Outlandish

Outlandish (pronounced out-lan-dish)

(1) Freakishly or grotesquely strange or odd, as appearance, dress, objects, ideas, or practices; bizarre.

(2) Having a foreign appearance (archaic).

(3) Remote from civilized areas; out-of-the-way (archaic).

(4) Being actually foreign; alien (archaic).

Pre 1000: From the Middle English outlandisch, from the Old English ūtlendisc (of a foreign country, not native) from the Proto-Germanic ūtlandiskaz and related to ūtland (foreign land, literally "out-land").  The meaning in the sense of unfamiliar, strange, odd, bizarre (such as the customs of foreigners may seem to natives) dates from the 1590s and may be compared with the German ausländisch and the Danish udenlandsk.  The Old English utland could also mean "land lying beyond the limits of occupation or cultivation," a sense that survived into Modern English.  The noun outlander (a foreigner, a person who is not a native) came into parallel use in the 1590s as a direct back-construction from outland (foreign land), almost certainly on the model of the Dutch uitlander and the German ausländer.  In South African English, by 1892 it acquired the specific sense of "not of Boer birth" which was a loan-translation of South African Dutch uitlander.  In Old English utlanda meant "an exile", a status which was known in many Medieval legal systems (or at least common practice).  In the Middle English, outland was simply a descriptor for "foreigners" and was a verbal shorthand of straungeres outlondes.  Outlandish is an adjective, outlandishly is an adverb and outlandishness is a noun.

Glass-blowing, the Royal Navy and coal

Many trees required: The architecture of the seventeenth century English ship-of-the-line (the battleships of their day).

In English common law, outlandish retained its original, literal, meaning in as late as the 1690s.  The often persecuted Huguenots, an ethno-religious group of French Protestants had lived in an uneasy relationship with the French state for many years until their rebellions in the 1620s prompted the abolishment of most of their political and privileges and persecution increased, culminating in the Edict of Fontainebleau (1685), effectively outlawing them and forcing them to flee France.  Many ended up in England, including a large number of artisans involved in glass and steel production, both of which demanded much energy.  Within a decade, it became apparent the forests of England were rapidly being depleted to provide fuel for furnaces, a matter of concern to a small island dependent for its trade and security on the Royal Navy and merchant marine, both with fleets of ships made from wood; each big warship (known as ship of the line or man-O-War) required the felling of several-thousand trees during its construction.  The government acted and banned the outlandish (foreigners) from leasing, owning or harvesting forests.  Designed to avoid a threat to the supply of timber, the law had the far reaching effect of accelerating the shift of Britain’s source of energy for industrial production from wood to coal, something that would endure almost three-hundred years and it wouldn't be until the early twentieth century that the the Royal Navy's big ships began to switch from coal to oil-fired power.

An outlandish combination which recalls the dazzle camouflage schemes used by several admiralties in the world wars: Lindsay Lohan dressed for ABC network television, Good Morning America, New York City, November 2022.

The interesting ensemble included an Akris color-blocked suit by Law Roach (b 1978) and shoes in gloss burgundy by Giuseppe Zanotti (b 1957).  The flared cut of the trousers hid the shoes' 2-inch (50 mm) soles and 6-inch (150 mm) heels which was a neat stylist's trick but they certainly deserved to be seen.

Arhat

Arhat (pronounced ahr-huht)

(1) In Buddhism, a Buddhist (most usually a monk) who, through rigorous discipline and ascetic practices, has attained enlightenment and upon death passes to Nirvana.

(2) In Buddhism, a title accorded to sanctified Buddhists; a Buddhist saint.

(3) In Jainism, one of the stages of the ascetic's spiritual evolution, when all passions (anger, ego, deception, greed, attachment, hatred and ignorance) are destroyed (the derived terms are arhantam, arhathood & arhatship.

1865–1870: A transliteration of the Sanskrit अर्हत् (arhat) (arahant in Pāḷi) (worthy of worship; meriting respect), from arhati (he merits; he deserves), the construct being the verbal root arh (to deserve), from arah (meriting, deserving of), ahrana (having a claim; state of entitlement) & the past participle arhita (honored, worshipped); a doublet of arahant and the alternative spelling was Arhant (pronounced ahr-huhnt).  Arhat and Arhatship are nouns; the noun plural is Arhats.

