Catfish (pronounced kat-fish)
(1) In ichthyology, any of the numerous mainly freshwater teleost fishes
of the order or suborder Nematognathi (or Siluroidei), characterized by barbels
around the mouth and the absence of scales, especially the silurids of Europe
and Asia and the horned pouts of North America.
(2) A wolffish of the genus Anarhichas.
(3) In casual use, any of various other fishes having a
fancied resemblance to a catfish.
(4) In slang, a person who assumes a false identity or
personality on the internet, especially on social media, usually with an intent
to deceive, manipulate, or swindle.
(5) To deceive, swindle, etc by assuming a false
identity or personality online.
(6) In casual use, any piece of machinery having a fancied resemblance to a catfish (applied often to cars with "gaping grills" ).
1605–1615: The construct was cat + fish. Dating from circa 700, cat was from the Middle
English cat or catte and the Old English catt
(masculine) & catte
(feminine). It was cognate with the Old
Frisian and Middle Dutch katte, the Old
High German kazza, Old Norse köttr, Irish cat, Welsh cath (thought derived from the Slavic kotŭ), the Russian kot and the Lithuanian katė̃; the Old French chat enduring. The curious Late
Latin cattus or catta was first noted in the fourth century, presumably associated
with the arrival of domestic cats but of uncertain origin. The Old English catt appears derived from the earlier (circa 400-440) West Germanic
form which came from the Proto-Germanic kattuz
which evolved into the Germanic forms, the Old Frisian katte, the Old Norse köttr,
the Dutch kat, the Old High German kazza and the German Katze, the ultimate source being the Late
Latin cattus.
The noun fish was from the pre-900 Middle English fish, fisch & fyssh, from the Old English fisc
(fish), from the Proto-West Germanic fisk,
from the Proto-Germanic fiskaz (fish). It was cognate with the West Frisian fisk, the Dutch vis, the Old Norse fiskr,
the Danish fisk, the Norwegian fisk, the Gothic fisks, the Swedish fisk and
the German Fisch, the ultimate source
probably the primitive Indo-European peysḱ (fish) & pisk (a fish) although there are
etymologist who speculate, on phonetic grounds, that it may be a north-western
Europe substratum word. It was akin to
the Latin piscis, the Irish verb iasc, the Middle English fishen and the Old English fiscian, cognate with the Dutch visschen, the German fischen, the Old Norse fiska and the Gothic fiskôn.
The verb fish was from the Old English fiscian (to fish, to catch or try to catch fish). It was cognate with the Old Norse fiska, the Old High German fiscon, the German fischen and the Gothic fiskon.
The catfish seems to have gained its name early in the
seventeenth century following the practice adopted for the Atlantic wolf-fish, noted
for its ferocity, the catfish picking up its moniker apparently because of the "whiskers"
although the "purring" sound it sometimes makes upon being taken from the water
has (less convincingly) been suggested as the origin; most zoologists and etymologists prefer the
whiskers story while noting the correct name for the appendages is barbels. Catfish & catfishing are nouns & verbs, catfisher is a noun, catfished is a verb and catfishlike & catfishesque (the latter listed by some as non-standard) are adjectives, the noun plural is catfish or catfishes.
Strictly speaking, the choice of the plural form (catfish or catfishes) should folow the usual convention in matters ichthyological. The plural of "fish" is an illustration of the inconsistency of English. As the plural form, “fish” & “fishes” are often (and harmlessly) used interchangeably but in zoology, there is a distinction, fish (1) the noun singular & (2) the plural when referring to multiple individuals from a single species while fishes is the noun plural used to describe different species or species groups. The differentiation is thus similar to that between people and peoples yet different from the use adopted when speaking of sheep and, although opinion is divided on which is misleading (the depictions vary), the zodiac sign Pisces is referred to variously as both fish & fishes. So, it is correct to speak of multiple catfish if all are of the same species but to use "catfishes" if there's a mix. In cooking (the frequent collective being "catfish stew"), or any reference to use as food (or bait), the plural is without exception "catfish".
