Probe

Probe (pronounced prohb)

(1) To search into or examine thoroughly; question closely; an investigation, especially by a legislative committee, of suspected illegal activity.

(2) To examine or explore with or as if with a probe; the act of probing.

(3) A slender surgical instrument for exploring the depth or direction of a wound, sinus, or the like.

(4) In aerospace, an unmanned exploration spacecraft.

(5) A projecting, pipe-like device on a receiving aircraft used to make connection with and receive fuel from a tanker aircraft during refuelling in flight.

(6) A device, attached by cord to an oven that can be inserted into food so the oven shuts off when the desired internal temperature of the food is reached.

(7) In biochemistry, any identifiable substance that is used to detect, isolate, or identify another substance, as a labelled strand of DNA that hybridizes with its complementary RNA or a monoclonal antibody that combines with a specific protein.

(8) In electronics, a lead connecting to or containing a measuring or monitoring circuit used for testing; a conductor inserted into a waveguide or cavity resonator to provide coupling to an external circuit

1555–1565: From the Medieval Latin proba (examination (“test” in Late Latin)), derivative of probāre (to test, examine, prove), from probus (good).  The Spanish tienta (a surgeon's probe) came from tentar (try, test).  The dual meanings in Latin ((1) instrument for exploring wounds etc and (2) an examination) persist in English.  The sense "act of probing" is from 1890, from the verb; the figurative sense of "penetrating investigation" is from 1903.  The use to describe a "small, unmanned exploratory spacecraft" is attested from 1953; unrelated to this is the curious popularity of aliens subjecting humans to examinations with anal probes in stories of alien abduction.  Probe is a noun & verb, probing & probed are verbs, probeable is an adjective and probingly is an adverb; the noun plural is probes.

The Voyager 1 space probe launched by NASA in 1977.

Originally (with companion probe Voyager 2) a twelve-year mission, it’s expected to remain a functional scientific instrument until 2025 and is now some 24 billion km (15 billion miles) away, the most distant human-made object from Earth (only our radio waves have travelled further).  There are some who claim the probes have already reached inter-stellar space while other astronomers  maintain the edge of our solar system extends much further than was once thought and they're travelling still through a sort of cosmic limbo.  The Voyager probes, even after they're long inert, may continue their journeys for thousands or millions of years because, although the universe is a violent, destructive swirl, there is vast distance between threatening stuff.

Of the many inconsistencies in English spelling, none must be seem more mystifying to anyone learning the language than those words affected by the “mute e rule”: the inflections and derivatives formed from words ending in a “silent e”.  The question always is: to e or not to e?  Deciding whether to retain or omit the last letter is easier than once it was because dictionaries seem now to be more consistent in their approach, presumably one of the benefits of their shift to becoming on-line resources although, for historic reasons, we seem stuck with what seem ancient, arbitrary decisions such as ageing and icing continuing in peaceful co-existence.  So, there are words where centuries of particular spellings have become entrenched that to suggest a change would be absurd and that means any rule would have both examples which conform and those which defy.  Henry Fowler (1858–1933) in his A Dictionary of Modern English Usage (1926) acknowledged the impossibility of constructing a rule of absolute validity but as a guide offered (1) an indicative rule and (2) a guide to the exceptions.  The (1) rule was “when a suffix is added to a word ending in a mute e, the mute e should be dropped before a vowel but not before a consonant”.  The condition for (2) an exception was “the mute e should be kept even before a vowel if it is needed to indicate the soft sound of a preceding g or c or to distinguish a word from another with the same spelling”.  Probe is such an exception because if one has a probe, it’s helpful to know if something (or someone according to those who have been abducted by aliens) is probeable and that adjective can’t be spelled “probable” because that has another meaning.

The Mazda MX-6-based Ford Probe (1988-1997, left) and the car it was once mooted to replace, the long-serving “Fox” Mustang (1978-1993).

A competent, inoffensive coupé, the Ford Probe would probably have existed for a decade as a moderate success and then, having been discontinued without a direct replacement, been soon forgotten, had it not been for the furore which ensued when the idea surfaced it might be the company’s replacement for the Mustang.  In 1987, by means of a “controlled leak” the pro-Mustang faction (the beer drinkers) within the corporation let it be known Ford was planning to replace the Mustang with a modified version of a Mazda (championed by the chardonnay faction).  The reaction was vociferous & voluminous, Ford’s mailbox (and in 1987 mail came in envelopes with stamps attached) soon overflowing with complaints, the idea of a front-wheel-drive (FWD) Mustang anathematic, the absence of a V8 apparently beyond comprehension (although the Mustang II had suffered that fate in 1973-1975).  They also put their money where their poison pens were because the previously moribund sales of Mustangs suddenly spiked, the thought that this might be the last chance to buy a “proper” rear-wheel-drive (RWD), V8 powered Mustang enough to push the thing back up the sales chart.  The flow of letters and cash proved enough to persuade Ford and the platform was reprieved, the Mustang surviving to this day as a unique and highly profitable niche.  The Mazda co-project however was well advanced so the decision was taken to proceed and offer both and, badged as the Ford Probe, the modified Mazda lasted a decade-odd and it’s doubtful it cannibalized much of the Mustang’s market, its competition the other mid-sized, FWD Japanese coupés which had become popular.  A typical Japanese product, well engineered with a high build-quality, the Probe was a success (though it never realised Ford’s hopes in overseas markets) and when production ended, the only reason it wasn’t replaced was because the demographic buying the things had shifted to other segments, notably the sports utility vehicles (SUV) which would soon dominate.

