Wednesday, July 7, 2021

Vanguard

Vanguard (pronounced van-gahrd)

(1) The foremost division or the front part of an army; advance guard; van.

(2) The forefront in any movement, field, activity or the like.

(3) The leaders of any intellectual or political movement.

(4) In rocketry, a US three-stage, satellite-launching rocket, the first two stages powered by liquid-propellant engines and the third by a solid-propellant engine (initial capital letter).

1480–1490: Replacing the earlier form van(d)gard(e), from the Middle French avangarde, variant of avant-garde, the construct being avant- (to the fore; in front; advance) + -garde (guard).  The Old French avant was from the Late Latin abante (before, in front of) (compare the Classical Latin ante (before, in front of)), the construct being ab- (of, from) + ante (before).  The Old French guarde was from the verb guarder (or (but much less likely) directly from Frankish warda), from the Frankish wardōn (to protect). It was related to the Italian guardia & the Spanish guarda; cognate with the English ward.  The communist revolutionary sense is recorded from 1928 and appears to have been used to describe "front part of an army or other advancing group” from circa 1500 which was truncated to “van” a hundred years later but this use is archaic (although the phrase "in the van" does occasionally appear) and all other instances of "van" are etymologically unrelated.  Vanguard & vanguardism are nouns; the noun plural is vanguards.

The last battleship launched

HMS Vanguard.

One of a dozen-odd Royal Navy vessels to bear the name since 1586, HMS Vanguard was a fast battleship built during World War II (1939-1945) but not commissioned until after the end of hostilities.  The last battleship launched by any nation, she was soon seen as an expensive anachronism in the age of submarines and aircraft carriers but the admirals liked the fine silhouette she cut against the horizon so Vanguard was retained as the Royal Navy’s flagship for almost a decade.  Reality finally bit in 1955, the Admiralty announcing the ship would be put into reserve upon completion of a refit and in 1959 Vanguard was sold for scrap, broken up between 1960-1962.  During this process, a six-inch (150mm) thick section of steel plate, cast before 1945 and therefore uncontaminated by radionuclides from the early A-bomb detonations, was removed to be used for shielding at the Radiobiological Research Laboratory (RRL).  The current HMS Vanguard is a nuclear powered and armed ballistic missile submarine, lending its name to the Vanguard class submarines which carry the UK’s independent nuclear deterrent.  Introduced during the 1990s, they’re scheduled to be replaced by the Dreadnought-class sometime in the 2030s.

The Standard Vanguard

Standard had a history dating from 1903 and were one of the pioneers of the early industry, surviving for six decades the periodic economic turbulence which beset the twentieth century while literally thousands of others succumbed.  In this the company was assisted by their profitable tractor business which provided a reliable cash-flow even at times when the market for cars was depressed and the first Jaguars were powered by Standard engines (the SS designation used for their early models an abbreviation of “Standard Swallow”).  It is however a little misleading to suggest the early Triumph TR sports cars (TR2-TR3-TR4; 1953-1967) were powered by a “tractor engine”, the power-unit always designed with both tractor and passenger car use in mind.

The Standard Vanguard was produced between 1947-1963 and was emblematic of the approach taken by some UK manufacturers in the early post-war years when the country’s precarious financial state was thought to necessitate an approach whereby the allocation of resources was based on a company’s ability to produce commodities for export which would generate an income in foreign exchange, something vital both for servicing debts and reconstruction.  Remarkably,  Standard apparently felt compelled to seek the approval of the Admiralty to use the Vanguard name, something presumably prompted more by a residual reverence for the senior service than any concern their car might be confused with a battleship.  Standard’s approach to styling typified the improvisation of the era, the chief designer sitting with pad and pencil outside the US Embassy in London, sketching the newest American cars as they arrived.  That meant the Vanguard certainly looked new and certainly wasn’t obviously a recycled pre-war design as were so many of its competitors but the translation of the US styling motifs to smaller vehicles wasn’t wholly successful and like many such interpretations, was fundamentally ill-proportioned.  Of greater significance however was that the US cars observed to provide inspiration were actually designs from 1939-1941 recycled for use when civilian production resumed in 1945 and by then, Detroit was already embarked on a new generation which would embrace the lines of modernism and as they were released in 1948-1949 the dated look of the Vanguard became obvious.

Much change, little progress, the Standard Vanguard, 1947-1963.

However, the economic realities of post-war UK manufacturing were such that it wasn’t re-styled until 1953, again by borrowing heavily from US ideas, thereby replicating the problem.  Increasingly antiquated, the Vanguard continued to be updated and it retained some appeal both in the UK and throughout the British Empire because it was relatively roomy, robust and easy to maintain.  Additionally, because it retained a separate chassis until 1955, it was a flexible platform with which to work and in various places there were station wagons, delivery vans & pick-ups offered while on the continent, one coach-builder even had a cabriolet version on their books.  Despite bringing in the Italians to make it more appealing, by 1963 the Vanguard was obviously a relic and wasn’t replaced when production that year ceased.  Also retired (except in India where it live on until 1988) was the Standard name, the company subsequently using the Triumph badge on all its products.  Standard had in 1945 absorbed Triumph and the latter flourished until it was one of many operations doomed by a combination of the flawed macro-economic model adopted by the Labour governments and the 1960s & 1970s and the extraordinary managerial ineptness of the British Leyland conglomerate.