A related state in Buddhism (notably Mahayana Buddhism) was Bodhisattva (pronounced boh-duh-suht-vuh).  The word was from the Sanskrit and Pāḷi, translating literally as “one whose essence is enlightenment”, the construct being bodhi (enlightenment) + sattva (essence).  Dating from the early nineteenth century, a Bodhisattva is a person who has attained prajna (Enlightenment) but who postpones Nirvana (ie remaining in earthly existence) in order to help others attain Enlightenment.  In some Buddhist sects, certain Bodhisattvas are treated as living saints and are the subjects of devotion, represented sometimes as divine in artworks (the practice controversial in some Buddhist circles).

Arhat appears in the Ṛigveda with in the sense of "deserving”.  Rigveda (or Rig Veda, Rgveda, Rg Veda & Rug Veda) was from the Sanskrit ऋग्वेद (ṛg-vedá) (veda of praise), the construct being ऋच् (ṛ́c) (praise, verse) + वेद (véda) (knowledge).  It was an ancient Indian Veda and sacred collection of Vedic Sanskrit hymns (sūktas) and one of the four sacred canonical Hindu texts (śruti) known as the Vedas and today, apart for the largely extant Śakalya Shakha, only fragments remain.  The Rigveda is the oldest known of the Vedic Sanskrit texts which date from 1700-1100 BC.

In prayer: A Buddha statue and Lindsay Lohan.  In translation, arhat is sometimes rendered in English as arahat while in the Far East, the transliteration was often phonetic and in the Chinese 阿羅漢 (āluóhàn) it was often shortened to 羅漢 (luóhàn) and, via the Raj, this was picked up in English as Lohan or luohan whereas in Japanese the pronunciation of the Chinese characters was arakan (阿羅漢) or rakan (羅漢).

Semiotics

Semiotics (pronounced sem-e-ot-ics)

(1) The study of signs and symbols as elements of communicative behaviour; the analysis of systems of communication, as language, gestures, or clothing.

(2) A general theory of signs and symbolism, usually divided into the branches of pragmatics, semantics and syntactics.

(3) Of or relating to signs.

(4) As a (now archaic) specialized use in medicine, the scientific study of the symptoms of disease (known later as symptomatology).

1660s: From the Ancient Greek σημειωτικός (sēmeiōtikós) (fitted for marking, portending), stem of sēmeioûn (to interpret as a sign), from σημειῶ (sēmeiô) (to mark, to interpret as a portend), from σημεῖον (sēmeîon) (a mark, sign, token), from σῆμα (sêma) (mark, sign).  Semiotics is the sense now understood in English was an adaptation by English physician and philosopher John Locke (1632-1704) on the model of Greek logic to mean “the doctrine of signs”.  The medical sense was from the 1660s, the use to describe the study of signs and symbols with special regard to function and origin dates from the 1880s and the use in psychology began in 1923.

The structural model of semiotics.

Semiotics is the study of signs and symbols, with special regard to function and origin especially as means of language or communication.  Essentially a branch of the study of meaning-making and meaningful communication including the deconstruction of signs and sign processes, indication, designation, likeness, analogy, allegory, metonymy, metaphor, symbolism, signification, and communication.  Semiotics has evolved to be closely related to linguistics, but can be treated, at least to some point, as a parallel stream.  The semiotic tradition explores the study of signs and symbols as a significant part of communications which can be, but are not of necessity tied to linguistics.  Indeed, semiotics is probably best known for non-linguistic sign systems.  Semiotics became popular with anthropologists who enjoyed the way cultural phenomenon could be studied without any lineal relationship to a specific language.  In a similar vein, zoologists used the method to examine how organisms make predictions about, and adapt to, their semiotic niche in the world.  In general, semiotic theories take signs or sign systems as their object of study including the communication of information in living organisms without structured language in the sense of human text.

Lindsay Lohan in a hotel bathroom, perhaps perplexed by unlabelled taps.

A classic example of semiotics is the convention that red indicates hot water and blue cold but not all manufacturers conform to this standard, some tapware designers apparently offended by the idea of any sort of label making a vulgar intrusion on their carefully crafted shapes.  In the days when Intourist (Интурист in the Russian, a contraction of иностранный турист (foreign tourist); the Soviet Union's notoriously erratic travel agency) enjoyed what was close to a monopoly in the operation of hotels in the USSR, the travel diaries of politicians, journalists and others lucky enough to enjoy a visit would not infrequently comment on the plumbing, taps either not labelled or with labels which would only by apparent coincidence be a reliable guide, faucets which might in the morning have conformed, swapping roles by the evening.

