Pitcher

Pitcher (pronounced pich-er)

(1) A jug-like container, usually with a handle and narrow-necked spout or lip, for holding and pouring liquids; historically of earthenware, they now can be made of many materials (glass, plastic, metal etc).

(2) In botany, a pitcher-like or flask-shaped organ or appendage of a plant or its leaves; any of the urn-shaped leaves of the pitcher plant.

(3) In zoology, one of the former genus Ascidium of simple ascidians (sea squirts).

(4) In the sport of golf, a club with an iron head the face of which has more slope than a mashie but less slope than a pitching niblick (known also as a seven iron). 

(5) In stone-masonry, a granite stone or sett used in paving (known also as a sett).

(6) An adaptation of a crowbar, used for digging (obsolete).

(7) In slang, a drug dealer (usually one at the lowest (street level) level of the supply chain).

(8) In slang (UK criminal class), one who is the final link in the chain (ie the one handing the notes) to the retailer etc) putting counterfeit currency into circulation (obsolete).

(9) In slang, a street vendor, a “fly-pitcher” being an illicit street trader (one operating without permission or a license).

(10) In publishing, film or music production etc, an individual who delivers the pitch (the proposal) to secure funding, publishing contract etc; by extension a person who advocates an idea, concept or plan).

(11) A person who throws, tosses, casts etc something.

(12) In the sports of baseball, softball & pesäpallo, the player who throws (ie pitches) the ball to the opposition’s batters.

(13) In the slang (originally US) of the (male) gay community, the “top” (the “dominant” (in the penetrator)) partner in a homosexual encounter between two men, the other being the “catcher” (ie the “bottom”) (the “pitcher-catcher” comparison from the sport of baseball).

1250–1300: From the Middle English picher, from the Old French bichier, pichier & pechier (small jug) (which endures in modern French as pichet), from the Late Latin &  Medieval Latin picārium, a variant of bicārium (beaker), possibly from bacarium & bacar or from the Ancient Greek βῖκος (bîkos).  The use in the sense of “throwing something emerged between 1700-1710, the construct being pitch + -er.  The noun pitch (in the sense of throw, toss, cast etc) was from the Middle English picchen & pycchen (to thrust in, fasten, settle), from the Old English piċċan, from the Proto-West Germanic pikkijan, a variant of the Proto-West Germanic pikkōn (to pick, peck), from which Middle English gained pikken & picken (to pick, pierce) and modern English, pick.  The –er suffix was from the Middle English –er & -ere, from the Old English -ere, from the Proto-Germanic -ārijaz, thought most likely to have been borrowed from the Latin –ārius where, as a suffix, it was used to form adjectives from nouns or numerals.  In English, the –er suffix, when added to a verb, created an agent noun: the person or thing that doing the action indicated by the root verb.   The use in English was reinforced by the synonymous but unrelated Old French –or & -eor (the Anglo-Norman variant -our), from the Latin -ātor & -tor, from the primitive Indo-European -tōr.  When appended to a noun, it created the noun denoting an occupation or describing the person whose occupation is the noun.  In botany, user have the pleasure of the adjective urceolate (comparative more urceolate, superlative most urceolate) meaning “having an urceolus (shaped like an urn), the word from the Latin urceolus (a little pitcher, more familiar as urceolatus), diminutive of urceus (any urn-shaped organ of a plant.).  Pitcher & pitcherful are nouns and pitcherlike & picchered are adjectives; the noun plural is pitchers.

Nepenthes holdenii, a tropical, meat-eating pitcher plant endemic in western Cambodia.  For carnivorous plants, the "pitcher" structure confers advantages in harvesting so the process of natural selection is ideal, the advantages conferred by the shape thus favored by natural selection.  

In idiomatic use a “little pitcher” was “a small child” and the phrase “little pitchers have big (sometimes “long”) ears” meant adults should exercise caution when talking in the presence of children because what is said may over overheard and understood or misunderstood (both, for different reasons, potentially leading to bad outcomes).  The “ears” in the phrase was an allusion to the ear-shaped handles common on pitchers used for serving liquids.  “Pitcher-bawd” was old sailor’s slang for an old or at least semi-retired prostitute (ie “past her best”) who worked in a tavern fetching pitchers of beer for patrons.  A “rinse-pitcher” was a notorious drunkard while the proverb “the pitcher goes so often to the well that it is broken at last” (expressed also as “the jug goes to the well until it breaks” meant “if even the best article is used often enough, eventually it will wear out or break down.

