Dick-pic & Slot-shot

Dick-pic (pronounced dik-pik)

A picture of a human’s penis, if taken and disseminated in a certain context.

Dick became the pet-form name circa 1550 (though some etymologists suspect it had earlier been in use) for Richard via being the rhyming nickname for Rick, Richard's original affectionate diminutive.  Richard being (1) among the commonest English names and (2) exclusively male, it quickly become a synonym for "fellow; lad" and thereby a generally used word to refer to men, individually and collectively; from this connection came the use of dick as slang for that exclusively male body part.  Anything claimed to be an authoritative list of the slang senses must be viewed with scepticism because many forms are very old and the surviving written records are not a comprehensive catalogue of what was often an exclusively oral dialect so the date of origin is uncertain.  The meaning "penis" is attested from 1891 in a dictionary of farmer's slang and was said (predictably) to have been well-known British army slang but, perhaps regionally, the use could date back a century or more.  Most sources note "dick" in this context is thought now less offensive than once it was but for those still disturbed, there's a goodly number of alternatives. 

Pic of Dick Face: The Honorable Richard Face (1943-2023), former New South Wales (NSW) minister of gaming & racing (1995-2003).

The vulgar slang nouns dickhead & dickface (a stupid or contemptible person) are attested only from circa 1969 so Richard Face’s parents can't be accused of making what might now be thought an unwise choice.  Interestingly, although presumably not unaware of the linguistic possibilities his name offered, Richard Face was either indifferent or saw some political advantage in brand-name awareness because he chose to remain a Richard (and, by implication, a "Dick") despite being christened Jack Richard Face.  Whether he ran the usual focus groups to find which worded best (Dick Face or Jack Face) isn't known.  In time, he did live up to his name, in 2004 fined Aus$2500 an given a three-year good behaviour bond for lying to the NSW Independent Commission against Corruption (ICAC), the magistrate's rationale for not imposing a custodial sentence being (1) he was no longer a police officer and therefore "not directly involved in the administration of justice", (2) had an "exemplary record of public service", (3) had been under stress, was depressed and a heavy drinker at the time of his lie, (4) had shown remorse and pleaded guilty, (5) had "not committed perjury" or "sworn false evidence" and (6) "did not engage in persistently false swearing over sustained periods of time."

Pic of Richard Face the cat.

Pic was first recorded circa 1885 as a shortening of picture (image, likeness, photo, etc).  Picture was from the Middle English pycture, from the Old French picture, from the Latin pictūra (the art of painting, a painting), from pingō (I paint); a doublet of pictura.  The plural is pics but pix is common in casual & commercial use so the accepted alternative plural of dick-pics would be dick-pix.  The linguistically fastidious used to be troubled by spellings which respected only the pronunciation (pix, nite, lite, luv etc) but even before the internet their use in advertising and brand names had made them so common the battle obviously was lost.  In structural linguistics, the technical term for such words is “eye dialect”, used to describe a deliberate misspelling of words to suggest a particular pronunciation, dialect, or informal tone, even though the intended pronunciation remains the same.  The use (apart from alternative spellings or misspellings which would have predated the modern practice) seems to have been popularized (and to some extent thus legitimized) in commerce for purposes of advertising or branding and from here it was picked up in casual writing where it can impart variously feelings of playfulness or the "modern".  The Ford Ka (1996–2021) and Chevrolet Cruze (2008–2023) were both named using the technique and familiar examples include Krispy Kreme, Dunkin’ Donuts and Froot Loops but it was also a literary device in fiction as early as the nineteenth century, used by Mark Twain (1835-1910) to evoke Southern American speech patterns and Charles Dickens (1812–1870) to summon the sound of what was perceived as “typical” working-class speech.  George Bernard Shaw (GBS; 1856-1950), a proponent of the internationalist Esperanto language and often (understandably) critical of English spelling rules, in Pygmalion (1913) used phonetic spellings not only to reflect variations in diction and accents but also to contrast the difference between “proper” and informal speech, a central theme of the play.  In modern use, because the forms often use fewer characters, the practice became a staple of texting (SMS; short message service) which for a certain demographic in the now distant pre-social media, pre-smartphone era became the preferred means of communication.    

Slot-shot (pronounced slot+shot)

A picture of a human female’s genitalia, if taken and disseminated in a certain context.

Slot in the sense of a "bar or bolt used to fasten a door, window etc" entered Middle English circa 1300 from the Middle Dutch or Middle Low German slot, from the Old High German sloz & German Schloss (bolt, bar, lock, castle), from the Proto-Germanic stem slut- (to close).  The anatomical use to describe the "hollow at the base of the throat above the breastbone" was a late fourteenth century adoption from the Old French esclot (hoof-print of a deer or horse) of uncertain origin, but this sense is probably obsolete except in historic references.  Slot meaning a "a narrow, elongated depression, groove, notch, slit, or aperture, especially a narrow opening for receiving or admitting something" dates from the 1520s, the idea later developed to suggest putting something "where it belongs" but this seems to have been adopted only in the mid-1960s.

Shot (in the sense of the firing of a bow (later applied to firearms etc)) was from pre-900 Middle English, from the Old English sc(e)ot & (ge)sceot and was cognate with the German Schoss & Geschoss.  It was related to the Old Norse skot and the Old High German scoz (missile).  The sense of shot as the "view from a camera" isn't attested until 1958 although it had been used in the cinematic sense since 1922 to describe the process of recording movies (mov(ing picture) + -ies) since 1922 and may thus have enjoyed earlier use.  As used to refer to individual pictures, printed usually on cardboard or special photographic paper, it dates from the late 1930s, the specialized use in law enforcement (as mugshot) began in the US in 1950.

Of context

A “Liz & Dick pic”: Lindsay Lohan (b 1986) & Grant Bowler (b 1968) during the filming of Liz & Dick (2012), a “biopic” of the famously tempestuous relationship between the actors Elizabeth Taylor (1932–2011) & Richard Burton (1925–1984).  The car is a Mercedes-Benz 600 (W100; 1963-1981) four-door Pullman with the vis-a-vis seating.  The flag-staffs (fitted in this instance above the front wheel arches) were usually fitted to cars used by the governments or the corps diplomatique.

The dick-pic, the practice of someone (usually male) sending another (usually female) an unsolicited picture of (what is usually their own) penis isn’t a recent invention but the extraordinary latter day spike in the numbers sent is a genuine cultural phenomenon.  It’s socially and technologically deterministic, something made possible by (1) the permissive social attitude of the participating demographic, (2) the ubiquity of their possession of high-definition cameras, (3) the removal from the process of third-parties (especially those who once developed and printed the physical images), (4) the extent of digital connectivity between members of the demographic and (5), the marginal financial cost of the transactions.  It’s an interesting development in that in the West, the history of the depiction of nudity is overwhelmingly female so “pictures of genitalia sent by phone” is a genre in the annals of the nude (technically probably the naked) untypically dominated by the male body.

Generally uncontroversial if either requested or welcomed by a recipient with whom an appropriate level of emotional capital has already been built, dick-pics are notorious for the negative emotions induced in those receiving them as something unsolicited and unwelcome.  So, unless the intention is actually to shock, offend or upset (and among the demographic, that is sometimes a thing) they’re best avoided; good rarely seems to come of them and in some jurisdictions, there are circumstances in which sending a dick-pic can be an offence which can result in the sender being placed for life on a sex-offender’s register; it depends on the context.

