Can

Can (pronounced kan)

(1) A sealed container for food, beverages etc, by convention made from aluminum, iron coated with tin or another metal (has now become a common form even on parts of the English-speaking world where “tin” was the traditional use (the form “tin can” covering all bases).

(2) A receptacle for garbage, ashes, etc (often as “trash can”)

(3) A bucket, pail, or other container used usually for holding or carrying liquids.

(4) A drinking cup; a tankard.

(5) A shallow, cylindrical (usually aluminum, cardboard or plastic) container made in various sizes and used for storing and handling film on cores or reels (often used in the phrase “in the can” to indicate the completion of something).

(6) In slang (mildly vulgar), of US military origin, the latrine; the toilet.

(7) In slang, jail; prison (often in the phrase “in the can”).

(8) In slang (mildly vulgar), the buttocks (always in the plural).

(9) In audio engineering, a set of headphones which cover the ears (always in the plural).

(10) In admiralty slang, a depth charge (in the US Navy used also as a slang term for a destroyer, the “utility” warship in size historically between a frigate and cruiser).

(11) In slang, to discard something; to throw away.

(12) In slang, to throw something away;

(13) In slang, to stop something (a project, discussion etc).

(14) In many places, an alternative to “canx” as an abbreviation for “cancelled” (notably by those who have standardized on three-character codes)

(15) In military ordnance, a standard abbreviation for “canon”.

(16) For some purposes, the abbreviation for “Canada” & “Canadian”.

(17) To be able to; to possess the necessary qualifications, skill or knowledge; to know how to; to have the power, authority or means to.

(18) To have the possibility.

(19) To know (obsolete).

(20) To seal a substance (usually food) in a can; to preserve by sealing in a can (can also be used of substances stored in glass jars etc.

(21) In slang, to dismiss from employment; to fire.

(22) In film & television, to record on film, tape or some other medium (based on the physical “cans” in which films were stored).

Pre 900: From the Middle English, from the Old English cunnan (to know, know how) and cognate with the German & Gothic kann (know), the Old Norse kunna, Old High German kunnan, the Latin cognōscere (to know) and the Sanskrit jānāti (he knows).  The use to describe the receptacle emerged some decades later and was from the Middle English canne, can & cane, from the Old English canne and cognate with the German Kanne, the Old Norse and Old High German kanna, the Irish gann and the Swedish kana, all of which may be of West Germanic origin.  In the Late Latin, a canna was a “small drinking vessel”.  Can is a verb & noun, canned & canning are verbs; the noun plural is cans.

In Singlish, “can” is a versatile word.  Singlish (the construct a portmanteau of Sin(gapore) + (Eng)lish)) is still known by some language specialists as Colloquial Singaporean English but the blend is a more popular description and aligns the variation with flavors like Spanglish (Spanish influenced English), Hinglish (Hindi influenced English) & Konglish (Korean influenced English).  In Singapore, Singlish is used in parallel with Singaporean Standard English (differing usually from British English only in the accents although standards in the Far East tend generally to be higher) and it’s been documented since the 1960s although the linguistic tradition is much older.  In Singlish, the meaning of “can” can vary according to the relationship between the speakers and the tone of voice used although essentially it means “yes”, the nuances learned through use. For example Can or not? means “Can you do this?” to which the reply is Can (yes).  As a politeness, that might be responded to by Can meh? (Are you sure?), the expected answer being Can lah! (Yes of course!).  Inevitably, that begat Cannot lah!

In idiomatic use, a “can of worms” is a complicated, difficult, distasteful problem and if applied in retrospect it’s often of something which proved insoluble.  To “carry the can” is to take responsibility for something (particularly if challenging or troublesome); when used in the form “left carrying the can” it implies the task has been “dumped on one”, all others having evaded task.  It’s believed “carry the can” has its origin in the undesirable task of “latrine duty” in the military which required one literally to carry away from the temporary latrines “cans of shit” (also the origin of “can” as a slang word for “toilet”.  To “kick the can down the road” is delay dealing with a problem, the idea being of not then picking up the can as one eventually must.  “In the can” indicates something is complete, arranged, agreed or finalized and was from film production, the cores or reels of processed and edited films being stored “in the can” (a shallow, cylindrical (usually aluminum, cardboard or plastic) container made in various sizes to suit different film stocks.  To be a “can do” sort of person is to be dynamic, positive and anxious to accept a challenge.  The politician Campbell Newman (b 1963; premier of the Australian state of Queensland 2012-2015) described himself as “Can do Campbell” and enjoyed a fine election victory but it ended badly; in the next he suffered one of the bigger landslides in modern political history losing even his own seat.  “Canned laughter” was the process by which “laughter tracks” were spliced into the recordings of television comedies for subsequent broadcast, emulating a live (and appreciative) audience.  It’s often been regarded cynically but all the research suggests it really did work.  The popular phrase ”no can do” indicates an inability or unwillingness to do something.

