Mug

Mug (pronounced muhg)

(1) A drinking cup, usually cylindrical in shape, having a handle, and often of a heavy substance, as earthenware; the quantity it holds.

(2) In slang, the face; an exaggerated facial expression; grimace, as in acting; the mouth (mostly archaic).

(3) A thug, ruffian or other criminal (archaic).

(4) To assault or menace, especially with the intention of robbery.

(5) In slang (especially in law enforcement & correctional services), to photograph (a person), especially in compliance with an official or legal requirement.

(6) A stupid, gullible or incompetent person.

(7) In slang (Britain, Australia, Singapore), to learn or review a subject as much as possible in a short time (largely archaic, replaced by cram).

1560–1570: Mug was originally Scots and northern English, denoting an earthenware pot or jug.  In the sense of the small, usually cylindrical drinking vessel, origin was probably Scandinavian; there was the Swedish mugg (earthen cup, jug) and the Norwegian & Danish mugge (pitcher; open can for warm drinks; drinking cup), the sense “face” apparently transferred from the cups because they tended often to be adorned with grotesque faces and from the same source presumably was the Low German mokke & mukke, the German Low German Muck and the Dutch mok.  The relationship to the Old Norse múgr (mass, heap (of corn)) and the Old English muga (stack) is speculative.  The derisive term “mug-hunter”, attested from 1883) was applied to those entering sporting contests solely to win prizes (because they were often in the form of engraved cups).  Mug is a noun, verb & adjective; the noun plural is mugs.

The use to describe a person's mouth or face dates from 1708, thought an extended sense of mug based on the old drinking mugs shaped like grotesque faces, popular in England from the seventeenth century.  The sense of a "portrait or photograph in police records" spread universally with the growth in photography, the first known reference in the Annual Report of the [Boston Massachusetts] Chief of Police for 1873, when it was noted a notorious criminal who had for years been plying his trade all over the country attributed his arrest to “that ‘mug’ of mine that sticks in your gallery”.  Despite that, mug-shot seems to have been used only since 1950.  The meaning "stupid or incompetent person, dupe, fool, sucker" was part of underworld slang by 1851 and was commonly used to describe a criminal in the late nineteenth century, the phrase “mug's game” to describe some foolish, thankless or unprofitable activity emerged around the same time.  The use since 1846 to describe an assault was influenced probably by it meaning "to beat up" (originally "to strike the face) in pugilism since 1818 and this seems to have led to the modern meaning of “mugging” as an attack upon the person of another with intent to rob; that’s noted from 1964.  Some on-line dictionaries list mug in the African-American vernacular as a euphemism for motherfucker (usually in similes, eg "like a mug" or "as a mug").  In Australia, those for whom their only connection with horse racing is to once a year place a bet on the Melbourne Cup are known as "mug punters" but there has been research which suggests choosing a horse on the basis of the horse's name, the color of the jockey's silks (or some other apparently unrelated criterion) can be successful in up to 20% of cases.

Lindsay Lohan mug-shot merchandise is available in a variety of forms.  There are mouse mats, socks, coasters, throw pillows, T-shirts, coffee mugs, face-masks, A-line dresses, hoodies and throw blankets.

Socks are US$19 a pair or US$17 for two / US$15 for three.  The throw blanket is available in three sizes: Small, 40x56 inches (1010x760mm) @ US$28; Medium, 112x94 inches (152x127 cm) @ US$43; Large, 80x60 inches (203x152cm) @ US$56.  Lightweight hoodies are available in sizes from XS-3XL, all at US$39.  T-Shirts are available in sizes XS-XXL for US$7-17.  Coasters are available in a packs of four for US$15. Mug-shot Mugs are available with either individual (with date of photo on reverse side) or multiple mug-shots from US$10-$22 with a discount for volume purchase.  Facemasks are from US$12 with discounts if purchased in packs of four.  A-Line dresses are available in sizes XXS-4XL for US$56.

Three approaches to the mug-shot aesthetic: Jenna Ellis (left), Rudy Giuliani (centre) & Donald Trump (right).

The recent release of the mug shots of Donald Trump and a number of his co-accused attracted comments about the range of expressions the subjects choose for the occasion.  Legal commentators made the point it's actually not a trivial matter because prosecutors, judges and juries all often are exposed to a defendant's mug-shot and the photograph may have some influence on their thoughts and while judges are trained to avoid this, the effect may still be subliminal.  Also, apart from the charges being faced, in the internet age, mug-shots sometimes go viral and modelling careers have been launched from their publication so for the genetically fortunate, there's some incentive to make the effort to look one's smoldering best.