Tuesday, July 6, 2021

Pravda

Pravda (pronounced prahv-duh)

(1) Formerly an official newspaper of the Communist Party of the USSR.

(2) A newspaper now run by the Communist Party of the Russian Federation (the digital presence (Russian, English & Portuguese) maintained by a nominally privately-controlled entity.

(3) In slang (in the West), a derisive term applied to any form of news media thought to be biased or distributing fake news or misinformation (often on the basis of them being a mouthpiece of the state or the corporate interests of the owners).

Pre 1600: From the Russian правда (pravda) (literally “the truth”), from the Proto-Slavic правъ (pravŭ) (used variously to denote concepts related to law, order, and correctness), the source also of other Slavic words such as the Bulgarian, Czech and Slovak право (pravo) which was formed in Polish as prawo, all of which variously conveyed “law”, “justice”, “right” or “righteousness”.  Over time, the word shifted in meaning, assuming the modern general sense of “truth” by the mid-nineteenth century. Pravda is a noun; the noun plural is pravdas.

Officially, Pravda was first published in 1912 but it had actually existed in Moscow since 1903 although originally it showed no overt political orientation, something which changed after the abortive Russian Revolution of 1905 and editorial direction became contested before a leftist faction gained control.  In the manner in which the control of institutions passed between the factions in the years prior to the 1917 revolution, Pravda was for a while edited by Comrade Leon Trotsky (1879-1940; founder of the Fourth International) who moved the operation to Vienna to protect it from the attention of the Tsar’s police before it was taken over by Comrade Vladimir Lenin (1870–1924; head of government of Russia or Soviet Union 1917-1924).  Lenin was a lawyer who understood how a carefully designed corporate structure could take advantage of Russian law and moved the paper to Saint Petersburg (known as Leningrad in the days of the USSR).  His tactics substantially ensured ongoing publication until the outbreak of World War I (1914-1918) when the government (like many including some in the West) either suspended or changed any laws which looked inconvenient and wartime regulations were used to censor the press to the extent Pravda was closed and in a game of cat-and-mouse was forced to change both its name and the premises from which it operated on a number of occasions (officially eight but some editions never actually reached the printing stage and it may have been as many as eleven).  Despite it all, between 1912-1991, Pravda survived to operate as the organ of the Communist Party and after 1917 it was the voice of the state.  Pravda always enjoyed wide circulation but under an arrangement which must make modern editors and proprietors envious, there was never much interest in stimulating sales, it being compulsory for all the many parts of state institutions and the military to each day buy multiple copies.  Whenever additional funds were needed, department heads were ordered to order more.

Special Edition of Izvestia published in honor of Comrade Stalin’s state funeral, Moscow, 9 March 1953.  Both newspapers were integral to the manufacturing of Stalin's cult of personality.

The other Russian newspaper of note was Известия (Izvestia) which translates for most purposes as “the news”.  The Russian izvestiya means “bring news”, “tidings” or “herald” (in the medieval sense of an official messenger announcing news) and was from the verb izveshchat (to inform; to notify).  It was exclusively a creation of the party, founded in 1917 initially as a vehicle for the distribution of statements by and comment on behalf of the Supreme Soviet of the Soviet Union.  Unlike Pravda which to some extent still operated as a conventional newspaper (though without any dissenting views), Izvestia existed only to disseminate state propaganda.  Now controlled by the National Media Group, it survives to this day and is described as a “national newspaper of Russia” although, given the present-day influence the Kremlin, its original full-name Известия Советов народных депутатов СССР (Izvestiya Sovetov Narodnykh Deputatov SSSR) which translates as “Reports of Soviets of Peoples' Deputies of the USSR” hints at the source of editorial direction.  There are of course differences between the press in Russia and in the West but there are also similarities, notably in the cynicism of the readership, a favorite saying in Soviet times being there was no pravda in the Izvestia and no investia in the Pravda.  Another similarity with Western corporations is that Pravda enjoys an eponymous street address, its headquarters being at 24 Pravda Street, Moscow, emulating Apple (1 Apple Park Way, Cupertino, California) and Microsoft (One Microsoft Way, Redmond, Washington).

Pravda, 6 March 1953.  On the day the death of Comrade Joseph Stalin (1878-1953; Soviet leader 1924-1953) was announced, the first indication to Muscovites the news might be ominous was that Pravda and Izvestia, rather than appearing shortly after midnight, didn’t show up in the kiosks until after nine.  Pravda noted the event with an appropriately mournful black border around its front page which was devoted wholly to Stalin and included an editorial calling for “monolithic unity” and “vigilance”.  Presumably, Mr Putin (b 1952; president or prime minister of Russia since 1999) still feels much the same.

