Cape & Cloak

Cape (pronounced keyp)

(1) A sleeveless garment of various lengths, fastened around the neck and falling loosely from the shoulders, worn separately or attached to a coat or other outer garment.

(2) The capa of a bullfighter.

(3) The act of caping.

(4) Of a matador or capeador during a bullfight, to induce and guide the charge of a bull by flourishing a capa.

(5) A piece of land jutting into the sea or some other large body of water; a headland or promontory

(6) In nautical use, of a ship said to have good steering qualities or to head or point; to keep a course.

(7) As The Cape (always initial capital letters), pertaining to the Cape of Good Hope or to (historically) to all South Africa.

(8) To skin an animal, particularly a deer.

(9) To gaze or stare; to look for, search after (obsolete).

1350–1400: From the (northern dialect) Middle English cap, from the Old English cāp, from the Middle French cape & Old Provençal capa, from the Vulgar Latin capum from the Latin caput (head) and reinforced in the sixteenth century by the Spanish capa, from the Late Latin cappa (hooded cloak).  A fork in the Late Old English was capa, & cæppe (cloak with a hood), directly from Late Latin.  In Japanese the word is ケープ (kēpu).  The sense of a "promontory, piece of land jutting into a sea or lake" dates from the late fourteenth century, from the Old French cap (cape; head) from the Latin caput (headland, head), from the primitive Indo-European kaput (head).  The Cape of Good Hope at the southern tip of Africa has been called the Cape since the 1660s, and sailors in 1769 named the low cloud banks that could be mistaken for landforms on the horizon, Cape fly-away.  The obsolete sense of gazing or staring at something & to look for or search after is from the Middle English capen (to stare, gape, look for, seek), from the Old English capian (to look), from the Proto-West Germanic kapēn.  It was cognate with the Dutch gapen, the German gaffen (to stare at curiously) and the Low German gapen (to stare); related to the Modern English keep.

Cardinal George Pell (1941-2023) in Cappa Magna (great cape) with caudatario (train-bearer).  The church's rituals vie with the Eurovison Song Contest and the Sydney Gay & Lesbian Mardi Gras for having the most variety in men's costuming.

Copes are one of many capes in the extensive wardrobe of Roman Catholic clerics and the highlight of any ecclesiastical fashion parade is the silk cappa magna.  Technically a jurisdictional garment, it’s now rarely seen and worn only in processions or when "in choir" (attending but not celebrating services).  Cardinals wear red and bishops violet and both cardinals and papal nuncios are entitled to a cappa magna of watered silk.  Well into the twentieth century, a cappa magna could stretch for nearly 15 metres, (50 feet) but Pius XII’s (1876-1958; pope 1939-1958) motu proprio (literally “on his own impulse”, essentially constitutionally the same as a royal decree which unilaterally creates law) Valde solliciti (1952) laid down that they should not be longer than 7m (23 feet) and later instructions from the Vatican banned them from Rome and curtailed their use elsewhere.  Valde solliciti translates literally as “very worried” and Pius in 1952 was clearly exactly that, concerned at complaints that the extravagance of the Church’s rituals was inappropriate at a time of such troubled austerity.  There was in 1952 still little sign of the remarkable post-war economic recovery which within a decade would be critiqued in Federico Fellini's (1920–1993) film La Dolce Vita (The Sweet Life, 1960).

Actor Anya Taylor-Joy (b 1996) in ankle-length, collared houndstooth cape with matching mini-skirt by Jonathan Anderson (b 1984; creative director of Christian Dior since 2025) over a sleeveless, white, button-down vest and black, stiletto pumps, Paris Fashion Week, October, 2025.

The car is a Rolls-Royce Silver Spirit (1980-1997), the first of the SZ Series platform which would serve the line until 2003.  The Silver Spirit (and the companion LWB (long wheelbase) variant the Silver Spur (1980-2000)) was mechanically little changed from the Silver Shadow (1965-1980) but with styling updated with hints from the still controversial Camargue (1975-1986), a somewhat ungainly two-door saloon designed by Pininfarina which, as an addition to the range which included the conceptually identical Corniche (under various names available since 1966), appeared to have no purpose other than being positioned as the “world’s most expensive car” but that was apparently enough; even in the troubled 1970s, there was a demand for Veblen products.

In the closet: The ensemble awaits.

There were nice touches in the cape, a highlight of the detailing the arpeggiating used for the hem.  In sewing, the arpeggiated stitch is a technique in hand-stitching that creates an invisible and durable finish by catching only a single thread from the main fabric with each stitch.  This demands the hem be folded, turning the garment inside out allowing a hand-held needle to form small, V-shaped stitches by piercing the seam allowance and then the main fabric.  For the necessary robustness to be achieved, the stitching is kept deliberately loose (preventing pulling which would distort the line) with the finished hem pressed and steamed further to conceal the stitch-work.  Obviously labor intensive and therefore expensive to implement, it’s used in garments where the most immaculate finish is desired and although it’s now possible partially to emulate the effect using machine-stitching, the fashion houses know that for their finest, the old ways are best.