Yes we can

Barack Obama (b 1961; US president 2009-2017) more than once observed he thought the speeches he wrote were better than any which came from his speechwriters and one can see his point but one of the reasons his presidency is regarded as insubstantial is that his words were more impressive than his deeds.  He was elected president and awarded the Nobel Prize for the same reason: He wasn’t George W Bush (George XLIII, b 1946; US president 2001-2009).  He promised much, exemplified by the phrase “…yes, we can” which expertly he worked into a speech he delivered in Nashua, New Hampshire on 8 January 2008, during the Democratic primaries while campaigning against crooked Hillary Clinton (b 1947; US secretary of state 2009-2013) for the party’s nomination:

…and tonight, I think about all that she's seen throughout her century in America — the heartache and the hope; the struggle and the progress; the times we were told that we can't and the people who pressed on with that American creed: Yes, we can.

At a time when women's voices were silenced and their hopes dismissed, she lived to see them stand up and speak out and reach for the ballot. Yes, we can.

When there was despair in the Dust Bowl and depression across the land, she saw a nation conquer fear itself with a New Deal, new jobs and a new sense of common purpose. Yes, we can.

When the bombs fell on our harbor and tyranny threatened the world, she was there to witness a generation rise to greatness and a democracy was saved. Yes, we can.

She was there for the buses in Montgomery, the hoses in Birmingham, a bridge in Selma and a preacher from Atlanta who told a people that "We Shall Overcome." Yes, we can.

A man touched down on the moon, a wall came down in Berlin, a world was connected by our own science and imagination. And this year, in this election, she touched her finger to a screen and cast her vote, because after 106 years in America, through the best of times and the darkest of hours, she knows how America can change. Yes, we can.

America, we have come so far. We have seen so much. But there is so much more to do. So tonight, let us ask ourselves: If our children should live to see the next century; if my daughters should be so lucky to live as long as Ann Nixon Cooper, what change will they see? What progress will we have made?

This is our chance to answer that call. This is our moment. This is our time — to put our people back to work and open doors of opportunity for our kids; to restore prosperity and promote the cause of peace; to reclaim the American Dream and reaffirm that fundamental truth that out of many, we are one; that while we breathe, we hope, and where we are met with cynicism, and doubt, and those who tell us that we can't, we will respond with that timeless creed that sums up the spirit of a people: Yes, we can.

As a rhetorical device, the repetition of “yes we can” worked well and he deserves credit also for the skill with which it was delivered; few US politicians since Ronald Reagan (1911-2004, US president 1981-1989) have shown such a flair for timing and effect and Reagan had the advantage of decades of practice under the tutelage of some of the best film directors.  But in office, reality bit and Obama soon understood why so many of his predecessors had commented that one surprise as president was how difficult it was to get anything done and the more that involved change, the harder it was.  On the night, “yes we can” thrilled many but among Republicans and even some factions in his own party, the spirit was somewhere between “no we probably shouldn’t” and “no we won’t”.  Still, he may have convinced himself because in his farewell address in Chicago in January 2017 he reprised “yes we can” before pausing for effect and adding “…yes we did”.  Dutifully, the audience applauded.

Soda agnostic Lindsay Lohan with (clockwise from top left) can of Rehab, can of Coca-Cola, can of Red Bull, Can of Pink Ginseng, can of Sunkist Soda & can of Pepsi Cola.  The car in the "Rehab" shot is a 2006 Mercedes-Benz SL 65 (R230; 2004-2011) which, flachkühlered, would later feature in the tabloids after a low-speed crash.

In the matter of can & may.

"Can" and "may" are modal verbs and the grammar Nazis police their use with some relish and for those who care about such things, there are frequent instances of misuse.  Can & may are sometimes interchangeable: just about anywhere on the planet it can at some time rain but it’s as correct to say it may at some time rain.  In some cases too, neither can nor may might be the appropriate word to use even if both are grammatically correct:  It’s really not helpful to ask: “Can I believe anything said by crooked Hillary Clinton?” or “May I believe anything said by crooked Hillary Clinton?” because the better choice is “Should I believe anything said by crooked Hillary Clinton?”  The answer is of course: “No”.  Still, the general principle is “can” is used of possibilities and “may” of permissions”, illustrated by the companion sentences “I can swim” & “May I go swimming”.  One of the quirks of English which may account for some the undue popularity of “can” is that while can’t has since the eighteen century been one of the language’s most commonly used contractions, “mayn’t is listed by most authorities as rare or archaic (though extinct might more reflect reality).  That was probably because can’t more effortlessly rolls from the tongue.

Campbell's Soup Cans (1962), acrylic with metallic enamel paint on canvas by Andy Warhol (1928–1987).

