Pencil

Pencil (pronounced pen-suhl)

(1) A slender tube, usually of wood, metal or plastic containing a core or strip of graphite (still referred to as lead) or a solid coloring material, sharpened to some extent, used for writing or drawing.

(2) A stick of cosmetic coloring material for use on the eyebrows, eyelids etc.

(3) Anything shaped or used like a pencil, as a stick of medicated material.

(4) In optics (from the seventeenth century), an aggregate or collection of rays of light, especially when diverging from or converging to a point.

(5) In geometry (from the nineteenth century), a set of geometric objects with a common property, such as the set of lines that pass through a given point in a projective plane.

(6) As a verb, "to pencil in", to schedule or list tentatively, as or as if by writing down in pencil rather than in more permanent ink.

(7) In animation, as "pencil-test", a first take of pictures, historically on black and white film stock, now emulated in software; also used to describe a test which assesses (1) the viability of bralessness (Western tradition) or (2) one's attainment of "real womanhood" (Chinese use).

(8) In medicine, a small medicated bougie (from the nineteenth century and now archaic).

(9) A paintbrush (from the fourteenth century and now archaic).

1350–1400: From the Middle English pencel (an artist’s fine brush of camel hair, used for painting, manuscript illustration etc), from the Anglo-Norman and Old French pincil (artist's paintbrush) from the Old & Middle French pincel from the Medieval Latin pincellus, from the Latin pēnicillum & pēnicillus (painter's brush, hair-pencil (literally "little tail"), a diminutive of pēniculus (brush), a diminutive of penis (tail).  It’s from the old French variant pincel that Modern French gained pinceau (paintbrush).  The verb pencil emerged early in the sixteenth century as pencellen (apply (gold or silver) in manuscript illustration) and by the 1530s was being used in the sense of “to mark or sketch with a pencil-brush”, extended to work undertaken with lead pencils from the 1760s.  Despite the obvious similarity, there is no relationship with the word pen.  The spelling pensill is long obsolete.  Pencil is a noun & verb, penciler is a noun, penciled is a verb, penciled is a verb & adjective and pencillike is an adjective; the noun plural is pencils.  The additional "l" (penciller, pencilled etc) is used in traditional British spelling.

The alluring catwalk combination of a "pencil-thin" model (note the shoulder-blade definition) & polka-dots.  The industry has “solved” the problem of the perception of models being “dangerously thin” by adding a token number of “plus-size” units to their DEI (diversity, equity and inclusion) roster.  However, the agencies report the fashion houses still first select the slenderest.

Pencils are produced in quite a variety and specialized types include the carpenter's pencil, the wax (or china) pencil, and the color pencil although what’s more precisely defined are the technical descriptions based on the specification of the graphite (HB, 2B etc), used to rate darkness and hardness.  A propelling pencil is one with a replaceable and mechanically extendable lead that wears away with use, designed to provide lines of constant thickness without requiring sharpening and typically featuring a small eraser at the end opposite the tip.  Pencil pouches and pencil cases are containers in which one stores ones pencils and related items (pencil sharpener, eraser et al); by convention a pouch was made of a soft material while cases tended to be fashioned from some hard substance (steel, wood, plastic etc) but the terms are used loosely.  A kohl pencil (also called an eyeliner pencil) is one with a kohl core (which can be sharpened in the usual manner) used for enhancing the eyes.  The golf pencil was originally designed for golfers and was about three inches (75 mm) in length though they’re now commonly used in situations where pencil turnover is high (election booths, gambling houses etc).

School pencils are a useful way to convey important messages to children.

The "pencil skirt" is a close-fitting garment which classically was knee to calf length.  In explosives, a "pencil detonator" (also as "time pencil") is a timed fuse designed to be connected to a detonator or short length of safety fuse.  "Pencil-thin" is a term (historically one of admiration but of late also used negatively) for an especially slender woman but it can be applied to any thin object (synonymous with "stick-thin", thought a clipping of the earlier zoological reference "stick insect thin").  The phrase "power of the pencil" is from professional gambling and refers to an authority to charge a punter's gambling or other bills to the casino (the house).  The "lead in one's pencil" is slang which referencing the state of erection of one's penis; to "put the lead into one’s pencil" referred to some form of stimulation which induced such an erection (including presumably the sight of an attractive, pencil-thin woman).  To "pencil something in" is to make a tentative booking or arrangement (on the notion of being erasable as opposed to using ink which suggests permanence or something confirmed); the phrase has been in use only since 1942.  The derogatory slang "pencil-pusher" (office worker) dates from 1881; prior to that such folk had since 1820 been called "pen-drivers", the new form reflecting the arrival at scale of mass-produced pencils.  The derogatory "pencil neck" (weak person) was first noted in 1973 while "pencil dick" (a penis of a girth judged inadequate or a man with such an organ) is documented in US slang since 1962.

Lindsay Lohan in pencil skirts: The pencil skirt can be thought the companion product to the bandage dress; while a bandage dress ends usually above the knee (the more pleasing sometimes far above) a pencil skirt typically falls to the knee or is calf-length.

Technical terms for the grips with which a pencil is held.

The test pencil is a device with a small bulb or other form of illumination which lights up when an active current is detected.  Available in many voltages (the most common being 12, 24, 48 (for automotive and other low-voltage applications) and 110/120 & 220/240v), they work either by direct contact with the wire through which the current passes or (through the insulation) as a proximity device.  The "test pencil" should not be confused with the "pencil test" which is either (1) in animation, an early version of an animated scene, consisting of rough sketches that are photographed or scanned (now overtaken by technology which emulates the process in software and almost obsolete but the term is still used by graphic artists to describe conceptual sketches or rough takes), (2) in apartheid-era South Africa, a method of determining racial identity, based on how easily a pencil pushed through a person's hair could be removed and (3) a test to determine the necessity (some concede on the advisability) of wearing a bra, based on whether a pencil placed in the infra-mammary fold stays in place with no assistance (which sounds standardized but sources vary about whether the pencil test should be performed with the arms by the side or raised which can significantly affect the result.

The Pencil Test

The pencil test: In the West this photograph would be graded "fail"; in China it’s a "pass", an example of "cultural specificity".

Although it sounds a quintessentially TikTok thing and did trend in 2016, the year the Chinese version of TikTok was released, re-purposing of the pencil test by Chinese women as the “true womanhood” test actually pre-dated the platform.  Like the best trends it was quick and simple and required only the most basic piece of equipment: a pencil (although a pen would do).  The procedure was the classic pencil test used to determine the viability of bralessness but, unlike the occidental original where the pencil falling to the ground was graded a “pass”, in the oriental version, that’s a “fail”, the implement having to sit securely in place to prove one is “a real woman”.  Millions of images were uploaded to Chinese social media channels as proof the challenge had been passed; this presumably will assist in ensuring one doesn’t become a leftover woman.

The Flying Pencil

Prototype Dornier 17 V1, 1934.