Dick-pic detail from Michelangelo Buonarroti’s (1475–1564) David (1501-1504), Galleria dell'Accademia, Florence.

Michelangelo’s David, a six-ton, 17-foot (5.2 m) tall symbol of divine victory over evil is art as a sculpture or in depiction and, despite the visible penis, in the West is usually thought not obscene.  In another context it can be, the erection of some inventive interior decorating required to conceal the offensive bits when a 3D-printed replica was displayed at the 2021 Dubai Expo.  It happens in the West too.  In the nineteenth century the Grand Duke of Tuscany presented Queen Victoria with a full-sized replica of the original which she found so confronting that hurriedly a proportionally accurate fig leaf was crafted, kept in readiness for any royal visits to be hung from two strategically placed hooks.  Even in the twenty-first century, replicas have attracted complaints, the argument being the context of a museum which people choose to visit being different for places where encounters may happen by chance.  Obscenity and offensiveness thus are situational constructs and a dick-pic exchanged between consenting adults is different from discovered in other circumstances; it depends on the context.

The SSSSS: Svakom Siime Sex Selfie Stick.

It’s assumed because there are few reports of women sending pics of their genitalia that the practice is notably less common than the dick-pic and while that’s not an accepted way to draw a definitive conclusion from two data sets, few doubt it’s true.  There are surely many reasons that’s the case and the paucity of examples is probably the reason a standardized female equivalent of “dick-pic” seems not to have evolved.  Suggestions have included “gash-flash”, “trap-snap” and “clamagram” but the most phonetically pleasing are probably “pussy-portrait” and “slot-shot”, the latter a metaphor which references the slot on a machine which is a perfect fit for coins of a certain denomination.  For women who find artistically limiting the idea of a static slot-shot, for US$149, there’s the Svakom Siime Sex Selfie Stick (SSSSS), a USB-rechargeable video-recorder-vibrator which offers, especially for those with basic video-editing skills, the chance to create a clip of an organism from the inside.  Thus the "clit-clip", a bit of digital one-upmanship (that may not be quite the right noun) on any "dick-pic".  

Available in violet, khaki & black, she can be connected to the USB port of a PC or Mac and there's a downloadable app for MacOS, Windows (XP SP2 onwards), iOS and Android.  The camera is a seemingly modest .3 megapixel unit but given the environment in which she'll be operating, that's more than adequate; videos are saved in the familiar mp4 format, the product & software manuals are both downloadable and there's an instructional video on the Svakom website.  Whisper-quiet to ensure privacy, battery-life is said to be around two hours of "continuous use" so one can understand why women might prefer such a device to most men.  The manufacturer refers to the SSSSS as "she" rather than "he" (or even "it"), an interesting assignment of notional gender given the anatomical emulation.

L'Origine du monde (The Origin of the World (1866)), oil on canvas by Gustave Courbet (1819-1877), Musée d'Orsay, Paris.

The recumbent female has, off and on, been a staple of Western art since Antiquity but there was something about French artist’s Gustave Courbet’s L'Origine du monde which was so provocative that publicly, it wasn’t exhibited for 120 years.  A slot-shot writ large, it’s still a work which many institutions avoid, even those sanguine about female nudity (and nakedness) in artistic and other contexts, one columnist noting recently the painting “… if indeed it can be called erotic…” was “…still unsuitable for publication in a paper with a general readership.”  Perhaps it’s because it so differs from the long traditions of the nude, a study more gynecological than artistic or maybe it’s the lush and untended growth of pubic hair, something which seems often to disturb though it may be anatomically accurate: One Russian gynecologist was asked whether the model was a virgin and, after casting his professional eye, answered with an emphatic “Nyet”.  There’s also the objectification, the decapitation of the subject reducing the work somehow to a slot-shottish case-study for the male gaze, a reductionism which has for decades attracted criticism from feminists.  When depictions of L'Origine du monde have appeared in bookshops and galleries, there’s often been controversy, sometimes requiring the summoning of the gendarmerie although the Musée d'Orsay reports the work appears on one of their gift-shop’s best-selling post-cards so there's that.

The head presumptive (publicized in 2013).

Commissioned by Ottoman-Egyptian diplomat Halil Şerif Pasha (Khalil Bey 1831-1879) as an addition to his famous collection of erotica, ever since first it was seen, historians of art have debated among themselves the identity of the model, their short-list with some glee referred to as Les suspects habituels de Gustave (Gustave’s usual suspects).  No conclusion has ever been agreed although the factions promote their theories, one based on an analysis of the joining edges of the respective canvases, an allegedly matching upper-section displayed in 2013.  The Musée d'Orsay issued a statement saying L'Origine du monde is, as it exists, a complete work and not part of a larger whole.  The mystery continues.

Highlight of Coastal Carolina University vs East Carolina University, Clark-LeClair Stadium, East Carolina University, Greenville, North Carolina, 8 March, 2025. 

There are also “butt pics”.  In March 2025 a user posted on X (formerly known as Twitter) a clip from ESPN’s coverage of a baseball game between Coastal Carolina University and East Carolina University (Coastal Carolina won 9-11-1 to 1-6-0) which showed two women, one snapping what quickly was described as a “butt-pic” of the other.  Almost instantly viral, the tweet gained more than 10 million views, numbers the ESPN programmers doubtless wish college baseball could generate.  The two protagonists were said to be “not identified” but presumably promotional opportunities on Instagram and TikTok beckon and there may soon be OnlyFans accounts.

Buffalo

Buffalo (pronounced buhf-uh-loh)

(1) An animal from the subtribe Bubalina, also known as true buffalos, such as the Cape buffalo, Syncerus caffer, or the water buffalo, Bubalus bubalis.

(2) A related North American animal, the American bison (zoologically incorrect but in use thus since the 1630s).

(3) An ellipsis of buffalo robe.

(4) As the buffalo fish, the Ictiobus spp.

(5) In numismatic slang, a clipping of Buffalo nickel (a copper–nickel five-cent piece struck by the US Mint 1913-1938) and still (rarely) used of nickels.

(6) In numismatic slang, a clipping of “American buffalo” (a gold bullion coin), still used by collectors.

(7) A locality name most prevalent in North America, the Lake Erie port in western New York, the best-known,

(8) A shuffling tap-dance step (associated with the popular song “Shuffle Off to Buffalo”, from the musical film 42^nd Street (1933).

(9) As “buffaloed by”, to be puzzled or baffled; to be confused or mystified.

(10) As “to buffalo”, to impress or intimidate by a display of power, importance etc.

(11) To hunt buffalo (archaic).

(12) To assault (historically, to “pistol-whip”).

