Pump

Pump (pronounced puhmp)

(1) An apparatus or machine for raising, driving, exhausting, or compressing fluids or gases by means of a piston, plunger, or set of rotating vanes.

(2) An instance of the action of a pump; one stroke of a pump; any action similar to pumping.

(3) In engineering or building trades, a shore having a jackscrew in its foot for adjusting the length or for bearing more firmly against the structure to be sustained.

(4) In the slang of the biological sciences, an animal organ that propels fluid through the body; the heart.

(5) In cell biology, a system that supplies energy for transport against a chemical gradient, as the sodium pump for the transfer of sodium and potassium ions across a cell membrane.

(6) To raise, drive or free from fluids by means of a pump.

(7) To inflate something with a gas or viscous substance and used analogously in other contexts.

(8) To operate or move by an up-and-down or back-and-forth action.

(9) Several types of shoe, with much variation in the way the description is applied.

(10) In bodybuilding and climbing, a swelling of the muscles caused by increased blood flow following high intensity weightlifting; a specific type of exercise routine offered by gyms; as “pump iron” a generalised phrase to refer to weight-lifting.

(11) In colloquial use, a ride on a bicycle given to a passenger, usually on the handlebars or carrier (rare).

(12) In US slang, the heart, (obsolete).

(13) In (vulgar) UK slang, the vagina (obsolete).

(14) In the slang of (pre-pandemic) social interaction, vigorously to shake a hand (often as "pumping the flesh").

(15) In slang, as “pump for information”, relentlessly to question.

(16) In the slang of computer programming, to pass messages to a program so it may respond.

(17) In cosmetic surgery or non-surgical beauty treatment, as "pumped up", a general term to describe body parts (lips, breasts etc) made plumper with some artificial substance or the redistribution of the body’s natural fat deposits.

(18) In ballistics, as “pump-action”, a design which permits the rapid loading a shell or cartridge from a magazine.

1400-1450:  From the Late Middle English pumpe, cognate with Middle Low German pumpe and Middle Dutch pompe (water conduit, pipe).  Later variations were the Dutch pompen, the German pumpen, and the Danish pompe.  All are thought derived from the Spanish bomba of imitative origin, the source thought to be North Sea sailors, either an imperfect echoic or something imitative of the sound of the plunger in the water.  The earliest use in English was in reference to a device to raise and expel bilge water from ships and the Late Old French pompe probably is from something Germanic.  The mystery is that pumps are ancient machines so the late appearance in the Germanic word is odd in that no evidence has been found of a previous descriptive word.  The use as an "an act of pumping" is attested from the 1670s.  Pump & pumping are nouns & verbs, pumper is a noun, pumpy is a noun & adjective and pumped is a verb & adjective; the noun plural is pumps.

Pump-action, in reference to a type of repeating firearm equipped with a rapid loading mechanism is attested in advertisements from 1912 but it’s unknown whether this was an invention by a manufacturer or retailer or an adoption of existing slang.  The metaphoric extension in pump (someone) for information is from 1630s.  To pump iron as a term for the lifting of weights for fitness was first noted in 1972; pump-classes in gyms became popular in the 1990s although label wasn’t (virtually) universal until circa 2002.  The meaning “low shoe without fasteners" dates from the 1550s and is of unknown origin but was perhaps (very speculatively) echoic of the sound made when walking in them or, more plausibly, from Dutch pampoesje (type of sandal worn in the Dutch East Indies), derived from the Javanese pampoes and ultimately of Arabic origin.  Some sources propose a connection with pomp but it’s undocumented.  The name pump was applied to many shoes with a very low heel, convenient in situations where freedom of movement was required and thus preferred by dancers, couriers, acrobats, duellists and such.  In the shoe business, the definition soon wandered with differences noted between British and North American applications.

The now obsolete nineteenth century phrase “keep your toes in your pump” was dialectal for "stay calm, keep quiet, don't get excited", in the same sense as advice not to “get your knickers in a knot”, the latter which has survived.  In slang, to "be pumped" is (1) to be excited in anticipation of something, (2) having muscles in an engorged state following exercise, (3) in body-building, having muscles which have responded as expected to steroids or other drugs, (4) in rock-climbing, being severely fatigued, (5) in cosmetic surgery & certain non surgical treatments, having a fuller appearance (lips, breasts etc) by virtue of the insertion of implants or an injection of some chemical and (6) among models and other women, the sense of relief upon replacing fetching but uncomfortable shoes with a pair of welcoming and accommodating pumps.

Of pumping ship

Pumps are of great importance on ships because of the need quickly to be able to remove unwanted water from inside a hull.  At sea, when a ship is "taking on water", if pumps fail or the entry of water exceeds pumping capacity, a ship will become unstable and it may sink.  In the smallest vessels, hard-pumps are used while mechanical devices are installed on anything larger than a modest dinghy.  In admiralty jargon, the command “Pump Ship!” is an instruction to begin pumping with all pumps and, in the way sailors adapt such things, it entered naval vernacular as the phrase meaning “I intend to urinate”.

It was picked up by nautical types in civilian life but was probably unknown to most until the publication (in three volumes, 2021-2022) of the unexpurgated diaries of Sir Henry "Chips" Channon (1897–1958), a US-born English MP and socialite who quickly became "more English than the English".  Edited by Dr Simon Heffer (b 1960), the entry of interest was from 19 November 1936 when Channon hosted one of his many glittering dinners in the dining room designed by Parisian interior decorator Stéphane Boudin (1888–1967, his House of Jansen later decorating the White House for Jacqueline Kennedy (1929-1994; US First Lady 1961-1963)) and modelled on the interior of the Amalienburg, an eighteenth century hunting lodge in on the grounds of the Nymphenburg Palace Park outside Munich, a place notorious for the intricacy of its fittings, even by the standards of Rococo.  The Amalienburg was built for someone who would later be Holy Roman Emperor, just the sort of crew with whom Channon identified and he had the elaborate style replicated in the dining room of his London house in Belgrave Square, including even the Bavarian national colors of blue & silver.  Unfortunately, no color photographs appear to have survived and the room was later disassembled, the extendable mirrored table, which could expand to a length of 25 feet (7.7 m), occasionally offered at auction.  By all accounts, the room truly was “breathtaking” and it was one of the few things in life of which Channon could find no grounds for criticism, it living up to his expectation it would “shimmer in blue and silver” and “shock and stagger London”.  For that alone he seemed to think the Stg£6,000 (mostly money he had married) cost (some Stg£525,000 adjusted for 2023) well worth it.  To illustrate the relativities, the next year he would purchase a 7.3 litre (447 cubic inch) V12 Rolls-Royce Phantom III (1936-1939) for a sum (Stg£1900 for the chassis & another Stg£1100 to have a coach-builder fabricate a body) which would then have bought six houses in a middle-class London suburb although it’s not known if that’s something he’d have known, “middle class” being about the worst thing he could think to say of anyone.

