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Wednesday, September 23, 2026

Grand

Grand (pronounced grand)

(1) Impressive in size, appearance, or general effect.

(2) Stately, majestic, or dignified.

(3) Highly ambitious or idealistic.

(4) Magnificent or splendid.

(5) Noble or revered.

(6) Highest, or very high, in rank or official dignity.

(7) Main or principal; chief; the most superior.

(8) Of great importance, distinction, or pretension.

(9) Complete or comprehensive (usually as the “grand total”).

(10) Pretending to grandeur, as a result of minor success, good fortune, etc; conceited & haughty (often with a modifier such as “rather grand”, awfully grand” or “insufferably grand”).

(11) First-rate; very good; splendid.

(12) In musical composition, written on a large scale or for a large ensemble (grand fugue, grand opera etc) and technically meaning originally “containing all the parts proper to a given form of composition”.

(13) In music, the slang for the concert grand piano (sometimes as “concert grand”).

(14) In informal use, an amount equal to a thousand pounds or dollars.

(15) In genealogy, a combining (prefix) form used to denote “one generation more remote” (grandfather, grand uncle etc).

1350–1400: From the Middle English graund, grond, grand, graunt & grant, from the Anglo-Norman graunt, from the Old French grant & grand (large, tall; grown-up; great, powerful, important; strict, severe; extensive; numerous), from the Latin grandis (big, great; full, abundant; full-grown (and figuratively “strong, powerful, weighty, severe”, of unknown origin.  Words conveying a similar sense (depending on context includes ambitious, awe-inspiring, dignified, glorious, grandiose, imposing, large, lofty, luxurious, magnificent, marvelous, monumental, noble, princely, regal, royal, exalted, palatial; brilliant, superb opulent, palatial, splendid, stately, sumptuous, main, large, big & august.  Grand is a noun & adjective, grander & grandest are adjectives, grandness is a noun and grandly is an adverb; the noun plural is grands.

In Vulgar Latin it supplanted magnus (although the phrase magnum opus (one’s great work) endured) and continued in the Romanic languages.  The connotations of "noble, sublime, lofty, dignified etc” existed in Latin and later were picked up in English where it gained also the special sense of “imposing” (which tended often to imply “big”.  The meaning “principal, chief, most important” (especially in the hierarchy of titles) dates from the 1560s while the idea of “something of very high or noble quality” is from the early eighteenth century.  As a general term of admiration (in the sense of “magnificent or splendid” it’s documented since 1816 but as a modifier to imply perhaps that but definitely size, it had been in use for centuries: The Grand Jury was an invention of the late fifteenth century, the grand tour was understood as “an expedition around the important places in continental Europe undertaken as part of the education of aristocratic young Englishmen) as early as the 1660s and the grand piano was named in 1797.  In technical use it was adapted for use in medicine as the grand mal (convulsive epilepsy with loss of consciousness), borrowed from the French grand mal (literally “great sickness”) as a point of clinical distinction from the petit mal (literally “small sickness”) (an epileptic event where consciousness was not lost).  The meaning "a thousand dollars" dates from 1915 and was originally US underworld slang, that sum then a lot of money (the cheapest Ford Model T then listed for US$350).

The “Twenty Grand”: 1933 Duesenberg SJ Arlington Torpedo Sedan by Rollston.

Celebrating "A century of Progress" and held between 27 May, 1933-31 October, 1934 in Chicago, Illinois, the Chicago World's Fair was memorable for the stunning array of art deco architecture and being the first US-staged international fair to book a profit.  Indeed, with close to 40 million paying visitors, the event had proved so popular the scheduled closing date of 12 November, 1933 was extended by almost a year.  When the fair opened its gates, the nation still was in the depths of the Great Depression and it was less than three months since Franklin Roosevelt (FDR, 1882–1945, POTUS 1933-1945) in his first Inaugural Address on 4 March 1933 had delivered the words “…the only thing we have to fear is fear itself.” so, in the circumstances, after three troubled years, the success was a remarkable achievement.  Still, it was far from an ideal time to display luxury goods but despite it all, four of the nation’s most exalted automobile manufacturers showed the finest they could achieve.

The “Twenty Grand”: 1933 Duesenberg SJ Arlington Torpedo Sedan by Rollston. 

Reflecting the interest in what the industry then called “streamlining”, Cadillac showcased their Aerodynamic Coupe, a fine housing for the company’s already famous 452 cubic inch (7.4 litre) V16.  Visually, Packard’s Sport Sedan didn’t have the Cadillac’s radical lines but the coachwork by Dietrich was elegant with some styling elements which others would emulate over the remainder of the decade.  Powered by Packard’s second-generation V12, the press dubbed it “The Car of the Dome” an allusion to the exposition’s Travel and Transportation Building where it sat.  Most startling among the four was Pierce-Arrow’s Silver Arrow, the look of which often is described as “avant-garde” but in many aspects it anticipated the early days of mid-century modernism and was probably an influence on the remarkable Tatras from Czechoslovakia although, with a front-mounted V12, under the striking bodywork, it was in many ways a conventional design.  By far the most familiar in appearance was the Duesenberg Arlington Torpedo Sedan with one-off coachwork by Rollston.  While it lacked the rakish appeal of some of the Duesenberg roadsters or phaetons, of its type it was a fine expression and under the long hood of course sat the supercharged 420 cubic inch (6.9 litre) straight-8; with a 32 valve, DOHC (double overhead camshafts) cylinder head, it was rated at 320 HP and was the industry’s most powerful engine.  Although not officially revealed, rumors circulated the price tag was US$20,000 (equivalent to some US$500,000 in 2026), leading the press to nickname it the “Twenty Grand.”