A semiotic convention (left) and examples of variation (right).

It's well understood that Green is for safety (like an exit door) and red for danger (such as a fire).  However, except where stipulated in regulations (which tend to be local rather than national), there's no guarantee the colors used in one place will translate to another and manufacturers' parts lists often include interchangeable components in a variety of colors so users can choose although, where consequences can be both severe and with implications over vast areas (such as sites dealing with nuclear energy), the color-coding and language of signs is done to an international standard.  The reason for danger signs being usually red is likely one of human historical association, red the color of blood and fire so linked with anger and danger.  Plasma physicists point out also that red is the color least scattered by air, water or dust molecules and thus remains visible for longer and at greater distances in adverse environments .  The effect of scattering is inversely related to the fourth power of the wavelength of a given color and because red has the highest wavelength, it gets scattered the least and is thus able to travel the longest distance through fog, rain etc before fading away.  It's the same reason the sky appears blue, the fine particles in the atmosphere scatter blue light most among all the components of white light.

Sometimes though, a color is just a color.  Temporary signs such as those warning of "men at work" or "wet floor" are typically in made in bright (even lurid) colors with the text rendered in a shade with maximum contrast, the object being to attract attention.  Curiously though, manufacturers do offer these in grey and black, perhaps because of the popularity of white and cream as floor colors in commercial spaces.

Viceroy

Viceroy (pronounced vahys-roi)

(1) A person appointed to rule a country or province as the deputy of the sovereign and exercising the powers of the sovereign.

(2) A brightly marked American butterfly (Limenitis archippus), closely mimicking the monarch butterfly in coloration but slightly smaller, hence the analogy with a sovereign and their representative.

1515–1525: From the Middle French, the construct being vice- + roy.  Vice was from the Old French vice (deputy), from the Latin vice (in place of), an ablative form of vicis.  In English (and other languages) the vice prefix was used to indicate an office in a subordinate position including air vice-marshal, vice-admiral, vice-captain, vice-chair, vice-chairman, vice-chancellor, vice-consul, vice-director, vice president, vice-president, vice-regent & vice-principal.  Roy was from the Middle English roy & roye, from the Old French roi (king), from the Latin rēgem, accusative of rēx (king) and related to regere (to keep straight, guide, lead, rule), from the primitive Indo-European root reg- (move in a straight line) with derivatives meaning “to direct in a straight line" thus the notion of "to lead, rule".  It was a doublet of loa, rajah, Rex, rex and rich.  The noun plurals was roys.  The wife of a viceroy was a vicereine, the word also used for female viceroys of whom there have been a few.  The American butterfly was named in 1881.  Viceroy and viceroy are nouns and viceregal is a noun and adjective; the noun plural is viceroys.

The noun viceregent (the official administrative deputy of a regent) attracted the attention of critics because it was so frequently confused with vicegerent (the official administrative deputy of a ruler, head of state, or church official).  Despite the perceived grandiosity of vicegerent, gained from association with offices such as the Pope as Vicar of Christ on Earth or the regent of a sovereign state, it’s merely generally descriptive of one person substituting for another and can be as well-applied to the shop assistant minding the store while the grocer has lunch.  The area of regency can be a linguistic tangle because a regent is a particular kind of viceregent and there was a time when viceregent was used instead of the correct vicegerent and was sometimes used pleonastically for regent.  The grammar Nazis never liked this and attributed the frequency of occurrence to the preference of viceregal rather than vicereoyal as the adjective of viceroy.

Under the Raj, under the pith helmets: King George V, Emperor of India with Lord Hardinge, Viceroy of India, Government House, Calcutta 1911.

In the rather haphazard way British rule in India evolved, the office of Governor-General of India was created by the Charter Act of 1833 and in an early example of the public-private partnership (PPP), the post was essentially administrative and was both appointed by and reported to the directors of the East India Company, functioning also as an informal conduit between the company and government.  The system lasted until 1858 when, in reaction to the Indian Mutiny (1857), the parliament passed the Government of India Act, creating the role of Viceroy (wholly assuming the office of Governor General), the new office having both executive and diplomatic authority and reporting (through the newly-established India Office) to the British Crown.  The viceroy was appointed by the sovereign on the advice of the parliament (ie the prime-minister) and it is this structure which is remembered as the British Raj (from the Hindi rāj (state, nation, empire, realm etc), the rule of the British Crown on the subcontinent although the maps of empire which covered the whole region as pink to indicate control were at least a bit misleading.