Poetry in motion: The lovely Anya Taylor-Joy on the move, illustrating the way the fashion industry cuts its capes to provide a "framing effect" for the rest of the outfit.

Amusingly, although the industry is sensitive to the issue of cultural appropriation (and especially so if matters end up in court), the term “arpeggiated” was “borrowed” from music.  In music, arpeggiate describes the playing of a chord as an arpeggio (the notes of a chord played individually instead of simultaneously, moving usually from lowest to highest but the same word is used whether notes are rising or falling).  It was from the Italian arpeggiare (to play on a harp), the construct being arpa (harp) +‎ -eggiare (a suffix from the Late Latin -izāre and used to form verbs from adjectives or nouns).  The connection comes from the harp’s sound being associated with flowing sequences of notes rather than “block sounds”.  So, the word can be understood as meaning “broken into a rhythmic or sequential pattern, note by note” and the use in sewing (as “arpeggiated stitch”) took the metaphorically from the musical term, referencing a series of short, regularly spaced diagonal or looped stitches that create a flowing, undulating pattern (ie a rising and falling wave-like progression rather than a static block).

Anya Taylor-Joy in cape, swishing around.

Capes often are spoken of as having an “equestrian look” and it’s true capes do have a long tradition on horseback, both in military and civilian use although in fashion the traditional cut of the fabric has evolved into something better thought of as a “framing effect” for what is worn beneath.  That differs from the more enveloping capes worn by those in professions as diverse as cavalry officers and nomadic sheep herders form whom a cape was there to afford protection from the elements and to act as barrier to the dust and mud which is a way of life in such professions.  On the catwalks and red carpets there’s not usually much mud thrown about (other than metaphorically when the “best & worst dressed” lists appear) and the cape is there just for the visual effect.  That effect is best understood on the move because a cape on its hanger is a lifeless thing whereas when on someone walking so it can flow, coming alive; models become expert in exploiting the billowing made possible by the “sail-like” behavior of the fabric when the fluid dynamics of air are allowed to do their stuff.  A skilled model can make a cape swish seductively.

Imelda Marcos (she of “the shoes”, b 1929; First Lady of the Philippines 1965-1986, left) and General Augusto Pinochet (1915-2006; dictator of Chile 1973-1990) at the funeral of Generalissimo Francisco Franco (1892-1975; Caudillo of Spain 1939-1975), Plaza de Oriente, Madrid, Spain, 23 November, 1975.  Franco was something of a model for Pinochet in terms of approach to public administration (having tiresome people “disappeared” or taken outside and shot etc) but not so much in sartorial matters, the Caudillo never having shown much fondness for capes.

Franco’s body originally was interred in a granite and marble crypt beneath the basilica floor of Valle de los Caídos (Valley of the Fallen), a mausoleum & memorial site in the Sierra de Guadarrama mountain range close to Madrid, built by order of the Generalissimo at the end of the Spanish Civil War (1936-1939).  The vast structure, officially opened in 1959, was said the government to be a “national act of atonement” and symbol of reconciliation but controversies about the war and Franco’s subsequent dictatorship were only ever suppressed and in the decades after his death the political and legal manoeuvres to remove from public display all the many relics of the glorification of the victory and dictatorship gathered strength.  In October 2019, his remains were exhumed from the mausoleum and re-interred in the Mingorrubio Cemetery in El Pardo, this time in a family crypt, an event which much divided opinion.  The forces unleashed by the civil war and its decades-long aftermath remain a cleavage in Spanish society and political scientists expect the tensions to continue, even after the war passes from living memory.  In his last public speech a few weeks before his death, Franco had warned the country it remained threatened by a conspiracy involving “communists, left-wing terrorists and Freemasons”.

Cloak (pronounced klohk)

(1) A wrap-like outer garment fastened at the throat and falling straight from the shoulders.

(2) Something that covers or conceals; disguise; pretense.

(3) To cover with or as if with a cloak.

(4) To hide; conceal.

(5) In internet use, a text replacement for an IRC user's hostname or IP address, which makes the user less identifiable.