One of the landmarks of pop-art, Warhol’s Campbell's Soup Cans (1962), is a piece which depends for its effect, not on its content but its intent and there was a randomness of chance in the choice of subject.  The artist explained it by revealing for some twenty years he’d been having a can of the stuff for his lunch, thereby accounting for the motif of “the same thing over and over again”, a idea he’d reprise with variations for the rest of his life.  Had his habit been to enjoy sardines for lunch instead, the painting would have looked different but the meaning would not have changed.  It’s was also an coincidence of capitalism that 32 cans appear, that happening because at the time the company offered that many flavors but had they offered 36, the work would have contained that many.  Presumably, had the range been 29, 31 or some other number symmetrically more challenging things might have differed in detail but the concept would have survived.  Repeating the nearly identical image, the canvases stress the uniformity and ubiquity of the product’s packaging and subvert the idea of painting as a medium of invention and originality.  Although pop-art had at the time a newness about it, Campbell's Soup Cans was another step in the path art had taken since 1917 when Marcel Duchamp (1887–1968) had submitted a porcelain urinal for display in an art gallery, his purpose being to have people question whether art was defined by what it was or the context in which it appeared.  Does anything become art if it's put in an art gallery?  It was an confronting question and we’ve been living with its implications since, none more so than Ted Cruz (b 1970; US senator (Republican-Texas) since 2013), cans of "Campbell's Big'n Chunky Soup" his favorite food.  In 2016 he told US Weekly: "When I'm away from the family, in Washington DC, my dinner is a can of soup.  I have dozens in the pantry" and in that count he may be being untypically modest; his wife revealed that after their honeymoon, he returned from a trip to the grocery store with (literally) 100 cans. 

Campbell's Soup (Limited Editions).

On several occasions, the Campbell brand has taken advantage of the famous association and produced editions of soup cans with Warhol style labels complete with the artist's printed signature.  The first two runs used color schemes close to those which appeared in the 1962 work but the most recent was rather more garish with some changes to the layout.  A notable difference was the customers weren’t required to purchase 32, the cans sold individually.  In a development which Warhol would doubtless have applauded, the cans soon appeared on sites like eBay for three figure US$ sums, a healthy appreciation for their original RRP between US$1-2. 

Fishnet

Fishnet (pronounced fish-net)

(1) A net for catching fish.

(2) A fabric with an open mesh, resembling a fishnet.

(3) Being of an open-mesh weave.

(4) In fashion as a clipping of “fishnet stockings” & “fishnet tights”, usually in the form “fishnets”.

(5) In math, geometry and mapping, as “fishnet grid”, a grid of equally-sized (usually square or rectangular) cells which can be overlaid onto another representations (graphs, chart-lines, maps etc) for various purposes.  

Pre 1000: from the Middle English, from the Old English fiscnett, the construct being fish + net.  Fish was from the Middle English fisch, from the Old English fisċ (fish), from the Proto-West Germanic fisk, from the Proto-Germanic fiskaz (fish).  It may be compared with the West Frisian fisk, the Dutch vis, the German Fisch, the Danish, Norwegian & Swedish fisk and the Icelandic fiskur, from the primitive Indo-European peysḱ- (fish) (the equivalent form in was iasc and in Latin piscis.  Net was from the Middle English nett, from the Old English net & nett, from the Proto-West Germanic nati, from the Proto-Germanic natją, from the primitive Indo-European ned- (to turn, twist, knot).  It was cognate with the West Frisian net, the Low German Nett, the Dutch net, the German Netz, the Danish net and the Swedish nät.  Fishnet is a noun & adjective and fishnetted & fishnetty are adjectives; the noun plural is fishnets.

The most obvious “fishnet grid” is of course the fishnet, used by fishers to harvest seafood and one of the oldest technologies still in use with its essential design unchanged although much has changed in terms of materials, scale and techniques of use, some now highly controversial.  The same design (a grid structure with equal sized cells) is used in various field including (1) concreting where the steel reinforcing for slabs is used in this form, either in pre-made sections or assembled on-site.  (2) In agriculture, the grids are used as a support structure for climbing plants like beans which grow up the grid, gaining enhanced exposure to airflow and sunlight; ultimately, the arrangements also make harvesting easier and cheaper.  Made now with slender, strong, cheap and lightweight plastic strands which don’t absorb moisture, like the nets used to harvest fish, the agricultural mesh is produced in a variety of cell sizes, the choice dictated by the crop. (3) In architecture and interior decorating, grids are common design element, sometimes integrated into structural members and sometimes merely decorative.  (4) In fashion, the most famous fishnet grids are of course those used on stockings & tights where the most frequently seen patterns are diamonds or squares displayed with points perpendicular.  When used of other garments, the orientation of the cells can vary. (5) In industrial design, fishnet grids made of durable materials like steel or synthetic fibers are widely used, providing structures which can be lighter than those made with solid materials yet, in a seeming paradox, be stronger, at least in the direction of the stresses to which they’ll be exposed.  Such constructions are often used in support structures, fencing and other barriers.

North America with the lines of latitude & longitude as traditionally depicted in maps using a fishnet grid (left) and in a form which reflects the effects of the curvature of the earth.

In cartography, the most famous fishnet grid is that made up from the lines of latitude & longitude which, east & west, north & south, encircle the globe and have for centuries been used for navigation.  However, the familiar representation of the lines of latitude and longitude as a fishnet grid is illusory because the common, rectangular map of the world is just a two-dimensional rendering of a three dimensional sphere.  For most purposes, the flat map is ideal but when lines of latitude & longitude were added, so were distortions because the lines of longitude converge at the poles, becoming progressively closer as they move away from the equator.  Never parallel on the sphere which is planet Earth, on a map the lines are exactly parallel; a perfect fishnet grid.

