Mullet (pronounced muhl-it)
(1) Any of various teleost food marine or freshwater,
usually gray fishes of the family Mugilidae (grey mullet (order Mugiliformes))
or Nullidae (red mullet (order Syngnathiformes)), having a nearly cylindrical
body; a goatfish; a sucker, especially of the genus Moxostoma (the redhorses).
(2) A hairstyle in which the hair is short in the front
and at the sides of the head, and longer in the back; called also the “hockey player
haircut" and the "soccer rocker"; the most extreme form is called
the skullet, replacing the earlier hockey hair.
(3) In heraldry, a star-like charge having five or six points
unless a greater number is specified, used especially as the cadency (any one of several systems used to distinguish between similar coats of arms belonging to members of the same family) mark of a
third son; known also as American star & Scottish star. The alternative spelling is molet.
(4) In slang (apparently always in the plural), a reference
to one’s children (two or more).
(5) In slang, a person who mindlessly follows a fad, trend
or leader; a generally dim-witted person.
(6) In dress design, a design based on the hairstyle, built
around the concept of things being longer at the back, tapering progressively
shorter towards the sides and the front.
The name is modern, variations of the style go back centuries.
1350-1400: The use in heraldry is from the Middle English
molet(te), from the Old French molete
(rowel of a spur), the construct being mole (millstone (the French meule) + -ette (the diminutive suffix).
The reference to the fish species dates from 1400–50, from the late
Middle English molet, mulet & melet, from the Old French mulet (red mullet), from the Medieval
Latin muletus, from the Latin muletus & moletus from mullus (red
mullet) from the Ancient Greek μύλλος (múllos
& mýllos) (a Pontic of fish),
which may be related to melos (black)
but the link is speculative.
The use to describe the hairstyle is said to date from 1994, thought to be a shortening of the slang mullethead (blockhead, fool, idiot ("mull" used in the sense of "to dull or stupefy")), popularized and possibly coined by US pop-music group the Beastie Boys in their song Mullet Head (1994), acknowledged by the Oxford English Dictionary (OED) as the first use "in print" although the origin use is contested. Mullethead also was a name used in the mid nineteenth century of a large, flat-headed North American freshwater fish which gained a reputation for stupidity (ie was easily caught). As a surname, Mullet is attested in both France and England from the late thirteenth century, the French form thought related to the Old French mul (mule), the English from the Middle English molet, melet & mulet (mullet) a metonymic occupational name for a fisherman or seller of these fish although some sources do suggest a link to a nickname derived from mule (a beast with a reputation for (1) an ability to carry a heavy burden and (2) stubbornness). The now less fashionable Australian slang form "stunned mullet" is used to imply that someone appears "especially or unusually dim-witted".
The "mullet" label casts a wide net: Red mullet (Goatfish) (left) and grey mullet (right).
In ichthyology, fish of the family Mugilidae are distinguished variously by modifiers including black mullet, bright mullet, bully mullet, callifaver mullet, grey mullet, diamond mullet, finger mullet, flathead mullet, hardgut mullet, Lebranche mullet, mangrove mullet, pearl mullet, popeye mullet, red mullet, river mullet, sea mullet, so-iuy mullet & striped mullet. Mullet is a noun and mullety and mulletlike & mulleted are adjectives (as verbs mulleted and mulleting are non-standard as is the adjective mulletesque). The noun plural is mullet if applied collectively to two or more species of the fish and mullets for other purposes (such as two or more fish of the same species and the curious use as a (class-associated) slang term parents use to refer to their children if there are two or more although use in the singular isn’t recorded; apparently they can have two (or more) mullets but not one mullet.
The Mullet
Rime of the Ancient Mullet: Samuel Taylor Coleridge (1772–1834).
Opinion remains divided and some schools have gone as far as to ban mullets because of an alleged association with anti-social or disruptive behavior. At the other end of the spectrum there are are mullet competitions with prizes including trophies and bottles of bourbon whiskey. It's suspected those who disapprove of the style, if asked to pick the "worst mullet", would likely choose the same contestants winning "best mullet" in their categories. The competitions seem popular and are widely publicized, although the imagery can be disturbing for those with delicate sensibilities not often exposed to certain sub-cultures. Such folk are perhaps more familiar with the Romantic poet Samuel Taylor Coleridge but there was a time when he wore a mullet although the portraits which survive suggest his might not have been sufficiently ambitious to win any modern contests.
Emos with variegated tellums: Black & copper (left) and black, magenta, blue & grey (right).
Associated initially with that most reliable of trend-setters, the emo, the tellum (mullet spelled backwards), more helpfully described as the “reverse mullet” is, exactly as suspected, long in front and short at the back. Definitely a thing exclusively of style because it discards the functionally which presumably was the original rationale for the mullet, emos often combine the look with one or more lurid colors, the more patient sometimes adopting a spiky look which can be enlivened with a different color for each spike. That’s said to be quite high-maintenance. The asymmetric tellum can be engineered to provide a dramatic look, concealing much of the face, the power of effect said to be to force the focus onto the one exposed eye. True obsessives use colored contact lens to match whatever is the primary hue applied to the the hair.