1969 M-505 Adams Brothers Probe 16 (Durango 95)

The still controversial film A Clockwork Orange (1971) was based on the dystopian 1962 novel of the same name by Anthony Burgess (1917–1993).  At the time shocking in its depiction of violence, it's set some time in the future and as part of the verisimilitude the car used in the "driving scene" was a M-505 Adams Brothers Probe 16, one of three built.  Only 34 inches (864 mm) high (the prototype was 5 inches (125 mm) lower!), it emerged from the studios of the designers of the quirky Marcos sports cars which were idiosyncratic even by the standards of the cottage industry of low-volume sports cars which flourished in the UK until the early 1970s.  Although utterly impractical (passengers entered and exited through a sliding glass roof) it certainly looked futuristic but performance was disappointing because of the limited power. To create the mid-engined Probe, the designers used the engine and gearbox from the modest Austin 1800, moving the FWD package amidships, an approach later adopted by a number of manufacturers.  Had it been built using the mechanicals from the contemporary Cadillac Eldorado (which improbably had a 472 cubic inch (7.7 litre) V8 driving the front wheels through a chain-drive transaxle), assuming such a thing could be made to fit, it would have offered performance to match the promise of the looks.  In the film, the Probe was given the name “Durango 95” a name which seems to have chosen for no particular reason although the “95” may have been an allusion to 1995, decades away when the book was written.  Although A Clockwork Orange is perhaps not something with which manufacturers would like their products to be associated, many have since used the Durango name for a variety of purposes.

Newspaper headline writers like the word “probe”.  Within the industry, short, punchy words like “probe”, “jab”, “fix”, “bid” et al are part of a subset of English called “headline language”.

Driving scene in A Clockwork Orange (1971): 1969 M-505 Adams Brothers Probe 16 (Durango 95).

Caste

Caste (pronounced kahst)

(1) In sociology, an endogamous and hereditary social group limited to persons of the same rank, occupation, economic position, etc, and having mores distinguishing it from other such groups.

(2) Any rigid system of social distinctions.

(3) In Hinduism, any of the social divisions into which Hindu society is traditionally divided, each caste having its own privileges and limitations, transferred by inheritance from one generation to the next.

(4) In entomology, one of the distinct forms among polymorphous social insects, performing a specialized function in the colony, as queen, worker or soldier.

1545-1555: From the Portuguese & Spanish casta (race, breed, ancestry), noun use of casta, feminine of casto, from the Classical Latin castus (pure, chaste), from castus (cut off, separated; pure) the notion being "cut off" from faults and was the past participle of carere (to be cut off from (and related to castration)).  The ultimate root was the primitive Indo-European kes (to cut) from which Latin later picked-up cassus (empty, void).  It was originally spelled cast in English and later often merged with the noun cast in its secondary sense "sort, kind, style."  Many of the derived forms (half-caste, quarter-caste, castless, outcaste (actually modeled on the English outcast) et al) were coined under the Raj and reflect the concerns and prejudices of the colonialists.  Caste & casteism are nouns; the noun plural is castes.

Application to Hindu social groups was picked up by English in India in the early 1600s and the English used the Portuguese casta (the earlier casta raça (unmixed race) comes from the same Latin root)) but the spelling soon became caste.  Interestingly, the phrase "caste system" seems not to have been in use (at least in surviving documents) until the 1840s.  Caste differs from class in that caste has come to mean a group of persons set apart by economic, social, religious, legal, or political criteria, such as occupation, status, religious denomination, legal privilege, skin colour, or some other physical characteristic.  In the west, over time, wealth or other desirable characteristics can permit upward movement between classes whereas in societies with defined (even if informally) caste systems, the distinctions tended to be static and inter-generational.

