Karen

Karen (pronounced kar-uhn (kahr-ren or kuh-ren for the given name))

(1) A group of people of eastern and southern Burma (Myanmar).

(2) One of these people.

(3) The language of the Karen, a Tibeto-Burman language of the Sino-Tibetan family.

(4) Of or relating to the Karen people or their language.

(5) A female given name, originally a form of Katherine.

(6) A general purpose pejorative term used to disparage white, middle-class, middle-aged women.

1759: The original spelling was Carian, from the Burmese ka-reng (wild, dirty, low-caste man), a not entirely affectionate local descriptor of the Mongoloid people of Burma.  For the ethnic group, the noun plural is Karens, (especially collectively) or Karen; for all other uses it’s Karens. 

1800s: The feminine proper name entered English from the Danish Karen, a vernacular form of Catherine & Katherine that arose in medieval Denmark.  Rare in the English-speaking world before 1928, it first became popular during the 1940s and was consistently in the top-ten for girls born in the United States between 1951-1968, and was the third most popular girl's name in 1965.  That proved to be peak-Karen and its use rapidly declined to be negligible.  Used in the Danish, Arabic, Dutch, Hebrew, Norwegian, German and English languages, variants (mostly German, Austrian & the Nordic countries) include Caja, Kaja (Danish), Caren, Caryn, Karena, Kaat, Karin, Karyn (and dozens of others), it has since 1945 also been used in Japan, China, Malaya (later Malaysia) and the Philippines.

Karen can also be a family name (surname).  In Armenian, Karen (Կարեն) (kɑˈɾɛn) is a common masculine given name, derived from the Parthian name of the House of Karen (or Caren) which ruled the Tabaristan region, corresponding (approximately) to the provinces of Gilan and Mazandaran.  The House of Karen (Kārēn in the Middle Persian; Kārēn in the Parthian & Persian (کارن‎), Kārin or Kāren, known also as Karen-Pahlav (Kārēn-Pahlaw)) was one of the seven great houses during the rule of the Parthian and Sassanian Empires.  The masculine given name Garen is a western Armenian form of the eastern Armenian Karen.

One spelling used in both Germany and the Nordic countries is Carin.  The Swedish-born Countess Carin von Kantzow (1888-1931) was the first wife of Hermann Göring (1893–1946; leading Nazi 1922-1945, Hitler's designated successor & Reichsmarschall 1940-1945) and the palatial country house (construction of which was paid for by the state) he had built during the 1930s was “Carinhall” in her memory.  Carinhall sat in the grounds of his large hunting estate (another gift from the state) in the Schorfheide Forest, north-east of Berlin and was the site of many events in which he showed off his varied tastes in clothing (including Roman togas and painted toenails) and sybaritic lifestyle.  What went on at Carinhall was the subject of much gossipy humor in political & diplomatic circles and the more austere Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945) once suggested to a visitor: “You should visit Göring at Carinhall, a sight worth seeing.”.  He later had a much smaller lodge built after marrying his second wife (Emma “Emmy” Sonnemann (1893–1973)); that he named “Emmyhall”.  In 1945, as the Red Army approached, Göring had Carinhall destroyed with explosives and only a few ruins now remain.

Hitler and Göring at Carinhall. The reaction of more conventional types to Göring’s appearance and behaviour was captured by an entry in the memorable diary of Count Galeazzo Ciano (1903–1944; Italian foreign minister 1936-1944 (and the son-in-law of Benito Mussolini (1883-1945; Duce (leader) & prime-minister of Italy 1922-1943)).  The occasion was the Reichsmarschall’s visit to Rome early in 1942, seeking Italian reinforcements for the faltering campaign in Russia:

“As usual he is bloated and overbearing.  We had dinner at the Excelsior Hotel, and during the dinner Goering talked of little else but the jewels he owned. In fact, he had some beautiful rings on his fingers.  On the way to the station he wore a great sable coat, something between what automobile drivers wore in 1906 and what a high-grade prostitute wears to the opera.”