The consensus appeared to be the best approach is to adopt a neutral expression which expresses no levity and indicates one is taking the matter seriously.  On that basis, Lindsay Lohan was either well-advised or was a natural as one might expect from one accustomed to the camera's lens.  Among Donald Trump's alleged co-conspirators there was a range of approaches and the consensus of the experts approached for comment seemed to be that Rudy Giuliani's (b 1944) was close to perfect as one might expect from a seasoned prosecutor well-acquainted with the RICO (Racketeering Influenced and Corrupt Organizations) legislation he'd so often used against organized crime in New York City.  Many of the others pursued his approach to some degree although there was the odd wry smile.  Some though were outliers such as Jenna Ellis (b 1984) who smiled as if she was auditioning for a spot on Fox News and, of course, some of the accused may be doing exactly that.  However, the stand-out was Donald Trump (b 1946; US president 2017-2021) who didn't so much stare as scowl and it doubtful if his mind was on the judge or jury, his focus wholly on his own image of strength and defiance and the run-up to the 2024 presidential election.  Regaining the White House wouldn't automatically provide Mr Trump with the mechanisms to solve all his legal difficulties but it'd be at least helpful.  In the short term Trump mug-shot merchandize is available, the Trump Save America JFC (joint fundraising committee) disclosing the proceeds from the sales of Trump mug-shot merchandize will be allocated among the committees thus: 90% to Donald J. Trump for President 2024, Inc (2024 primary election) & 10% to Save America while any contribution exceeding the legal amount that may be contributed to either of the committees will be allocated to Donald J. Trump for President 2024, Inc (2024 general election).

Mugwump

Mugwump (pronounced muhg-wuhmp)

(1) A member or supporter of the Republican Party who declined to support the party's nominee James Blaine (1830–1893) during the 1884 US presidential election, (claiming he was corrupt) lending their support to the Democratic Party's candidate Grover Cleveland (1837–1908).

(2) A person who is unable to make up their mind on an issue, especially in politics (mostly US & Australia).

(3) Someone who remains neutral on a controversial issue; a person who purports to stay aloof from party politics (mostly US & Australia).  In a derogatory sense it’s used to suggest someone is a “fence sitter” or maintains an aloof and often self-important demeanor.

(4) One who switches from supporting one political party to another, especially for personal benefit (also used in this sense in Australia).

(5) Used informally (usually humorously), a (male) leader; an important (male) person (sometimes as “big mugwump”).

(6) A foolish person (a now rare Australian slang term which emerged apparently because it was conflated with “mug”).

1832: An Americanism and an artificial, nineteenth century revival of the Massachusett (English spelling) mugquomp & mummugquomp (war leader), a syncopated form of muggumquomp (war leader), the construct being the (unattested) Proto-Algonquian memekw- (assumed to mean “swift”) + -a·pe·w (man).  The alternative etymology was the Algonquian (Natick) mogki (great) + a·pe·w (thus something like “great chief).  It was folk etymology which re-interpreted the word, the re-purposed meaning referring to a person who sat on the fence, deconstructed as “their mug (face) on one side and wump (rump) on the other”.  This graphical description produced a slew of political cartoons in this vein during the 1884 US presidential election.  The original Americanism emerged in 1832 in the New England region and was a jocular word for “a great man, boss; very important person”.  By 1840 it was in satirical use as “one who thinks himself important” but faded from used before being revived for the 1884 presidential contest, originally as a term of abuse but the independents embraced it and from that it picked up the specific sense “one who holds themselves aloof from party politics."  Mugwump is a noun & verb, mugwumpery & mugwumpism are nouns, mugwumpian, mugwumping & mugwumped are verbs and mugwumpian, mugwumpesque & mugwumpish are adjectives; the noun plural is mugwumps.

Originally, the Mugwumps were those Republican Party members (or supporters) who claimed to be appalled by the corruption they said was associated with James Blaine (1830–1893), declining to support his candidacy in the 1884 US presidential election.  Unlike some of the dissident movements in US politics (the Tea Party, the Know Nothings, the Progressives et al) the Mugwumps never formed any sort of organizational structure or even self-identified as a faction.  They gained the name because they “switched sides”, supporting the Democratic Party’s Grover Cleveland (1837-1908) although in their public statements, some Mugwumps would say they were “still Republicans”, hence the association with “fence-sitting”, the term adapted for the purpose because they were sitting with “their mug (face) on one side and wump (rump) on the other”, a theme cartoonists and caricaturists took to with gusto.

