Murmuration
(pronounced mur-muh-rey-shuhn)
(1) An act
or instance of murmuring (now rare and mostly jocular).
(2) In
ornithological use, the standard collective name for a flock of starlings
although sometimes (controversially according to the ornithologists) extended
to bees.
(3) In
sociology and zoology, an emergent order in a multi-agent social system.
1350–1400: From the Middle English, from the Old French murmure (which endures in modern French) from the Medieval Latin murmurātiōn (stem of murmurātiō (murmuring, grumbling)), from the Latin murmur (humming, muttering, roaring, growling, rushing etc). The wealth of words related to the onomatopoeic murmur includes rumble, buzz, hum, whisper, muttering, purr, undertone, babble, grumble, mutter, susurration, drone, whispering, humming, mumble, rumor, buzzing and susurrus (the last handy for poets). The construct was murmur + -ation. Murmuration is a noun and murmurating & murmurated are verbs; the noun plural is murmurations.
The verb murmur was from the late fourteenth century Middle English and was used in the sense of “make a low continuous noise; grumble, complain”, from the twelfth century Old French murmurer (to murmur, to grouse, to grumble) from murmur (rumbling noise), the transitive sense of “say indistinctly” dating from the 1530s. As a noun meaning “an expression of (popular) discontent or complaint by grumbling”, the form emerged in the fourteenth century and was from the twelfth century Old French murmure (murmur, sound of human voices; trouble, argument), a noun of action from murmurer, from the Latin murmurare (to murmur, mutter) from murmur (a hum, muttering, rushing), probably from a primitive Indo-European reduplicative base mor-mor, of imitative origin (and the source also of the Sanskrit murmurah (crackling fire), the Greek mormyrein (to roar, boil) and the Lithuanian murmlenti (to murmur). The meaning in describing sounds from the natural environment (a low sound continuously repeated (of bees, streams, the wind in the trees et al)) was in use by the mid-late 1300s while that of “softly spoken words” dates from the 1670. The use in clinical medicine to describe “sound heard during auscultation” (the action of listening to sounds from the heart, lungs, or other organs, typically with a stethoscope) has been in the literature since 1824. A “heart murmur” is an abnormal sound heard during a heartbeat (most often described as a “whooshing or swishing” are the result of turbulent blood flow within the heart or its surrounding vessels. Such murmurations can be ominous if classified as “pathologic” (or abnormal) but those regarded as “innocent” (or benign) are common (especially in children) and often resolve without treatment. A diagnosis of a pathologic murmur can indicate an underlying heart condition, the most common causes of which are congenital defects, valve abnormalities (such as stenosis or regurgitation) and infections. The suffix -ation was from the Middle English -acioun & -acion, from the Old French acion & -ation, from the Latin -ātiō, an alternative form of -tiō (thus the eventual English form -tion). It was appended to words to indicate (1) an action or process, (2) the result of an action or process or (3) a state or quality.
The New Yorker: Shouts & Murmurs
The New Yorker’s “Shouts & Murmurs” section is dedicated to humorous essays and satirical pieces; the topic range is wide (essentially unlimited) and the whimsical content can be discursive. It’s reported by many as being the first section turned to when their copy arrives (The New Yorker’s print sales have held up better than most), the takes on everyday situations, cultural phenomena & current events handled in the magazine’s typical way. In a (vague) sense, “Shouts & Murmurs” is The New Yorker’s “TikTok”: punchy, short form pieces that touch more on popular culture than most of the editorial content. It’s called “Shouts & Murmurs” rather than “Shouts and Rumors” presumably because (1) it’s a “light & dark” sort of title and (2) The New Yorker really doesn’t do gossip (well it does but usually it’s well-glossed). While a murmur is “a soft and even indistinct sound made by a person or a group of people speaking quietly or at a distance (ie the opposite of “a shout”)”, a rumor (rumour in British English) is “speculative information or a story passed from person to person but which is just hearsay”.
Birds, sociology & social credit
The adoption of murmuration as the collective noun for starlings is thought almost certainly derived from the sound made when very large numbers of starlings gather in flight, the behaviour most obvious at dusk. The ornithologists did not approve of the apiarists borrowing the word to describe their bees, saying they’ve already co-opted bike, charm, erst, game, grist, hive, hum, nest, rabble (which seems misplaced given the efficient structure of their industrious societies) & swarm. There are however no “rules” which govern all this and an alternative collective noun for starlings is a chattering, this applied also to chicks, choughs and goldfinches.
Murmurating eponymously: Tempting though it is to believe, ornithologists assure us that individually or collectively, birds almost certainly make no attempt to form specific shapes when murmurating and are unaware of what shape the formation has assumed. Such is the variety of shapes achieved, if enough cameras are filming enough murmurations, just about any shape will emerge although, unlike the pareidolias people find in slices of toast, rock formations and such, a specific image summoned by a murmuration is fleetingly ephemeral.
The discipline
of sociology relies sometimes on the methods of behavioralism developed in
zoology and the term murmuration is co-opted to describe the coordinated,
collective behavior of people, an allusion to the movements in unison of flocks
of birds which appear both spontaneous and harmonious. The concept has proved a useful analytical
tool when dealing with phenomena where individuals in a group synchronize their
actions or thoughts in a fluid and cohesive manner without any apparent centralized
direction. Sociologists tend to group
the dynamics of murmuration into four categories:
(1) Self-Organization:
The group organizes itself in a dynamic way, adapting to changes in the
environment or within the group.
(2) Emergent
Behavior: The collective movement or actions arise from the interactions among
individuals, rather than from a single leader or directive.
(3) Non-verbal
Coordination: Just as birds in a murmuration do not communicate verbally but
through subtle cues and reactions, humans in a sociological murmuration often
coordinate through indirect signals, such as body language, shared norms, or
common awareness.
(4) Complex Patterns: The resulting behavior or movement of the group can form intricate and complex patterns, reflecting a high level of coordination and mutual (and ultimately common) adjustment among the participants.
The seemingly chaotic aerial choreography of starlings murmurating, Sassari, Sardina. The music is a fragment from the aria Nessun dorma from Giacomo Puccini’s (1858–1924) last opera, the flawed Turandot (1926).
Sociologists were most interested in understanding how individuals within groups create complex social dynamics and outcomes through decentralized interaction but in the last decade, advances in the processing power of computers and the capability of artificial intelligence have enabled the mechanics of murmuration to deconstruct phenomena such as flash mobs, protests, crowds at events, or even online social movements where large numbers of people synchronize their actions through shared information and collective consciousness. That has been helpful in developing predictive models of behaviour in situations such as evacuations from fire or terrorist incidents but the dystopian implications have been much discussed and, as some sinologists have observed, in the CCP’s (Chinese Communist Party) China’s mass public surveillance machine (integral to the generation of a citizen's "social credit" score), possibly to some extent realized.
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