The politics of the Mercator Map

The Mercator projection was developed in 1568 by Flemish geographer, cosmographer & cartographer Gerardus Mercator (1512–1594) as a navigation tool with spherical planet earth depicted on a flat rectangular grid with parallel lines of latitude and longitude.  Its functionality was such that in the west, it became the standard technique of projection for nautical navigation and the de facto standard for maps and charts.  For seafarers it was invaluable; all they needed do was follow the line on the chart and, barring accidents, they would arrive where intended.  However, the Mercator map is a most imprecise representation of the precise shapes and relative sizes of land masses because the projection distorts the size of objects as the latitude increases from the Equator to the poles, where scale becomes infinite.  That’s why land-masses such as Greenland and Antarctica appear much larger than they actually are, relative to equatorial areas such as central Africa.

The Mercator map (left), the distorting effect of the Mercator projection with the real size in the darker shade (centre) and the actual geography of Earth's land masses (right).

In the twentieth century, that distortion attracted criticism on the grounds the projection tended to increase the size of the land-masses of the European colonial powers while reducing those in the colonized south.  However, neither Gerardus Mercator nor other cartographers had social or political axes to grind; the geographical distortion was an unintended consequence of what was designed as a navigational device and it's anyway impossible accurately to depict the surface of a sphere as a two-dimensional rectangle or square (the so-called "orange-segment" renditions are dimensionally most accurate but harder to read).  The Mercator map is no different from the map of the London Underground; a thing perfect for navigation and certainly indicative but not to exact scale.  Modern atlases generally no longer use the Mercator map (except for historical or artistic illustrations) but they’re still published as wall-maps.

The Tube

The classic "map" of the London underground is an ideal navigational aid but, conceptual rather than being drawn to scale, applying a fishnet grid would be both pointless and without meaning.  Professional cartographers refer to such things as "diagrams" or "mud maps", the latter a colloquial term which began life in the military and was a reference to the improvised "maps" drawn in the soil by soldiers in the field.  While not precise, to scale or a detailed representation of an area, they were a simple visual aid to assist in navigation.

Fishnet fan Lindsay Lohan: Confessions of a Teenage Drama Queen (2004), (left), Elle Style Awards, London, February 2015 (centre) and Cannes Film Festival, May 2017 (right).  

There are both fishnet tights and fishnet stockings and unless worn in a manner to permit an observer to discern which, whether it’s one or another is often known only to the wearer, the distinction blurred further by manufacturers being sometimes inclined to be a bit loose with their labeling.  While both items of leg-wear, there are technical differences in the construction, coverage and style.  Tights should be made of a thicker, more opaque material which affords complete coverage from the waist to the toes.  Although a fashion item, the historic purpose of tights was to keep the legs warm in cold weather and they were a garment of some importance when there were dress codes which denied women the right to wear trousers.  Constructed almost always in one piece, tights have an elastic waistband which has the primary purpose of keeping them in place but there are some tights which technically are “shapewear”, the midsection an expanded, all-round elastic panel which has a mild compression effect on the areas around and immediately above the hips, rendering a more trim silhouette.  Except for a handful of high-priced products, tights use relatively thick materials like nylon or spandex (sold as lycra in some markets).  There are also composite materials now available which has meant the range of thicknesses, colors and patterns offered has been expanded and the finishes range from semi-sheer to opaque, making them suitable for casual and formal occasions while still providing protection from the cold.  The essential difference between tights and leggings is the later are shorter, stopping anywhere from the ankle to the upper calf (although some specialized sports leggings extend only to somewhere above the knee).

Australian architect & multi-media installation Bianca Censori (b 1995), Instagram post, May 2025.

Ms Censori is one of the industry's leading practitioners of minimalist fashion and on this occasion paired a fishnet top with sheer tights, sunglasses the only visible accessory.  Wearing unobtrusive mules rather than the fishnet’s clichéd stilettos was a nice juxtaposition and the background was well-chosen, proving the value of a trained architect's eye.

Classically, stockings were designed to cover only the legs between the upper-thigh and the toes.  Made typically from a sheer material, they are held in place by a device called a “garter belt” or “suspender belt” which sits around the hips, two (sometimes three) elastic “suspender slings” (a marvelous name) are attached to each side at the ends of which are metal clips into which a rubber or silicone disc is inserted through the stocking material, holding it permanently in place.  Usually sheer in a color spectrum from black to white (with a solid emphasis of “skin tone” although sensitivity to the implications of that term means it now less used), patterns are also available and among the most popular is the single, emulated “seam” running vertically up the back of the leg.  Until the mid twentieth century, stockings were made almost exclusively from silk are they remain available but the majority use some form of synthetic, either nylon or a nylon-mix and are thought to impart both a more delicate and refined look and are thus associated with formal attire.  The modern hybrid which has since the 1970s captured most of the stocking market is “pantyhose” (the construct being a portmanteau of the modified clippings of panties (panty) + hosiery (hose).  Pantyhose used the design of tights and the sheer material of stockings, the obvious advantage being the convenience of not needing the belt apparatus with its alluring but fiddly “suspender slings”.  Fishnet pantyhose are available.