Viceroy butterfly.

The best-known viceroys were probably those who headed the executive government of India under the Raj although other less conspicuous appointments were also made including to Ireland when the whole island was a constituent part of United Kingdom of Great Britain and Ireland (1801-1922).  As a general principle (and there were exceptions), in British constitutional law, the Dominions and colonies that were held in the name of the parliament of Great Britain were administered by Governors-General while colonies held in the name of the British Crown were governed by viceroys.  Between 1858-1947, there were twenty viceroys of India including some notable names in British politics such as Lord Lansdowne (1888–1894) who introduced the Indian Councils Act and raised the age of consent for girls from ten to twelve, Lord Curzon (1899–1905) who introduced the Indian Universities Act and presided over the partition of Bengal, Lord Hardinge (1910-1916) who was in office during the Mesopotamian Campaign, Lord Irwin (1926–1931) (better known as Lord Halifax) who summoned the first round table conference and Lord Mountbatten (1947), the last Viceroy of India who, reflecting the change in constitutional status upon independence, was between 1947-1948 briefly the new nation's first Governor-General.  He was also the second-last, the office abolished in 1950 when the Republic of India was proclaimed.

Lindsay Lohan’s NFT for Lullaby with viceroy butterflies.

In 2021, it was announced Lindsay Lohan's non-fungible token (NFT) electronic music single Lullaby had sold for 1,000,001 in Tron (TRX) cryptocurrency (US$85,484.09).   Lullaby featured a vocal track over a beat produced by Manuel Riva and was the first NFT by a woman to be sold on #fansForever, a marketplace created for dealing in celebrity NFTs.  The graphics of the NFT Tron had a viceroy butterfly flapping its wings in unison with Ms Lohan’s eyelids to the beat of Lullaby.  Because of the underlying robustness, the blockchain and the NFT concept has an assured future for many purposes but to date the performance of celebrity items as stores of value has been patchy.

1936 Rolls-Royce Phantom III (7.7 litre (447 cubic inch) V12; chassis 3AZ47, engine Z24B, body 8594 in style 6419) by Hooper, built for the Marquess of Linlithgow (1887-1952) who served as Viceroy of India (1936-1944), seen in its original configuration with a chauffeur (left) and as re-bodied during 1952-1953 (right).  In the centre is a British plumed helmet, circa 1920, this one with a skull in gilt metal, mounted with unusually elaborate gilt ornamentation including helmet-plate (itself mounted with a white metal hobnail star bearing gilt Royal Arms), ornate gilt chins-scales with claw ends and an untypically extravagant white swan's feather plume, notably longer than regulation length.  It was used by the Honourable Corps of Gentlemen-at Arms, a body formed in 1539 and staffed by former army officers as the “nearest guard” to the sovereign. The helmet is based on the “Albert” pattern for Household Cavalry, a style in use for some 150 years.

Viceroys of India were always rather exalted creatures, their status reflecting India’s allure as the glittering prize of the empire and upon recall to London, were usually raised to (or in) the peerage as marquesses while a retiring prime-minister might expect at most an earldom, one notch down.  Their special needs (and some were quite needy) in office also had to be accommodated, an example of which is Lord Linlithgow’s 1937 Rolls-Royce Phantom III, built with a capacity for seven passengers (although no luggage which was always carried separately).  The coachwork by Hooper was most unusual, the engine’s side-panels being 1½ inches taller than standard, a variation required to somewhat balance the very tall passenger compartment, the dimensions of which were dictated by the viceroy’s height of 6’ 7” (2.0 m), the plumed hats of his role elongating things further.  Such high-roof-lines were not uncommon on state limousines and have been seen on Mercedes-Benz built for the Holy See and the Daimlers & Rolls-Royces in the British Royal Mews.  Delivered in dark blue with orange picking out lines and coronets on the rear doors, the interior was trimmed in dark blue leather with two sets of loose beige covers, the woodwork in solid figured walnut rather than veneer.  Signed-off 21 July 1936 and shipped to Bombay (now Mubai) on the SS Bhutan on 24 July, Hooper’s invoice to the India Office listed the price of the chassis at Stg£1405, the coachwork at Stg£725 and a total cost of Stg£2130.