"Catfish" is now understood in a way which a generation earlier would have been baffling.
The modern term catfishing describes a type on nefarious
on-line activity in which a person uses information and images, typically taken
from others, to construct a new identity for themselves. In the most extreme examples, a catfisher can
steal and assume another individual’s entire identity, enabling the possibility
of using the fake persona to engage in fraud or other illegal
activities. Catfishing attacks may be
targeted or opportunistic and have long been common on dating sites. One niche activity is where only a few (or
legally insignificant) elements are involved
(usually in an attempt to tempt younger subjects on dating sites) and there is
no attempt to engage in illegal activity; this has been called kitten fishing. There is nothing new in the concept of catfishing, cases
documented in the literature for centuries, the ubiquity of the internet just
making such scams both easier to execute and detect so in its latest use, "catfish" is one of those terms which achieved critical linguistic mass because of the adoption of newly available technology, joining those words which have for centuries been either coined or re-purposed in a kind of technological determinism. The term in this context is derived from the 2010
American documentary Catfish, which
concerned a 26 year old man who, thinking he was building an on-line
relationship with a 19 year old woman, discovered his digital interlocutor was
actually a married women of 40. The documentary
(and thus the on-line behavior) gained the name from a mention the woman's
husband made when comparing his wife’s conduct to the myth that it was once the
practice to include one or more catfish in the tank when shipping live cod, the
rationale said to be the cod would remain active in the presence of codfish
whereas if shipped alone, would become pale and lethargic, reducing the quality
of the flesh. The source of the myth was
the 1913 psychological novel Catfish
by Charles Marriott (1869-1957), the fanciful story repeated that same year by Henry
Wooded Nevinson (1856-1941) in his political treatise, Essays in Rebellion. The emergence on the internet of "catfishing" begat "sadfishing, the technique (most associated with the emo) of posting about one's unhappiness or emotional state ("devastated" an emo favorite) on social media platforms, the object being to attract attention and sympathy; it's regarded in many cases as the seeking of "validation".
Etymologically unrelated (although not wholly dissimilar
in practice) was the earlier internet slang "phishing" which described a kind of social
engineering in which an attacker sends a deceptive message
designed to trick a person into revealing sensitive information or induce them
in some way to install malicious software such as key-stroke grabbers or ransomware.
Phishing is a leetspeak variant of "fishing" which compares the digital activity to actual angling, the idea being the
casting of lines with lures in the hope there will be bites at the bait. The first known reference to phishing dates
from 1995 but there was apparently an earlier mention in the magazine 2600: The Hacker Quarterly, the word
coined following the earlier phreaking.
Phishing has for years been the most common attack performed by
cybercriminals.
The "Catfish Cars"
Catfish and some cars they inspired.
First seen on a few eccentric examples during the 1930s, the
distinctive, if not always pleasing “catfish look” emerged on volume
production automobiles during the 1950s.
Even then the look was a stylistic curiosity but it was an age of
extravagance and among the macropteric creations of the era, the catfish cars represented
just one of many directions the industry could have followed. Nor was the catfish look wholly without
engineering merit, the low bonnet (hood) line improving aerodynamic efficiency,
the wide, gaping aperture of the grill permitting adequate air-flow for engine
cooling with headlamps able still to satisfy regulatory height requirements. Classic examples of catfish styling includes
the original Citroen DS (top left), the Packard Hawk (top centre) and the Daimler SP250 (top right).
Daimler SP250 (1959-1964).
The Daimler SP250 was first shown to the public at the 1959
New York Motor Show and there the problems began. Aware the little sports car was quite a
departure from the luxurious but rather staid lineup Daimler had for years
offered, the company had chosen the pleasingly alliterative “Dart” as its name,
hoping it would convey the sense of something agile and fast. Unfortunately, Chrysler’s lawyers were faster
still, objecting that they had already registered Dart as the name for a
full-sized Dodge so Daimler needed a new name and quickly; the big Dodge would
never be confused with the little Daimler but the lawyers insisted.