Dining Room with table in eight-place configuration, 5 Belgrave Square, London, circa 1937.

On that November evening the guest of honor was King Edward VIII (1894–1972; King of the UK & Emperor of India January-December 1936, subsequently Duke of Windsor) and Channon noted in his diary his surprise at the monarch’s “modern” turn of phrase when he rose and announced “I want to pump shit.”  A dutiful host, Channon recorded he “…led His Majesty to our loulou! He proceeded to pass water without shutting the door, talking to me the while”.  That fragment of royal history was printed in the first volume (2021) of the published diaries (it was a measure of the deference which still applied in the England of 1965 that when first they appeared in heavily redacted form the passage was omitted) but comments soon appeared suggesting neither Channon nor Dr Heffer were well-acquainted with the sailors' slang the king would have learned during his brief naval career.  Dr Heffer responded by examining closely the original entry in the diarist’s hand and concluded the relevant character really was a “t” and not a “p” so the words on the night were either “misheard or misunderstood” and there’s little doubt what was said was “pump ship” and not “pump shit”.  He added that like Channon, he had “no naval connections” and was as thus just as “unfamiliar with the sea-dog slang” but that when the paperback edition was proofed, the text would be changed and an explanatory footnote (the diaries worth reading just for Heffer’s detailed footnotes) added.  Rising to the occasion, he observed this meant the “the hardback edition is destined to become a collector's item.”  The dinner proved the apogee of Channon’s social life because he’d backed the wrong royal horse, Edward VIII abdicating within weeks of having pumped ship in Belgrave Square.  

Of pumping breasts

Illustration of breast pump types by Pregnancy Birth & Baby.

Unambiguously, breast pumps do exactly what is said on the tin: They pump milk from the breasts.  Confounding the expectations of some, there is no direct correlation between breast size and the volume of milk produced; as a general principle, all else being equal (general health, stress levels, nutrition etc), the determining factor is the performance of the milk glands.  Breasts are comprised mostly of (1) glandular tissue (which produces milk) and (2) fatty tissue (which determines breast size), it being the glandular tissue which affects milk production, not the overall breast mass.  What most influences milk production is (1) Hormonal balance (prolactin and oxytocins the most significant), (2) the frequency of breast-feeding sessions (the more frequent the feeding (or pumping), the more milk the glands are instructed by the brain to produce (the process works on a supply-and-demand basis), (3) overall health and nutrition and (4), efficiency of latching to the nipple by the baby (inefficient latching can affect the supply & demand curve).  There is though some (sketchy) evidence to suggest women with larger breasts enjoy a greater “milk storage capacity” so, although they don’t produce more, they might have more of a “buffer”, meaning they can go longer between feeding or pumping.

Pumping on the move: A wearable breast pump set (supplied as a pair).

Breast pumps are devices to extract milk from the breasts and can be manually operated (hand pumps) or electric, both of which work by emulating the “sucking” technique of a baby, as opposed to the “hand expressing” method which is simply what for centuries milk-maids did when “milking the cows”.  Whether manual or electric, the basic design of a breast pump includes (1) a suction cup that fits over the nipple, (2) a tube through which the milk flows and (3) a collection bottle.  Generally, women use breast pumps for convenience, the advantage being they can “pump and store”, enabling them to give their babies the advantage of being fed with breast milk without being tied to the time-consuming activity of nursing.  Additionally, women often complain breast-feeding is tiring; to those who will never breast-feed, its sounds a pleasant relaxation rather than anything tiring but they all say it so it must be true.  Milk can be refrigerated and stored for months and there are now “milk banks” where those whose output is extraordinarily high can donate, their surplus output re-distributed to those with low production or who can for whatever reason not successfully breastfeed.  One recent innovation is the battery-powered “wearable pump”, worn inside the bra with the collection bottles directly attached.  Most sites recommend these are best suited to being worn at home, the advantage being one can, hands-free, go about one’s tasks.

Of Pumps, Courts and Flats

Lindsay Lohan in curved-heel stiletto pumps.

The homogenization of English was well-advanced long before the ubiquity of the internet but well into the twentieth century, different meanings for words could evolve in parallel in different regions of the same country, let alone between different states or provinces.  In British English, a court shoe was a woman’s shoe with a low cut vamp, sometimes with no instep fastening and otherwise adorned with a shoe buckle or a bow as an ostensible fastening.  In US English, such a shoe is a pump; pumps and court shoes may or may not have an ankle strap.  Pumps today, on either side of the Atlantic, are almost exclusively worn by women but historically were also formal shoes for men, the male variation called an opera slipper or patent pump.  For men, the pump gained ascendency over the dress boot as modern road-making techniques rendered cities less muddy places and dress pumps remained the standard for evening full-dress until the Second World War.  They remain the usual choice for black tie events and are obligatory with white-tie; the original design with steel-cut buckles, otherwise long extinct, still part of British court uniform and dress.

The construction of pumps is simple, using a whole-cut leather top with a low vamp, lined with either quilted silk or plain leather, trimmed with braid at the opening. The full leather sole is either glued onto the bottom, common on cheaper styles, or sewn, as on more costly bespoke styles still made traditionally, using a shallow slit to lift a flap of leather around the edge to recess and hide the stitching. The sole is, as on ordinary shoes, several layers of leather put together. The bow is made of grosgrain silk or rayon, in a pinched or flat form.  Pumps, which may have an ankle strap, if also constructed with a strap across the instep, are called Mary Janes.

Lindsay Lohan in ballet flats / pumps / slippers.  Ballet pumps in the UK, ballet flats in US English.

Most of the UK fashion business adopted the US use of pump because it simplified the mechanics of trade.  Otherwise, in the UK (and most of the Empire and Commonwealth) a pump implied a flat or low-heel ballet slipper or even rubber-soled canvas plimsolls.  Ballet slippers (now more often called flats) date from the medieval period, their popularity declining in only in the seventeenth century when higher heels became fashionable.  After a brief nineteenth century revival, heals again prevailed until the 1960s when they became suddenly and wildly popular after Brigitte Bardot (1934-2025) appeared in a pair of Rose Repetto’s (1907-1982 hand-stitched ballet flats.  These days, between heals and flats, it seems a draw although the trend increasingly to prefer the comfort of the flat as the years pass is noted.

Lindsay Lohan in kitten-heeled pumps.

Except for court dress, historic references or the exact (if not always enforced) rules for white-tie, there’s now less precision attached to the use of pump and the word should be thought of as referencing a range of closed and open-toed shoes, with and without straps, bows or buckles, the other useful modifier being some reference to the height or type of the heel.  This means anything from a modest kitten to an elongated stiletto and, depending on the airport at which one lands, a flat may be a ballet flat or a ballet pump.

