Sherry

Sherry (pronounced sher-ee)

(1) A fortified, amber-colored wine, originally from the Jerez region of southern Spain or any of various similar wines made elsewhere; usually drunk as an apéritif.  Technically, a white wine.

(2) A female given name, a form of Charlotte.

(3) A reddish color in the amber-brown spectrum.

1590-1600: A (mistaken singular) back formation from the earlier sherris (1530s), from the Spanish (vino de) Xeres ((wine from) Xeres).  Xeres is now modern-day Jerez (Roman (urbs) Caesaris) in Spain, near the port of Cadiz, where the wine was made.  The official name is Jerez-Xérès-Sherry, one of Spain's wine regions, a Denominación de Origen Protegida (DOP).  The word sherry is an anglicisation of Xérès (Jerez) and the drink was previously known as sack, from the Spanish saca (extraction) from the solera.  In EU law, sherry has protected designation of origin status, and under Spanish law, to be so labelled, the product must be produced in the "Sherry Triangle", an area in the province of Cádiz between Jerez de la Frontera, Sanlúcar de Barrameda, and El Puerto de Santa María.  In 1933 the Jerez denominación de origen was the first Spanish denominación officially thus recognized, named D.O. Jerez-Xeres-Sherry and sharing the same governing council as D.O. Manzanilla Sanlúcar de Barrameda.  The name "sherry" continues to be used by US producers where, to conform to domestic legislation, it must be labeled with a region of origin such as Oregon Sherry but can’t be sold in the EU (European Union) because of the protected status laws.  Both Canadian and Australian winemakers now use the term Apera instead of Sherry, although customers seem still to favor the original.  Sherry is a noun; the noun plural is sherries.

Sherry Girl (in bold two-copa ‘Sherry Stance’) and the ultimate sherry party.

Held annually since 2014 (pandemics permitting), Sherry Week is a week-long celebration of “gastronomical and cultural events” enjoyed by the “vibrant global Sherry community” which gathers to “showcase the wine’s incredible diversity, from the dry crispness of Fino to the velvety sweetness of Cream.”  Although the multi-venue Sherry Week is now the best known meeting on the Sherry calendar, worldwide, since 2014 some 20,000 events have taken place with the approval of the Consejo Regulador for Jerez-Xérès-Sherry and Manzanilla; to date there have been more than half a million attendees and in 2024 alone there were over 3,000 registered events in 29 countries in cities including London, Madrid, São Paulo, Tokyo, Buenos Aires, Auckland and Shanghai.  Daringly, the publicity for the 2025 gatherings introduced “Sherry Girl” whose “bold two-copa ‘Sherry Stance’” is now an icon for the drink.  Sherry Girl is new but dedicated sherryphiles will be pleased to learn the traditional “Sherry Ruta” (Sherry route) remains on the schedule, again in “multi-venue routes offering exclusive pairing experiences”, described as “not a typical wine crawl but a triumphant strut with tipples, tastings, and tapas.”  For the adventurous, participants are able to use the interactive venue map to curate their own Sherry Ruta in their city of choice.  The 2025 event will be held between 3-9 November. 

Dry Sack, a sherry preferred by many because of its balance; straddling sweet and dry.  Purists tend to the dry finos while sweeter cream sherries are recommended for neophytes.

The name "sherry" continues to be used by US producers where, to conform to domestic legislation, it must be labeled with a region of origin such as Oregon Sherry but can’t be sold in the EU because of their protected status laws.  Both Canadian and Australian winemakers now use the term Apera instead of Sherry, although customers seem still to favor the original.  For the upper-middle class and beyond, sherry parties were a fixture of late-Victorian and Edwardian social life but the dislocations of the World War I (1914-1918) seemed to render them extinct. It turned out however to be a postponement and sherry parties were revived, the height of their popularity being enjoyed during the 1930s until the post-war austerity the UK endured after World War II (1939-1945) saw them a relic restricted moistly to Oxbridge dons, the genuinely still rich, Church of England bishops and such although they never quite vanished and those who subscribe to magazines like Country Life or Tatler probably still exchange invitations to each other's sherry parties.

For Sherry and Cocktail Parties, trade literature by Fortnum and Mason, Regent Street, Piccadilly, London, circa 1936.  The luxury department store, Fortnum & Mason, used the services of the Stuart Advertising Agency, which employed designers to produce witty and informative catalogues and the decorative art is illustrative of British commercial art in this period.

For the women who tended to be hostess and organizer, there were advantages compared with the tamer tea party.  Sherry glasses took less space than cups of tea, with all the associated paraphernalia of spoons, milk and sugar and, it being almost impossible to eat and drink while balancing a cup and saucer and conveying cake to the mouth, the tea party demanded tables and chairs.  The sherry glass and finger-food was easier for while one must sit for tea, one can stand for sherry so twice the number of guests could be asked.  Sherry parties indeed needed to be tightly packed affairs, the mix of social intimacy and alcohol encouraging mingling and they also attracted more men for whom the offer of held little attraction.  The traditional timing between six and eight suited the male lifestyle of the time and they were doubtless more attracted to women drinking sherry than women drinking tea for while the raffish types knew it wasn't quite the "leg-opener" as gin was renowned to be, every little bit helps.

In hair color and related fields, "sherry red" (not to be confused with the brighter "cherry red") is a rich hue on the spectrum from amber to dark brown: Lindsay Lohan (who would be the ideal "Cherry Girl" model) demonstrates on the red carpet at the Liz & Dick premiere, Los Angeles, 2012.