Using one of his trademark outdoor settings, Norman Parkinson (1913-1990) photographed model Suzanne Kinnear (b 1935) adorning a Daimler SP250, wearing a Kashmoor coat and Otto Lucas beret with jewels by Cartier. The image was published on the cover of Vogue's UK edition in November 1959.
Imagination apparently exhausted, Daimler’s
management reverted to the engineering project name and thus the car became the SP250 which was innocuous enough even for Chrysler's attorneys and it could have been worse. Dodge had
submitted their Dart proposal to Chrysler for approval and while the car found
favor, the name did not and the marketing department was told to conduct
research and come up with something the public would like. From this the marketing types gleaned that “Dodge
Zipp” would be popular and to be fair, dart and zip(p) do imply much the same
thing but ultimately the original was preferred and Darts remained in Dodge’s
lineup until 1976, for most of that time one of the corporation's best-selling
and most profitable lines. The name was
revived between 2012-2016 for an unsuccessful and unlamented compact sedan.
1962 Daimler SP250 (B-Spec).
Daimler’s SP250 didn’t enjoy the same longevity, the last
of the 2654 produced in 1964, sales never having approached the projected 3000
per year, most of which were expected to be absorbed by the US market. The catfish styling probably didn’t help, a
hint being the informal poll taken at the 1959 show when the thing was voted “the
ugliest car of the show” but under the skin of the ugly duckling was a virile swan. The heart of the SP250 was a jewel-like 2.5
litre (155 cubic inch) hemi-headed V8 which combined the structure of Cadillac’s
V8 with advanced cylinder heads which owed much to those of the Triumph
Thunderbird motorcycle engine. Indeed, the
designer, Edward Turner (1901–1973), owned a Cadillac and was responsible for
the Triumph heads so the influences weren’t surprising and the little engine
had an interesting gestation. It was
Turner’s first car engine and so tied was he to the principles which had proved
so successful for his motorcycles that the original concept was air-cooled and
fed by eight carburetors. Automotive
reality however prevailed and what emerged was a compact, light (190 KG (419 lb)),
water-cooled V8 with the inevitable twin SU carburetors, the project yielding
also an only slightly bulkier (226 KG (498 lb)) 4.6 litre (278 cubic inch) version
which would be tragically under-utilized by a British motor industry which could
greatly have benefited from a wider deployment of both instead of some engines
which proved pure folly. The Daimler V8s
are notable too for their intoxicating exhaust notes, perhaps not a critical
aspect of engineering but one which adds much to the pleasure of ownership.
Daimler SP250, winner of the 1962 Bathurst 6 Hour Classic, driven by brothers Leo Geoghegan (1936-2015) and Ian (Pete) Geoghegan (1939-2003).
Under-capitalized and lacking the funds needed to revitalize
their dated range, let alone develop new high-volume models, the SP250 was
created on a shoestring budget, the body built in the then still novel
fibreglass, not by deliberate choice but because the tooling and related
production facilities could be fabricated for a fraction of the cost had steel
or aluminum been used. It also lessened
the development time and promised a simpler and cheaper upgrade path in the
future but also brought problems of its own.
New to the material, Daimler’s engineers were confronted with many of
the same problems which Chevrolet encountered during the early days of the
Corvette, issues which even with the vast resources of General Motors, proved
troublesome. Other than the fibreglass
body, the SP250 was technologically conventional, using a chassis little
different from that of the Triumph TR3, built in a 14 gauge box section with
central cruciform bracing. The chassis
was designed to be light and that was certainly achieved but at the cost of
structural rigidity, again an issue of the use of fibreglass, the engineers (in
pre-CAD times) under-estimating the stiffness which would be demanded in a
structure without metal panels further to distribute the loadings.
