Wraith

Wraith (pronounced reyth)

(1) The apparition of a person living (or thought to be alive), said to appear as a portent of impending death.

(2) A visible spirit; a ghost or any apparition.

(3) In art or graphic design, a a deliberately insubstantial (sometimes even translucent) copy or representation of something.

(4) Something pale, thin and lacking in substance (a column of smoke; swirling mist etc).

1510s: A word of uncertain etymology.  Some trace it back to an Old English from the Old Norse reith or reidh (twisted or angry) and in Old English it evolved into wrethe (used generally to refer to “anger, fury or vengeance”).  As Middle English emerged it shifted to wraith which came to be associated with “a ghost or spirit, especially one thought to be the spirit of one dead or about to die”.  The link between the earlier meanings of anger and the later association with spirits may reflect the origins of the modern idea of “a restless or vengeful spirit”.  Most however prefer a connection with early sixteenth century Middle Scots, some suggesting it was from a translation of the Aeneid (29-19 BC), the epic poem written by the Roman poet Virgil (Publius Vergilius Maro (70–19 BC)) which recounts the legend of Aeneas, a Trojan who fled the fall of Troy to travelled to Italy, where he became the ancestor of the Romans.  That view has limited support although many etymologist do seem to agree it was in Middle Scots the form was first popularized, probably as warth, word meaning something like or related to “ghost”, the word perhaps from the Old Norse vorðr (“watcher or guardian” (in the sense of “guardian angel”), source of the Icelandic vörður (guard) and which may also have been an influence on the Gaelic & Irish arrach (specter, apparition)."  Wraith & wrathfulness are nouns, wraithlike, wraithesque, wraithful & wraithish are adjectives and wrathfully is an adverb; the noun plural is wraiths.

A wraith-like Lindsay Lohan, Las Angeles, 2008.  In art or graphic design, a wraith is a deliberately insubstantial (sometimes even translucent) copy or representation of something.  It’s used also of something or someone pale and thin, especially in reaction to sudden or considerable weight-loss.

More speculative is the idea of any link with the Middle English wray or bewray and few are convinced any exist despite the similarity in form (something anyway hardly unusual in English).  Even the origin of wray is contested although the orthodox history contends it was from the Middle English wrayen, wraien & wreien (to show, make known, accuse), from the Old English wrēġan (to urge, incite, stir up, accuse, impeach), from the Proto-Germanic wrōgijaną (to tell; tell on; announce; accuse), from the primitive Indo-European were- or wrē- (to tell; speak; shout).  It was said to be akin to the Dutch wroegen (to blame), the German rügen (to reprove) and the Swedish röja (to betray; reveal; expose).  Beray was from the Middle English bewraien, bewreyen & biwreyen, from the Old English bewrēġan, from the Proto-Germanic biwrōgijaną (to speak about; tell on; inform of), the construct being be- +‎ wray.  It was cognate with the Old Frisian biwrōgja (to disclose, reveal), the Dutch bewroegen (to blame; accuse), the Middle Low German bewrȫgen (to accuse; complain about; punish), the Old High German biruogen (to disclose, reveal) and the Modern German berügen (to defraud).  The attraction of the idea of a relationship between wray or beray and wraith is the use of wraith to mean a “vengeful” spirit.

JRR Tolkien (1892–1973), a philologist (is the study of language in oral and written historical sources) of some note, favored a link with writhe on the basis of the sense of “writhing; bodily distorted” (as in a ghost or apparition).  Writhe was from the Middle English writhen, from the Old English wrīþan, from the Proto-West Germanic wrīþan, from the Proto-Germanic wrīþaną (to weave, twist, turn), from the primitive Indo-European wreyt- (to twist, writhe).  It was cognate with the Middle Dutch writen (to turn, twist), the dialectal German reiden (to turn; twist around), the Danish vride (to twist), the Swedish vrida (to turn, twist, wind) and the French rider (to wrinkle, furrow, ruffle).

Not quite what she meant: Gretchen Wieners (Lacey Chabert (b 1982)) in Mean Girls (2004).

In late eighteenth century English, the noun “fetch” could mean “apparition of a living person, specter, a double”, from fetch-life (a deity, spirit, etc who guides the soul of a dead person to the afterlife (a psychopomp)) the source an English dialect word of unknown origin but which may have been from the Old English fæcce (evil spirit formerly thought to sit on the chest of a sleeping person; a mare) and may have been related to or even from the Old Irish fáith (seer, soothsayer).  The (now archaic) "fetch candle" was a mysterious light, which, when seen at night, was believed to foretell a person's death.  The Irish idea of the fetch and the fetch light describes the apparition associated with impending death (commonly in English now called a wraith).  The fetch or wraith was a doppelganger (double) of the dying who appeared when the time was approaching for them to need their spirit to guide them to the afterworld (ie act as a psychopomp).  The poet Percy Bysshe Shelley (1792–1822) and the writer Goethe (Johann Wolfgang von Goethe, 1749–1832) are among those who described seeing their own wraiths although most are said to have been visible only to those surrounding the dying.

