerged in 1791 and this idea was picked up in 1839 when the term plastic surgery was first used to describe a procedure undertaken to "remedy a deficiency of structure" is recorded by 1839 (in plastic surgery).  The most familiar use referring to the hydrocarbon-based polymers dates from 1909 when the expression "made of plastic" gained currency which remained literal until 1963 when the US counterculture adopted it as slang meaning "false, superficial", applying it both the political and consumer culture.  The noun plastic (solid substance that can be molded) however appears first to have been used in 1905 and was applied originally to dental molds.  Our plastic age can be said to have begun in 1909 when a US patent was issued for Polyoxybenzylmethylenglycolanhydride (marketed as Bakelite), a resin created by the reaction between phenol & formaldehyde.  Chemists had for years been experimenting with various compounds, much of the research funded by the petroleum industry which was seeking some profitable use for its by-products but Bakelite was the first plastic material which had characteristics which made it suitable for manufacture at scale and adaptability to a wide range of uses.  Thus the first commercially available plastic made from synthetic components which retained its formed shape if heated, it was developed by Belgian chemist Leo Baekeland (1863-1944) while working in the US.

The “plastics” at lunch with product-placement, plastic packaging and plastic trays, Mean Girls (2004).  Note the plastic straws.

On 10 March 2025 the White House issued a fact sheet advising Donald Trump (b 1946; US president 2017-2021 and since 2025) had signed an executive order to “end the procurement and forced use of paper straws.”  Explaining the policy of the previous administration had been an “irrational campaign” which “forced Americans to use non-functional paper straws”, Executive Order 90 FR 9585 (2025-02735) was part of the “BRINGING BACK COMMON SENSE” theme of the second Trump administration.  To avoid the fake news media being able to accuse the fact sheet of pedalling “alternative facts”, the White House provided a scientific rationale, noting “paper straws use chemicals that may carry risks to human health – including ‘forever chemical’ PFAS (per- and polyfluoroalkyl substances) which are known to be highly water soluble and can bleed from the straw into a drink. A study found that while PFAS were found in paper straws, no measurable PFAS were found in plastic straws.”  Additionally, “Paper straws are more expensive than plastic straws, and often force users to use multiple straws.  Paper straws are not the eco-friendly alternative they claim to be – studies have shown that producing paper straws can have a larger carbon footprint and require more water than plastic straws.  Paper straws often come individually wrapped in plastic, undermining the environmental argument for their use.”  Executive Order 90 FR 9585 (2025-02735) was an indication the second Trump administration will not be “…caving to pressure from woke activists who prioritize symbolism over science.”  Like face-mask wearing during the COVID-19 pandemic whether one uses paper or plastic straws may enter the culture wars as a marker of one’s political position.

Plastic explosive (explosive material with a putty-like consistency) became familiar to the military only in the Second World War and more generally in the 1950s but the first use of the term dates from 1894.  Earlier uses include describing the creative or formative processes in art generally as plastic, an echo of the use which sometime prevailed in Hellenic culture but this faded after a few decades during the seventeenth century although the noun plasticity (capability of being molded or formed; property of giving form or shape to matter) endured after first being noted in 1768.  A nineteenth century adoption was in the biological sciences in the sense of “organisms capable of adapting to varying conditions; characterized by environmental adaptability and in the same era, in engineering it came to mean “of or pertaining to the inelastic, non-brittle, deformation of a material”.

The success of Bakelite triggered a rush of development which produced the early versions of the numerous substances that can be shaped and molded when subjected to heat or pressure.  Plastics gain their plasticity because they consist of long-chain molecules known as polymers which flex but don’t break their bonds when subjected to all but extreme stresses.  They’re almost always artificial resins (but can be made from some natural substances such as shellac) and the best known are Polyvinyl chloride (PVC) and polystyrene.  Useful as it is, plastic (with a life measured in some cases in centuries) has emerged as a significant environmental threat, both as visible waste (and thus a threat in many way to wildlife) and as micro-plastic, microscopic-sized fragments which exist in the environment including the human food chain.

Piet Mondrian, neo-plastic painting and adhesive tape

Piet Mondrian’s (1872-1944) 1941 New York City 1 is a series of abstract works created with multi-colored adhesive paper tape.  One version first exhibited at New York’s Museum of Modern Art (MOMA) in 1945 has since 1980 hung in the Düsseldorf Museum as part of the Kunstsammlung Nordrhein-Westfalen’s collection and recently it was revealed for the past 77 years it has been hanging upside down.  The work is unsigned, sometimes an indication the artist deemed it unfinished but Mondrian left no notes.