Those who rat on political parties, shifting their allegiance to another risk a lifetime of suffering the enmity of their former colleagues, politics attracting haters like few other professions although Winston Churchill (1875-1965; UK prime-minister 1940-1945 & 1951-1955) who ratted twice reckoned the trick was to do it with style.  Fence sitters seem to attract less opprobrium but there’s often a sense of exasperation; at least with the rats one knows where one stands.  Sir John Simon (1873–1954; First Viscount Simon, cabinet minister on several occasions 1913-1945, Lord Chancellor 1940-1945) picked up the nickname “slippery Sam” for a reason (actually many) and David Lloyd George (1863–1945; UK prime-minister 1916-1922) said of him: ”He has sat on the fence so long the iron has entered into his soul.”  That probably wasn’t quite what Boris Johnson (b 1964; UK prime-minister 2019-2022) had in mind when, as Foreign Secretary, he dismissed Jeremy Corbyn (b 1949; leader of the UK Labour Party 2015-2020) as a “mutton-headed old mugwump”, although with Mr Johnson, one can never quite be sure.

MAGAwump's high priest, Mitt Romney, mugwumping (David Horsey in the Seattle Times, September 18 2023).  Note the carpetbag.

The Mugwumps have been compared with the “Anyone but Trump” movement which was an attempt by what used to be called “mainstream Republicans” to block Donald Trump’s (b 1946; US president 2017-2021) path to the party’s nomination (and from there the White House).  The movement formed but failed though it’s not far-fetched to imagine if might have gained for traction if it had used a catchy name like MAGAwumps and interestingly, in the “Guilded Age” era of the Mugwumps, their critique of the state their nation sounds little dissimilar to those heard over the last three decades.  Charles Eliot Norton (1827–1908; Harvard professor of art) in 1895 contemplated things and confessed “the greatest apprehension… about a miserable end for this century”, the United States afflicted by the “worst spirit in our democracy, … a barbaric spirit of arrogance an unreasonable self assertion.  I fear that American is beginning a long course of errors and wrong and is likely to become more and more a power for disturbance and barbarism.”  Other agreed, the anyway gloomy historian Henry Adams (1838–1918) at the same time reviewing the closing century concluded it was “rotten and bankrupt”, sunk in “vulgarity commonness, imbecility and moral atrophy”.  It all sounds so modern.

One noted for her mugwumpery is Lindsay Lohan.  In 2008 she made clear her support for Barack Obama (b 1961; US president 2009-2017) yet by 2012 was tweeting she was inclined to vote for Mitt Romney (b 1947; governor of Massachusetts 2003-2007, junior US senator (Republican-Utah) since 2019) on the basis that “employment is really important right now”.  That feeling apparently didn’t last and she reaffirmed her support for Obama, latching onto #ProudOfObama although she did once refer to him as the country's “first colored president”, a black mark against anyone who hasn’t updated their list of politically correct descriptors.  Later, her mugwumpian tendencies continued.  In 2017 she tweeted of Donald Trump: “THIS IS our president. Stop #bullying him & start trusting him” later praising the entire Trump family, calling them “kind people” although during the 2016 election she had endorsed crooked Hillary Clinton (b 1947; US secretary of state 2009-2013), tweeting “I couldn’t understand you more”.  However, like Mr Johnson, while one can always read what Lindsay Lohan has written, what she means can be elusive.  It’s thought she endorsed crooked Hillary but “I couldn’t understand you more” is certainly cryptic.

Maiden

Maiden (pronounced meyd-n)

(1) A girl or young unmarried woman; a maid (archaic but still in literary and poetic use).

(2) A female virgin (archaic); used also of unmarried young females in the sense of a “bachelorette” (a spinster being “a maiden aunt”).

(3) In horse racing, a horse which has never won a race.

(4) In horse racing, a race open only to maiden horses.

(5) As “clothes maiden”, a northern English dialect form describing a frame on which clothes are hung to dry (a clothes horse).

(6) A machine for washing linen (obsolete).

(7) An instrument resembling the guillotine, once used in Scotland for beheading criminals.

(8) As “maiden name”, a woman’s surname, prior to taking that of her husband upon marriage.

(9) In land management, as virgin soil, virgin forest etc, an area in its natural state; unexploited.

(10) In pre-modern agriculture, the last sheaf of grain harvested, decorated with ribbons and regarded as a talisman (by extension the end of the harvest) (archaic).

(11) In botany, a tree or shrub grown from seed and never pruned.

(12) In cricket, as “maiden over”, for a bowler to complete an over (now six legitimate deliveries) without conceding a run; a “wicket maiden” is an over in which a wicket fell with no runs being scored (thus double-wicket maiden & hat-trick maiden).

(13) Of, relating to, or befitting a girl or unmarried woman (archaic but preserved in phrases such as “her maiden virtues”. “a maiden blush” et al).

(14) Of an unmarried woman, older than a certain age (generally past middle age), often in the form “maiden aunt”.

(15) Something made, tried, appearing etc, for the first time (maiden flight, maiden speech, maiden voyage etc).