1952 Rolls-Royce Silver Wraith with touring limousine coachwork by Park Ward.

Rolls-Royce has for almost a century used model names which summon imagery of the silently ethereal including Ghost, Phantom, Seraph, Shadow, Spirit, Spectre & Wraith.  The first Wraiths were introduced in 1938 and although World War II (1939-1945) interrupted things, almost 500 chassis left the factory between then and 1946.  The name was revived in 1946 when the company introduced their first post-war model as the Silver Wraith and although stylistically there would be nothing like the imaginative lines of the new US cars, the underpinnings were significantly modernized and the model would remain in the catalogue until 1958 with almost 2000 chassis produced.  Unlike the smaller Silver Dawn (1949-1955), the factory would only ever supply the Wraith rolling chassis to coachbuilders who would fabricate the bodies in accordance with customer preference although, the (slightly) higher-performance Bentley version was available with what came to be known as the “standard steel body”.

1971 Rolls-Royce Silver Shadow long-wheelbase (LWB) saloon with central division (top) and 1979 Rolls-Royce Silver Wraith (bottom).

Within two years of the introduction of the Silver Shadow (1965-1980), a long-wheelbase (“LWB” which gained an additional 4 inches (100 mm) odd of rear-seat leg room) version had been produced and this configuration was introduced as a factory option in most markets between 1969-1971.  Built sometimes with an electrically operated glass division (the associated hardware absorbing most of the gained rear legroom) production continued on a small scale until 1976 when the Silver Shadow II was released at which point the LWB was re-branded as the Sliver Wraith II, incorporating not only the Shadow’s worthwhile mechanical improvements (which was good) but also carrying-over the vinyl roof (which was bad).  Rolls-Royce always used a brand of high-quality vinyl called “Everflex” and never used the word “vinyl”.  The re-naming followed the practice adopted in 1971 when the Silver Shadow two-door saloon (1966-1971) and convertible (1967-1971 and then known as a Drophead Coupé (DHC)) was renamed Corniche which, in convertible form would last until 1995, the saloon retired in 1980.

2015 Rolls-Royce Wraith.  The “Starlight headliner” was fabricated by weaving some 1300 strands of fibre-optic cable into the ceiling’s leather lining.  In the US market the option listed at US$14,700, a cost which reflected the high labor component in the production process and it should be compared with the bespoke audio system option which cost US$8,625 (the bulk of the input costs of the audio system was in mass-produced solid-state components).  Rolls-Royce has confirmed the 2023 Wraiths will be their last V12 coupés, the replacement (electric) Spectre going on sale in 2024. 

When introduced in 2013, it was the first time since 1946 the word “Wraith” had been used by the factory as a stand-alone model name.  Only ever available as a two door hardtop (no central pillar) coupé, the Wraith used the highly regarded 6.6 litre (402 cubic inch), twin-turbocharged BMW V12 used in their flagship 7 Series (G11 2015-2022) in happier times.  As is the modern practice at Rolls-Royce, a number of limited production runs of special models were available in the decade the Wraith was made but the platform also attracted the tuners, some emphasizing addition power, some additional stuff, all with high-price tags.

Mansory’s original version of the Rolls-Royce Wraith (top) was almost restrained, something later abandoned when the “Palm Edition 999” (bottom) was released.

German-based Mansory modifies high-priced cars, boosting both power and bling.  A particular specialty is carbon-fibre fabrication, the standard of their work acknowledged as world class and their approach to engineering is also sound, something not always achieved by those who make already highly tuned engines more powerful still.  The appearance (inside & out) of the machinery they modify doesn’t suit all tastes but their success proves a market exists for such things and their sales in markets like the Middle East and India proves that east of Suez there’s a receptive (and rich) audience.  Things from Rolls-Royce, Ferrari et al are anyway expensive but for Mansory (an others) the target market is not millionaires but billionaires, some of the latter needing accessories to prove they’re not merely one of the former.  Just to make sure the message was getting through however, when Rolls-Royce released their SUV (sports utility vehicle), Mansory badged their take as the Rolls-Royce Cullinan Mansory Billionaire (the project a co-development with the German fashion house Billionaire).  Disappointingly perhaps, it was advertised with a list price well under US$1 million.  In the long-running cartoon show The Simpsons, nuclear power-plant co-owner C Montgomery Burns used the phrase “price taggery” in one sense but it's applied also when discussing Veblen goods produced for the "conspicuous consumption" market; there, the purpose of the product is to advertise one's disposable income and a well-publicized (high) price-tag is essential.  

The electric Rolls-Royce Spectre.  Instead of an internal combustion engine, the Spectre is powered by two electric motors producing a combined net 577 horsepower and 664 pound-feet of torque.  There was a time when Rolls-Royce would never have painted their cars purple but the catchment of those with the resources to buy or lease (rent) such things has expanded to include many whose tastes come from different traditions.  It's not the difference between good and bad taste; it's just a difference.

Rolls-Royce has announced its intention by 2030 to offer a range of vehicles powered exclusively by electric propulsion.  For Rolls-Royce, the engineering and financial challenges aside, the obstacles are few because, unlike an operation like Ferrari which for decades has based part of its mystique on the noise its engines make at full-cry, it has always put a premium of silence and smoothness.  Enzo Ferrari (1898-1988) said it was the howl of the V12 Packard engines (which he dubbed “the song of 12”) he heard on the race tracks which convinced him to make the V12 the signature configuration for the cars which would bear his name but for Charles Rolls (1877–1910), the co-founder of Rolls-Royce, the most influential sound was its absence.  In 1904, he had the opportunity to ride in Columbia Electric car and, knowing what so many of his customers craved, was most impressed, noting: “The electric car is perfectly noiseless and clean. There is no smell or vibration. They should become very useful when fixed charging stations can be arranged.”  So, in 120-odd years not much has changed.  Ferrari are doubtlessly hoping the hydrogen re-fueling infrastructure develops at a similarly helpful rate, the exhaust note from exploding hydrogen able to be as intoxicating as that of burning hydrocarbons.