1535–1545: An early Americanism (replacing buffel, from the French, noted since the 1510s), from the Spanish or Portuguese búfalo (water buffalo), from the Italian buffalo, from Late Latin būfalus (an alteration of the Classical Latin būbalus (wild ox)), from the Ancient Greek βούβαλος (boúbalos).  The Greek form was originally the name of a kind of African antelope, later used of a type of domesticated ox in southern Asia and the Mediterranean lands.  I’s a word of uncertain origin and the elements may include bous (ox, cow, from the primitive Indo-European root gwou- (ox, bull, cow) but it may be a Greek folk-etymology.  The use of “buffalo” to describe the American bison is a mistake dating from the 1630s and it has endured so long as to become institutionalized.  The other Germanic words (the Dutch buffel, the German Büffel, the Danish böffel etc) are from the French while the Russian buivolu, the Polish bujwoł and the Bulgarian bivol came from the Medieval Latin.  The “Buffalo gnat” was first recorded in 1822 while the term “Buffalo chip” (dung of the American bison used as a fuel) was in use by at least the 1840s.  The origin of the name of the city Buffalo in western New York is disputed, not least because there were never any bison in close proximity to the place.  It may have been based on the name of a native American (ie Red Indian) chief or a corruption of the French beau fleuve (beautiful river).  The use of “buffalo” as a verb meaning “alarm” was documented early in the twentieth century and is probably related to the tendency of the beasts to mass panic.  In many fields, “buffalo” is used as a modifier for many words.  The old synonym buffle is extinct.  Buffalo is a noun & verb, buffaloed & buffaloing are (informal) verbs and buffaloish (non-standard) & buffalo-like are adjectives; the noun plural is buffaloes or buffalos but if used collectively (ie of a herd) buffalo is the usual spelling.  The common collective noun for a group of buffalo is “herd” although “gang” is a recorded US regionalism and some prefer the more evocative “obstinacy”, the label gained by virtue of the beast’s well-documented quality of stubbornness.

Classy Leather’s illustration of the difference in texture between bison and buffalo leather.

The clipping “buff” also tracked a varied path.  Predictably, the word seems first to have been simply a short form of “buffalo” but by the 1560s traders were using it to describe the thick, soft leather obtained from the hides of the creatures which were being slaughtered by the million although then it was almost always spelled “buffe” (ie as “buffe leather”) from the French buffle.  Buff was by the 1780s used generally to describe a “light brownish-yellow” color, based on the hue assume by the buffalo leather in its process form and as early as circa 1600 the old association of “hide” with “skin” led to the phrase “in the buff” (naked), strengthened by buff leather and pale human skin being similar in hue.  Over time, “buff naked" emerged and this morphed into "buck naked," possibly influenced by use of the word “buck” which, in American slang, had been used to refer to male deer, Native Americans, or African-American men in certain contexts. The exact etymological connection is debated, but “buck” here may have been used to evoke an image of primal or raw naturalism.  The evolution continued and by the early nineteenth century there was also “butt naked” obviously more explicit and descriptively accessible to a modern audience, emphasizing the state of stark nudity by referencing the buttocks.  It’s now the most popular of the three slang forms.  All three are unrelated to the use of “buff” to mean “polish a metal to a high gloss”, that based on the original “buffing cloths” being off-cuts of a “buff-coat” (a military overcoat originally made from the hide).  A tool for this purpose is often still called “a buff”.  The noting of “polishing up” by “buffing” was taken up in video gaming (especially role-playing) where it meant “to make a character or an item stronger or more capable”.

Jessica Simpson.

The use of buff to mean “an enthusiast for something with a great knowledge of the topic” (eg Ferrari buff (a very devoted crew); film buff (an obsessive lot who take things very seriously); Lindsay Lohan buff (a calling for some)) was related to the color.  Since the 1820s New York City’s volunteer fire-fighters since had been issued buff-colored protective clothing and their image of daring with more than a whiff of danger in the 1890s attracted a following among young men who cherish ambitions to be firemen some day.  This manifested them rushing to the sites of fires at any time of the day or night, just so they could watch the firemen at work, fighting the fire.  There is something about fire which attracts some and in Australia, where bush firs have always been a feature of the hot, dry seasons, there have been cases of volunteer fire-fighters starting fires, apparently just so they can experience the thrill of extinguishing them; fire being fire, sometimes things end very badly.  As early as 1903 the New York Sun was referring to these enthusiasts (had it been later they might have been called “fire groupies”) as “the buffs” and from this use cam the idea of a “buff” being someone devoted to anything although there’s now more often the implication of “great knowledge of the topic).  In the UK military (mostly in plural) a “Buff” was a member of the Buffs (Royal East Kent Regiment (1572-1961)) and in numismatic slang, a “buff” was a clipping of Buffalo nickel (a copper–nickel five-cent piece struck by the US Mint 1913-1938.).  In UK slang, Buff also meant “a member of the Royal Antediluvian Order of Buffaloes” (which is sort of like the Freemasons but without the plotting and scheming”).  The finger food “Buffalo wings” made famous by the admirable Jessica Simpson (b 1980) gained the name because they were first served in 1964 at Frank & Teressa's Anchor Bar on Main Street, Buffalo.  Ms Simpson’s confusion about the dish (made with chicken wings) may have been caused by them often appearing on menus as “buffalo wings) with no initial capital.

The BUFF.

In USAF (US Air Force) slang, the Boeing B-52 Stratofortress (1952-1962 and still in service) is the BUFF (the acronym for Big ugly fat fellow or Big ugly fat fucker depending on who is asking).  From BUFF was derived the companion acronym for the LTV A-7 Corsair II (1965-1984, the last in active service retired in 2014) which was SLUFF (Short Little Ugly Fat Fellow or Short Little Ugly Fat Fucker).  In rail-transport, a “buff” describes the compressive coupler force that occurs during a slack bunched condition (and is related in that sense to “buffer” which is a physical barrier placed to halt the progress of a train to prevent damage to a structure).  In the slang of the dealers of street drugs, “buff” is any substance used to dilute drugs (by volume) in order to increase profits.  The noun “buffware” is not an IT term (although SysAdmins (system administrators) could probably think of a few products which should be so described); it describes pottery in a buff color. 

Highly qualified content provider Busty Buffy (b 1996) in leather braces (unlikely to be of buffalo hide).

As is done in her profession, Busty Buffy appears sometimes “in the buff” which means “in the nude” although, among the more fastidious, there are those who insist porn stars can only ever be “naked”, a “nude” something more respectable.  According to Gary Martin’s authoritative site which traces the origins of phrases, “in the buff” was derived from the “buff coat”, a “light leather tunic worn” by English soldiers (mostly by cavalry and officers and thus something of a precursor of the trench coat) until the seventeenth century and originally, to be “in the buff” was to be wearing one’s coat.  A practical field-garment (it offered some degree of protection against glancing blows from edged weapons and even musket-balls fired at long range), the name was derived from the buffalo or ox hide from which usually it was made.  In The Comedy of Errors (circa 1591), William Shakespeare (1564–1616) makes a reference to the garment, using the word “suit” in two of its senses: (1) clothing and (2) an action filed in a court of law:

ADRIANA: What, is he arrested? Tell me at whose suit.

DROMIO OF SYRACUSE: I know not at whose suit he is arrested well;

But he’s in a suit of buff which ‘rested him, that can I tell.