Even for those not convinced by the “language of Shakespeare and Milton” shtick, there are persuasive reasons to learn English.  That may not extend to the playwrights or lyric poets and in truth, most native English-speakers are probably acquainted with the works of William Shakespeare (1564–1616) and John Milton (1608–1674) only through filmed adaptations or the odd (sometimes misquoted or wrongly attributed) phrase but both remain a still influential part of the language’s lineage.  Students new to the tongue probably appreciate some of English’s structural simplicity and come to value the flexibility and wide vocabulary but what must mystify them is the way certain words (with the same pronunciation or spelling (or both)) can enjoy a multiplicity of meanings; indeed some words can appear in the same sentence with one instance meaning one thing and one another.  Apparently this does happen in other languages but in English the phenomenon is thought to be more frequent and the paradox is that despite the huge word count, there are many of these dualities (and beyond) of meaning.

Lindsay Lohan has of late proved a prolific pitcher of products including Pure Leaf Tea.

When being taught the word “pitch”, students surely must think the scope of meanings bizarre.  As a noun “pitch” can be (1) a surface (such as that upon which cricket or other games are played), (2) a relative point, position, or degree (such a “high pitch of excitement”), (3) the highest point or greatest height, (4) in music, speech, etc, “the degree of height or depth of a tone or of sound, depending upon the relative rapidity of the vibrations by which it is produced, (5) in acoustics, the apparent predominant frequency sounded by an acoustical source, (6) the act of throwing, tossing etc or the manner of so doing, (7) in nautical use the movement or forward plunge of a vessel, (8) the extent of the upward or downward inclination of a slope or the slope itself, (9) the advocacy of something for some purpose (often as “sales pitch”), (10) the specific location allotted to or assigned for some person, object or purpose, (11) in aeronautics, the nosing of an airplane or spacecraft up or down about a transverse axis or the distance a given propeller would advance in one revolution (hence there being “variable pitch” and “fixed pitch” propellers, (12) in the flight of rockets or missiles, either the motion due to pitching or the extent of the rotation of the longitudinal axis involved in pitching, (13) in geology, the inclination (from the horizontal) of a linear feature (as the axis of a fold or an ore-shoot) (also called “the plunge”, (14), in mechanical engineering, (14a) the distance between the corresponding surfaces of two adjacent gear teeth measured either along the pitch circle circular pitch or between perpendiculars to the root surfaces normal pitch; (14b) the ratio of the number of teeth in a gear or splined shaft to the pitch circle diameter (expressed in inches or fractions of an inch) or (14c) the distance between any two adjacent things in a series (as screw threads, rivets, holes drilled etc), (15) in carpet weaving) the weft-wise number of warp ends, usually determined in relation to 27 inches (686 mm), (16) in stone masonry, a true or even surface on a stone, (17) in typography, a unit of measurement indicating the number of characters to a horizontal inch, (18) in cards, an alternative name for “all fours” (known also as “high-low-jack”, “old sledge” & “seven-up”), (19) in golf (as a clipping of “pitch shot”), an approach (to the green) shot in which the ball is struck in a high arc, (20) any of various heavy dark viscious substances obtained as a residue from the distillation of tars (often as coal-tar pitch); any of various similar substances, such as asphalt, occurring as natural deposits; any of various similar substances obtained by distilling certain organic substances so that they are incompletely carbonized and (21) crude turpentine obtained as sap from pine trees.

A picture of Lindsay Lohan with pitcher of milk making a “dirty soda” during her pitch for PepsiCo's Pilk promotion.  It was recommended a pilk be enjoyed with a cookie (“biscuit” to those in certain places) but opinion remains divided on the combo.

Once students have begun to master how many forks and layers of meaning can co-exist in “pitch” & “pitcher”, they can then ponder the latter’s homophone: “picture”.  Although it also enjoys other meaning, the core understanding of “picture” is as a representation of anything or anyone and one can exist as a painting, a print, a photograph, a drawing etc with the only definitional constraint probably that it should be on a flat surface; anything beyond that a it becomes an “installation” or something else.  A “three-dimensional picture” remains a picture if the effect is achieved with multi-layer technology but if it becomes topographic beyond the thickness of the paint, it’s probably an installation, model or something else.  Picture was from the Middle English pycture, from the Old French picture, from the Latin pictūra (the art of painting, a painting), from pingō (I paint).  The pitcher vs picture thing is an example (like sealing vs ceiling”) of how words with different spellings and meanings yet the same pronunciation independently can evolve and there are also words with the same spelling and pronunciation meaning different (sometimes even opposite) things (consider “sanction”).

American Gothic (1930), oil on beaverboard by Grant Wood (1891-1942), Art Institute of Chicago.