Squint

Squint (pronounced skwint)

(1) To look with the eyes partly closed; partially to close the eyelids.

(2) In ophthalmology, to be afflicted strabismus (a condition of the eye consisting in non-coincidence of the optic axes); to be cross-eyed.

(3) To look or glance obliquely or sidewise; to look askance.

(4) To make or have an indirect reference to or bearing on; tend or incline toward (usually followed by toward, at etc).

(5) To be not quite straight, off-centred; to deviate from a true line; to run obliquely; askew, not level (as an intransitive verb in Scots English).

(6) In radio transmission, the angle by which the transmission-signal is offset from the normal of a phased array antenna.

(7) To cause to squint; cause to look obliquely.

(8) An act or instance of squinting.

(9) In informal use, a quick glance.

(10) An indirect reference; an inclination or tendency, especially an oblique or perverse one.

(11) In church architecture, a narrow oblique opening in a wall or pillar of a church to permit a view of the main altar from a side aisle or transept (also known as a hagioscope).

1350-1400: A variant of the earlier Middle English asquint, it was used first as an adverb in the sense of “with a squint; askant, the adjectival sense emerging in the 1570s and applied to the eyes, meaning “looking different ways; looking obliquely”.  The familiar modern meaning “looking indirectly, looking askance” dates from the 1610s.  The noun use (non-coincidence of the optic axes, permanent tendency to look obliquely) was a development from the adjective and came into use in the 1650s while the idea of a “sidelong glance” appeared a decade later.  Squint is a noun & verb, squinter & squintingness are nouns, squinty & squintless are adjectives, squinting is a noun & verb, squinted & squintest are verbs and squintingly is an adverb; the noun plural is squints.

Squint was not found in Middle English and the Middle English asquint has been traced to the early thirteenth century where it was used to mean “obliquely, with a sidelong glance” and is of uncertain origin although etymologists seem certain it was derived from some word related to or meaning “slope, slant, acute angle” although there are no surviving texts in which instances of use have survived.  This was also the French équinter (cut to a point) and the French dialectal esquintar & squintar (cast a glance, look furtively) and there may be a relationship but again, no documents exist to establish a link.  The Australian slang verb squiz was in use by at least 1916 (apparently with a civilian rather than military origin) and meant “to look at” (without any suggestion of it being “a quick look” and it may have been a portmanteau word, a blend of squi(nt) and (qui)z although the “quiz” part has never been explained and it may have the “z” was used just for the attractiveness of the sound.

Joe Biden with Ray-Ban Aviators (left) and without, squinting.

Joe Biden (b 1942; US president since 2021) is often photographed wearing a pair of Ray-Ban, gold-rimmed aviator sunglasses and they’ve become one of his signature accessories.  In less unhappy times he presented a custom pair of aviators to Vladimir Vladimirovich Putin (b 1952; president or prime minister of Russia since 1999) along with a crystal sculpture of an American bison, the US national mammal.  Gift giving between heads of governments is a centuries-old tradition and it’s not known what the US gave Imran Khan (b 1952; prime minister of Pakistan 2018-2022); those interested should probably check eBay.  When Mr Biden isn’t wearing his Ray-Bans, he’s often pictured squinting and there has been speculation about the reason for this: (1) his eyes could be highly sensitive to light, (2) he may suffer from a mild case of strabismus (an imbalance in the muscles controlling eye movement) or (3) he may have difficulty focusing on the teleprompter he needs to use because his cognitive decline has reached the point where he can no longer remember what he needs to say and he’s too old to learn how to sync his speech with the prompting his staff could provide through an earpiece.  His decline may accelerate and, if re-elected in 2024, he’ll be 86 when his term ends so there’s plenty of time for him to deteriorate to the point a clinician would pronounce senility.  Over the centuries, the world has had a few heads of state or government who variously have been (1) a bit vague, (2) senile or (3) barking mad but few of them have had their own nuclear arsenal.

Heads of state squinting: Kim Jong-un (Kim III, b 1982; Supreme Leader of DPRK (North Korea) since 2011, left) & Donald Trump (b 1946; US president 2017-2021, right).