Beware of the edgy bob

Karen is a pejorative term used in the English-speaking world to disparage white, middle-class, middle-aged women on the basis of their sense of entitlement and demanding behavior.  It’s thus a particular critique of white privilege and is especially associated with a certain bob cut hairstyle, now known in the industry as the speak to the manager.  The origins are murky and the Karen in its now understood term is really a coalesced form from a number of threads to define characteristics like "entitlement, selfishness, a desire to complain" with stereotypical behavior being demanding to “speak to the manager”, usually about some trivial matter.  A creation of social media, the evolution from its point of critical-mass has (presumably coincidently) run in parallel with COVID-19; in November 2019, Google reported fewer than 20,000 instances of use which, by July 2020 had increased to over eight million.  It has origins in the mid-2010s as a way for people of color, particularly African-Americans, to satirise the class-based and racially charged hostilities and micro-aggressions they often face and in that it was different from the BLM (black lives matter) movement in that it focused not on violence but on instances of casual-racism, always by women perceived to be of a certain age and class.  Earlier instances were tied to specific events captured on the suddenly ubiquitous smartphones, yielding the predictably alliterative Permit Patty, BBQ Becky and Golfcart Gail but, in 2018, the trend distilled into Karen, an apparently quintessentially white name.

Except in Scandinavia, Karens are dying out.

Quite how "Karen" should be classified attracted feminist deconstruction. Although used exclusively in a pejorative manner toward a person of a specific race and gender, the subject, although female, is not one historically associated with discrimination in this context and thus the critical descriptive tools really didn’t exist.  The conclusion seemed to be this was just another way to silence women, denying them a right to speak.  The more radical feminist left, attracted more to intersectionality, suggested it was "sexist, ageist, and classist”, although, despite being deployed only against white women, it couldn’t, as a matter of law in most Western jurisdictions, be thought racist as such although, because the targets of many Karens were depicted as minorities, it did fit into the general rubric of the critique of white privilege.  Use seems to have peaked in 2020 but "a Karen" is still often heard.

Skullduggery

Skullduggery (pronounced skuhl-duhg-uh-ree)

(1) Dishonorable proceedings; mean dishonesty or trickery.

(2) An instance of dishonest or deceitful behavior; trickery.

(3) Underhand dealing.

(4) As sculdudrie or sculduddery, illicit fornication or something obscene respectively (archaic Scots dialectial forms).

1856: A creation in US English, it was a variant of earlier Scots sculdudrie or sculduddery (both of obscure origin) which had been in use in colonial America.  In Scotland, sculdudrie originally meant “adultery” or “illicit fornication” and, with the unexplained spelling variation sculduddery, by 1821 the meaning had extended to a general sense of “bawdry, an obscenity".  By from the late nineteenth century, as skullduggery, in most of the English-speaking world, it came to refer to dishonest or deceitful behaviour.  Skulduggery is a noun; the noun plural is skulduggeries or skullduggeries.

Skulduggery is general underhanded behaviour or trickery, usually secret or devious. The noun plural is skulduggeries or skullduggeries, though both are rarely used in this form because the reference tends almost always to be to behaviour in a general sense to begin with.  Everybody except Tony Blair seems to understand the profession of politics is a venal business of lies and squalid skullduggery.  By the time of his valedictory address to the House of Commons, he’d managed to forget noble causes like New Labour’s “ethical foreign policy” which lasted only until it was explained to him that the UK’s armaments manufacturers realized great profits by selling weapons to regimes with appalling human rights records:   

"Some may belittle politics but we who are engaged in it know that it is where people stand tall.  Although I know that it has many harsh contentions, it is still the arena that sets the heart beating a little faster. If it is, on occasions, the place of low skullduggery, it is more often the place for the pursuit of noble causes. I wish everyone, friend or foe, well. That is that... the end."

Hansard: Tony Blair’s last official words as prime-minister.  Prime Minister's Questions, 27 June 2007.

In happier times, left to right: Tony Blair, Gordon Blair & Peter "Mandy" Mandelson (left) and the mean girls: Karen Smith (Amanda Seyfried, b 1985), Gretchen Wieners (Lacey Chabert, b 1982) & Regina George (Rachel McAdams, b 1978) (right).

In the early 1990s, detesting the Tory government, the press were fawning in their admiration and dubbed the New Labour trio "the three musketeers" but they came also to be called: "the good, the bad and the ugly, a collective moniker which may be generous to at least one of them.  There is no truth in the rumor the threesome provided the template for the personalities of the "plastics" in Mean Girls (2004, right) although the idea is tempting because both photographs can be deconstructed thus: Tony & Karen (sincere, well meaning, a bit naïve); Gordon & Gretchen (insecure, desperately wanting to be liked) and Mandy & Regina (evil and manipulative).