(16) In military slang, an untested (or untried in battle) knight, soldier or weapon; a fortress never captured or violated.

Pre-1000: From the Middle English mayden & meiden, from the Old English mæden  & mægden (unmarried woman (usually young); virgin; girl; maidservant), originally a diminutive of mægð or mægeð (virgin, girl; woman, wife), the construct being mægd, mægth or mægeth, from the Proto-West Germanic magaþ, from the Proto-Germanic magaþs & magadin (young womanhood, sexually inexperienced female) (and cognate with the Old Norse mogr (young man), the Old Irish maug & mug (slave), and the Gothic magaths) + -en (the diminutive suffix).  The Proto-Germanic was the source also of the Old Saxon magath, the Old Frisian maged, Old High German magad (virgin, maid), the German Magd (maid, maidservant), the German Mädchen (girl, maid) from Mägdchen (little maid), the feminine variant of the primitive Indo-European root maghu- (“young of either sex; “unmarried person” and the source also of the Old English magu (child, son, male descendant), the Avestan magava- (unmarried) and the Old Irish maug & mug (slave)).  Maiden is a noun & adjective, maidenly is an adjective, maidenship & maidenhood  are nouns and maidenish is an adjective; the noun plural is maidens.

Iron Maiden is a heavy metal band active since 1975, their eponymous album in 1980 the debut release of studio-recorded material.  Their album cover-art has become something of a motif and is widely reproduced in posters, T-shirts and such, their music is said to possess a similar consistency.

In thirteenth century Middle English, “maiden” could be used as a slur to refer to “a man lacking or abstaining from sexual experience” and in Scotland it was the official term for a guillotine-like device used to behead criminals.  In horse racing, a maiden horse is one which has never won a race (although in the mid-eighteen century it was sometimes used of horses which had not previously contested a race.  A maiden race is one restricted to maiden horses (which can be mares, stallions or geldings).  The figurative sense of "new, fresh, untried” (maiden flight, maiden speech, maiden voyage etc) seems first to have been used in the 1550s.  The idea of the maiden name (a woman’s surname, prior to taking that of her husband upon marriage) dates from the 1680s.  The noun maidenhood (state of being a maiden; state of an unmarried female; virginity) was from the Old English mægdenhad while the adjective maidenly (like a maid, becoming to a maid; gentle, modest, reserved) was first documented in the mid 1600s.

Headbanger Lindsay Lohan in Iron Maiden T-shirts.

The term Hiroshima maiden (or A-bomb maiden) was in the 1950s used to refer to the Japanese & Korean women disfigured by the radiation from the A-bombs dropped on Hiroshima or Nagasaki in August 1945, the term coming into use in 1955 when they were sent to the US for reconstructive plastic surgery.  In Norse mythology, the billow maidens were any of the nine daughters of the sea-god Ran and a skjaldmær (shieldmaiden) was a female virgin who had chosen to fight as a warrior in battle.  In several tales from mythology, an ice maiden was one of the ice people (or people of the ice), a woman from a place of snow and ice (in popular culture, the idea was borrowed in fantasy writing.  In idiomatic use, an ice maiden (also ice princess or ice queen) is a beautiful but cold (heartless) woman.  In Westminster parliamentary systems, the maiden speech of a member is their first substantive address to a chamber.  By convention it is (1) uncontroversial and (2) listened to by the house in polite silence although in cases where the member has not followed the convention, there have been some famous interjections.  Maiden ventures by machinery have sometimes become infamous.  Ships have sunk on their maiden voyages including RMS Titanic (1912) and the Wasa (or Vasa), a Swedish warship at the time one of the fastest and most heavily gunned in the world (1628).  In aviation, many aircraft have crashed on their maiden flights (test pilots are truly intrepid types) although it’s a myth that included the Supermarine Spitfire.  Less fortunate was the German industry in the later stages of World War II (1939-1945) when development was being rushed and at least two prototypes are known to have either crashed or suffered severe damage during their maiden test flights including the Heinkel He 162 Volksjäger (People's Fighter).  In the case of the He 162 the maiden flight actually ended without incident and it was only a subsequent investigation of the airframe (after another prototype He 162 had crashed) which revealed the adhesive used to bond wooden components was so acidic it caused the timber to disintegrate.

An iron maiden towering above other instruments of torture.

The infamous torture chamber known as the iron maiden is now though to be mythical and an invention of those who wished to characterize the Middle Ages as a time of barbarism and savagery.  It was said to be a solid iron cabinet with a hinged front, large spikes fitted throughout the interior and designed to be large enough to accommodate an adult human.  Once the door was closed, it was said to be impossible to avoid being “spiked” and with every movement, one became “more spiked”.  Although their existence has been disproved, iron maidens (most apparently built in the nineteenth century) are a popular exhibit in “museums of torture”, some probably genuine “torture coffins” to which the spikes were a latter addition.  Quite why it was felt necessary to “invent” the iron maiden given there were so many examples of equally gruesome Medieval torture devices isn’t clear but it may be there was some desire to exonerate the torturers of Antiquity who really did use such things; among post Renaissance historians, such was the veneration for the Classical world that wherever possible, things were blamed on the Middle Ages.