Lindsay Lohan attending the Just Sing It App Launch at Pravda, New York City, December 2013.

For over seventy years, the two newspapers existed as documents, if not of news and truth in the conventional sense of the words, a uniquely accurate record of the official Soviet world-view and the way it wish to be represented.  It was influential too in that many of its stock phrases and modes of expression were picked up by political scientists in the West and, given the paucity of information from other sources, analyzing Pravda and Izvestia became a staple of the diet of the Kremlinologists who inhabited university departments and later think tanks, parsing and deconstructing the text in search of the hidden meanings of what Winston Churchill (1975-1965; UK prime-minister 1940-1945 & 1951-1955) described as “a riddle, wrapped in a mystery, inside an enigma”.

Monday, July 5, 2021

Spot

Spot (pronounced spot)

(1) A rounded mark or stain made by foreign matter, as mud, blood, paint, ink etc; a blot or speck, differing usually in colour or texture from its surroundings.

(2) A small blemish, mole, or lesion on the skin or other surface (popularly associated with pimple, zits, blackheads etc).

(3) A small, circumscribed mark caused by disease, allergic reaction, decay, etc.

(4) A comparatively small, usually roundish, part of a surface differing from the rest in color, texture, character etc.

(5) A place or locality (used also in the plural, often to describe places of entertainment, sightseeing locations, historic sites etc and also used of things like parking spots).

(6) In organisational structures, a specific position in a sequence or hierarchy.

(7) In playing cards, one of various traditional, geometric drawings of a club, diamond, heart, or spade indicating suit and value.

(8) A pip, as on dice or dominoes.

(9) In slang, a piece of paper money (5 spot=$5 etc).

(10) As a clipping of “spot illustration”, a small drawing, usually black and white, appearing within or accompanying a text.

(11) A small quantity of anything.

(12) In ichthyology, a small croaker (Leiostomus xanthurus) with a black spot behind the shoulders and fifteen oblique dark bars on the sides, the habitat of which is the US east coast; the southern redfish, or red horse (Sciaenops ocellatus), which has a spot on each side at the base of the tai; both popular as food fish.

(13) As a clipping of “spot market”, the informal terms for commodities (grain, oil, wool et al) sold for immediate delivery and payment at a price quoted at the point of sale.

(14) A slang term for a spotlight.

(15) To stain or mark with spots:

(16) In dry cleaning, to remove a spot or spots from clothing, prior to processing.

(17) In any context, to make a spot; to become spotted.

(18) In the military (often as target spotter or spotting), law enforcement or among criminals etc, to serve or act as a spotter.

(19) In billiards, a clipping of “spot ball” the white ball that is distinguished from the plain by a mark or spot; the player using this ball.

(20) To look out for and note; to observe or perceive suddenly, especially under difficult circumstances; to discern.

(21) In informal use (US) in some games and sports, to yield an advantage or concession to one's opponent.

(22) In zoology, a term used to describe various dot-like patterns (ladybirds, leopards et al) seen on the skin, wings, coats etc of some animals.

(23) In sports, an official determination of placement (where a referee or umpire places a ball, sets the point at which a penalty kick is to be taken etc).

(24) In broadcasting (radio & television), brief advertisement or program segment.

(25) In gymnastics, dance & weightlifting, one who spots (supports or assists a manoeuvre, or is prepared to assist if safety dictates); a spotter.

(26) A variety of the common domestic pigeon, so called from a spot on its head just above the beak.

(27) In the jargon of financial trading, the decimal point (used to ensure no ambiguities in oral exchanges).

(28) In physics, a dissipative soliton (a stable solitary localized structure that arises in nonlinear spatially extended dissipative systems due to mechanisms of self-organization); known also as a pulse.

(29) In slang (US), to loan a small amount of money to someone.

(30) In analogue & digital photograph editing, to remove minor flaws.

(31) In ballet, to keep the head and eyes pointing in a single direction while turning.

(32) To cut or chip timber in preparation for hewing.

(33) In naval aviation, to position an aircraft on the deck of an aircraft carrier ready for launch by catapult.

(34) In rail transport, to position a locomotive or car at a predetermined point (typically for loading or unloading).

1150-1200: From the Middle English spot & spotte (a moral blemish), partially from the Middle Dutch spotte (spot, speck, mark), and partially a merging with the Middle English splot, from the Old English splott (spot, speck, plot of land).  It was cognate with the East Frisian spot (speck), the North Frisian spot (speck, piece of ground), the Low German spot (speck) and the Old Norse spotti (small piece) and the Norwegian spot (spot, small piece of land); it was related also to splotch.  Describing originally some flaw of character, the idea of a “speck, stain left by something on a surface” emerged in the mid-fourteenth century, picked up from the Old English splott.  The late Middle English verb spotten (to stain, mark) was a derivative of the noun.  Variations of the form are common in Germanic languages but the nature of the spread and evolution remains murky.  From the early fourteenth century it was used to describe “a patch or mark on the fur of an animal while the sense of a “particular place, small extent of space (on a body, etc”) dated from the late 1300s, the general figurative use "a blemish, defect, distinguishing mark emerging at the same time, concurrent with the now familiar use to refer to pimple, zips etc, soon to be celebrated in the medical literature as “an eruption on the skin”.  The adjective spotless was from the late fourteenth century spotless (without flaw or blemish; pure).  The adjective spotty was from the mid-fourteenth century spotti, (marked with spots (of the skin, etc)) and it entered figurative use in the sense of “unsteady, irregular, uneven, without unity” in 1932.  Spot is a noun, verb & adjective, spotter & spotlessness are nouns, spotlike, spotless’ spotty & spottable are adjectives, spotting & spots are nouns & verbs, spotlessly is an adverb and spotted is a verb & adjective; the noun plural is spots.