One of terms of the Treaty of Versailles (1919), imposed on Germany after the World War I (1914-1918) was it was denied the right to military aviation.  Those familiar with the operations of sanctions in the twenty-first century will not be surprised that within a few years, there were significant developments in German civil aviation including gliding clubs which would provide the early training of many pilots who would subsequently join the Luftwaffe, even before the open secret of the organization’s existence formerly was acknowledged in 1935.  Additionally, under well-concealed arrangements with Moscow, German pilots underwent training in the Soviet Union, one of the many programmes in a remarkably flourishing industry of military exchanges undertaken even during periods of notable political tension.  In those years, the German aircraft industry also had its work-arounds, sometimes undertaking research, development and production in co-operation with manufacturers in other countries and sometime producing aircraft notionally for civil purposes but which could easily re-purposed for military roles.  An example was the Dornier Do 17, nicknamed the “flying pencil” in an allusion to the slender fuselage.

Battle of Britain era Dornier Do17 E, 1940.

In 1934, Dornier’s initial description of the Do 17 as a passenger plane raised a few eyebrows in air ministries around the continent but in an attempt to lend the ruse a (thin) veneer of truth, the company submitted the design to Deutsche Luft Hansa (which became the modern carrier Lufthansa), the airline admiring the speed and flying characteristics but rejecting the proposal on the reasonable grounds the flying pencil had hardly any room for passengers.  To all observers, the thing was obviously a prototype bomber and one of the fastest and most advanced in the world but to maintain the subterfuge, Dornier instead claimed it was now a “fast mail transport”.  That fooled few but so soon after the Great War, there was little appetite in Europe for confrontation so Dornier was able to continue to develop the Do 17 as a bomber, adding a glazed nose, provision for internal armament and an internal bomb bay.

Dornier Do 217 E, 1943.

The deployment as part of the Condor Legion in the Spanish Civil War (1936-1939) provided valuable information in both battle tactics and the need for enhanced defensive armaments and it was these lessons which were integrated into the upgraded versions which formed a part of the Luftwaffe’s bomber and reconnaissance forces at the start of World II.  They provided useful service in the early campaigns against Poland, Norway & the Low Countries but the limitations were exposed when squadrons were confronted by the advanced eight-gun fighters of the Royal Air Force (RAF) in the Battle of Britain (July-September 1940).  However, in the absence of a better alternative, they played an important part in the early successes Germany enjoyed in the invasion of the Soviet Union but such was the rapidity of art-time technological advances that by 1942 the Do 17 was obsolescent and withdrawn from front-line service, relegated to training and other ancillary roles.  The slim frame which had in 1934 helped provide the flying pencil with its outstanding performance now became a limitation, preventing further development even as a night-fighter, the role assigned in those years to many airframes no longer suitable for daytime operations.  Its successor, the Do 217 was notably fatter in the fuselage but even it was soon rendered obsolete and by 1944 had been withdrawn from front-line service.

The extraordinary Mohammed Rafieh

A COVID-19 era Mohammed Rafieh at work in his Persian pencil place.

Mohammed Rafieh opened Medad Rafi in Tehran in 1990, specializing in color pencils, a description which is no exaggeration.  Although his stock numbers in the thousands, Mr Rafieh has no need for databases, barcodes or lists of part-numbers, having committed to memory the place of every pencil in his shop, an inventory said to include every color known to be available anywhere in the world.  Mr Rafieh's shop is located in the vast bazaar which sits between the two mosques in Tehran's district 15.  Medad (مداد) is Persian for pencil and Rafi the affectionate diminutive of Rafieh so in translation the shop is thus "Rafi's Pencils"; never has Mr Rafieh been accused of misleading advertising.

Mr Rafieh at work.

The pencil in its familiar, mass-produced form is surprisingly modern.  Quills made from bird feathers and small brushes with bristles from a variety of creatures were used long before chalk or lead pencils.  Sticks of pure graphite (commonly (if chemically inaccurately) known as "black lead") were used in England for marking writing instruments from the mid sixteenth century while the wooden enclosure was a contemporary innovation from the Continent and it seems to have been in this era the word pencil was transferred from a type of brush to the newly encapsulated "graphite writing implement".  The modern clay-graphite mix, essentially little different to that still in use, was developed in the early nineteenth century, mass-production beginning in mid century, something made possible by the availability of cheap, precision machine tools.  The inventor of the handy innovation of an eraser being attached to the end opposite the sharpened lead was granted a patent in 1858.  Some like these on pencils and some don't.

Pencil sharpeners of increasing complexity.  Unless one has specific needs, the old ways are usually the best.

The modern pencil also encouraged the development of the pencil sharpener, one of the world's most simple machines and something which really hasn't been improved upon although over the last century an extraordinary array of mechanical and electro-mechanical devices have been offered (some so wondrously complex it's suspected they existed just to flaunt the engineering although they do make fine gifts for nerds; it's likely nerds do prefer pencils to pens).  Apparently first sold commercially in 1854 (prior to than a hand-held blade of some sort would have been the usual method), some have been intriguing and imaginative designs which sometimes found their specialized niche but none sharpen a pencil better than the cheapest and most simple.  Even now, if one has paper, the creation of just about anything in theoretical physics, poetry or literature demands little equipment beyond pencil, sharpener & eraser.  

The Faber-Castell production process.

The pencil as collectable

Lot 278: Four volumes of Roget's International Thesaurus.

Pencils can be collectables if their provenance adequately is documented.  Doyle’s in New York on 18 June 2024 conducted an auction of some items from the estate of US composer and lyricist Stephen Sondheim (1930–2021), attracting dealers, collectors & Sondheim devotees and Lot 278 was indicative of the strength of bidding: four (well worn) volumes of Roget's International Thesaurus.  Although one was from the first printing (June 1946), it lacked a dust jacket and came with library markings and a “Withdrawn” stamp.  None of those offered were rarities (reflected in the pre-sale estimate of US$200-300) but the hammer fell at an impressive US$25,600.  The stationery freaks (it really is quite a thing) were also in the crowd, a signed spiral notebook selling for what one commentator called “a startling US$15,360.”

Lot 275: Three boxes of Eberhard Faber Blackwing 602 pencils.  They were not cylindrical so, like a "carpenter's pencil", were less prone to rolling onto the floor.  

What was most surprising though was the fate of Lot 275: “Three boxes of vintage Blackwing 602 pencils (Circa 1940s-1950s).  Three blue boxes printed with "Eberhard Faber/Blackwing/Feathery-Smooth Pencils, two of the boxes complete with 12 pencils, one with 8 only (together 32 pencils).  Some wear to the boxes and drying of the erasers.”  Sondheim was a devoted Blackwing user, telling one interviewer: “I use Blackwing pencils. Blackwings.  They don’t make ’em any more, and luckily, I bought a lot of boxes of ’em.  They’re very soft lead.  They’re not round, so they don’t fall off the table, and they have removable erasers, which unfortunately dry out."  The pencils sold for US$6,400 against a pre-sale estimate of US$600-800.

