Limelight

Limelight (produced lahym-lahyt)

(1) In the lighting systems of live theatre, prior to the use of electricity, a lighting unit for spot-lighting the front of the stage, producing illumination by means of a flame of mixed gases directed at a cylinder of lime and having a special lens for concentrating the light in a strong beam.

(2) The light produced by such a unit (and subsequently by lights using other technology.

(3) In theatre slang (1) a lighting unit (also clipped to “limes”), especially a spotlight & (2) by extension, attention, notice, a starring or central role, present fame (source of the general use of the word).

(4) The centre of attention, interest, observation, or notoriety.

(5) As “limelight dress”, a designed to make the wearer the “centre of attention”.  Of late, “limelight” has been applied also in high street fashion to refer to garments made with neon-like fabrics which resemble a color under a bright light.

1826:  The construct was lime + light.  Lime (in this context) was from the Middle English lyme, lym & lime, from the Old English līm, from the Proto-Germanic līmaz, from the primitive Indo-European sley- (smooth; slick; sticky; slimy).  It was cognate with the Saterland Frisian Liem (glue), the Dutch lijm, the German Leim (glue), the Danish lim (from the Old Norse lím) and the Latin limus (mud).  In chemistry, the word described any inorganic material containing calcium (usually calcium oxide (quicklime) or calcium hydroxide (slaked lime).  In literary or poetic use, it was used of any gluey or adhesive substance, usually in the sense of “something which traps or captures someone” and sometimes as a synonym for birdlime.  It was used as a verb to mean (1) to apply to some surface a coasting of calcium hydroxide or calcium oxide (lime) & (2) to smear with birdlime or apply limewash.

Lime (chemical formula: CaO) is composed primarily of calcium oxides and hydroxides (typically calcium oxide and/or calcium hydroxide) and the origin of the word lies in its early use as building mortar (because of its qualities of sticking or adhering).  It was the interaction of lime with other substances which lent the concrete mixed in Ancient Rome (known to engineers as “Roman concrete”) unique properties that made it remarkably durable and long-lasting (though despite the legend, it was no more “sticky” that other concrete using the same quantity of lime).  A critical ingredient in Roman concrete was a type of volcanic ash called pozzolana (abundant in the environs of Rome) which was mixed with lime and small rocks or rubble to create a paste that could be molded into various shapes and sizes.  What created uniqueness was the chemical reaction between pozzolana and lime when the mix was exposed to water, this creating a mineral called calcium silicate hydrate, the source of Roman concrete’s durability and strength.  Unusually, it was able to harden underwater and for centuries resist the effects of saltwater (indeed such exposure triggered a kind of “self repair” reaction), making it ideal for building structures like harbors and aqueducts and, in a happy coincidence, the easy accessibility of pozzolana meant Roman concrete could be produced at a lower cost than other building materials.  Engineers note the chemistry but maintain the slang “sticky concrete” remains appropriate because its durability meant the stuff is still “sticking around”, centuries after other forms of concrete have crumbled to dust. 

Light (in this context) was from the Middle English light, liht, leoht, lighte, lyght, & lyghte, from the Old English lēoht, from the Proto-West Germanic leuht, from the Proto-Germanic leuhtą, from the primitive Indo-European lewktom, from the root lewk- (light).  It was cognate with the Scots licht (light), the West Frisian ljocht (light), the Dutch licht (light), the Low German licht (light) and the German Licht (light) and related also to the Swedish ljus (light), the Icelandic ljós (light), the Latin lūx (light), the Russian луч (luč) (beam of light), the Armenian լույս (luys) (light), the Ancient Greek λευκός (leukós) (white) and the Persian رُخش‎ (roxš).  The early uses (in this context) all were related to the electromagnetic radiation in the spectrum visible to the human eye (ie what we still commonly call “light”).  Typically, the human eye can detect radiation in a wavelength range around 400 to 750 nanometres and as scientific understanding evolved, the shorter and longer (ultraviolet light and infrared light) wavelengths, although not visible, were also labeled “light” because, as a matter of physics, they are on the spectrum and whether or not they were visible to the naked eye was not relevant.  “Light” in the sense of illumination was literal but the word was also productive in figurative and idiomatic generation (the “Enlightenment”; “leading light”; “negative light”; “throw a little light on the problem”; “bring to light”; “light the way” etc).  Limelight is a noun & verb, limelighting is a verb, limelighted & limelit are adjectives and limelighter is a noun; the noun plural is limelights.

Three exemplars of the art. 

The term “limelight dress” was coined to describe a garment designed to attract the eye (or a photographer's lens), making the wearing the “centre of attention” in the manner of a stage performer in the limelight: Rita Ora (b 1990, left), Ariel Winter (b 1998, centre) and Lindsay Lohan (b 1986, right) illustrate the idea; while there are often commonalities in the way designers do these things, there are many variants.  It has in recent decades become less easy to achieve the “limelight dress effect” because of the mainstreaming of the “nude dress” and it may be that a more modest cut, if well executed, might work better for clickbait purposes, just because of the novelty.  Rita Ora with some aplomb wore the dramatic gown designed by Donna Karan (b 1948) at the 2014 MTV Video Music Awards in 2014 and while it was much admired, a similar creation in the same scarlet by Alexandre Vauthier (b 1971) Couture created a sensation when worn by Bella Hadid (b 1996) at the 2016 Cannes Film Festival.  Perhaps the ultimate “limelight dress”, it remains still probably the dress of twenty-first century.     

In the limelight: In a marquisette gown, Marilyn Monroe (1926–1962) sang Happy Birthday Mr President to John Kennedy (JFK, 1917–1963; POTUS 1961-1963) at a Democratic Party fundraiser at New York's Madison Square Garden on 19 May, 1962, ten days before his actual birthday.  Within three months, she would be dead.

The dress became one of the best-known garments of the Marilyn Monroe cult and it re-appeared at the 2020 Met Gala in New York City, worn by Kim Kardashian (b 1980) complete with blonde hair for the occasion.  It couldn’t be expected to cause quite the same stir as sixty years earlier because, cut from a sheer, silk marquisette that almost exactly matched Ms Monroe’s skin-tone, the 2,500 hand-sewn rhinestones intricately were positioned to respond to the particular gait she chose that evening and, under the limelight in the darkened amphitheatre, as she moved, the crystals sparkled and the dress came alive.  It was quite a design.  In the hard, white light of the Met Gala’s red carpet, it couldn’t be expected to work the magic it did all those years ago; not shimmering in the darkness, it seemed lifeless and perhaps it would have benefited from the contrast her lustrous natural hair would have lent but Ms Kardashian wore it well, attracting admiration (and criticism from the usual suspects) too for the reasonable achievement of in three weeks shedding a reputed 16 lbs (7¼ kg) to ensure a (close to) comfortable fit.