A squint (the partial closing of the eyelids) differs from a stare which is fixedly to look at something or someone.  A less common use (probably obsolete except in literary or poetic use) was to vest something with being “very conspicuous on account of size, prominence, colour, or brilliancy; to stand out; to project; to bristle”.  One can squint while staring but stares can be anything from a squint to something wide-eyed.  Stare was from the From Middle English staren, from the Old English starian (to stare), from the Proto-West Germanic starēn, from the Proto-Germanic starjaną & starāną (to be fixed, be rigid), from the primitive Indo-European ster-.  It was cognate with the Dutch staren (to stare), the German starren (to stare) and the German starr (stiff).  The verb was from the Old English starian (to gaze steadily with the eyes wide open, look fixedly at, be wide-eyed (with madness, awe etc)”, from the Proto-Germanic staren (be rigid (the source also of the Old Norse stara, the Middle Low German & Middle Dutch staren, the Old High German staren  & starren (to stare at), the German starren (to stiffen) & starr (stiff), the Old Norse storr (proud), the Old High German storren (to stand out, project) and the Gothic and staurran (to be obstinate), from the primitive Indo-European root ster- (stiff).  In English, use of the word originally did not imply rudeness.  The phrase “to stare [someone] down dates from 1848 and the first known reference to a “staring contest” is from 1895.  In his memoir (Inside the Third Reich (1969), Albert Speer (1905–1981; Nazi court architect 1934-1942; Nazi minister of armaments and war production 1942-1945) claimed that during a communal meal, he once won an informal “staring contest” with Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945), something which presumably be felt compelled to mention because so many of his contemporaries had in their memoirs and interviews commented on “Hitler’s hypnotic gaze”.

If looks could kill: Greta Thunberg (in pink) death-staring Donald Trump.

A frequently seen version of the stare is the so-called “death stare”, the idea being that one is looking at another with a hatred of such intensity it’s suspected one wishes them to die.  The idea of being able to “subject (someone) to the intimidating power of a stare" date from the 1670s and in popular culture, books have been written and films produced with a plotline involving someone able to doom another with nothing more than a stare.  Noted weather forecaster Greta Thunberg’s (b 2003) famous death stare directed at Donald Trump (b 1946; US president 2017-2021) during the United Nations (UN) climate change summit, New York, September 2019.  Those needing an illustration for a school project about the use of the phrase “If looks could kill” need look no further.  In response, Mr Trump tweeted: “She seems like a very happy young girl looking forward to a bright and wonderful future. So nice to see!”  Ms Thunberg trumped Trump’s mockery by adding to her X (the app formerly known as Twitter) profile: “A very happy young girl looking forward to a bright and wonderful future.”

Crooked Hillary Clinton had many reasons to stare at her husband and quite a few were caught on camera.  Analysts suggest that while it's hard to judge, her stares may at times have verged on being "death stares".

Stare is etymologically unrelated to stair (one of or a series of steps; a staircase) which was from the Middle English steire, staire, stayre, stayer, steir, steyre & steyer, from the Old English stǣġer (stair, staircase), from the Proto-Germanic staigriz (stairs, scaffolding), from the primitive Indo-European steyg- (to walk, proceed, march, climb”).  It was cognate with the Dutch steiger (a stair, step, wharf, pier, scaffolding), the Middle Low German steiger & steir (scaffolding) and the German Low German Steiger (a scaffold; trestle).  It was related to the Old English āstǣġan (to ascend, go up, embark), the Old English stīġan (to go, move, reach; ascend, mount, go up, spring up, rise; scale) and the German Stiege (a flight of stairs).  Stairs are used by the Spanish to illustrate the meaning of the word “enigma”: “A fellow who, were one to meet him of the stairs, one couldn’t be sure if he was coming up or going down”.

A sideways glance from Lindsay Lohan, opening night of Club Lohan, Athens, Greene, October 2016.

In the context of human vision, it means briefly to look at something or someone and it has additional senses including (1) To cause light to gleam or sparkle and (2) literally and figuratively to induce something to move obliquely, the idea picked up in cricket to describe the stroke in which the batsman hits the ball with the bat held at a slant (the classic version being the “leg glance”).  The figurative use can extend from the use of the eyes to communicate feelings to making an incidental or passing reflection, often unfavourably, on a topic.  The significance of a glance is its briefness.  The verb was from the Late Middle English glenchen (of a blow: to strike obliquely, glance; of a person: to turn quickly aside, dodge), from the Old French glacier, glachier & glaichier (to slide; to slip (from which Middle English also gained glacen (of a blow: to strike obliquely, glance; to glide)), from glace (frozen water, ice), from the Vulgar Latin glacia, from the Latin glaciēs (ice), from the primitive Indo-European gel- (to be cold; to freeze).  The noun was derived from the verb and emerged circa 1500, used initially in the sense of “a sudden movement producing a flash” and the familiar modern meaning “a brief or hurried look” dates from the 1580s and this was probably influenced by the Middle English glenten (look askance).  The sideways glance is one effected “from the corner of the eyes”.  For evolutionary reasons, we signal meaning with a variety of non-verbal clues (the so-called “body language”) and usually, when looking at someone, one turns one head in their direction and so one’s glance will be straight ahead.  If one wishing to convey one is especially interested, one turns one’s whole body to face them.  A sideways glance differs in that it’s an indirect mode of engagement, the most negative form of which is said to be “looking sideways” at someone but most sideways glances are more indicative of being merely uninterested.

Mean

Mean (pronounced meen)

(1) To have or convey a particular idea; connote, denote, import, intend, signify.

(2) To have in mind as a goal or purpose; aim, contemplate, design, intend, plan, project, propose, purpose, target.

(3) Characterized by intense ill will or spite; black, despiteful, evil, hateful, malevolent, malicious, malign, malignant, nasty, poisonous, spiteful, venomous, vicious, wicked, bitchy.

(4) Having or proceeding from low moral standards; base, ignoble, low, low-down, sordid, squalid, vile.

(5) Ungenerously or pettily reluctant to spend money; cheap, close, close-fisted, costive, hard-fisted, miserly, niggard, niggardly, parsimonious, penny-pinching, penurious, petty, pinching, stingy, tight, tight-fisted.