In US use, pumps are exclusively women's shoes with a kitten or higher heel; flats are never pumps and Canada, always more influenced by US linguistic imperialism, followed; that influence is now almost universal and the notion of the flat pump, while not extinct, has declined.  Heels for pumps vary, from the kitten 1-2 inch (25-50 mm) to the stripper (200-250 mm), the bulk of stiletto sales in the 3-5 inch (75-125 mm) range.  They can be made from any material though the classic is patent leather and, under rules formalised by Donald Trump's (b 1946; US president 2017-2021 and since 2025) Miss Universe contests, white, stiletto pumps were once obligatory in the swimsuit section of beauty pageants.  Perhaps surprisingly to some, the swimsuits have survived much criticism as have the stilettos although they're no longer exclusively white and, open-toed and strappy, in most places they wouldn't be thought of as pumps.

Of the Holley Double Pumper

Even in an age when electronic fuel-injection (EFI) has long been the standard form of induction in ICEs (internal combustion engine), there remain silos in which the now arcane languages of carburetors are spoken and while there is some commonality of terms among the shortcuts, abbreviations & euphemisms of these vernaculars, a trained ear can pick the differences between the flavours to tell which dialect (SU, Weber, Holley, Rochester, Carter etc) is in play.  One part of the Holley tongue is “double pumper”.  A Holley double pumper is a four barrel carburettor with two accelerator pumps (the source of the moniker) and a mechanical linkage connecting the primary and secondary sides of the device.  Widely used during the classic era (1964-1974) of the US muscle cars, the main advantage of the design was the twin accelerator pumps prevented the transitory leanness in the fuel-air mixture which could happen during rapid throttle blade movements if only a single pump was fitted.  All multi-barrel carburetors use an accelerator pump circuit but many have only one feeding the primary barrel(s).  These pumps spray a quick shot of the mix to compensate for the split-second lag which will happen before the main circuit fully responds to a throttle pushed suddenly wide open.  All double pumper carburetors use an accelerator pump circuit on both the primary and the secondary sides.

Holley 850 CFM (cubic feet per minute) double pumper carburetor (part number 0-4781C) (left).  The double accelerator pump outlets for both the primary and secondary throttle bores are are arrowed (right), in this case on a HP (high-performance) version in which the choke housing has been removed to optimize the air inlet path, making it less suitable for street use but ideal for competition.

It’s important not to refer to vacuum secondary carburettors (VSC) as any sort of pumper.  A VSC uses a secondary opening controlled by a vacuum diaphragm which opens the secondary barrels only when there is sufficient airflow demand to require it so no accelerator pump is required on the secondary side.  So, a VSC is technically a “single pumper carburettor” but that term is never used and anyone referring to one as such will lose face.  There's also a point of etiquette of which to be aware.  While “VSC” is an accepted term, a double pumper is never referred to as a “DP” because use in the pornography industry has made “DP” exclusively their own and it seems mere politeness not to intrude on their noble linguistic traditions.

Weiland tunnel ram inlet manifold for big block Chevrolet V8 (396-402-427-454) with dual Holley 750 CFM double pumpers.  What the "tunnel ram" did was use the physics of fluid dynamics (ie of the fuel-air mix) to create a slight "forced induction" effect. 

There is an (unverified) industry legend that the "double buffer" terminology adopted in 1991 when Microsoft released version 4 of the Smart Drive (smartdrv.exe) disk cache was the coining of a coder who used a Holley Double Pumper in his (unspecified) muscle car.  That may or may not be true but "double buffer" lives on in the memory management of graphics processing units (GPU) as a description of the temporary storage areas in main memory where data is held during the transfer process.  The trick is that rather than processes being sequential, while program x is being read, program y can be written and vice versa.  It's not exactly quantum mechanics but means things simultaneously are happening in two places; for the gamers for whom GPUs are a fetish, every millisecond matters.

Synod

Synod (pronounced sin-uhd)

(1) An assembly of ecclesiastics or other church delegates (particularly of a diocese), convoked pursuant to the law of the church, for the discussion and decision of ecclesiastical affairs (in various denominations such gatherings sometimes described as ecclesiastical councils or).

(2) An assembly or council having civil authority; a legislative body and used (sometimes loosely) of any council of any institution (in this context also used disparagingly of secular institutions thought becoming too rigid in thought or process.

(3) An (often geographical) administrative division or district in the structures of some churches, either the entire denomination or a mid-level division such as a “middle judicatory” or “district”); use of the word “synod” differs between and sometimes within denominations.

(4) In astronomy, a conjunction of two or more of the heavenly bodies.

1350–1400: From the Middle English synod (ecclesiastical council), from the Late Latin synodus, From the Ancient Greek σύνοδος (súnodos or sýnodos) (assembly, meeting; a coming together, a conjunction of planets), the construct being the English syn-(from the Ancient Greek σύν (sún) (with, in company with, together with) + ὁδός ((h)odós) (traveling, journeying; a manner or system (of doing, speaking, etc.); a way, road, path (the word of uncertain origin).  The term סַנְהֶדְרִין‎ (sunédrion) exists in the Hebrew Talmudic literature and was used in a similar way and the early twelfth century Middle English form was sinoth.  Synod was used in the Presbyterian Church between 1953-1922 in the traditional sense of “an assembly of ministers and other elders” when the term was changed to “General Council”, an act of modernization apparently provoked by the word “synod” beings so associated with the Roman Catholic Church and the Church of England.  In the schismatic world of the Medieval Church, just as there were from time to time, “antipopes” (from the Medieval Latin antipāpa), there were also antisynods, convened as meetings of his supporters.  Synod and synodicon are nouns, synodic is an adjective, synodal is a noun & adjective, the noun plural is synods.

The adjective synodal (of or relating to a synod) was a mid-fifteenth century creation from the Late Latin synodalis.  As a noun, a synodal was (1) a constitution made in a provincial or diocesan synod which was subject to review by a central body or (2) a tribute in money formerly paid to the bishop or archdeacon (at the time of his Easter visitation), by every parish priest (now made to the ecclesiastical commissioners and in later versions of canon law referred to as a "procuration").  The adjective synodic dates from the 1630s and was from the Latin synodicus, from the Ancient Greek συνοδικός (sunodikós) (of or related to an assembly or meeting); the form used in the late sixteenth century was synodical.  When used of the conjunction of two or more of the heavenly bodies (the moon and the planets) described by the astronomers of Antiquity, the phenomenon may be called a “synodical revolution” and the time in which it occurs a “synodical month”. Despite sounding suspiciously modern, a synodicon is not associated with on-line video gaming.  The noun synodicon was from the Latin, from the Ancient Greek συνοδικόν (sunodikón) and was a substantivisation of συνοδικός (sunodikós) (synodical).  Institutionalized in modern Italianate Ecclesiastical Latin, it describes a document from a church synod or synods, especially the official records of proceedings.  A subsynod (sometimes as sub-synod) is either (1) an assembly of officials which meets prior to a synod proper to make administrative arrangements, formalize an agenda etc or (2) a kind of sub-committee of a synod which is created for some purpose such as allowing a technical matter to be discussed by experts before being referred to the full assembly of the synod for deliberation.