One of the most discussed, analysed and parodied paintings in twentieth century US art, every aspect of element in American Gothic has likely appeared in at least one earnest thesis and the pitchfork has been held to be as highly symbolic as well an interesting compositional feature.  Structurally, the pitchfork’s vertical shaft functions as a formal echo of other vertical and pointed elements (the architecture and the upright rigidity of the subjects) with the tool’s three tines parallel with both the elongated Gothic window behind and the seams and patterns of the clothing.  The technique lends the work a geometric coherence.  Symbolically, the visual austerity hints at the qualities stereotypically associated with rural Protestant rectitude and obviously, a pitchfork is emblematic of the manual agricultural labor which fulfilled such a vital role in the pre-industrial US.  Tellingly, Wood painted the work just as the effects of the Great Depression were beginning to be felt, threatening rural self-sufficiency and traditional American farming life.  That’s why critics think it significant the farmer’s grip on the handle seems so assertively tight, holding, as it were, onto a way of life which suddenly felt vulnerable, the message one of defiance, the pitchfork a barrier between subjects and viewers.

The picture has always been regarded as a snapshot (however inaccurately) of world-view of those of the Midwestern agrarian population, conveying sternness, frugality, guardedness, moral vigilance, thrift and an abiding suspicion of outsiders, thus the imagining of the pitchfork as a symbolic weapon rather than an emblem of pastoral warmth.  This is not a sentimental piece as so many depictions of rural scenes have been and whether the artist intended American Gothic to be ironic, satirical or a homage has never been certain because Wood at times gave interviewers different hints so it’s there for viewers to make of it what they will but it’s not hard to interpret the pitchfork as the visual spine, both compositionally and symbolically.

Portrait of the Irish playwright and Nobel laureate in literature, George Bernard Shaw (GBS; 1856-1950), oil on canvas by the Welsh artist Augustus John (1878–1961), Shaw's Corner, Hertfordshire.  In a long life, GBS pitched many things including Esperanto and, as one of the “useful idiots” (the crew contemptuously acknowledged by comrade Vladimir Lenin (1870–1924; head of government of Russia or Soviet Union 1917-1924)), the Soviet Union of comrade Joseph Stalin (1878-1953; Soviet leader 1924-1953).

In Modern English, as many as 175,000 words are thought to be “the core” (those in general, common use) while the count may be over 600,00 if historic, archaic forms are included and it’d go over a million if scientific and technical coinings were added.  There are of course reasons for this, the obvious one being English was a product of a long evolution with roots in Ancient Greek, Latin, French, various Germanic dialects and more and even when it (sort of) forked into something recognizably “English”, evolution was still often regional with spelling and meanings existing in parallel, centuries before mass-produced dictionaries emerged to begin the path towards standardization.  That messiness was avoided by the Esperantoists of the late nineteenth century who were able to craft their “international auxiliary language” freed from the constraints of existing use and thus achieve a lexicon characterized by words with exclusivity of meaning.  That sounds like it’d make it an attractive alternative to untidy English but English has the unique advantage of a global critical mass, something achieved by (1) the cultural imperialism first of the British Empire and later the United States and (2) being the “native” language of computing, the internet and all that.  Apart from the Greek, Latin and other sources, English proved linguistically a slut, because as explorers, soldiers, traders and colonialists spread globally (variously to explore, battle, trade, exploit, occupy etc), not only did they steal people, resources and land, shamelessly they also absorbed words from Africa, the Middle East and, most numerously, the Indian sub-continent during the British Raj.

This is a representation of “pitch black”.  Although used loosely to mean something like “very dark”, strictly speaking, “pitch black” should be used only to covey the idea of an “absence of light”, the allusion to tar, a black, oily, sticky, viscous substance, consisting mainly of hydrocarbons derived from organic materials such as wood, peat, or coal.

The terms “pitch black”, “pitch darkness” etc are a reference to the blackness of pitch in the sense of “tar” and in mineralogy, pitchblende is a naturally-occurring uranium oxide, a variety of the mineral uraninite.  As a verb, pitch can be used variously as “to pitch a tent” (ie erect one’s tent, that use based on an obsolete use of pitch to mean “firmly to fix (embed) in the ground”), “make a pitch for something” (suggest some course of action or try to sell something”), pitch (throw) a ball (most associated with baseball), cut a stone with a chisel.  In (now obsolete) historic military jargon, “to pitch” was “to arrange the field of battle” and although the term has fallen from use, the practice persists although few field commanders would now suggest the object is (as once did Field Marshal Lord Bernard Montgomery, 1887–1976) to make things “clean and tidy”.  Also now obsolete is the use of “to pitch” meaning “to settle down (in one place); to become established”; that had been based on the old use meaning “firmly to fix (embed) in the ground”.