Sherry party planner.

Novelist Laura Troubridge (Lady Troubridge, (née Gurney; 1867-1946)), who in 1935 published what became the standard English work on the topic, Etiquette and Entertaining: to help you on your social way, devoted an entire chapter to the sherry party.  She espoused an informal approach as both cheap and chic, suggesting guests be invited by telephone or with “Sherry, six to eight” written on a visiting card and popped in an envelope.   She recommended no more than two-dozen guests, a half-dozen bottles of sherry, a couple of heavy cut-glass decanters and some plates of “dry and biscuity” eats: cheese straws, oat biscuits, cubes of cheddar.  This, she said, was enough to supply the makings of a “…jolly kind of party, with plenty of cigarettes and talk that will probably last until half past seven or eight.”

Cocktail Party by Laurence Fellows (1885-1964), Esquire magazine, September 1937.

The Sherry party should not be confused with the cocktail party.  Cocktail parties in drawing rooms at which Martinis were served often were much more louche affairs.  Note the elegantly sceptical expressions on the faces of the women, all of whom have become immured to the tricks of “charming men in suits”.  For women, sherry parties were more welcoming places.

Fascism

Fascism (pronounced fash-iz-uhm)

(1) A system of government led by a dictator (nominally with total power), forcibly suppressing opposition and criticism, regimenting (to various degrees) industry, commerce, the arts etc and emphasizing an aggressive nationalism, often with an overtly racist emphasis (often used with an initial capital letter).

(2) The philosophy, principles or methods of fascism.

(3) A political movement that employs the principles and methods of fascism (based at least nominally on the model established in Italy in 1922 but the variations within implementations were numerous (often used with an initial capital letter).

(4) A now generalized term used to describe certain regimes based on their behavior rather that the labels formerly adopted.

(5) A general term of disparagement nominally based on alleged political or other behavior but now very loosely applied.

(6) As a slang modifier, (grammar-fascism, eco-fascism, fashion-fascism etc), a term of derision aimed at those thought excessively focused on rules and regulations.

1915–1920: From the Italian fascismo, the construct being fasc(io) (bundle of sticks; political group) + -ismo (the noun-forming suffix (the plural –ismi)) from the Latin -ismus.  The significance of the connection between what came to be known as political fascism and fascio (bundle of sticks) was the use of the symbol in ancient Rome where it was part of the standard (flag) of the magistracy, symbolizing the authority of the state.  Certain political organizations in modern Italy thus came to be known as fasci and the fasces was adopted as the symbol of the Italian Fascist party which took power in 1922).  Fasces dates from 1590–1600 and was from the Latin fasces (bundle of rods containing an axe with the blade projecting), the plural of fascis (bundle or pack of wood), from the Proto-Italic faski- (bundle) possibly from the primitive Indo-European bhasko- (band, bundle), (the source also of the Middle Irish basc (neckband), the Welsh baich (load, burden) and possibly the Old English bæst (inner bark of the linden tree)).  In Ancient Rome, the bundle was carried by a functionary before a lictor (a senior Roman magistrate) as a symbol of the judiciary’s power over life and limb (the sticks symbolized the use of corporal punishment (by whipping or thrashing with sticks) while the axe-head represented execution by beheading.  From this specific symbolism, in Latin the word came to be used figuratively of “high office, supreme power”.  Fasces is a noun (usually used with a singular verb); the noun plural is fascis but fasces is used as both a singular & plural.  For this reason, some in the field of structural linguistics suggest fascis remains Latin while fasces has been borrowed by English.  Fascism is a noun, fascistic is an adjective and fascist is a noun & adjective; the noun plural fascists is in much more frequent use then fascisms.

Fascism as a label has been so over-used in casual political discourse that it has become devalued.  However forms like anti-fascism and pro-fascism (with many variations) remain in use and the US left-wing collective “antifa” (pronounced an-tee-fah) is a non-hyphenated clipping of anti-fascism (or anti-fascist).  In some cases where actual fascism is in more recent living memory, the word is more established in political “discussions” and in post-Franco Spain, some such “debates” can probably be reduced to “You’re a fascist!” vs “No, you’re a fascist!”.  It can be quite entertaining.

Le Serment des Horaces (Oath of the Horatii (1784-1785)), oil on canvas by Jacques-Louis David (1748–1825), the Louvre, Paris.  Le Serment des Horaces is a work often used as a case-study in the teaching of art theory because it so exemplifies the techniques of those painting in the Neoclassical style, both in the use of classical motifs and the way in which it represents the reaction against the Rococo.  As a tool of academic study, it’s useful too because its large size (3298 mm × 4248 mm (129.8 in × 167.2 inches) permits close examination of detail.

The scene it depicts is based on the Roman legend of an episode (dated usually to the reign of Tullus Hostilius (third King of Rome between 672–642 BC) in the wars between the cities Rome and Alba Longa in which the decision was taken to select three men from each to fight to the death, the victorious survivor(s) determining which city would be declared the winner.  The advantage was it was an alternative to each sending their whole armies, thereby avoiding mass slaughter, the drawback from a military point of view being the result would not necessarily reflect how a full scale battle would have been resolved.  The way the curious dual of the triumvirates unfolded is of interest to students of battlefield tactics but the political implications cast a longer shadow, providing some of the underpinnings of twentieth century fascism will all of its bloody consequences. In Le Serment des Horaces, a father is shown offering three swords to his sons who eagerly reach to take them, signifying their willingness to fight and, if need be, die for their city.  To reinforce the message, at the conclusion of the battle, a sister of the sole surviving victor (shown in the painting to the right), was killed by him for the sin of mourning the death of one of the slain opponents to whom she’d been betrothed.  Not only must one be loyal in body and ted to the state but also in mind and soul and although pre-dating the French Revolution (1789) by half a decade, such sentiments were common in many circles at the time as the idea gaining currency that “being French” should mean being loyal to the nation rather than the church or some sectional identification.  It was this notion of the supremacy of the state and the subordination of the individual to it that formed the basis of twentieth century fascism.