Limelight was the common name for the Drummond light (or calcium light), a lamp of then unprecedented luminosity created by the burning of calcium oxide (lime).  The process of creating light by burning lime augment by oxygen & hydrogen had been invented in the early 1920s and, generating an intense white light, it was developed in 1925 for use in mining and surveying by Scottish army engineer Captain Thomas Drummond (1797-1840) and soon adopted for lighthouses although it became famous from the use in live theatre where directional spot-lights were used to illuminate the principal actors on stage and although the technology has moved on, in theatre, film & television production, catwalks etc, “limelight” is still often used to describe both the physical lighting equipment and the effect produced.  In popular entertainment, limelight came into use in the UK in the mid-1830s and, cheap to produce and easily exported, were soon in use around the world, even the military finding them useful, the army to assist the targeting of artillery (an early example of applying technology to fire-control systems) and the navy found they were vastly more effective than any other spotlight.  Limelights remained in widespread use until replaced by electric devices in the late nineteenth century but in some far-flung outposts of the British Empire, they were still in use even after World War II (1939-1945).

Lindsay Lohan (1) "in the limelight", on stage with Duran Duran, Barclays Center in New York, April 2016 (left) and (2) "in the glare", arriving at LA Superior Court, Los Angeles, February 2011 (right) during her "troubled Hollywood starlet" phase.  

Although "glare" isn't vested with quite the cachet of "limelight", Ms Lohan illustrated how the catwalk was but a state of mind, pairing a white bandage dress (it’s not clear if wearing the color the Bible associates with purity influenced the judge but channelling the fashion choice of the 24 elders in Revelation 4:4 and the Roman Catholic pontiff may have helped) with a pair of Chanel 5182 sunglasses.  Speculatively, it’s at least possible a strut under the limelight on the catwalk wouldn’t have had the same simulative commercial effect as the stroll to a hearing, the the US$575 Glavis Albino dress from Kimberly Ovitz's (b 1983) pre-fall collection selling-out worldwide that very day.

New York Post, 11 February, 2011: Rupert Murdoch's (b 1931) editors always have a feeling for a good headline.  On X (then known as Twitter), Ms Lohan observed of the coverage: “What I wear to court shouldn't be front page news.  It’s just absurd.”  However, as a studious student of the modern media, she would have understood the place of absurdity in tabloid journalism and doubtlessly accepted it was best to work with the world as it is than worry too much about how it ought to be.

From the idea of the character on stage being highlighted by the limelight came the figurative use of the phrase “in the limelight” (noted since 1877) to refer to anyone on whom attention is focused.  From this evolved the related and self-explanatory phrases “steal the limelight”, “bask in the limelight” & “hog the limelight”, all from the world of theatre but later adopted as required just about anywhere (sport, corporate life etc).  “In the limelight” tends to be used only positively; those who are the focus of attention for reasons such as being accused of committing crimes or some transgression which might lead to cancellation are usually said to be “in the glare”.

1970 Plymouth Hemi 'Cuda in Limelight (left) and 2023 Dodge Challenger SRT Hellcat Redeye Jailbreak in Sublime (right).  Although today much prized, Chrysler's E-body pony cars (Plymouth Barracuda (& 'Cuda) and Dodge Challenger (1970-1974) were a financial disaster but, as Dodge's (2008-2023) revival proved, the styling was spot-on.   

Like other US car manufacturers in the strange, cultural twilight zone that was the dying days of the Johnson administration (Lyndon Johnson (LBJ, 1908–1973; VPOTUS 1961-1963 & POTUS 1963-1969)) and the first term of Richard Nixon (1913-1994; US VPOTUS 1953-1961 & POTUS 1969-1974), Chrysler had some history in the coining of fanciful names for colors dating from the psychedelic era.  What came from the once staid corporation included “Plum Crazy”, “In-Violet”, “Tor Red”, “Limelight”, “Sub Lime”, “Sassy Grass”, “Panther Pink”, “Moulin Rouge”, “Top Banana”, “Lemon Twist” & “Citron Yella”.  Although it may be an industry myth, the story told is that “Plum Crazy” & “In-Violet” (lurid shades of purple) were late additions because the killjoy board refused to sign-off on “Statutory Grape”.  Plymouth labelled their lime green “Limelight” while Dodge used “Sub Lime”.  The acid-themed shades so associated with the era vanished from the color charts in the early-1970s, not because of changing tastes but in response to environmental & public health legislation which banned the use of lead in automotive paints; without the additive, production of the bright colours was prohibitively expensive.  Advances in chemistry meant that by the twenty-first century, the look could again be achieved without the addition of lead so Dodge revived psychedelia for a new generation although “Sub Lime” became “Sublime”.  There was however, still a price to be paid, the new, environmentally less lethal, “Sublime”, “Red Octane”, “Sinamon Stick” and “Go Mango” all costing an additional US$395 while the less vivid shades listed at US$95.

Curious

Curious (pronounced kyoor-ee-uhs)

(1) Eager to learn or know; inquisitive; interested, inquiring

(2) Prying; meddlesome, overly inquisitive.

(3) Arousing or exciting speculation, interest, or attention through being inexplicable or highly unusual; odd; strange.

(4) Made or prepared skilfully (archaic).

(5) Done with painstaking accuracy or attention to detail (archaic).

(6) Careful; fastidious (archaic).

(7) Marked by intricacy or subtlety (archaic).

(8) In inorganic chemistry, containing or pertaining to trivalent curium (rare).

1275–1325: From the Middle English curious, from the Old French curius (solicitous, anxious, inquisitive; odd, strange (which endures in Modern French as curieux)), from the Latin cūriōsus (careful, diligent; inquiring eagerly, meddlesome, inquisitive), the construct being cūri- (a combining form of cūra (care) + -ōsus .  The –ōsus suffix (familiar in English as –ous) was from Classical Latin from -ōnt-to-s from -o-wont-to-s, the latter form a combination of two primitive Indo-European suffixes: -went & -wont.  Related to these were –entus and the Ancient Greek -εις (-eis) and all were used to form adjectives from nouns.  In Latin, -ōsus was added to a noun to form an adjective indicating an abundance of that noun.  The English word was cognate with Italian curioso, the Occitan curios, the Portuguese curioso and the Spanish curioso.  The original sense in the early fourteenth century appears to have been “subtle, sophisticated” but by the late 1300s this had been augmented by “eager to know, inquisitive, desirous of seeing” (often in a bad (ie “busybody”) sense and also “wrought with or requiring care and art”, all these meaning reflecting the Latin original.  The objective sense of “exciting curiosity” was in use by at least 1715 but in booksellers' catalogues of the mid-nineteenth century, the word was a euphemism for “erotic, pornographic”, such material called curiosa the Latin neuter plural of cūriōsus.  That was not however what was in the mind of Charles Dickens (1812–1870) when he wrote The Old Curiosity Shop (1840-1841).