The pencils were an example of how critical is provenance in the collectables market.  In June 2023, Bloomfield Auctions in east Belfast, Northern Ireland, held a “specialist” sale focused “militaria, police and important Irish historical items”, one entry with a pre-sale estimate of US$65,000-100,000 being Lot 148: “An engraved, silver-plated pencil, believed to have been a 52nd birthday present (20 April 1941) from Eva Braun (1912–1945) to Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945).  On the day, the pencil sold for US$6,900.

The lower than expected price may have been the result of doubts being cast on the authenticity of the item’s claimed history.  Technically, Lot 148 was a mid-20th-century mechanical pencil, of white metal (presumably one with a high nickel content) and silver-plated, engraved along one louvered side facet with the inscription: ZUM 20 APRIL 1941 HERZLICHST EVA.  That’s an abbreviated form of phrase typically used on occasions such as birthdays, the brevity necessitated by the surface area with which the engraver had to work, the pencil only some 3¼ inches (82.5 mm) long.  Deconstructed, the sentence fragment begins with the preposition “to” and a contracted, inflected article of speech, “the” expressed in the dative case.  Zum is literally “To the...”, understood as “Upon the...”.  So, the signatory (“Eva”) is marking the occasion the birthday on 20 April 1941, the inherent formality of form what one would expect in a gift to a head of state though perhaps not one from a lover.  However, the very existence of the relationship between the Führer and the woman who later briefly would be Frau Hitler was unknown beyond his court circle and it may have been even the jeweller wasn’t to be given a hint; the exact (physical) nature of their relationship remains a mystery.  However, the word herzlichst is from the root noun Herz (heart) and as an adjective or adverb, herzlich, is often used in the sense of “heartful” or “heartfelt” which at least suggests something intimate and the –st suffix operates to create a superlative, which if literally translated (“most heartful” or “most heartfelt”) sounds in English like something which might be used ironically or cynically but there’s nothing to suggest it should be understood as anything but something like: On the occasion of the 20th April, 1941, most heartfully, Eva.

The "Hitler" Pencil top.

The provenance of the pencil however proved controversial, something not helped by the anonymity of the seller and the lack of any documentary trail which might have helped confirm the veracity of the back-story.  While one could speculate any number of the life the pencil may have led over the decades, no evidence was offered.  The sale also attracted criticism which is increasingly heard when auction houses offer any of the militaria, memorabilia and ephemera connected with Hitler or the Nazis in general.  Although such objects have for decades been collectables there’s now more resistance to the notion of profits being derived from the trade in what is, in some sense, “the commemoration of evil” and the Chairman of the European Jewish Association had called for the pencil to be withdrawn from sale, issuing a statement in which he called the auction part of a “…macabre trade in items belonging to mass murderers, the motives of those buying them are unknown and may glorify the actions of the Nazis, and lastly, their trade is an insult to the millions who perished, the few survivors left, and to Jews everywhere.”  The president of the Board of Deputies of British Jews described the sale as “…distressing, disturbing and hugely disrespectful”, arguing that even if of historical significance “…these items have no place in our country other than inside the walls of a museum or other institution where they can be used to teach about the results of anti-Semitism.”

1938 Mercedes-Benz 770K (W150) Cabriolet F, a seven passenger tourer & parade car, pictured here with the folding soft-top in sedanca de ville configuration.

There is still some tolerance for the trade in items which would otherwise anyway be collectables (such as the Mercedes-Benz 770Ks (W07 (1930-1938) & W150 (1938-1943), many of which when offered are claimed (dubiously and not) to have some association with Hitler) and for anything of genuine historical significance (such as diplomatic papers) but the circulation of mere ephemera with some Nazi link is increasingly being condemned as macabre and the higher the prices paid, the most distasteful it seems.  A spokesman for Bloomfield Auctions defended the inclusion of such items in the sale, arguing they “…preserve a piece of our past and should be treated as historical objects, no matter if the history they refer to was one of the darkest and most controversial in recorded history.”, adding “We do not seek to cause hurt or distress to any one or any part of society” and that buyers typically were “legitimate collectors who have a passion for history… all items are a part of history, and we shouldn't be writing history out of books or society.”

Pencil sculpture by Russian artist Salavat Fidai (b 1972).

Obsolete & Obsolescent

Obsolete (pronounced ob-suh-leet)

(1) No longer in general use; fallen into disuse; that is no longer practiced or used, out of date, gone out of use, of a discarded type; outmoded.

(2) Of a linguistic form, no longer in use, especially if out of use for at least the past century.

(3) Effaced by wearing down or away (rare).

(4) In biology, imperfectly developed or rudimentary in comparison with the corresponding character in other individuals, as of a different sex or of a related species; of parts or organs, vestigial; rudimentary.

(5) To make obsolete by replacing with something newer or better; to antiquate (rare).

1570–1580: From the Latin obsolētus (grown old; worn out), past participle of obsolēscere (to fall into disuse, be forgotten about, become tarnished), the construct assumed to be ob- (opposite to) (from the Latin ob- (facing), a combining prefix found in verbs of Latin origin) + sol(ēre) (to be used to; to be accustomed to) + -ēscere (–esce) (the inchoative suffix, a form of -ēscō (I become)).  It was used to form verbs from nouns, following the pattern of verbs derived from Latin verbs ending in –ēscō).  Obsoletely is an adverb, obsoleteness is a noun and the verbs (used with object), are obsoleted & obsoleting; Although it does exist, except when it’s essential to covey a technical distinction, the noun obsoleteness is hardly ever used, obsolescence standing as the noun form for both obsolete and obsolescent.  The verb obsolesce (fall into disuse, grow obsolete) dates from 1801 and is as rare now as it was then.

Although not always exactly synonymous, in general use, archaic and obsolete are often used interchangeably.  However, dictionaries maintain a distinction: words (and meanings) not in widespread use since English began to assume its recognizably modern form in the mid-1700s, are labeled “obsolete”.  Words and meanings which, while from Modern English, have long fallen from use are labeled “archaic” and those now seen only very infrequently (and then in often in specialized, technical applications), are labeled “rare”.

Obsolescent (promounced ob-suh-les-uhnt)

(1) Becoming obsolete; passing out of use (as a word or meaning).

(2) Becoming outdated or outmoded, as applied to machinery, weapons systems, electronics, legislation etc.

(3) In biology, gradually disappearing or imperfectly developed, as vestigial organs.

1745–1755: From the Latin obsolēscentum, from obsolēscēns, present participle of obsolēscere (to fall into disuse); the third-person plural future active indicative of obsolēscō (degrade, soil, sully, stain, defile).  Obsolescently is an adverb and obsolescence a noun.  Because things that are obsolescent are becoming obsolete, the sometimes heard phrase “becoming obsolescent” is redundant.  The sense "state or process of gradually falling into disuse; becoming obsolete" entered general use in 1809 and although most associated with critiques by certain economists in the 1950s, the phrase “planned obsolescence was coined” was coined in 1932, the 1950s use a revival.