It was fashionable for much of the late twentieth century to dismiss the idea that Fascism had no intellectual or philosophical underpinnings and it was a thing based wholly on personalities and spectacle which captured the imagination of political scientists and others only because it genuinely did seem new, something of a novelty in a field where everything else had a literature dating back hundreds or thousands of years.  However, even if there was nothing like the wealth of work associated with doctrines like liberalism, conservatism or Marxism and while attempts to construct something like a “theory of fascism” have never been wholly convincing, much work has been done distilling the experience of fascism to a list or recognizable characteristics.  Independent commentator Laurence Britt published a number of pieces exploring the nature of the experience of fascism in power and provided one widely shared list of 14 fundamental characteristics:

Powerful and Continuing Nationalism: Fascist regimes tend to make constant use of patriotic mottos, slogans, symbols, songs, and other paraphernalia. Flags are seen everywhere, as are flag symbols on clothing and in public displays.

Disdain for the Recognition of Human Rights: Because of fear of enemies and the need for security, the people in fascist regimes are persuaded that human rights can be ignored in certain cases because of "need." The people tend to look the other way or even approve of torture, summary executions, assassinations, long incarcerations of prisoners, etc.

Identification of Enemies & Scapegoats as a Unifying Cause: The people are rallied into a unifying patriotic frenzy over the need to eliminate a perceived common threat or foe: racial, ethnic or religious minorities; liberals; communists; socialists, terrorists, etc.

Supremacy of the Military: Even when there are widespread domestic problems, the military is given a disproportionate amount of government funding, and the domestic agenda is neglected. Soldiers and military service are glamorized.

Rampant Sexism: The governments of fascist nations tend to be almost exclusively male-dominated. Under fascist regimes, traditional gender roles are made more rigid. Opposition to abortion is high, as is homophobia and anti-gay legislation and national policy.

Controlled Mass Media: Sometimes to media is directly controlled by the government, but in other cases, the media is indirectly controlled by government regulation, or sympathetic media spokespeople and executives. Censorship, especially in war time, is very common.

Obsession with National Security: Fear is used as a motivational tool by the government over the masses.

Religion and Government are Intertwined: Governments in fascist nations tend to use the most common religion in the nation as a tool to manipulate public opinion. Religious rhetoric and terminology is common from government leaders, even when the major tenets of the religion are diametrically opposed to the government's policies or actions.

Corporate Power is Protected: The industrial and business aristocracy of a fascist nation often are the ones who put the government leaders into power, creating a mutually beneficial business/government relationship and power elite.

Labor Power is Suppressed: Because the organizing power of labor is the only real threat to a fascist government, labor unions are either eliminated entirely or severely suppressed .

Disdain for Intellectuals and the Arts: Fascist nations tend to promote and tolerate open hostility to higher education, and academia. It is not uncommon for professors and other academics to be censored or even arrested. Free expression in the arts is openly attacked, and governments often refuse to fund the arts.

Obsession with Crime and Punishment: Under fascist regimes, the police are given almost limitless power to enforce laws. The people are often willing to overlook police abuses and even forego civil liberties in the name of patriotism. There is often a national police force with virtually unlimited power in fascist nations.

Rampant Cronyism and Corruption: Fascist regimes almost always are governed by groups of friends and associates who appoint each other to government positions and use governmental power and authority to protect their friends from accountability. It is not uncommon in fascist regimes for national resources and even treasures to be appropriated or even outright stolen by government leaders.

Fraudulent Elections: Sometimes elections in fascist nations are a complete sham. Other times elections are manipulated by smear campaigns against or even assassination of opposition candidates, use of legislation to control voting numbers or political district boundaries, and manipulation of the media. Fascist nations also typically use their judiciaries to manipulate or control elections.

It’s a helpful list and what many noted was the extend of the overlap of those characteristics into countries in which the governments are inclined to self identify as “liberal” or “democratic” but then the prime imperative in politics is always regime survival so some duplication of tactics should not be unexpected.  That does emphasize how the labels of political science are useful only to an extent.  World War II (1939-1945) has often been called the great conflict between democracy and fascism but its bloodiest theatre was Europe’s eastern front where in what Moscow styled the “Great Patriotic War” (1941-1945), the battle was between communism and fascism yet even if one finds Laurence Britt’s list of 14 in some way flawed, there’s an extraordinary degree to which it can be mapped onto both comrade Stalin’s (1878-1953; Soviet leader 1924-1953) “communist” system and Adolf Hitler’s (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945) fascist regime.  To synthesize the factors for the list, assessed not on the constructs of Hitler and Benito Mussolini (1883-1945; Duce (leader) & prime-minister of Italy 1922-1943) but also those built by General "Muhammad" Suharto (or Soeharto) (1921-2008; president of Indonesia 1967-1998), Generalissimo Francisco Franco (1892-1975; Caudillo of Spain 1939-1975) and General Augusto Pinochet (1915-2006; dictator of Chile 1973-1990).