There was plenty of low skulduggery during the New Labour government, led first by Tony Blair (b 1953; UK prime-minister 1997-2007) and later by Gordon Brown (b 1951; UK prime-minister 2007-2010) but to get a good flavour of it it’s necessary to read the memoirs by them both, then the diaries of Alastair Campbell (b 1957; Labour Party apparatchik) and finally Mandy's (b 1953; sometime (between the odd difficulty) member of the New Labour governments) The Third Man.  The books are best read in that order because it makes easiest the reading between the lines to work out why each included certain things and left out other stuff (or spun it in some strange and inevitably self-serving way).  It’s quite a fun process and actually necessary because while Campbell’s diaries are lively, the other three would otherwise be a hard slog.  It’s now sometimes forgotten that in the distant past of the post-Thatcher, early 1990s, Tony Blair, Gordon Brown and Mandy were seen as modernizing reformers and in the early years of government actually behaved in a way which suggested that was true.  It didn’t last however and Brown soon became consumed with jealously and eventually hatred for Blair who was denying him the premiership to which he thought himself entitled.  Mandy meanwhile became resentful at being twice dismissed from office by Blair on grounds he thought unreasonable.  From this ensued what was pretty dirty business.

A practical manual of low skulduggery in four volumes:

Tony Blair, A Journey (2010), Random House, pp 624, ISBN 978-0-09-192555-0

Gordon Brown, My Life, Our Times (2017), The Bodley Head, pp 512, ISBN 978-2-78-739526-6

Alastair Campbell, The Blair Years (2007), Random House, pp 816, ISBN 0-09-179629-6

Peter Mandelson, The Third Man (2010), Harper Press, pp 584, ISBN 978-0-00-739528-6

Bob

Bob (pronounced bobb)

(1) A short, jerky motion.

(2) Quickly to move up and down.

(3) In Sterling and related currencies, a slang term for one shilling (10c); survived decimalisation in phrases like "two bob watch", still used by older generations).

(4) A type of short to medium length hairstyle.

(5) A docked horse’s tail.

(6) A dangling or terminal object, as the weight on a pendulum or a plumb line.

(7) A short, simple line in a verse or song, especially a short refrain or coda.

(8) In angling, a float for a fishing line.

(9) Slang term for a bobsled.

(10) A bunch, or wad, especially a small bouquet of flowers (Scottish).

(11) A polishing wheel of leather, felt, or the like.

(12) An affectionate diminutive of the name Robert.

(13) To curtsy.

(14) Any of various hesperiid butterflies.

(15) In computer graphics (using "Bob" as a contraction of Blitter object), a graphical element (GEL) used by the Amiga computer (the first consumer-level computer which handled multi-tasking convincingly).  Technically, Bobs were hardware-generated objects which could be moved on the screen by the blitter coprocessor.  Bobs were an object of some veneration among the demosceners (the computer art subculture that produces and watches demos (audio-visual computer programs)), Bobs rated according to their the volume and dynamics of movement.

(16) In Scotland, a bunch, cluster, or wad, especially a small bouquet of flowers.

(17) A walking beam (obsolete).

1350–1400: From the Middle English bobben (to strike in cruel jest, beat; fool, make a fool of, cheat, deceive), the meaning "move up and down with a short, jerking motion," perhaps imitative of the sound, the sense of mocking or deceiving perhaps connected to the Old French bober (mock, deride), which, again, may have an echoic origin. The sense "snatch with the mouth something hanging or floating," as in bobbing for apples (or cherries), is recorded by 1799 and the phrase “bob and weave” in boxing commentary is attested from 1928.  Bob seems first to have been used to describe the short hair-style in the 1680s, a borrowing probably of the use since the 1570s to refer to "a horse's tail cut short", that derived from the earlier bobbe (cluster (as of leaves)) dating from the mid fourteenth century and perhaps of Celtic origin and perhaps connected in some way with the baban (tassel, cluster) and the Gaelic babag.  Bob endures still in Scots English as a dialectical term for a small bunch of flowers.  Bob is a noun & verb, bobber & boggy are nouns, bobbing is a noun & verb, bobbed is a verb & adjective, bobbish is an adjective and bobbingly & bobbishly are adverbs; the noun plural is bobs.  When used as a proper noun, there's an initial capital.

Bobcat: Australian politician Bob Katter (b 1945) with cane toad.

An introduced pest (ie the cane toad), Mr Katter's idea is children should be given guns (air rifles) to hunt them, each carcass attracting a bounty of 40 cents ("four bob" in the old slang).  This photograph is thus potentially "a five bob".  Affectionately, Mr Katter is known as “his Bobness” and, depending on who is asked, is either (1) an intellectual or (2) barking mad.  Between 1974-1992, Mr Katter served in the Queensland state parliament but since 1993 has been the member for Kennedy (at 567,377 km² (219,066 sq miles) about the size of metropolitan France) in the Commonwealth House of Representatives.  Until 2001 he was a member of the National Party (the old Country Party), after which he sat as an independent.  The suggestion which circulated implying he was asked by the Nationals to vacate his seat after an IQ test revealed he was "too intelligent for the National Party" was fake news and wholly malicious.   