1962 Daimler SP250 in British Racing Green (BRG) with factory hardtop and Minilite wheels.
The lack of sufficient torsional rigidity meant the SP250s
were beset with the same teething problem as the first Corvettes: the
fibreglass panels could become crazed or even crack and, most disconcertingly,
doors were prone to springing open during brisk cornering and the bonnet (hood)
sometimes popped open as the body flexed at high speed. The SP250 was a genuinely fast car so these
were not minor issues. Still, there was
much to commend the SP250. Wind-up
windows and the availability of an automatic transmission sound hardly
ground-breaking but they were an innovation unknown on the MG, Triumph and
Austin-Healy roadsters of the time and the V8 was unique. The suspension was conventional but
competent, an independent front end with upper and lower arms, coil springs,
and telescopic shock absorbers while the rear used semi-elliptic leaf springs
with lever arm shock absorbers. The unassisted
cam and peg system steering lacked the precision the Italians achieved even
without using a rack and pinion system but, aided by a larger than usual
steering wheel, it offered a reasonable compromise for the time although at low
speed it was far from effortless. More
commendable were the brakes. The
four-wheel discs had no power assistance but the SP250 was a light car and the
servo systems of the time, lacking feel and impeding the progressiveness
inherent in the design of the early discs, meant unassisted systems were
preferable for sports cars although, efficient and fade-free though they were,
an emergency stop from speed did demand high pedal effort. One curiosity in the configuration was the bumper bars. Considering the issue bumpers would become in the 1970s, that they were once optional is an indication of how different the regulatory environment was at the time. The A spec SP250s had no bumpers as standard equipment but were fitted at the front with what are sometimes mistakenly called nerf-bars but are actually “bumperettes” although the English seem to like “whiskers”. At the rear were over-riders attached to nerf-bars. The B spec models didn’t include these but, like the A spec, the full bumpers were an optional extra and this setup was continued for the C spec. The SP250s used by the British Metropolitan Police as high speed pursuit cars always had the optional bumpers because of the need to mount the warning bell and auxiliary spotlight.
1960 Daimler SP250 (automatic) in UK police pursuit specification.
So, developed to the extent possible with the resources
available, production began in 1959, shortly before the Birmingham Small Arms
Company (BSA) announced the sale of Daimler to Jaguar. Jaguar, attracted by Daimler’s extensive manufacturing
facilities and its skilled workforce regarded most of the Daimler range as
antiquated but allowed some production to continue although their engineers
decided the chassis of the SP250 needed significant modifications to improve
rigidity. The strengthening was
undertaken and the revised cars became known as the “B” models, the original
1959-1960 versions retrospectively labeled as A-Spec. The changes were actually not extensive, a steel
box section hoop added to connect the windscreen pillars, two steel outrigger
sill beams along each side of the chassis, complimented with a couple of strategically
placed braces. The stiffer structure
solved the problems and improved the driving experience, the B-spec cars
produced between 1960-1963. A subsequent
upgrade, dubbed C-spec included some features such as a cigar lighter and a
heater/demister and in this form, the cars remained in production until 1964.
Daimler SP252 prototype (1964)
Unfortunately, Jaguar was never enthusiastic about
Daimler except as a badge which could be used on up-market Jaguars sold at a
nice profit. However, whatever the
opinions of the catfish styling, the SP250 had proved itself in motorsport and, capable of a then impressive 122 mph (196 km/h), had been used as a high-speed pursuit vehicle by a number of police forces,
interestingly usually with an automatic transmission, the choice made in the
interest of reduced maintenance, a conclusion rental car companies would soon
reach. For that reason, the potential
was clear and Jaguar explored a way to extend the appeal with a restyled
body. The result was the SP252, rendered
still in fibreglass but now more elegantly done, hints of both the MGB and
Jaguar E-Type (XK-E) while the rear owed some debt to Aston Martin’s DB4. Aesthetically accomplished though it was, economic
reality prevailed. The factory was tooled-up to produce no more than 140 of the V8 engines each week, demand for which
was already exceeding supply since it had been offered in the Jaguar Mk2-based
Daimler 2.5 (later 250) saloon and Jaguar lacked the production capacity even to make enough E-types to meet demand. Given
that and the engineering resources it required to devote to the new V12
engine and the XJ6 saloon for which it was intended, another relatively
low-volume project couldn’t be justified.