The Raj and after

Although it exists in many regions and religions, the best-known caste system is that of the Hindus, probably because, under the Raj, it was well suited to the purposes of British colonial administration, run as it mostly was by the class-conscious English.  The pre-Raj historical development of caste is contested but its origins are certainly in ancient India although modified to suit the needs of the various elites, the two most recent being the Raj and the government in New Delhi.  Historically, the Hindu castes, as a codified structure, existed only as divisions within the political elite, priests, intellectuals and generals and it was only later, as the means of of communications and methods of centralized control improved, that it was extended to previously casteless social groups which became differentiated caste communities.  Under the Raj, the colonial administrators rendered rigidity to the caste organization and until 1920, permitted only those of the upper castes to be appointed to senior civil service positions.  This changed in the 1920s, not because of any sympathy by the British towards notions of social justice but because of social unrest and agitation for independence so the Raj applied the classic colonial fix which for centuries the British did better than anyone: take the side of the oppressed minority.  From then on, the Raj enacted a policy of affirmative action by reserving a certain percentage of civil service positions for the lower castes.

Despite the impression in the west, the new constitution of independent India didn’t actually abolish caste but it did outlaw discrimination against lower castes by essentially (and unsuccessfully) proscribing untouchability and central and state governments continue to use caste as a mechanism to promote positive discrimination in education and employment.  The implications of this, particularly the unintended consequences, are not without controversy.  Although there exists a bewildering number of sub-castes, the four major hereditary castes are:

Brahmins: priests, scholars and teachers.
Kshatriyas: rulers, warriors and administrators.
Vaishyas: agriculturalists and merchants.
Shudras: workers and service providers.

In the narrow technical sense, the untouchables (popularly still known as Dalits, although the government has mandated Scheduled Castes) are not part of the caste system but, by outsiders, are regarded as the caste system's lowest rung.  Dalit was from the Hindi दलित (dalit) (downtrodden, oppressed), from the Sanskrit दलित (dalita) (broken, scattered)).  Few institutions have proved as suitable for adaptation to the structured databases of the internet than the Indian marriage market which works by determining compatibility, based on matching the values in the fields; collectively, what a candidate enters into these fields constitutes their "biodata" and on the basis of this they will hope to be judged a suitable boy or girl.  In India, it's widely acknowledged that while the algorithms which underpin the sites are helpful as an exclusionary tool (and thus a great time-saver), the actual selection process of from what remains lie still with the families & individual prospective brides & grooms, the relative influence varying between households.  In contemporary India, while as a system of social stratification caste remains one of the most powerful cultural dynamics, there is now more reluctance to discuss its operation and there is some evidence of changing attitudes among younger generations, especially the urbanized.  However, in the rural areas where most of the population lives, caste seems still to be as crucial a determinate of structure as ever.

The informal social stratifications which emerge organically in an institution like a high school are interesting because they are determined by both outside influences and their interaction with the formal stratifications inherent in the educational system (age, academic & sporting achievement, the geographical catchment from which the cohort is drawn etc).  The term clique is often used and in the microcosm of a school, that's probably the best word because unlike a caste, movement between cliques is possible, depending only on group acceptance.  Clique was borrowed from the French, from the Old French cliquer which was imitative (on the idea of "click") and thought to have been influenced by claque (a group of people hired to applaud or boo (literally “a slap; a clap")).

Any review of the work of anthropologists, sociologists and behavioral zoologists would probably confirm that on planet Earth, among all groups of humans or non-humans which have been organized into any sort of collective arrangement, some form of a system of social stratification can be identified.  In human cultures, some have for centuries operated in the manner of castes in that they were unchanging and based entirely on descent with social movement either culturally or legally proscribed while some came to acknowledge wealth could permit "upward mobility".  In rare cases this could be almost instant but more commonly was something which unfolded over several generations, each becoming more refined than the last, the combination of gentility and financial largess towards their erstwhile "betters" (effectively bribes or "cash for honors") being rewarded with titles and appointments to offices within the establishment.  In the West, this lent societies an economic and cultural dynamic often lacking in places where hierarchies tended to be static.

Traduce

Traduce (pronounced truh-doos or truh-dyoos)

(1) To malign a person or entity by making malicious and/or false or defamatory statements; slander; libel; defame.

(2) To pass on (to one's children, future generations etc.); to transmit (archaic).

(3) To pass into another form of expression; to rephrase, to translate (archaic).

1525–1535: From the Latin trādūcō (lead as a spectacle, dishonor), from trādūcere (to lead over, transmit, disgrace), a variant of trānsdūcere (to transfer, display, expose), the construct being tra- (from the preposition trāns (through, across, beyond)) + dūcere (to lead).  Synonyms include vilify, decry & disparage.  The Latin trādūcere was from the Proto-Italic tranzdoukō and cognates included the Italian tradurre and the French traduire.  The noun transduction (act of leading or carrying over) is from the 1650s, from the Latin transductionem & traducionem (nominative transductio) (a removal, transfer), noun of action from the past-participle stem of transducere & traducere (change over, convert) which also picked up the meaning "lead in parade, make a show of, dishonor, disgrace".  Traduce, traduction, traduced & traducing are verbs, traducement & traducer are nouns, traducingly is an adverb and traducible is an adjective; the most common noun plural is traducements.