The derived forms include noncurious, overcurious, supercurious, uncurious & incuruious.  Both uncurious and incurious are rare and between them there is a difference in meaning and usage, but it is much weaker and less consistently observed than the distinction drawn (though not always observed) between disinterest and uninterest.  Incurious means “lacking curiosity; not inclined to inquire or wonder” and often carries a critical or evaluative tone, implying intellectual complacency or narrow-mindedness; it can be applied to individuals but seems more often used of groups.  Uncurious means “usually not curious” and tends to be descriptive rather than judgmental.  Being rarely used and obscure in what exactly is denoted, some style guides list them as awkward and best avoided, recommending being explicit about what is meant.  Curious is an adjective, curiousness & curiosity are nouns, curiously is an adverb; the noun plural curiosities.  The comparative more curious or curiouser and the superlative most curious or curiousest

The proverb “curiosity killed the cat” means “one should not be curious about things that don’t concern one”.  The phrase “curiouser and curiouser” comes from Alice’s Adventures in Wonderland (1865) by the English author Lewis Carroll (pen name of Charles Lutwidge Dodgson (1832–1898)).  As a modern, idiomatic form, it’s used to describe or react to an increasingly mysterious or peculiar situation (though usually not one thought threatening).  Alice made her famous exclamation after experiences increasingly bizarre transformations and other strange events in Wonderland; later, what was described would be thought surrealistic.  The phrase has endured and it appears often in literature and popular culture, London’s Victoria and Albert Museum even holding the Alice: Curiouser and Curiouser event.  The author’s use of “bad English” was deliberate, a device to convey the child’s sense of bewildered confusion.  In standard English, the comparative of "curious" is “more curious” with the –er suffix usually appended to words with one or two syllables.  The word “curiouser” thus inhabits a special niche in that although mainstream dictionaries usually list it as “informal” or “non-standard” (ie “wrong”), unlike most “mistakes”, because it’s a literary reference, it’s a “respectable” word (if used in the phrase).  In that, it’s something like “it ain’t necessarily so”.

Depiction of the mad hatter’s tea party by Sir John Tenniel (1820-1914) in an edition called Nursery Alice (1890), an abridged version of Alice's Adventures in Wonderland intended for children under five (the original drawing now held by the British Museum).  The book contained 20 illustrations by Sir John who also provided the artwork for the full-length publication.  A fine craftsman, Sir John was noted also for his moustache which “out-Nietzsched” Friedrich Nietzsche (1844–1900).  Despite much later speculation, no evidence has ever emerged to suggest Lewis Carroll was under the influence of drugs when writing the “Alice” books

Special derived adjectival uses of curious include the portmanteau word “epicurious” (curious about food, especially wishing to try new dishes and cuisines), the construct being epicu(reean) +‎ (cu)rious.  Although the notion of Epicureans (those who are followers of Epicureanism) being focused on food is overstated, that’s the way the word usually appears in popular use.  “Indy-curious” is from UK politics and refers to those interested in the possibility of independence for Wales, without necessarily being a supporter of the proposal.  Those who are “veg-curious” are interested in or contemplating a vegetarian or vegan diet.

The word “curious” became an element in the punch-lines of some “gay jokes” (a now extinct species outside the gay community) but survived in derived forms in sexology, presumably because they can be used neutrally.  The constructs include (1) “pancurious” (exhibiting a state of uncertainty about one's pansexual or panromantic status), (2) “bi-curious” (interested in having relationships with both men and women, curious about one's potential bisexuality; considering a first sexual experience with a member of the same sex (used especially of heterosexuals), (3) gay-curious (curious about one's homosexuality; curious to try homosexuality (4) homocurious (questioning whether one is homosexual), (5) polycurious (curious about or open to polyamory; potentially interested in having relationships with multiple partners and (6) trans-curious (interested in one's potential transness or the experience of a sexual encounter with a trans person.  None of these forms seem to be in frequent use and some may have been created to “cover the field” and there may be some overlap (such as between pancurious and polycurious) and that at least some may be spectrum conditions seems implicit in the way dictionaries list comparative and superlative forms (eg more bi-curious; most bi-curious).

The synonyms include enquiring, inquiring; exquisitive; investigative and the now rare peery, the latter a use of curious in the vein of the “meddling priest” (ie a “busybody” tending to ask questions or wishing to explore or investigate matters not of their concern).  Such a person could be labelled a quidnunc (gossip-monger, one who is curious to know everything that happens) a word (originally as quid nunc) from the early 1700s, the construct being the Latin quid (what? (neuter of interrogative pronoun quis (who?) from the primitive Indo-European root kwo-, stem of relative and interrogative pronouns)) + nunc (now); the idea was of someone habitually asking “What's the news?” and that phrase was one with which for decades the press baron Lord Beaverbrook (Maxwell Aitken, 1879-1964) would pester his editors.  The other group of synonyms reference the word in its “funny-peculiar” sense and include queer, curious: weird, odd, strange & bizarre.  Such an individual, concept or object can be called “a curiosity” and that’s reflected in the noun “curio” which dates from 1851 and meant originally “piece of bric-a-brac from the Far East” and was a short form of curiosity in the mid seventeenth century sense of “object of interest”’ by the 1890s it was in use to refer to rare or interesting bric-a-brac (or just about anything otherwise unclassified) from anywhere.  The related curioso was in use by the 1650s and for two centuries-odd was a word describing “one who is curious" (of science, art, metaphysics and such) or “one who admires or collects curiosities”; it was from the Italian curioso (a curious soul (person)).

1971 Plymouths in Curious Yellow (code GY3): 'Cuda 340 (left) and GTX (right). 

Although buyers of Ferraris, Porsches, Lamborghinis and such still often order cars in bright colors, most of the world’s fleet had for some years been restricted mostly to white, black and variants of silver & gray; it’s a phase the world is going through and it can’t be predicted how long this visually sober ere will last.  In the US in the late 1960s it was different and like other manufacturers, Chrysler had some history in the coining of fanciful names for the “High Impact” colors dating from the psychedelic era.  Emerging from their marketing departments came Plum Crazy, In-Violet, Tor Red, Limelight, Sub Lime, Sassy Grass, Panther Pink, Moulin Rouge, Top Banana, Lemon Twist & Citron Yella.  That the most lurid colors vanished during the 1970s was not because of changing tastes but in response to environmental & public health legislation which banned the use of lead in automotive paints; without the additive, production of the bright colours was prohibitively expensive.  Advances in chemistry meant that by the twenty-first century brightness could be achieved without the addition of lead so Dodge revived psychedelia for a new generation although Sub Lime became Sublime.

Criterion's re-issue of I Am Curious (Blue) and I Am Curious (Blue) with edited (colorized) artwork.  The original posters were monochrome.  