Jaguar missed an opportunity by not making better use of the Daimler V8s. The smaller unit could have been enlarged to 2.8 litres to take advantage of the taxation rules in continental Europe and in the XJ would have been a more convincing powerplant than the 2.8 XK six which was always underpowered and prone to overheating. When fitted to a prototype Jaguar Mark X, the 4.6 litre V8 had proved outstanding and, easily able to be expanded beyond five litres, it would have been ideal for the lucrative US market and the thought of a 4.6 V8 E-Type (XKE) remains tantalizing. Unfortunately, Jaguar was besotted with the notion of the V12 and it wasn't until the 1990s they admitted what was needed was a 4-5 litre V8, the very thing they'd acquired with the purchase of Daimler in 1960.
Produced between 1955-1975, the Citroën DS, although long
regarded as something quintessentially French, was actually designed by an
Italian. In this it was similar to French fries (actually invented in Belgium) and Nicolas Sarközy (b 1955; President of France 2007-2012), who first appeared in the same year as the shapely DS and was actually from here and there. It was offered as the
DS and the lower priced, mechanically simpler ID, the names apparently an
deliberate play on words, DS in French pronounced déesse (goddess) and ID idée
(idea). The goddess nickname caught on
though idea never did; a curiously configured version built exclusively for the
UK market was called the DW which appears to have meant nothing in
particular. The frontal aspect, combined
with the efficiency of the rest of the body, delivered outstandingly good
aerodynamics but the catfish look was tempered a little because the low, gaping
grill associated with the motif well-concealed, reputedly because the ancient
engine, a long-stroke, agricultural relic of the 1930s, produced so little
power there wasn’t enough surplus energy to induce overheating, the need for a
cooling flow of air correspondingly low.
That’s wholly apocryphal but later progress in design anyway softened
the catfish effect. It was most obvious
on the series 1 cars (top) which were made between 1955-1962. The Series 2 changes (1964-1967; centre) were
effected further to improve aerodynamics and permitted also some increase to
the airflow ducted for interior ventilation; the changes in appearance were
said to be incidental to the process. The catfish look vanished entirely when the series 3 cars (bottom) were introduced
in 1967.
Now with four headlamps mounted behind glass canopies,
the shape of which was integrated into the front fenders (top left), the
arrangement was noted for the novelty of the inner set of lens being controlled
by the steering (top right), the light thus being projected “around the corner”
in the direction of travel, swiveling by up to 80°. It was a simple, purely mechanical connection
and the idea had during the 1930s used with auxiliary driving or fog-lights and
the central (Cyclops) unit on the abortive Tucker Torpedo (1948) had been
configured the same way but the DS was the first car to use adaptive headlights
in volume. Both the covers and the
turning mechanism fell afoul of US regulations (lower left) so there the lens
were fixed and exposed. Another
variation was in Scandinavia where miniature wipers were sometimes fitted to conform with local law. In the collector market, the small feature can add a remarkable premium to the value of a car, rare factory options highly sought.