In the English legal system, maiden assize came to mean an assize (periodic courts with on a circuit basis were conducted around England and Wales until 1972,) at which there were no criminal cases to be heard although originally it was an assize at which no prisoner was condemned to die.  There used to be some ritualism attached to the declaration of a maiden assize and the tradition wasn’t unknown in the US:  If a judge, upon opening a session of their assize found there were no cases to be heard, the clerk of the court would present him with a pair of white gloves, the marker of a maiden assize, the significance being that judges, as a mark of submission to the Crown, were always gloveless when executing the royal commission.

Catawampus

Catawampus (pronounced kat-uh-wom-puhs)

(1) Out of alignment, in disarray or disorder; crooked, askew, awry.

(2) Positioned diagonally; cater-cornered; obliquely.

(3) Of fierce demeanor or appearance (archaic).

1830s: A US colloquialism which originally meant “utterly” or “of fierce demeanor or appearance”, apparently influenced by (wild)cat + rumpus or the fierce looking catamount (cougar, puma, lynx).  As a noun, the US use described “a fierce imaginary animal, a bogeyman”.  The rapid meaning shift to “positioned diagonally” (which influenced the later use to mean “askew; awry” is explained by the construct being cata- (diagonally (from cater-cornered)) + -wampus.  The alternative spellings recorded include caddywompus, caliwampus, caliwampous, cankywampus catawamptious and (influenced by cat, catty, kitty) cattywampus, catiwampus, cattywampous; kittywampus, kittywumpus.  The synonyms include askew, awry, crooked, off-kilter, skewampus & skiwampus.  Catawampus is an adjective & adverb (and historically a noun); the noun plural was catawampuses.

Kitty corner.

The term “cater-cornered” dates from the early nineteenth century and has an archaic feel but is still in use variously as kitty-cornered, catty-cornered & caddy-cornered, depending on the region; catty-corner is the form most often used in the UK while kitty-corner prevails in North America and although it’s rare anywhere, caddy-corner seems to know no boundaries.  It has nothing to do with felines and refers to something which lies in a position diagonally across from something else and can be applied to streets, rooms, or any other space or place where the requisite corners exist.  As a descriptor of location, it’s dependent not on proximity but the diagonality of the relationship; a building might be within a few feet of the one beside or on the opposite side of the street but to be catty-cornered, it need not be all that close, just in the right place.

Catawampus: At this intersection, buildings one & four and buildings two & three are catawamptic and thus catty or kitty cornered.

Catty-cornered is said to have been the original version, from the French quatre (four), meaning four.  Quatre was from the Old French quatre, qatre & catre, from the Latin quattuor, from the primitive Indo-European ketwóres and was picked up by a number of European languages including the Catalan quatre, the Italian quattro, the Portuguese quatro and the Spanish cuatro.  In English, quatre became cater, used to showcase the four spots on a die or the four legs of a beast and, as cater-cornered, the four corners created where two streets cross.  From here, the term evolved to describe the buildings positioned diagonally from each-other on those corners, like the opposite corners on a square die.  Then, cater-cornered evolved as catty-corner, kitty-corner and caddy-corner, something not uncommon at a time when regionalisms were much more common.  Wampus was US slang for a lout or yokel but the use may have been a corruption of the archaic Scottish wampish which, when used as an intransitive verb, meant “to wriggle, twist, swerve or flop about (a la a swimming fish).

Catawampic mug shots; the concept able to be applied to just about any diagonal relationship: Here, Lindsay Lohan & Donald Trump are kitty-cornered and Bill Gates & Rudy Giuliani are kitty-cornered.

Some sources suggest the earliest use appears to have been the adverbial catawampusly (1834) which expressed no specific meaning but was an intensifier meaning “utterly, completely; with avidity, fiercely, eagerly”.  The noun as catawampus dates from 1843 when it was used as a name for an imaginary hobgoblin, a fierce imaginary animal or a bogeyman (and even a sense of fright), perhaps from influence of catamount (cougar, puma, lynx).  The adjective was used since the 1840s as an intensive but etymologists caution the use was almost exclusively in British publications lampooning the Americanisms in US English.  By 1864 it has come to mean “askew, awry, wrong” but the regionalism which most spread was that in North Carolina (dating from 1873) which meant “in a diagonal position, on a bias, crooked” and that persists to this day.  This orthodox etymology is generally accepted but because documentary evidence of the origin is lacking, it really is all speculative and etymologists note catawampus may well have been one of the many jocular, pseudo-classical formations popular in the slang of mid-nineteenth century America.

