Fedora (pronounced fi-dawr-uh or fed-dohr-uh)
A soft
felt or velvet hat with a curled medium-brim, usually with a band and worn with
the crown creased lengthwise.
1887:
An invention of American English, from Fédora,
an 1882 play by Victorien Sardou (1831-1908), the protagonist of which was the
Russian princess Fédora Romanoff, played originally by Sarah Bernhardt. Bernhardt, a noted cross-dresser, wore a
center-creased, soft brimmed hat which was adopted by feminists of the age,
then known as women's-rights activists. The
name comes from the Russian Федо́ра (Fedóra),
feminine form of Фёдор (Fjódor), from
the Ancient Greek Θεόδωρος (Theódōros)
(gift of god), derived from θεός (theós)
(god) and δῶρον (dôron) (gift). The ultimate root was the Indo-European dhes- (forming words for religious
concepts) + dōron (gift) from do- (to give)).
In the Western world, between the demise of the top hat after the First World War and the abandonment of hats in the 1960s, three variations on a theme, the Fedora, the Trilby and the Homburg vied for choice as men’s headgear, all popular in a way the bowler hat never was. Fedoras used to be made mostly from wool, cashmere, rabbit or beaver felt, some of the more expensive varieties blended with mink or chinchilla (and rarely mohair, vicuña, guanaco or cervelt). After enjoying a 1990s revival, they came to be made from any available material, including modern synthetics.
The Trilby (left), Homburg (centre) and the Fedora (right).
The Fedora first became fashionable during the 1920s, displacing the less rakish Homburg (named after Homburg in Imperial-era Germany from where it originated as hunting headgear) although it was the similar, though narrow-brimmed, Trilby (also known in the UK as the “Brown Trilby”) which was said to be more popular with the rich. The Trilby proved attractive to those often at the track, apparently because, with a narrow brim and one slightly turned up at the back, it made more convenient the carrying of a pair of binoculars. The name Trilby was derived from a hat worn in the stage adaptation of George du Maurier's (1834-1896) 1894 novel Trilby. Just another hat in most countries, it suffered by association in Germany because a black Trilby was the choice of most Gestapo officers.
The Homburg did make a mid-century comeback after it became the choice of the UK's pre-war foreign secretary Anthony Eden (1897-1977; UK prime-minister 1955-1957). The highly strung Eden was the most stylish politician of the age, although his sartorial elegance failed to impress the Duce, Benito Mussolini (1883-1945; Duce (leader) & prime-minister of Italy 1922-1943) noting he had “…never met a better dressed fool.” It was his colleague Rab Butler (1902–1982) who, noting the character of Eden's parents, reckoned genetics could explain why Eden was "half mad baronet, half beautiful woman" and he understood that something as distinctive as a hat could convey a political message if the association was widely understood. At the time when the great dividing line in British politics was the appeasement policy of Neville Chamberlain (1869–1940; UK prime-minister 1937-1940), Eden was replaced as foreign secretary by the pro-appeasement Lord Halifax (1881–1959; UK Foreign Secretary 1938-1940), Butler becoming his under-secretary. One thing an under-secretary gets allocated is a parliamentary private secretary (PPS), a member of parliament (MP) keen to stake a claim to advancement and on his first day in the Foreign Office (FO), Butler took the PPS to a quiet corner and told him to discard his homburg since it was "too Edenesque" and to "buy a bowler", the hat almost always worn by Halifax. The PPS had no great regard for Eden and had adopted the homburg merely because he liked the look but anyway took the advice, delighted to be unexpectedly appointed a FO PPS, noting in his diary "...just think, bowlers are back".