Two years into the first administration of Richard Nixon (1913-1994; US VPOTUS 1953-1961 & POTUS 1969-1974), and a year on from his declaration of a “War on Drugs”, it was obvious the psychedelic era was over but bright colors were still popular so come were carried over although the advertising became noticeably “less druggy”.  Although it may be an industry myth, the story told is that Plum Crazy & In-Violet (lurid shades of purple) were in 1969 late additions because the killjoy board refused to sign-off on Statutory Grape but despite that, Plymouth for 1971 decided to change the name of their vibrant hue of yellow from “Citron Yella” to “Curious Yellow” (code GY3), that apparently borrowed from the controversial 1967 Swedish erotic film I Am Curious (Yellow), directed by Vilgot Sjöman (1924-2006); it was followed the following year by I Am Curious (Blue), the two intended originally as 3½ hour epic.  As promoted at the time, the films were advertised as “I Am Curious: A Film in Yellow” and “I Am Curious: A Film in Blue”, the mention of the colors an allusion to the Swedish flag.

Lindsay Lohan does her bit to revive Chrysler’s 1971 Curious Yellow, the New York Post’s Alexa magazine, 5 December 2024.

A footnote to the earlier film is an uncredited appearance by Olof Palme (1927–1986; Prime Minister of Sweden 1969-1976 & 1982-1986) whose assassination remains unsolved. The films are very much period pieces of a time when on-screen depictions of sex were for the first time in some places liberated from most censorship and while this produced an entire genre of blends of eroticism and pornography, some directors couldn’t resist interpolating political commentary (of the left and right); at the time, just about everything (sex included) could be sociological.  Critic and audiences mostly were unconvinced but films like the “Curious” brace and Michelangelo Antonioni’s (1912–2007) Zabriskie Point (1970) later gained a cult following.  Problems encountered during production resulted in the release of Zabriskie Point being delayed until 1970 but in retrospective this was a blessing because if anyone doubted the spirit of the 1960s had died, the film was there to remove all doubt.  A commercial failure, visually, it remains a feast for students of pre-digital cinematography and some maintain the best way to enjoy subsequent viewings is to mute the sound and play the soundtrack on repeat; unsynchronized with the scenes, its an experience rewarding in its own way.  

Neon

Neon (pronounced nee-on)

(1) In chemistry, a rare, colorless, odorless gaseous element; an inert gas (the second in the noble group) occurring in trace amounts in the atmosphere.  It glows reddish orange when electricity passes through it, as in a tube in an electric neon light, hence the industrial use in illuminated signs & lights although it’s used also in refrigeration because of the helpfully low melting & boiling points.

(2) A neon lamp, tube or device, in the singular or collectively; made of or formed by a neon lamp or lamps.

(3) A sign or advertising display formed from (or emulating) neon lamps.

(4) Of, relating to, or characteristic of an urban area brightly lit during hours of darkness and often associated with popular forms of entertainment.

(5) As in the phrase “in neon”, or “in neon lights”, adding emphasis to something (sometimes used derisively).

(6) Any of a range of bright, lurid colors, used particularly in fashion (lipsticks, nail polish etc) and as hair color products.

(7) As neon tetra (Paracheirodon innesi), a freshwater fish of the characin family (family Characidae) of order Characiformes, native to the Amazon basin in South America.  Because of its vivid coloring and robustness, the neon tetra is one of the most popular tropical fish in home aquariums.

1898: From the Ancient Greek νέον (néon), neuter of νέος (néos) (new; young), from the earlier νέϝος (néwos), from the Proto-Hellenic newos, from the primitive Indo-European néwos.  From the same source, English (and other languages gained the prefix –neo which was often used to form clade or taxonomic names indicating more recent branching than a morphologically or otherwise similar group.  The prefix neo- was from the Ancient Greek prefix νεο- (neo-), from νέος (néos) (new, young).  In organic chemistry it (1) had the specific technical meaning “having a structure, similar to that of neopentane, in which each hydrogen atom of a methyl group has been replaced by an alkyl group” and (2) a newly-discovered or synthesized variant of an existing compound.  The synonyms (in the sense of something new) were ceno- & nov-, the less used antonym paleo-.  Many words have been prefixed with neo- and not exclusively to indicate something wholly novel but increasingly to describe a revival or new variation of something including (1) in architecture: neo-classical, neo-gothic etc, (2) in economics: neo-liberal, neo-Keynesian etc, (3) in politics: neo-Nazi, neo-conservative, neo-fascist etc and (4) in religion: neo-evangelicalism, neo-Hasidism etc.  In chemistry, the meaning is quite specific but in general use the synonyms include blazing, brilliant, glowing, lambent, luminous, radiant, shining, vivid, flashing, glitzy, glossy, razzle-dazzle, effulgent & gleaming.  Neon is a noun & adjective; the noun plural is neons.

Sohio “Neon Patrol” in action, Cleveland, Ohio, July 1938.  Technicians from the Neon Patrol would travel between the company’s retail outlets, servicing the neon signage and effecting repairs when required.  The truck is an International D-15 with a special body.  The D Series (1937-1939) was a range of light, medium & heavy-duty trucks, easily distinguished from the more rectilinear C Series (1934-1936) by the curvilinear lines and the two-piece V-shaped windshield.  The line was replaced by the K (1940-1946) & KB Series (1947-1950).

The Standard Oil Company (Ohio) was a US petroleum company which operated between 1870-1987 and Sohio was one of a number of separate entities created in 1911 after the Standard Oil corporate trust (1882-1911) was broken up.  Standard Oil and British Petroleum (BP) in the 1960s entered into an intriguing (and tax-friendly) arrangement whereby BP gradually would increase its stake in Standard Oil, culminating eventually in acquisition.  Sohio as a corporate identity ceased operations in 1987 but BP continued to sell gas (petrol) under the brand until 1991, the name formally retired when the branding on the last Sohio gas station was replaced with BP signage.

Neon

Symbol: Ne.
Atomic number: 10.
Atomic weight: 20.1797.
Valency: 0.
Density: 0.899 90 kg/m³ / 0.9002 gm/liter at 0°C & 760 mm pressure.
Melting point: –248.59°C.
Boiling point: –246.08°C.

Neon nail-polish in 5-pack by Casey's Toys (part-number 52123) @ Aus$9.99.

Although in the United States it’s possible for citizens (in some cases children) lawfully to possess military-grade firearms and some truly impressive ordinance, in other fields the government is punctilious in providing people protection.  In 2012, Douglas Schoon (b 1954), Creative Nail Design's (CND) chief scientific advisor, explained that in the US, the manufacture of neon nail-polish was unlawful, although, in what seemed a quirk of the law, the products remain lawful to wear.  However, that apparent anomaly isn’t actually strange or unique to neon nail-polish and reflects a regulatory environment where the need is to certify the safety of both the components and the processes used in the manufacturing process.  There are no concerns about the safety of the finished product, skin and nails anyway a most effective barrier and the nature and volume of fumes breathed in by consumers “doing their nails” would substantively be identical to that of other nail-polishes.

Coffin-shaped nails in neon-green.  These are actually "press-on nails".