Trends of use of "kitty-corner" & "catty-corner" in the US, one of a series of statistical representations by Joshua Katz, Department of Statistics, North Carolina State University.  Catty-corner is the preferred form south of the Mason-Dixon Line but it fades from use in Florida, reflecting presumably the inward migration pattern from the northern states.

Crapper

Crapper (pronounced krap-er)

(1) A proprietary trade name for a brand of loo; toilet; lavatory etc.

(2) A slang term for the loo; toilet; lavatory etc.

1920s: The construct was crap + er.  Dating from 1375-1425, crap was from the Middle English crappe (which at various times existed in the plural as crappen, crappies and craps) (chaff; buckwheat) from the Old French crappe & crapin (chaff; siftings, waste or rejected matter).  In the Medieval Latin there were the plural forms crappa & crapinum, apparently from the Old Dutch krappen (to cut off, pluck off) from which Middle Dutch gained crappe & crap (a chop, cutlet) and Modern Dutch krip (a steak); the most obvious modern relative is crop.  The Middle English agent suffix er was from the Old English ere, from the Proto-Germanic ārijaz and generally thought to have been borrowed from the Latin ārius.  The English forms were cognate with the Dutch er & aar, the German er, the Swedish are, the Icelandic ari and the Gothic areis.  Related are the Ancient Greek ήριος (ḗrios) and the Old Church Slavonic арь (arĭ).  Although unrelated, the development of er was reinforced by the synonymous Old French or & eor and the Angle-Norman variant our, all derived from the Latin (ā)tor, the ultimate root being the primitive European tōr.  Dating from 1846, crap was the English slang for the proper term crapping ken which is crap’s first documented application to bodily waste although etymologists suspect it had been in widespread use for some time prior.  In this context, crap was used in the earlier English and French sense of “siftings, waste or rejected matter” and ken was an existing term for a small building or house.

The urban myth is part-truth, part-crap

The brand-name Crapper was first applied to a toilet designed and by plumber Thomas Crapper (1836-1910) and manufactured by the company he founded, Thomas Crapper & Co, Licenced Plumbers & Sanitary Engineers.  In 1884, the Prince of Wales (later Edward VII (1841–1910; King of the UK & Emperor of India 1901-1910)) purchased Sandringham House and asked Mr Crapper to supply the plumbing, including thirty flushing loos with cedarwood seats and enclosures.  Impressed with the quality, the prince granted the company their first Royal Warrant.  The occupational surname Crapper is a dialectal variant of cropper (harvester of crops, farmer).

It’s a linguistic coincidence that a Mr Crapper choose to become a plumber and begin manufacturing loos bearing his name which bore such similarity to both crap and crapping which had earlier been used to describe bodily and other waste.  Despite being a coincidence, decades before the internet spread fake news, the urban myth was well-established that the terms words crap and crapper, in their scatological sense, all derive from the efforts and products of Mr Crapper.  The myth is often fleshed-out with reference to US soldiers stationed in England during World War One popularizing the phrase "I'm going to the crapper", after seeing the name on barracks’ cisterns.  In the way army slang does, it was taken home when the servicemen returned to the US.  Despite this, most dictionaries cite the origin of the slang term to the 1920s with popular use becoming widespread by the mid 1930s.  It spread with the empire and was noted in the era to be in use in the Indian Army although, after 1947, the troops came often to prefer "I am going to Pakistan".

By one's name, one shall be remembered.

The long-standing urban myth that Mr Crapper actually invented the flushing loo seems to lie in the 1969 book Flushed with Pride: The Story of Thomas Crapper by New Zealand-born humorist Wallace Reyburn (1913–2001) which purported to be a legitimate history.  Reyburn later wrote a "biography" of an influential inventor who created another product without which modern life also (for half the population) would be possible but less comfortable.  His 1971 volume Bust-Up: The Uplifting Tale of Otto Titzling and the Development of the Bra detailed the life of the putative inventor of the brassiere, Otto Titzling.  Unlike Mr Crapper, Herr Titzling (Reyburn helpfully mansplaining that the correct pronunciation was "tit-sling") never existed.  In truth, the flushing loo has probably existed in a recognizably modern form since the 1400s but, although the designs were gradually improved, they remained expensive and it was not until the nineteenth century they achieved any real popularity and it was well into the next century with the advent of distributed sanitation systems that they became expected, everyday installations.  To mark the day of his death in 1910, 27 January is designated International Thomas Crapper Day.  Each year, on that day, at the right moment, briefly, all should pause, reflect and then with gratitude, proceed.