Dame Jilly Cooper (1937–2025), in the 1980s, in fishnets.

Bonkbuster is a literary genre first defined in the late 1980s as meaning “novels with more emphasis on the sex than the romance and enjoying (ore expecting” best-seller status and like likelihood of adaptation in some form for the screen”.  The construct was bonk + (block)buster, the latter element used to describe highly successful book, films, albums etc.  In the literary genre Dame Jilly was the UK’s most accomplished author, something she attributed, at least in part to her “diligent research on the topic”.  Her novels were churning fantasies of smouldering glances, polo ponies, country houses and corporate back-stabbing, always with an undercurrent of infidelity, often in the green and pleasant land of the English countryside.  Before in 1975 she turned to fiction (albeit with much content drawn from he own active life), she’d spent years as a newspaper columnist where she’s offer practical advice to the modern women such as: “If you amuse a man in bed, he's not likely to bother about the mountain of dust underneath it.”  Although she always, accurately, described herself as “upper-middle class”, her novels tended up rather than down the class system and were studded with titles, money and privilege but the turn of phrase she’d honed within the tight word limits imposed on columnists never deserted her, a protagonist in one novel observing: “I don’t expect fidelity from my husbands, but I demand it from my lovers.”

As a fabric pattern, the fishnetesque mesh isn't often seen at scale but if the color contrast is bold, the motif can work well: WAG Sonja Steffen at Cricket Australia's (the new name for the old Board of Control) Allan Border Medal event, Carriageworks, Sydney, Australia, January 2015.

The obsessive fear of nets (as opposed to mere sensible caution) is amphiblestronophobia and this would include those with a morbid aversion to fishnets although, depending on the evidence presented, a clinician might give the patient a diagnosis of textophobia (the irrational fear of certain fabrics).  There seems in the literature no mention of specific phobia tied exclusively to a fear of fishnets; while there may be a few whose experiences have led them to fear those who wear fishnets, that’s not quite the same thing.  That notwithstanding, the non-standard nouns fishnetism and fishnetists are there for those who self-identify as fishnetophiles.  The American Psychiatric Association's (APA) Diagnostic and Statistical Manual of Mental Disorders (DSM) does sometimes include discussions of specific objects and devices but fishnets seem never to have been mentioned.  Obviously though, fishnet clothing could be an element in a paraphilic disorder, a category of eight updated in the DSM’s fifth edition (DSM-5, 2013).  These disorders are characterized by intense and recurrent urges or fantasies focused on atypical sexual objects, situations, or non-consenting individuals and while those which cause significant distress or impairment can come to the attention of clinicians, there are presumably many individuals who either successfully self-manage or actively cherish their paraphilias, something no longer thought requiring clinical intervention provided the practices are “victim free”.

(1) Voyeuristic Disorder: Sexual arousal from observing others without their knowledge or consent.  This would include those aroused by the sight of fishnet garments being worn “in the wild”.

(2) Exhibitionistic Disorder: Sexual arousal from exposing one's genitals to unsuspecting strangers.

(3) Frotteuristic Disorder: Sexual arousal from touching or rubbing against a non-consenting person.

(4) Sexual Masochism Disorder: Sexual arousal from being humiliated, beaten, bound, or otherwise made to suffer.  Fishnet garments may be involved because they’re a stereotypical part of the “uniform” worn in the BDSM (Bondage; Discipline (dominance and submission); Sado-Masochism) community but they would be an incidental element.

(5) Sexual Sadism Disorder: Sexual arousal from inflicting pain or humiliation on others.  Again, fishnets may be present but merely coincidental to the condition.

(6) Pedophilic Disorder: Sexual arousal from a desire to have sexual contact with a child who is not of legal age of consent.

(7) Fetishistic Disorder: Sexual arousal from non-living objects, non-genital body parts, or a combination of both.  Fishnet garments would be a classic example of a particular clothing fetish but the fondness is a spectrum and of clinical significance only if causing a patient distress or impairment.

(8) Transvestic Disorder: Sexual arousal from dressing in clothing associated with the opposite sex, particularly when not related to a transgender identity.  Fishnet garments could be an element in this but are not essential.

Cenotaph

Cenotaph (pronounced sen-uh-taf or sen-uh-tahf)

A sepulchral monument in memory of and honoring a dead person or persons buried elsewhere; erected especially as military monuments.

1595–1605: From the French cénotaphe (empty tomb erected in honor of a dead person who is buried elsewhere or whose body is lost), from the Classical Latin cenotaphium from the Ancient Greek kenotáphion, the construct being κενός (kenós) (empty) + τάφος (táphos) (tomb) + -ion (the diminutive suffix) of uncertain origin.  Until well into the twentieth century it was thought ultimately derived (like the Armenian damban (tomb)) from the primitive Indo-European root dhembh- (to dig, bury) the the evidence is scant and some etymologists suspect both the Armenian and Greek could well be borrowings from other places.  Cenotaph is a noun and cenotaphic is an adjective; the noun plural is cenotaphs.