After the Raj, the car passed into private hands and in 1952 was returned to the Hooper works in Westminster for re-modeling, the most obvious aspects of which were the lowering of the roof-line and a re-finishing in grey.  The high cowl (scuttle) and hood (bonnet) line were however retained so the re-configuration actually replaced one discontinuity with another but the changes certainly made it an interesting period piece and its now one of three Phantom IIIs in the collection assembled by Pranlal Bhogilal (1937-2011), displayed in his Auto World Vintage Car Museum in Kathwada, on the outskirts of Ahmedabad.

Gaffer & Duct

Gaffer (pronounced gaf-er)

(1) The chief electrician on the set of a movie or television show.

(2) In informal use, a boss, supervisor, or manager.

(3) In informal use, an old man, especially one living in the country (often used affectionately or patronizingly).

(4) A foreman or overseer in charge of a group of physical laborers; the coach or manager of a sports team.

(5) In glassmaking, a master glassblower responsible for shaping glassware.

(6) Slang for boy or youth (unique to Ireland); used in maritime regions to refer to the baby of the house.

(7) A type of tape used usually as a safety device to tape-down cables to reduce the risk of tripping hazards (technically gaffer’s tape).

(8) In slang, as “to gaff”, “gaffered” or ”to gaffer”, a description of some temporary or roughly improvised repair using gaffer tape or some other quick and dirty method; “to make a gaff” as a description of a mistake is a variation of this.

1565–1575: Thought likely to be a contraction of godfather, but with the vowels influenced by grandfather.  The use to describe “an elderly rustic" was apparently based on continental analogies (compare gammer and the related French compère and German Gevatter).  It seems originally to have been a term of respect, also applied familiarly; from "old man" and was by 1841 extended to foremen and supervisors generally.  In UK police forces, it’s common slang to describe the officer in charge of a particular section or squad and in Association Football (soccer), the head coach or manager.

In the early twentieth century, it was carried over to the electrician or technician in charge of lighting on a film set because the natural lighting on early film sets was adjusted by opening and closing flaps in the tent, these cloths called gaff cloths or gaff flaps.  Because the technician used a long pole with a hook known as a “gaff hook”, he came to be known as a “the gaff hooker” and, as English does when users find there are too many syllables, this was truncated to “the gaffer”.  The tape later used for electrical cables was almost exclusively in the gaffers' toolboxes and thus became “gaffer’s tape”.  Now it’s known almost always as “gaffer tape”.

Duct (pronounced duhkt)

(1) Any tube, canal, pipe, or conduit by which a fluid, air, or other substance is conducted or conveyed.

(2) In anatomy and zoology, a tube, canal, or vessel conveying a body fluid, especially a glandular secretion or excretion.

(3) In botany, a cavity or vessel formed by elongated cells or by many cells.

(4) In the infrastructure of electricity, a single enclosed runway for conductors or cables.

(5) In a printing press, the reservoir for ink.

(6) Guidance; direction; quotation (obsolete).

1640-1650: From the Latin ductus (conveyance of water; a leading, a conduit pipe), noun use of the past participle of ducere (to lead) from dūcō (I lead, draw), from the primitive Indo-European root deuk (to lead).  Use has endured in the Medieval Latin aqueduct and the high rank of aristocracy, duke, drawn from the past participle of ducere (to lead); the construct was duc (variant stem of dūcere (to lead)) + tus (suffix of verbal action).  The meaning in an anatomical sense (vessel of an animal body by which blood, lymph etc, are conveyed) was first noted in the 1660s while that of a "conduit or channel" dates from 1713.  Use in a variety of architectural and engineering contexts to describe "tubes in a structure" developed after the use to describe an "air tube" in 1884.

Duct tape was in 1894 originally sold under the name duck tape, long, non-adhesive strips of plain cotton duck cloth used in various mechanical processes.  The name was transferred to a plastic-coated adhesive tape used by U.S. soldiers in World War II, probably because of its waterproof qualities (ie the sense of "water off a duck's back").  It continued in civilian use after the war, and the name shifted to duct tape by 1958, perhaps because the most common use was in air ducts, which also accounts for its still standard silver-gray color.

Duct and Gaffer Tape

Duct tape scene: Lindsay Lohan as Tess Conway in Freaky Friday (2003).