So, it needs to be explained why the phrase “in the buff” shifted from meaning “wearing a coat” to “wearing nothing”.  That was because the hide used for the coats was a light, brownish yellow and thus similar to what was then the almost universal English skin-tone.  Mr Martin cites the play Satiromastix, or The Untrussing of the Humorous Poet (1601) by the English writer Thomas Dekker (circa 1572–1632) as one of the first known references to the newer meaning, “in buff” likened to “in stag”, then popular slang for “naked”: “No, come my little Cub, doe not scorne mee because I goe in Stag, in Buffe, heer’s veluet too.”  From that ultimately came expressions like “well buffed” or “buffed up” to describe fit types with admirable muscle definition and derived from that came the special use among role-playing video-gamers, “to debuff” being an effect used to make a character weaker (a “negative status” effect.

A “buffster” is someone who is “buffed” (lean, physically fit) and that use of the word emerged from gym culture during the 1980s, under the influence of buff in the sense of “polish to perfection”.  That influenced also the use of buff to mean “physically attractive; desirable” which began in MLE (Multicultural London English) before spreading to other linguistic tribes; the adverb buffly (in a buff manner; attractively or muscularly) can be used of a buffster (one who is fit and with good muscle definition).  In hospital slang, “to buff” means “to alter a medical chart, especially in a dishonest manner”, something which hints there may be something in Evelyn Waugh’s (1903-1966) warning the greatest risk to one in hospital is “being murdered by the doctors”.  In the slang of graffiti writers (the term “graffiti artist” does now seem accepted by the art market) a “buff” is the act of remove a piece of graffiti by someone other than the creator.  Buffy is an adjective meaning “of or tending to a buff color” (the comparative buffier, the superlative buffiest) but it’s probably now most associated with the eponymous pop-culture character in the television series Buffy the Vampire Slayer (which seems to have made it a popular name also for porn stars).  Of the color, “buffish” is the alternative adjective.

The phrase “It’ll buff out” is a joke-line in the collector car market which references attempts to downplay the extent or significance of damage.  It ranks in the trade with “ran when parked”, “only surface rust” and “air-conditioning just needs a recharge” among the least believed claims.

In 2005, Lindsay Lohan went for a drive in her Mercedes-Benz SL 65 AMG roadster.  It didn’t end well.  Based on the R230 (2001-2011) platform, the SL 65 AMG was produced between 2004-2012, all versions rated in excess of 600 horsepower, something perhaps not a wise choice for someone with no background handling such machinery though it could have been worse, the factory building 400 (175 for the US market, 225 for the RoW (rest of the world)) of the even more powerful SL 65 Black Series, the third occasion an SL was offered without a soft-top and the second time one had been configured with a permanent fixed-roof.  A production number of 350 is sometimes quoted but those maintaining registers insist it was 400.

Classy Leather’s “Buffalo Hunter”.

Buffalo leather isn’t suitable for all purposes but it is greatly valued because of the combination of its thickness (compared to cow or goat leather or pig skin) and the unique and different grain patterns.  It’s the thickness which adds to the durability of buffalo leather but despite that it remains soft and flexible, making it an ideal material for premium leather goods such as leather bags, leather accessories, jackets etc.  The Classy Leather operation published an informative guide to buffalo leather and included technical information including what must have be a revelation to some: Although the terms “buffalo” and “bison” tend interchangeably to be used in North America, the leathers are quite distinct and what the industry calls “buffalo leather” usually means leather derived from the Asian Water Buffalo.  Buffalo leather comes from domestic buffalos (almost always Asian Water Buffalo) which mostly are raised for milk or meat; at the end of their productive life, the hides are used to make leather and a variety of processing methods are used, designed to suit the skin structure which has large pores.

The “Water Buffalo”: 1974 Suzuki GT750.  The front twin disc setup was added in 1973 and was one of the first of its kind.

The Suzuki GT750 was produced between 1971-1977 and was an interesting example of the breed of large-capacity two-stroke motorcycles which provided much excitement and not a few fatalities but which fell victim to increasingly stringent emissions standards and the remarkable improvement in the performance, reliability and refinement of the multi-cylinder four-stroke machines of which the Honda CB750 (1969-2008) and Kawasaki Z1 900 (1972-1975) were the exemplars.  Something of a novelty was the GT750's water-cooling, at the time rarely seen although that meant it missed out on one of Suzuki’s many imaginative acronyms: the RAC (ram air cooling) used on the smaller capacity models.  RAC was a simple aluminium scoop which sat atop the cylinder head and was designed to optimize air-flow.  It was the water-cooling of the GT750 which attracted nicknames but, a generation before the internet, the English language tended still to evolve with regional variations so in England it was “the Kettle”, in Australia “the Water Bottle” and in North America “the Water Buffalo”.  Foreign markets also went their own way, the French favoring “la bouillotte” (the hot water bottle) and the West Germans “Wasserbüffel” (water buffalo).  Suzuki called those sold in North America the "Le Mans" while RoW (rest of the world) models were simply the "GT750".

Detail of the unusual 4-3 system: The early version with the ECTS (left), the bifurcation apparatus for the central cylinder's header (centre) and the later version (1974-1977) without the ECTS (right).  Motorcyclists have long had a fascination with exhaust systems and the holy grail may be the Italian straight-six Benelli 750 & 900 Sei (six) (1972-1978) which was offered variously with a 6-into-6 and 6-into-1, both constructions inspiring awe.  

The GT750 shared with the other two-stroke three-cylinder Suzukis (GT380 & GT550) the novelty of an unusual 4-into-3 exhaust system (the centre exhaust header was bifurcated (sometimes referred to as "saimesed")), the early versions of which featured the additional complexity of what the factory called the ECTS (Exhaust Coupler Tube System; a connecting tube between the left & right pipes), designed to improve low-speed torque.  The 4-into-3 existed apparently for no reason other than to match the four-pipe appearance on the contemporary four stroke, four cylinder Hondas and Kawasakis, an emulation of the asymmetric ducting used on Kawasaki's dangerously charismatic two-strokes perhaps dismissed as "too derivative".

Chartreuse

Chartreuse (pronounced shahr-trooz or shahr-troos or shar-trœz (French))

(1) As a color range, varying from a clear yellowish-green to a strong greenish-yellow.

(2) Of the color chartreuse used, inter-alia, to describe the color now used for tennis balls when people can’t agree whether they’re a shade of yellow or green (officially they are "optic yellow").

(3) A aromatic liqueur produced in a number of varieties (mainly one green, one yellow), distilled by the Carthusian monks at Grenoble, France (and formerly at Tarragona, Spain) (initial capital).

(4) A kind of enamelled pottery.

(5) In cooking, a dish of French origin in which vegetables (and sometimes meat) are wrapped tightly in a decorative layer of salad or vegetable leaves and cooked in a mould (historically dome-shaped many are now used).  The original recipe used by the monastic order of Carthusians was exclusively vegetarian.

(6) A female given name (the use of English origin).

1865–1870: From the French, named after La Grande Chartreuse, the Carthusian monastery near Grenoble, where the liqueur is distilled (the massif de la Chartreuse (Carthusianus in the Medieval Latin) a mountain group in the French Prealps).  Charterhouse, one of the great English public schools (upon which the framework of the British establishment continues to be built) was founded in London in 1611, the name a folk etymology alteration of chartreux which was chosen because the school’s location was the site of a Carthusian monastery.  Chartreuse is a noun & adjective; the noun plural is chartreuses.