To be traduced in speech or in writing (historically treated in English (and related) legal systems respectively as libel and slander but some systems have reformed their rules and now treat all as just the single concept of defamation) can allow the victim to seek redress through legal process, the available remedies including retractions, apologies and damages by way of financial compensation.  Also available is the injunction to prevent publication and what has become popular in some jurisdictions in the (secret) secret injunction, a device whereby (1) publication is denied, (2) all details of the matter (names of the parties or even an allusion to the nature of the proscribed material) and (3) the very fact any injunction has been granted is kept secret.

Mostly a thing of civil law, in some jurisdictions there’s still the offence of criminal defamation but its very existence is now less common and use seldom.  Criminal defamation exists when someone publishes defamatory material knowing it is, or not caring if it is, false with the intention to, or not having regard to whether it will, cause serious harm to the victim or any other person is guilty of a crime.  In most cases, the same defenses available in a civil action can be used in a criminal matter; a criminal charge does not preclude civil action being taken for the same publication.  The matter of truth is interesting.  In the United States, truth is an absolute defense to an action for defamation.  As many have found out, that doesn’t mean there aren’t in the US consequences for publishing something defamatory but the action taken will not be on grounds of libel or slander.  Although it seems strange to many, truth isn’t an absolute defense in many jurisdictions but it can be a matter raised in mitigation so that even if a judgment is delivered against a defendant, the damages awarded may be nominal.

Publish and be damned

Although there’s always been a suspicion a ghost writer may have helped a bit in matters of style, the content of Harriette Wilson’s (1786–1845) book The Memoirs of Harriette Wilson: Written by Herself was all her own.  First published in 1825, it was a best seller and thought topical enough to deserve a re-print a century later, it’s notable still for having one of the finest opening lines of any auto-biography ever published:

"I shall not say how and why I became, at the age of fifteen, the mistress of the Earl of Craven."

The cover of some of the French editions were more alluring than those sold in England.

However much the tales of Regency’s most revealing courtesan may have delighted readers, there was one not so happy.  In the mail one morning in December 1824, Arthur Wellesley (1st Duke of Wellington; 1769–1852, UK prime-minister 1828-1830) the famous soldier who led the coalition of armies which defeated Napoleon Bonaparte (1769–1821; leader of the French Republic 1799-1804 & Emperor of the French from 1804-1814 & 1815) at Waterloo in 1815, found a letter from the publisher John Joseph Stockdale (circa 1775-1847) which can’t have been pleasant reading.  Stockdale was attempting blackmail, advising the duke he was about to publish Miss Wilson’s revelations which contained “various anecdotes” of Wellington which “it would be most desirable to withhold” and that could be arranged were payment to be made.

Duke of Wellington (1816) by Sir Thomas Lawrence (1769-1830).

The duke's response was the famous “Publish and be damned!” reputedly scrawled across Stockdale’s letter and sent to him by return mail.  Publish Stockdale did, the book, a romp through the beds of the aristocracy appearing by installments before appearing in bookshops where it scandalized and thrilled London society although it would have been more salacious still had more of Stockdale’s blackmail victims had the fortitude of the iron duke and refused to pay.  An instant best-seller, the book went through thirty-one printings in a year and pirated copies were on-sale all over the continent but even without revenue from overseas sales the book was lucrative although the Stockdale was soon ruined by libel suits from those whose reputations had been traduced and Miss Wilson would eventually die in obscurity.

Riveting reading it may have been but so many of the libel actions against Stockdale were able to succeed in English courts because of the many errors of detail and chronology but historians nevertheless agree the narrative is substantially a reliable track of Miss Wilson’s adventures even if the sequence of events is sometimes misleading; to be fair, she had so many affairs it would be churlish not to allow for a little vagueness of recollection, one man presumably much the same as another after a while.  Whether “Publish and be damned!” in the duke’s own hand was ever written across the letter and sent back has never been confirmed because the original apparently hasn’t survived but there’s enough evidence from contemporaries to leave no doubt he certainly spoke the words but whatever she wrote of her time with Wellington, it must have been sufficiently truthful to convince the duke not to issue a writ for libel, despite at the time having threatened to sue “...if such rubbish is published”.

His marriage was already unhappy and the disclosures probably little surprised the duchess and the union endured until her death while the book clearly did no lasting harm to the duke's public reputation, the hero of Waterloo afforded some latitude in pre-Victorian England.  Within a decade of publication he would be prime minister and when he died in 1852, he was again a national hero and granted a state funeral, a rare distinction in England, unlike Australia where they’re given to reasonably successful football coaches and television personalities.  The phrase “Publish and be damned!” entered the language and was in 1953 used as the title of a book detailing the history of the Daily Mirror newspaper, a tabloid which once had its own interesting history.