1958 Packard Hawk
Fittingly perhaps, the gaping-mouth of the catfish style
was applied to what proved one of the last gasps for Packard, a storied marque with
roots in the nineteenth century which in the inter-war years had been one of
the most prestigious in the US and it had been the sound of the V12 Packards
which inspired Enzo Ferrari (1989-1988) to declare Una Ferrari è una macchina a dodici cilindri (a Ferrari is a twelve cylinder car). The appeal was real because it was a 1936 Packard phaeton Standard Eight which comrade Stalin (1878-1953; Soviet leader 1924-1953) used as his parade car and the ZiS-115 limousine (1948-1949 and based on the ZiS 110 (1946-1958), all better known in the West as ZILs) he used in his final years was a reversed-engineered (ie copy) version of the 1942 Packard. Reverse-engineering was a notable feature of Soviet industry and much of its post-war re-building of the armed forces involved the process, exemplified by the Tupolev Tu-4 heavy bomber (1947) which was a remarkably close copy of the US Boeing B-29 (1942). Other countries also adopted the practice which in some places continues to this day for mot civilian and military output. After spending World War II engaged in military production, notably a version of the Merlin V12 aero-engine built under license from Rolls-Royce, Packard emerged in 1945 in
sound financial state but found the new world challenging, eventually in 1953 merging
with fellow struggling independent, Studebaker. Beset with internal conflicts from the start,
things went from bad to worse and after dismal sales in 1958-1959 of the final
Packards (which were really modified Studebakers and derided by many as
"Packardbakers"), the Packard brand was retired with the coming of 1959. The Studebaker-Packard Corporation in 1962 reverted to again become Studebaker but it was to no avail, the last Studebaker being produced in 1967.
The mashup of period styling motifs (fins, dagmars, curved glass, scallops & scoops) on the 1958 Packard was not untypical in the era and the catfish treatment at the front was really the most restrained part of the package.
1957 Studebaker Golden Hawk. Whatever the criticism of the catfish-like Packard, the car on which it was based was perhaps even more ungainly.
The origins of Packard’s swansong, the Hawk, lay in a 1957
Studebaker Golden Hawk 400 which was customized in-house for executive
use. The front end and bonnet (hood)
were rendered in fiberglass, eliminating the familiar upright grille and small
side inlets which were replaced with the low, wide air intake so characteristic
of the catfish look. Covering all bases, for those unconvinced by the catfish look, a pair of modest (by Cadillac standards) dagmars were added. Because the engine
was supercharged, like the Studebaker, the hood included a bulge but because
of the lower lines, it rose higher on the Packard. Lacking the funds to create anything better,
the Hawk was approved for production as a standard 1958 model but it was from
the start doomed. It was expensive and its
debut coincided with the recession of that year when all auto-makers suffered
downturns but, with the rumors swirling of Studebaker-Packard's impending demise,
Packard suffered more than most and only 588 Hawks were built.
1958 Packard
Packard’s rather plaintive swansong was another set of cobbled-together
Packardbakers, available as a two-door hardtop and a four-door sedan or wagon. In 1958, fins were a thing at the rear but
what really exited the stylists was that quad headlamps were now permitted in
all 48 states. Unlike the majors
however, the corporation had no funds to re-tool body dies to accommodate
the change so hurriedly, fibreglass pods were created which when fitted, looked
as tacked-on as they really were. Also
tacked on were the new fins which sat atop the old although these were at
least genuine steel rather than fibreglass.
1958 Chrysler Royal (AP2) and 1960 Chrysler Royal (AP3) (Australian)
They were also definitely always standard equipment on all the
Packards, unlike the 1958 Australian Chrysler Royal (AP2) which featured
similar appendages grafted to pre-existing fins, Chrysler listing them as an optional extra called "saddle fins". However, no Royal apparently was sold without saddle fins attached so either (1) they were very popular option or (2) Chrysler
changed their mind after the promotional material was printed and decided to
invent "mandatory options", a marketing trick Detroit would soon widely (and profitably) adopt. In 1960, the Australians also solved the
problem of needing to add quad headlamps without either a re-tool or plastic
pods, changing instead the grill and mounting the lights in a vertical stack,
an expedient Mercedes-Benz had recently used to ensure their new W111 (Heckflosse) sedans (1959-1968) satisfied
US legislation.