Two two bob coins: Obverse (heads, left) and reverse (tails, right) of two 1945 Australian florins, minted in the same year as Mr Katter.

The coin at the top is one which spent some time in circulation while the more lustrous example below is a UNC (uncirculated coin) which would likely have spent its entire existence in collections.  Numismatists (coin collectors) will pay a premium for a UNC, a 1945 UNC Australian florin typically trading at four times the price of a circulated coin in good condition.  Now nominally equivalent to 20 cents (although a florin’s purchasing power was greater), it was worth two shillings (thus “two bob” in slang).  The group of "bob words" in English is beyond obscure and mostly mysterious.  Most are surely colloquial in origin and probably at least vaguely imitative, but have long become entangled and merged in form and sense (bobby pin, bobby sox, bobsled, bobcat etc).  As a noun, it has been used over the centuries in various senses connected by the notion of "round, hanging mass" and of weights at the end of a fishing line (1610s), pendulum (1752) or plumb-line (1832).  As a description of the hair style, although dating from the 1680s, it entered popular use only in the 1920s when use spiked.  As a slang word for “shilling” (the modern 10c coin), it’s recorded from 1789 but no connection has ever been found and the origin of this is unknown.  In certain countries, among older generations, the term in this sense endures in phrases like “two bob watch” to suggest something of low quality and dubious reliability.

UK Prime Minister Lord Salisbury (Robert Arthur Talbot Gascoyne-Cecil, 1830–1903; UK Prime Minister for thirteen years variously 1885-1902.

The third marquess was, in the words of of Winston Churchill (1875-1965; UK prime-minister 1940-1945 & 1951-1955): "prime-minister since God knows when" and the affectionate diminutive of his grandson (Robert Arthur James Gascoyne-Cecil 1893-1972; Fifth Marquess of Salisbury 1947-1972) was "Bobbety".  The phrase "Bob's your uncle" is said often to have its origin in the nepotism allegedly extended by Lord Salisbury to his favorite nephew Arthur Balfour (1848–1930; UK Prime Minister 1902-1905), unexpectedly promoted to a number of big jobs during the 1880s.  The story has never convinced etymologists but it certainly impressed the Greeks who made up a big part of Australia's post-war immigration programme, "Spiro is your uncle" in those years often heard in Sydney and Melbourne to denote nepotism among their communities there.

The other potential source is the Scottish music hall, the first known instance in in a Dundee newspaper in 1924 reviewing a musical revue called Bob's Your Uncle.  The phrase however wasn't noted as part of the vernacular until 1937, six years after the release of the song written by JP Long, "Follow your uncle Bob" which alluded to the nepotistic in the lyrics:

Bob's your uncle
Follow your Uncle Bob
He knows what to do
He'll look after you

Partridge's Dictionary of Slang and Unconventional English (1937) notes the phrase but dates it to the 1890s though without attribution and it attained no currency in print until the post-war years.  Although it's impossible to be definitive, the musical connection does seem more convincing, the connection with Lord Salisbury probably retrospective.  It could however have even earlier origins, an old use noted in the Canting Dictionary (1725) in an entry reporting "Bob ... signifies Safety, ... as, It's all Bob, ie All is safe, the Bet is secured."

Of hair

A bob cut or bob is a short to shoulder-length haircut for women.  Historically, in the west, it’s regarded as a twentieth-century style although evidence of it exists in the art of antiquity and even some prehistoric cave-paintings hint it may go way back, hardly surprising given the functionality.  In 1922, The Times (of London), never much in favor of anything new, ran a piece by its fashion editor predicting the demise of the fad, suggesting it was already passé (fashion editors adore the word passé) although the photographic record for the rest of the decade does suggest it took the bright young things of the age a while to take the paper's hint.  Certainly, bobs were less popular by the difficult 1930s but in the 1960s, a variety of social and economic forces saw a resurgence which has never faded and the twenty-first century association with the Karen hasn't lessened demand (although the A-line variant, now known in the industry as the "speak to the manager" seems now avoided by all except those for whom there are few viable alternatives).  The connection with the Karen is the second time the bob has assumed some socio-political meaning; when flaunted by the proto-feminists of the 1920s, it was regarded as a sign of radicalism.  The popularity in the 1920s affected the millinery trades too as it was the small cloche which fitted tightly on the bobbed head which became the hat of choice.  Manufacturer of milliner's materials, hair-nets and hair-pins all suffered depressed demand, the fate too of the corset makers, victims of an earlier social change, a phenomenon which would in the post-war years devastate the industries supporting the production of hats for men.  In the 1970s, some optimists (some of whom may have been men), noting one well-publicized (though not widely practiced) aspect of second-wave feminism, predicted the demise of the bra but that garment endured and flourishes to this day.