Another obvious mapping now is probably the People’s Republic of China (PRC), run since 1949 by the Chinese Communist Party (CCP).  Early in September 2023, it was reported the CCP intended to ban clothes which “hurt national feelings” and a draft law outlawing speech and dressing “detrimental to the spirit of Chinese people” is already under consideration.  It has been confirmed that under the proposed statute, people found guilty could be fined or jailed and the move to crack down on subversive clothing is one of a number of proposed changes to public security laws, the first substantive reform in decades.  No details have yet been released beyond it being said those who wear or force others to wear clothing and symbols which “undermine the spirit or hurt the feelings of the Chinese nation” could be detained for up to 15 days and fined up to 5,000 yuan (US$680).  In parallel, anyone who creates or disseminate articles or speech with the same effect would face the same punishment and in that aspect the CCP was more specific, indicating the proposed laws will prohibit “insulting, slandering or otherwise infringing upon the names of local heroes and martyrs” as well as vandalism of the memorials of their lives.

How to "hurt national feelings": Lindsay Lohan in costume as Suicide Squad’s Harley Quinn (a comic book character created by DC Comics), “Halloween bash”, Albert's Club, South Kensington, London, October 2016.  Any young Chinese lady wearing this might risk being accused of being dressed in a manner “detrimental to the spirit of Chinese people” and be fined or sent to “re-education” camp. 

On the vibrant, if by Western standards still respectful, Chinese social media, concerns were expressed that the notion of “detrimental to the spirit of Chinese people” was so vague and allow police officers and others a broad scope of personal interpretation about what the words meant that it would be impossible for people to be certain if they were complying.  One commentator cited the example of a Chinese woman who had been detained (even before any such law was passed) at a music concert because she was wearing a kimono, a classic style of Japanese attire.  Given that, it was asked whether wearing a suit & tie, a style which originated in the capitalist West would on the same basis be thought likely to “hurt national feelings”.  Given it’s the apparently compulsory uniform for the upper echelons of the CCP (including the Central Committee), that seems unlikely but does indicate how difficult it would be to codify such a rule.  One UK cartoonist once invented the imaginary offence “Being dressed in a manner likely to cause a breach of the peace” to illustrate how UK police might take advantage of such a law.  The woman in the kimono has actually been told exactly that she was dressed in a manner likely to cause a breach of the peace, the authorities in Suzhou accusing her of “picking quarrels and provoking trouble”.  Good, hard crackdowns of displays of individuality are a hallmark of fascist regimes and of late there’s been much attention paid to those wear rainbow colors and other symbols of “Western decadence and depravity” and in his decade at the top, Xi Jinping (b 1953; general secretary of the Chinese Communist Party (CCP) and paramount leader of the People's Republic of China (PRC) since 2013) has paid much attention to social engineering, re-defining what makes the model Chinese citizen and sartorial matters are the latest to be added to the “morality guidelines” the CCP issued in 2019 which included making compulsory “politeness”, “lowering one’s carbon footprint” and “having faith in Mr Xi and the CCP”.

Strumpet

Strumpet (pronounced struhm-pit)

A woman of loose virtue (archaic).

1300–1350: From the Middle English strumpet and its variations, strompet & strumpet (harlot; bold, lascivious woman) of uncertain origin.  Some etymologists suggest a connection with the Latin stuprata, the feminine past participle of stuprare (have illicit sexual relations with) from stupere, present active infinitive of stupeo, (violation) or stuprare (to violate) or the Late Latin stuprum, (genitive stuprī) (dishonor, disgrace, shame, violation, defilement, debauchery, lewdness).  The meanings in Latin and the word structure certainly appears compelling but there is no documentary evidence and others ponder a relationship with the Middle Dutch strompe (a stocking (as the verbal shorthand for a prostitute)) or strompen (to stride, to stalk (in the sense suggestive of the manner in which a prostitute might approach a customer).  Again, it’s entirely speculative and the spelling streppett (in same sense) was noted in the 1450s.  In the late eighteen century, strumpet came to be abbreviated as strum and also used as a verb, which meant lexicographers could amuse themselves with wording the juxtaposition of strum’s definitions, Francis Grose (circa 1730-1791) in his A Classical Dictionary of the Vulgar Tongue (1785) settling on (1) to have carnal knowledge of a woman & (2) to play badly on the harpsichord or any other stringed instrument.  As a term in musical performance, strum is now merely descriptive.

Even before the twentieth century, among those seeking to disparage women (and there are usually a few), strumpet had fallen from favour and by the 1920s was thought archaic to the point where it was little used except as a device by authors of historical fiction.  Depending on the emphasis it was wished to impart, the preferred substitutes which ebbed and flowed in popularity over the years included tramp, harlot, hussy, jezebel (sometimes capitalized), jade, tart, slut, minx, wench, trollop, hooker, whore, bimbo, floozie (or floozy) and (less commonly) slattern skeezer & malkin.

There’s something about trollop which is hard to resist but it has fallen victim to modern standards and it now can’t be flung even at white, hetrosexual Christian males (a usually unprotected species) because of the historic association.  Again the origin is obscure with most etymologists concluding it was connected with the Middle English trollen (to go about, stroll, roll from side to side).  It was used as a synonym for strumpet but often with the particular connotation of some debasement of class or social standing (the the speculated link with trollen in the sense of “moving to the other (bad) side”) so a trollop was a “fallen woman”.  Otherwise it described (1) a woman of a vulgar and discourteous disposition or (2) to act in a sluggish or slovenly manner.  North of the border it tended to the neutral, in Scotland meaning to dangle soggily; become bedraggled while in an equestrian content it described a horse moving with a gait between a trot and a gallop (a canter).  For those still brave enough to dare, the present participle is trolloping and the past participle trolloped while the noun plural (the breed often operating in pars or a pack) is trollops.