The early nineteenth century use of “spotty” in art criticism was originally a critique and unrelated either to the later technique of divisionism (sometimes called chromoluminarism), most associated with Neo-Impressionist painting and defined by the colors being separated into individual dots or daubs or the “dot paintings” associated with some forms of Indigenous Australian art.  The meaning “short interval in a radio broadcast for an advertisement or announcement” dates from 1937, an extension of the earlier use in live theatre to describe “an act's position on a bill”, noted since as surprisingly late 1923.  Although it’s likely to have been longer in oral use, in 1901 it noted in the US as a term for a prison sentence (5 spot=5 years etc).

1971 Ford Mustang Boss 351.  Even when standing still the thing undeniably had a presence but the sheer volume of the rear coachwork created blind spots and the dramatic roofline (said to be highly aerodynamic) restricted rearward visibility, the glass close to horizontal.

The term “blind spot” began in optics in 1864 describing a “spot within one's range of vision but where one cannot see” which in 1872 was described scientifically as “the point on the retina insensitive to light (where the optic nerve enters the eye”.  The figurative use (of moral, intellectual matters etc) dates from 1907 while the literal (a field of vision blocked by some fixed object) was used by 1912, originally of those suffered by omnibus drivers and later it became familiar when describing defects in the visibility offered by the design of early automobiles.  Dating from 1888, “hot spot” was originally a term from dermatology which referred to the focal point of a skin irritation and was literal, the temperature at the (usually reddish) site slightly higher.  In 1931 it was use of “nightclubs or other entertainment venues" (which after 1936 were “nightspots” generally) while it came into use in fire-fighting in 1938 after research indicated the most effective way to prevent spread or lower intensity was to find the points of highest temperature.  It 1941, it came to be applied to “a place of international conflict”.  The famous g spot (also a g-spot and short for Gräfenberg spot, named for German gynecologist Ernst Gräfenberg (1881-1957)) entered English in 1981 although the doctor had described it in a paper published in 1950 but similar finding are in documents dating back centuries.  He also developed the intra-uterine device (IUD) but despite these notable contributions to science he died in obscurity.

The noun spotter (one who makes spots; one who observes things for some purpose) was first used in 1876 as a slang for “a detective”, picking up from the verb in the secondary sense of “catch with the eye” and by 1903 it was used in the general sense of a “look-out”, adopted with apparently equal enthusiasm by police and criminals alike.  It was a designated position in hunting and target practice by 1893 but the military appear not to have picked it up until the World War I (1914-1918) although such tasks had existed for centuries, pre-dating even artillery, batteries of archers supported by an observer who reported their accuracy of fire.  In the navy, they were also called “sighters” and the use of “spotter” for this purpose has even extended to electronic hardware.  The sunspot in 1818 was again from dermatology and referred to “a spot on the skin caused by exposure to the Sun”, the term picked up in 1849 by the early heliophysicists to describe the “spots on the surface of the Sun”.

Spotlights (actually anti-aircraft searchlights) used to create the Lichtdom (literally "Cathedral of Light") effect at the Nazi's Nuremberg Rallies during the 1930s.

The spotlight (source of artificial light casting a narrow, relatively intense beam) was first described in 1904 as a piece of theatrical equipment with the figurative sense dating from 1916 where it could carry either negative or positive connotations (unlike the companion “limelight” which was always positive).  The military did use the term spotlight but the “searchlight” was a more frequent entry in lists of materiel.  The hobby (which for some seems either a calling or obsession) of train-spotting was first documented in 1959 (the train spotter having been mentioned the previous year) and referred to those who observed, collected and collated the numbers of railway locomotives, one’s status in the field determined by the number of unique entries in one’s list.  The habit caught on and there are also car spotters, truck spotters, bus spotters and plane spotters, the last once causing an international incident when a group were arrested outside a Greek military airfield by police who confiscated their notebooks and cameras, accusing them of spying.  The matter was resolved.

Hitting the spot: Crooked Hillary Clinton enjoys a shot of Crown Royal Bourbon Whiskey, Bronko's restaurant, Crown Point, Indiana, Saturday 12 April, 2008.