The use of the prefix grand- in genealogical compounds is a special case.  The original meaning was “a generation older than” and the earliest known reference is from the early thirteenth century in the Anglo-French graund dame (grandmother) & (later) grandsire (grandfather), etymologists considering the latter possibly modeled on the avunculus magnus (great uncle).  The English grandmother & grandfather formally entered the language in the fifteenth century and the extension of the concept from “a generation older than” to “a generation younger than” was adopted in the Elizabethan era (1558-1603) thus grandson, granddaughter etc.  Grand as a modifier clearly had appeal because in the US, the “Big Canyon” was in 1869 re-named the Grand Canyon.  In the modern era grand has been appended whenever there’s a need economically to convey the idea of a “bigger or more significant” version of something thus such constructions as grand prix, grand slam, grand larceny, grand theft auto, grand unification theory, grand master (a favorite both of chess players and the Freemasons) etc.  While “grand” can be a “loaded word” in that it can be deployed to convey something positive or negative some related forms can be even more variable and often are prone to misuse.  These include “grandeur” ((1) the state of being grand or splendid; magnificence; (2) the state of being noble; (3) largeness; tallness; loftiness (archaic), “grandiose” ((1) Large and impressive, in size, scope or extent; (2) pompous or pretentious; (3) magnificent or spectacular and “grandiloquent” (of an individual, their writing or speech): given to using language in a showy way by using may obscure or long words.

The Grand Jury

Donald Trump in Manhattan Criminal Court, April 2022.

The Manhattan grand jury that indicted Donald Trump (b 1946; POTUS 2017-2021 and since 2025) on 34 felony counts of "falsification of business records in the first degree" was an example of an institution with origins in twelfth century England although it didn’t generally become known as the “grand jury” until the mid-1400s.  At least some of the charges against Mr Trump related to the accounting associated with “hush-money” payment made in some way to Stormy Daniels (b 1979; the stage name of Stephanie Gregory although Mr Trump prefers “horseface” which seems both ungracious and unfair) and reports at the time offered the prospect of more legal-political drama, the suggestion he'd likely have to face more grand juries hearing more serious matters.  All such possibilities were however put on hold when he again became POTUS. 

A grand jury is a group of citizens (usually between 16-23) who review evidence presented by a prosecutor to determine whether the case made seems sufficiently compelling to bring criminal charges.  A grand jury operates in secret and its proceedings are not open to the public, unlike a trial before a jury (a smaller assembly and classically a dozen although the numbers now vary and once it was sometimes called a petit jury (petit (small), from the Middle English petit, from the Old French petit, from the Late Latin pitittus, a diminutive of pit-).  It is this smaller jury which ultimately will pronounce whether a defendant is guilty or not; all a grand jury does is determine whether a matter proceeds to trial in which case it will issue an indictment, which at law is a formal accusation.  The origins of the grand jury in medieval England, where it was used as a means of investigating and accusing individuals of crimes was to prevent abuses of power by the king and his appointed officers of state although it was very much designed to protect the gentry and aristocracy from the king rather than any attempt to extend legal rights to most of the population.

The grand jury has been retained in the legal systems of only two countries: the US and Liberia.  Many jurisdictions now use a single judge or magistrate in a lower court to conduct a preliminary hearing but the principle is the same: what has to be decided is whether, on the basis of the evidence presented, there’s a reasonable prospect a properly instructed (petit) jury would convict.  In the US, the grand jury has survived because the institution was enshrined in the Fifth Amendment to the Constitution: “No person shall be held to answer for a capital, or otherwise infamous crime, unless on a presentment or indictment of a Grand Jury, except in cases arising in the land or naval forces, or in the Militia, when in actual service in time of War or public danger.”  In England, the grand jury was thought a vital protection against arbitrary prosecutions by the government, and it was included in the Bill of Rights (1689) to ensure individuals would not be subject to unjustified criminal charges.  There is an argument that, by virtue of England’s wondrously flexible unwritten constitution, the grand jury hasn't been abolished but they're merely no longer summoned.  It's an interesting theory but few support the notion, the Criminal Justice Act (2003) explicitly transferring the functions to the CPS (Crown Prosecution Service) and the model of the office of  DPP (Director of Public Prosecutions) has been emulated elsewhere in the English-speaking world.  Presumably, a resuscitation would require the DPP to convene a grand jury and (if challenged on grounds of validity) the courts have to concur but as late as 1955 an English court was prepared to hold a court which had for centuries neither sat nor held a hearing remained extant so the arguments would be interesting.