Actor Lily Collins (b 1989) in a semi-sheer white Calvin Klein ensemble, the cropped spaghetti-strap top and knee-length pencil skirt both embellished with scale sequins, New York Fashion Week,  New York City, September 2025.  Note the pleasing definition of the sinews (arrowed, centre).  The hair-style is a chin-length bob.

Variations on a theme of bob, Marama Corlett (b 1984. left) and Lindsay Lohan (b 1986, right), Sick Note, June 2017.

Hairdressers have number of terms for the variations.  The motifs can in some cases be mixed and even within styles, lengths can vary, a classic short bob stopping somewhere between the tips of the ears and well above the shoulders, a long bob extending from there to just above the shoulders; although the term is often used, the concept of the medium bob really makes no sense and there are just fractional variations of short and long, everything happening at the margins.  So, a bob starts with the fringe and ends being cut in a straight line; length can vary but the industry considers shoulder-length a separate style and the point at which bobs stop and something else begins. Descriptions like curly and ringlet bobs refer more to the hair than the style but do hint at one caveat, not all styles suit all hair types, a caution which extends also to face shapes.

Greta Thunberg: BB (before-bob) and AB (after-bob).

The style received an unexpected imprimatur when Greta Thunberg (b 2003) opted for a bob (one straddling chin & shoulder-length).  Having gained fame as a weather forecaster, the switch to shorter hair appears to have coincided with her branching out from environmental activism to political direct action in the Middle East.  While there's no doubt she means well, it’s something that will end badly because while the matter of greenhouse gasses in the atmospheric can (over centuries) be fixed, some problems are insoluble and the road to the Middle East is paved six-feet deep with good intentions.  Ms Thunberg seems not to have discussed why she got a bob (and how she made her daily choice of "one braid or two" also remained mysterious) but her braids were very long and she may have thought them excessive and contributing to climate change.  While the effect individually would be slight, over the entire population there would be environmental benefits if all those with long hair got a bob because: (1) use of shampoo & conditioner would be lowered (reduced production of chemicals & plastics), (2) a reduction in water use (washing the hair and rinsing out all that product uses much), (3) reduced electricity use (hair dryers, styling wands & straighteners would be employed for a shorter duration) and (4) carbon emissions would drop because fewer containers of shampoo & conditioner would be shipped or otherwise transported.

Sydney Sweeney (b 1997) with new bob, Variety's Power of Women 2025 Event, Beverly Hills Hotel in Los Angeles, California, October 2025.

Actor Sydney Sweeney (b 1997) seemed not to have revealed whether it was Greta Thunberg who inspired her to get a bob but the symmetrical cut made quite a splash when she appeared on the red carpet at Variety's Power of Women 2025 Event.  The reaction universally was favourable but also noted by critics was her sparkling silver full-length gown from the spring 2026 collection of Christian Cowan (b 1995) & Elias Matso (b 2002); it’s fair to say dress overshadowed hair, fetching though the latter was.  The gown was called “Twisted Crystal Mesh Tee” and for deconstructionist fashionistas, the piece was a delight of detail in sheer fabric including bell sleeves, a scooped neckline, a form-fitting bodice with an intricately crafted twisted waist, lending a cinched effect which merged effortlessly to a lace-up fastener at the back, constructed with a corset-tie motif: coming or going, she looked good.  So lovely is Sydney Sweeney she would look good in just about anything but she certainly knows how to get the most from a garment, her underwear limited to “nude knickers” with diamond drop earrings and rings from EFFY.

Variety's clip of Sydney Sweeney (moving slightly) with new bob.