The Order of Carthusians was founded in 1084 and, in separate institutions, includes both monks and nuns, the name derived from the massif de la Chartreuse, a mountain group the French Prealps; the order’s first buildings were erected close to Chartreux, a village in Dauphiné, near Grenoble.  The Ordo Cartusiensis (the Order of Carthusians and styled usually as “the Carthusians” (“the Certosini” the collective)) is a Latin enclosed religious order of the Roman Catholic Church.  A “Latin Religious Order” describes a religious institution which follows the Latin Rite (sometimes referred to as “Roman Rite” or “Roman Ritual”), the liturgical tradition used predominantly used in the Western Church and notable distinct from the practices of the Eastern Catholic Churches (the Orthodox).  The Carthusians retain the Carthusian Rite, a unique liturgy.  An “Enclosed Religious Order” is a community of men or women (never the twain shall meet) who have taken religious vows (typically perfect poverty, chastity & obedience (ultimately to the pope)) and live a contemplative or monastic life.  As the term “enclosed” implies, the members live in secluded from the outside world, usually in a monastery or convent although it’s now rare to find institutions where the seclusion from society is absolute.  A “Latin enclosed religious order” is thus a combination of these criteria, a Roman Catholic religious order adhering to the Latin Rite and following a contemplative or monastic lifestyle within an enclosed setting.  There are between orders variations in how the vows are discharged but the essence is that members dedicate themselves to prayer, contemplation, and a life of asceticism, this thought a contribution to the spiritual life of the Church and it can have practical manifestations such as publications on matters which historically have not exclusively been thematically religious.

Chartreuse VEP Green (500 ml).  The VEP (Vieillissement Exceptionnellement Prolongé (exceptionally prolonged aging) releases are available in both yellow & green and are aged in oak casks.

Sometimes, the output is less in abstractions and more in stuff which benefits many including liqueurs, the Benedictines making Benedictine and the Carthusians, Chartreuse.  In one form or another, the Certosini monks have been distilling the liqueur since 1737 (although some experts insist, on arcane technical grounds, that it should be considered an “alcoholic cordial”).  Both Green Chartreuse and Yellow Chartreuse are made using a recipe of herbs, plants, and botanicals, the mix said to be “secret” and only ever revealed to two living monks at any time (a protocol later adopted by both the Coca-Cola Company and Kentucky Fried Chicken (KFC)).  The green Chartreuse is more intense, spicy and herbal and has a higher alcohol content than the yellow but both have a role, yellow more suited to a flambé while green is better to drink straight or in cocktails.  That said, because yellow is milder and sweeter, there are those who prefer it for all purposes, the honeyed sweetness the essence of the appeal.  There are also special mixes of (related often to aging) and in the past, others were available including a White Chartreuse.

Chartreuse ("optic yellow" according to the IFT) tennis balls were introduced because they worked better than white on color television but the players also expressed support for the change because they were easier to see when on or over a court's white lines: Model Jordan Carver (Ina-Maria Schnitzer (b 1986)) demonstrates the color contrast by bouncing (the optic yellow tennis balls).

The use of chartreuse as a color name dates from 1884 and was drawn from the apple-green hue of the finest of the liqueurs.  Because the best known versions of the drink have been both a yellow and green hue, the color chartreuse is understood as a spectrum and often described as a “greenish yellow” or “yellowish green”, the color a helpful compromise in disputes about how modern tennis balls should be described.  It’s actually a relatively recent argument because until the 1970s tennis balls were almost always white (although when playing on many surfaces they quickly discolored) but the (inexplicable to some) popularity of the sport on television changed that because when in the 1960s & 1970s the industry transitioned to broadcasting in color, it was soon apparent colored balls were more visible than white (or whatever they became).  At scale, the switch began in the early 1970s although the All England Club (really not approving of anything which has happened since 1914) held out, Wimbledon not adopting optic yellow balls until 1986.

ColorHex’s spectrum chart of colors close to #ccff00.

According to the ITF (International Tennis Federation), the shade is “optic yellow” although the online color decoder ColorHexa redirects “optic yellow” requests to #ccff00 which is described as “fluorescent yellow” or “electric lime” and its spectrum chart displays a spread from yellow to green in accord with the range usually understood as “chartreuse”.  For anyone wanting to describe chartreuse (or any yellowish-green color) with a word which has the virtues of (1) being hard to pronounce, (2) harder to spell and (3) likely to baffle most of one’s interlocutors, there’s “smaragdine” (pronounced smuh-rag-din), from the Latin smaragdinus, from smaragdus (emerald), from the Ancient Greek σμάραγδινος (smáragdinos), from σμάραγδος (smáragdos).

The chartreuse trend on the red carpet (left to right): Sofia Resing, Cannes Film Festival 2021; Ella Purnell, Critics Choice Awards 2022; Niecy Nash, Screen Actors Guild (SAG) Awards 2023; Jessica Chastain, Emmy Awards 2024.

Although in recent years it’s been the “nude” (or “naked” depending on what the writer wishes to imply) dress which has caught the eye and focused the mine, since the COVID-19 pandemic, critics have noted chartreuse, a long neglected (almost ignored) color has been trending on red carpets of which there are now many.  It’s unlikely this has anything to do with COVID-19 at the biological level but the bright, vibrant look may initially have been part of the general reaction to the gloom of lockdowns and the look just caught on.  It won’t last but while it’s here, it should be enjoyed.

Lindsay Lohan leaving the Whisky Mist nightclub, London, June 2014, security staff in hi-viz chartreuse (left), chartreuse mixed & matched in hi-viz gear (centre) and country & western (C&W) singer-songwriter Priscilla Block (b 1995) on the red carpet, Country Music Association (CMA) awards ceremony 2023 (right).

On specialized garments chartreuse has of course become familiar as the symbol of the onrush of occupational health & safety (OHS) regulations although on safety jackets and such it tends to be called “Hi-Viz (high-visibility) Yellow” which, along with “Hi-Viz Orange” was one of the first shades used.  The yellow was found so effective its use spread to applications such as emergency vehicles, mainly because it was found to work in darkness so much better than the traditional reds and oranges.  Others quickly followed and some institutions have formal rules about who wears which color, the distinction tied variously to role, location, place in the hierarchy etc.  The rules seem most enforced in the allocation of the colors used for safety helmets.  C&W singer-songwriter Priscilla Block added a post-modern touch by eschewing a gown in any hue, appearing on the red carpet wearing actual hi-viz gear over a chartreuse outfit, the ensemble complemented by the a traffic cone in hi-viz orange.  When interviewed, she indicated the novel choice was something she thought in keeping with the demographic of her audience who were quite likely to work in jobs requiring hi-viz gear.

Actually, although the stylists and fashionistas probably imagined they had spotted a new red carpet trend, the appearance of all that chartreuse swishing around would have been greeted with a yawn by the real trendsetters, the electricians, cablers and construction staff who have for decades been rocking the look.

Bikini

Bikini (pronounced bih-kee-nee

(1) A two-piece bathing suit for women.

(2) A style of brief fitted low on the hip or slightly below.

(3) The name of an atoll in the North Pacific; one of the Marshall Islands and the site of two-dozen odd US nuclear weapon tests between 1946-1958 (with initial capital).