The “Grand Mercedes”: The Grosser tradition

Der Grossers: 1935 Mercedes-Benz 770 K (W07) of Emperor Shōwa (Hirohita, 1901–1989, emperor of Japan 1926-1989 (left)), Duce & Führer in 1939 Mercedes-Benz 770 K (W150) leading a phalanx of Grossers, Munich, 1940 (centre) and comrade Marshal Josip Broz Tito (1892–1980) in 1966 Mercedes-Benz 600 six-door Landaulet (W100), Belgrade, 1967 (right).

Produced in three series (770 K (W07, 1930–1938 & W150, 1939-1945) & 600 (W100, 1963-1981)) the usual translation in English of “Grosser Mercedes” is “Grand Mercedes” and that is close to the German understanding which is something between “great”, “big” and “top-of-the-line”.  In German & Austrian navies (off & on) between 1901-1945, a Großadmiral (Grand Admiral) was the equivalent to the (five star) Admiral of the Fleet (UK) or Fleet Admiral (US); the rank was abolished in 1945 and has never been re-established.  When the 600 was released in 1963, it may have been the last time a single model could be described as "the best car in the world" but, driven to extinction in 1981 by an oil crisis and an array of regulations never envisaged when it was designed, it wasn’t replaced and the factory didn’t return to the idea until a prototype was displayed at the 1997 Tokyo Motor Show.  The specification and engineering was impressive but the appearance was underwhelming, a feeling reinforced when the production version (2002-2013) emerged not as an imposing Grosser Mercedes but a Maybach, a curious choice which seemed to suggest a marque which for a century had been the choice of popes, presidents & potentates was no longer good enough.  Although dynamically a fine car (at the time the best of its type), the Maybach looked something like a big Hyundai and lingered for a slow-selling decade before an unlamented death, suggesting the MBAs (Master of Business Administration) who decided on a re-branding using a name with little resonance except among except automotive & military historians should stick to creating campaigns for washing powder.

Grand, Grand Luxe & Gran

Jaguar 420G publicity material, 1966.

Car manufacturers were attracted to the word because of the connotations (bigger, better, more expensive etc).  When in 1966 Jaguar updated the slow-selling Mark X (1961-1966), it was integrated into what proved a short-lived naming convention, based on the engine displacement.  Under the system, with a capacity of 4.2 litres (258 cubic inch) the thing had to be called 420 but there was a smaller saloon in the range so-named so the bigger Mark X was renamed 420G.  Interestingly, when the 420G was released, any journalist who asked was told “G” stood for “Grand” which is why that appeared in the early reports although the factory seems never officially to have used the word, the text in the brochures reading variously: 420G, 420 G or 420 “G”.  The re-naming did little to encourage sales although the 420G remained in production until 1970 by which time production had dwindled to a trickle, the car rendered instantly a relic when the epoch-making XJ6 (in three generations, 1968-1992) made its debut in 1968.  The use of a "G" is unusual in product names although it has appeared as a part of alphabetical sequences (bras and certain Chryslers for example) but when in 1989 the now defunct software manufacturer Lotus released a version of their 1-2-3 spreadsheet for IBM's new OS/2 operating system, it was called 1-2-3/G, the "G" a nod to the product using OS/2's Presentation Manager (a GUI (Graphical User Interface)).  Lotus 1-2-3 was one of the PC (personal computer) industry's original "killer apps" and along with WordPerfect & dBASE III was the backbone of corporate software in the 1980s but the universe shifted and all are now historic footnotes.  As IBM had for OS/2, Lotus had grand plans for 1-2-3/G but both fell victim to Microsoft's better implemented strategy for global domination.   

The tale of the Mark X & 420G is emblematic of the missed opportunities and mismanagement which would afflict the British industry during the 1970s & 1980s.  In 1961, the advanced specification of the Mark X (unitary construction, independent rear suspension, four-wheel disc brakes) made it an outstanding platform and had Jaguar fitted an enlarged version of the larger of the two superb V8s they had gained with their purchase in 1960 of Daimler, it would have been an ideal niche competitor in mid-upper reaches of the lucrative US market.  Except for the engine, it needed little change except better ventilation and the installation of a good air-conditioning system, then already perfected by Detroit.  Although the Daimler V8 and Borg-Warner gearbox couldn't have matched the ultimate refinement of what Detroit was building (by then the finest engine-transmission combinations in the world), the English pair certainly had their charms and would have seduced many.

1969 Pontiac Grand Prix SJ 428.  The use of "SJ" was a borrowing from the celebrated Duesenberg SJs (1932-1937) a breed that exerted an influence well beyond the three dozen built.