The Cenotaph to Reynold's Memory, Coleorton (circa 1833), oil on canvas by John Constable (1776-1837).

Percy Bysshe Shelly (1792-1822), The Cloud (1820).

I bring fresh showers for the thirsting flowers,
From the seas and the streams;
I bear light shade for the leaves when laid
In their noonday dreams.
From my wings are shaken the dews that waken
The sweet buds every one,
When rocked to rest on their mother's breast,
As she dances about the sun.
I wield the flail of the lashing hail,
And whiten the green plains under,
And then again I dissolve it in rain,
And laugh as I pass in thunder.
 
I sift the snow on the mountains below,
And their great pines groan aghast;
And all the night 'tis my pillow white,
While I sleep in the arms of the blast.
Sublime on the towers of my skiey bowers,
Lightning my pilot sits;
In a cavern under is fettered the thunder,
It struggles and howls at fits;
Over earth and ocean, with gentle motion,
This pilot is guiding me,
Lured by the love of the genii that move
In the depths of the purple sea;
Over the rills, and the crags, and the hills,
Over the lakes and the plains,
Wherever he dream, under mountain or stream,
The Spirit he loves remains;
And I all the while bask in Heaven's blue smile,
Whilst he is dissolving in rains.
 
The sanguine Sunrise, with his meteor eyes,
And his burning plumes outspread,
Leaps on the back of my sailing rack,
When the morning star shines dead;
As on the jag of a mountain crag,
Which an earthquake rocks and swings,
An eagle alit one moment may sit
In the light of its golden wings.
And when Sunset may breathe, from the lit sea beneath,
Its ardours of rest and of love,
And the crimson pall of eve may fall
From the depth of Heaven above,
With wings folded I rest, on mine aëry nest,
As still as a brooding dove.
 
That orbèd maiden with white fire laden,
Whom mortals call the Moon,
Glides glimmering o'er my fleece-like floor,
By the midnight breezes strewn;
And wherever the beat of her unseen feet,
Which only the angels hear,
May have broken the woof of my tent's thin roof,
The stars peep behind her and peer;
And I laugh to see them whirl and flee,
Like a swarm of golden bees,
When I widen the rent in my wind-built tent,
Till calm the rivers, lakes, and seas,
Like strips of the sky fallen through me on high,
Are each paved with the moon and these.
 
I bind the Sun's throne with a burning zone,
And the Moon's with a girdle of pearl;
The volcanoes are dim, and the stars reel and swim,
When the whirlwinds my banner unfurl.
From cape to cape, with a bridge-like shape,
Over a torrent sea,
Sunbeam-proof, I hang like a roof,
The mountains its columns be.
The triumphal arch through which I march
With hurricane, fire, and snow,
When the Powers of the air are chained to my chair,
Is the million-coloured bow;
The sphere-fire above its soft colours wove,
While the moist Earth was laughing below.
 
I am the daughter of Earth and Water,
And the nursling of the Sky;
I pass through the pores of the ocean and shores;
I change, but I cannot die.
For after the rain when with never a stain
The pavilion of Heaven is bare,
And the winds and sunbeams with their convex gleams
Build up the blue dome of air,
I silently laugh at my own cenotaph,
And out of the caverns of rain,
Like a child from the womb, like a ghost from the tomb,
I arise and unbuild it again.

The UK's then prime-minister (far left), joined by his seven predecessors at the Cenotaph for Remembrance Sunday, London, November, 2023.  The recent churn-rate in 10 Downing Street has meant that by 2024, there were nine living prime-ministers (current or former), a new record.

Left to right: Rishi Sunak (b 1980; UK prime-minister 2022-2024), Liz Truss (b 1975; UK prime-minister Sep-Oct 2022), Boris Johnson (b 1964; UK prime-minister 2019-2022), Theresa May (Lady May, b 1956; UK prime-minister 2016-2019), David Cameron (b 1966; UK prime-minister 2010-2016), Gordon Brown (b 1951; UK prime-minister 2007-2010), Tony Blair (b 1953; UK prime-minister 1997-2007) and John Major (b 1943; UK prime-minister 1990-1997).

The Cenotaph's unveiling ceremony, 11 November, 1920, Whitehall, London.

It was David Lloyd George (1863–1945; UK prime-minister 1916-1922) who commissioned Sir Edwin Landseer Lutyens (1869–1944) to design a catafalque past which the troops would march during the victory parade in 1919, giving the English architect only two weeks to have the structure in place.  Using a method close to what would now be called “rapid prototyping”, Sir Edwin drafted sketches and from these a full-sized catafalque was constructed in timber and plaster, so well-executed one architect thought it looked “as if it had stood sturdy for a century”.  It was so admired The Times lead a campaign demanding it be rebuilt in granite and this was done, the permanent structure in place by 11 November, 1920 for the anniversary of the armistice which ended World War I (1914-1918), the body of the Unknown Warrior carried past.

Hood

Hood (pronounced hood)

(1) A soft or flexible covering for the head and neck, either separate or attached to a cloak, coat and similar garments.

(2) Something resembling or suggestive of such a covering (especially in shape) and used in botany to describe certain petals or sepals.