The noun synodality (the plural synodalities) is used in Christianity to refer (sometimes perhaps optimistically) to the “quality or style of a synod; the fraternal collaboration and discernment as typified in a synod”.  The origin of the word synod (the Ancient Greek συν (together) + ὁδός (journey) hints at the hopefully fraternal collaboration and discernment that such gatherings of ecclesiastical worthies are intended to be, the expression of this the essence of synodality.  The notion of synodality is a part of the mystique of the Roman Catholic Church because it’s said to denote the essence of the church’s mission, something explained by the Holy See's International Theological Commission (ITC) which states that synodality encapsulates “the specific modus vivendi et operandi (way of living & method of operation) of the Church, the People of God, which reveals and gives substance to her being as communion when all her members journey together, gather in assembly and take an active part in her evangelizing mission”.

The ITC is an organization of the Roman Curia which advises the magisterium of the church, most notably the Dicastery for the Doctrine of the Faith (DDF, the old Holy Office which many still refer to by its original name: The Inquisition).  The IDF was a creation of the re-structuring in the wake of the Second Vatican Council (Vatican II; 1962-1965) and formerly was established in 1969 as a kind of internal think tank which might present a kinder face to the world than the rather austere Congregation for the Doctrine of the Faith (the CDF (as the DDF was then known)).  That was an approach not unknown (for good & bad) in secular politics and while over the years there have been those who claimed the relationship between the ITC and the CDF was the sort of “creative tension” needed to ensure debates over matters of ethics and procedure stayed dynamic, others have seen the tension but little creativity.  For students of structuralism, it’s of interest the prefect of the DDF is ex officio the president of the ITC, an arrangement carried over in June 2022 when Pope Francis (b 1936; pope since 2013), as a part of a range of reforms to the curia, announced the name change from CDF to DDF.

Pope Francis has made synodality (at least his conception of it) as perhaps the core value he intends to be the legacy of his pontificate and the ITC in 2018 published a paper which made explicit Francis was not modest in his ambitions for that legacy, the ITC’s document stating it was “…precisely this path of synodality which God expects of the Church of the third millennium” and stressed synodality “…is an essential dimension of the Church”, in the sense that “what the Lord is asking of us is already in some sense present in the very word 'synod’”.  Although presumably the pope and the ITC were more concerned with theology than etymology, tracing a tread which ran from the gathering of Christ’s disciples to the sessions of Vatican II in the 1960s, word nerds would anyway have enjoyed the thoughts:

In ecclesiastical Greek it expresses how the disciples of Jesus were called together as an assembly and in some cases it is a synonym for the ecclesial community. Saint John Chrysostom, for example, writes that the Church is a “name standing for 'walking together’ (σύνοδος)". He explains that the Church is actually the assembly convoked to give God thanks and glory like a choir, a harmonic reality which holds everything together (σύστημα), since, by their reciprocal and ordered relations, those who compose it converge in αγάπη and όμονοία (common mind).

Since the first centuries, the word “synod” has been applied, with a specific meaning, to the ecclesial assemblies convoked on various levels (diocesan, provincial, regional, patriarchal or universal) to discern, by the light of the Word of God and listening to the Holy Spirit, the doctrinal, liturgical, canonical and pastoral questions that arise as time goes by.

The Greek σύνοδος is translated into Latin as synodus or concilium. Concilium, in its profane use, refers to an assembly convoked by some legitimate authority. Although the roots of “synod” and “council” are different, their meanings converge. In fact, “council” enriches the semantic content of “synod” by its reference to the Hebrew   קָהָל(qahal), the assembly convoked by the Lord, and its translation into Greek as έκκλησία, which, in the New Testament, refers to the eschatological convocation of the People of God in Christ Jesus.

In the Catholic Church the distinction between the use of the words “council” and “synod” is a recent one. In Vatican II they are synonymous, both referring to the council session. A precise distinction was introduced by the Codex Iuris Canonici of the Latin Church (1983), which distinguishes between a particular (plenary or provincial) Council and an ecumenical Council on the one hand, and a Synod of Bishops and a diocesan Synod on the other hand.

5. In the theological, canonical and pastoral literature of recent decades, a neologism has appeared, the noun “synodality”, a correlate of the adjective “synodal”, with both of these deriving from the word “synod”. Thus people speak of synodality as a “constitutive dimension” of the Church or tout court of the “synodal Church”. This linguistic novelty, which needs careful theological clarification, is a sign of something new that has been maturing in the ecclesial consciousness starting from the Magisterium of Vatican II, and from the lived experience of local Churches and the universal Church since the last Council until today.

So for Francis, the word synodality has assumed an importance beyond that with which it has so long been vested in the Catholic Church so the Vatican watchers took note when, under the pope’s imprimatur, it was in October 2021 announced a summit to be conducted over two years was to be known as the Synod on Synodality.  It would have sounded an innocuous thing had it not been for the ITC’s paper three years earlier and it had the inevitable immediate effect among the clergy, the laity and the theologians: sniffing change in the air, some were hopeful and some fearful.  However, the pope, although thought by many a disruptor is also a realist and understands change in his 2000 year old institution will unfold among the generations to come and his immediate ambition seems restricted to tweaking the way the church relates to the rest of the world rather than overturning dogma.  Thus, expectations of welcoming the LGBTQQIAAOP in the church or approving the ordination of women are absurd but there may be changes in the way bishops both interact with their flock and the priests who are closer to that flock.  Just because a change doesn’t happen in the corridors of the Vatican where the curia plot and scheme, doesn’t mean the power structures haven’t changed.  The flock doesn’t mix with the curia; they talk to their parish priest.

Interestingly, for something some fear will be the harbinger of something radical, the Synod on Synodality is structured in the traditional (Vatican II style) modules with un-threatening names like "communion", "mission" & "participation" but however vague may be the indication of the content, few doubt that at the next session the factions will be mapping onto those titles the concerns which have for decades troubled Rome and it’ll be mostly about sex: whether the thousand-year enforcement of clerical celibacy is the underlying cause of the rampant child-sex abuse among its members, the role of women in the power structures and attitudes towards same-sex relationships including marriage.  Those discussions will play out between the factions and there are few with any hope there'll be many minds changed but the tone of the synod will be important and Francis has the advantage of being the absolute monarch in a theocracy; it is Francis who gets to review the synodicon the theologians and the bishops will submit and he will write the final document of the Synod on Synodality.

Working for more synodality in the world: Lindsay Lohan supporting the NOH8 campaign which sought to end California's 2008 voter-approved gay marriage ban (Proposition 8). 