(4) As Bikini State, the UK Ministry of Defence's alert state indicator (1970-2006).

(5) In the retail coffee trade, barista slang applied to smaller variations such as a demitasse (or demi-tasse (half cup), used traditionally to serve espresso).

(6) In engineering & design, a casual term used sometimes for any shape deemed even vaguely bikinilike. 

1946:  Although known as the Eschscholtz Atoll until 1946, the modern English name is derived from the German colonial name Bikini, adopted while part of German New Guinea and was a transliteration from the Marshallese Pikinni (pʲi͡ɯɡɯ͡inʲːi), a construct of Pik (surface) + ni (coconut or surface of coconuts).  Bikini is a noun and bikinied, bikinilike and bikiniless are adjectives (bikiniesque is non-standard); the noun plural is bikinis.

Highly qualified content provider Busty Buffy in powder blue seekini (a bikini fashioned from a semi-sheer fabric).

In medicine, the “bikini-cut” or “bikini line incision” is doctor’s slang for the “Pfannenstiel incision”, a surgical incision permitting access to the abdomen, the exact location chosen for the optimal aesthetic outcome; it was named after German gynaecologist Hermann Johannes Pfannenstiel (1862–1909), who in 1900 invented the technique.  The modern slang is a reference to the “bikini line” (the part of a woman's pubic region not covered by a swimsuit (the fashion being it’s usually waxed, lasered or shaved to be free of pubic hair)).  In the UK, the technique was popularized by Professor John Munro Kerr (1868–1960) who published his results in 1920 (having first applied the method in 1911) and that's why in the English-speaking world the terms “Kerr incision” and “Pfannenstiel–Kerr incision” both are sometimes used.  In the slang of fat-shaming, a “fatkini” is a bikini larger a certain size and regarding the cut-off point where bikini becomes fatkini, some critics are more uncompromisingly stern than others.

1970 Monteverdi Hai 450 SS.

The skimpiness of the fabric used in a bikini's construction meant it could be used as a point of emphasis.  When in 1970 the Swiss boutique manufacturer Monteverdi displayed the Hai (German for "shark"), one journalist acknowledged the stunning speed but noted the lack of practicality, storage space judged to be adequate for a “topless bikini” (a numokini or unikini in the modern parlance).  Peter Monteverdi (1934–1998) claimed the Hai was "a pre-production prototype" and listed it in his catalogue at a then hefty US$27,000 (more than even the coach-built two-door versions of the Rolls-Royce Silver Shadow and while they would have attracted a very different buyer-profile, the comparison was indicative of market relativities).  The consensus is Peter Monteverdi never intended series-production because the Hai was really just an impractical show-piece built to generate publicity (and in that it succeeded) though four eventually were made with only the first fitted with the charismatic 7.0 litre (426 cubic inch) Chrysler Street Hemi V8.  The other three, two of which were built shortly before Mr Monteverdi's death, used the less powerful but also less cantankerous 7.2 litre (440 cubic inch) unit.  As a footnote for trivia buffs, although it's accepted orthodoxy "the factory never installed air conditioning (A/C) in Street Hemi-equipped cars", Monteverdi did fit A/C to the first Hai so the true truism should read "No Chrysler factory ever..."          

Proliferation; variations on the theme of bikini

Bikinis: Samantha Ronson (left) admiring the black bikini of former special friend Lindsay Lohan (right), both with bare feet, Los Cabos, Mexico, October 2007.

The swimwear was first so named in 1946, the brief as a stand-alone garment adopting the term in 1960 while the trikini, dating from 1967, was a variation with separate bra cups fastened by Velcro.  A lack of structural integrity doomed the design for the mass-market but trikinis continue to be used by the fashion industry, mostly in static photography where movement is minimalized.  Trikini was at the time etymologically wrong because falsely it presumed bikini a compound with a bi prefix, an assumption not unreasonable because the English prefix bi is derived from the Classical Latin bi, which, like the Ancient Greek counterpart di, means “two”.  However, trikini is now etymologically correct because (1) bikini and its variations have been wholly been absorbed into English with compounds coined as needed and (2) progress in the fashion industry proved so prolific a new suffix (apparently first suggested by US author Bill Safire (1929–2009)), emerged: -kini.  Those thus far seen have included:

Monokini (a one-piece swimsuit in a variety of designs which tends to be variations on the notion of a bikini top and bottom in some way connected with (a usually minimal) piece of fabric although for the catwalks, designers have showed "bikinis" in which coverage is afforded to only one breast.

Bikini (a two-piece swimsuit with top & bottom)

Trikini (a type swimsuit which uses three, strategic-placed fabric triangles, sometimes achieved with the use of an adhesive)

Facekini (a piece of swimwear worn on the head and covering the face and head)

Burkini (a full body bathing suit which includes a hood; a kind of figure-hugging Burqa for swimming of which not all muftis & mullahs (and certainly no ayatollahs) approve)

Mankini (a kind of sling bikini for men)

Bandkini (a swimsuit consisting of strapless bandeau top and bikini bottom)

Halterkini (a swimsuit consisting of halter top and bikini bottom)

Tankini (a bathing suit composed of tank top and the lower half of a bikini)

Skirtini (a two-piece swimsuit consisting of top and short, skirted bottom)

Microkini (a very skimpy bikini)

Poligrill's helpful identification chart which illustrates the bikini's mix-and-match potential, wearers able to choose the styles best suited to different parts of the body and no longer is it expected (except by dictatorial types like Vogue's editors) the color or fabric of top need match bottom.

Nokini (an casual identifier for beach which permits toplessness for women)

Slingkini (a one-piece swimsuit resembling the Y-shape frame of a slingshot which is supported by fabric at the neck)

Stringkini (a two-piece swimsuit constructed with string-like cords that is scantier and more revealing than a regular bikini)

Sidekini (a swimsuit designed to optimize the side-boob effect (not suitable for all))

Camikini (a swimsuit consisting of thin-strapped camisole top and bikini bottom)

Flagkini (a swimsuit top informally created by the wrapping of a flag)

Duckini (a swimsuit made of a stick-on material (not to be confused with Kim Kardashian's endorsement of gaffer’s tape for use as ad-hoc corsetry))

Numokini (a bikini worn without the top (also called Unikini))

Underkini (a swimsuit designed to optimize the under-boob effect (not suitable for all))

Seekini (a translucent or semi-translucent swimsuit)

Hikini (a swimsuit with a higher-profile bottom)

Louis Réard with polka-dot bikini (left), an original 1946 Bikini (centre) and Mademoiselle Barnardini during the 1946 photo-shoot, clad in rather more fabric than previously she'd donned for her professional engagements.  