(3) In North America and other places subject to that linguistic influence, the (usually) hinged, movable part of an automobile body covering the engine (the bonnet in the UK and most of the old British Empire).  Despite geographical spread, the phrase “under the hood” is now close to universal, referring to (1) the engine of an automobile & (2) by extension, the inner workings or technical aspects of anything (a computer’s specifications etc).

(4) In the UK and most of the old British Empire, the roof of a carriage or automobile, able to be lowered or removed (ie on a convertible, cabriolet, roadster, drophead coupé (DHC) etc).  In North America and other places subject to that linguistic influence such things tend variously to be called soft-tops or convertible tops.

(5) A metal cover or canopy for a stove, fitted usually with a ventilation system (a flue or extractor fan).

(6) In falconry, a cover for the entire head of a hawk or other bird, used when not in pursuit of game.

(7) On academic gowns, judicial robes etc, an ornamental ruffle or fold on the back of the shoulders (in ecclesiastical garments, and in cults such as the Freemasons, also used as a mark of one’s place in the hierarchy).

(8) In nautical use, as hooding ends, one of the endmost planks (or, one of the ends of the planks) in a ship’s bottom at bow or stern which fits into the stem and sternpost rabbets.  When fitted into a rabbet, these resemble a hood (covering).

(9) In zoology, a crest or band of color on the head of certain birds and other animals (such as the fold of skin on the head of a cobra, that covers or appears to cover the head or some similar part).

(10) In anatomy (the human hand), over the extensor digitorum, an expansion of the extensor tendon over the metacarpophalangeal joint (the extensor hood (dorsal hood or lateral hood).

(11) In colloquial use in palaeontology, the osseous or cartilaginous marginal extension behind the back of many dinosaurs (also known as the “frill”).

(12) As the suffix –hood, a native English suffix denoting state, condition, character, nature, etc, or a body of persons of a particular character or class, formerly used in the formation of nouns: childhood; likelihood; knighthood; priesthood and of lad appended as required (Twitterhood, Instahood etc, subsets of Twitterverse & Instaverse respectively).

(13) In slang, a clipping of hoodlum.

(14) In slang, a clipping of neighborhood, especially an urban neighborhood inhabited predominantly by African Americans of low socioeconomic status (a part of African American Vernacular English (AAVE) and adopted also by LatinX) although use in these communities does now transcend economic status.

(15) To furnish with or fit a hood; to cover with or as if with a hood.

(16) In medieval armor, a range of protective cloakings or coverings

Pre 900: From the Middle English hode, hod, hude, hudde & hoode (hoodes apparently the most common plural), from the Old English hōd, from the Proto-Germanic hōdaz, (related to the Old High German huot (hat), the Middle Dutch hoet and the Latin cassis helmet) and cognate with the Saterland Frisian Houd, the Old Frisian hōde, the West Frisian & Dutch hoed, the Proto-Iranian xawdaH (hat), the German Low German Hood and the German Hut (hat).  The Old English hād was cognate with German –heit and was a special use used to convey qualities such as order, quality, rank (the sense surviving academic, judicial & ecclesiastical garments).  The ultimate source is uncertain but most etymologists seem to support the primitive Indo-European kad & kadh (to cover).  Hood is modified as required (chemical hood, clitoral hood, un-hood, de-hood, fume hood, hood-shy, hood unit, hoodwink, range hood, riding hood etc) and something thought hood-shaped is sometimes described as cuculliform.  Hood is a noun & verb, hooded & hooding are verbs, hoodless hoodesque & hoodlike are adjectives; the noun plural is hoods.

Hooded: Lindsay Lohan in hoodie, JFK Airport, New York City, NYC April 2013. The bag is a Goyard Saint Louis Tote (coated canvas in black).

Hood as clipping of hoodlum (gangster, thug, criminal etc) dates from the late 1920s and would influence the later use of “hoodie” as a slur to refer to those wearing the garment of the same name, the inference being it was worn with nefarious intent (concealing identity, hiding from CCTV etc.  Hood as a clipping of neighborhood (originally especially an urban (inner-city) neighborhood inhabited predominantly by African Americans of low socio-economic status) dates from circa 1965 and became part of African American Vernacular English (AAVE) and was adopted also by LatinX) although use in all communities does now transcend economic status.  It was an alternative to ghetto (a word with a very different tradition) and encapsulated both the negative (crime, violence, poverty) & positive (group identity, sense of community) aspects of the low-income inner city experience.  Although a part of AAVE, it never formed part of Ebonics because its meaning was obvious and, to an extent, integrated into general US vernacular English.  The phrase “all good in the hood” is an example of the use of the clipping.

Blu-Ray & DVD package art for Red Riding Hood (2006).  In US use, "alternate" seems to have been accepted as a synonym for "alternative".  Few seem to mind.