(6) Of low or lower quality; common, inferior, low-grade, low-quality, mediocre, second-class, second-rate, shabby, substandard.

(7) Of little distinction; humble, lowly, simple.

(8) Lacking high station or birth, baseborn, common, declassed, humble, ignoble, lowly, plebeian, unwashed, vulgar; base.

(9) Affected or tending to be affected with minor health problems; ailing indisposed, low, off-color, rocky, sickly; under the weather (now rare).

(10) So objectionable as to deserve condemnation; abhorrent, abominable, antipathetic, contemptible, despicable, detestable, disgusting, filthy, foul, infamous, loathsome, lousy, low, nasty, nefarious, obnoxious, odious, repugnant, rotten, shabby, vile, wretched.

(11) Having or showing a bad temper, cantankerous, crabbed, cranky, cross, disagreeable, fretful, grouchy, grumpy, ill-tempered, irascible, irritable, nasty, peevish, petulant, querulous, snappish, snappy, surly, testy, ugly, waspish.

(12) In mathematics, something, as a type, number, quantity, or degree that represents a midpoint between extremes on a scale of valuation; average, median, medium, norm, par.

(13) In the plural (as means), that by which something is accomplished or some end achieved.

(14) In the plural (as means) all things, such as money, property or goods having economic value.

(15) In statistics, the expected value (the mathematical expectation).

(16) In music, the middle part of three-part polyphonic music; now specifically, the alto part in polyphonic music (or an alto instrument); now only of historic or academic interest.

As a verb:

Pre 900: From the Middle English mēnen (to intend; remember; lament; comfort), from the Old English mǣnan (to mean, signify; lament; intend to do something) from the Proto-West Germanic menjojanan & mainijan, from the Proto-Germanic mainijaną (to mean, think; lament), from the primitive Indo-European meyn- (to think), or alternatively perhaps from the primitive Indo-European meino- (opinion, intent) & meyno-, an extended form of the primitive Indo-European mey- (source also of Old Church Slavonic meniti (to think, have an opinion), the Old Irish mian (wish, desire) & the Welsh mwyn (enjoyment)).  It was related to the Old Saxon mēnian (to intend) and cognate with the West Frisian miene (to deem, think) the Old Frisian mēna (to signify), the Dutch menen (to believe, think, mean), the Middle Dutch menen (to think, intend), the German meinen (to think, mean, believe) and the Old Saxon mēnian.  The Indo-European cognates included the Old Irish mían (wish, desire) and the Polish mienić (to signify, believe).  It was related to the modern moan.  The present participle was meaning and the simple past and past participle was meant although the now obsolete meaned was once a standard spelling.

The transitive (to convey (a given sense); to signify, or indicate (an object or idea) or, of a word, symbol etc (to have reference to, to signify), was documented as early as the eighth century.  The transitive, usually in passive (to intend (something) for a given purpose or fate; to predestine was from the sixteenth century. The transitive (to have conviction in (something said or expressed) or to be sincere in (what one says) is from the eighteenth century.  The transitive (to cause or produce (a given result) or to bring about (a given result) is from the nineteenth century.  The synonyms included convey, signify & indicate.  The annoying (and frequently redundant) conversational question “You know what I mean?” is not recent, attested since 1834.

As an adjective:

Pre 900: From the Middle English mēne (shared by all, common, general), a variant of imene & imeane (held or shared in common), from the Old English mǣne & gemǣne (common, public, general, universal, mutual), from the Proto-West Germanic gamainī, from the Proto-Germanic gamainiz (common; possessed jointly) and related to the Proto-West Germanic & the Old High German gimeini (common, mean, nasty) and the Latin commūnis (common (originally with no pejorative sense (as in shared, general))) from the Old Latin comoinem and cognate with the Danish gemen, the West Frisian mien (general, universal), the Gothic gamains, (common, unclean), the Dutch gemeen (common, mean), the German gemein (common), the Gothic gamains (in common) and the primitive Indo-European mey- (to change, exchange, share).  The comparative was meaner and the superlative, meanest

The sense of “common or general” is long obsolete.  What endured was “common or low origin, grade, or quality; low in quality or degree; inferior; poor; shabby; without dignity of mind; destitute of honor; low-minded; spiritless; base; of little value or worth; worthy of little or no regard; contemptible; despicable.  The sense of parsimonious, ungenerous or stingy is known throughout the English-speaking world but tends to be less prevalent in the US because of the dominance of the other meaning.  The meaning “cruel or malicious has survived but is now less common.  The colloquial form meaning “accomplished with great skill; deft; well-executed is used also in the negative with the same effect: (1) She rolls a mean joint and (2) she’s no mean roller of a joint.  However, to say (3) she’s mean with the weed in her joints has the opposite meaning so in that context anyway, the meaning of mean needs carefully to be deconstructed.  This inverted sense of mean as "remarkably good" appears not to have existed prior to circa 1900.  The derived forms from the adjectival sense include (and some are less common than others) bemean, meandom, meanie, meanness, mean streak & meany.

The pejorative sense of "without dignity of mind, destitute of honor, low-minded" dates from the 1660s; the specific sense of "stingy, niggardly" noted since 1755 whereas the weaker sense of "disobliging, pettily offensive" didn’t emerge until 1839, originally as American English slang.  This evolution in meaning was influenced by the coincidence in form with mean in the sense of "middle, middling," which also was used in disparaging senses.