Often casually regarded as interchangeable, duct and gaffer tapes are constructed differently because they’re intended for different purposes.  Indeed, using one for the intended application of the other can cause messy or worse results.  They’re similar in that both are hand-tearable, conform well to uneven surfaces and tend to be sold in the same packaging and sizes.  Duct tape is constructed with a polyethylene (PE) cloth backing, a material that makes it waterproof and contains an aggressive, rubber-based glue, allowing it easily to adhere to many of surfaces.   Duct tape has (1) a shiny, reflective backing, (2) is for semi-permanent or permanent applications and (3) tends to leave an adhesive residue when removed.  A specialized variation is a heat-resistant foil (not cloth) duct tape, useful for sealing heating and cooling ducts.  For decades silvery gray, it’s now available in colors and even printed designs.

Lindsay Lohan in duct tape cocktail dress.  Tape is 3M Utility Duct Tape 2929 (Silver).  Shoes are Jimmy Choo Patent Leather Sandals.

Gaffer tape is made with a coated cloth backing and a synthetic, rubber-based glue.  Because it doesn’t have the PE backing, gaffer tape is not waterproof but, the barrier properties in the backing make it moisture resistant in most cases.  This means it shouldn’t be used for waterproofing but is suitable for temporary use in high-humidity and moist environments. The adhesive on gaffer tape is less aggressive than duct tape, rendering it more easily removed when temporary need is over.  Because of its origins in the theatre, gaffer tape traditionally had a matte white or black backing to reduce the reflection of light but is now available in colored gloss finishes.

Spider

Spider (pronounced spahy-der)

(1) Any predatory silk-producing arachnid of the order Araneae, having four pairs of legs and a rounded un-segmented body consisting of abdomen and cephalothorax, most of which spin webs that serve as nests and as traps for prey.

(2) In non technical use, any of various other arachnids resembling or suggesting these.

(3) A cast-iron frying pan with three legs or feet once common in open-hearth cookery (now rare and applied more loosely; still used by chefs).

(4) A trivet or tripod, as for supporting a pot or pan on a hearth.

(5) In digital technology. digitally to survey websites, following and cataloging their links in order to index web pages for a search engine.

(6) In engineering, a skeleton or frame with radiating arms or members, often connected by crosspieces, such as a casting forming the hub and spokes to which the rim of a fly wheel or large gear is bolted; the body of a piston head; a frame for strengthening a core or mould for a casting.

(7) In agriculture, an instrument used with a cultivator to pulverize soil.

(8) Any implement, tool or other device which is some (even if vague) was resembles or is suggestive of a spider (sometimes as spider-like or spideresque).

(9) In nautical use, a metal frame fitted at the base of a mast to which halyards are tied when not in use.

(10) A drink made by mixing ice-cream and a soda (a fizzy drink such as lemonade) (mostly Australia & New Zealand).

(11) An alcoholic drink made with brandy and lemonade or ginger beer (mostly Australia & New Zealand and probably extinct although it still appears in some anthologies of cocktails).

(12) In slang, a person spindly in appearance (dated); also a popular nickname for those with the surname Webb.

(13) In slang, a man who persistently approaches or accosts a woman in a public social setting, particularly in a bar (also as bar spider).

(14) In snooker & billiards, a stick with a convex arch-shaped notched head used to support the cue when the cue ball is out of reach at normal extension; a bridge.

(15) In bicycle design, the part of a crank to which the chain-rings are attached.

(16) In drug slang, one of the many terms for heroin (an allusion to the web-like patterns on the arms of addicts into which the needle is poked.

(17) In music, part of a resonator instrument that transmits string vibrations from the bridge to a resonator cone at multiple points.

(18) In fly fishing, a soft-hackle fly (mostly southern England).

(19) In the sport of darts, the network of wires separating the areas of a dartboard.

(20) In mathematics, a type of graph or tree.

(21) In passenger transport, a early type of light phaeton (obsolete) and latterly a descriptor for a roadster (also as spyder).

(22) In photography and film-making, a support for a camera tripod, preventing it from sliding.