The verb hood in the sense of “to put a hood” & “to furnish with a hood” on dates from circa 1400 while although hooded & hooding aren’t attested until decades later, it’s possible the use emerged at much the same time.  The Old English hod was typically "a soft covering for the head" which extended usually over the back of the neck but only in some cases did it (permanently or ad-hoc) attach to some other garment.  The modern spelling emerged early in the fifteenth century and indicated a “long vowel” although that pronunciation is long extinct.  The word was picked up in medicine, botany & zoology in the seventeenth century while the use to describe the “foldable or removable covers on a carriage which protects the occupants from the elements” was documented since 1826 and that was used in a similar context by the manufacturers of prams and baby-carriages by at least 1866.  The meaning “hinged cover for an automobile engine” was in use in the US by 1905 while across the Atlantic, the British stuck to “bonnet”.  The fairy tale (some read it as a cautionary tale) Little Red Riding Hood (1729) was a translation of Charles Perrault's (1628-1703) Petit Chaperon Rouge which appeared in his book Contes du Temps Passé (Stories or Tales from Past Times (1697)).

The suffix -hood (a word-forming element meaning “state or condition of being”) was an evolution of the Old English -had (condition, quality, position) which was used to construct forms such as cildhad (childhood), preosthad (priesthood) & werhad (manhood); it was cognate with German –heit & -keit, the Dutch -heid, the Old Frisian & Old Saxon -hed, all from the Proto-Germanic haidus (manner, quality (literally “bright appearance”, from the primitive Indo-European skai & kai- (bright, shining) which was cognate with the Sanskrit ketu (brightness, appearance).  It was originally a free-standing word but in Modern English survives only in this suffix.

HMS Hood in March 1924.  The last battlecruiser built for the Royal Navy, it was 860 feet (262 metres) in length, displaced 47,000 tons and had a main armament of eight 15 inch (380 mm) guns.

HMS Hood (1918-1941) was a Royal Navy battlecruiser named after Admiral Samuel Hood, first Viscount (1724–1816), one of five admirals the family would provide.  Although the Battle of Jutland (1916) had exposed the inherent limitations of the battlecruiser concept and the particular flaws in the British designs, the building of the Hood anyway continued and the revisions made in the light of the Jutland experience in some way exacerbated the ship’s problems; weight was added without fully affording the additional protection required.  The Admiralty was aware of this and of the four battlecruisers of her class planned, Hood was the only one completed as the Navy embarked on a re-design but the naval disarmament agreed between the major powers in the aftermath of World War I (1914-1918) meant none were built (indeed no navy would launch a new battlecruiser until the 1980s and even then the notion was thought strange) and for almost two decades Hood remained the largest warship in the world.

Naval architecture, fire control ballistics and aviation had however moved on in those years and although the biggest warship afloat (the “Mighty Hood” in the public imagination), Hood was outmoded but as late as the early 1930s this mattered little because the prospect of war between the big powers seemed not only remote but absurd.  Hood is still thought one of the most elegant warships ever and it spent those years touring the empire and other foreign ports, her fine lines and apparent might impressing many although the Admiralty was well aware the days of Pax Britannica were over.  Much comment has been made about the design flaw which resulted in the Hood sinking in minutes after a shell from the German battleship Bismarck, fired from a range of some ten miles (16,000 m), penetrated the deck (some modern analysts contest this because of technical details relating to the angle of fire available to the German gunners), causing the magazine to explode, essentially splitting the hull in two.  In fairness to the Kriegsmarine (the German navy), it was a good shot but at that range, it was also lucky, that essential element in many a battle.

In structural linguistics, the term “Americanisms” is used to describe several sub-sets of innovations in English attributed to those (and their descendents) who settled in North America.  They include (1) spellings (color vs colour), most of which make more sense than the originals, (2) simplification of use (check used for cheque as well as its other meanings), (3) coinings (sockdolager (decisive blow or remark), a nineteenth century American original of contested origin) and (4) alternatives (suspenders vs braces).  Hood was one word where used differed in the US.  In the UK, the hood was the (traditionally leather but latterly a variety of fabrics) folding top which began life on horse-drawn carriages and later migrated to cars which eventually were, inter alia, called cabriolets, drophead coupés or roadsters.  In the US the same coachwork was used but there the folding tops came to be called “soft tops”, one reason being the hood was the (usually) hinged panel which covered the engine.  In the UK, that was called a bonnet (from the Middle English bonet, from the Middle French bonet (which endures as the Modern French bonnet), from the Old French bonet (material from which hats are made), from the Frankish bunni (that which is bound), from the Proto-Germanic bundiją (bundle), from the primitive Indo-European bend- (to tie).  The origins of the use of bonnet and hood as engine coverings were essentially the same: the words were in the nineteenth century both used on both sides of the Atlantic to describe cowls or coverings which protected machinery from the elements, impacts etc (the idea based on the familiar garments) and it was only chance that one use prevailed in one place and one in the other.  There were other differences too: what the British called the boot the Americans said was the trunk which on the early automobiles, like many of the stage coaches they replaced, indeed it was.

Unhinged: Not all hoods were hinged.  In 1969, some Plymouth Road Runners (left) and Dodge Super Bees (right) could be ordered with a lightweight, fibreglass hood held in place by four locking pins.  Known as the "lift-off hood", it need two conveniently to remove the thing so it wasn't the most practical option Detroit ever offered but to the target market, it was very cool.