As a noun:

1300–1350: From the Middle English meene, mene & meine, from the Middle French meen & mean, a variant of meien, from the Old French moien & meien (from which French gained moyen), from the Latin mediānus (middle, in the middle; median (in context)) from the Latin medius (middle).It was cognate with mid, and in the musical sense, the cognate was the Italian mezzano.  A doublet of median and mizzen.

A specific meaning of mean (in the sense of middle) was “middling; intermediate; moderately good, tolerable” which is long obsolete.  The sense of “a method or course of action used to achieve some result”, now used almost exclusively in the plural, is from the fourteenth century.  The sense of something which is intermediate or in the middle; an intermediate value or range of values (a medium) is from the fourteenth century although the use of mean (in the singular) meaning “an intermediate step or intermediate steps” is obsolete.  Originally from the fifteenth century, the use in music is now of historical or academic interest.  It referred to the middle part of three-part polyphonic music; now specifically, the alto part in polyphonic music (or an alto instrument).  In statistics, since the fifteenth century, mean is simply understood as the average of a set of values, calculated by summing them together and dividing by the number of terms (the arithmetic mean).  In mathematics a mean can be (1) any function of multiple variables that satisfies certain properties and yields a number representative of its arguments, (2) the number so yielded (a measure of central tendency) or (3) either of the two numbers in the middle of a conventionally presented proportion.

In mathematics and statistics, the mean is what is informally called “the average”, the sum of a set of values divided by the number (count) of those values.  The median is the middle number in a set of values when those values are arranged from smallest to largest, while the mode of a set of values is the most frequently repeated value in the set.

Mean is one of those words which pepper English; one word, one spelling, one pronunciation, yet a dozen or more meanings.  Mean however doesn’t come close to the top ten words in English with the most meanings, the Oxford English Dictionary (OED) list is below but the editors caution by the time the next edition of the OED is released in 2037, for some there could be more meanings still; the influencing of computing has apparently already added several dozen to “run”.

Run: 645 definitions

Set: 430 definitions

Go: 368 definitions

Take: 343 definitions

Stand: 334 definitions

Get: 289 definitions

Turn: 288 definitions

Put: 268 definitions

Fall: 264 definitions

Strike: 250 definitions

Kimberley Kitching (1970–2022) was an Australian Labor Party (ALP) Senator for Victoria (2016-2022) who died from a heart attack in March 2022 at the age of 52.  Her death gained instant attention because in the days prior, two prominent sportsmen had also suffered heart attacks at the same age (one of them fatal) and there was the inevitable speculation about the possible involvement of the mysterious long-COVID or vaccinations.  No connection with either has yet been established.  One connection quickly made was with a triumvirate of female politicians, the ALP’s senate leadership group who were quickly dubbed “the mean girls”, a reference to 2004 Lindsay Lohan movie in which the eponymous girls were the “plastics” three self-obsessed school students whose lives were consumed by material superficialities and plotting & scheming against others.

The mean girls (2022), left to right: Penny Wong (b 1968; cabinet minister in the Rudd / Gillard /Rudd governments 2007-2013, senator for South Australia since 2002), Katy Gallagher (b 1970; chief minister of the Australian Capital Territory (ACT) 2011-2014, senator for the ACT 2015-2018 & since 2019) & Kristina Keneally (b 1968; premier of New South Wales 2009-2011, senator for New South Wales since February 2018).

The mean girls (2004), left to right: Karen Smith (Amanda Seyfried (b 1985)), Regina George (Rachel McAdams (b 1978) & Gretchen Wieners (Lacey Chabert (b 1982)).

Allegations the mean girls had bullied the late senator emerged just hours after her death and on social media there was little reluctance to link the events.  In a carefully-worded statement, Senators Gallagher, Keneally & Wong responded to what they described as “hurtful statements” denying they had bullied Senator Kitching and that other assertions were “similarly inaccurate” although they did concede “robust contests and interactions” were frequent in politics.  Senator Wong did admit to having made one unfortunate comment to Senator Kitching two years earlier and that, after it came to public attention, she had apologized.  Her office later expanded on this, issuing a statement saying “Senator Wong understood that apology was accepted.  The comments that have been reported do not reflect Senator Wong's views, as those who know her would understand, and she deeply regrets pain these reports have caused.”

In the thoughtful eulogy delivered at her funeral, Senator Kitching’s husband, Andrew Landeryou (b 1969; colorful ALP identity), referred on several occasions to the “unpleasantness” she had faced in the Senate, praising the moral courage his wife had displayed during her six years in the senate and her genuinely substantive contribution to public life, contrasting her with the “useful idiots, obedient nudniks and bland time-servers” so often seen sitting for decades on parliamentary benches.  “The simple truth of it is that Kimberley’s political and moral judgment was vastly superior to the small number who opposed her internally” he said, adding that “… of course, there’s a lot I could say about the unpleasantness of a cantankerous cabal - not all of them in parliament - that was aimed at Kimba, and the intensity of it did baffle and hurt her.”  Perhaps generously, he added he “…did not blame any one person or any one meeting for her death”, thought to be a reference to a recent meeting of the ALP’s Right faction at which her pre-selection for an electable Senate spot at the next election was reportedly threatened. 