To keep track of one's traductions, it's recommended a burn book be maintained.  Introduced to the world in Mean Girls (2004), "burn" in this context was used in the sense of "an insult, a disparaging statement" and, depending on one's motives, a burn book can either focus exclusively on one individual worthy of being burned (eg crooked Hillary Clinton) or be devoted to a villainous group (eg the Republican Party).  One of the attractions of a burn book is that nothing, however scurrilous, need be verified and heresy evidence is admissible (indeed it's probably obligatory).  Thus, accusations against someone of stuff like voting Tory, belonging to the Freemasons, enjoying sexual relations with certain vegetables & fruits (all three perhaps not unrelated), substance abuse or hoarding all belong in a burn book and, if selectively and anonymously leaked, reputations will be traduced.  The other utility a burn book offers is that nothing gets forgotten however great the volume, an important point for any traducer who likely will find someone like crooked Hillary will attract hundreds of entries.  Surely, Harriette Wilson kept a burn book.

Politicians do maintain burn books although few are much discussed.  Richard Nixon's (1913-1994; US president 1969-1974) "enemies list" became famous in 1973 when it emerged during congressional hearings enquiring into the Watergate break-in and that such a list existed surprised few although some did expect it to contain more names than the twenty included; it was common knowledge Nixon had many more enemies than that.  That view was vindicated when later lists were revealed (some containing hundreds of names) though had the net been cast a little wider, it could well have run to thousands.  At least one Eurocrat has also admitted to keeping a burn book although Jean-Claude Juncker (b 1954; president of the European Commission 2014-2019) calls his "little black book" Le Petit Maurice (little Maurice), the name apparently a reference to a contemporary from his school days who grew taller than the youthful Jean-Claude and seldom neglected to mention it.  Although maintained for some thirty years (including the eighteen spent as prime-minister of Luxembourg) to record the identities of those who crossed him, Mr Junker noted with some satisfaction it wasn't all that full because people “rarely betray me”, adding “I am not vengeful, but I have a good memory.”   It seems his warning “Be careful.  Little Maurice is waiting for you” was sufficient to ward of the betrayal and low skulduggery for which the corridors of EU institutions are renowned.

Trapezoid

Trapezoid (pronounced trap-uh-zoid)

(1) In British English, a quadrilateral plane figure having no parallel sides.

(2) In US English, a quadrilateral plane figure having two parallel and two non-parallel sides.

(3) In anatomy, a small bone in the wrist that is situated near the base of the index finger and that articulates with the second metacarpal, trapezium, capitate, and scaphoid bones.

1706: From the New Latin trapezoīdēs, from the Late Greek trapezoeidḗs (trapezium-like in shape), coined by the mathematician Euclid (4^th-3^rd century BC) from trapeze (literally “table”) + -oeides (shaped).  Originally it described a quadrilateral figure a quadrilateral figure having only two sides parallel, the purists insisting that describes a trapezium.  The terms trapezium and trapezoid have swapped meanings in North America compared with the rest of the world.  Trapezoid & trapezium are nouns, trapezoidal is an adjective; the noun plural is trapezoids or trapeziums depending on one's definition.

The trapezoid’s different definitions

Of all the squabbles in the world, one of the most improbably enduring concerns the definition of what constitutes a trapezoid.  Disagreements between mathematicians are of course not unusual and those involving the efficacy of this or that proof of some arcane have lasted sometimes centuries but differences over the definition of something basic are rare.  They do however happen.  It was once the case that in the UK the value of a billion was held to be a million millions, on the logical basis that a million was a thousand thousands.  The Americans decided that was silly because a number expressing a million millions was (at the time) of use only to cosmologists and argued, no less logically that to set a billion at a thousand millions would make it genuinely useful.  In the end, thankfully, the US view prevailed.

An irregular quadrilateral in the UK, a trapezium in the US (left); a trapezium in the UK, a trapezoid in the US (right).

But it seems strange there could be differences over what makes a trapezoid, a flat 2D shape with four straight sides.  Classically, it had one pair of parallel sides (usually the top and bottom); the parallel called the bases, the non-parallel the legs (the distance from one base to another is known as the altitude).  The faction which holds a trapezoid has only one pair of parallel sides (meaning they can never be parallelograms) adheres to what’s known as the exclusive definition.  The others (now in the majority) believe trapezoids have at least one pair of parallel sides, so they can be a special type of parallelogram and this is known as the inclusive definition which encompasses the “taxonomy of quadrilaterals” (an ordered group category of quadrilaterals (four-sided shapes)).  In the US and Canada a quadrilateral shape with at least one pair of parallel sides is known as a trapezoid. This is what is called a trapezium outside those countries

Fortunately, mathematicians everywhere agree there are three main types of trapezoids:

(1) The right trapezoid (a shape with a pair of right angles).
(2) Isosceles trapezoid (a shape in which the non-parallel sides have the same length).
(3) Scalene trapezoid (a shape where all four sides are of unequal length).

Peugeot 504 with the original “trapezoid” headlamp lens (left), the four-lamp arrangement used in the US, Australia (after 1973) and some export markets (centre) and the single light adopted for the “poverty spec” & later utility models (right).