It means Francis has immense power to shape things and point them in the desired direction and his contribution to ecclesiology is likely to be very different to the intriguing exercises in abstraction which came from the pen of Benedict XVI (1927–2022; pope 2005-2013, pope emeritus 2013-2022).  Whether that means it becomes simultaneously possible for the church simultaneously to continue to condemn homosexuality as a sin yet approve priests giving a blessing to those in a same-sex marriage remains to be seen but in many places, it would merely be an acknowledgement of what’s already happening.  Still, those who enjoy the process of such things more than the outcome can be assured there'll be much weeping and gnashing of teeth during the modules and some rending of garments on the way out.

Sandbag

Sandbag (pronounced sand-bag)

(1) A bag filled with sand, used in water-proofing, fortification, as ballast etc.

(2) Such a bag used as a weapon.

(3) Violently to set upon or attack from or as if from ambush (archaic).

(4) To coerce or intimidate, to make threats (archaic).

(5) Sometimes by metaphor, by virtue of added weight, to reduce performance in competitive sport; a form of cheating.

(6) To conceal or misrepresent one's true position, potential, or intent in order to gain an advantage.

(7) In commerce, to obstruct an unwelcome takeover bid by prolonging talks in the hope an acceptable bidder will appear.

1580-1590: A compound of the nouns sand + bag.  Sand was from the Middle English sand, from the Old English sand, from the Proto-Germanic samdaz.  In other European languages there was the West Frisian sân, Dutch zand, German Sand, Danish, Swedish and Norwegian sand, thought all related to the primitive sámh₂dhos.  Bag was from the Middle English bagge, borrowed from the Old Norse baggi (bag, pack, satchel, bundle), from the primitive bhak and thought related are the Welsh baich (load, bundle) and the Ancient Greek βάσταγμα (bástagma) (load)).  In Latin there was sabulum, and in Ancient Greek ἄμαθος (ámathos) from sem (to pour).  English root is hinted at by The Old English dialectal samel (sand bottom), the Old Irish to-ess-sem (to pour out), the Latin sentina (bilge water), the Lithuanian sémti (to scoop) and the Ancient Greek ἀμάω (amáō) (to gather) & ἄμη (ámē) (water bucket)).  The verb was first noted in 1860 with the simple meaning “provide someone with sandbags".  The meaning "pretend weakness" apparently first used in 1950s motor racing appears not to have been in common use until the 1970s, with most sources linking use to the poker-playing sense of "refrain from raising at the first opportunity in hopes of raising more steeply later", a use first documented in 1940.  The idea of the sandbag as a weapon (used by a sandbagger) dates from 1882 with the resultant “sandbagged” emerging in 1887.

Sandbagging

Lindsay Lohan in Chief Sandbagger tank top.

Sandbagging is a form of cheating, usually in sport but also in commerce.  It involves deliberately under-performing at certain stages to maximise the benefits gained when later performing to full-potential.  The metaphor is based on the notion of being impeded by the extra weight of carrying a sandbag, analogous with the old “lead in the saddle” from horse racing when unscrupulous owners would add to a well-priced mount’s weight if they were betting on a longer-odds starter.  In motor racing, sandbagging described drivers who, in handicapped events, deliberately recorded slow times in qualifying to gain a more advantageous starting position or a less onerous handicap in the event proper.  The authorities responded with penalties or disqualification if race-day performance improved on the qualifying mark by more than a defined measure.  Literal sandbagging proved useful as a stabilizing device in many of the big-engine machines during the (1964-1974) US muscle car era during which some of the things generated close up to five-hundred horsepower, delivered to the road through primitive drive systems with over sixty percent of their weight sitting over the front wheels.  On street, strip and track, two or more bags of sand in the trunk (boot) greatly improved traction and balance.  A specialised need for the bag in the boot is in the stunt car business for those times when there’s a need to have a vehicle fly through the air, landing safely on four wheels at the end of descent.  To do that, object will fly best if its weight-distribution is a close as possible to 50-50 but, most cars being front-heavy, there’s a tendency to nosedive, the traditional fix being sandbags in the boot.  Cement is sometimes used instead of sand and the need for such tricks is diminishing with advances in CGI.

Before sandbagging: A tendency to nosedive.

The CBS comedy TV series The Dukes of Hazzard was aired between 1979-1985.  The show did feature actors and plot lines (analysts have suggested there were either five or six plots and these, with tweaks and variations on the themes, were recycled in all the 147 episodes shot) but for many the most memorable character was the 1969 Dodge Charger.  Introduced as a 1968 model, it replaced its rather slab-sided predecessor which, after an encouraging debut in 1966, had suffered a precipitous drop in sales the next season.  The re-styling for 1968 transformed not only the appearance but also its popularity and sales more than quadrupled even though some of the extravagant interior appointments (the eye-catching electroluminescent instrument lighting and the four bucket seats with a full-length centre console) which two years earlier had attracted such interest were no longer offered.  The sleek new lines however more than made up for the cost-cutting although belying the wind-cheating appearance, the shape wasn’t that aerodynamically efficient, something the corporation would twice seek to rectify in the quest for success on the circuits.  The first attempt was relatively modest and proved inadequate but the second worked so for the one season it was used the sanctioning body outlawed the entire concept.  Known as the first of the "aero cars", it was the most radical a manufacturer had ever attempted.  It still is.

After sandbagging: Perfect weight distribution.

In the course of production, over 300 Dodge Chargers were used in the series, the rate of attrition as one might expect from the number of car-jumping stunts involved.  Early in the show’s life, when 1968-1969 (the 1968 cars were easily modified to appear as next year’s model for filming purposes) Dodge Chargers were just cheap used cars and readily available, the supply-line of replacements wasn’t a significant part of the budget but by the early 1980s, the cars were becoming scarce and increasingly expensive, something at least partly attributable to the impact of the TV series.  There was in the early 1980s also a sudden drop in the cost of gas as the (somewhat misleadingly named) “oil glut” depressed the price of oil and gas-guzzlers like the Chargers, with their satisfying, if rather primitive characteristics, enjoyed a renaissance.  In response, the producers responded with the tricks used in the pre CGI (computer-generated imagery) era, re-using old footage and staging some of the more distant scenes with scale models.  The viewers seemed not to mind.

Perfect weight distribution: Jessica Simpson (b 1980) in promotional shot for The Dukes of Hazzard (2005), said to be among the worst films ever made.  The viewers seemed not to mind.

Joe Biden, sandbagged in Colorado.