Pontiac’s memorable 1969 Grand Prix also might have gained some allure from the word.  The term “Grand Prix” still is most associated with top-level motorsport (although it originally was borrowed from Grand Prix de Paris (Big Prize of Paris), a race for thoroughbred horses staged at the Longchamps track) so although Pontiac’s rather large 1962 Grand Prix was far removed from a racing car, it was marketed on the basis of “high performance” so the tag would have made sense given the way labels were applied in the era.  However, big as it was, it got bigger and the second generation (1965-1968) morphed into something truly grand in size if not dynamic qualities.  Style returned when the third generation (1969-1972) was released, the look dominated by the elongated nose that truly was a triumph of fashion over function; although fitted with V8 engines with displacements as large as 455 cubic inches (7.5 litre), the power-plants, while relatively wide, were quite short and under that long hood (bonnet) was a compartment that easily could have housed a V16.  As a piece of packaging efficiency it was an absurdity but undeniably it was a dramatic look and sales spiked.  The 1969-1970 cars remain the most highly regarded of the third generation, the few hundred with the 428 cubic inch (7.0 litre) HO (High Output) V8 coupled with a four-speed manual transmission the most collectable.  From there, although over a further five generations the Grand Prix remained successful enough to remain in the catalogue until 2008, the best years were over and at some point in the 1970s or 1980s (opinions differ), there was little about the by then dreary Grand Prix which seemed at all grand.

Although a bit deluxe, not especially grand: 1980 TF (Mark V) Ford Cortina GL.

During the interwar years (1919-1939) “deluxe” (borrowed from the world of fashion) found to be a good label to apply to a car with bling added and sold for a premium well beyond what the adornments cost; the concept proved so profitable it remains practiced to this day.  Deluxe (sometimes as De luxe) was a commercial adaptation of the French de luxe (of luxury), from the Latin luxus (excess), from the primitive Indo-European lewg- (bend, twist).  The “deluxe” label worked so well it begat “Super Deluxe” & “Grand Luxe” both genuinely coinings of the industry.  Deluxe and Grand Luxe eventually fell from favour as model names for blinged-up creations became more inventive but the initializations L, DL & GL were adopted by some, the latter surviving longest by which time it was understood to signify just something better equipped and thus more expensive; it’s doubtful many made a literal connection to “Grand Luxe”.

1970 Plymouth Barracuda Gran Coupe Convertible in Plum Crazy (FC7).

A linguistic curiosity of the US motor industry in the 1970s was “Gran”, technically a truncation of “grand” but with no connection with “gran” as an affectionate diminutive of “grandmother” or the many uses (as Gran) as a proper noun (surnames, locality names etc).  It was Chrysler’s Plymouth Division that for years championed “Gran” (though Buick used it too) and while the Gran Fury (1980-1989) was the longest serving, more linguistically interesting were the “Gran Coupe” (1970-1971) versions of the third generation (1970-1974) Barracuda and the 1971 Fury III Gran Coupe.  The Barracuda Gran Coupe was a bit of mission creep for the word “coupe” because the model was available as both a two-door hardtop and a convertible (in 1970 only).  That was at the time unusual but not wholly without (a partial) precedent because for generations English manufacturers had referred to their larger convertibles as DHCs (drophead coupé).

1971 Plymouth Fury III Gran Coupe (which was a four-door hardtop).

However, the 1971 Fury III Gran Coupe was in the US a genuine first because it had four doors.  The notion of a “four-door coupé” was not new because in the UK, Rover (a company with a history of adventurism in engineering which belied its staid image) in 1962 released a pillared version of the 3 Litre (P5, 1958-1967) four-door saloon with a lowered roof-line and some different interior fittings; this they named “3 Litre Coupé” which puzzled those who had become used to the designation being applied to two-door machines but etymologically, Rover was correct.  Coupé was from the French coupé, an elliptical form of carosse coupé (cut carriage), past participle of couper (to cut)).  Rover did cut-down the roof of the P5 so that was consistent with the etymology but shamelessly, Plymouth, which in 1970 had offered (an uncut) two door Fury II Gran Coupe, for 1971 introduced (the uncut) Fury III Gran Coupe with four door hardtop bodywork.  So, there are (uncut) four door coupes because Plymouth said so.  The mysterious “Gran” seems to have been used for no reason other than sounding vaguely “European” and therefore imparting a more “upmarket” image than the by then common “Grand”.  It was at the time a trend which saw the adoption of “Brougham”, “Monaco”, “Cordoba”, “Monte Carlo”, “rich Corinthian leather” and such although the brutish “Grand” would make a comeback when Plymouth turned to making people movers (vans with more seats).

In the matter of Grand Theft Auto (GTA5): Lindsay Lohan v Take-Two Interactive Software Inc et al, New York Court of Appeals (No 24, pp1-11, 29 March 2018)

In a case which took an unremarkable four years from filing to reach New York’s highest appellate court, Lindsay Lohan’s suit against the makers (Take-Two, aka Rockstar) of the video game Grand Theft Auto V was dismissed.  In a unanimous ruling in March 2018, six judges of the New York Court of Appeals rejected her invasion of privacy claim which alleged one of the game’s characters was based on her.  The judges found the "actress/singer" in the game merely resembled a “generic young woman” rather than anyone specific.  Unfortunately the judges seemed unacquainted with the concept of the “basic white girl” which might have made the judgment more of a fun read.