1175–1225: From the Middle English cloke, from the Old North French cloque, from the Old French cloche & cloke (traveling cloak) from the Medieval Latin cloca (travelers' cape), a variant of clocca (bell-shaped cape (literally “a bell”) and of Celtic origin, from the Proto-Celtic klokkos (and ultimately imitative).  The best known mention of cloak in scripture is in 1 Thessalonians 2:5: For neither at any time “vsed wee flattering wordes, as yee knowe, nor a cloke of couetousnesse, God is witnesse”

The cloak was an article of everyday wear as a protection from the weather for either sex in Europe for centuries, use fluctuating but worn well into the twentieth century, a noted spike happening when revived in the early 1800s as a high-collared circular form fashion garment, then often called a Spanish cloak.  The figurative use "that which covers or conceals; a pretext" dates from the 1520s.  The adjectival phrase cloak-and-dagger is attested from 1848, said to be a translation of the French de cape et d'épée, as something suggestive of stealthy violence and intrigue.  Cloak-and-sword was used from 1806 in reference to the cheap melodramatic romantic adventure stories then published, a similar use to the way sword-and-sandals was used dismissively to refer to the many films made during the 1950s which were set during the Roman Empire.  The cloak-room (or cloakroom), "a room connected with an assembly-hall, opera-house, etc., where cloaks and other articles are temporarily deposited" is attested from 1827 and later extended to railway offices for temporary storage of luggage; by the mid twentieth century it was, like power room and bathroom, one of the many euphemisms for the loo, WC, lavatory.  The undercloak was a similar, lighter garment worn for additional protection under the cloak proper.

The cape and the coat worn as cloak.  A caped Hermann Göring (left), photographed on the way to the lavish celebrations the state staged (and paid for) to mark his 45^th birthday, Berlin, January, 1938 (left) and in sable-trimmed coat with Luffwaffe General Paul Conrath (1896–1979), Soviet Union, 1942 (right). Worn over the shoulders, a coat becomes cloak-like.

Ruthless, energetic and dynamic in the early years of Nazi rule, Hermann Göring (1893–1946; leading Nazi 1922-1945, Hitler's designated successor & Reichsmarschall 1940-1945) was the driving force in the build-up of the Luftwaffe (the German air force) but as things went from bad to worse as the fortunes of war changed, he became neglectful of his many responsibilities, described in 1945 upon his arrival at the jail attached to the Palace of Justice at Nuremberg as “a decayed voluptuary”.  However, he never lost his love for military decorations & uniforms, designing many of his own to suit the unique rank of Reichsmarschall (a kind of six-star general or generalissimo) he held including some in white, sky blue and, as the allied armies closed in on Germany, a more military olive green.  He became fond of capes (all that material can conceal corpulence) and had a number tailored to match his uniforms, Count Galeazzo Ciano (1903–1944; Italian foreign minister 1936-1944) in January 1942 noting of Göring’s visit to Rome: “As usual he is bloated and overbearing”, two days later adding “We had dinner at the Excelsior Hotel, and during the dinner Goering talked of little else but the jewels he owned.  In fact, he had some beautiful rings on his fingers… On the way to the station he wore a great sable coat, something between what automobile drivers wore in 1906 and what a high-grade prostitute wears to the opera.”

As well as his vividly entertaining diaries, Ciano was noted for having married the daughter of Benito Mussolini (1883-1945; Duce (leader) & prime-minister of Italy 1922-1943).  The marriage was certainly a good career move (the Italians would joke of the one they called “ducellio”: “the son-in-law also rises”) although things didn’t end well, Il Duce having him shot (at the insistence of Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945), something which over the years must have drawn the envy of many a father-in-law (a sentiment was expressed by Winston Churchill (1875-1965; UK prime-minister 1940-1945 & 1951-1955) who thought his daughters' tastes in men sometimes appalling).  Like the bemedaled Reichsmarschall, the count was also a keen collector of gongs and in 1935, during the Second Italo-Ethiopian War (the last war of conquest in the era of European colonialism which even at the time seemed to many an embarrassing anachronism), Ciano had commanded the Regia Aeronautica's (Royal Air Force) 15^th Bomber Flight (nicknamed La Disperata (the desperate ones)) in air-raids on tribal forces equipped with only primitive weapons, being awarded the Medaglia d'argento al valor militare (Silver Medal of Military Valor), prompting some to observe he deserved a gold medal for bravery in accepting a silver one, his time in the air having but barely & briefly exposed him to risk.

The difference

Lindsay Lohan in Lavish Alice striped cape, June 2015.

There probably was a time when the distinction between a cape and a cloak was well defined and understood but opportunistic marketing practices and a declining use of both styles has seen the meaning blur and, in commerce, perhaps morph.  Described correctly, there are differences, defined mostly by length, style and function and what they have in common is that while there are layered versions, generally both are made from one sheet of fabric and worn draped over the shoulders, without sleeves.  The most obvious difference is in length, capes in general being much shorter than cloaks, the length of a cape usually anywhere from the top of the torso to the hips and rarely will a cape fall past the thighs.  By comparison, even the shortest cloak falls below the knees, many are calf-length at minimum and the most luxurious, floor-length.

Yves Saint Laurent Rive Gauche full-length hooded cloak in black velvet.