Comrade Fidel Castro (1926–2016; prime-minister or president of Cuba 1959-2008, left) and Jimmy Carter (b 1924; POTUS 1977-1981), Estadio Latinoamericano (Latin American Stadium), Havana, Cuba, May 2002.  In Mr Carter's right hand is the baseball he's about to pitch.

In baseball, the “ceremonial first pitch” is a “symbolic pitch” (ie one with no consequence in the game) staged as a prelude to the game proper.  POTUESes and others have been among the celebrities engaged as “ceremonial pitchers” and some have proved more adept than others.  Jimmy Carter in 2002 made a private visit to Havana with the hope of improving relations between Cuba and the US, strained since the Cuban revolution in 1959.  In the short term, little that could be called substantive would be achieved but what would now be called “the optics” were good, comrade Castro inviting the former president to throw the ceremonial first pitch at a Cuban League All-Star Game in Havana's Estadio Latinoamericano.  Apparently, baseball fan comrade Castro personally provided training in “making the perfect pitch” but, just to be sure, Mr Carter also had a few sessions with his Secret Service detail, reportedly on the roof of his hotel.  On the night, he threw what was described as “a good pitch” and it was well received by the capacity crowd, the event in the history books as a rare example of diplomacia del beisbol (baseball diplomacy) and the sport does appear in the odd footnote in presidential histories.  On the opening day (13 April) of the 1964 MLB (Major League Baseball) season at Washington DC’s District of Columbia Stadium (now the Robert F. Kennedy Memorial Stadium), Lyndon Johnson (LBJ, 1908–1973; US president 1969-1969) set the record for the most hot dogs eaten by a president on Opening Day, all four scoffed down in the approved manner (ie without resort to knife & fork).  The record still stands, something which must not have been brought to the attention of Donald Trump (b 1946; POTUS 2017-2021 and since 2025) because, if he knew, there would have been a post on Truth Social correcting the record by revealing he'd once eaten five.

Baseball has variants of the position of pitcher (the player who throws the ball to the opposition batter) including “non-pitcher” (team member who does not pitch and is thus obliged to bat, “relief pitcher” (a pitcher who takes the place of the “starting pitcher” (or another relief pitcher) in cases of injury, ineffectiveness, ejection from the game or fatigue, “switch pitcher” (a pitcher who play ambidextrously (pitches both right & left-handed), “setup pitcher” (a relief pitcher who pitches usually in the 8^th inning to maintain a lead, serving as the bridge to the closer in the 9^th, “middle relief pitcher” (MRP) (a relief pitcher who pitches usually the 5^th, 6^th or 7^th innings to bridge the gap between the starting pitcher and late-inning relievers (setup or closer pitchers) and “closer pitcher” (A specialist relief pitcher skilled in securing the final outs, typically in the 9^th inning, to protect a narrow lead or ear a “save”.

Dope

Dope (pronounced dohp)

(1) Any thick liquid or pasty preparation, as a lubricant, used in preparing a surface.

(2) A combustible absorbent material (historically sawdust or wood-pulp), used to absorb and hold the nitroglycerine in the manufacture of dynamite (used also of the processes in the manufacture of other products).

(3) An absorbent material, such as sawdust or wood pulp, used to hold the nitroglycerine in dynamite

(4) In aeronautics (and other fields), any of various varnish-like preparations (made by dissolving cellulose derivatives in a volatile solvent) used for coating a fabric (wings, fuselage etc), in order to render it stronger and more taut, aerodynamic and waterproof.

(5) Any of a number of preparations, applied to fabric in order to improve strength, tautness, etc

(6) A chemically similar product used to coat the fabric of a balloon to reduce gas leakage.

(7) An additive used to improve the properties of something (such as the “anti-knock” compounds added to gasoline (petrol).

(8) A thick liquid (typically a lubricant), applied to a surface.

(9) In slang, any narcotic or narcotic-like drug taken to induce euphoria or some other desired effect (and eventually to satisfy addiction); now used most of cannabis although other terms are now more common.

(10) Any illicit drug.

(11) In sport, a “performance enhancing drug” (PED; steroids, peptides etc), taken by athletes.

(12) In horse racing, a narcotic or other drug given surreptitiously to a horse to improve or retard its performance in a race.

(13) In firearms, ballistic data on previously fired rounds, used to calculate the required hold over a target.

(14) In slang, information, data, knowledge or news (sometimes used especially of confidential information).

(15) In slang, someone thought unintelligent, stupid or unresponsive etc.