In June 2023, Joe Biden (b 1942; US president since 2021) told reporters he'd "been sandbagged" after tripping over “a sandbag” after handing out diplomas on a stage at the US Air Force (USAF) Academy’s Falcon Stadium in Colorado Springs, Colorado.  The footage of the event was all from one camera angle and on that no sandbag was evident but some quickly observed even if there wasn’t really a sandbag, the president clearly believes there was one and under some theories of cognition, that means the same thing.  The eighty year old president was quickly picked up by an air force officer and two members of the Secret Service, the White House later issuing a statement saying he was “fine after the fall” and USAF sources confirmed “two small black sandbags were used to support the teleprompter”.

Joe Biden has suffered repeated difficulties in trying to board Air Force One using the red-carpeted stairs, once infamously tripping over three times during one ascent (left).  He now uses the "baby stairs" in the nose.  Note the Secret Service officer at the bottom of the stairs: he is the "designated catcher".

So sandbags have been added to the checklist his Secret Service detail goes through before he’s allowed to make any public appearances.  Apparently surfaces on which the president will walk (or stumble or shuffle depending on the time of day) have to be as free from obstacles and obstructions as is possible and not be at all slippery.  A roll-up mat is now part of the inventory carried in the presidential motorcade, un-rolled whenever surfaces appear “potentially challenging”.  Anything other than sitting down is obvious fraught with danger and it’s not clear if he’ll again be allowed to ride a bike after tumbling to the ground when his feet somehow got “tangled in the pedals”.  His difficulties with stairs have been well documented and it’s of note he now uses only a rarely used forward exit when boarding or alighting from Air Force One.  Even that doesn’t guarantee he won’t trip up but from these stairs it’s a shorter fall to the tarmac so there’s that.

Capillary

Capillary (pronounced kap-uh-ler-ee)

(1) Pertaining to or occurring in or as if in a tube of fine bore.

(2) Resembling a strand of hair; hair-like; slender.

(3) In physics, pertaining to capillarity; of or relating to the apparent attraction or repulsion between a liquid and a solid, observed in capillarity.

(4) In anatomy, pertaining to a capillary or capillaries; one of the minute blood vessels between the terminations of the arteries and the beginnings of the veins.  Capillaries form a network throughout the body for the exchange of oxygen, metabolic waste products, and carbon dioxide between blood and tissue cells.

(5) As capillary tube, any small-bore tube.

(6) A fine hole or narrow passage in any substance (technical use only).

1570–1580: From the Middle English, from the Latin capillāris (of or pertaining to hair), the construct being capill(us) (hair) + -ary.  The suffix –ary (of or pertaining to) was a back-formation from unary and similar, from the Latin adjectival suffixes -aris and -arius; appended to many words, often nouns, to make an adjective form.   Use was not restricted to words of Latin origin.  The etymology of the Latin capillus (hair (of the head)) is contested.  Although a relationship to caput (head) seems obvious, some doubt the connection "for formal reasons”, essentially because capillus is a diminutive, and would translate as “little head”, a perhaps tenuous relationship with “hair” but certainly not impossible and the dispute continues.  The Latin word was borrowed by early fourteenth century English as capillar (hair-like) to describe veins.

In the modern science of anatomy, used to describe “tube-like structures having so small a bore that water will not run through them”, use dates from 1742, an extension of the noun use from 1606 used to describe a “minute blood vessel”.  From 1806, experientialists used the word to describe the phenomena of the rise of liquids in tubes etc by the processes of surface tension; because the observational studies were conducted in capillary vessels, this came first to be called capillary attraction (1813).  Capillary as the "state or condition of being capillary" was first documented in 1806, from the French capillarité, from Latin capillāris.  In science, the derived terms include magnetocapillary, optocapillary & polycapillary.  The noun plural is capillaries and intercapillary is the adjective

The smaller, the bore of the tube, the greater the effect of the interaction of forces.

The process behind the counter-intuitive idea of water flowing uphill, even vertically, is called capillary action (and also capillary motion, capillarity, capillary effect, wicking or capillary attraction).  It describes the process by which liquids contained in narrow spaces are able, without the assistance of, or even in opposition to external forces such as pressure or gravity are able to move upwards.  It occurs because of the reaction of intermolecular forces between the liquid and surrounding solid surfaces; if the internal diameter of the tube is sufficiently small, then a combination of surface tension (caused by cohesion within the liquid) and adhesive forces between the liquid and wall will propel the liquid.  When the intermolecular attractive forces between the liquid and the solid surrounding surfaces (adhesive forces) are stronger than the cohesive forces within the liquid, the fluid will be pulled up the liquid column up until there is a sufficient mass of liquid for gravitational forces to counteract these forces.

The circular economy of botanical water management.

Plants use capillary action to draw water from roots and stems upwards to the trunk.  The molecules of the water are attracted to the molecules already  inside of the nominally solid stem from where they are dispersed throughout the plant.  Again, it’s the product of the relationship between adhesion and cohesion, and for plants, adhesion allows for the water to stick to their organic tissues while cohesion keeps the water molecules together.  Surface tension is the effect of intermolecular attraction that causes liquids to form a top or outer layer that behaves like a thin film of sorts.  Surface tension is responsible for the shape of water drops and for holding the structures together as plants soak up the water.  This is the circular economy of plants.

Capillary attraction and the Thorny Devil (from a BBC documentary).

Dwelling uniquely in central & western Australia, the thorny devil (Moloch horridus) is a lizard which is often seen when around 50-75 mm (2-3 inches) in length but can grow as large as 200 mm (8 inches).  Long-lived (up to 20 years), although fearsome in appearance, they are placid creatures with few apparent interests other than finding the ants and so voracious is their appetite that thousands can be consumed in a single meal.  The presence of people seems little to disturb them and thorny devils will sit on someone's shoulder for some time, apparently content and without any sign of distress.  Other than ants, their main need is for fresh water which is harvested through the channels formed in its skin between the spines.  It can collect moisture either from allowing dew to settle or by finding a water source and standing still, allowing gravity and capillary action to operate to let the fluid reach the mouth.  During rainfall events (which do happen in the Australian deserts), the process is rapid but in dry periods capillary action permits water to be taken up from damp sand and this can for months at a time be the creature’s primary method of intake.

Splatter

Splatter (pronounced splat-er)

(1) To splash and scatter upon impact.

(2) An act or instance of splattering, typically a spray of mud, paint, blood or other liquids which results in many small blobs, some of which may coalesce.

(3) The quantity or the residue of something so splattered; An uneven shape (or mess) created by something dispersing on impact.

(4) In film as “splatter film” or “splatter movie”, a production characterized by gory imagery, often for its own sake (something of this the type often referred to as “a splatterfest”).  Splatterpunk is either a fork or synonym depending on interpretation.  In film, the splatter ecosystem is treated by those who take such things seriously as a sub-set of the horror genre.

(5) In modern art, as “splatter art” or “splatter painting”, a technique in which paint is (variously) dripped thrown, squirted, flicked etc onto the surface (although because of its history, “drip painting” to often treated as a separate stream (or drip)).

(6) In radio, spurious emissions resulting from an abrupt change in a transmitted signal.