Stylistically, cloaks and capes differ also in aesthetic detail.  Capes typically cover the back and are open and loose in the front, fastening around the neck with a tiny hook or cords that tie together, although in recent years it’s become fashionable to tailor capes with button or zipper closures down the front.  Traditionally too, capes have tended to be more colorful and embellished with decoration, reflecting their origin as fashion items whereas the history of the cloak was one of pure functionally, protection from the weather and the dirt and grime of life.  Some capes even come with a belt looped through them, creating the look of a cinched waist with billowing sleeves.  Cloaks cover the front and back.  They are more streamlined, fitted and tailored than capes and, because of the tailoring, in earlier times, a small number of women in society sometimes wore cloaks styled like a dress, adorned with belts, gloves and jewelry.  This is rarely done today, but a cloak is still dressier than a cape or coat and can be stunning if worn over an evening gown.  As that suggests, the cloak could function as a social signifier of rank or wealth; although worn by all for warmth, a garment of made from an expensive material or lined with silk was clearly beyond what was needed to fend off mud from the street.

Audrey Hepburn (1929–1993) in calf-length cloak over taffeta.

Because of its origins as something protective, hoods are more commonly seen on cloaks; rare on capes which may have a collar for added warmth bit often not even that.  It’s value as a fashion piece aside, a cape’s main function is to cover the back of the wearer, just for warmth.  Because a cape is much shorter than a cloak, slit openings for the arms are not always necessary because arms easily pass through the bottom opening whereas a cloak usually has slit openings for the arms since the length demands it.  Cloaks were supplanted by coats in the post-war years and exist now mostly as a high-fashion pieces, capes in a similar niche in the lower-end of the market.

The cloak as workwear

Cloak and axe of Giovanni Battista Bugatti (1779–1869), official executioner for the Papal States 1796-1864, Criminology Museum of Rome.  Woodcuts and other depictions from the era suggest the blood-red cloak wasn't always worn during executions. 

Giovanni Battista Bugatti began his career at a youthful 17 under Pius VI (1717–1799; pope 1775-1799) and diligently he served six pontiffs before being pensioned off by Pius IX (1792–1878; pope 1846-1878), his retirement induced not by the Holy See losing enthusiasm for the death penalty because one Antonio Balducci succeeded him in the office which fell into disuse only with the loss of the Papal States (756-1870; a conglomeration of territories in the central & northern Italian peninsula under the personal sovereignty of the pope), after the unification of Italy.  Unlike his illustrious predecessor, history has recorded little about Signor Balducci although it’s known he performed his final execution in 1870.  Signor Bugatti was by far the longest-serving of the Papal States’ many executioners and locals dubbed him Mastro Titta, a titular corruption of maestro di giustizia (master of justice) and his 69 year tenure in his unusual role can be accounted for only by either (1) he felt dispatching the condemned a calling or (2) he really enjoyed his work, because his employers were most parsimonious: he received no retainer and only a small fee per commission (although he was granted a small, official residence).  His tenure was long and included 516 victims (he preferred to call them “patients”, the term adopted also by Romans who enjoyed the darkly humorous) but was only ever a part-time gig; most of his income came from his work as an umbrella painter (a part of the labour market which exists still in an artisan niche).  Depending on this and that, his devices included the axe, guillotine, noose or mallet while the offences punished ranged from the serious (murder, conspiracy, sedition etc) to the petty (habitual thieves and trouble-makers).

Cardinal Pietro Gasparri (1852–1934; Cardinal Secretary of State 1914-1930, left) and Benito Mussolini (1883-1945; Duce (leader) & prime-minister of Italy 1922-1943, right), signing the Lateran Treaty, Lateran Palace, Rome, 11 February 1929.

Although as early as 1786 the Grand Duchy of Tuscany became the first Italian state to abolish the death penalty (torture also banned), the sentence remained on the books in the Papal States; then as now, the poor disproportionately were victims of the sanction, similar (or worse) crimes by the bourgeoisie or nobility usually handled with less severity, “hushed-up” or just ignored, an aspect in the administration of justice not unknown in modern, Western liberal democracies.  With the loss of the Papal States, the pope’s temporal domain shrunk to little more than what lay around St Peter’s Square; indeed between 1870 and the signing of Lateran Treaty (1929) after which the Italian state recognized Vatican City as a sovereign state, no pope left the Vatican, their status as self-imposed prisoners a political gesture.  The Lateran treaty acknowledged the validity of the sentence (Article 8 of the 1929 Vatican City Penal Code stating anyone who attempted to assassinate the pope would be subject to the death penalty) although this provision was never used, tempted though some popes must have been.  Paul VI (1897-1978; pope 1963-1978) in 1969 struck capital punishment from the Vatican's legal code and the last reference to the sanction vanished in 2001 under Saint John Paul II (1920–2005; pope 1978-2005).  Although some states are believed to have (secretly) on the payroll one or more "executioners", retained to arrange assassinations when required, it's not believed the Vatican still has one.  