Louis Réard (1896-1984) was a French engineer who took over his mother's lingerie business, the bathing ensemble he designed debuting in 1946; as a concept it wasn’t new, such things documented by many cultures since antiquity but Réard’s design was minimalist by the standards of the time.  It was at the time suggested he choose the name because an exploding A-bomb was his preferred simile for the effect on men but in subsequent interviews he claimed his mind was focused on what he expected expected to be an "explosive commercial and cultural reaction" to his design.  That's a significant distinction but both were based on the detonated device.  Although originally Réard’s registered trademark (patent number 19431), "bikini" has long been generic. When first displayed at Paris's Piscine Molitor (a large swimming pool complex) in July 1946, so scandalous did the established catwalk models find the notion of exposed navels that all declined the job so Monsieur Réard was compelled to hire Mlle Micheline Barnardini (b 1927), then an exotic (ie not infrequently nude) dancer from the Casino de Paris.  For Mlle Barnardini even the skimpiest bikini was more modest than her usual professional lack of attire.  According to M Réard, his inspiration came when on a beach at St Tropez, he observed young ladies rolling up their bathing suits to get a better tan.

Model Adriana Fenice (b 1994) in olive green bikini.

Le Monde Illustré in August 1947 applied a little of their bourgeois intellectual thuggery in comparing the denuding of the surface of Bikini Atoll by the bomb’s blast wave with the near-elimination of flesh-covering material in the swimsuit:  “Bikini, ce mot cinglant comme l’explosion même...correspondait au niveau du vêtement de plage à un anéantissement de la surface vêtue; à une minimisation extrême de la pudeur”.  (Bikini, a word now of explosions, compares the effect of the state of the clothing at the beach to an annihilation of the dressed surface; an extreme minimization of modesty.)  Even then however it wasn't something all that novel, two-piece swimwear often seen since at least the 1930s and French fashion designer Jacques Heim (1899–1967) early in 1946 had staged a re-launch of his pre-war two-piece swimsuit which he named the Atome, (atoms then much in the public imagination as something very small yet possessing great power) advertising it as "the world's smallest bathing suit".  However, unlike Réard's creation, it covered the navel, most of the buttocks and more of the breasts, enabling M. Réard truthfully to claim the bikini was "smaller than the smallest bathing suit".  The rest is history.

The bikini and the land yacht

Land yachts: 1972 Imperial LeBaron two-door hardtop (left) and 1978 Chrysler New Yorker two-door hardtop (right).  Although even at the time derided by critics as wastefully absurd, for those inside they were a cosseting cocoon and for many that had much appeal.

The term “land yacht” came into use in the 1970s to describe the huge, luxury automobiles which the major US manufactures all produced and they were strong sellers in early Nixon-era America, surviving the first oil shock (1973-1974) to remain a profitable segment until late in the decade driven extinct by the government edict, the CAFE (corporate average fuel efficiency) dooming the breed.  The Cadillacs and Lincolns were the most emblematic and numerous of the breed but on the basis of length, at 235¼ inches (5975 mm), the 1973 Imperial was actually the biggest.  All were highly inefficient and, despite the dimensions, frequently were transport only for one or two although, once inside, passengers enveloped by leather or velour and the driving experience, although not fast by the standards of today was truly effortless, smooth and quiet.  So isolated from the outside world were occupants from that a frequent comment was they seemed “to float down the road”, hence the term “land yacht”.

Ford Australia advertisement for Landau (1974).  By the time of its release in August 1973, nobody else in Australia did make anything quite like it and the industry's consensus was Ford was welcome to the uncontested market sector.

In the US, the term “land yacht” tended to be applied derisively by those who disapproved of the excess, inefficiency and general environmental thuggery the ownership of such things was thought to convey.  It was only in the twenty-first century when they were close to a vanished species the term became almost affectionate as their dubious qualities meant they came to be thought charming nostalgia pieces.  While they were in production however, in promotional material, the manufacturers never called them “land yachts”, preferring words like “luxury” or “exclusive” but in Australia, Ford did run one such associative advertisement for its take on the land yacht: the Landau (manufacturer’s code JG70, 1973-1976).  The advertisement with juxtaposition of Landau and yacht ran in 1974 and there’s nothing to suggest the agency’s idea was anything other than wishing to associate the car with another product on the shopping lists of the rich (or at least the “lease list”, the tax accountant’s tending to provide clients with the “3F Rule” (“If it flies, floats or fornicates, rent or lease, don’t buy.”).  Still, unlike some other cars which might have appealed to the “yacht demographic”, once fitted with a tow bar, the Landau would have been better than many at towing a decent-sized boat.

1973 Ford Landau (front) and 1975 Ford LTD (rear).

The bright colors were not typical of the usually "formal" colors (white, navy blue, maroon etc) chosed by LTD & Landau buyers and only six Landaus were finished in Wild Violet (paint code Z, Shade 13305).  Most of the more lurid hues manufacturers offered during the early 1970s vanished from the color charts when lead was banned from paint, not returning until the next century when new chemical mixes were concocted to replicate what the lead did. 

With only some 1400 made, commercially, the Landau was impressively unsuccessful although the companion four door model (LTD) enjoyed not only solid sales but high profitability because, structurally, it was little more than an elongated Falcon laden with gorp (the word “bling” not then in use).  Dating from the late 1950s, the pleasing “gorp” was a re-purposing (as a noun & verb) by US car designers of the acronym GORP which stood for “granola, oats, raisins, peanuts”, a popular nutritional mix carried by hikers, bush-walkers and such (the designers' notion being the adding of a bit of every decorative thing).  In that spirit, like the LTD, the Landau gained lashings of velour or real leather, fake wood, hidden headlights, a coat of arms of dubious provenance, the novelty of a 24-hour analogue clock and a padded vinyl roof (one of the high points of 1970s fashion).

Ford LTD (P5 & P6) and Landau (ZG70) air-conditioning controls.

Actually, the padding was a really bad idea because the foam tended to trap moisture (especially in the country’s more tropical northern regions) and rust thus became inevitable.  On the Landau, the use of a vinyl roof was particularly cynical because it was cheaper to glue one on than it would have been properly to finish the “plugs” crudely welded in to reduce the size of the rear side windows, rendering a more “formal” roof-line.  Unwanted for years, the Landau is now a collectable and some owners have removed the vinyl roof and properly finished the metalwork beneath, greatly enhancing the aesthetics.  The LTD and Landau did though have some worthwhile features including four-wheel disc brakes (a first for Australia and they were world-class) and a set of aviation-style sliding controls for the air-conditioning, dismissed by some as “an affectation” but really quite fetching and a tactile pleasure.  Surprisingly, although built on the “compact” (in US terms) 111 inch (2819 mm) wheelbase rather than the full-sized platforms of the US land yachts which could have a wheelbase almost 18 inches (457 mm) longer, except in width, the Landau’s interior space was little different.  The dinosaurs of the 1970s however weren’t the first of the species, a bikini-themed US-French hybrid the MRCA (most recent common ancestor).  Despite also using nautical nomenclature, the "boat-tailed" roadsters of the inter-war years belong to a different genus.    

Land yacht: 1948 Le Yacht de la Route "Bikini" by Henri Chapron on the chassis of a 1937 Packard Super Eight.

Before in 1940 taking over his mother’s lingerie business, Louis Réard was an automobile engineer for Renault and one with a flair for publicity so to promote his new swimsuit, he in 1948 commissioned coach-builder Henri Chapron (1886-1971 and in the 1960s to become famous for his various lines of Citroën DS, DW & ID coupés & cabriolets) to build what he called Le Yacht de la Route (the yacht of the road).  Chapron’s design included an actual boat bow, a cabin with portholes, a mast from a yacht and a rear deck where models would pose in bikinis when the car was driven around France on promotional tours.