1380s: From the Middle English spydyr, spydyr & spither (the forms from mid-century were spiþre, spiþur & spiþer), from the Old English spīþra & spīthra (spider), from the Proto-West Germanic spinþrijō, from the Proto-Germanic spinnaną & spin-thon (“to spin”).  The Old English forms were akin to spinnan (to spin) and cognate with the Danish spinder (literally “spinner”) and the German Spinne and (mostly) displaced attercop (spider, unpleasant person) which was relegated to a dialectal term.  The root of the European form was the primitive Indo-European spen & pen (to draw, stretch, spin) + the formative or agential -thro.  The connection with the root is more transparent in other Germanic cognates such as the Middle Low German, Middle Dutch, Middle High German & German spinne and the Dutch spin (spider).  The loss of -n- before spirants is familiar in Old English (such as goose or tooth).  Spider is a noun, spidery and spideresque are adjectives, spidering is a verb and spidered is a verb & adjective; the noun plural is spiders.

Lindsay Lohan with Spiderman and spideresque offspring, Harper’s Bazaar photo shoot, Los Angeles, 2007.

Despite the ancient lineage, in the Old & Middle English there were more common words used when speaking of arachnids including lobbe (or loppe as Geoffrey Chaucer (circa 1344-1400) would have it, atorcoppe (the Middle English attercop translates literally as “poison-head”), and (from the Latin aranea), renge.  Middle English also had araine (spider) which was picked up, via the Old French from the Latin word with the same spelling and, more poetically, in the Old English there was gangewifre (a weaver as he goes).  In literature, the spider was often a figure of cunning, skill, and industry as well as venomous predation.  In the seventeenth century, the spider figuratively represented venomousness and thread-spinning but also sensitivity to vibrations and the habit of solitary lurking, waiting for prey to fall into the web; quintessentially, the spider was an independent character.  The two-pack game of solitaire (patience) called spider dates from 1890 (still available in software), the choice of name thought owed to the resemblance of the layout of the decks in the original form of the game.  In zoology, the spider crab was first identified in 1710 (an applied to various species) while the spider monkey, so called for its long limbs, dates from is from 1764.  The noun spider-web in the 1640s replaced the more cumbersome spider's web from a century-odd earlier and the adjective spidery (long and thin) was first noted in 1823.

Spider Phaeton, circa 1875, US.

There are cars called spider and spyder although, unlike many other natural or engineered creations which in some way resemble arachnids, these cars are almost always small roadsters which in appearance don’t look anything like their eight-legged namesakes.  The origin of the name lies in the horse & buggy era when a spider phaeton was a lightweight horse-drawn carriage intended for short-distance journeys and the design was intended to impress so there was often on protection from the elements beyond perhaps something to shade ladies from the sun.  Unlike some true “convertible” or “cabriolet” carriages, there were no side windows and the spider name was gained from the “spider”, a small single seat or bench for the use of a groom or footman, the name based on the spindly supports which called to mind an arachnid’s legs.  Quite where this style of coachwork was first seen isn’t known but they were certainly in use on both sides of the Atlantic in the 1860s and it’s not impossible the invention was both simultaneous and independent although there are sources which insist it was first seen in the ante-bellum US.

1931 Alfa Romeo 8C 2300 Spider Monza.

As engines (steam, electric and predominately internal combustion) made possible horseless carriages, in the earliest days the body-styles were carried over as were the designations which is why berlinas, cabriolets and phaetons appeared in the catalogues of the early automotive coach-builders.  However, the spider nomenclature seems to have been forgotten, because although the ancillary seats still existed, the terms “dicky seat”, “rumble seat” & “jump seat” came to be preferred, each with its own etymological tale.  The revival of the name had to await the interwar years, Alfa Romeo in 1931 introducing the 8C, powered by 2.3, 2.6 & 2.9 litre stright-8s, the line continuing until 1939.  Many were touring cars but the Spider version was a sports car built for road and track, and 8C 2300 Spiders won the 1931 & 1932 Targa Florio road-race in Sicily and it was victory in the 1931 Italian Grand Prix which the factory honored with the "Monza", the GP car a shortened, lightweight version of the Spider.