Spade & Splayd

Spade (pronounced speyd)

(1) A garden or farming tool for digging, having an iron blade adapted for pressing into the ground with the foot and a long handle commonly with a grip or crosspiece at the top, and with the blade usually narrower and flatter than that of a shovel.

(2) Some implement, piece, or part resembling this.

(3) A heavy metallic projection on the bottom of a gun trail, designed to dig into the earth to restrict backward movement of the carriage during recoil.

(4) To dig, cut, or remove with a spade.

(5) In four-suit card-games, a black figure shaped like an inverted heart and with a short stem at the cusp opposite the point; a card of the suit bearing such figures.

(6) In slang, a disparaging and offensive term for a person with black skin (based on the spade in packs of cards) (obsolete).

(7) In nautical use, a type of oar blade that is comparatively broad and short (as opposed to a spoon).

(8) A cutting tool for stripping the blubber from a whale or skin from a carcass.

(9) As “in spades”, a term synonymous with the idiomatic “laying it on with a trowel” to indicate something done to excess or in an emphatic way.

(10) As “to call a spade a spade”, to be candid; to speak plainly without resort to euphemisms.

(11) As “to do the spadework” to be thorough in preparation.

(12) A hart or stag three years old (rare).

(13) A castrated man or animal (archaic).

Pre-900: From the Middle English noun spade, from the Old English spada, spade & spadu.  It was cognate with the the Proto-Germanic spadǭ, spadô & spadō, the Dutch spade, the Old Frisian spada, the Old Saxon spado, the Old High German spato, the German Spaten, the Old Norse spathi (spade), the Hunsrik Spaad and the Ancient Greek spáthē (blade; broad, flat piece of wood).  The ultimate source was the primitive Indo-European spe-dh-, from which the Ancient Greek gained σπάθη (spáthē) (blade), Hittite išpatar (spear), Persian سپار‎ (sopār) (plow), Northern Luri ئەسپار‎ (aspār) (diging) and Central Kurdish ئەسپەر‎ (esper) & ئەسپەرە‎ (espere) (cross-piece on shaft of spade to take pressure of foot).  More recent descendants include the Scottish Gaelic spaid and the Fiji Hindi sipi.  Spade & spading are nouns & verbs, spader & spadeful are nouns, spaded is a verb and spadable & spadelike are adjectives; the noun plural is spades.

Pentagon-authorized playing cards, 2003.

The use on playing cards dates from 1590–1600, from the Italian, plural of spada the meaning of which was originally “sword”, from the Latin spatha, from the Greek spáthē.  Historically, the ace of spades was the highest card in the deck and, dating from the reign of James I (James Stuart, 1566–1625; James VI of Scotland 1567-1925 &  James I of England and Ireland 1603-1625), the law required the ace of spades to bear the insignia of the printing house.  This was to ensure the stamp duty was paid and the method to certify its payment on playing cards was a physical stamp on the highest card of the deck.  Beginning in the seventeenth century, card manufacturers started putting their identification marks on the ace of spades and it was soon an industry tradition, maintained even when the tax was no longer payable, the intricate designs now serving to protect them from illegal copying.  The ace of spades has a (somewhat dubiously gained) reputation as the death card but its become part of the folk lore attached to various organized crime operations and has been used by some militaries in psychological warfare, the US army ordering bulk supplies of ace of spades cards to scatter around although the belief the Viet Cong soldiers feared the card appears to have been untrue.

Lindsay Lohan's Royal Routine in spades in The Parent Trap (1998).

The Pentagon however still liked the imagery.  In the run-up to the 2003 invasion of Iraq, thousands of packs of cards were issued, all decorated with pictures of the Iraqi regime's most wanted figures.  The dubious honor of being the ace of spades was of course granted to President Saddam Hussein (1937–2006; president of Iraq 1979-2003) but, unfortunately, the regime's final official spokesman, Mohammed Saeed al-Sahhaf (b 1940), despite his memorable war-time press conferences (as a result of which he was dubbed "Comical Ali" (a dark allusion to Ali Hassan al-Majid al-Tikriti (1941-2010, an Iraqi military officer who became notorious for his use of chemical weapons against Kurdish civilians) or "Baghdad Bob" by the press corps) which made him the country's second best known figure, didn't rate a card.  The Pentagon deemed him not worth even a two of clubs, an act of some ingratitude in the circumstances.

Dating from the 1520s, the spatula, now familiar as a kitchen tool used to scrape the contents of bowls, was derived from the early fifteenth century medical instrument, from the Latin spatula (broad piece), diminutive of spatha (broad, flat tool or weapon) from the Ancient Greek spathe (broad flat blade (used by weavers); the erroneous form spattular appeared circa 1600.