1760s: The origin is uncertain but it’s presumed to be a portmanteau word, the construct being spla(sh) + (spa)tter.  Splash was probably a variant of the Middle English plasch & plasche, from the Old English plæsċ (pool, puddle) and thought likely an imitative form.  It was cognate with the Dutch plas (pool, watering hole) and related to the West Frisian plaskje (to splash, splatter), the Dutch plassen (to splash, splatter) and the German platschen (to splash).  The construct of spatter was probably the Middle Low German or Dutch spatt(en) (to spout, burst) +‎ -er (the frequentative suffix) and related to spit (saliva).  Splatter, splatterdash & splattering are nouns & verbs, splatterer & splatterfest are nouns, splattered is a verb and splattery is an adjective; the noun plural is splatters.

The verb in the sense of “splash; scatter about; make a noise as of splashing water” developed from the noun and was in use by at least 1784 but the earlier splatterdash (thought a variant of spatterdash) was noted a decade-odd earlier, a development of the noun spatterdash (leather covering for the lower leg to protect from mud) from the late seventeenth century.  Splatterdash meant “in a haphazard manner; work performed in a disorganized way” and was thought (either by intent or mistake) to have evolved from or been influenced by the earlier slapdash.  The early eighteenth century splatter-faced (having a broad, flat face) was probably a perversion of platter-faced, the modern version being “plate-faced”.  Splatterpunk was in 1986 apparently coined by award-winning US writer David J Schow (b 1955), noted for his many contributions to the horror industry and the splatter fork in particular. The first known reference to its use was during his celebrated appearance at the Twelfth World Fantasy Convention in Providence, Rhode Island.  Devoted fans of the splatter movie genre often self-identify as splatterpunks.

I Know Who Killed Me (2007) was for years was a fixture on "Worst Movie Ever" lists but more recently it has built a cult following (for reasons right and wrong) and the longevity in the interest it sustains has made it one of the genre's more enduring (and profitable) titles.  It was an example of a splatter movie "cross-over" in that the splatter aspect was ancillary to the crime-focused plot.  IKWKM often appears in "midnight screenings".

The evolution of the splatter movie becomes obvious from around the early 1960s when graphical depictions of violence and increasing volumes of (fake) blood began to appear.  The censorship in most parts of the world was for most of the twentieth century quite rigorous and unlike the attitude of the authorities towards nudity & sex where some jurisdictions tended to be more permissive, the attitude towards violence in films was more restrictive.  The French Grand Guignol (1897-1962) theatre had staged naturalistic dramas in which the gore was said to be “most realistic” but it was unusual and tolerated as an example of intellectual Parisian bohemianism and in early cinema, about the only graphic depictions seen of blood and gore were those in battlefield scenes or anything intended to illustrate the savagery of non-white races.  The trend towards gratuitous violence in film grew in the post-war years and directors in the 1960s pushed the boundaries, something accommodated by different versions of films being released in different markets, some more cut than others.  Such was the flow of violent cinema that the authorities began banning distribution and it wasn’t until the 1990s the practice became uncommon in the West, the classification system restricting to adults those thought most disturbing thought sufficient.  If there’s a convenient watershed in the business, it might be The Texas Chain Saw Massacre (1974) which lived up to its name; after that, all splatter movies can be considered a variation on the theme.

Freier Stress (Stress Free), Oil on linen by Albert Oehlen (b 1954).

Some regards splatter art as something distinct from drip painting (or action painting) while many claim not to be able to tell the difference although because drip painting has an establish place in modern art (one quite respectable according to many including those who pay millions for works by some of the most famous artists), it’s usually treated as something distinct.  As can be imagined, “splatter” is something within the rubric of abstract; throwing paint at a surface, sometimes from a distance of several feet rather than using a brush or even some form of spray, is going to results in something which, even if recognizably something, is at least at the margins going to be chaotic.

Lepanto, Panel 6, oil on canvas by Cy Twombly (1928-2011)

When drip painting burst (splattered?) upon the art world in the early post war years it was a novelty and at least since the late nineteenth century there had among the Western avant-garde been a thirst for the new and the shocking.  At the time first referred to as a form of abstract expressionism, what the early works did manage to convey was the feeling of something spontaneous, the relationship between what appears on the canvas and the physicality of the technique.  There had long been painters working in oil able to represent the gestures of their brush-strokes, usually with a graduated thickness in the layers on the surface but flinging the stuff around the room obviously brought a new violence to art.  Experimentation (and market differentiation) soon following and apart from the drippers and flingers, there were soon flickers, injectors (the use of syringes presumably thought a bit edgy), squeezers (wringing the paint from a soaked cloth), bursters (paint-filled balloons either thrown at the surface or popped from above) and even the odd spitter (paint ejected from the mouth).

Jackson Pollock (1912–1956) at work, dripping.  To the untrained eye, it's really not possible to work out where the dripping ends and the splatter begins or if it matters or if a distinction between cause and effect is helpful.  The most famous of the drip painters and one of art's genuine celebrities, Peggy Guggenheim (1898-1979) claimed he was “...the greatest painter since Picasso.”

Number 17A (1948), oil on fiberboard by Jackson Pollock.  In 2015 it sold for US$200 million which made it then the world's fifth most expensive painting.  An early work, it's thought one of the purest examples of drip painting and as soon as it appeared in the August 1949 edition of Life magazine, Jackson Pollock became famous.   

One thing about splatter art which simultaneously is (for practitioners) an attraction and (for detractors) a damnation is that the conventional skills traditionally needed by painters are not only not required but are simply irrelevant.  One of the most common complaints of the form by an unimpressed public was usually something like “That’s not art, anyone could do that.”  In terms of the techniques that’s certainly true in that anyone can drip, fling, flick, inject, squeeze or burst (most might draw the line at the spit) but the matter for judgment remains what was produced, not how it was done.  It’s the critics who rule on these things and those specializing in splatter (and related techniques) claim the ability to tell the good form the bad and the masterpiece for everything else.  Of course the language used between such critics is something like that of a sect in that while the words might be familiar, the meanings conveyed and the knowledge known secrets concealed from all but the chosen few and their views can be the difference between a piece being worthless or selling at auction for a sex figure sum.  We really have to take their word for it.

Times Square (2022), oil on canvas being painted by Paul Kenton (b 1968).

Paul Kenton describes himself as a “cityscape artist” and combines variations of splatter techniques with some more traditional forms of “editing” to produce works which are closer to the more traditional forms of abstract expressionism than the drip genre defined by Pollock.

Limbo

Limbo (pronounced lim-boh)

(1) In (informal) Roman Catholic theology, a region on the border of hell or heaven, serving as the abode after death of unbaptized infants (limbo of infants) and of the righteous who died before the coming of Christ (limbo of the fathers, or limbo of the patriarchs); often with initial capital letter.