(16) In US slang (mostly south of the Mason-Dixon Line, especially Appalachia), a carbonated, flavored and sweetened drink (used especially of cola-flavored sodas (soft drinks)).

(17) In US slang (East North Central Division of the Mid-West, especially Ohio), a sweet syrup used as a topping for ice cream.

(18) To affect with dope or drugs.

(19) To add a narcotic or other drug to something.

(20) To give a drug to (an athlete or horse), so as to affect performance in a race (for better or worse) or other competition.

(21) To take illicit drugs (in any context)

(22) In engineering to apply or treat a surface with dope.

(23) In electronics, to add or treat a pure semiconductor with a dopant.

(24) In slang, photographic developing solution

(25) In slang, great; excellent (always regionally variable and now les common).

1807: Apparently a creation of US English meaning “sauce, gravy; any thick liquid”, from the Dutch (dialectical) doop (thick dipping sauce), a derivative of dopen or doopen (to dip, baptize; deep), from the Middle Dutch dopen, from the Old Dutch dōpen, from the Frankish daupijan, from the Proto-Germanic daupijaną.  By extension, by the late nineteenth century it came generally to be used of any mixture or preparation of unknown ingredients producing a thick liquid.  The use of doop in the sense “narcotic drug” was derived ultimately from the viscous opium juice (the drug of choice of the well-connected in Ancient Greece) but in English was in use by at least 1899 and came from the smoking of semi-liquid opium preparations.  The verb use in the sense of “administer a drug to” appeared in print in 1889.  The idea of “insider information” was in use by at least 1901 and is thought to come from the knowledge of knowing which horse in a race had been doped (thus predicting it would run faster or slower than its form would suggest), this sense dating from 1900.  From this idea (inside information) developed the US slang “to dope out” (figure out, clarify).    The sense of “an unintelligent person” may have been used as early as the 1840s and came from the stupefying effects of opium, those intoxicated displaying obvious impaired cognitive facilities.  The word was related to the English dip and the German taufen (to baptize) but not to dopamine which came from chemistry, the construct being (DOPA (dihydroxyphenylalanine) +‎ -amine.

Unlike some constructions in English (eg domelessness (absence of a dome) or the informal gaynessness (“excessive” gayness)), there seems no recorded use of dopnessness.  For the commoly used “dopey”, the comparative is dopier and the superlative dopiest.  The use of “doper” to describe both: (1) someone who administers dope and (2) someone to whom dope is administered differs from the convention used in many words in English (eg payer vs payee) so the non-standard noun dopee can also be a synonym of doper.  Presumably, a useful distinction would be a dopee being one whose dope has been administered by another while a doper is one who self-administers.  Dope is a noun, verb & adjective, dopiness & dopeness are nouns, doper is a noun & adjective, doping is a noun & verb, doped is a verb & adjective and dopey (sometimes spelled dopy (the derived forms following this)) dopier & dopiest are adjectives, the noun plural is dopes.  Acronymfinder list eleven DOPEs, only two of which are narcotic related.

DOPE: Drug Overdose Prevention and Education (various organizations).
DOPE: Department of Public Enterprise.
DOPE: Data on Personal Equipment (sniper rifle data logging).
DOPE: Death or Prison Eventually (movie).
DOPE: Data on Previous Engagement (military sniper term).
DOPE: Drugs Oppress People Everyday.
DOPE: Dartmouth Oversimplified Programming Experiment.
DOPE: Director of Product Enhancements (Dilbert).
DOPE: Displacement of breathing tube, Obstruction, Pneumothorax, Equipment failure.
DOPE: Data Observed from Previous Engagements (ballistics).
DOPE: Director of Performance Enhancement (New York Yankees).

The use by the New York Yankees MLB (Major League Baseball) franchise seems daring given the existence of the Independent Program Administrator (IPA) of the Joint Drug Prevention and Treatment Program (JBTPT) which monitors the use of PEDs in the sport.  The JBTPT jointly is run by the MLB and the MLBPA (Major League Baseball Players Association) and the IPA oversees all drug testing, collection and enforcement.  Pleasingly, the JBTPB often is referred to as the “Major League Joint Drug Program”.

Dilbert cartoon by Scott Adams, published in 1995 on Bastille Day (14 July). 

First published in 1989, the once widely-syndicated "corporate life" Dilbert cartoon strip dealt with engineers, programmers and such working in a corporation run by those without a technical background, the exemplar of the latter being the “pointy haired boss”.  The cartoon was the work of Scott Adams (b 1957) who in 2023 was “cancelled” after posting a video in which he called “Black Americans”, critical of the slogan “It's okay to be white” because of its association with white supremacist ideology, a “hate group”, suggesting “White Americans” should “get the hell away from” them.  Mr Adams later disavowed racism and moved his output on-line.