Neon polishes are prohibited simply because the colorants have never been officially registered with the US Food & Drug Administration (FDA).  Mr Schoon explained that “…what determines whether a color is neon is the chemical composition, just as it is with blues and greens”, adding that that any manufacturer could submit neon shades to the FDA, but it’s a costly and time-consuming process which is why many of the lurid shades available in the US, technically, are not neons.  Registration is only the first step in securing FDA approval and few small-scale manufacturers have the resources to go through a process from which others would gain equal benefit.  Imported neon polishes appear on many shelves but it’s not known if unlawful, small-scale manufacturing is being undertaken somewhere in the US.

Lindsay Lohan (b 1986, left) in neon outfits and singer-songwriter Billie Eilish (b 2001, right) with neon highlights.  Ms Eilish also went blonde, the result thought most pleasing.

As an adjective used of colors, neon refers to the quality of brightness rather than the red-orange colour which is the particular property of neon gas under electrical stimulation.  Thus, a “neon color” (or simply “neon”) is anything bright, lurid and used in clothing, accessories & enhancements (lipsticks, nail polish etc) or hair color products.

"Neon" advertising displays, Piccadilly Square, London, 1967.

Neon was discovered in 1898 by British chemists Sir William Ramsay (1852–1916) and Morris Travers (1872–1961) while working in their London laboratory during a series of experiments which also uncovered krypton & xenon, the other two residual rare inert elements remaining in dry air after nitrogen, oxygen, argon and carbon dioxide are removed.  In normal conditions a colorless, odorless & inert monatomic gas, it has about two-thirds the density of air and is noted for its emission in the spectrum of bright red when exposed to electrical current.  Although one of the known universe’s most common elements (fifth behind hydrogen, helium, oxygen and carbon), it’s rare on Earth, existing only in trace amounts in the atmosphere, attributable to it being highly volatile and thus never forming compounds which assume any solidity.

It needs thus to be extracted from air by an industrial process so is relatively expensive, its industrial uses limited to some specialized applications in refrigeration (by virtue of its low melting & boiling points) and the famous “neon lights” most associated with advertising and signage, the first of which was released in 1913, the term “neon sign” dating from 1927.  The distinctive bright red (tending to orange) light distinguished the first neon signs (created with curved neon-tubes) and in the narrow technical sense these are the only true “neon-lights” because tubes which generate other colors are made using either other noble gases or are instances of fluorescent lighting.  In hidden use, neon is also a component of various electrical devices including vacuum & wave tubes, current indicators and lightning arresters.

Late twentieth (left) and early twenty-first (right) century Tokyo after dark: now less pink, more blue.

For decades, pink was the dominant color in the night-time Tokyo streetscape but in the twenty-first century observers began noting a shift to something darker.  The change is attributed not to the nation’s post 1989 slump in economic growth (the so-called “lost decade” of the 1990s apparently never having ended) but the development in 1993 by Japanese-American engineer Shuji Nakamura (b 1954) of a high-efficiency blue LED (light emitting diode) using gallium nitride (GaN) as the semiconductor material.  While green and red LEDs had for decades been in use, blue had proved elusive because the industry lacked a material suitable (and sufficiently cheap) to use at scale.  Nakamura san’s work built on earlier research by Japanese physicists Isamu Akasaki (1929–2021) and Japanese physicist Hiroshi Amano (b 1960) and what the three did was make possible both blue and white LEDs, the latter enabled by combining the blue with phosphors.  In 2014, the three were awarded the Nobel Prize in Physics.

1970 Plymouth Hemi 'Cuda in Limelight (left) and 2023 Dodge Challenger SRT Hellcat Redeye Jailbreak in Sublime (right). 

Lurid neon hues began to fade from the roads after being banished from the automotive color charts in the mid 1970s and while it can be debated if that was an aesthetic loss, it certainly made the option lists less linguistically interesting.  Like other manufacturers, Chrysler had some history in the coining of fanciful names for colors dating from the psychedelic era of the late 1960s when the choices included Plum Crazy, In-Violet, Tor Red, Limelight, Sub Lime, Sassy Grass, Panther Pink, Moulin Rouge, Top Banana, Lemon Twist & Citron Yella.  Although it may be an industry myth, the story told is that Plum Crazy & In-Violet (lurid shades of purple) were late additions because the killjoy board refused to sign-off on Statutory Grape.  Plymouth called their lime green Limelight while Dodge used Sub Lime.  That the colors vanished during the 1970s was not because of changing tastes but in response to environmental & public health legislation which banned the use of lead in automotive paints; without the additive, production of the bright colours was prohibitively expensive.  Advances in chemistry meant that by the twenty-first century brightness could be achieved without the addition of lead so Dodge revived psychedelia for a new generation although Sub Lime became Sublime.  There was still a price to be paid however, Sublime, Red Octane, Sinamon Stick and Go Mango all costing an additional US$395 while the less vivid shades listed at US$95.  The resurrected "neon look" proved popular although only within the high-performance niche, most of the market preferring more "dignified" tones such as black, white, silver and many variations of gray although there's still the odd malcontent who orders blue or red.  On the street, Chrysler's bright colors were all the more noticeable because the mainstream-market preference now tends to white, silver, black and grey.  

2015 Dodge Challenger SRT in Sublime (code FB).  Literalists should note this is NOT what Greta Thunberg (b 2003) meant when she spoke of "green vehicles".

There was of course once a time when the term “green vehicle” had a simple, unambiguous meaning but were a driver to contest a parking ticket, the outcome might depend on how a court would apply the “Vagliano rule”, established by the House of Lords in Bank of England v Vagliano Bros (1891) AC 107.  The Vagliano rule is a principle of statutory interpretation and holds that when interpreting a statute, courts should start by considering the natural meaning of the words in the statute itself, without referring to previous case law or historical background, unless the language is ambiguous.  The rule is of such significance because it prioritizes the literal and ordinary meaning of words over any interpretation which could be derived if other factors are allowed to intrude.

In his judgment, Lord Herschell (Farrer Herschell, 1837–1899; Lord High Chancellor of Great Britain 1886 & 1892-1895) wrote: “I think the proper course is, in the first instance, to examine the language of the statute and to ask what is its natural meaning, uninfluenced by any considerations derived from the previous state of the law, and not to start with inquiring how the law previously stood, and then, having ascertained that, to see whether the statute will bear an interpretation which is in accordance with it. If the statute is clear, its provisions must prevail, whatever the previous law may have been. If the statute is ambiguous, then, and only then, may the history of the law be referred to.”  Whether in the 2020s a judge would be persuaded “Green Vehicle” should for this purpose be read-down to permit gas-guzzling V8s (simply on the basis of being painted a certain color), to occupy parking spots allocated exclusively to the machines of which Ms Thunberg would approve may be doubtful but any driver will always be able to find a lawyer willing to run the case and, if heard by a judge fond of a "black letter law" interpretation of things, may enjoy success, at least at first instance.  Presumably, the solution would be for the signs to read: "GREEN" VEHICLES, the semiotics of the inverted commas conveying the new (non-literal) meaning.