Mid-twentieth century silver-plated cake server by Viners of Sheffield (left) & early twentieth century Danish silver-plated cake spades (right).

The cake spade was a curious alternative to the cake (or pie) server, the latter a utensil styled to conform to the size and shape of the typical domestic slice of cake or pie.  Where the cake spade differed was in the use of a regular or irregular trapezoid shape which, although it would make it difficult to maneuver something cut in the traditional, elongated triangle used with circular cakes or pies, offered advantages in stability for anything served is a squarer form including desirable stuff like lasagna: horses for courses.

Drain spade with comfort step and D-grip with fibreglass handle; available at Walmart.

Although a proliferation of modern hybrid designs for home gardeners has a little blurred the distinction, traditionally, a spade differs from a two-handed shovel mostly in the form and thickness of the blade.  The phase “to call a spade a spade" (using blunt language, call things by right names and avoid euphemisms) dates from the 1540s and was a translation of a Greek proverb (which was known to the Greek satirist and rhetorician Lucian of Samosata (Λουκιανός ό Σαμοσατεύς; circa 125-Circa 185) ten skaphen skaphen legein (to call a bowl a bowl) but Dutch Catholic theologian Desiderius Erasmus Roterodamus (Erasmus of Rotterdam; 1466–1536) mis-translated, confusing the Greek skaphe (trough, bowl) for a derivative of the stem of skaptein (to dig) and the mistake has forever stuck, possibly because, at least in English, it better conveys the meaning.

Laying it on with a trowel

The trowel used by Queen Victoria when laying the foundation stone of the new buildings at the Victoria and Albert Museum, 17 May 1899, an act she managed to perform without leaving the comfort of her carriage.  A trowel is a kind of small hand-held spade, used in gardening and to apply the mortar in brick-laying.  The ornamental trowel was rendered in silver and enamel by the silversmith Nelson Dawson (1859-1941) and his wife Edith (1862-1928).

The phrase “in spades” (a suggestion of abundance) appeared first as recently as 1929 in a short story by US journalist and author Damon Runyon (1880-1946), a reference to the desirably of having many of the suit in bridge, spades the highest-ranking suit.  A similar phrase is that reported by the poet Matthew Arnold (1822-1888) and attributed to Benjamin Disraeli (1804–1881; UK prime- minister 1868 & 1874-1880) who, when discussing the techniques he adopted during his audiences with Queen Victoria (1819–1901; Queen of the UK 1837-1901), advised “everyone likes flattery and when you come to royalty, you should lay it on with a trowel”.

Although Disraeli joined the Church of England at the age of twelve, he was born Jewish and one who clearly understood the value of laying flattery on “with a trowel” was Benjamin Netanyahu (b 1949; Israeli prime minister 1996-1999, 2009-2021 and since 2022) who, while doubtless noting the “No Kings” protest movement in the US, decided that for these purposes Donald Trump (b 1946; US president 2017-2021 and since 2025) should be treated like royalty.  Shortly after it was in June 2025 announced the US military had (with the now famous “bunker-buster” bombs) attacked Iranian nuclear processing facilities which the ayatollahs had concealed deep inside a convenient mountain, Mr Netanyahu appeared at the lectern, metaphorical trowel in hand:

Benjamin Netanyahu (left) & Donald Trump (right).

“Congratulations President Trump, your bold decision to target Iran's nuclear facilities with the awesome and righteous might of the United States will change history.  Israel has done truly amazing things. But in tonight's action against Iran's nuclear facilities, America has been truly unsurpassed.  It has done what no other country on earth could do. History will record that President Trump acted to deny the world's most dangerous regime, the world's most dangerous weapons.  His leadership today has created a pivot of history that can help lead the Middle East and beyond to a future of prosperity and peace.  President Trump and I often say 'peace through strength'.  First comes strength, then comes peace.  And tonight President Trump and the United States acted with a lot of strength.  President Trump, I thank you.  The people of Israel thank you.  The forces of civilization thank you.  God bless America.  God bless Israel and may God bless our unshakeable alliance, our unbreakable faith.”

Disraeli himself can scarcely ever have been as effusive in his praise of his Queen (although on occasion he was known to go on bended knee to kiss the hand) and were Mr Netanyahu able to grant Mr Trump an imperial title (as Disraeli in 1876 conferred on Victoria by making her “Empress of India”), surely he would.  In paying due tribute, the Israeli prime minister set the mark but in a post-operation press briefing conducted with the Chairman of the Joint Chiefs of Staff (US Air Force (USAF) General Dan Caine (b 1968)) Pete Hegseth (b 1980; US secretary of defense since 2025) rose to the occasion:

Donald Trump (left) & Pete Hegseth (right).