On the Dilbert website, Mr Adams stated: “No news about public figures is ever true and in context” and explained his cancellation thus: “If you believe the news, it was because I am a big ol' racist.”  Fleshing that out, he added: “If you look into the context, the point that got me cancelled is that CRT [Critical Race Theory], DEI [Diversity, Equity & Inclusion] and ESG [Environmental, Social and Governance] all have in common the framing that White Americans are historically the oppressors and Black Americans have been oppressed, and it continues to this day.  I recommended staying away from any group of Americans that identifies your group as the bad guys, because that puts a target on your back.  I was speaking hyperbolically, of course, because we Americans don't have an option of staying away from each other. But it did get a lot of attention, as I hoped.  (More than I planned, actually).”  Dlibert devotees prepared to separate art from artist were advised: “Disgraced and canceled cartoonist Scott Adams has moved his work and upgraded it to a spicier version entitled Dilbert Reborn.”

A "Dope Mobile Bookstore" is scheduled to go on-line in December 2025 and there really was briefly a "Dope Mobile" (left) which was an on-line store for mobile phone accessories and should not be confused with a "dopemobile" which is a "dope dealer's" car.  Especially in black, a Chrysler 300 (2005-2023) is almost a cliché as a dopemobile and this 2009 model (on flatbed truck, right) was seized by New Zealand police from the estate of a deceased "dope dealer" (a profession with an unusually high death rate).  The informal term "dopemoble" can mean either (1) a vehicle in which a "dope dealer" transacts "dope deals" or (2) a vehicle believed or proved to have been purchased using the proceeds of "dope dealing".  

Purple Haze, Blue Cheese and more.  The proprietors of Amsterdam’s coffee shops have always come up evocative and fanciful names for dope.  One has to have the coffee one drinks and one has to have the weed one smokes.

In derived terms and idiomatic use, “dope” appears often but because of the dual meaning (narcotics and a varnish-like substance), the same term can mean very different things so context must be noted when assessing a meaning.  A “dope stick” (also as dopestick) can describe (1) a stick or applicator for spreading dope (a viscous liquid or paste used in preparing a surface) on a surface or, in slang (2) a cigar or cigarette, (3) a pipe, (4) a marijuana joint or something similar laced with cocaine or other drug or (5) a penis suffering from priapism (a condition in which the erect penis does not return to its flaccid state despite the absence of both physical and psychological stimulation) as a result of the use of cocaine or heroin.  The condition may sound desirable but is both potentially painful and risks long-term tissue damage.

Color chart, circa 1940. Some of the pigments available for Berry Brothers "Berryloid Pigmented Dopes".

“Dope dick” (impotence induced by heavy drinking or other substance abuse) is a synonym of other slang forms including “coke dick”, “crystal dick”, “whisky dick” & “brewer's droop”.  A “dope whore” is someone addicted to narcotics who finances the habit through prostitution, the synonyms being “coke whore”, “smack slut”, “crack whore” etc.  To “smoke one's own dope” means “to believe one’s own publicity, propaganda, lies or posturing; the synonym is “to drink one's own Kool-Aid”.  For those who like to make such connections, Kool-Aid is the official soft-drink of the US state of Nebraska, otherwise famous only for being the home of billionaire investor Warren Buffett (b 1930).  To “dope out” means “to figure out, to find out, find, decipher”, something Mr Buffet certainly did of investing for profit although wryly, he notes that often when folk ask him the “secret of his success” and he tells them how his strategy worked over decades, there’s an obvious sense of disappointment because what people really want to know is “how can I get rich overnight?”  He assures all he doesn’t “have the dope” on that.

Punters dope sheet (form guide), 2024 Melbourne Cup.

A “dope sheet” is a summary (ordinarily in the form of a codified, printed or digital document), containing salient facts and background information concerning a person, activity, or other subject matter.  The origin is thought to be the publications associated with horse racing (the name derived from the suspicion the most accurate indicator of a horse’s performance was whether or not it had been doped with some substance to make it run faster or slower) in which was summarized information about the horses running in certain races.  Such publications are now known variously as scratch sheets, tip sheets, firm guides, best bets etc.  Beyond gambling, “dope sheets” (a term which became misleading because some publications could be quite thick volumes) came to be used in fields as varied as automotive repair and especially in photography, film & animation; in the latter were listed the designer’s detailed instructions for artists & editors (known also as an “exposure sheet”).

Lindsay Lohan gives CNN the dope on dope use during her "troubled starlet" phase.