In idiomatic use, the phrase “hit the spot” (satisfy, be what is required) was first document in 1857 while the companion “spot on” doesn’t seem to have been used until 1920.  Earlier, “on the spot” by the 1670s meant “at once, without moving or delay” and a decade later “in the precise place and time” hence to be “on the spot” implied one “doing just what is right and needed”, a form noted since 1884.  The term “man on the spot” assumed some importance in diplomatic and military chains of command in the times before modes of communications were global, convenient and real-time, a recognition the one best equipped to make a decision was “the man on the spot”; then all certainly were men.  To “put someone on the spot” or “leave them in “a bit of a spot (or a “tight spot”)” was to “place them in a difficult situation”, use dating from 1928 and 1929 respectively.  The “spot check” (an inspection of a sample chosen at random) was first described (though doubtless a long-established practice) in 1933 and was used as a verb by 1944.  The term “sweet spot” is a mid-twentieth century formation which means “the optimal point and is used to describe (1) in acoustics the point of optimal sound delivered by the positioning of speakers, (2) in economics the optional outcome in a cost-benefit analysis, (3) in sporting equipment the location on a tennis racquet, baseball bat etc which produces the most satisfactory effect on the ball, (4) in phonetics the state of harmonic resonance in the larynx which produces the perfect sound and (5) as a euphemistic, the clitoris, G-spot or other source of sexual pleasure.  Generally, it’s used to mean “any ideal location or situation.

In zoology, the nomenclature can mislead non-specialists: The black spotted estuary cod (left) is a fish with black spots whereas the black spotted pond turtle  (right) is a black amphibian with white spots.

Spot in its original sense a taint, stigma, stain or blemish on the character of a person is still used to suggest some moral flaw and is related to “can’t change one’s spots” & “a leopard can’t change its spots”, the implication being character flaws are inherent.  A “weak spot” is a specific deficiency and a “soft spot” is a “particular sympathetic affection or weakness for a person or thing” which should not be confused with the “soft underbelly”; such is a vulnerability.  To “hit the spot” is an acknowledgement a need has perfectly be satisfied (typically used to mean hunger has been sated or thirst quenched.  In the matter of the weather, if it’s “just spotting”, the rain is light.  A “black spot” is something bad or dangerous while a “bright spot” is a highlight or something positive in a sea of bad news.  The use of the phrase “X marks the spot” has expanded somewhat but originally meant “one will find what one is looking for under an obvious sign”.  Spotted fever was a term for a number of tropical diseases (the reference to the symptoms which appeared on the skin) dating from the 1640s.  The spotted dick (suet pudding with currants and raisins) appeared in recipe books in 1849 although the date of its creation is uncertain.

Spotted dick (sometimes known as spotted richard) with custard.

In June 2018, it was reported the Strangers' Dining Room the UK’s House of Commons in Westminster had changed the name of “Spotted Dick” to “Spotted Richard” although in other parts of the country, the suet & dried fruit sponge dessert remained on sale under the traditional name.  Derided by many as “wokeness” or “political correctness gone mad” the restaurant staff confirmed the change had been made in case anyone found the conjunction of spotted and dick “confronting”.  There’s no suggestion any complaints had been received which might have prompted the change but ideas soon flowed about the way people might be protected from other culinary micro-aggressions: Apple crumble was thought to be potentially offensive to those diagnosed with anxiety disorders so it might better be called apple support while the extra virgin olive oil offered with breads could be triggering for the Incels (involuntary celibate men).  Perhaps such oil could be labelled young because one certainly doesn’t wish to trigger the Incels.  The sight of Cock-a-leekie soup on a menu would be challenging for both the incontinent and those recovering from certain STIs (sexually transmitted infections which were once known as STDs (sexually transmitted diseases and before that venereal disease (VD)) so it would be better to play it straight and re-brand as chicken & leek soup.  It wasn’t until the 1970s VD began to be replaced by STD (VD thought to have to have gained too many specific associations) but fortunately for AT&T, in 1951 they renamed their STD (Subscriber Toll Dialing) service to DDD (Direct Distance Dialing), apparently for no better reason than the alliterative appeal although it's possible they just wanted to avoid mentioning “toll” with all that implies.  Many countries in the English-speaking world continued to use STD for the phone calls, even after the public health specialists had re-purposed the initialization.

Famous for his sartorial daring: Tennis player Roger Federer (b 1981), Wimbledon, July 2023.

A long-standing orthodoxy in fashion is (1) stripes and spots should never be mixed, (2) either should be worn only with a solid and (3) there's the added caveat care should be taken with color choices.  However, neither all stripes nor all spots are created equal; dimensionality matters so if small enough and in the right color combination, either can for these purposes work as solids and thus be available for mix & match.  To illustrate the technique, style guru Elisabeth McKnight explains pattern mixing with polka dots:

(1) Pick a color palette: Black and white is an easy starter palette, but even if adding color, stick to only a few.  Find patterns with the same colors in them or keep it easy by mixing colors of the same tone together (pastels with pastels or jewel tones with jewel tones, for example).