Floozie (the alternative spellings floozy, floosy & floosie still seen although floogy is obsolete) was originally a corruption of flossy, fancy or frilly in the sense of “showy” and dates only from the turn of the twentieth century.  Although it was sometimes used to describe a prostitute or at least someone promiscuous, it was more often applied in the sense of an often gaudily or provocatively dressed temptress although the net seems to have been cast wide, disapproving mothers often describing as floozies friendly girls who just like to get to know young men.

Strum and trollop weren’t the only words in this vein to have more than one meaning.  Harlot was from the Middle English harlot, from Old French harlot, herlot & arlot (vagabond; tramp), of uncertain origin but probably from a Germanic source, either a derivation of harjaz (army; camp; warrior; military leader) or from a diminutive of karilaz (man; fellow).  It was an exclusively derogatory and offensive form which meant (1) a female prostitute, (2) a woman thought promiscuous woman and (3) a churl; a common person (male or female), of low birth, especially who leading an unsavoury life or given to low conduct.

Lord Beaverbrook (1950), oil on canvas by Graham Sutherland (1903–1980).  It’s been interesting to note that as the years pass, Rupert Murdoch (b 1931) more and more resembles Beaverbrook.

Increasing sensitivity to the way language can reinforce the misogyny which has probably always characterized politics (in the West it’s now more of an undercurrent) means words like harlot which once added a colorful robustness to political rhetoric are now rarely heard.  One of the celebrated instances of use came in 1937 when Stanley Baldwin’s (1867–1947; leader of the UK’s Tory Party and thrice prime-minister 1923 to 1937) hold on the party leadership was threatened by Lord Rothermere (1868-1940) and Lord Beaverbrook (1879-1964), two very rich newspaper proprietors (the sort of folk Mr Trump would now call the “fake news media”).  Whether he would prevail depended on his preferred candidate winning a by-election and three days prior to the poll, on 17 March 1931, Baldwin attacked the press barons in a public address:

“The newspapers attacking me are not newspapers in the ordinary sense; they are engines of propaganda for the constantly changing policies, desires, personal vices, personal likes and dislikes of the two men.  What are their methods?  Their methods are direct falsehoods, misrepresentation, half-truths, the alteration of the speaker's meaning by publishing a sentence apart from the context and what the proprietorship of these papers is aiming at is power, and power without responsibility, the prerogative of the harlot throughout the ages.”

The harlot line overnight became a famous quotation and in one of the ironies of history, Baldwin borrowed it from his cousin, the writer Rudyard Kipling (1865-1936) who had used it during a discussion with the same Lord Beaverbrook.  Like a good many (including his biographer AJP Taylor (1906-1990) who should have known better), Kipling had been attracted by Beaverbrook’s energy and charm but found the inconsistency of his newspapers puzzling, finally asking him to explain his strategy.  He replied “What I want is power. Kiss ‘em one day and kick ‘em the next’ and so on”.  “I see” replied Kipling, “Power without responsibility, the prerogative of the harlot throughout the ages.”  Baldwin received his cousin’s permission to recycle the phrase in public.

While not exactly respectable but having not descended to prostitution, there was also the hussy (the alternative spellings hussif, hussiv & even hussy all obsolete).  Hussy was a Middle English word from the earlier hussive & hussif, an unexceptional evolution of the Middle English houswyf (housewife) and the Modern English housewife is a restoration of the compound (which for centuries had been extinct) after its component parts had become unrecognisable through phonetic change.  The idea of hussy as a housewife or housekeeper is long obsolete (taking with it the related (and parallel) sense of “a case or bag for needles, thread etc” which as late as the eighteenth century was mentioned in judgements in English common law courts when discussing as woman’s paraphernalia).  It’s enduring use is to describe women of loose virtue but it can be used either in a derogatory or affectionate sense (something like a minx), the former seemingly often modified with the adjective “shameless”, probably to the point of becoming clichéd.

“An IMG Comrade, Subverts, Perverts & Extroverts: A Brief Pull-Out Guide”, The Oxford Strumpet, 10 October 1975.   

Reflecting the left’s shift in emphasis as the process of decolonization unfolded and various civil rights movements gained critical mass in sections of white society, anti-racist activism became a core issue for collectives such as the International Marxist Group.  Self-described as “the British section of the Fourth International”, by the 1970s their political position was explicitly anti-colonial, anti-racist, and trans-national, expressed as: “We believe that the fight for socialism necessitates the abolition of all forms of oppression, class, racial, sexual and imperialist, and the construction of socialism on a world wide scale”.  Not everything published in The Oxford Strumpet was in the (evolved) tradition of the Fourth International and it promoted a wide range of leftist and progressive student movements.

Lindsay Lohan in rather fetching, strumpet-red underwear.