(2) A place or state of oblivion to which persons or things are regarded as being relegated when cast aside, forgotten, past, or out of date.

(3) An intermediate, transitional, or midway state or place.

(4) A place or state of imprisonment or confinement.

(5) A dance from the West Indies (originally restricted to men), in which the dancer bends backward from the knees and moves with a shuffling step under a horizontal bar that is lowered after each successive pass.  Among university under-graduates (and other disreputable types), the activity is now often combined with drinking contests where the bar's height is inversely proportional to the contestant’s consumption of alcohol.

(6) Used loosely, a synonym for oblivion, nothingness or nowhere.

(7) In the slang of the military slang, a demilitarized zone (DMZ).

(8) A colloquial form used to refer to a Limburger, a person from Limburg (the southernmost of the twelve provinces of the Netherlands; the French form being Limbourgeois).

1300–1350: From the Middle English, from the Medieval Latin phrase in limbō (“on hell's border” literally “on the edge”), the being construct in + limbō, ablative of limbus (edge, border) the term in Medieval Latin best translated as a “place bordering on hell”.  The West Indian English limba (to bend, easily bending) is relatively recent, emerging 1955-1960 and is of uncertain origin but most etymologists suggest it likely came from Jamaica, probably an alteration of limber as it is a test of physical agility.  Limbo is a noun & verb, limbo-like is an adjective (limbolike is a registered trademark and thus a noun), limboed & limboing are verbs; the noun plural is limbos or limboes.

Medieval conjecture which became informal theology

Surprisingly, despite the place it has in language and popular imagination, limbo has never formerly been part of Roman Catholic doctrine and was a bit of a medieval fudge.  It was championed by Italian Dominican friar, philosopher & theologian Saint Thomas Aquinas (1225–1274), taking hold in the western Church and perhaps most influential in the popularity was the Italian Dante (Dante Alighieri (circa 1265–1321) who, in his Divina Commedia (Divine Comedy (circa 1310-1321)) used limbo as the resting place for virtuous pagans.  Dante sticks in the mind.

In April 2007, early in his papacy, Benedict XVI (1927–2022; pope 2005-2013, pope emeritus 2013-2022) authorized the publication of “The Hope of Salvation for Infants Who Die without Being Baptised” which some suggested appeared to render defunct limbo, the place centuries of tradition and much teaching held was the place the souls of babies who die without baptism were sent.  An explanatory memorandum from the Church’s International Theological Commission accompanied the document, suggesting it was issued to correct what was “…an unduly restrictive view of salvation”.

The commission however stressed there was no change to Church doctrine.  It remains Church teaching that baptism removes original sin which stains all souls since the fall from grace in the Garden of Eden and that its conclusions should not be interpreted as questioning original sin or “…used to negate the necessity of baptism or delay the conferral of the sacrament”.  Instead, the document merely notes “… God is just and merciful and would not …exclude infants, who have no personal sins, from eternal happiness… from the kingdom of heaven”.  It added the need for publication was not without urgency because the number of “…non-baptised infants has grown considerably, and therefore the reflection on the possibility of salvation for these infants has become urgent”.

Christ in Limbo (1510), one of a series of twelve woodcuts (eleven scenes and a title page) from The Large Passion by Albrecht Dürer (1471-1528).

In theology, limbo had long been understood in two senses:  Firstly (denoted as limbus partum) as the temporary place of rest for the souls of the just awaiting the salvation of the Messiah and secondly (limbus infantium or limbus puerorum), as the final state of the souls of those who died without baptism yet without mortal sin.  Because the Church never officially defined this as doctrine, it’s regarded as theological supposition or, as Benedict put it “medieval conjecture”, constructed probably to avoid the creation of a loophole which unworthy sinners and lawyers might exploit to get into heaven.  All the same, scripture does seem explicit, Jesus teaching that no one “can enter into God’s kingdom without being begotten of water and Spirit” (John 3:5), thus the old assertion in the old Catechism that God Himself “…affirms that Baptism is necessary for salvation.” 

The term "in limbo" is now used to describe an uncertain, undecided, transitional (though not indeterminate) state or condition and can be applied to people, things or concepts.

In Constantinople, because the Byzantines were never as in thrall of Augustine as the folk in Rome, Limbo never really bothered the many but over the centuries, the issue attracted the attention of notables.  Saint Gregory Nazianzen (circa 329–390) implied somewhere like limbo might exist, believing the unfortunate infants would neither “…be admitted by the just judge to the glory of Heaven nor condemned to suffer punishment” and Tertullian (155–circa 220) before and Saint Ambrose (circa 340–397) after, concurred.  Saint Augustine of Hippo (354–430) was more stern and said there was no limbo, there was just Heaven and Hell and that of course unbaptized souls are sent to Hell because they were born in original sin and nor could they go to Purgatory since that is a pathway to Heaven.  All he would concede was of those in Hell, the torment of infants would be the mildest although he didn't go into detail.  Eight-hundred odd years later, Aquinas was more generous, noting the original sin was committed by the parents and not by the child and since (1) Hell was the place where unrepentant mortal sinners are sent for eternal punishment (2) only the baptized could enter Heaven, then (3) the souls of unbaptized children must go somewhere else and here was the (admittedly shaky) foundation of limbo.  In a quite modern flourish, Aquinas helpfully added that because they’d never been born, the infants would never have learned of the glories of Heaven so, not knowing what they’d missed, they’d probably find limbo rather nice.  It was a fudge worthy of any Lambeth conference.

Luca Signorelli (circa 1444-1523), The Resurrection of the Flesh (1499-1502) Fresco Chapel of San Brizio, Duomo, Orvieto.

The issue didn’t go away and in the eighteenth century, a radical group of neo-Augustinites, a kind of Romish version of the Republican Party's Freedom Caucus and known as the Jansenists, rejected limbo, the idea of which had for hundreds of years provided comfort to grieving parents, forcing Pope Pius VI (1717–1799; pope 1775-1799) in 1794 to issue the Papal Bull Auctorem Fidei (Of our Faith), condemning, inter alia, the denial that there is a place “which the faithful generally designate by the name of limbo for children”.  It was a rare official mention of limbo but well short of a definitive statement.  Interest was renewed in the twentieth century but Pope Pius XII (1876-1958; pope 1939-1958), hardly one fond of radical change, in 1943 issued a statement in the Holy See’s periodic gazette again neither defining nor rejecting limbo.  

So, press releases aside, the commission’s document suggests in the eight centuries between Aquinas and Benedict XVI, in limbo, not much has changed; the Catechism still asserts only that children who die before baptism are entrusted into the mercy of God.  Benedict XVI, no stranger to dancing on the head of a pin, seemed both to clarify and cloud the waters by saying limbo was only ever “medieval conjecture” and given there is no explicit answer from Scripture, people seem still free to make of it what they will.