Senators Gallagher, Keneally & Wong all attended the funeral as did the leader of the ALP and opposition leader Anthony Albanese (b 1963; leader of the opposition since 2019 and variously a minister or deputy prime-minister in the Rudd / Gillard / Rudd governments 2007-2013).  Mr Albanese rejected calls for an inquiry into claims of bullying, saying he had received “no complaints at any time” from Senator Kitching regarding bullies within the party and sought to shut down any further questions on the matter, saying they were disrespectful to Senator Kitching.  In saying that he certainly caught the spirit of the moment, none of the mainstream media making anything but the most oblique of references to the late senator’s colorful and sometimes controversial history as an ALP factional player and trade union operative but quite how long lasts the convention of not speaking ill of the dead will soon be revealed.

Mr Albanese wanting to kill the story is understandable and if he’s sure he has plausible deniability of prior knowledge it’s a reasonable tactic but it’s at least possible the best thing to do might have been to admit (1) all political parties have factions, (2) inter-faction bullying is the way business is done, (3) intra-faction bullying is endemic, (4) women and men are both victims and perpetrators but women tend to suffer more, (5) ‘twas ever thus and (6) it shall forever be thus.

Mr Albanese had used the “I know nothing” defense before and that too attracted a popular-culture comparison.  In 2013, ALP politician Craig Thomson (b 1964; former trade union official, member of parliament for the division of Dobell (NSW) 2007-2013, for the Australian Labor Party (ALP) until 2012, as an independent thereafter) was facing accusations of fraud, committed while a trade union official including the use of a union-issued credit card to pay for the services of prostitutes.  His legal problems have since worsened including further charges of fraud and domestic violence.

In 2013, in the midst of the scandal, Mr Albanese, then deputy prime-minister, and Mr Thomson were photographed having a couple of beers at Sydney’s Bavarian Bier Café.  It attracted some attention, even from within the party, one ALP luminary thinking it strange an ALP deputy prime minister should meet for a drink with someone accused of fraud and who the party had expelled from membership, labeling the meeting as “completely indefensible."  It was of interest too to the Liberal Party opposition which floated the idea that what was discussed over a few beers was a deal in case the ALP needed Mr Thomson's vote in another hung parliament, one spokesman framing things as "Fake Kevin Rudd (Kevin Rudd. b 1957; prime minister of Australia 2007-2010 & 2013) says, on the one hand, we're cleaning things up and, on the other hand, he is doing secret deals to try and run a minority government now and into the future."

Like Mr Albanese, Mr Rudd claimed to know nothing about his deputy’s meeting with Mr Thomson or its purpose.  Asked to comment, Mr Rudd said it was not his business who his deputy decided to drink with, saying he did “many things in life but supervising the drinking activities of my ministerial colleagues is not one of them."  "And who they choose to sit down with" he added.  Later, detailed questions were sent to Mr Rudd’s office which declined to comment about whether Mr Rudd knew beforehand of the meeting or if he had asked what had been discussed.  A spokesman said Mr Rudd had “nothing further to add.”  Mr Thomson insisted it was an innocent drink after the two former party colleagues ran into each other and there was no discussion of any political deals or of Mr Thomson returning to the ALP. "I'm not wooable" Mr Thomson was quoted as saying adding, “It was a completely innocent beer.  There is no conspiracy theory here.”

Mr Albanese said Mr Thomson was not a close friend of his but added that he often ran into colleagues at bars and that it was just “…a personal chat, that's all. No big deal."  That didn’t impress the Liberal Party’s then leader in the Senate, Senator Eric Abetz (b 1958; senator for Tasmania since 1994, minister in various Coalition governments 2001-2015) who questioned how the pair could drink together given Mr Thomson's legal team was suing the LP, claiming the NSW ALP state secretary Sam Dastyari (b 1983; senator for NSW 2013-2018 before resigning in the midst of a Chinese-related donations scandal) had pledged to pay his legal costs.  "What is the deputy prime minister doing consorting in a Sydney bar with disgraced MP Craig Thomson at the Mr Thomson's lawyer is suing the NSW ALP?” Senator Abetz asked, presumably rhetorically.

Sydney Daily Telegraph, front page, Thursday 8 August 2013.

The Sydney tabloid The Daily Telegraph took the “I know nothing” excuses of Albanese and Rudd to their front page, the trope being the Hogan’s Heroes TV show produced by US network CBS between 1965-1971, one of the signature lines from which was “I know nothing” by Kommandant Colonel Clink’s slow-witted but affable Sergeant of the Guard, Hans Schultz.  Technically it worked but tropes and memes do rely on the material used registering in the public consciousness and that can be difficult when using a forty year old TV show no longer in widespread syndication.  For the Telegraph’s readers, mostly of an older demographic, it probably did register but some research might have been necessary for younger people, many of whom receive news only through social media feeds. 

For the same reason Donald Trump was disappointed his jibe about Pete Buttigieg (b 1982; contender for Democratic Party nomination for 2020 US presidential election, US secretary of transportation since 2021) and the absurdity of imagining Americans would vote for “Alfred E Neuman”, didn’t resonate.  It was just too long ago and too few knew about Mad magazine.  While there was quite a resemblance, and decades before it would have been a good line, in 2020 Buttigieg could dismiss it a “...must be a generational thing”.  By contrast, the mean girls line worked as well as it did because the film it references is both much more recent and, having hardly dated, retains an ongoing appeal.