The Peugeot 504 in one form or another was in production for almost half a century, lasting from 1968 until 2006 although the mainstream (non-utility) models were discontinued in France in 1983.  A machine of extraordinary virtue which was refined enough for European roads yet sufficiently robust successfully to endure the harsh conditions often found in the former colonies of the old French Empire, it also gained an admiring audience in rural Australia where distances were vast, roads often rough and mechanics sometimes hard to find.  Among cars using a conventional suspension (no hydraulics, air bellows or other exotica), only Jaguar’s equally remarkable XJ6 (another debutante from 1968) could match its ride quality.  The 504’s headlights were often described as trapezoid but that was never true (on either side of the Atlantic) because not only were no two sides parallel, the outer was actually curved.  At most they could be could be thought trapezoidish or trapezoidesque but some were not even that.  As a means to assist in producing low-cost variants, some were made with a single, circular lamp instead cost-saving measure while versions with four (smaller) were offered in some markets.  In the US this was to satisfy laws introduced as an industry-protection measure while in Australia it was to assist in meeting the local content rules which offered taxation advantages for the assembly plants although the change was popular with rural buyers used to frequently broken lights on their unsealed roads, the round units cheap and available at every gas station or country store.  In November 2010, it was announced President Mahmoud Ahmadinejad (b 1956; president of the Islamic Republic or Iran 2005-2013) would be auctioning his 1977 Peugeot 504 to raise money for a charity dedicated to providing affordable housing for low-income families.  With low mileage and said to be in immaculate condition, there was much interest and what proved to be the most expensive 504 ever made was sold in march 2011 to the highest bidder for US$2.5 million.

Peugeot 504 Coupé: The early headlamp treatment (1969-1974, left) and the later (1974-1983, centre).  The 2018 Peugeot E-Legend concept car (right).

The rather lovely 504 coupé & cabriolet (1969-1983) both eschewed the trapezoidesque, the early versions using four lamps sometimes described a “quartic” but, being rectangles with rounded ends, they’re actually closer to what mathematicians call a “stadium”.  Later models used essentially the same internals but were mounted behind a single lens in a shape called a “rounded rectangle”.  Although not quintessentially “French” like the classic Citroëns (DS, GS, SM, CX), the 504 coupé & cabriolet were elegant and capable and it a shame the French industry had produced nothing to match them in recent decades.  Peugeot’s designers however seem aware of the appeal and in 2018 displayed their E-Legend concept car, an attractive take on the 504 coupé’s lines.  Nothing like it ever reached production and the range remained dreary and predictable.

The trapezoid is a widely used shape for handbags.  Noted handbag fan Lindsay Lohan demonstrates some of the variations.

Amber

Amber (pronounced am-ber)

(1) A pale yellow, sometimes reddish or brownish, brittle, translucent fossil resin of extinct coniferous trees that occurs in tertiary deposits; capable of gaining a negative electrical charge by friction and a fine insulator.

(2) The yellowish-brown color of amber resin; of the color of amber; yellowish-brown (not applied to the variety “blue amber” which appears blue rather than yellow under direct sunlight).

(3) To perfume or flavor with ambergris (rare and used only in the industrial production of scents).

(4) To cause to take on the yellowish-brown colour of amber (now rare and used only as a literary or poetic device).

(5) Certain objects made of amber (jewelry; ornamental articles; relics; fossilized creatures contained within the resin etc).

(6) The intermediate light in a set of three traffic lights, which when illuminated indicates that drivers should stop short of the intersection when safe to do so (green indicating “go” and red “stop”).  In some places the amber is referred to as “orange”.

(7) By extension from the use in traffic management, an indication in other contexts that one should hesitance to proceed or proceed only with caution (sometimes as “amber light”).

(8) As “amber alert”, a public notification of a child abduction (North America), named in memory of Amber Rene Hagerman (1986–1996); technically AMBER Alert, referencing the backronym America's Missing: Broadcasting Emergency Response.

(9) In biology, genetics & biochemistry, the stop codon (nucleotide triplet) "UAG", or a mutant which has this stop codon at a premature place in its DNA sequence.  UAG is named “amber” because the first to isolate the mutation was then California Institute of Technology (Caltech) graduate student Harris Bernstein (b 1961), whose surname is the German word for the resin known as amber.

(10) A female given name.

(11) In automotive lighting (often as “the ambers”), the lights of that color mounted so to be visible at all corners or an automobile which flash sequentially in indicate a driver’s intention to turn, change lanes etc (thus known various as “flashers”, “turn-signals” and even “trafficators” (the (originally mechanical) semaphore signals which when activated protruded from the bodywork of a vehicle to indicate an intention to turn in the direction of the illuminated device).  They’re used also as warning lights (four-way flashers) when all flash in unison.  Since the late 1950s, in most markets their positioning, luminosity and rate of flashing has been regulated (sometimes in unfortunately contradictory ways.