The Oxford Strumpet was an alternative left newspaper published within the University of Oxford and sold locally.  It had a focus on university politics and events but also included comment and analysis of national and international politics.  With a typically undergraduate sense of humor, the name was chosen to (1) convey something of the anti-establishment editorial attitude and (2) allude to the color red, long identified with the left (the red-blue thing in recent US politics is a historical accident which dates from a choice by the directors of the coverage of election results on color television broadcasts).  However, by 1975, feminist criticism of the use of "Strumpet" persuaded the editors to change the name to "Red Herring" and edition 130 was the final Strumpet.  Red Herring did not survive the decline of the left after the demise of the Soviet Union and was unrelated to the Red Herring media company which during the turn-of-the-century dot-com era published both print and digital editions of a tech-oriented magazine.  Red Herring still operates as a player in the technology news business and also hosts events, its business model the creation of “top 100” lists which can be awarded to individuals or representatives of companies who have paid the fee to attend.  Before it changed ownership and switched its focus exclusively to the tech ecosystem, Red Herring magazine had circulated within the venture capital community and the name had been a playful in-joke, a “red herring” being bankers slang for a prospectus issued with IPO (initial public offering) stock offers.

Regalia

Regalia (pronounced ri-gey-lee-uh or ri-geyl-yuh)

(1) The emblems, symbols, or paraphernalia indicative of royalty or any other sovereign status; such as a crown, orb, sceptre or sword.

(2) The decorations, insignia, or ceremonial clothes of any office or order.

(3) A casual term for fancy, or dressy clothing; finery.

(4) Royal rights, prerogatives and privileges actually enjoyed by any sovereign, regardless of his title (emperor, grand duke etc).

(5) Sumptuous food (obsolete except in the odd literary novel).

(6) A large cigar of the finest quality (obsolete except in the odd literary novel). 

1530–1540: From the Medieval Latin rēgālia (royal privileges; things pertaining to a king), noun use of neuter plural of the Latin rēgālis (regal).  The word stems from the Latin substantivation of the adjective rēgālis, itself from rex (king).  Regalia is a Latin plurale tantum (plural as such, plural only) word that has different definitions. In one ancient (but now rare) definition, it refers to the exclusive privileges of a sovereign, a concept which remains codified in Scots law as Inter regalia (something inherently that belongs to the sovereign) and this may include property, privileges, or prerogatives.  The term is a direct borrowing from the Latin inter (among) and regalia (things of the king).  In Scots law, the division is between (1) regalia majora (major regalia), which are inseparable from the person of the sovereign and (2) regalia minora (minor regalia), which may be conveyed to a subject.  The word originally referred to the formal dress of a sovereign, but is now used of any type of elaborate formal dress or accessories and is applied especially to academic and ecclesiastical robes.  Although regalia is a Latin plurale tantum (plural as such, plural only) which, in the grammar of Latin is a noun (in any specific sense) that has no singular form (eg scissors) in most usage, in Modern English, it’s sometimes used in the singular: regale.  Further to complicate, the plural form of the grammatical descriptor is pluralia tantum.  Regalia is a noun and regalian is an adjective; the noun plural is regalias.

Cardinal George Pell (1941-2023) in ecclesiastical regalia (left) and a deconstruction of the layers (right).  The nature of the garments' layers assumed significance in the matter of the cardinal's trial on charges of sexual abuse of a minor, a discussion about the ease and speed with with "accessibility" was physically possible (within the constraints of time and place) being among the evidence offered in defense.  Within the Roman Curia (a place of Masonic-like plotting & intrigue and much low skulduggery), Cardinal Pell's nickname was “Pell Pot”, an allusion to Pol Pot (1925–1998, dictator of communist Cambodia 1976-1979) who announced the start of his regime was “Year Zero” and all existing culture and tradition must completely be destroyed and replaced. 

Lindsay Lohan being adorned with prom queen regalia (Mean Girls (2004)).

In his original trial the cardinal was convicted, the verdict upheld on appeal to a full bench of the Victorian Court of Appeal.  However, upon final appeal to the High Court of Australia (HCA), the conviction was quashed, the judges ruling the Crown had not beyond reasonable doubt proved the acts alleged happened as described, in the circumstances, in the place and at the time mentioned in the indictment.  Quash means to nullify, void or declare invalid and is a procedure used in both criminal and civil cases when irregularities or procedural defects are found.  In a unanimous (7-0) judgment (Pell v The Queen [2020] HCA 12)) quashing Cardinal Pell’s conviction in the Supreme Court of Victoria (Pell v The Queen [2019] VSCA 186), the High Court set aside the verdict and substituted an acquittal; in a legal sense, it is now as if the original verdict was never handed down. 

A depiction of Peter Dutton (b 1970; leader of the opposition and leader of the Liberal Party of Australia since May 2022) in the regalia of a Freemason Grand Master (digitally altered image).  Note the apron worn beneath the jacket, a style unique to The Ancient and Accepted Scottish Rite of Freemasonry.  Mr Dutton has never denied being a Freemason.

Masonic Grand Masters wear specific regalia signifying their high rank within the cult.  The details of the garments & accessories vary between the sects of Freemasonry but the core elements are:

Collar: A grand and elaborate collar made of a wide ribbon is worn around the neck, often with a grand master's jewel or other symbol of office attached.  Most ribbons are still the traditional blue with gold or silver embroidery & embellishments.

Jewel: A grand master's jewel is a distinctive medallion or emblem (usually attached to the collar) which includes symbols denoting the authority of the office such as the square, compass, eye or other Masonic insignia.

Gloves: White gloves are a standard part of Masonic regalia (worn not only by a grand master).  The origin of the white gloves was their (alleged) use by stone masons when working on porous materials such as marble, symbolizing purity and the craftsman's clean hands. Gauntlets are worn by certain high-office holders.

Sash or Girdle: In some Masonic temples, grand Masters wear a sash or girdle around the waist, again, often adorned with the cult’s symbols and colors.  Some temples don’t use sashes as part of the regalia because it’s said to be a modern addition with no real link to Masonic tradition.