In the world of narcotics users (there really are many quite separate populations in “doperdom”) dope is sold by a “dope dealer”, “dope-runner”, “dope-pedlar”, “dope-pusher”, “dope-seller” or “dope-man”, sometimes from a “dope-house” whereas a “dopester” is a “street-level” trader who may be operating independently but is typically an agent on commission (paid sometimes “in kind”) and often operating from a "dopemobile").  Both retailers sell to “dope fiends”, “dope chicks”, “dope heads” etc (those who variously use or abuse) while a “dope dog” is a canine used by law enforcement officers to “sniff-out” dope.  The “dope house” must however not be confused with the “dope-shop” which was the part of the factory (typically one manufacturing aircraft) where dope was applied to the fabric laid over the spars of an airframe.  In the “dope house” was employed the “doper” who applied the dope to the fabric (dated) and again the meaning is shared with those involved with narcotics or PEDs.  If the “dope deal” couldn't for whatever reason be executed, the customer was left “dopeless” and those who over-consume could become “dope sick” (in withdrawal from “dope use”) which is different from the potentially fatal “dope overdose”.  “Dope time” & “doper time” both reference the way one’s perception of the passing of time changes when one is under the influence of narcotics.  It’s along the lines of “country mile” (typically somewhat longer than 1760 yards) or “Microsoft minutes” (referencing the dialog boxes which appeared in MS-Windows during certain operations saying something like “17 minutes remaining” which could mean anything from a few seconds to many hours).

The Dope: The Real History of the Mexican Drug Trade by Professor Benjamin T. Smith.

The title's play on words is this being “the dope” on “the dope trade” out of Mexico.  In the well-populated sub-culture of narcotics use (illicit and not), there exists a bewildering array of names, vernacular and slang, some now registered trade-marks as many jurisdictions have relaxed the prohibition on “soft drugs’ but “dope” remains the most useful generic “cover-all” term.  Nor is the use of “dope” as a generic new, Lord Moran (Charles Wilson, 1882-1977; president of the Royal College of Physicians 1941-1949, personal physician (1940-1965) to Winston Churchill (1875-1965; UK prime-minister 1940-1945 & 1951-1955) in his diary (Churchill taken from the Diaries of Lord Moran: The Struggle for Survival, 1940–1965 (1966)) noting on 2 December 1952, during a trans-Atlantic flight:

“This may be my last journey with Winston.  We began life humbly enough, in an unheated Lancaster bomber, and end it, twelve years later, in high state in the strato-cruiser Canopus. Messages no longer pass to the captain asking at what height we are flying; 18,000 feet or 11,000 feet (both were recorded last night), it is all one to us, pressurized at 5,000 feet.  Most of the seniors and quite a number of the juniors came to me last night for sleeping pills - this weak kneed generation that needs dope for a few hours in the air.”

Boeing 377 Stratocruiser in United Airlines livery in 63-passenger configuration including sleeping berths, a state room and lounge bar.

Lord Moran was of course well-acquainted with dope, having for years suppled Churchill with “downers” (barbiturates) to help him sleep and “uppers” (amphetamines, then commonly called “pep pills”) to perk him up, Churchill ignoring the apothecary’s descriptions and dubbing the various tablets with terms from his own ad-hoc pharmacological vocabulary including “Lord Morans”, “majors”, “minors”, “reds”, “greens”, “babies” and “midgets”, all based either on the pill’s appearance or its potency, the latter established empirically.   In fairness to the Lord Moran's doped airline passengers, with a cruising speed (depending on conditions) between 300–340 mph (480–550 km/h), trans-Atlantic flight time for the Boeing 377 Stratocruiser was typically 10 hours (eastbound) to 11-12 hours (westbound), a duration compelling until the new generation of jetliners cut the trip to 6–7 hours.  A civilian version of the C-97 Stratofreighter military heavy-transporter (developed from the B-29 Superfortress heavy bomber), the Stratocruiser was, when its first test-flight was undertaken in 1947, the world biggest airliner and could carry up to 100 passengers in a multi-deck configuration although most were configured for fewer and outfitted with the luxuries which appealed to the demographic then able to afford to travel by air.  Very modern when first it flew, there were no "doped fabric" surfaces on the Stratocruiser, the fuselage, wings and tail made almost wholly from an aluminum alloy (mostly duralumin); it was thus, in the parlance of the day, an "all metal" craft.  However, despite extensive development, the problems with the 28-cylinder Pratt & Whitney radial engines were never wholly resolved and while they came to be practical for military use, they remained maintenance-intensive so operating costs were high and between 1949-1963 only 55 Stratocruisers were ever in service.