Marquisette

Marquisette (pronounced mahr-kuh-zet or mahr-kwuh-zet)

A lightweight open leno weave fabric of cotton, silk etc; very popular under the Raj.

1907: From the French, diminutive of marquise (a marchioness), from the Medieval Latin marchionissa (feminine form of marchion) from Late Latin marcha, from which Frankish picked up markōn (to mark, mark out, to press with the foot).  The Proto-Germanic was markō (area, region, edge, rim, border).  Marquisette fabric is constructed using a leno weave and was originally made only from silk for use in bridal wear and evening gowns.  More commonly nowadays, it is made from cotton, wool or synthetic fibres and is used for drapes and mosquito nets.  Marquisette, along with voile, was a robing fabric especially suitable for travel and for draping over other dresses.  Early in the twentieth century, Deliniator magazine adopted the light, limp fabric for the newly fashionable directorie look.

Marilyn Monroe, President Kennedy and the marquisette dress

In a marquisette dress, Marilyn Monroe (1926-1962) sang happy birthday Mr President to President John Kennedy (JFK, 1917-1963; US president 1961-1963) at a Democratic Party fundraiser at New York's Madison Square Garden on 19 May 1962, ten days before his actual birthday.  Within three months, she would be dead.

An impressive piece of structural engineering (so body-hugging Ms Monroe had to sewn into it) and an eye-catching design, the dress was cut from a sheer, flesh-colored silk marquisette, adorned with 2500 hand-sewn (and intricately positioned) rhinestones and the famously sultry performance did nothing to dispel rumors the two might be having an affair.  In 1962 it cost US$1,440.33 (equivalent to some US$10,000 in 2022) and it remained part of Ms Monroe's estate until sold at auction by Christie's in 1999 for US$1.3 million.  Subsequently, it was purchased in 2016 for US$4.8 million by Ripley's Believe It Or Not Museum in Florida. 

RFK, Marilyn Munroe & JFK.

The first conceptual sketch of the dress was the debut project of US fashion designer Bob Mackie (b 1939) who two years earlier had left the Chouinard Art Institute to work for French costume designer Jean Louis (1907-1997) and year later, he revealed to Vogue magazine that until the pictures of the Madison Square Garden performance were published, he had no idea of the use to which his sketch was to be put.  Marilyn Munro was certainly aware of the impact the translucent look would have and was seeking a “work-around” to the problem of her employer (Twentieth Century Fox) not permitting her to be dressed too revealing in films.  Having just lost weight and concluded she was looking better than ever, she wanted an outfit with what Mackie called “the wow factor” and that she certainly got.  Sixty years on, dresses which approach functional nudity are commonplace but in 1962 the clinging, shimmering creation which moved with her, caused a sensation.  The garment is also a reminder of the way history unfolds according to the chance interaction of events.  Had JKF not won the 1960 presidential election "by an electoral eyelash", the song would doubtlessly never have been performed.  Marilyn Munroe would not have dressed as she did to sing happy birthday Mr President to Richard Nixon (1913-1994; US president 1969-1974).  

The two superstars of the 1950s.  Maria Callas and Marilyn Monroe, back-stage after the performance.

Remarkably, despite being in the limelight that evening, Ms Monroe purchased five tickets (at US$1000 each) to the event because it was the only way to guarantee her attendance at the private supper which followed.  At the after-party she enjoyed a number turns on the dance floor with the president’s brother, Robert Kennedy (RFK, 1925–1968; US attorney general 1961-1964) although it was reported she left with JFK via a basement corridor and a private elevator to his suite at the next-door Carlyle Hotel, returning the next day to Los Angeles.  There, according to her biographer, she was contacted by one of his aides telling her not to again contact him.  They would never meet again and within three months, she was dead.

Kim Kardashian, Met Gala, New York, 2020.

At the 2020 Met Gala, Kim Kardashian (b 1980) wore the famous marquisette dress.  It couldn’t be expected to cause quite the same stir as sixty years earlier because, cut from a sheer, silk marquisette that almost exactly matched Ms Monroe’s skin-tone, the 2500 hand-sewn rhinestones were intricately positioned to respond to the particular gait she chose for that evening and, under the limelight in the darkened amphitheater, as she moved, the crystals sparkled and the dress came alive.  It was quite a design.  In the hard, white light of the Met Gala’s red carpet, it couldn’t be expected to work the magic it did all those years ago and, not shimmering in the darkness, it seemed lifeless and perhaps it would have benefited from the contrast her lustrous natural hair would have lent but Ms Kardashian wore it well, attracting admiration (and criticism from the usual suspects) too for the reasonable achievement of shedding some 16 lbs (7¼ kg) in three weeks to ensure a comfortable fit.  Digesting the implications of that, keen-eyed fashionistas noted the vintage white coat which Ms Kardashian kept strategically positioned below the small of her back for the ritual walk to and up the staircase, some taking to Twitter to wonder if it was there to conceal that things were quite fully done-up.

Marilyn Monroe, Madison Square Garden, New York City, 19 May 1962.

The theory is plausible; it’s always been known that in 1962, Ms Monroe had to be “sewn-into” the dress just before the performance.  The day after the Met Gala, photographs circulated purporting to show Ms Kardashian with a generously sized, pear-shaped lacuna between the seams, accompanied with the accusation that the images showing things done up had been digitally modified and the haters were certainly out, one distressed soul lamenting that for Ms Kardashian to wear the dress "...was an absolute disgrace, a tacky photo opportunity" and that "...one of the most important items of clothing in history, is now tainted with the stain of the Kardashians."  There are people who do take pop-culture very seriously.  The green dress she changed into after her ascent had similar lines (and perhaps slightly more generous dimensions) but was certainly done-up and anyway, in either, she looked gorgeous.  The Marilyn Monroe cult shows no sign of losing its luster and it was her Lindsay Lohan channeled for both her photo-shoot by Bert Stern (1929–2013) for New York Magazine in 2008 and her appearance in the January/February 2012 issue of Playboy magazine.

Spot

Spot (pronounced spot)

(1) A rounded mark or stain made by foreign matter, as mud, blood, paint, ink etc; a blot or speck, differing usually in colour or texture from its surroundings.

(2) A small blemish, mole, or lesion on the skin or other surface (popularly associated with pimple, zits, blackheads etc).

(3) A small, circumscribed mark caused by disease, allergic reaction, decay, etc.

(4) A comparatively small, usually roundish, part of a surface differing from the rest in color, texture, character etc.

(5) A place or locality (used also in the plural, often to describe places of entertainment, sightseeing locations, historic sites etc and also used of things like parking spots).

(6) In organisational structures, a specific position in a sequence or hierarchy.

(7) In playing cards, one of various traditional, geometric drawings of a club, diamond, heart, or spade indicating suit and value.

(8) A pip, as on dice or dominoes.

(9) In slang, a piece of paper money (5 spot=$5 etc).