Lindsay Lohan mug shots on the doors of the crappers at the Aqua Shard restaurant.  Located on the 31st floor of The Shard in London, the view is panoramic.

Act

Act (pronounced akt)

(1) Anything done, being done, or to be done; deed; performance.

(2) The process of doing.

(3) A formal decision, law, or the like, by a legislature, ruler, court, or other authority; decree or edict; statute; judgment, resolve, or award (with initial capital when part of a name).  An act is created by a legislature passing a bill.

(4) An instrument or document stating something done or transacted.

(5) One of the main divisions of a play or opera.

(6) A short performance by one or more entertainers, usually part of a variety show or radio or television program or the personnel of such a group.

(7) A false show; pretense; feint.

(8) In scholasticism (a medieval school of philosophy), (1) activity in process; operation, (2) the principle or power of operation, (3) form as determining essence & (4) a state of realization, as opposed to potentiality (an occurrence effected by the volition of a human agent, usually opposed at least as regards its explanation to one which is causally determined).

(9) To do something; exert energy or force; be employed or operative.

(10) To reach, make, or issue a decision on some matter.

(11) To operate or function in a particular way; perform specific duties or functions.

(12) To produce an effect; perform a function; to behave or conduct oneself in a particular fashion.

(13) To pretend; feign.

(14) to represent (a fictitious or historical character) with one's person; to perform as an actor.

(15) To serve or substitute (usually followed by for).

(16) To actuate, to move to action; to actuate; to animate (obsolete).

(17) As ACT, the initialization for Australian Capital Territory, a federal territory created for the establishment of Canberra as Australia’s capital city.

(18) In certain English universities, a thesis maintained publicly by a candidate for a degree, or to show the proficiency of a student.

(19) In mathematics, construed with on or upon, of a group; to map via a homomorphism to a group of automorphisms.

(20) In Scottish law, to enact, decree (obsolete).

1350–1400: From the Middle English act & acte, from the Old French acte, from the Latin ācta (register of events), plural of āctum (decree, law (later “something done”)), noun use of the past participle of agere (to set in motion, drive, drive forward", hence "to do, perform" and figuratively "incite to action; keep in movement, stir up" a verb with a broad range of meaning in Latin, including "act on stage, play the part of; plead a cause at law; chase; carry off, steal”), the construct being āg- (past participle stem) + -tum (the neuter past participle suffix) and directly from the Latin āctus (a doing; a driving, impulse, a setting in motion; a part in a play), the construct being āg- + -tus (the suffix of verbal action); the ultimate source was the primitive Indo-European héǵeti. The word partially displaced deed (which endured also to enjoy a specific meaning in law), from the Old English dǣd (act, deed).  Source of it all was the primitive Indo-European root ag- (to drive, draw out or forth, move).  The present participle is acting, the past participle acted.

The theatrical (part of a play (from the 1510s)) and the early fifteenth century legislative senses of the word existed also in Latin although the idea of "one of a series of performances in a variety show" seems not to have been in use until the 1890s although such forms of entertainment were by then long-established.  The (usually disparaging) use to suggest a "display of exaggerated behavior" is from 1928, extended from the theatrical sense.  The "act of God” (a natural force or event uncontrollable by man) was first recorded in 1726 as a legal term to refer to matters in which plaintiffs could not sue for compensation or relief because the consequent losses could not by anyone have been “…guarded against by the ordinary exertions of human skill and prudence so as to prevent its effect.”  Even Adolf Hitler (who wasn't fond of of churches and priests (the Roman Catholic ones he called "black crows") found it often convenient to invoke the name of the Almighty) found the concept helpful, describing the destruction of the Hindenburg dirigible in 1937 as “an act of God”.  The word had been in the language of law for a while, an act in the 1590s understood as something "in the process" and legal scholars link this with the late sixteenth century use of act as a euphemism for "sexual intercourse”.

The verb was a mid fifteenth century development from the noun and most of the modern senses in English probably are from the noun.  In the mid 1400s, it began with the sense of "to act upon or adjudicate in legal matters” before from circa 1600 coming to be used in the familiar general meaning of "to do, perform, transact", extended to things in the sense of "do something, exert energy or force”, by 1751, a use which would become increasingly common in physics and cosmology.  In theatrical performances, from the 1590s it meant to "perform as an actor" (intransitive) and by the 1610s "represent by performance on the stage" (transitive). The meaning "perform specific duties or functions," often on a temporary basis, had come into use by 1804 and was given a new legitimacy when the Duke of Wellington (1769–1852; UK prime-minister 1828-1830) was described as “acting prime-minister” between November-December 1834 while awaiting the return from Italy of the king’s appointee.  One verb form which in general use didn’t survive was co-act ("to act together in a performance), noted from circa 1600 and which begat co-action; co-active; co-actor etc although co-act (and variations) is still sometimes used in scientific papers.