(2) Mix patterns of different scales: Pair a small print with a large and avoid prints of the same size. If using only one print (like a tiny polka dot skirt) with a very small print, essentially it acts as a neutral.  So, when wearing polka dots and stripes together, ensure dots are small if the stripes are bold.  Alternatively, if the print of the stripe is small, it can be paired with bigger dots.  As a rule of thumb, use the “ten foot rule”.  At that distance, to the naked eye, the fabric with small dots or strips should be had to distinguish from a solid.

(3) Mix textures for added dimension: Although it can be a dramatic look, especially with statements like red or purple, interest can be added if different fabrics are used for top and bottom garments.

How it's done: Lindsay Lohan demonstrates how spots and stripes work best with solids.

Sunday, July 4, 2021

Tremulous

Tremulous (pronounced trem-yuh-luhs)

(1) Of persons, the body etc, characterized by trembling, as from fear, nervousness, or weakness.

(2) Timid; timorous; fearful.

(3) Of things, vibratory, shaking, or quivering.

(4) Of writing, done with a trembling hand.

(5) Faltering, hesitant, wavering

1605–1615: From the Latin tremulus (shaking, quivering), from tremere (to shake, quake, quiver, tremble), from tremō (I shake).  It was cognate with the Ancient Greek τρέμω (trémō) (tremble).  In Latin, the construct was trem(ere ) + -ulus (the Latin adjectival suffix).  In music, the tremulous effect is the tremolo, an 1801 coining from the Italian tremolo, from the Latin tremulus.  The quaver is from the early fifteenth century quaveren (to vibrate, tremble, have a tremulous motion), probably a frequentative of the early thirteenth century cwavien (to tremble, shake, be afraid) which is perhaps related to the Low German quabbeln (tremble), and possibly of imitative origin.  The meaning "sing in trills or quavers, sing with a tremulous tone" is noted from the 1530s; the related forms are quavered & quavering.  In optics, a tremulous light is a shimmer (1821) and in physiology, a shiver (1727), from shiver, "the shivers" in reference to fever chills dating from 1861.  Tremulous is an adjective, tremulously is an adverb and tremulousness is a noun; the noun plural is also tremulousness.

Becoming tremulous: Hitler’s signature: 1933-1945.

Between 1943-1945, Adolf Hitler's (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945) handwriting suffered and, towards the end, it took some effort even to etch his name, a process which happened in conjunction with a physical decline noted in many contemporary accounts.  The reason for this deterioration has been discussed by doctors, historians and popular authors, most recently in 2015 by Norman Ohler (b 1970) in Der totale Rausch: Drogen im Dritten Reich (The Total Rush: Drugs in the Third Reich), published in English in 2017 as Blitzed: Drugs in Nazi Germany (Penguin, ISBN: 9780141983165).  Blitzed is a study of the use of methamphetamine stimulants in German society, the military and Hitler himself during the Nazi years with a focus especially on the relationship between the Führer and his personal physician, Dr Theodor Morell (1886–1948) who prescribed and administered a variety of drugs and vitamins between 1936-1945.  It’s the use of opioids and psychoactive drugs that is of most interest.

A best seller, Ohler wrote a lively work in a jaunty style which made his book readable but did attract criticism from the academic and professional historians never happy with journalistic trespassing on their carefully trimmed turf.  While there’s always sensitivity to authors injecting elements of humour and pop-culture references into anything about Hitler and the Third Reich, these essentially stylistic objections matter less than the substantive concerns about presenting as proven fact inferences drawn from incomplete or inconclusive sources.  That critique of scholarship should be noted but Blitzed needs to be read as just another text interpreting the documents of the era and in that, if read in conjunction with other accounts of the time, Ohler’s thesis is in places compelling while sometimes contradicted by multiple other sources.  The argument that the drugs had no effect Hitler’s decline and increasingly erratic behavior were due to stress and the onset of Parkinson’s disease is as dogmatic a position as many accuse Ohler of taking.  There are interesting aspects in the accounts from 1943-1945: the unexpected way Hitler’s physical tremors briefly vanished in the aftermath of the explosion during the assassination attempt in July 1944 and the various clandestine analysis of Morell’s preparations, some of which revealed a strong opioid and some harmless concoctions with barely a pharmacological effect.  While clearly not a conventional work of history, Blitzed seems a valuable contribution.

Hitler and Dr Morell.

The fault in Blitzed is probably that habitual journalistic tendency to exaggeration.  That stimulants were widely available and demonstratively popular in Germany doesn’t mean the entire workforce, every hausfrau and all servicemen in the Wehrmacht were habitual or even occasional users of amphetamines although, given the documentary evidence and the observational accounts of behavior, the case for Hitler’s addictions (or at least dependence) is stronger.  Critics felt also compelled to run the usual objection to anything which could be constructed as some sort of exculpatory argument; the idea that being stupefied by psychoactive drugs could somehow absolve individual or collective guilt.  Among those who lived the Nazi experience, long has been established the guilt to one degree or another of the many and the innocence of a few.  That said, there seems little doubt the rapidity of the Wehrmacht's advances in 1939-1941 were at least partially attributable to the soldiers being supplied amphetamines which enabled a heightened level of alertness and performance for sometimes thirty hours without need for sleep.  It was a most effective force multiplier.  Other factors, notably (1) the revolutionary approach to deploying tanks as armored spearheads, (2) the used of dive-bombers, (3) the ineptness of the Allied response and (4) luck were more significance but the speed did make a contribution.