(10) As a clipping of “spot illustration”, a small drawing, usually black and white, appearing within or accompanying a text.

(11) A small quantity of anything.

(12) In ichthyology, a small croaker (Leiostomus xanthurus) with a black spot behind the shoulders and fifteen oblique dark bars on the sides, the habitat of which is the US east coast; the southern redfish, or red horse (Sciaenops ocellatus), which has a spot on each side at the base of the tai; both popular as food fish.

(13) As a clipping of “spot market”, the informal terms for commodities (grain, oil, wool etc) sold for immediate delivery and payment at a price quoted at the point of sale.

(14) A slang term for a spotlight.

(15) To stain or mark with spots:

(16) In dry cleaning, to remove a spot or spots from clothing, prior to processing.

(17) In any context, to make a spot; to become spotted.

(18) In the military (often as target spotter or spotting), law enforcement or among criminals etc, to serve or act as a spotter.

(19) In billiards, a clipping of “spot ball” the white ball that is distinguished from the plain by a mark or spot; the player using this ball.

(20) To look out for and note; to observe or perceive suddenly, especially under difficult circumstances; to discern.

(21) In informal use (US) in some games and sports, to yield an advantage or concession to one's opponent.

(22) In zoology, a term used to describe various dot-like patterns (ladybirds, leopards etc) seen on the skin, wings, coats etc of some animals.

(23) In sports, an official determination of placement (where a referee or umpire places a ball, sets the point at which a penalty kick is to be taken etc).

(24) In broadcasting (radio & television), brief advertisement or program segment.

(25) In gymnastics, dance & weightlifting, one who spots (supports or assists a manoeuvre, or is prepared to assist if safety dictates); a spotter.

(26) A variety of the common domestic pigeon, so called from a spot on its head just above the beak.

(27) In the jargon of financial trading, the decimal point (used to ensure no ambiguities in oral exchanges).

(28) In physics, a dissipative soliton (a stable solitary localized structure that arises in nonlinear spatially extended dissipative systems due to mechanisms of self-organization); known also as a pulse.

(29) In slang (US), to loan a small amount of money to someone.

(30) In analogue & digital photograph editing, to remove minor flaws.

(31) In ballet, to keep the head and eyes pointing in a single direction while turning.

(32) To cut or chip timber in preparation for hewing.

(33) In naval aviation, to position an aircraft on the deck of an aircraft carrier ready for launch by catapult.

(34) In rail transport, to position a locomotive or car at a predetermined point (typically for loading or unloading).

1150-1200: From the Middle English spot & spotte (a moral blemish), partially from the Middle Dutch spotte (spot, speck, mark), and partially a merging with the Middle English splot, from the Old English splott (spot, speck, plot of land).  It was cognate with the East Frisian spot (speck), the North Frisian spot (speck, piece of ground), the Low German spot (speck) and the Old Norse spotti (small piece) and the Norwegian spot (spot, small piece of land); it was related also to splotch.  Describing originally some flaw of character, the idea of a “speck, stain left by something on a surface” emerged in the mid-fourteenth century, picked up from the Old English splott.  The late Middle English verb spotten (to stain, mark) was a derivative of the noun.  Variations of the form are common in Germanic languages but the nature of the spread and evolution remains murky.  From the early fourteenth century it was used to describe “a patch or mark on the fur of an animal while the sense of a “particular place, small extent of space (on a body, etc”) dated from the late 1300s, the general figurative use "a blemish, defect, distinguishing mark emerging at the same time, concurrent with the now familiar use to refer to pimple, zips etc, soon to be celebrated in the medical literature as “an eruption on the skin”.  The adjective spotless was from the late fourteenth century spotless (without flaw or blemish; pure).  The adjective spotty was from the mid-fourteenth century spotti, (marked with spots (of the skin, etc)) and it entered figurative use in the sense of “unsteady, irregular, uneven, without unity” in 1932.  Spot is a noun, verb & adjective, spotter & spotlessness are nouns, spotlike, spotless’ spotty & spottable are adjectives, spotting & spots are nouns & verbs, spotlessly is an adverb and spotted is a verb & adjective; the noun plural is spots.

The early nineteenth century use of “spotty” in art criticism was originally a critique and unrelated either to the later technique of divisionism (sometimes called chromoluminarism), most associated with Neo-Impressionist painting and defined by the colors being separated into individual dots or daubs or the “dot paintings” associated with some forms of Indigenous Australian art.  The meaning “short interval in a radio broadcast for an advertisement or announcement” dates from 1937, an extension of the earlier use in live theatre to describe “an act's position on a bill”, noted since as surprisingly late 1923.  Although it’s likely to have been longer in oral use, in 1901 it noted in the US as a term for a prison sentence (5 spot=5 years etc).

1971 Ford Mustang Boss 351.  Even when standing still the thing undeniably had a presence but the sheer volume of the rear coachwork created blind spots and the dramatic roofline (said to be highly aerodynamic) restricted rearward visibility, the glass close to horizontal.

The term “blind spot” began in optics in 1864 describing a “spot within one's range of vision but where one cannot see” which in 1872 was described scientifically as “the point on the retina insensitive to light (where the optic nerve enters the eye”.  The figurative use (of moral, intellectual matters etc) dates from 1907 while the literal (a field of vision blocked by some fixed object) was used by 1912, originally of those suffered by omnibus drivers and later it became familiar when describing defects in the visibility offered by the design of early automobiles.  Dating from 1888, “hot spot” was originally a term from dermatology which referred to the focal point of a skin irritation and was literal, the temperature at the (usually reddish) site slightly higher.  In 1931 it was use of “nightclubs or other entertainment venues" (which after 1936 were “nightspots” generally) while it came into use in fire-fighting in 1938 after research indicated the most effective way to prevent spread or lower intensity was to find the points of highest temperature.  It 1941, it came to be applied to “a place of international conflict”.  The famous g spot (also a g-spot and short for Gräfenberg spot, named for German gynecologist Ernst Gräfenberg (1881-1957)) entered English in 1981 although the doctor had described it in a paper published in 1950 but similar finding are in documents dating back centuries.  He also developed the intra-uterine device (IUD) but despite these notable contributions to science he died in obscurity.

The noun spotter (one who makes spots; one who observes things for some purpose) was first used in 1876 as a slang for “a detective”, picking up from the verb in the secondary sense of “catch with the eye” and by 1903 it was used in the general sense of a “look-out”, adopted with apparently equal enthusiasm by police and criminals alike.  It was a designated position in hunting and target practice by 1893 but the military appear not to have picked it up until the World War I (1914-1918) although such tasks had existed for centuries, pre-dating even artillery, batteries of archers supported by an observer who reported their accuracy of fire.  In the navy, they were also called “sighters” and the use of “spotter” for this purpose has even extended to electronic hardware.  The sunspot in 1818 was again from dermatology and referred to “a spot on the skin caused by exposure to the Sun”, the term picked up in 1849 by the early heliophysicists to describe the “spots on the surface of the Sun”.