Things that are obsolete are those no longer in general use because (1) they have been replaced, (2) the activity for which they were designed is no longer undertaken.  Thing that are considered obsolescent are things still to some extent in use but are for whatever combination of reasons, are tending towards becoming obsolete.  in fading from general use and soon to become obsolete. For example, the Windows XP operating system (released in 2001) is not obsolete because some still use it, but it is obsolescent because, presumably it will in the years ahead fall from use.

Ex-Royal Air Force (RAF) Hawker Hunter in Air Force of Zimbabwe (AFZ) livery; between 1963-2002 twenty-six Hunters were at different times operated by the AFZ.  Declared obsolete as an interceptor by the RAF in 1963, some Hunters were re-deployed to tactical reconnaissance, ground-attack and close air support roles before being retired from front-line service in 1970.  Some were retained as trainers while many were sold to foreign air forces including India, Pakistan and Rhodesia (Zimbabwe since 1980).

Despite the apparent simplicity of the definition, in use, obsolescent is highly nuanced and much influenced by context.  It’s long been a favorite word in senior military circles; although notorious hoarders, generals and admirals are usually anxious to label equipment as obsolescent if there’s a whiff of hope the money might to forthcoming to replace it with something new.  One often unexplored aspect of the international arms trade is that of used equipment, often declared obsolescent by the military in one state and purchased by that of another, a transaction often useful to both parties.  The threat profile against which a military prepares varies between nations and equipment which genuinely has been rendered obsolescent for one country may be a valuable addition to the matériel of others and go on enjoy an operational life of decades.  Well into the twentieth-first century, WWII & Cold War-era aircraft, warships, tanks and other weapon-systems declared obsolescent and on-sold (and in some cases given as foreign aid or specific military support) by big-budget militaries remain a prominent part of the inventories of many smaller nations.  That’s one context, another hinges on the specific-tasking of materiel; an aircraft declared obsolescent as a bomber could go on long to fulfil a valuable role as in transport or tug.

In software, obsolescence is so vague a concept the conventional definition really isn’t helpful.  Many software users suffer severe cases of versionitis (a syndrome in which they suffer a sometimes visceral reaction to using anything but the latest version of something) so obsolescence to them seems an almost constant curse.  The condition tends gradually to diminish in severity and in many cases the symptoms actually invert: after sufficient ghastly experiences with new versions, versionitis begins instead to manifest as a morbid fear of every upgrading anything.  Around the planet, obsolescent and obsolete software has for decades proliferated and there’s little doubt this will continue, the Y2K bug which prompted much rectification work on the ancient code riddling the world of the main-frames and other places unlikely to be the last great panic (one is said to be next due in 2029).  The manufacturers too have layers to their declaration of the obsolete.  In 2001, Microsoft advised all legacy versions of MS-DOS (the brutish and now forty year old file-loader) were obsolete but, with a change of release number, still offer what's functionally the same MS-DOS for anyone needing a small operating system with minimal demands on memory size & CPU specification, mostly those who use embedded controllers, a real attraction being the ability easily to address just about any compatible hardware, a convenience more modern OSs have long restricted.  DOS does still have attractions for many, the long-ago derided 640 kb actually a generous memory space for many of the internal processes of machines and it's an operating system with no known bugs.  

XTree’s original default color scheme; things were different in the 1980s.

Also, obsolescent, obsolete or not, sometimes the old ways are the best.  In 1985, Underware Sytems (later the now defunct Executive Systems (EIS)) released a product called XTree, the first commercially available software which provided users a visual depiction of the file system, arranged using a root-branch tree metaphor.  Within that display, it was possible to do most file-handling such as copying, moving, re-naming, deleting and so on.  Version 1.0 was issued as a single, 35 kb executable file, supplied usually on a 5.25" floppy diskette and although it didn’t do anything which couldn’t (eventually) be achieved using just DOS, XTree made it easy and fast; reviewers, never the most easily impressed bunch, were effusive in their praise.  Millions agreed and bought the product which went through a number of upgrades until by 1993, XTreeGold 3.0 had grown to a feature-packed three megabytes but, and it was a crucial part of the charm, the user interface didn’t change and anyone migrating from v1 to v3 could carry on as before, using or ignoring the new functions as they choose.

However, with the release in 1990 of Microsoft’s Windows 3.0, the universe shifted and while it was still an unstable environment, it was obvious things would improve and EIS, now called the XTree Company, devoted huge resources to producing a Windows version of their eponymous product, making the crucial decision that when adopting the Windows-style graphical user interface (GUI), the XTree keyboard shortcuts would be abandoned.  This mean the user interface was something that looked not greatly different to the Windows in-built file manager and bore no resemblance to the even then quirky but marvelously lucid one which had served so well.  XTree for Windows was a critical and financial disaster and in 1993 the company was sold to rival Central Point Software, themselves soon to have their own problems, swallowed a year later by Symantec which, in a series of strategic acquisitions, soon assumed an almost hegemonic control of the market for Windows utilities.  Elements of XTree were interpolated into other Symantec products but as a separate line, it was allowed to die.  In 1998, Symantec officially deleted the product but the announcement was barely noted by the millions of users who continued to use the text-based XTree which ran happily under newer versions of Windows although, being a real-time program and thus living in a small memory space, as disks grew and file counts rose, walls were sometimes hit, some work-arounds possible but kludgy.  The attraction of the unique XTree was however undiminished and an independent developer built ZTree, using the classic interface but coded to run on both IBM’s OS/2 and the later flavors of Windows.  Without the constraints of the old real-time memory architecture, ZTree could handle long file and directory names, megalomaniacs now able to log an unlimited number of disks and files, all while using the same, lightning-fast interface.  The idea spread to UNIX where ytree, XTC, linuXtree and (most notably), UnixTree were made available.

ZTree, for those who can remember how things used to be done.

ZTree remains a brute-force favorite for many techs.  Most don’t often need to do those tasks at which it excels but, when those big-scale needs arise, as a file handler, ZTree still can do what nothing else can.  It’ll also do what’s now small-scale stuff; anyone still running XTree 1.0 under MS-DOS 2.11 on their 8088 could walk to some multi-core 64-bit monster with 64 GB RAM running Windows 11 and happily use ZTree.  ZTree is one of the industry’s longest-running user interfaces.

The Centennial Light, Livermore-Pleasanton Fire Department, Livermore, California.  Illuminated almost continuously since 1901, it’s said to be the world's longest-lasting light bulb.  The light bulb business became associated with the idea of planned obsolescence after the revelation of the existence of a cartel of manufacturers which had conspired to more than halve the service life of bulbs in order to stimulate sales.