To “act on” in the sense of "to exert influence upon" entered general use in the 1810s, the adoption encouraged by the increasing appearance of the phrase in scientific literature.  To “act up” came by 1900 mean "be unruly" (in reference to a horse in the same way bolter (ie “to bolt” in the sense of “gallop off without warning”)) was used, a reversal of the earlier meaning "acting in accordance with a duty, expectation, or belief” which dates from 1645.  To “act out” (behave anti-socially) was part of the jargon of psychiatry noted first in 1974; it meant "expressing one's unconscious impulses or desires", following “acting out” (abnormal behavior caused by unconscious influences) from 1945.

The idiomatic forms are legion.  “To get into the act” (participate) dates from 1947 and “to get (one's) act together” (organize one's chaotic life) is said not to have been used until the mid-1970s which seems surprising but more than one source records this.  The idea of the “one-act” was borrowed from the literal “one act play” (a performance consisting of a single act), noted since 1888, the figurative use suggesting either brevity or inadequacy depending on context.  The verb overact (to go too far in action) faded from use except in its original sense from the theatre where it described an actor “playing a part with too much emphasis; an extravagant and unnatural manner”.  The theatrical slang encapsulating this was “chewing the scenery", which sounds modern but dates from the 1630s.  To “act one’s age” is to behave in a manner befitting the maturity one is presumed to have attained at a certain stage in life.  An “act of faith” is to embark on a course of action on either (1) a basis of trust rather than any guarantee or (2) as a demonstration one's religious faith.

Acts & Scenes

William Shakespeare agitprop.

The act is a major division in many performance pieces such as plays, film, opera etc and frequently (though not of necessity) consists of a number of scenes, the concept dating from the theatre of antiquity.  Traditionally, the division of a work into acts and scenes was undertaken by the author but such delineations, especially of older material, can be made by critics or those applying academic analysis and where the notion of authorship can become blurred (such as a film director interpreting a text), there can be variations from the original, something sometimes controversial.  The application of the concept (and the labels) of acts and scenes is widely applied to many forms of entertainment, sometimes to provide a structural framework and sometimes, one suspects, to lend a not always deserved gravitas.  In the production of more recent material, commercial imperatives can also dictate the divisions, the single intermission a common occurrence which renders a performance inherently a two-stage event in some sense.

The three-act structure.

The number of acts in a piece need not bear any relationship to its length although this certainly is the general tendency, a one act play usually a deliberately short work.  Although the five act structure had until the early nineteenth century been most frequently used by playwrights, many analysts suggest this was a kind of formalism, a deferential (and perhaps devotional) nod to William Shakespeare (circa 1564–1616) who usually adhered to the five act model in his plays.  The bard had his reasons and there is a discernible rhythm as his five acts evolve but none the less, even in the most intricate of his plays, it’s possible convincingly to map onto them the now conventional three act structure.

The three act structure.

The three-act structure can simply and unexceptionally be understood as the beginning, the middle and the end.  It is in act one that the nature of the conflict is established and the identities of the protagonist and antagonist are revealed (or in the case of the latter, at least alluded to.  During the second act, difficulties will arise, these the dramatic device which seem to create the insurmountable obstacle which much defeat the protagonist.  In the third act, there will be a climax (and perhaps anti-climaxes), the point at which all seems finally lost for the protagonist.  However, despite it all, the protagonist prevails and, even if they die, the circumstances will be such that resolution attained is sufficient to satisfy the moral point to be made.

F Scott Fitzgerald with wife Zelda (Zelda Sayre, 1900-1948).

F Scott Fitzgerald’s (1896–1940) oft-quoted phrase “there are no second acts in American lives” appears as a fragment in his posthumously published, unfinished novel The Last Tycoon (1941) but he first published it in the early 1930s in the essay My Lost City, a kind of love letter to New York.  The quote is frequently misunderstood as an observation that for those Americans who suffer disgrace or destitution, there is no redemption, no coming back.

Second (third, fourth etc) act specialist: Lindsay Lohan mug-shots 2007-2011.

However, from politics to pop culture, there are many examples of temporarily disreputable Americans resurrecting their public lives from all but the most ignominious opprobrium.  Fitzgerald was a professional writer and his observation was an allusion to the structure used by playwrights in traditional three-act theater: (1) problem, (2) complication & (3) solution.  He thought the nature of the American mind was to prefer to skip the second act, going straight from a problem to finding a solution.  His point was well-made and it’s one of the themes of the narrative which underlies the discussions (which became arguments and sometimes squabbles) of military and political strategy between Washington and London during the Second World War.