Her appearance in that dress of course provoked the digital traffic she would have expected and it’s hard to disagree with the feminist critics who suggested the juxtaposition of well-filled gown with the speech she delivered at the event was a device intended deliberately to illustrate the behavioral phenomenon she’d discussed in earlier interviews: That women can be defined as sexy or serious but not both simultaneously.  As evidence of that, the extent of the on-line coverage of how Ms Sweeney looked in the dress may be compared with the minimal attention afforded the speech she delivered from the podium, the former already joining the Alexandre Vauthier (b 1971) LRD (little red dress) worn by & Bella Hadid (b 1996) Cannes Film Festival in May 2016 as one of the dresses of the twenty-first century.  Of her words, most of the “cultural commentators” seemed intent on criticizing what they deemed the apparent discontinuity between her wishing to be taken seriously while looking so stunningly sexy, apparently missing the point that in bundling her body, the garment in which it was wrapped and the text she delivered as a single installation, she made her point well, dress and body just part of her text.

Sydney Sweeney with new bob.

Ever since the Canadian theorist Marshall McLuhan (1911–1980) explained the concept in Understanding Media: The Extensions of Man (1964), it’s been understood “the medium is the message”, his theory being it is the channel or technology through which information is transmitted which matters more than the content in the shaping human experience and society.  While that obviously wasn’t an absolute rule, the notion was helpful, decades before TikTok, in providing a model of the way a structure can have social effects independent of its content.  To define “medium”, McLuhan cast a wide net, including not only the then familiar (and dominant) television & print, but any channel through which information passes, including speech, gesture and appearance.  The person delivering a message is thus a medium and the reaction of an audience to the words of a glamorous, attractive woman can be very different to that extended to someone plain, even if both recite the same text with the same tonal technique.

Sydney Sweeney with new bob.

So, Ms Sweeney’s dress wasn’t just packaging, it was part of the meaning and that was not what she implied but what the audience inferred; what “the medium is the message” meant was the form of delivery and the embodied qualities of the communicator are inseparable from the content’s impact.  This was heady stuff in 1964 and, thirty-odd years on, the internet would gain critical mass and, at scale, prove his principle but his idea wasn’t new, the line of thought running through Western philosophy from Aristotle (384-322 BC) who called it “ethos” to Leo Strauss (1899–1973) who wrote of a kind of “authenticity”.  Unfortunately, Strauss was disturbed by way the writings of Friedrich Nietzsche (1844–1900) were so accessible they were there for Nazis and others to make of them something else so his meaning(s) existed in a kind of elaborated code it took some time to learn but definitely he was in the Aristotelian tradition McLuhan would have understood.  It’s a long way from Nietzsche to Sweeney but from her back to McLuhan, it’s not that far.

Bob identification: By their bob they shall be known

Asymmetrical Bob: Another general term which describes a bob cut with different lengths left and right; they can look good but should not be applied to all styles.  The effect is often most dramatic when combined with some variant of the Shaggy (JBF).

A-line bob: A classic bob which uses slightly longer strands in front, framing the face and, usually, curling under the chin; stylists caution this doesn’t suit all face shapes.

Buzz-cut bob: Known also as the undercut (pixie) bob, and often seen as an asymmetric, this is kind of an extreme inverted mullet; the the usual length(s) in the front and close-cropped at the back.  It can be a dramatic look but really doesn’t suit those above a certain BMI or age (although the former seem often unable to resist the look).

Chin-length bob: Cut straight to the chin, with or without bangs but, if the latter is chosen, it’s higher maintenance, needing more frequent trims to retain the sharpness on which it depends.  Depending on the face shape, it works best with or without fringe.

Inverted bob: A variation on the A-line which uses graduated layers at the back, the perimeter curved rather than cut straight. Known also as the graduated bob, to look best, the number of layers chosen should be dictated by the thickness of growth.

Shaggy bob: A deliberately messy bob of any style, neatness depreciated with strategic cutting either with scissors or razor, a styling trick best done by experts otherwise it can look merely un-kept.  The un-kept thing can be a thing if that’s what one wants but, like dying with gray or silver, it's really suitable only for the very young.  Some call this the choppy and it’s known in the vernacular of hairdressing as the JBF (just been fucked).

Spiky bob: This differs from a JBF in that it’s more obviously stylised.  It can differ in extent but with some types of hair is very high maintenance, demanding daily application of product to retain the directions in which the strands have to travel.  Not all hair is suited to the look and while product can compensate for much, beyond a certain point, there is a law of diminishing returns. 

Shingle bob: A cut tapered very short in the back, exposing the hairline at the neck with the sides shaped into a single curl, the tip of which sits at a chosen point on each cheek.  This needs to be perfectly symmetrical or it looks like a mistake.