Hat: The hats, while distinctive, seem to be a fashion choice more than a general tradition.  The most popular seem to be tricorn, bowler or top-hats although evidence suggest regional factors may influence the choice, a wide array of ceremonial caps existing in the photographic record.  In some sects, a specific, unique hat is reserved for use by the Grand Master who may wear it only during ceremonies and rituals.

Apron: The Grand Master wears an ornate apron which historically was fabricated from natural fibres such as silk or lambskin but it may be some now use modern synthetics which offer certain advantages although they lack the same quality of tactility.  The aprons feature intricate embroidery, including Masonic symbols such as the Square and Compasses and may feature gold or silver fringes are common.

Masonic aprons are obligatory wear for any Mason when in a lodge or temple and they’re worn always on the outside except in Scotland where the tradition is for them to sit under the jacket.  Like much else in the cult of Freemasonry, the apron is a symbol of a mason’s place in the hierarchy (as codified a system as the precedence afforded to the orders of knighthood in the UK's imperial honors) and although variations exist, there are essentially five layers of apron-wear:

(1) Enterered Apprentice: The apron of an entered apprentice is plain white to symbolise purity and innocence and usually made of lambs leather.

(2) Fellow Craft: The Fellowcraft apron has the same white background as that of the Enterered Apprentice except for the addition of two blue rosettes.  Despite much research and speculation, it’s not known why the color blue is used.

(3) Master Mason: The decoration on a Master Mason’s apron is much more elaborate and is recognizably Masonic in a way the simpler constructions are not.  Because many Master Masons elect not to progress to the status of Worshipful Master, for many this will be the apron they wear for their entire Masonic career.

(4) Worshipful Master: The only change to the apron when one enters the chair as Worshipful Master is the blue rosettes are replaced by three levels.  The symbols are distinctive so the wearer instantly is recognizable as being a present or past Worshipful Master of a Lodge.

(5) Provincial Honours: Once a mason has gone through the chair and become Worshipful Master, his title changes from Brother to Worshipful Brother.  As the years pass, he may be granted Provincial honours and his apron will then be changed from light blue to dark blue with gold braid.

Paraphernalia

Paraphernalia (pronounced par-uh-fer-neyl-yuh or par-uh-fuh-neyl-yuh)

(1) Tools, equipment, apparatus or furnishing used in or necessary for a particular activity (sometimes used with a singular verb).

(2) Personal belongings (used with a plural verb).

(3) At common law, a historic term for the personal articles, apart from dower, reserved by law to a married woman as goods the title of which did not pass to her husband upon marriage (used with a singular verb).

1470-1480: From the Medieval Latin paraphernālia, from the Ancient Greek παράφερνα (parápherna) (goods which a wife brings over and above her dowry), the construct being παρά (pará) (beside) +‎ φερνή (phernḗ) (dowry), + the Latin -ālia, (noun use of neuter plural of –ālis), thus the “things additional to a dowry”.  Among the propertied classes, title to the possessions of a wife (the dowry) passes to the husband upon marriage while the paraphernalia which she brought remained her property. Paraphernalia is a noun and paraphernal is an adjective.  Paraphernalia, perhaps strangely, is now inherently singular because a paraphernalia is a granular construct made of a number of items.  The Medieval Latin paraphernālia was the neuter plural of paraphernlis, pertaining to the parápherna (a married woman's property exclusive of her dowry) so in the Latin it was a plural and the singular was paraphernlis but the word has been absorbed into English as a plural.  Paraphenalium has been suggested but is likely just undergraduate humor.

Twenty-first century paraphernalia.

Paraphernalia in what is now the normal conversational sense refers to the “stuff” associated with and sometimes specific to some activity, modern usage by analogy, unrelated to status of ownership.  Hooks, and sinkers are part of the paraphernalia of fishing, brushes and easels those of painting.  The word has become a favorite of police who, when searching for drugs, don’t actually need to find any to bring charges, drug paraphernalia being enough to convince some judges, especially if accused has “a bit of previous”.  The more elaborate synonyms of paraphernalia are appurtenances, accoutrements, parapherna or trappings but most useful and certainly best understood is “stuff”.

Public service announcement: Lindsay Lohan sends the message.

In the context of the illicit use of narcotics, the term “paraphernalia” is sometimes referenced in legislation but there’s often not any attempt to list exactly which items may be considered thus, the definition hanging on purpose rather than form.  It refers to any equipment, product or material used primarily or intended for use in connection with the production, preparation, or consumption of illicit drugs.  Drug users can be imaginative in the adoption of hardware for purposes other than what was in the designer’s mind and a wide range of stuff has appeared as exhibits in prosecutions.  In some jurisdictions, possession, sale or distribution of drug paraphernalia can be unlawful, even if there’s no evidence of the presence of narcotics.  Examples of drug paraphernalia include:

(1) Smoking devices: Pipes, bongs, water pipes, hookahs, and rolling papers used for smoking marijuana, crack cocaine, or methamphetamine.  Obviously, some of these items can also be used lawfully to consume (dual-use in the language of sanctions) substances like tobacco so the possibility of prosecution depends on the circumstances of each case.

(2) Syringes and needles: These typically are associated with intravenous drug use, most infamously heroin and other opioids but there are many substances (including Diazepam (Valium) and other pharmaceuticals) which can appear in liquid form.