Mondrian’s 1941 New York City 1 as it (presumably correctly) sat in the artist's studio in 1944 (left) and as it was since 1945 exhibited (upside-down) in New York and Düsseldorf (right).  Spot the difference. 

The decades-long, trans-Atlantic mistake came to light during a press conference held to announce the Kunstsammlung’s new Mondrian exhibition.  During research for the show, a photograph of Mondrian’s studio taken shortly after his death showed the work oriented in the opposite direction and this is being treated as proof of the artist’s intension although experts say the placement of the adhesive tape on the unsigned painting also suggests the piece was hung upside down.  How the error occurred is unclear but when first displayed at MOMA, it may have been as simple as the packing-crate being overturned or misleading instructions being given to the staff.  However, 1941 New York City 1 will remain upside because of the condition of the adhesive strips.  “The adhesive tapes are already extremely loose and hanging by a thread,” a curator was quoted as saying, adding that if it were now to be turned-over, “…gravity would pull it into another direction.  And it’s now part of the work’s story.”

1941 New York City 1, Paris Museum of Modern Art.

The curator made the point that as hung, the interlacing lattice of red, yellow, black and blue adhesive tapes thicken towards the bottom, suggesting a sparser skyline but that “…the thickening of the grid should be at the top, like a dark sky” and another of Mondrian’s creations in a similar vein (the oil on canvas New York City I (1942)) hangs in the Musée National d’Art Moderne in Paris with the thickening of lines at the top.  Whether Mondrian intended 1941 New York City 1 to be part of his oeuvre or it was just a mock-up in adhesive tape for the oil-on canvas composition to follow isn’t known, artists having many reasons for leaving works unsigned.  Mondrian was one of the more significant theorists of abstract art and its withdrawal from nature and natural subjects.  "Denaturalization" he proclaimed to be a milestone in human progress, adding: "The power of neo-plastic painting lies in having shown the necessity of this denaturalization in painterly terms... to denaturalize is to abstract... to abstract is to deepen."   

Plasticity in catwalk fashion

Bella Hadid, Coperni show, Paris Fashion Week, October 2022.

Although many in the industry prefer to talk about natural fibres like silk or linen, it’s plastics like nylon or polyester which make possible both the shape and behavior of many modern garments and their mass-production.  One possibility offered by plastics was illustrated at the 2022 Paris Fashion Week in October when as the concluding set-piece of the Coperni show, Bella Hadid (b 1996) appeared on the catwalk wearing only G-string knickers.  There she paused while for about a quarter hour, two men sprayed her body with what appeared to be white paint.  Once done, a woman emerged to cut a thigh-high asymmetric slit and adjusted things slightly to render an off-the-shoulder look.  Essentially a free-form exercise in 3D printing, the spray-on dress was left deliberately unfinished so as not to detract from the performance; had such a creation been built behind closed doors, either on a human or mannequin, re-usable and adjustable formwork would likely have been used to catch overspray and allow things like hems, straps and splits more precisely to be rendered.  On the night though, the fraying at the edges was just part of the look and Ms Hadid looked wonderful, a thinspiration to the whole pro-ana community.  The term “sprayed on” had long been used to describe skin-tight clothing but the Coperni show lent it a literalism new to most.

On the catwalk, spray-painting a model had been done before, two robots used in Alexander McQueen’s spring 1999 show to adorn Shalom Harlow (b 1973) after the fashion of those used in car assembly plants but that was literally just paint onto a conventional fabric whereas Ms Hadid’s dress appeared over bare (though presumably some sort of lotion was used to suit the properties of the plastic) skin.  The spray-on material is called Fabrican, created by Dr Manel Torres who first demonstrated its properties in 2006.  It’s a liquid fibre, bound by polymers, bio polymers and greener solvents which evaporate on contact with a surface (like Ms Hadid’s skin and including water).  As a fabric, it’s said to have a similar texture to suede and can be manipulated like any other but the feel can be altered depending on the fibers (natural or synthetic) used in the mix and the shape of the nozzle used on the spray device.

Although an eye-catching example of the technology, Fabrican’s place in fashion business is likely to be as an adjunct device rather than one used to create whole garments.  It would be invaluable for Q&D (quick and dirty) solutions such as effecting repairs or adding something but it’s been demonstrated as long ago as 2010 at London Fashion Week without demand emerging though it may yet find a niche.  What more likely beckons is a role in medicine (perhaps especially for military medics in the field) as a sterilized (perhaps even an anti-bacterial) bandage-in-a-can.  Indeed, the style of dress created in Paris is known as the “bandage” dress.

Bella Hadid, Coperni’s 2023 show, Paris, 2022

Shalom Harlow, Alexander McQueen’s spring show, London, 1999.