Shoulder-length bob: A blunt bob that reaches the shoulders and has very few layers; with some hair it can even be done with all strands the same length.  Inherently, this is symmetrical and a remarkably different effect is created depending on whether it's done with or without a fringe although hairdressers caution this is not a style best suited to "round" faces and with those it can be necessary to experiment, a fringe sometimes improving things, sometimes not.

Speak to the manager bob: Not wishing to lose those customers actually named Karen, the industry shorthand for the edgy (and stereotypically in some strain of blonde) bob didn’t become “Karen”.  The classic SttM is an asymmetric blonde variation of the A-line with a long, side-swept fringe contrasted with a short, spiky cut at the back and emblematic of the style are the “tiger stripes”, created by the chunky unblended highlights.  It's now unfashionable though still seen because it remains the "go to cut" for women of a certain age who have been persuaded the style they've stuck to since they were 19 is no longer flattering.

TERF & Terf

TERF & Terf (pronounced turf)

(1) The acronym for trans-exclusionary radical feminist (trans-exclusionary radical feminism), a fork of the fork of radical feminism which maintains a trans woman’s gender identity is not legitimate and rejects the inclusion of trans people and the gender-diverse in the feminist movement.

(2) In genetics as (1) TERF 1 (Telomeric repeat-binding factor 1), a protein which in  humans is encoded by the TERF1 gene & (2) TERF 2 (Telomeric repeat-binding factor 2), a protein present at telomeres throughout the cell cycle. 

2008: Coined by Australian feminist writer Viv Smythe (@vivsmythe (fka @tigtog, @hoydenabouttown & @GFIComedy) although Ms Smythe suggests the acronym may previously have been in use but her blog entry is the oldest instance extant, hence the credit.  By virtue of use, TERF has become a word and thus the noun terf (and its variations) is correct.  The use in genetics dates from the 1990s , the definitions written as part of the project which decoded the human genome (the complete results of which weren't released until March 2022).   

TERF was said first to have been coined as a “deliberately neutral” descriptor of a certain intellectual position among certain feminists, CISgender women who self-identify as feminist but who oppose including transgender women in spaces (physical, virtual & philosophical) which their construct of feminism reserved for those assigned female at birth.  Implicit in this is the denial that trans women (or anyone anywhere on the trans gender spectrum) are women; they regard them as men and because, by definition, men cannot coexist with their feminist construct, they must be excluded.  However, though TERF was of the feminists, by a feminist, for the feminists, once in the wild it is public property and TERF didn’t long stay neutral, soon used as a slur, applied as a term of disparagement by those sympathetic to trans rights and just as quickly embraced by some TERFs in an act of reclamation (a la slut, the infamous n-word etc).  In use online since at least 2008, TERF has different connotations, depending on who is using it but even when it’s been applied as something purely descriptive, feminists who have been labeled TERF have called the term a slur because it has come to be associated with violence and hatred.  It is a loaded term.

Sainte Jeanne d'Arc (Saint Joan of Arc) (1903) by Albert Lynch (1860–1950).  Joan of Arc with proto TERF bangs: latter day TERFs arouse such hatred there have probably been whisperings of burnings at the stake.

The coining of TERF inspired some neologisms.  TERF bangs (existing only in the plural and noted since 2013 although use didn't trend until 2014) is a sardonic reference to a woman's hairstyle with short, straight, blunt-edged bangs (historically called baby bangs and a variation of what's known by some hairdressers as the "Joan of Arc" fringe), especially when paired with a bob and claimed to be associated with TERFs, the link impressionistic and possibly an example of a gaboso (generalized association based on single-observation).  The link is thought to be part of the opposition to transphobia, the TERF bangs noted for their relationship to the Karen (speak to the manager) bob and all Karens are assumed to be transphobic.  TERFdom is either (1) the holding (and expression) of trans-exclusionary feminist views or (2) being in some way present in the on-line TERF ecosystem.  TERFism is the abstract noun denoting variously the action, practice, state, condition, principle, doctrine, usage, characteristic, devotion or adherence to TERFDom.  TERfturf is an expression variously of the physical, virtual or philosophical space occupied by TERFdom.  TERFy, TURFish & TERFic are adjectives (usually applied disparagingly) which suggest someone or something may be tending towards, characteristic of, or related to trans-exclusionary feminism or those who hold such views.  It's tempting to ponder TERFery, TERFed & TERFistic and the use to which they might be put but there's scant evidence of use.

TERF also provided the model for the back-formation acronym SWERF (sex worker exclusionary radical feminist), describing the position of those radical feminists opposed to the sex industry (including pornography), regarding all aspects of the business as exploitative and that women who participate are victims of coercion, any assertion of agency or willing participation a form of false consciousness.