1961 Ferrari 250 GT SWB California Spyder, one of the few time the factory preferred spyder to spider.

Encouraged by the image Alfa-Romeo gained from the illustrious 8C spiders, a few other cars emerged from Europe in the 1930s but it was in the post-war years the name became really fashionable, the economic boom and the availability of chassis suitable to carry the imagination of carrozzerias meant there was a concurrence of supply and demand for stylish roadsters, many of which carried the magic of the spider name.  Seemingly more glamorous still must have been “spyder” because it was in the 1950s that roadsters called spyder began to appear.  Quite why the “y” sometimes was preferred to the “i” has over the years attracted comment and speculation but the reason for the adoption remain obscure.  The idea it was to avoid legal action from Alfa-Romeo was soon discounted because, spider being a historic generic from coach-building (like sedan, limousine, cabriolet etc), it couldn’t be trade-marked or otherwise protected and Alfa-Romeo seems anyway never to have tried.  There was however a quasi-legal status granted to the spelling “spider” because in 1924, the (the apparently now forgotten) Milan-based National Federation of Body makers declared that was how it should be written, the speculation being that Il Duce (Benito Mussolini, 1883-1945; Duce (Leader) & Prime-Minister of Italy 1922-1943) wanted to make everything as Italian as possible and, there being no "y" in the alphabet, spider it was.  Of whether such matters much occupied the fascist mind, there seems no documentation and it does seem dubious; X, Y, W, J not appearing in the Italian alphabet either although many words in the languages include them.

1955 Lancia Aurelia B24S Spider.

The trend really took off in 1954 when Lancia introduced the B24 Aurelia Spider and soon Ferrari and other from Italy would follow although spyders would appear too, (including some from Ferrari & Lancia), and General Motors (GM), noted scavengers of European nomenclature (GTO, Grand Prix etc) shamelessly tacked Spyder onto the doomed Corvair, even for versions with a fixed roof.  North of the Brenner Pass, spyder has found favour, used by Porsche, Audi and BMW while in the Far-East, companies like Toyota and Mitsubishi, arch-imitators in style and perfectionists in execution have rolled out their own spyders.  Alfa-Romeo and Fiat however have stuck to spider, Lancia and Ferrari too seeming to have forsaken their youthful indiscretions and only using the original.

1969 Alfa Romeo Spider Veloce.

Although in continuous production between 1966-1993, it was only during the first three years the bodywork featured the memorable Osso di Seppia (Round-tail, literally "cuttle fish") coachwork.  After 1970, the Spider gained a Kamm-tail which increased luggage capacity and presumably also conferred some aerodynamic advantage but purists have always coveted the cigar-shaped original.

Robert the Bruce, colored engraving by an unknown artist (1797).

Robert I (Robert the Bruce, 1274–1329; King of Scots 1306-1329) was crowned King of Scots in 1306 and led Scotland to victory in the First War of Scottish Independence against the English.  Earlier though, he’d had his defeats and his spirits were said to be at a low ebb when after one disastrous battle, he was forced to take refuge in a cave.  Sitting in the cold, dark space, he noticed a small spider attempting to weave a web and time and time again, the little creature failed.  However, each time the spider fell, it climbed back up to try again until finally, the silk took hold and the web was spun.  From this, Robert was inspired to return to the fight and was victorious in the Battle of Bannockburn (1314), a triumph which turned the tide of the war and ultimately, in 1328 the independence of Scotland was won.

Bruce and the spider, by Bernard Barton (1784-1849)

FOR Scotland's and for freedom's right
The Bruce his part has played;--
In five successive fields of fight
Been conquered and dismayed:
Once more against the English host
His band he led, and once more lost
The meed for which he fought;
And now from battle, faint and worn,
The homeless fugitive, forlorn,
A hut's lone shelter sought.
 
And cheerless was that resting-place
For him who claimed a throne;--
His canopy, devoid of grace,
The rude, rough beams alone;
The heather couch his only bed--
Yet well I ween had slumber fled
From couch of eider down!
Through darksome night till dawn of day,
Absorbed in wakeful thought he lay
Of Scotland and her crown.
 
The sun rose brightly, and its gleam
Fell on that hapless bed,
And tinged with light each shapeless beam
Which roofed the lowly shed;
When, looking up with wistful eye,
The Bruce beheld a spider try
His filmy thread to fling
From beam to beam of that rude cot--
And well the insect's toilsome lot
Taught Scotland's future king.
 
Six times the gossamery thread
The wary spider threw;--
In vain the filmy line was sped,
For powerless or untrue
Each aim appeared, and back recoiled
The patient insect, six times foiled,
And yet unconquered still;
And soon the Bruce, with eager eye,
Saw him prepare once more to try
His courage, strength, and skill.
One effort more, his seventh and last!--
The hero hailed the sign!--
And on the wished-for beam hung fast
That slender silken line!
Slight as it was, his spirit caught
The more than omen; for his thought
The lesson well could trace,
Which even "he who runs may read,"
That Perseverance gains its meed,
And Patience wins the race.