Beware of imitations: The real Lindsay Lohan and the GTA 5 ersatz, a mere "generic young woman".

Concurring with the 2016 ruling of the New York County Supreme Court which, on appeal, also found for the game’s makers, the judges, as a point of law, accepted the claim a computer game’s character "could be construed a portrait", which "could constitute an invasion of an individual’s privacy" but, on the facts of the case, the likeness was "not sufficiently strong".  The “…artistic renderings are an indistinct, satirical representation of the style, look and persona of a modern, beach-going young woman... that is not recognizable as the plaintiff" Judge Eugene Fahey (b 1951) wrote in his ruling.  Judge Fahey's words recalled those of Potter Stewart (1915–1985; associate justice of the US Supreme Court 1958-1981) when in Jacobellis v Ohio (378 U.S. 184 (1964) writing of the concept of "obscenity" he wrote: “I shall not today attempt further to define… and perhaps I could never succeed in intelligibly doing so.  But I know it when I see it…”  Judge Fahey knew a basic white girl when he saw one; he just couldn't name her.  Lindsay Lohan's lawyers did not seek leave to appeal.

The game’s developers may have taken the risk of incurring Lindsay Lohan’s wrath and indignation because they’d been lured into a false sense of security by crooked Hillary Clinton (b 1947; US secretary of state 2009-2013) not filing a writ after a likeness of her appeared on GTA 4’s (2008) Statue Of Happiness which stands on Happiness Island, just off the coast of Liberty City.  The Statue of Happiness was a blatant knock-off of New York’s Statue of Liberty and crooked Hillary became a determined and acerbic critic of Rockstar and the GTA franchise when details of the “Hot Coffee affair” were revealed.  That controversy arose after modders promulgated a code which in GTA: San Andreas’ release (2004) unlocked a hidden “mini-game” which allowed players to control explicit on-screen sex acts.  Men having sex (however defined) with women with whom they don’t enjoy benefit of marriage was a bit of a sore point with crooked Hillary, then a US senator (Democrat-New York), who embarked on a campaign for new regulations be imposed on the industry and the most immediate consequence was the ESRB (Entertainment Software Rating Board) launching an investigation, subsequently raising GTA: San Andreas’s rating from “M” (Mature) to “AO” (Adults Only, 18+) until the objectionable content was removed.  For those who wondered if the frankly frightening visage on the GTA 4 statute really was what some suspected, the object’s file name was “stat_hilberty01.wdr”.

Rockstar's Statue Of Happiness in GTA 4 (2008, left) and an official photograph of crooked Hillary Clinton (right). 

Rockstar seeking vengeance was understandable because crooked Hillary’s moral crusade proved tiresome for the company.  Once the ESRB had been nudged into action, crooked Hillary petitioned the FTC (Federal Trade Commission) to (1) find the source of the game's “graphic pornographic and violent content”, (2) determine if it should be slapped with an AO rating and (3) “examine the adequacy of the retailers' rating enforcement policies.”  Not content, she then announced she’d be sponsoring in the Senate a bill for an act to make it a federal crime (with a mandatory US$5,000 fine) to sell to anyone under 18, violent or sexually explicit video games; the FEPA (Family Entertainment Protection Act) was filed on 17 December, 2005 and referred to the Committee on Commerce, Science and Transportation, where quietly it was allowed to expire, the fate of many a bill over the years.

While the bill was undergoing a slow strangulation in committee hearings (killing bills one of the great arts in the US political system), the FTC and Rockstar reached a settlement, the commission ruling the company had violated the FTCA (Federal Trade Commission Act (1914)) by failing to disclose the inclusion of “unused, but potentially viewable” explicit content” (that it was enabled by a third party was held to be “not relevant”).  The settlement required Rockstar “clearly and prominently disclose on product packaging and in any promotion or advertisement for electronic games, content relevant to the rating, unless that content had been disclosed sufficiently in prior submissions to the rating authority” with violations punishable by a fine of up to US$11,000.  In the spirit of the now again fashionable Calvin "silent Cal" Coolidge (1872-1933; POTUS 1923-1929) era capitalism, no fine was imposed for the “hot coffee incident”, honor presumably satisfied by the company already having booked a US$24.5 million loss from the product recall earlier mandated.

Friday, August 7, 2026

Laurel

Laurel (pronounced lawruhl or lor-uhl)

(1) A small European evergreen tree, Laurus nobilis, of the Lauraceae family, having dark, glossy green leaves (known also as the bay tree or sweet bay).  Trees & shrubs belonging to (or resembling) the natural order Lauraceae are said to be lauraceous.  When used as an adjective (not in the strict botanical sense), the comparative is more lauraceous, the superlative most lauraceous.

(2) Any tree of the genus Laurus.

(3) In general use, any of various similar trees or shrubs, as the mountain laurel or the great rhododendron.

(4) The foliage of the laurel as an emblem of victory or distinction.