TERF, TWERF and others

Whatever the life TERF subsequently took, Ms Smythe’s original piece was a critique of the undercurrent of transphobia in the UK British media, something hardly hard to detect nor restricted to the most squalid of the tabloids.  However, as she noted, regardless of her purpose or the context of the text, TERF has became a weaponized device of the culture wars which, in the way of the battle, assumed its identities at the extremes of the trans-inclusion & trans-exclusion positions and it could hardly have followed a different course, the notion, however applied, hardly one amenable to subtle nuances (although some have tried).  That it had the effect of being an inherently schismatic force in radical feminism seemed especially to disturb Ms Smythe and later she would suggest a more accurate (or certainly less divisive) acronym would have been “…TES, with the “S” standing for separatists”, adding that many “…of the positions that are presented seem far too essentialist to be adequately described as feminist, let alone radical feminist.”  Of course, that view was in itself exclusivist and a kind of assertion of ownership of both “radical” and “feminist” but that’s entirely in the tradition of political philosophy including the strains which long pre-date modern feminism, gatekeepers never hesitant in lowering the intellectual portcullis, intruders rarely welcome.

Still, it wasn’t as if feminism had been immune from the fissiparousness which so often afflicted movements (secular and otherwise), the devolution into into competing doctrinal orthodoxies of course creating heretics and heroes and to think of the accepted structure of the history (first wave, second wave etc) as lineal is misleading.  Nor was the process organic and it has been claimed there are TERFs (notably some of the self-described) for whom the identification with feminism became attractive only when it seemed to offer a intellectual cloak under which push transphobia, an accusation leveled at members of the US organization Gender Identity Watch (GIW).   Described variously as a “hate group” and the “Republican party in sensible shoes”, GIW’s best known activities include lobbying and monitoring legislatures and courts to try to ensure those who are transgender are not granted either the status of women or whatever rights may accrue from that.  Their basis was simply definitional, those designated male at birth (DMaB) can never be anything beyond men in disguise (MiD) and thus have no place in women’s spaces.

Other theorists developed their own form of exclusivism.  The idea behind the back-formation TWERF (Trans Women Exclusionary Radical Feminist) was that it was "pure womanism", the needs of trans women being not only different from “real” women but irrelevant too, again by definition because trans women are still men and even if in some way defined as not, were still not “real” women.  The distinctions drawn by the TWERFs was certainly a particular strain of radical feminism because they raised no objection to the presence of trans men, the agender and even some other non-binary people into at least some of their women-only spaces although the rationale offered to support this position did seem sometimes contradictory.  Some however seemed well to understand the meaning and they were the transsexual separatists, apparently a cause without rebels, support for the view apparently close to zero.  The transsexual separatists argue that they need to be treated, for the purposes of defined rights, as a separate category, a concept which received little attention until the Fédération internationale de notation (Fina, the International Swimming Federation) in June 2022 announced a ban on the participation of transgender women from elite female competition if they have experienced “…any part of male puberty beyond Tanner Stage 2 or before age twelve, whichever is later."  As something a workaround designed somehow to combine inclusion and exclusion in the one policy, Fina undertook to create a working group to design an “open” category for trans women in “some events” as part of its new policy.  The transsexual separatists may not have expected Fina to be the first mainstream organization to offer a supporting gesture but what the federation has done may stimulate discussion, even if the work-around proves unworkable.

Discursiveness is however in the nature of feminist thought, the essence of the phases of renewal which characterized progress, formalized (if sometimes misleadingly) as waves and it’s unrealistic to imagine trans-related issues will be resolved until generational change allows a new orthodoxy to coalesce.  It really wasn’t until the high-water mark of second wave of feminism in the early 1980s that some of the early radical feminists began to attempt to distance the movement from the issues pertaining to trans people, reflecting the view that the implications of what was characterized as the transgender agenda would only reinforce sexual stereotyping and the gender binary.  Even then, the position taken by radical feminists was not monolithic but it was the exclusionists who attracted most interest, inevitable perhaps given they offered the media a conflictual lens through which to view the then somewhat novel matter of trans rights, until then rarely discussed.  Third wave feminism was a product of the environment in which it emerged and thus reflected the wider acceptance of transgender rights and few would argue this has not continued during the fourth wave, the attention given to TERF (and its forks and variations) an indication of the interest in the culture wars and the lure of conflict in media content (whether tabloid or twitter) rather than any indication a generalized hardening of opposition among feminists.