1350–1400: From the Middle English ambre & aumbre, from the Old French, from the Medieval Latin ambra, from the Arabic عَنْبَر‎ (ʕanbar) (ambergris), from the Middle Persian ʾnbl (⁠ambar⁠) (ambergris).  It displaced the Middle English smulting (from the Old English smelting (amber)) and the Old English eolhsand (amber), glær (amber) and sāp (amber, resin, pomade).  The seemingly strange confusion between the fossilized tree resin and the ash-colored secretion of the sperm whale’s intestine (ambergris) is assumed to have arisen because the dissimilar substances both were rare, valuable and found on the seacoast.  The word ambergris came into use in the West during the Crusades.  In English, amber came to be used as an adjective by circa 1500 and it was in use as the name of a color by 1735.  Amber is a noun, verb & adjective, amberlike, ambery, anberish, amberesque & amberous are adjectives, ambering & ambered are verbs; the noun plural is ambers.

Actor Amber Heard (b 1986) who seems to have a thing for 1968 Ford Mustangs.

In Europe, the word amber was picked up to describe the fossil resins found on the shores of the Baltic first in the late thirteenth century in Anglo-Latin which, by the turn of the fifteenth had entered English.  Over time, this meaning prevailed and ambergris came to be restricted to the whale’s secretions although there has long been a faction of the etymology community which has suggested it’s not impossible amber is an unrelated word of unknown origin.  Once they were distinguished as white or yellow amber for the Baltic fossil resin and gray amber for the whale’s contribution, French distinguishing between the two as ambre jaune and ambre gris.

Among her inventory of beauty care essentials, Lindsay Lohan lists the long-serving Dior Backstage Eyeshadow Palette in Amber Neutrals as her “favorite eye palette”

In a chemical coincidence, the solidified tree resin possesses remarkable static electricity properties and Baltic amber was known to the Romans as electrum, able to gain a negative electrical charge merely through friction and although rarely used as such, it’s a fine insulator.  In the Old Testament the Hebrew חַשְׁמַל (chashmal) is translated variously as “a shining metal” or “the gemstone amber” but as the light plays upon amber it can recall fire or lightning, the impression strengthened when the substance is stimulated to spark and crackle with static electricity.  The prophet Ezekiel clearly had witnessed the electrical phenomenon and although he'd not have understood the science, in his vision of God’s throne, Ezekiel wrote:

“On this throne high above was a figure whose appearance resembled a man. From what appeared to be his waist up, he looked like gleaming chashmal, flickering like a fire.  And from his waist down, he looked like a burning flame, shining with splendor.”  (Ezekiel 1:26–27)

It was the Lithuania-born journalist Eliezer Ben‑Yehuda (1858–1922) who re-established the Hebrew language as living tongue to be used in everyday life.  In the late nineteenth century, except for a handful of scholars, Hebrew was used only as a Holy language, restricted to prayer and worship in the synagogue, Yiddish the only recognizably Jewish language spoken on the street or in the home.  Something of a prophet himself, he created the first Israeli Hebrew newspaper and dictionary and to make it useful in the modern age, he had to create many new words and one was needed to describe electricity, then a concept understood for little more than a century.  He chose chashmal.  When the Hebrew Scriptures were first translated into Greek some 2,100 years ago, the Hebrew chashmal became the Ancient Greek ἤλεκτρον (ḗlektron) and could be used to refer to the gemstone but was used also in the manner of the Phoenician elēkrŏn (shining light).  Seventeenth century English scientists who conducted some of the earliest experiments which began to explain the phenomenon called it electrikus (like amber) and from this came the Modern English electricity.  Ben‑Yehuda’s work was popularized by Judah Leib Gordon (1830-1892), a leading poet of the nineteenth century Jewish Enlightenment whose words were more lyrical than the dry, journalistic lists of Ben-Yehuda would write: “The light, the heat, the steam, and the electricity (chashmal), all nature’s forces are the angels above.”  He added in an explanatory footnote: “By chashmal (hash-ma-LA), I mean the natural force that is electritzitat, since the Greek translation of chashmal is elektrika.”

Immortality of sorts: An unfortunate gecko, trapped in amber 54 million years ago.

The first AMBER Alert, 1996.

The amber alert is a system used in North America to provide public notification of a child abduction (North America), named in memory of Amber Rene Hagerman (1986–1996).  Technically it’s AMBER Alert, referencing the backronym of America's Missing: Broadcasting Emergency Response.  Then aged nine, Amber Hagerman was abducted and murdered in 1996 and a campaign was organized which demanded protocols be established to alert the local population of details which might assist in finding the child (description of suspects, vehicle registration numbers etc).  Initially, the vectors of transmission were local radio and television stations but as technology evolved, other were added including platforms on the internet such as e-mail & social media, electronic traffic-condition signs, advertising billboards and SMS text messages delivered to cell phones.