As early as 1924, executives in US industry had been discussing the idea of integrating planned obsolescence into their systems of production and distribution although it was then referred to with other phrases.  The idea essentially was that in the industrial age, modern mercantile capitalism was so efficient in its ability to produce goods that it would tend to over-produce, beyond the ability to stimulate demand.  The result would be a glut, a collapse in prices and a recession or depression which affected the whole society, a contributing factor to what even then was known as the boom & bust economy.  One approach was that of the planned economy whereby government would regulate production and maintain employment and wages at the levels required to maintain some degree of equilibrium between supply and demand but such socialistic notions were anathematic to industrialists.  Their preference was to reduce the lifespan of goods to the point which matched the productive capacity and product-cycles of industry, thereby ensuring a constant churn.  Then, as now, there were those for and against, the salesmen delighted, the engineers appalled.

The actual phrase seems first to have been used in the pamphlet Ending the Depression Through Planned Obsolescence, published in 1932 by US real estate broker (and confessed Freemason) Bernard London (b circa 1873) but it wasn’t popularized until the 1950s.  Then, it began as a casual description of the techniques used in advertising to stimulate demand and thus without the negative connotations which would attach when it became part of the critique of materialism, consumerism and the consequential environmental destruction.  There had been earlier ideas about the need for a hyper-consumptive culture to service a system designed inherently to increase production and thus create endless economic growth: one post-war industrialist noted the way to “avoid gluts was to create a nation of gluttons” and exporting this model underlies the early US enthusiasm for globalism.  As some of the implications of that became apparent, globalization clearly not the Americanization promised, enthusiasm became more restrained.

Betamax and VHS: from dominant to obsolescent to obsolete; the DVD may follow.

Although the trend began in the United States in the late 1950s, it was in the 1970s that the churn rate in consumer electronics began to accelerate, something accounted for partly by the reducing costs as mass-production in the Far East ramped up but also the increasing rapidity with which technologies came and went.  The classic example of the era was the so-called videotape format war which began in the mid 1970s after the Betamax (usually clipped to Beta) and Video Home System (VHS) formats were introduced with a year of each other.  Both systems were systems by which analog recordings of video and audio content cold be distributed on magnetic tapes which loaded into players with a cassette (the players, regardless of format soon known universally as video cassette recorders (VCR).  The nerds soon pronounced Betamax the superior format because of superior quality of playback and commercial operators agreed with it quickly adopted as the default standard in television studios.  Consumers however came to prefer VHS because, on most of the screens on which most played their tapes, the difference between the two was marginal and the VHS format permitted longer recording times (an important thing in the era) and the hardware was soon available at sometimes half the cost of Betamax units.

It was essentially the same story which unfolded a generation later in the bus and operating systems wars; the early advantages of OS/2 over Windows and Micro Channel Architecture (MCA) over ISA/EISA both real and understood but few were prepared to pay the steep additional cost for advantages which seemed so slight and at the same time brought problems of their own.  Quite when Betamax became obsolescent varied between markets but except for a handful of specialists, by the late 1980s it was obsolete and the flow of new content had almost evaporated.  VHS prevailed but its dominance was short-lived, the Digital Versatile Disc (DVD) released in 1997 which within half a decade was the preferred format throughout the Western world although in some other markets, the thriving secondary market suggests even today the use of VCRs is not uncommon.  DVD sales though peaked in 2006 and have since dropped by some 80%, their market-share cannibalized not by the newer Blu-Ray format (which never achieved critical mass) but by the various methods (downloads & streaming) which meant many users were able wholly to abandon removable media.  Despite that, the industry seems still to think the DVD has a niche and it may for some time resist obsolescence because demand still exists for content on a physical object at a level it remains profitable to service.  Opinions differ about the long-term.  History suggests that as the “DVD generation” dies off, the format will fade away as those used to entirely weightless content available any time, in any place won’t want the hassle but, as the unexpected revival of vinyl records as a lucrative niche proved, obsolete technology can have its own charm which is why a small industry now exists to retro-fit manual gearboxes into modern Ferraris, replacing technically superior automatic transmissions.

Deadline

Deadline (pronounced ded-lahyn)

(1) The time by which something must be finished or submitted; the latest time for finishing something.

(2) A line or limit that must not be passed; a time limit for any activity.

(3) Historically, a boundary around a military prison beyond which a prisoner could not venture without the risk of being shot by the guards.

(4) A guideline marked on a plate for a printing press, indicating the point beyond which text would not be printed (archaic).

(5) Historically, a fishing line that has not for some time moved (indicating it might not be a productive place to go fishing).

(6) In military use, to render an item non-mission-capable; to remove materiel from the active list (available to be tasked); to ground an aircraft etc.

1864: The construct was dead + line.  Dead was from the Middle English ded, from the Old English dead (having ceased to live (also “torpid, dull” and of water “still, standing, not flowing”), from the Proto-Germanic daudaz (source also of the Old Saxon dod, the Danish død, the Swedish död, the Old Frisian dad, the Middle Dutch doot, the Dutch dood, the Old High German & German tot, the Old Norse dauðr and the Gothic dauþs), a past-participle adjective based on dau-, which (though this is contested by etymologists) may be from the primitive Indo-European dheu- (to die).  Line (in this context) was from the Middle English line & lyne, from the Old English līne (line, cable, rope, hawser, series, row, rule, direction), from the Proto-West Germanic līnā, from the Proto-Germanic līnǭ (line, rope, flaxen cord, thread), from the Proto-Germanic līną (flax, linen), from the primitive Indo-European līno- (flax).  The development in Middle English was influenced by the Middle French ligne (line), from the Latin linea (linen thread, string, plumb-line (also “a mark, bound, limit, goal; line of descent”)).  The earliest sense in Middle English was “a cord used by builders for taking measurements” which by the late fourteenth century extended to “a thread-like mark” which led to the notion of “a track, course, direction; a straight line.  The sense of a “limit, boundary” dates from the 1590s add was applied to the geographical lines drawn to divide counties.  The mathematical sense of “length without breadth” (ie describing the line drawn between points (dimensionless places in space)) was formalized in the 1550s and in the 1580s the “equatorial line was used to describe the Earth’s equator."  Other languages including Dutch, Finnish, Italian & Polish picked up deadline from English in unaltered form while the word also entered use in many countries for use in specific industries (journalism, publishing, television, printing etc).  Deadline & deadliner are nouns; deadlining & deadlined are verbs and postdeadline is an adjective; the noun plural is deadlines.