(3) Spoons and straws: Small spoons or hollow tubes (often depicted in popular culture being rolled from high-value US$ bills) are used to “snort” drugs supplied or rendered in powdered form, of which cocaine is the best known.  The popular association of spoons with cocaine led to the comparison “silver spoon vs paper plate” to contrast the user profile with that of the much cheaper crack cocaine.

(4) Grinders: Devices used to break down marijuana buds into smaller particles for smoking or vaporization.  There are specialized products for this but others use the regular kitchen item intended for grinding herbs such as mint when making mint sauce.  Weed smokers like to give their grinders affectionate names like “mull-o-matic”.

(5) Scales: High-precision scales are used to weigh drugs for distribution or sale.  Modern electronics mean these can now be very small.

(6) Roach clips: There are metal or plastic clips used to hold the end of a joint, allowing users to smoke without risk of burning the finger tips.  It’s just common sense really.

(7) Pill bottles and pill crushers: These are used to store and crush prescription medications for illicit use.  In recent years there’s also been a crackdown on pill making devices which also have a legitimate purpose in communities such as the “holistic health” set who make their own pills from (non-narcotic) herbs.

(8) Freebase kits: One of the part-numbers associated with the trade of the dark web, the kits include the tools needed to convert cocaine hydrochloride into a smokable form, such as crack cocaine.

Historically, at common law, upon marriage, a woman’s assets became possessions of her husband, title passing automatically.  The exception was her paraphernalia which tended to include things inherently personal (clothes, sewing equipment, shoes etc) but could in certain circumstances include items of jewelry.  A husband could neither appropriate nor sell paraphernalia without her explicit consent and they did not accrue to his estate upon death but a woman could include paraphernalia in her will.  Concept is now obsolete in all common law jurisdictions but can still be cited in disputes over wills, though only in argument and the scope is limited.

Medieval paraphernalia.

Inherited from Greek and Roman law, in English law, paraphernalia differed from some of the property rights granted to women and mentioned in various iterations of the Magna Carta (1215-1225) in that it wasn't mentioned and assumed an at times strained co-existence with customary practice, the procedures of the Church, common law and civil law, judges feeling often constrained to distinguish between "our law" and "spiritual law", the latter tending always to be more generous to a widow.  All the medieval evidence however does hit that attempts to enforce ecclesiastical law were probably fitful although it may be that matters involving disputes about paraphernalia were either rare or nor recorded.  Where matters are recorded, they concerned not stuff like pins and needles but variations of apparel, a wide category which could include anything a woman might wear and that might be shoes, gowns or jewelry; in other words, like just about any dispute brought to court, money was involved.  Some jurisdictions were more accommodating still, The late-medieval and early-modern Court of Canterbury recognizing a "widow's chamber" which included her bed, the contents of her bedchamber, her apparel, her jewels and the chest in church all was stored.  There exists even records of proto-feminist husbands counter-signing their wife's list of what she considered her paraphernalia; a kind of early pre-nuptial arrangement.  The common law courts of course always preferred the rules of common law to any recognition of customary practice but in the Chancery courts of equity, successive chancellors recognized the local rules of London and York which, although abolished respectively in 1692 and 1724 and neither had anyway mentioned paraphernalia.  Despite the abolition however, at least in some instances, courts in London continued to make awards to widows based on the old rules.

Eighteenth century paraphernalia.

The most significant definitional development regarding paraphernalia dates from 1585 and it turned on the meaning of "apparel", extending the meaning of the term at common law.  What it did was confirm what some earlier judgements had at least implied: That it was no longer confined to pins and petticoats, items of little financial value, the wife in this case claiming as paraphernalia jewels and items of precious metal.  The plaintiff, citing medieval authorities, claimed it was established law that all the apparel of a woman was not paraphernalia but only that which was necessary and essential, ad necessitatem, not baubles and jewels which were ad ornamentum. How the court might have ruled on that as a general principle isn’t known because the matter appears to have been decided on the basis of the social status of the widow, a viscountess, the fourth wife of the viscount and some forty years his junior.  Whether the age difference attracted a sympathetic eye from the bench isn’t noted but the judge agreed that “parapherna” should be allowed to a widow according to her degree and viscountess being of a suitably high degree, he allowed he claim.  She kept the jewels.  While she may not have set a precedent in the narrow technical sense, the report of the case suggests this was not the first occasion where judges had been called upon to define what could be considered apparel based on the social and economic position of the widow, the viscountess certainly seems to have started a trend.  Just about every reported case thereafter, the paraphernalia sought was almost always jewelry.

So there was progress and by the end of the eighteenth century a widow was likely to keep many more of her personal possessions than women six-hundred years earlier, both the common law and equity courts expanding the definitional framework of paraphernalia well beyond the clothes on her back and case law existed to establish a husband could not by the operation of his will deprive his widow of her rights.  However, much still lay ahead, a husband’s debts in some cases still able to absorb paraphernalia, nothing prevented a husband giving away any of his wife’s possessions during his lifetime and a cleverly arranged trust could still defeat just about anything.  Still, progress there had been.

The legal progress attracted not just the odd viscountess but also the author Anthony Trollope (1815–1882), one with an eye for antics of an avaricious aristocracy.  In The Eustace Diamonds (1871), he tracks the progress of the beautiful but entirely unprincipled and recently widowed Lizzie Eustace through the dual plot of her husband-hunting and attempts to keep a cluster of diamonds, it being consequential whether they were an heirloom and therefore the property of her late husband’s heirs, or part of her paraphernalia and thus her own.  Most modern fiction may be worthless but Trollop is rewarding; everyone should read the Chronicles of Barsetshire (1855-1867).