(5) A branch or wreath of laurel foliage.

(6) In the plural (laurels or victory laurels), an award conferred (literally or figuratively) as an honor for achievement in some field or activity.

(7) An English gold coin minted in 1619, so called because the king's head was crowned with laurel.

(8) In many color charts, a green of a darker hue.

(9) To adorn or enwreathe with laurel.

(10) To honor with marks of distinction.

(11) A female given name (there have been rare instances of male use, including as a "second name" referencing some relative).

1250–1300: A dissimilated variant of the Middle English laurer (laurel), from the Anglo-Norman, from the twelfth century Old French laurier & lorier (bay tree; laurel tree), the construct being lor (bay) + -ier, from the Medieval Latin laurārius, from the Latin laurus (laurel tree), thought related to the Greek daphne (laurel), probably from a pre-Indo-European Mediterranean language.  The French suffix -ier was from the Middle French -ier & -er, from the Old French, from the Latin -ārium, the accusative of -ārius.  It was used to form the names of trees, ships, jobs etc.  The second -r- in the Middle English laurer changed to -l- by process of dissimilation.  Laurel & laureate are nouns & verbs, laureateship & laurustinus are nouns, laureled & laurelled are verbs & adjectives and lauriferous & lauraceous are adjectives; the noun plural is laurels.

Lindsay Lohan fridge magnet by Alexanton.  Laurel Hollow is an incorporated village in Nassau County on the North Shore of Long Island, New York, within the Town of Oyster Bay (where Theodore Roosevelt (TR, 1858–1919; POTUS 1901-1909) died).

The use to describe an emblem of victory or of distinction (hence the phrase “to rest on one’s laurels” (the original form was “repose upon”)) dates from 1831.  The phrase is now used used in the cautionary sense “don’t rest on your laurels”, a warning not to rely on a reputation gained through past successes but instead continue to strive and improve.  The companion phrase “look to your laurels” is an idiomatic expression (known in Antiquity) meaning one needs to be vigilant and attentive to one's accomplishments, skills or position because there will be those eager to surpass or outshine you.  Like “don’t rest on your laurels”, it stresses the importance of maintaining one’s competitive edge.  It was a bay leaf from a laurel shrub that Πυθία (Pythia, priestess of Pythian Apollo at Delphi) chewed during her prophetic trances.

Sirens and the Night (1865) by William Edward Frost (1810-1877).

Although most associated with women (the feminine variants including Laura, Lauren, Lori and Lorraine), Laurel is a unisex given name.  It was related to the German Lorelie and in Germanic mythology there were several tales of the lovely maiden Lorelei (luring rock) who lived upon a rock in the River Rhine.  She lured fishermen to their deaths by singing songs of such beauty they couldn't resist, a variation of the stories of the Sirens in Greek mythology.  The Sirens were legendarily beautiful but deadly creatures who used their lyrical and earthly charms to lure sailors to their death.  Attracted by their enchanting music and voices, the intrigued seafarers would sail too close to the rocky coast of the Siren’s island and be shipwrecked, there to suffer a worse fate still at the hands of the hungry Sirens.  In Homer's Odyssey (an epic poem from perhaps as long ago as the eighth century BC), it was Odysseus who most famously escaped the sirens.  Longing to hear their songs but, forewarned by Circe and having no wish to be shipwrecked and devoured, he had his sailors fill their ears with beeswax, rendering them deaf.  Then, he ordered he be tied to the mast, telling his crew that whatever he said, they were not to release him but instead tighten the knots, not cutting the bonds until the ship had sailed far from the coast.  Of course, approaching the rocks, he heard the lovely voices and implored the crew to release him but they followed their skipper’s orders, not setting him free until the danger had passed.  Some writers claimed the Sirens were doomed to die if a man heard their singing and escaped and, as Odysseus sailed off, they flung themselves into the waters and drowned but, among the myths, that was not always their fate.  Not untypically for the myths of Antiquity, the Sirens are said to have had many homes.  The Romans said they lived on some small islands called Sirenum scopuli while later authors place them variously on the islands of Anthemoessa, on Cape Pelorum, on the islands of the Sirenuse, near Paestum, or in Capreae.  All were places with rocky coasts and tall cliffs and thus for ships potentially lethal places although the fate of sailors was more gruesome, the Sirens devouring them.  The Argonauts sailed close to the Sirens, but, using the same principle as “radio jamming” in the twentieth century, Orpheus sang as long as the crew was within earshot of them (“drowning out their signal”), so none were lured (except the unfortunate Butes, carried away by Aphrodite after he fell victim).

#metoo: Apolo persiguiendo a Dafne (Apollo chasing Daphne (circa 1637)), oil on canvas by Theodoor van Thulden (1606–1669) after Peter Paul Rubens (1577–1640), Museo Nacional del Prado, Madrid.