Parabola

Parabola (pronounced puh-rab-uh-luh)

(1) In geometry, a plane curve formed by the intersection of a right circular cone with a plane parallel to a generator of the cone; the set of points in a plane that are equidistant from a fixed line and a fixed point in the same plane or in a parallel plane. Equation: y2 = 2px or x2 = 2py.

(2) In rhetoric, the explicit drawing of a parallel between two essentially dissimilar things, especially with a moral or didactic purpose; a parable.

1570s: From the Modern Latin parabola, from the Late Greek παραβολή (parabolḗ) (a comparison; a setting alongside; parable (literally "a throwing beside" hence "a juxtaposition") so called by Apollonius of Perga circa 210 BC because it is produced by "application" of a given area to a given straight line.  The Greek parabolḗ was derived from παραβάλλω (parabállō) (I set side by side”), from παρά (pará) (beside) + βάλλω (bállō) (I throw); a doublet of parable, parole, and palaver.  It had a different sense in Pythagorean geometry.  The adjectival form parabolic (figurative, allegorical, of or pertaining to a parable) from the Medieval Latin parabolicus from the Late Greek parabolikos (figurative) from parabolē (comparison) is now probably the most widely used.  In geometry, in the sense of “pertaining to a parabola”, it’s been in use since 1702.  A parabola is a curve formed by the set of points in a plane that are all equally distant from both a given line (called the directrix) and a given point (called the focus) that is not on the line.  It’s best visualised as a shape consisting of a single bend and two lines going off to an infinite distance.

Monza

On the Monza banking: Maserati 250F (left), Ferrari F555 Supersqualo (centre) & Vanwall VW2 (right).

The Autodromo Nazionale di Monza (National Automobile Racetrack of Monza) is now the fastest circuit still used in Formula One, the highest recorded speed the 231.5 mph (372.6 km/h) attained during qualifying for the 2005 Italian Grand Prix by a McLaren-Mercedes MP4-20 (in qualifying trim) on the long straight between the Lesmo corners and the Variante del Rettifilo.  Built in 1922, the Italian Grand Prix has been held there every year since 1949 except in 1980 when the track was being modernised and it’s a wonder the track has survived the attention of the Fédération Internationale de l'Automobile (the FIA; the International Automobile Federation).  Once an admirable body, the FIA has in recent decades degenerated into international sport’s dopiest regulatory body and has for some yers attempted to make motorsport as slow, quiet and processional as possible, issues like diversity now apparently more important than quality of racing.  Set in the Royal Villa of Monza park and surrounded by forest, the complex is configured as three tracks: the 3.6 mile (5.8 kilometre) Grand Prix track, the 1.5 mile (2.4 kilometre) short circuit and the 2.6 mile (4.3 kilometre) high speed oval track with its famous steep bankings which was unused for decades left to fall into disrepair before it was restored in the 2010s.  The major features of the main Grand Prix track include the Curva Grande, the Curva di Lesmo, the Variante Ascari and the famous Curva Parabolica.

On the parabolica: 1966 Italian Grand Prix.

The Curva Parabolica (universally known as “the parabolica”) is the circuit’s signature corner, an increasing radius, long right-hand turn and the final corner before the main straight so the speed one can attain on the straight is determined essentially by the exit speed from the the parabolica; a perfect execution is thus essential for a quick lap.  Although in motorsport it’s common to discuss the lengths of straights, one notable statistic is that even at close to 150 mph (200 km/h) speed with with the fastest cars take the curve, to transit the the parabolica takes just over 7.6 seconds.  Improvements to both the cars and the circuit means it’s now a less dangerous place but many drivers have died in accidents at Monza, some on or approaching the parabolica including Wolfgang (Taffy) von Trips (1928–1961) and Jochen Rindt (1942-1970).  In 2021, the Monza authorities announced the parabolica officially would be renamed “Curva in honor of former Ferrari factory driver Michele Alboreto (1956-2001) who to date remains the last Italian driver to win a Formula One Grand Prix for Scuderia Ferrari.  It’s likely most will still refer to the curve as “the parabolica”.

The Monza circuit in its configuration for the 1955 Italian Grand Prix (left) and a Mercedes-Benz W196R (streamliner) exiting the parabolica ahead of two W196Rs in conventional open-wheel configuration.  The 1955 Italian Grand Prix was the seventh and final round of the World Championship of Drivers, the French, German, Swiss and Spanish Grands Prix all cancelled in the aftermath of the disaster at Le Mans.  It was the fourth and last appearance of the Mercedes-Benz W196R streamliners which, after some bad experiences on the relatively tight Silverstone circuit, were restricted to the fast, open tracks.  Mercedes-Benz also withdrew from top-level competition after 1955 and, as a constructor, it would be half a century before they returned to Grand Prix racing.

The parabolic arc: A wheel drops off a Boeing Dreamlifter on take-off, describing a a classic parabolic arc.  The Boeing 747-400 Large Cargo Freighters (LCF) were created using a modified 747-400 airline frame and were most associated with their use carrying Boeing 787 Dreamliner parts between the US, Italy & Japan.  It was an unusual configuration in that it was required to carry components which while large, weren't particularly heavy.