“For the entirety of his time in office, President Trump has consistently stated, for over 10 years, that Iran must not get a nuclear weapon, full stop.  Thanks to President Trump's bold and visionary leadership and his commitment to peace through strength, Iran's nuclear ambitions have been obliterated.  Many presidents have dreamed of delivering the final blow to Iran's nuclear program, and none could, until President Trump.  The operation President Trump planned was bold and it was brilliant, showing the world that American deterrence is back.  When this President speaks, the world should listen and the U.S. Military, we can back it up.  The most powerful military the world has ever known.  No other country on planet Earth could have conducted the operation that the chairman is going to outline this morning.  Not even close.  Just like Soleimani found out in the first term Iran found out when POTUS says 60 days that he seeks peace and negotiation, he means 60 days of peace and negotiation otherwise that nuclear program, that nuclear capability, will not exist.  He meant it.  This is not the previous administration.  President Trump said, no nukes. He seeks peace, and Iran should take that path.  He sent out a Truth last night, saying this: any retaliation by Iran against the United States of America will be met with force far greater than what was witnessed tonight, signed the President of the United States, Donald J Trump.  Iran would be smart to heed those words. He said it before, and he means it.  I want to give congratulations to our commander in chief. It was an honor to watch him lead last night and throughout and to our great American warriors on this successful operation. God bless our troops. God bless America, and we give glory to God for his providence and continue to ask for his protection.”

Donald Trump (left) and Mark Rutte.

Not wanting the White House to think NATO (North Atlantic Treaty Organization) couldn’t handle a trowel as well as Tel Aviv and the Pentagon, Mark Rutte (b 1967; prime minister of the Netherlands 2010-2024, secretary general of NATO since 2024) took the opportunity presented by Mr Trump’s impending arrival at the 2025 NATO Summit Defence Industry Forum to send the president a message congratulating him on the apparent success of the USAF’s strikes on Iran:

“Mr President, dear Donald, congratulations and thank you for your decisive action in Iran, that was truly extraordinary, and something no one else dared to do. It makes us all safer.  You are flying into another big success in The Hague this evening.  It was not easy but we’ve got them all signed onto 5 percent!  Donald, you have driven us to a really, really important moment for America and Europe, and the world.  You will achieve something NO American president in decades could get done.  Europe is going to pay in a BIG way, as they should, and it will be your win.  Safe travels and see you at His Majesty’s dinner!”

Mike Huckabee (left) and Donald Trump (right).

One who had his own way of sending the message was Mike Huckabee (b 1955; Baptist preacher, Republican governor of Arkansas 1996-2007, US ambassador to Israel since 2025) who earlier had told Mr Trump that while doubtlessly he was hearing advice from many sources telling him what to do about Iran: “There is only one voice that matters, HIS voice.  I believe you will hear from heaven and that voice is far more important than mine or ANYONE else’s.”  The president clearly liked the thought of God as his advisor and re-posted the message on his Truth Social platform.  Despite his critics alleging he thinks himself above God, it’s probably more accurate to suggest Mr Trump regards Him as an equal.

Mr Netanyahu (left) & Mr Trump (right), the Knesset, Jerusalem, 13 October, 2025.

In his speech on 13 October 2525 welcoming Mr Trump, visiting to make a speech to the Knesset (parliament of Israel), Mr Netanyahu stopped short of acknowledging his guest as a living god but that may only be because his cabinet is packed with amateur scholars of the Torah and he may have anticipated theological objections although, beyond Judaism, there are precedents, the Emperors of Japan before the unpleasantness of 1945 being venerated as 現人神 (arahitogami; manifest kami; incarnation of a deity) and because of the wording the Imperial Palace’s courtiers concocted in the statement purporting to proclaim him as mere “human flesh & blood”, there are still factions which claim divinity was never renounced although there’s little to suggest modern Japanese citizens much dwell on this.  There was also Haile Selassie I (1892-1975; Emperor of Ethiopia 1930-1974), regarded by the Rastafari as their (and possibly everyone’s, opinions differ) Messiah.  Rastafari is an Abrahamic religion which in the 1930s emerged in Jamaica but it’s misleading to speak of it as simply a faith because it’s more a social movement and world view; in that sense it’s more like Islam though without the codified rules and an even looser structure of authority.  The matter came to international attention when in April 1966 the emperor visited Jamaica, a event celebrated as the most important Rastafari’s most holy day and called “Grounation Day” because, when walking between his aircraft and Vanden Plas Princess limousine, he declined to walk upon the red carpet laid according to diplomatic protocol because he wished his feet to “touch the ground”.  Intriguingly, the Ethiopian Orthodox Church (with roots from the early days of Christianity) has never suggested the Rastafari renounce their belief in Haile Selassie's divine status.

Mr & Mrs Netanyahu.