The feminine proper name Daphne was from the Greek daphne (laurel, bay tree) and in mythology was the name of a nymph.  Etymologists conclude the word is related to the Latin laurus (laurel) although the mechanism has been lost in time.  In Greek mythology, Δάφνη (Daphne), daughter of the River Ladon (and sometimes of the Thessalian River Peneus), was a nymph with whom the God Apollo fell in love; he was provoked by Cupid, having disputed with him the power of his darts which Apollo, the recent conqueror of the Python, belittled.  When he pursued her to the banks of the Peneus, she was saved from being ravished by the god who transformed her into a Laurel tree, the origin of Apollo being so often depicted crowned with laurel leaves.  None of the writers from Antiquity seem ever to have pondered whether the nymph, had she been offered time to consider the choice between being ravished by a Greek god or becoming eternally arboreous, might have preferred to permit a slice be cut from the loaf.  While at the time not of much consolation to the unfortunate Daphne, Apollo ordained that the laurels should be the prize for poets and victors and, being, at least briefly, a sentimental chap, Apollo adopted the laurel as his favorite tree so there’s that.  The site of temples and a stadium, the Grove of Daphne was a pleasure resort of renowned natural beauty, dedicated to Apollo and located near Antioch.  

Apollo and Daphne (1622-1625), sculpture in white Carrara marble by Gianlorenzo Bernini (1598–1680), Galleria Borghese, Rome.

Being a Greek myth, there are of course variants in the tales and in a Laconian version, Daphne was the daughter of Amyclas who spent her days among the mountains where she was a favourite of Artemis.  From afar, Leucippus fell in love with her and, disguising himself as a girl, joined her companions.  Daphne became fond of him (thinking him a her), but Apollo became jealous and vowing to expose his trickery, inspired Daphne and her companions with a wish to bathe.  Leucippus, obviously, hesitated to remove his clothing, but his companions forcibly undressed him and, feeling betrayed upon discovering his identity, they attacked him, his life saved only by the gods rendering him invisible.  At this point, Apollo dashed to try to seize Daphne but she ran off and in answer to her prayer, Zeus turned her into a laurel.  Latter-day interpretations of Daphne's fate have differed.  While her name lives on as a tragic hero (the girl who gave up her life rather than succumb to a sexual assault) some feminists have criticized the notion that a victim of such a crime should be transformed into something silent and thus uncomplaining.

Audrey Hepburn (1929–1993) in a “laurel leaves” hat designed by Hubert de Givenchy (1927–2018), photograph by Howell Conant (1916–1999), Switzerland, February 1962.

As an adjective, laureate (crowned with laurels as a mark of distinction) dates from the late fourteenth century and the earliest reference was to poets of particular distinction, from the Latin laureatus (crowned with laurel), from laurea (laurel crown; emblematic of victory or distinction in poetry), from the feminine laureus (of laurel).  The first known use of Laureat poete is in Geoffrey Chaucer’s (circa 1344-1400) Canterbury Tales (1387-1400) in reference to Scholar and poet of early Renaissance Italy, Petrarch (Francesco Petrarca (1304–1374), and it was used in Middle English of Greek fabulist Aesop (circa 620–564 BC) and, by the early fifteenth century of Chaucer himself.

In English the inverted form “poet laureate” was in imitation of Latin word order and although used informally since the early 1400s, the evidence suggests the first appointed by the state was probably (and perhaps posthumously) Ben Jonson (circa 1572–circa 1637) in 1638 although the first for whom the letters patent remain extant was John Dryden (1631–1700).  In the UK, the position of poet laureate is an honorary office in the gift of the sovereign but in these days, appointed on the advice of the prime minister; because few prime-ministers know much of poetry, they too take advice on the matter; in that, it's similar to the appointment of bishops, most prime ministers knowing as little of religion.  Curiously, although the office is not un-remunerated, the government describes it still as an “honorary appointment”, the advantage of that being summary dismissal is a simpler process should the poet start writing material unpleasing to the party in power.  It may be more correct to call it a kind of sinecure because while the expectation is the appointee will compose verse to mark moments of national significance, such things are not defined and nor are aspects such as frequency or length.  So it’s one of those “gentlemen’s agreements” which, as late as the 1950s was still a feature of the way the establishment ran the UK.  That would have extended also to Dame Carol Ann Duffy (b 1955, poet laureate 2009-2019), thus far the only woman appointed (she had the benefit of ticking several boxes for Gordon Brown (b 1951; prime minister of the UK 2007-2010): Scottish; female; lesbian).  Just for once, Gordon's stars aligned.

Opportunity missed: Dylan Thomas (1914–1953, left) and his wife Caitlin Thomas (née Macnamara; 1913-1994, right) in the bar of Brown’s Hotel, Laugharne, Wales, 1938.