In the oral tradition, a deadline (which probably should be recorded as “dead line”) was a fishing line which for some time after being cast, hadn’t moved, indicating it might not be a productive place to go fishing.  The source of the first formalised meaning (a line which must not be crossed) was a physical line, the defined perimeter boundary line of prisoner of war (PoW) caps during the US Civil War (1861-1865): Any prisoner going beyond the “deadline” was liable to being shot (and thus perhaps recorded as “SWATE” (shot while attempting to escape).  Despite the name, the Civil War records indicate the deadline was rarely marked-out as a physical, continuous line but was instead defined by markers such as trees, signposts or features of the physical environment.  However, the word appears not to have caught on in any sense until 1917 when it was used to describe the guideline on the bed of printing presses which delineated the point past which text would not print.  It seems that the word migrated from the print room to the news room because by 1920 it was used in journalism in the familiar modern sense of a time limit: Copy provided after a specified time would not appear in the printed edition because it has “missed the deadline”.  From this use emerged “postdeadline” (after the deadline has passed) which sometimes existed on a red stamp an editor would use when returning copy to a tardy journalist, “deadliner” (a journalist notorious for submitting copy only seconds before a deadline) and the “deadline fighter” (a journalist who habitually offered reasons why their postdeadline copy should be accepted for publication).  Writers often dread deadlines but there are those who become sufficiently successful to not be intimidated.  The English author Douglas Adams (1952–2001), famous for The Hitchhiker’s Guide to the Galaxy (1979-1992) wrote in the posthumously published collection The Salmon of Doubt: Hitchhiking the Galaxy One Last Time (2002): “I love deadlines. I love the whooshing noise they make as they go by”.  Few working journalists enjoy that luxury.  Other similar expressions include “zero hour”, “cut-off date” and the unimaginative “time limit”.  Deadline was unusual in that it was one of the few examples of the word “dead” being used as a word-forming element in its literal sense, another being “deadman”, a device used mostly in railways to ensure a train is graceful brought to a controlled stop in the event of the driver’s death on incapacitation.

The meaning shift in deadline was an example of an element of a word used originally in its literal sense (dead men SWATE) changing into something figurative.  Other examples of the figurative use of the element include “dead leg”, deadlock, dead loss, dead load, dead lift, dead ringer, dead heat and dead light.  The interesting term “dead letter” has several meanings.  In the New Testament it was used by the Apostle Paul in his second letter to the Corinthians (2 Corinthians 3:6) to contrast written, secular law with the new covenant of the spirit.  Paul’s argument was that legal statutes, without the Spirit, were powerless to bring about salvation and were therefore “dead letter” whereas the new covenant, based on the Spirit, brings life:  “He has made us competent as ministers of a new covenant--not of the letter but of the Spirit; for the letter kills, but the Spirit gives life.” (2 Corinthians 3:6).  So, law devoid of the power of the Holy Spirit to interpret and apply it is a “dead letter” that can never be transformative, unlike the new covenant which is based on a living relationship with God through the Holy Spirit.

In a post office, a “dead letter” (which can be a “dead parcel”) is an item of mail which can neither be delivered to its intended recipient nor returned to the sender, usually because the addresses are incorrect or the recipient has moved without leaving a forwarding address.  Within postal systems, there is usually a “dead letter office” a special department dedicated to identifying and locating the sender or recipient.  If neither can be found and the item is unclaimed after a certain time (and in many systems there are deadlines), it may be opened and examined for any identifying information that could be used to identify either and if this proves unsuccessful, depending on its nature, the item may be destroyed or sent to public auction.  Beyond the Pauline and the postman, “dead letter” is a phrase which refers to (1) a law or regulation which nominally still exists but is no longer observed or enforced and (2) anything obsolescent or actually obsolete (floppy diskettes, fax machines et al).  In law, some examples are quite famous such as jurisdictions which retain the death penalty but never perform executions.  There have also been cases of attempting to use the “dead letter” law as an expression of public policy: In Australia, as late as 1997, the preferred position of the Tasmanian state government was that acts of homosexuality committed by men should remain unlawful and in the Criminal Code but that none would be prosecuted, the argument being it was important to maintain the expression of public disapproval of such things even if it was acknowledged criminal sanction was no longer appropriate.  There may have been a time when such an approach made political sense but even before 1997, that time had passed.  As is often the case, law reform was induced by generational change.

Founded in 2009 (an earlier incarnation Deadline Hollywood Daily had operated as a blog since 2006), deadline.com is a US film and entertainment news & gossip site now owned by Penske Media Corporation.

Broad

Broad (pronounced brawd)

(1) Of great breadth.

(2) A quasi-standard expression of lineal measurement (from side to side).

(3) Of great extent; large; extensive, ample, spacious, vast.

(4) Wide-open; full (applied usually to daylight).

(5) Not limited or narrow; of extensive range or scope (applied to knowledge, experience etc).

(6) Liberal; tolerant (semi-institutionalized as one of the three factions of the Anglican Church (Low, broad & high).

(7) A generalized summary of something (often as broad outline); general rather than specific.

(8) Something made plain or clear; outspoken.

(9) Indelicate; indecent, vulgar (now rare).

(10) Of conversation, rough; countrified, unrefined.

(11) Unconfined; unbridled; unrestrained.

(12) In linguistics, of pronunciation, strongly dialectal; the most exaggerated of its type; consisting of a large number of speech sounds characteristic of a particular geographical area or social class.  As applied to Gaelic languages: velarized (ie palatalized).

(13) In phonetics, of a transcription, using one basic symbol to represent each phoneme; of or relating to a type of pronunciation transcription in which symbols correspond approximately to phonemes without taking account of allophonic variations.

(14) In (mostly historic US & Canadian) slang, a usually disparaging term for a women, often one that hints at promiscuity (but not prostitution); often in the plural.

(15) In film & television production, an incandescent or fluorescent lamp used as a general source of light in a studio.

(16) A type of wide-bladed battle sword.

(17) A gold coin of England and Scotland, minted first in 1656 and issued by James I and Charles I; equal to 20 shillings.

(18) As broadband, a term now vague in meaning which implies a high-speed internet connection but which has been applied to any service rated faster than the highest speed possible using a single analogue modem connected with a conventional phone line (copper pair (Cat3)).

(19) In public finance, as broad money, denoting an assessment of liquidity including notes and coins in circulation, bank holdings, most private-sector bank deposits, and certain bank-deposit certificates; usually classed as M3 in the (sort of) standardized system by which OECD countries measure the money supply.

(20) In UK dialectal use, a river spreading over a lowland (in East Anglia, a shallow lake).

(21) In woodworking, a wood-turning tool used for shaping the insides and bottoms of cylinders.

(22) In the UK, a common pronunciation of B-road (a secondary road).

Pre 1000: From the Middle English brood, brode, brod & broad from the Old English brād (broad, flat, open, extended, spacious, wide, ample, copious; not narrow), from the Proto-Germanic braidi, from the Proto-West Germanic braid, from the Proto-Germanic braidaz (broad), of uncertain origin.  It was cognate with the Scots braid (broad), the West Frisian breed (broad), the Saterland Frisian breed (broad), the Low German breet & breed (broad), the Dutch breed (broad), the German & Old High German breit (broad, wide), the Danish, Swedish & Norwegian Bokmål bred (broad), the Norwegian brei (broad), the Icelandic breiður (broad, wide), the Old Norse breiðr (breithr), the Old Frisian brēd and the Gothic braiths & brouþs.  The word is not found except in Germanic languages and there has never been any clear distinction between broad & wide although there are conventions of use but they vary widely (and presumably in some places broadly) by geographical region.  Related and sometimes synonymous words include deep, expansive, full, large, vast, comprehensive, extensive, far-reaching, sweeping, universal, wide, wide-ranging, clear, explicit, straightforward, radical, improper, indecent & roomy.  Broad is a noun & adjective, broadly is an adverb; broadness is a noun, broaden is a verb, broadening is a noun & verb and broadest & broadish are adjectives; the noun plural is broads.    