Not tremulous: Lindsay Lohan and block capitals, Los Angeles, 2010.

Graphology (the analysis of handwriting to determine personality traits) did once enjoy quite wide acceptance in many places including being admissible as evidence in some courts but has in recent years come to be regarded as at least scientifically dubious while other condemn the whole thing as a pseudoscience deserving about the same status as astrology.  However, there are aspects of it which seem helpful in comparing the differences in the handwriting of individuals at various times and anyway, it's often fun to read, even if only to confirm our prejudices.  During Lindsay Lohan’s court appearances, she was known to take notes so, when the opportunity presented itself, a photographer snapped an image and it was provided to graphologist Bart Baggett (b 1969; founder of the Handwriting University, a distance learning school) who wrote an analysis.  He’d actually assessed her handwriting when younger and the style adopted then was different from the all block printing exhibited in 2010.  While he cautioned he wasn’t convinced the sample could provide any insight “…into her psyche” the change between the two was interesting:

”Despite her youth and tendency to find trouble I did see a high level of intelligence in her handwriting.  But, intelligence does not always translate into good behavior or emotional stability.  I will say this: the handwriting shown on this page is not that of an erratic, scattered drug addict.  It is the handwriting of a focused individual; with a high degree of perfectionism.  The straight baseline reveals an overall anxiety at things not going right; someone who loves order and structure.

In graphology, anytime somebody consistently blocked prints it’s seen as a huge (but common) defense mechanism.  Often this is a positive defense mechanism such as extreme masculinity.  I would say most individuals would find it difficult to distinguish between this handwriting and that of a military strategist or perhaps even an engineer who clock prints everything.  The one thing graphologists do agree on is that when someone only block prints, they don’t want people to know their most innermost thoughts and feelings, they are putting up a shield and protecting their intimacy.  Therefore you can bet she now has some major trust and privacy issues and has a guard up.  Who would blame her for having guard up, considering everything that you write is published and everywhere you go someone is snapping a picture of you? I think I would become a block printer too.”

Saturday, July 3, 2021

Canthus

Canthus (pronounced kan-thuhs)

The angle or corner on each side of the eye, formed by the natural junction of the upper and lower lids; there are two canthi on each eye: the medial canthus (closer to the nose) and the lateral canthus (closer to the ear).

1640–1650: From Ancient Greek κανθός (kanthós) (corner of the eye) (and also an alternative spelling of cantus (in music, sung, recited, sounded, blew, chanted etc)), which became conflated the New Latin canthus, from the Classical Latin cantus (the (iron) rim of a wheel)).  The term describing the “iron rim of a wheel” was ultimately of Gaulish origin, from the Proto-Celtic kantos (corner, rim) and related to the Breton kant (circle), the Old Irish cétad (round seat) and the Welsh cant (rim, edge).  The Greek form was borrowed by Latin as canthus and with that spelling it entered English.  In the medieval way of such things, canthus and cantus became conflated, possibly under the influence or regional variations in pronunciation but some etymologists have noted there was tendency among some scribes and scholars to favor longer Latin forms, for whatever reason more letters being thought better than fewer.  The most familiar descendent in music is the canto (a description of a form of division in composition with a surprisingly wide range of application).  Canthus is a noun and canthal is an adjective; the noun plural is canthi (pronounced kan-thahy).

One word in English which has long puzzled etymologists is the late fourteenth century cant (slope, slant) which appeared first in Scottish texts, apparently with the sense “edge, brink”.  All dictionaries list it as being of uncertain origin and the Oxford English Dictionary (OED) notes words identical in form and corresponding in sense are found in many languages including those from Teutonic, Slavonic, Romanic & Celtic traditions.  Rare in English prior to the early seventeenth century, the meaning “slope, slanting or tilting position” had been adopted by at least 1847 and may long have been in oral use.  The speculation about the origin has included (1) the Old North French cant (corner) which may be related to the Middle Low German kante or the Middle Dutch kant, (2) the New Latin canthus, from the Classical Latin cantus (the (iron) rim of a wheel), (3) the Russian kutu (corner) and (4) the Ancient Greek κανθός (kanthós) (corner of the eye).  To all of these there are objections are the source remains thus uncertain.

The metrics of the attractiveness of women

PinkMirror is a web app which helps users optimize their facial aesthetics, using an artificial intelligence (AI) engine to deconstruct the individual components an observer’s brain interprets as a whole.  Because a face is for these purposes a collection of dimensions & curves with certain critical angles determined by describing an arc between two points, it means things can be reduced to metrics, and the interaction of these numbers can used to create a measure of attractiveness.

Positive, (left), neutral (centre) & negative (right) eye canthal tilt.