Spotlights (actually anti-aircraft searchlights) used to create the Lichtdom (literally "Cathedral of Light") effect at the Nazi's Nuremberg Rallies during the 1930s.

The spotlight (source of artificial light casting a narrow, relatively intense beam) was first described in 1904 as a piece of theatrical equipment with the figurative sense dating from 1916 where it could carry either negative or positive connotations (unlike the companion “limelight” which was always positive).  The military did use the term spotlight but the “searchlight” was a more frequent entry in lists of materiel.  The hobby (which for some seems either a calling or obsession) of train-spotting was first documented in 1959 (the train spotter having been mentioned the previous year) and referred to those who observed, collected and collated the numbers of railway locomotives, one’s status in the field determined by the number of unique entries in one’s list.  The habit caught on and there are also car spotters, truck spotters, bus spotters and plane spotters, the last once causing an international incident when a group were arrested outside a Greek military airfield by police who confiscated their notebooks and cameras, accusing them of spying.  The matter was resolved.

Hitting the spot: Crooked Hillary Clinton enjoys a shot of Crown Royal Bourbon Whiskey, Bronko's restaurant, Crown Point, Indiana, Saturday 12 April, 2008.

In idiomatic use, the phrase “hit the spot” (satisfy, be what is required) was first document in 1857 while the companion “spot on” doesn’t seem to have been used until 1920.  Earlier, “on the spot” by the 1670s meant “at once, without moving or delay” and a decade later “in the precise place and time” hence to be “on the spot” implied one “doing just what is right and needed”, a form noted since 1884.  The term “man on the spot” assumed some importance in diplomatic and military chains of command in the times before modes of communications were global, convenient and real-time, a recognition the one best equipped to make a decision was “the man on the spot”; then all certainly were men.  To “put someone on the spot” or “leave them in “a bit of a spot (or a “tight spot”)” was to “place them in a difficult situation”, use dating from 1928 and 1929 respectively.  The “spot check” (an inspection of a sample chosen at random) was first described (though doubtless a long-established practice) in 1933 and was used as a verb by 1944.  The term “sweet spot” is a mid-twentieth century formation which means “the optimal point and is used to describe (1) in acoustics the point of optimal sound delivered by the positioning of speakers, (2) in economics the optional outcome in a cost-benefit analysis, (3) in sporting equipment the location on a tennis racquet, baseball bat etc which produces the most satisfactory effect on the ball, (4) in phonetics the state of harmonic resonance in the larynx which produces the perfect sound and (5) as a euphemistic, the clitoris, G-spot or other source of sexual pleasure.  Generally, it’s used to mean “any ideal location or situation.

In zoology, the nomenclature can mislead non-specialists: The black spotted estuary cod (left) is a fish with black spots whereas the black spotted pond turtle  (right) is a black amphibian with white spots.

Spot in its original sense a taint, stigma, stain or blemish on the character of a person is still used to suggest some moral flaw and is related to “can’t change one’s spots” & “a leopard can’t change its spots”, the implication being character flaws are inherent.  A “weak spot” is a specific deficiency and a “soft spot” is a “particular sympathetic affection or weakness for a person or thing” which should not be confused with the “soft underbelly”; such is a vulnerability.  To “hit the spot” is an acknowledgement a need has perfectly be satisfied (typically used to mean hunger has been sated or thirst quenched.  In the matter of the weather, if it’s “just spotting”, the rain is light.  A “black spot” is something bad or dangerous while a “bright spot” is a highlight or something positive in a sea of bad news.  The use of the phrase “X marks the spot” has expanded somewhat but originally meant “one will find what one is looking for under an obvious sign”.  Spotted fever was a term for a number of tropical diseases (the reference to the symptoms which appeared on the skin) dating from the 1640s.  The spotted dick (suet pudding with currants and raisins) appeared in recipe books in 1849 although the date of creation is uncertain.

Spotted dick (sometimes known as spotted richard) with custard.

In June 2018, it was reported the Strangers' Dining Room the UK’s House of Commons in Westminster had changed the name of “Spotted Dick” to “Spotted Richard” although in other parts of the country, the suet & dried fruit sponge dessert remained on sale under the traditional name.  Derided by many as “wokeness” or “political correctness gone mad” the restaurant staff confirmed the change had been made in case anyone found the conjunction of spotted and dick “confronting”.  There’s no suggestion any complaints had been received which might have prompted the change but ideas soon flowed about the way people might be protected from other culinary micro-aggressions: Apple crumble was thought to be potentially offensive to those diagnosed with anxiety disorders so it might better be called apple support while the extra virgin olive oil offered with breads could be triggering for the Incels (involuntary celibate men).  Perhaps such oil could be labelled young because one certainly doesn’t wish to trigger the Incels.  The sight of Cock-a-leekie soup on a menu would be challenging for both the incontinent and those recovering from certain STIs (sexually transmitted infections which were once known as STDs (sexually transmitted diseases and before that venereal disease (VD)) so it would be better to play it straight and re-brand as chicken & leek soup.  It wasn’t until the 1970s VD began to be replaced by STD (VD thought to have to have gained too many specific associations) but fortunately for AT&T, in 1951 they renamed their STD (Subscriber Toll Dialing) service to DDD (Direct Distance Dialing), apparently for no better reason than the alliterative appeal although it's possible they just wanted to avoid mentioning “toll” with all that implies.  Many countries in the English-speaking world continued to use STD for the phone calls, even after the public health specialists had re-purposed the initialization.

Famous for his sartorial daring: Tennis player Roger Federer (b 1981), Wimbledon, July 2023.

A long-standing orthodoxy in fashion is (1) stripes and spots should never be mixed, (2) either should be worn only with a solid and (3) there's the added caveat care should be taken with color choices.  However, neither all stripes nor all spots are created equal; dimensionality matters so if small enough and in the right color combination, either can for these purposes work as solids and thus be available for mix & match.  To illustrate the technique, style guru Elisabeth McKnight explains pattern mixing with polka dots:

(1) Pick a color palette: Black and white is an easy starter palette, but even if adding color, stick to only a few.  Find patterns with the same colors in them or keep it easy by mixing colors of the same tone together (pastels with pastels or jewel tones with jewel tones, for example).

(2) Mix patterns of different scales: Pair a small print with a large and avoid prints of the same size. If using only one print (like a tiny polka dot skirt) with a very small print, essentially it acts as a neutral.  So, when wearing polka dots and stripes together, ensure dots are small if the stripes are bold.  Alternatively, if the print of the stripe is small, it can be paired with bigger dots.  As a rule of thumb, use the “ten foot rule”.  At that distance, to the naked eye, the fabric with small dots or strips should be had to distinguish from a solid.

(3) Mix textures for added dimension: Although it can be a dramatic look, especially with statements like red or purple, interest can be added if different fabrics are used for top and bottom garments.

How it should be done: Lindsay Lohan demonstrates how spots and stripes work best with solids.