For his laureateship, Dryden's was paid an annual fee of Stg£200, the inclusion in 1630 by the doomed Charles I (1600–1649; King of England, Scotland & Ireland 1625-1649) of an annual “butt of Canary wine”, later converted into the monetary equivalent.  A butt of wine (known also as “a pipe”) had a volume of 105 imperial gallons (126 US gallons, 477 litres) and was part of the English standardized “Cask Measurement System” regulating trade in liquids between brewers, distillers, merchants and shippers.  All graduations of the defined sizes of wooden barrels were fractions of the largest standard cask (the “tun” (210 imperial gallons (252 US gallons, 954 litres)) with a butt a half-tun and a “hogshead” half a butt (52 imperial gallons (63 US gallons, 238 litres)).  However, being English, the system was complicated by a butt of ale or beer being defined as 108 imperial gallons (130 US gallons, 491 litres).  As a unit of measurement the butt was the origin of the slang term “buttload”.  The tradition of the “butt of Canary wine” was revived on the request of Ted Hughes (1930–1998; poet laureate 1984-1998) who received 720 bottles of sherry.  Being Irish, the poet Brendan Behan (1923-1964) wouldn't have been created poet laureate but the government avoided a significant charges against the exchequer by not appointing Dylan Thomas for whom 720 bottles of anything would likely not have proved sufficient.

Barack Obama (b 1961; POTUS 2009-2017, Nobel Peace Prize laureate 2009).  The peace prize is awarded by a committee elected by the Norwegian Stortinget (parliament); it summarized the basis of their decision being President Obama's: “...extraordinary efforts to strengthen international diplomacy and cooperation between peoples.”  Those skilled in deconstruction concluded the true rationale was “He is not George W. Bush” (George XLIII, b 1946; POTUS 2001-2009)).

The poet laureate's annual payment is now “Stg£5,750 and a barrel of sherry” so it’s good gig considering there are no set hours and only the vaguest KPIs (key performance indicators).  There was a time when a poet laureate was an exalted figure but these days there’s less interest and the best remembered probably still is Ted Hughes (1930–1998; poet laureate 1984-2008) and that less for his oeuvre than calls by feminists to boycott his works because he had Sylvia Plath’s (1932-1963) “blood on his quill”.  The noun laureate came into existence in the 1520s, either as an evolution from the adjective or through a mistaken reading and laureateship has been in use since 1732.  In modern use, laureate is most frequently applied to Nobel prize winners, a use that began in 1947; while many of the Nobel laureates have been outstanding figures in their field, there have been a few about as undeserving as some of the less distinguished British poets laureate.  Of the 21 who have held the office, serious critics seem to rate only Dryden, William Wordsworth (1770–1850; poet laureate 1843-1850) and Alfred, Lord Tennyson (1809–1892; poet laureate 1850-1892) as first-rate poets.

The laurel appeared in Hymn to Proserpine (1866), a poem by Algernon Charles Swinburne (1837–1909) exploring atheism, a theme to which he would on occasion return as he developed in verse his increasingly strident opposition to Christianity in general and stifling Victorian morality particularly.  Nominated every year between 1903 and 1909 for the Nobel Prize in Literature, his name was on the list in 1893 presented to Victoria (1819–1901; Queen of the UK 1837-1901) as the replacement for Tennyson as Poet Laureate but the queen vetoed him “on moral grounds” although it’s not known if she’d read or merely been told about his works discussing sado-masochism and lesbian longings.  Swinburne was of a figure of the post-Romantic disillusionment and a part of the sceptical tradition that would emerge in the nineteenth century to grow to a critical mass in the twentieth; even if not familiar with his most “disturbing” verse, Hymn to Proserpine, an address to Proserpina (in Rome, the goddess of the Underworld), lamenting that the rise of Christianity had displaced the pagan goddess and her pantheon, would alone have been enough to incur royal disapprobation.

Thou hast conquered, O pale Galilean; the world has
   grown grey from Thy breath;
We have drunken of things Lethean, and fed on the
   fullness of death.
Laurel is green for a season, and love is sweet for a day;
But love grows bitter with treason, and laurel outlives
   not May.

The meaning is that both romantic love and artistic fame are fleeting, fragile, and bound to fade, the work a pagan perspective rejecting the idea of eternal life or permanent earthly glory.  In saying “Laurel is green for a season”, the leaves exist in their traditional symbolic role celebrating poetic glory, victory and cultural achievement but as “Love is sweet for a day”, while human affection can briefly be thrillingly intense, notoriously is it brief and transitory.  Just as “love grows bitter with treason” with relationships easily and often turned toxic by a betrayal or shift in faith, the “laurel outlives not May” and like spring flowers, fame dies quickly when the cultural season shifts and fashions change.  Nothing lasts forever and even the highest artistic achievements will one day dissolve into nothingness: Man can write his will across the heavens but those stars will soon dim and fall.  Swinburne found comfort not in an afterlife, but in the total, final darkness granted by Proserpine, the goddess of death.  Charmingly, Christians and pagans alike would both concur with the scriptural “Vanity, vanity, vanity of vanity of vanities, all is vanity” (Ecclesiastes 1:2) although each would draw different conclusions, the former in eternal life, the latter in peaceful oblivion.  As a footnote, Hymn to Proserpine includes cross-rhyme (known also as an interlaced rhyme) a device occurring in long couplets, the device operating on words in the middle of each line (here “season” and “treason”).