1937 Packard Super Eight with Formal Sedan coachwork (left) and a 1939 example of the sturdy chassis and straight-eight.  The big Packards of this era were the favored transport of comrade Stalin (1878-1953; Soviet leader 1924-1953), a fair judge of such things.  In the post-war years, Soviet engineers would reverse-engineer the Packard and produce a copy, a common practice the regime (mostly unlawfully) applied to aircraft, military weapons, electronics and much else.

Originally the "Bikini's" coachwork (perhaps "hull" might be a better word) was mounted on the chassis of a 1948 Hotchkiss Artois but its 3.5 litre (212 cubic inch) straight-six proved inadequate to propel to heavy load so it was swapped for that of a 1937 Packard Super Eight, the torquey 6.3 litre (384 cubic inch) straight-eight able effortlessly to cope.  It may have been someone in Detroit was smitten by the portholes because in 1956 a pair appeared (as a “delete option”) on the 1956 Ford Thunderbird’s fibreglass hard-top.  On the Thunderbird they were added to enhance rearward visibility but by the 1970s, reshaped first as ovals before assuming other shapes, they were re-named “opera windows” and became an almost inevitable addition to Detroit's land yachts.

Model Adriana Fenice in another bikini, created ad-hoc with a neon-green & black combo.  Note the difference in the fabric of the two pieces, the mix-and-match "ensemble" approach often taken by bikini-wearers because when, sold in sets, the size which accommodates one part, isn't always a good fit for another.

The curiously named "Bikini State" was the system by which an alert state was defined by the UK's Ministry of Defence (MoD) to warn of non-specific forms of threat, including civil disorder, terrorism or war.  Introduced in 1970, it was in use until 2006 and the MoD's official position has always be "bikini" was a code name selected at random by a computer; those who accept that story are presumably not familiar with the long military tradition of providing misleading answers, either to amuse themselves or confuse others.  There were five Bikini alert states: (1) White which meant essentially there was no indication of a specific or general threat, (2) Black which referred to a situation in which there was heightened concern about internal or external threats, (3) Black Special which indicated an increased likelihood of the conditions which triggered a Black Alert, (4) Amber which confirmed the existence of specific threats or the higher probability of entering a state of armed conflict and (5) Red which covered everything from a specific threat (including the target(s) to actually being in a state of war and at risk of a nuclear strike.  The need for a system which was better adapted to providing advice to the whole population rather than just the military & civil service was acknowledged after the 9/11 attacks in the US when it was recognised the threat environment had shifted since the Cold War and that the whole country should be regarded as "target rich" in much the way the security services treated Northern Ireland.  Accordingly in 2006, the Government adopted a new five layer system: (1) Low, last seen in the brief, optimistic era between the end of the "troubles" in Northern Ireland (1998) and the week of the 9/11 attacks, (2) Moderate which is about as close to "normal" as anyone now reasonably aspires to achieves and suggests folk should be "alert but not alarmed", (3) Substantial which indicates some event is likely, (4) Severe which indicates a heightened level of threat beyond the substantial and (5) Critical which suggests there is intelligence to indicate an imminent attack and security precaution should be elevated to their highest level.

Many countries have similar systems in place although most maintain different arrangements for civilian & military purposes, the latter always tied to specific protocols and procedures.  Some are trans-nation such as those used by the European Union (EU) and the North Atlantic Treaty Organization (NATO) and five-layers used to be the preferred option although this has changed.  In the US the military's DEFCON (defense readiness condition) uses five color-coded levels ranging effecting from "stand easy" to "global thermo-nuclear war is imminent or already begun".  The now defunct civilian Homeland Security Advisory System (HSAS; 2002-2011) used a five-level approach but it was much criticized and since 2011 the US has used National Terrorism Advisory System (NTAS) which is event specific and defined by start and end dates, rather than maintaining the country in some nominal state of alert.

Sala delle Dieci Ragazze (Room of the Ten Girls), a first century AD mosaic in Villa Romana del Casale, Sicily.  For whatever reason, it was a later addition, added atop what's thought to be a conventional geometric mosaic.  

The bikini might in the popular imagination be thought a symbol of Western freedom and something which liberated women from the demands they remain as invisible as possible but the concept of the garment is truly ancient.  Some 2 miles (3.2 km) from the Sicilian town of Piazza Armerina lie the ruins of what would once have been the impressive Roman villa, Villa Romana del Casale.  A UNESCO (United Nations Educational, Scientific and Cultural Organization) World Heritage Site thought to have been built early in the fourth century AD, it contains one of the most extraordinary collections of ancient Roman mosaics, all thought the works of African artists and artisans.  One creation which has proved of great interest is that which sits in what is popularly known as the Sala delle Dieci Ragazze (Room of the Ten Girls), depicting ten women, nine of whom wearing something in the style of two-piece bathing suits, archeologists suggesting the bottom being a loincloth made cloth or leather and known as a subligaculum, a scanty version of the male perizoma worn both as underwear and sometimes by athletes and slaves.  It was a design which is thought to have spread throughout the empire because archaeologists in Britain discovered during the dig of an old well a leather “thong” that was found to date from shortly after the time of Christ.  Its size and shape was exactly that of a modern bikini bottom and it’s now an exhibit at the Museum of London.

The top part was essentially a breast-band, known also to have been worn in Greece where the garment was known as a mastodeton or apodesmos (a strophium to the Romans).  In deference to comfort, mastodetons are thought often to have been made from linen and they were in essence the "sports bras" of Antiquity.  The contribution to fashion is one thing but what interested historians was that the women are clearly participating in sports, their “bikinis” activewear and not swimwear.  Some of the activities are ambiguous but it’s obvious some are running, another is in the throes of throwing a discus while two are engaged in some form of ball sport.  Interestingly, the ball is multi-colored but whether this reflected the nature of sporting equipment in Antiquity or was a piece of artistic license isn’t known.  Of political interest are the young ladies with crowns of roses and palm-fronds, traditionally the prizes awarded to those victorious in athletic competitions so the events were, to some degree, apparently structured.  It’s a myth women in the Roman Empire were always banned from sport although there were restrictions in that men and women competed separately and while, in Athenian tradition, men generally competed naked (something outside the home not permitted for women), the ancient “bikinis” were a compromise which afforded comfort while avoiding unduly exciting any man whose glance might fall upon female flesh.

That the US nuclear tests at Bikini Atoll made the swimsuit a world-wide success was noted by one Australian entrepreneur who, after the British conducted their own tests in October 1952 in the Montebello Archipelago, some 60 miles (100 km) off the north-west coast of Western Australia, attempted to promote his own variation: the Montebello suit (actually a bikini under another name.  The tests, known as Operation Hurricane, came about because the British, fearful of (1) a nuclear-armed Soviet Union, (2) a possibly resurgent Germany and (3) a one-day un-interested United States, were anxious to possess their own independent nuclear deterrent.  The British project proved a success and the UK to this day maintains a boutique-sized but strategically significant array of nuclear weapons and a delivery system which permits them to be aimed at any target on the planet.  The Montebello swimsuit of the early 1950s was not a success but the name has be revived and bikinis using the name are now available.