Circa 1300, broad also had the specific meaning "breadth", now obsolete, which was from broad the adjective.  The sense of "shallow, reedy lake formed by the expansion of a river over a flat surface" was a Norfolk dialect word from the 1650s and broad had assumed its (broad) meaning as "the broad (wide) part" of anything by 1741.  The broad-brim hat was first described in the 1680s and the phrase “broad-brimmed” or “broad-brimmer” was eighteenth & nineteenth slang for a "Quaker male", so described because of their characteristic attire.  Broad-minded (in the sense of open-minded, liberal, less judgmental) was from the 1590s but this abstract mental sense of broad existed also in Old English as bradnes which meant both "breadth" & "liberality".

German broadsword, Waloon pattern, circa 1650.

Some swordsmiths insist the only true broadsword is one of the “basket-hilted swords”, characterized by a basket-shaped guard at the hilt which protects the hand, an elaboration of the quillons added to swords' cross-guards since the later Middle Ages.  What everybody else now calls the broadsword is a bladed weapon of the early modern era (sixteenth-seventeenth century), the construct in Old English being brad + swurd and, exclusively a battlefield weapon, they were always distinguished from rapiers and other dueling swords by their wide and often long & thick blades.

The term broadsheet was first used to describe a newspaper in 1705 when the distinguishing characteristic was being a “large sheet of paper printed on one side only”; by 1831 the usual phrase was “"a broadsheet newspaper" which in the twentieth century evolved into a distinction between the sober publications of record, reflection and reporting (The Times of London, The New York Times, The Manchester Guardian etc) and the popular tabloid press concerned with entertainment, sport and (increasingly) celebrity culture (the News of the World, The Sun, the New York News etc), based on the former being printed in larger formats, the latter half-sized (tabloid in printer’s jargon.  Even when some broadsheets switched to the smaller format, the phraseology remained and seemed to have survived even where some have abandoned print editions entirely, tabloid journalism still something simultaneously popular and disreputable.

Lindsay Lohan on Broadway, attending the production MJ The Musical, New York, July 2022.

Broadway (like High Street or Main Road) became a common street name apparently as early as circa 1300, applied obviously to particularly wide roads or streets, the allusive use for "New York’s theater district" dating from 1881.  The derivative “off broadway” (sometime with initial capitals) described smaller theatres in the New York City area, those with fewer than 300 seats, or a production in such a theater, usually away from the "Broadway" theater district and which operated under special rules from the theatrical unions which permitted productions to be mounted at much lower cost.  Use of off-broadway was first noted in 1953 as the volume of productions began greatly to expand in the buoyant post war economy and off-off & off-off-off (etc) broadway followed, the number of “offs” hinting progressively at the diminishing size of the budget, theatre and reputations of those associated with the production.

Broadcasting in the modern understanding of the word attained critical mass first in the 1920s as medium-wave AM radio became popular as the cost of vacuum tube radio transmitters and receivers fell to affordable levels.  Broadcasting was based on the idea in agriculture of broad-sowing, the casting of seeds over a broad area and was electronic communication on a one-to-many basis, as opposed to earlier radio, telephone, and telegraph models which were one/few to one/few.  Although the technology and the distribution platforms have since much evolved, broadcasting remains conceptually the same but the technological changes have greatly affected the behavior of audiences and much of what “broadcasters” now do is really stranded narrowcasting, the content designed not for the large-scale, even nation-wide catchments which once were available but aimed instead at specific demographics also served by the narrowcasters proper.  So changed is the environment that the terms are now less useful than when there were clear distinctions between them.

Dean Martin (1917-1995) and Frank Sinatra (1915-1998) carry "strike" signs demanding "Free Broads" as part of a gag during a show at the Sands' Copa Room, Las Vegas, 1960.

Although the "rat pack" persona was cultivated as something edgy and anti-establishment, their audience was politically conservative and, by the 1960s, part of an older generation which mostly didn't approve of young people marching with protest signs.  For a couple of old pros playing Las Vegas, this was an easy laugh and, by the standards of the time, self-deprecating.

The apparently etymologically baffling use of broad to describe a woman with some suggestion of promiscuity has attracted speculation.  It’s been suggested it might be an alteration of bride, especially through influence of the cognate German Braut, which was used in a similar sense (young woman, hussy) and there was the Middle High German brūt (concubine) but, especially given it came to be noted as a generalized slang term for women only circa 1911 in US use, etymologists prefer to link the development to the earlier slang “abroadwife”, used to mean both “woman who lives or travels without her husband" and “woman maintained in another place by a man and unknown to his wife”.  It’s now a dated form, used sometimes ironically but has often been misapplied with a suggestion of prostitution.  Because of these negative associations, and the increasing popularity of women's athletics, the name of the track and field “broad jump” (dating from 1863) was changed to “long jump”, beginning in the US in 1967 and soon adopted by athletics federations worldwide.

Some broadband is more broad than others: Indicative speed (January 2022) of internet connections in selected countries based on Ookla’s speedtest.net data, the informal standard for consumer-level speed testing.

The noun broadband actually dates from the 1620s in various senses from dressmaking to engineering.  It was used in electronics from 1956 with the meaning "a band having a wide range of frequencies" but the now most familiar use is as a descriptor of high-speed internet access.  Although the term broadband had since the 1970s been used in the technical language of the then embryonic industry of networking and distributed communications, it was little known by the public until the first standards were published for Asymmetric Digital Subscriber Line (ADSL), a consumer-level version of digital subscriber line (DSL) technology.  Ever since, it’s been used in the sense of “high-speed internet” but except for some local (and usually quickly outdated) legislated definitions, it’s never had a universal or even generally accepted meaning beyond the very early implementations when it was understood to imply a connection faster than the fastest service attainable by a single (8000/8000 baud; V.92; 56.0/48.0 kbit/s down/up) analogue modem connected with a conventional phone line (untwisted copper pair (UTP-Cat3)) which was usually accepted to be 56 kbit/s.  That soon was not a great deal of help and now, unless in a jurisdiction where use of the term broadband requires the maintenance of minimum up & download speeds, it’s really just an advertising term and unless a service so advertised turns out to be so slow that the use might be held to be deceptive or misleading, is often little more than “mere puffery”.  Hotels which in the 1990s and early 2000s spent a lot of money to install the hardware and software to support what was then “broadband” which they advertised as such soon, faced complaints as rapid advances in technology rendered their infrastructure quickly obsolescent and slow, the only solution sometimes to replace all the equipment although many instead took advantage of the profit-sharing industry which emerged, third-parties handling the installation and support, the hotel taking just a commission on total revenue.  Just as a precaution, some gave up on advertising “broadband” and instead offered the even more vague “hi-speed” which definitely meant nothing in particular.     