Martina Navratilova (b 1956) playing a backhand shot.
On a tennis court, a mullet is functional and there are headband users who wrongly have been accused of being mulleteers. No more monolithic than any others, it’s probably absurd to think of any of the component part of the LGBTQQIAAOP as being a visually identifiable culture but there appears to have been a small lesbian sub-set in the 1980s which adopted the mullet although motives were apparently mixed, varying from (1) chauvinistic assertiveness of the lesbionic, (2) blatant signalling when advertising for a mate to (3) just another haircut. Despite that, there's little to suggest that in isolation a mullet on a woman tends to be used as a GABOSO (general association based on single observation) to assume she's a lesbian.
Caitlyn Jenner (when identified as Bruce) with mullet at different stages of transition.
It also featured in a recent, celebrated case of gender-fluidity, Bruce Jenner (b 1949) photographed sporting a mullet shortly before beginning his transition to Caitlyn Jenner. However, the mullet may be unrelated to the change, the photographic record confirming his long-time devotion to the cut and, since transitioning to Caitlyn, it seems to have been retired for styles more overtly traditionally feminine.
A MulletFest entrant in the Junior (14 to 17 Years category).
In Australia, the mullet is much associated with the bogan, one of sociology’s more striking cross-cultural overlaps. The correlation is of course not 1:1 but while the perception that all mullet-wearers are bogans is probably about right, not all bogans sport a mullet and they’re even credited with at least popularizing the “skull mullet” which takes the “short at the sides” idea down almost to the skin. At the institutional level, there’s MulletFest which tours the nation conducting “Best Mullet Competitions” at appropriate events (rodeos, agricultural shows, meetings for those displaying hotted-up cars et al) with inclusive categories including five for children (age-based), rangas (redheads), vintage (for the over 50s), grubby (the criteria unclear) and the mysterious “extreme”. All entrants are “…judged on their haircut, overall presentation and stage presence, and the person with the “Best Mullet of them All” is crowned on the day and takes home that worthy honour.” Proceeds from MulletFest events are donated to local charities.
The Mullet Skirt
Charles II (1630–1685; King of Scotland 1649-1651, King of Scotland, England and Ireland 1660-1685) an early adopter of the mullet style, in his coronation robes (circa 1661), oil on canvas by John Michael Wright (1617–1694 (left) and two view of Lindsay Lohan, also with much admired legs, following the example of the House of Stuart, Los Angeles, August 2012 (centre & right). Charles II got more fun out of life than his father (Charles I (1600–1649; King of England, Scotland & Ireland 1625-1649) and possibly more even than Charles III (b 1948; King of the United Kingdom since 2022), the House of Windsor's latest monarch. Both Charles I & Charles III also rocked the mullet look for their coronations and fashionistas can debate who wore it best.
Sewing pattern for mullet dress (left) and or the catwalk, Miranda Kerr (b 1983, left) demonstrates a pale pink high-low celebrity prom or graduation party dress, Liverpool Fashion Fest Runway, Mexico City, March 2011 (right).
The style of the mullet skirt long pre-dates the use of the name and the same concept used to be called "tail skirt", "train skirt" or "high-low circle skirt" (which in commercial use often appeared as "Hi-Lo skirt"), the terms still often used by those who find the mere mention of mullet distasteful. The pattern for the fabric cut is deceptively simple but as in any project involving other than straight lines, it can be difficult to execute and the less volume that's desired in the garment, the harder it becomes to produce with precision. That so many mullet dresses are bulky is probably a stylistic choice but the volume of fabric is handy for obscuring any inconsistencies.
The cheat cut mullet skirt.
Seamstresses do however have a trick which can work to convert an existing skirt into a mullet although again, it does work best if there's a lot of fabric. Essentially, the trick is to lay the skirt perfectly flat, achieved by aligning the side seams (if there are no side seams, describe two with chalk lines); use a true, hard surface like a hardwood floor or a table to ensure no variations intrude. Then, draw the cutting line, describing the shape to permit the extent of mulletness desired. Unless absolutely certain, it's best to cult less, then try on the garment; if it's not enough, re-cut, repeating the process if necessary. Because a hem will be needed, the cut should allow the loss of a ½ inch (50 mm) of fabric.
January Jones (b 1978 left) wore a blue “sea wave” piece from the Atelier Versace Spring 2010 collection to that year’s Emmy Awards ceremony and it was definitely a mullet. Emma Stone’s (b 1988, centre left & centre right) sequined dress from Chanel's Fall 2009 haute couture collection, worn at the 2011 Vanity Fair Oscar party, was one of the season’s most admired outfits but it is not a mullet because it resembles one only when viewed at a certain angle; it should be regarded as an interpretation of the “train skirt”. Caitlin FitzGerald (b 1983, right) appeared at the 2014 Golden Globes award ceremony in an Emilia Wickstead dress which featured an anything but straight hemline but it was not a mullet because the designer's intent was not to seek a "mullet effect"' it was a dress with a "swishy" skirt. So, conceptually, the mullet dress is something like adding an "integrated cloak" to an outfit and the implications of that mean the result will sit somewhere on a spectrum and as with all mullets, there is a beginning, a middle and an end.
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