Most succiniferous: The Amber Room, Catherine Palace, St. Petersburg, 1917.  This is the only known color image of the room.

Last seen (in crates) in 1945, it was either destroyed in the last days of World War II (1939-1945) or dissembled and hidden somewhere or otherwise disposed of.  Between 1979-2003, with early funding from the Federal Republic of Germany (the FRG, the old West Germany), a replica was built and installed in the Catherine Palace.  The golden, jewel-encrusted creation, rendered by artisans and craftsmen from tons of amber, was a gift to Peter the Great (Peter I, 1672-1725; Tsar of Russia 1682-1725) in 1716, celebrating the conclusion of an alliance between Russia and Prussia.  Much admired during the centuries in which it endured wars, pandemics and revolutions, it was looted by the Nazis in the final months of the war, packed into crates which subsequently vanished.  Either they were lost or destroyed in the chaos or hidden away.

Originally installed in the Charlottenberg Palace of Friedrich I (1657–1713; King of Prussia 1701–1713), the Amber Room was a genuine multi-national venture, the design by Andreas Schlüter (1659–1714), a German sculptor in the baroque tradition, the bulk of the construction by the Danish craftsman Gottfried Wolfram (1646-1716), already famous for his skill in rendering amber.  It took over a decade to build and upon completion, Peter the Great expressed his wonderment and in 1716, Frederick William I (1688–1740; King of Prussia 1713-1740) presented it to the Tsar, part of his diplomatic effort to secure the Prussian-Russian alliance against Sweden.  Accordingly, along with a selection of paintings, the room was crated and shipped to Saint Petersburg where it remained until in 1755 it was moved to the Catherine Palace (Tsarskoye Selo (Tasar's Palace)) in Pushkin.  Now installed in a larger space, the Italian designer Francesco Bartolomeo Rastrelli (1700–1771) was engage to remodel the assembly to suit, addition amber panels shipped from Berlin.  Renovations and refinements continued to be undertaken during the eighteenth century and when complete, the room covered some 180 square feet (16.7 m³) and contained some six tons (6100 kg) of amber, semi-precious stones and gold leaf.  At the time, it was thought one of the wonders of the modern world.

In the Nazi mind, not only was the Amber Room of German origin but such treasures anyway belonged only in the Reich and it was added to the (long) list of artworks to be looted as part of Operation Barbarossa (the 1941 invasion of the Soviet Union).  As the Wehrmacht advanced on Pushkin, the Russian curators began to attempt to disassemble the panels but their fragility was such it was quickly realized any work done in haste would cause only destruction.  Accordingly, they had carpenters construct a frame over which was glued wallpaper, there not being time even to construct a false wall.  Not fooled, the Nazi looters removed the entire structure, shipping it to be installed in the Königsberg Castle Museum (now in the Russian exclave of Kaliningrad) on the Baltic coast.  However, the tide of the war turned and in 1943 the museum's director received from Berlin instructions to return the room to crates and this had be accomplished by August 1944 when allied bombing raids severely damaged the castle.  Quite what happened to the crates remains unknown.  It may be they were destroyed during the war or were in the hold of a ship sunk in the Baltic but the tales of them being hidden somewhere has never gone away and continues to tantalize, a solitary panel actually found in Bremen in 1997.  The replica room, dedicated in a ceremony in 2004 by Vladimir Putin (b 1952; president or prime minister of Russia since 1999) and Gerhard Schröder (b 1944, Chancellor of Germany 1998-2005) remains on public display at the Tasrskoye State Museum Reserve outside Saint Petersburg.

The "tombstone" headlamps on the 1959 Mercedes-Benz W111 sedans (the so-called Heckflosse) were a variation of the style introduced in 1957 on the 300 SL roadsters (W198) and while much admired, were not lawful for use in the US so a "stacked" arrangement was devised which came informally to be known as "Californian".  So attractive was it found in Europe that ultimately it became available in the rest of the world (RoW) but with one difference: the  factory's solution of integrating the amber turn-signal indicators (the "ambers" or "flashers" to many) and side-marker lamps into the assembly was elegant but didn’t comply with the rules.  As explained by automotive lighting expert Daniel Stern, the lit area was probably compliant (the rules specified a minimum 3½ square inches (22.5 cm²) but the intensity and inboard visibility angles would have been inadequate.  A turn signal with its centre 4 inches (100 mm) or closer to the low-beam lamp had to provide at least 500 candela on-axis, which would be close to impossible for a lamp with this construction; turn signals more than 4 inches from the low-beam needed only to provide at least 200 candela.  The RoW cars (left) were supplied with the original design while for the US market some rather ugly after-market lamps were crudely added to the gaps next to the grill (centre).  Late in the 1960s, the aesthetics were improved somewhat by using a larger unit (right) which emulated the look of a fog-lamp, the US cars by then also suffering the addition of side-marker lights front & rear.