Contemporary art museum The Broad, Grand Avenue, Los Angeles.  The building's name is a reference not to the architecture but the philanthropists Eli (1933-2021) & Edythe (b 1936) Broad, who paid for it and provided the core of the collections exhibited.  It opened in September 2015, the architecture generally well-received.

Broadcloth (also as broad-cloth) was a "fine woolen cloth used in making men's garments" and dates from the early fifteenth century, the name derived from its width (usually 60 inches (1.5m)).  The phrase “broad daylight” emerged in the late fourteenth century and broad was first applied to speech and accents during the 1530s. To be “broad in the beam” is to be overweight, the term, predictably, applied almost exclusively to women.  To have “broad shoulders” suggests an ability to take criticism, or accept responsibility, an allusion to the figure of Atlas from Greek mythology who was condemned to forever carry on his shoulders the weight of the world.  In admiralty jargon, “broad on the beam” is a nautical bearing 90° to the heading of a vessel while “broad on the bow” is a bearing 45° to the heading of a vessel.  Broadacre farming or agriculture is a generalized reference to activities undertaken on large-scale open areas as opposed to smaller, fenced enclosures and can be used to describe either cropping or animal production.  The expression, like “mileage” or “tons” has survived metrification; “broadhectare” does exist as jargon in the field of residential land supply but is not widely used.

The Anglicans

Some time ago, the ever-entertaining Anglican Church, sort of formalized their three warring factions as the low and lazy, the broad and hazy and the high and crazy:

The Low and Lazy

Like the high churchers, the low lot still believe in God but, their time not absorbed plotting and scheming or running campaigns to stamp out gay clergy and opposing the ordination of women, they actually have time to pray, which they do, often.  The evangelical types come from among the low and don’t approve of fancy rituals, Romish ways or anything smelling of popery.  Instead, they like services where there’s clapping, dancing and what sounds like country & western music with sermons telling them it’s Godly to buy things like big TVs and surf-skis.

The Broad and Hazy

The broad church is more a club than a church, something like the Tory Party at prayer.  The parishioners will choose the church they (occasionally) attend on the same basis as their golf club, driving miles if need be to find a congregation acceptably free of racial and cultural DEI (diversity, equity and inclusion).  They’re interested not at all in theology or anything too abstract so sermons are preached to please the bourgeoisie.  The broad church stands for most things in general and nothing in particular, finding most disputes in Anglicanism baffling; they just can't see what all the fuss is about.

The High and Crazy

The high church has clergy who love dressing up like The Spice Girls, burning incense and chanting the medieval liturgy in Latin.  They disapprove of about everything that’s happened since the 1662 edition of the Book of Common Prayer and believe there’d be less sin were there still burnings at the stake.  Most high church clergy wish Pope Pius IX was still running the show from Rome and some act as though he’s still there.

Of money

All will be pleased to know there is narrow money and broad money.  Narrow money includes notes and coins in circulation and bank deposits (if available to conduct transactions).  Broad money includes all narrow money and other liquid assets that can be used to buy goods and services.  Collectively, the money circulating in an economy is called money supply, movements in which are tracked and sometimes manipulated governments and central banks.  There are economists who insist the distinction between narrow and broad money is mainly theoretical and they have a point in that the relationship between national wealth and (1) physical notes and coins and (2) the notion of asset backing (such as a gold standard) are both now somewhat abstract and the money supply can now be expanded without the effects of the physical economy which would once have been inevitable but the measures are still of great interest, as is the strange fact that the actual definitions of money used by governments and central banks in major trading economies vary from country to country.

The United States

The US Federal Reserve provides only two main measures of money M1 (narrow) and M2 (broad).  M1 consists of currency in circulation, travelers’ checks of nonbank issuers, demand deposits, and other checkable deposits (eg negotiable order of withdrawal accounts at depository institutions).  M2 is M1 plus savings deposits and money market deposit accounts, time deposit accounts below $100,000, and balances in retail money market mutual funds.  The interesting thing about the US is that the Fed’s M1 & M2 excludes a lot of what most economists regards as money but it’s very difficult to estimate how much, all agreeing only that it’s big number.

The Euro Zone

The European Central Bank (ECB) publishes M1, M2 & M3, each measure becoming progressively broader.  M1 includes currency in circulation plus overnight deposits.  M2 is M1 plus deposits redeemable at notice of up to three months and deposits with an agreed maturity of up to two years.  M3 is M2 plus repurchase agreements, money market fund shares, money market paper, and debt securities issued with a maturity of fewer than two years.

The United Kingdom

The Bank of England uses four measures of money, M0, M2, M4, and M3H, M0 the narrowest, M4 the broadest.  M0 is currency in circulation plus bankers’ deposits held by the Bank of England.  M2 is M0 plus deposits held in retail banks.  M4 is M2 plus certificates of deposits, and wholesale bank and building society deposits.  The mysterious M3H is a parity device which exists to allow the Bank of England to align their reporting for statistical purposes with the money supply measures published by the ECB and this is M4 plus foreign currency deposits in banks and building societies.

Australia

The Reserve Bank of Australia used to use M1, M2 & M3 but now publishes M1, M3 & Broad Money.  M1 is currency in circulation plus bank current deposits from private non-bank entities.  M3 is M1 plus other deposits from building societies and credit unions with banks.  Broad Money is M3 plus borrowings from the private sector by non-bank depository corporations excluding holdings of currency and deposits of non-bank depository corporations.

Japan

The Bank of Japan is a monetary classicist and publishes M1, M2, and M3, where M1 is the narrowest and M3 the broadest.  M1 includes currency in circulation plus deposits.  M2 is M1, plus certificates of deposit.  M3 is M2 plus savings and deposits at financial institutions and post offices.

For countries which run modern economies with convertible currencies and a high degree of interoperability and (usually), little (at least by historic standards) in the way of exchange controls, it may seem strange that the definitions of money vary to the extent they do, the only feature of commonality really that each maintains a measurable concept of narrow and broad money.  Only a few central banks, such as the Bank of England, include a device with which those interested in such things can align the numbers more accurately to compare one with another; it’s almost as if the central banks and governments like some vagueness in the system.

There is no direct relationship between the volume of the money supply and its value expressed as purchasing power.  German children during the hyper-inflation experienced in the Weimar Republic in 1923 would play with literally trillions, using bundles of currency with a face value in the billions (of the then current Papiermark) as toy building blocks.  Although the purposes for which it was originally set up have long been overtaken by events, the Bank for International Settlements (BIS) still exists (which is interesting in itself) and although the BIS organizes interesting conferences and seminars and publish a wealth of meaty material, it’d be an interesting task for them to devise a standardized money supply model which could augment (ie not replace) the machinery to which the central banks would no doubt cling.  Even if restricted to members of the Organization of Economic Cooperation and Development (OECD), it would be an interesting data-set to align with other charts but the chances of this seem remote.  It might frighten the horses.