So, although Mr Netanyahu stopped short of putting Mr Trump at least on the right-hand of God, he didn’t stop that far short and set a new mark in what is now something of an international diplomatic competition to see who can most flatter the POTUS.  Whether anyone will dare to try to top what was said in the Knesset remains to be seen but so adeptly did Mr Netanyahu wield the Disraelian trowel that it’ll demand quite a performance.  The event in Jerusalem was to mark return of the remaining hostages seized by the Hamas during the terrorist attack of 7 October 2023 so the occasion was understandably emotional and the prime-minister, as well as reiterating his country’s nomination of Mr Trump for the Nobel Peace Prize (which, in fairness, he deserves more than Barack Obama (b 1961; US president 2009-2017) who in 2009 received his for “not being George W Bush” (George XLIII, b 1946; US president 2001-2009), indicated the president had been nominated to become the first non-Israeli recipient of the Israel Prize (Israel's highest award).  The malicious suggestion on Twitter that one of Mr Trump’s aides asked if was possible for him “to take the prize in cash instead” was wholly fake news but in the spirit of the moment, Mr Trump did later suggest Isaac Herzog (b 1960; president of Israel since 2021) should issue a pardon to Mr Netanyahu (and presumably his (third) wife Sara (b 1958)) to resolve the tiresome corruption charges both face.  Footage of the remarkable speech is available on-line as is a transcript but some fragments capture the moment:

“My friends, this is only a partial list.  But it's enough to affirm what I've said time and again, Donald Trump is the greatest friend that the state of Israel has ever had in the White House.  No American president has ever done more for Israel.  And as I said in Washington, none are even close.  It's really not a match. 

Israel, a man named Donald J. Trump was elected president of the United States. And, ladies and gentlemen, overnight, overnight everything changed. Everything.  And I want to thank our negotiating team. I believe that the close cooperation between the two of us, between our two nations, combining Israel's military pressure and President Trump's unmatched global leadership.  I have to tell you, I've seen a lot of American presidents. I've seen them all in the time that I've been here.  And I've been here quite a lot of time.  I've never seen anyone move the world so quickly, so decisively, so resolutely as our friend, President Donald J Trump.

Mr. President, thank you for all you have done for us.  I have submitted your nomination to be the first non-Israeli recipient of the Israel Prize, Israel's highest award.  As to that other prize, just a question of time.  You'll get it.  But I want you to get the Israel Prize, our highest award, to our greatest friend.  When others were weak, you were strong. When others were fearful, you were bold. When others abandoned us, you stood by our side.  On behalf of the government and people of Israel, I thank you for your extraordinary friendship.  Thank you for helping bring our hostages home.  Thank you for supporting Israel's march to victory.  Thank you for paving a path to peace.

Mr. President, my friend Donald, welcome to Israel.  Welcome to Jerusalem. Welcome on this very special day.  Allowed us to live and brought us to this day.  May God bless you and your family, Mr. President.  May God bless America.  May God bless Israel.  And may God bless the covenant between our two promised lands.”

Splayd (pronounced splade)

An eating utensil combining the functions of spoon, knife and fork.

1943: A constructed brand name which was not a conventionally blended word but one with a pronunciation intended to remind the speaker of the devices functional elements (spoon & blade) with the hint of "splay" (to slant, slope or spread outwards) to allude to the shape of the tines.  While the shape of the splayd was at the time unusual, the idea of utensils which combined the knife, fork & spoon had been around for generations and during World War II (1939-1945), allied soldiers enviously would admire the "light-weight and brilliantly simple" one issued to the German army.  Splayd is a noun; the noun plural is splayds.

The splayd was created by William McArthur of Sydney, Australia, with production licensed to several manufacturers, the best known of which was Viners of Sheffield.  Although several variations of the spork (a utensil combining the functionality of spoon and fork) already existed, the splayd’s innovation was the refinement of two outer fork tines, each having a hard, flat edge, suitable for cutting through soft food and they tended to have a geometric rather than a rounded bowl (usually with two longitudinal folds in the metal).  Mrs McArthur used and sold splayds in her Martha Washington Café in Sydney's Martin Place between 1943-1967 and in 1960 sold the manufacturing rights to the Stokes company which instituted some minor changes to the design, making them more easily mass-produced.

Set of six splayds plated in 24 carat gold; most splayds were rendered in 18-8 stainless steel although, especially in England, silver plate items appeared in smaller volumes.

Among some of the middle class seeking to add a layer of something to their dinner parties, splades were often seen and during their heyday in the 1950s & 1960s.  They were also a popular wedding gift and one unintended benefit was their usefulness in aged care and medical rehabilitation facilities, their use recommended for those with feeding difficulties following or during treatment of the arm.  A range was manufactured with the Selectagrip system which featured customizable handles to assist people who had difficulties gripping or manipulating standard utensils.