Perhaps the most interesting example of the components is the eye canthal tilt, a positive tilt regarded as more attractive than a negative.  The eye canthal tilt is the angle between the internal corner of the eyes (medial canthus) and the external corner of the eyes (lateral canthus) and is a critical measure of periorbital (of, pertaining to all which exists in the space surrounding the orbit of the eyes (including skin, eyelashes & eyebrows) aesthetics.  The eye canthal tilt can be negative, neutral, or positive and is defined thus:

Positive: Medial canthus tilt between +5 and +8o below the lateral canthus.

Neutral: Medial canthus and lateral canthus are in a horizontal line.

Negative: Medial canthus tilt between -5 to -8o below the lateral canthus.

Pinkmirror cites academic research which confirms a positive canthal tilt is a “power cue” for female facial attractiveness and while it’s speculative, a possible explanation for this offered by the researchers was linked to (1) palpebral (of, pertaining to, or located on or near the eyelids.) fissure inclination being steeper in children than adults (classifying it thus a neonatal feature) and (2) it developing into something steeper still in females than males after puberty (thus becoming a sexually dimorphic feature).  Pinkmirror notes also that natural selection seems to be operating to support the idea, data from Johns Hopkins Hospital finding that in women, the intercanthal axis averages +4.1 mm (.16 of an inch) or +4o, the supposition being that women with the advantage of a positive medial canthus tilt are found more attractive so attract more mates, leading to a higher degree of procreation, this fecundity meaning the genetic trait producing the characteristic feature is more frequently seen in the population.  Cosmetic surgeons add another layer to the understanding, explaining the canthal tilt is one of the marker’s of aging, a positive tilt exuding youth, health, and exuberance where as a line tending beyond the negative is associated with aging, this actually literally product of natural processes, the soft tissue gradually descending under the effect of gravity, as aspect of Vogue magazine’s definition of the aging process: “Everything gets bigger, hairier & lower”.

With people, medial canthus tilt is thus an interaction of (1) the roll of the genetic dice and (2) the cosmetic surgeon’s scalpel.  With manufactured items however, designers have some scope to anthropomorphize objects and few visages are as obviously related to a human’s eyes than the headlamps on a car.

The positive, neutral & negative: 1965 Gordon-Keeble GK-1 (left), 1958 Edsel Corsair Hardtop (centre) & 1970 Maserati Ghibli Roadster (right).

When headlamps were almost universally separate circular devices, the creation of a medial canthus tilt really became possible in the mid-1950s after dual units were first made lawful in the US and then rapidly became fashionable.  Overwhelmingly, the designers seemed to prefer the neutral and where a positive tilt was use, it was exaggerated well beyond that found in humans.  Instances of the negative were rare, which would seem to support the findings of attractiveness in humans but they were sometimes seen when hidden headlamps were used and there they were necessitate by the form of the leading edge under which they sat.  The suspicion is that designers found a negative slant acceptable if usually they were hidden from view.

2005 Porsche 911 Turbo S (996) (left), 2016 Ford (Australia) Falcon XR8 (FG) (centre) & 2000 Ferrari 550 Maranello.

As the interest in aerodynamics grew and there were advances in shaping glass and plastic economically to render compound shapes, headlights ceased to be merely round (though rectilinear shapes did start to appear in the 1960s) and took on abstract forms.  The demands of aesthetics however didn’t change and designers tended still to neutral or positive tilts.  Care needed still to be taken however, the derided “poached egg” shape on the 996 generation of the Porsche 911 (1997-2006) not popular with the obsessives who buy the things, their view being each update should remain as devoted to the original (1963) lines as themselves.  One of the closest to a flirtation with a negative tilt showed up on the Ferrari 550 Maranello (1996-2001) and the factory hasn’t repeated the experiment.

Deconstructing Lindsay Lohan

The Pinkmirror app exists to quantify one’s degree of attractiveness.  It’s wholly based on specific dimension and thus as piece of math, is not influenced by skin tone although presumably, its parameters are defined by the (white) western model of what constitutes attractiveness.  Users should therefore work within those limitations but the model would be adaptable, presumably not to the point of being truly cross-cultural but specifics forks could certainly be created to suit any dimensional differences between ethnicities.  Using an industry standard known as the Photographic Canthal Index (PCI), one’s place on Pinkmirror’s index of attractiveness is determined by the interplay of (1) Nose width, (2) Bi-temporal to bi-zygomatic ratio, (3) chin length, (4) chin angle, (5) lower-lip height & (6) eye height.

Lindsay Lohan scored an 8.5 (out of 10), was rated as “beautiful” and found to be “very feminine, with great features of sexual dimorphism”, scoring highly in all facets except lower lip height and eye height.  Her face shape is the heart, distinguished by a broad forehead and cheekbones, narrowing in the lines of down to the jaw-line, culminating in a cute pointy chin.  Pinkmirror say the most attractive face shape for women has been found to be the triangle, scoring about the same as the oval while the heart, round, diamond, rectangle and square are also attractive to a lesser degree.  Within the app, pears and oblongs are described as “not typically seen as attractive” and while the word “ugly” isn’t used, for the unfortunate pears and oblongs, that would seem the implication.