Pixelate (pronounced pik-suh-leyt)
(1) In digital graphics and photography, to cause (an
image) to break up (in whole or in part) into pixels, by complete or selective over-enlargement,
resulting in blocky blurs.
(2) To blur parts of a digital image by creating unclear,
pixel-like patches, for purposes of censorship or to maintain the anonymity of
the subject (informal use of the word; technically need not be done by means of
pixelation):
1965: The construct was pixel + -ate. Pix was a casual form of the abbreviation “pics”, the plural of “pictures”, the spelling with the x in use (initially in magazines and periodicals) since the 1880s. Pixel dates from 1965 and was a portmanteau word, the blend being pix + el(ement). It seems first to have been used by taking advantage of advances in the technology of magnification which enabled artists to manipulate images down to the levels of the individual, identifiable, two-dimensional (dots) components. As the technology moved to screens and the dots became square, single-colored display elements, the word pixel continued to be used. The noun pixelation (also as pixellation) in the sense of “creation of the effect of animation in live actors" was used first in motion-picture post-production and editing in 1947 and it appears not to have entered general use until the 1990s. Prior to then, when pixelation was used (typically in newspapers to conceal identities or to obscure body parts or acts thought offensive), the effect was usually described a “blurred” or “blurred-out”. The suffix -ate was a word-forming element used in forming nouns from Latin words ending in -ātus, -āta, & -ātum (such as estate, primate & senate). Those that came to English via French often began with -at, but an -e was added in the fifteenth century or later to indicate the long vowel. It can also mark adjectives formed from Latin perfect passive participle suffixes of first conjugation verbs -ātus, -āta, & -ātum (such as desolate, moderate & separate). Again, often they were adopted in Middle English with an –at suffix, the -e appended after circa 1400; a doublet of –ee. Pixelate, pixelize & pixelating are verbs, pixelization & pixelation are nouns, pixelated is a verb & adjective and pixelized is an adjective; the noun plural is pixelizations.
Lindsay Lohan, pixelated.
It shouldn’t be confused with the similar but completely
unrelated (and usually whimsical) term pixilated, the construct of that being pixi(e) +
(titill)ated, the blend of pixie and titillated suggesting an individual behaving
in an eccentric manner, as though led by pixies (although it was used for a
while by the news media as a euphemism for “drunk” until “tired and emotional”
became preferred. It’s always been rare
but in the sense of the eccentric the synonyms include abnormal & eccentric
while whimsically it implies the idiosyncratic, outlandish, peculiar, playful,
quirky or unconventional. It dates, as a dialectical
form of US English, from the New England region in 1848 but entered general use
in 1936 when used in a popular movie. A
pixie in this context was a figure from mythology, fantasy literature &
fairy tales and was a playful sprite, elf-like or fairy-like creature. In slang, it referred to a young, petite girl
with a certain short-cut hair-style (or the style itself as “the pixie-cut). In the technical language of astronomy & meteorology,
pixie is the name of an upper-atmospheric optical phenomenon associated with
thunderstorms, a short-lasting pinpoint of light on the surface of convective
domes that produces a gnome. Titillate
was from the Latin tītillātus, from tītillō & tītillāre (to tickle) and was used usually to suggest acts which stimulated
desire or excited sensually.
Loewe’s “pixelated glitches”, Paris Fashion Week, October 2022.
Displayed at Paris Fashion Week in October
2022, Loewe's Metaverse Fashion Works IRL (an initialism of “in real life”,
borrowed from literary criticism which, in internet slang imparts, “as opposed
to online”) was the latest take on the pixelated look and the most obvious
attempt yet to emulate IRL the look as it appears on screens. Although catwalks are noted as a place
designers can show pieces which generate much publicity without being likely to
attract many buyers, Loewe confirmed the pixelized clothing items (a hoodie,
dress, and pair of pants) will be part-numbers and appear in the Spring 2023 collection. The show notes described the look as "a
pixelated glitch" and, photographed sympathetically, the effect was
well-executed although there are limitations in the extent to which an
inherently 2D look can translate into 3D (IRL).
Whether many of the Minecraft generation are used to paying the prices
Loewe’s customer base can afford is unlikely but the way the industry works is
that when a thing trends, the sweatshops east of Suez quickly are commissioned
to do runs of cheap knock-offs and Meta might actually be grateful the look has
generated so many clicks, Loewe’s toe in the metaverse’s stylistic water one of
the few supportive gestures which suggests there might be people interested in digital-style
clothes.
Pixelation by Anrealage at Japan Fashion Week, 2011
The idea has though been around for a while. Japanese designer Kunihiko Morinaga san’s (b 1980) fall/winter 2011/2012 collection for Anrealage at Japan Fashion Week included some pixelated fabrics in what was a deliberately nostalgic showcase for those who remembered, with a fondness inexplicable except as a memory of a dissolute youth, 8-bit graphics. The look extended to the heels on shoes but that did display the limitations imposed IRL when a 2D effect is seen in 3D, morphed into cubism circa 1908.
Loewe's Spring 2023 collection on the catwalk. Catwalk models are famously the most gloomy-looking souls on the planet but one who must have looked at one of the more bizarre pieces couldn't suppress a smile. She may have been sent to the fashion gulag.
The concept is to envisage the face as a grid which (a la how a screen is built from pixels) and use the squares to form geometric shapes to be filled in with the desired color mix. The layers used are essentially the same as any makeup with a foundation applied as a base, brushes & sponges then used to render the shapes, familiar techniques adaptable to create highlights, shadows & outlines. Depending on the effect desired, that might mean using severe edging or more conventional blending, the choice often dictated by the color contrast. However, it’s well-known “nature abhors a straight line” (the quote attributed English landscape architect William Kent (1685-1748)) and the principle usually is followed by makeup artists but pixilation intrinsically is about straight lines and sharp angles which is why stencils are sometimes used. Like many results which look simple, the creation can be an intricate business and practice is recommended; it’s not something first to be attempted a hour before an event. Fortunately, it’s the social media age so YouTubers & TikTokers are here to help.
No comments:
Post a Comment