Berry Brothers advertising (1929) of their Berryloid Pigmented Dope, illustrated by applying avian coloring to aircraft.  This was Number 10 of the series and depicts the Mono Aircraft Corporation's Monocoupe, doped in the color scheme of the sexually dimorphic red winged blackbird (Agelaius phoeniceus).  Only the males feature the distinctive red shoulder and yellow wing bar over black, the female's feathers a nondescript dark brown.

“Pipe dope”, despite the name, is not used of the drug-smoking devices and refers to any of the many lubricants and sealants used to make a pipe thread joint leak-proof and pressure-tight.  In US military slang, a “scope dope” was the officer responsible for radar or a radar operator.  The technical terms “photodope”, “photodoping” & “photodoped” come from materials science and described the process of removing a dopant (a substance added in small amounts to a pure material, such as semiconductor, to alter its original electrical or optical properties).  In electronics, impurities are added to semiconductors as a way of (1) producing a desired result or (2) modifying its properties.  In the tuning of stringed musical instruments, “peg dope” is a substance used to lubricate the pegs of an instrument and to provide the desired friction between pegs and strings.  Use seems not to have extended to other fields but conceivably it could be a helpful (and even lucrative) product for those who enjoy the sexual practice of “pegging” (women using “strap-ons”) an activity Urban Dictionary’s contributors gleefully detail, there being many nuances in use.

Automotive Digest's Dope-Master (1948, left and 1951, right).

Annually updated, Automotive Digest for years published their "Dope Masters", containing the specifications and information (ie "all the dope") required to service or "tune up" most of the automobiles sold in the US.  They were valued by mechanics but also used by many owners, cars then being mostly mechanical devices with some wiring so servicing at home with basis tools was possible in a way unthinkable with modern machines with their high electronic and software content.  In boxing, the phrase “rope-a-dope” described a technique in which the boxer assumes a defensive stance against the ropes, absorbing an opponent's blows, hoping to exploit eventual tiredness or a mistake.  Figuratively, use can be extended to any strategy in which a seemingly losing position is maintained to “lull an opponent into a false sense of security” in the hope of securing eventual victory; in the vernacular, it’s to exhaust them by “stringing them along”.  “Dope slap” is a jocular term which describes “a light slap to the back of the head”, used as a disciplinary measure for some minor infraction (ie imposed for someone being "a bit dopey") while a more severe corporal punishment would be imposed for a more a serious offence.  “Dope glass” (a synonym of “carnival glass”) was a type of glassware dating from the early twentieth century, notable for possessing lustrous colors.  Known variously as “aurora glass”, “iridescent ware”, “Iridill” “poor man's Tiffany”, “rainbow glass” & “taffeta glass”, it was initially declared by the style police to be attractive but, cheap and mass-produced, it soon came to be used to make objects judged “not in the best taste” and, being much associated with the Great Depression years of the 1930s (it was dubbed also “depression glass”), it became unfashionable.

Bunker

Bunker (pronounced buhng-ker)

(1) A large bin or receptacle; a fixed chest or box.

(2) In military use, historically a fortification set mostly below the surface of the ground with overhead protection provided by logs and earth or by concrete and fitted with above-ground embrasures through which guns may be fired.

(3) A fortification set mostly below the surface of the ground and used for a variety of purposes.

(4) In golf, an obstacle, classically a sand trap but sometimes a mound of dirt, constituting a hazard.

(5) In nautical use, to provide fuel for a vessel.

(6) In nautical use, to convey bulk cargo (except grain) from a vessel to an adjacent storehouse.

(7) In golf, to hit a ball into a bunker.

(8) To equip with or as if with bunkers.

(9) In military use, to place personnel or materiel in a bunker or bunkers (sometimes as “bunker down”).

1755–1760: From the Scottish bonkar (box, chest (also “seat” (in the sense of “bench”) of obscure origin but etymologists conclude the use related to furniture hints at a relationship with banker (bench).  Alternatively, it may be from a Scandinavian source such as the Old Swedish bunke (boards used to protect the cargo of a ship).  The meaning “receptacle for coal aboard a ship” was in use by at least 1839 (coal-burning steamships coming into general use in the 1820s).  The use to describe the obstacles on golf courses is documented from 1824 (probably from the extended sense “earthen seat” which dates from 1805) but perhaps surprisingly, the familiar sense from military use (dug-out fortification) seems not to have appeared before World War I (1914-1918) although the structures so described had for millennia existed.  “Bunkermate” was army slang for the individual with whom one shares a bunker while the now obsolete “bunkerman” (“bunkermen” the plural”) referred to someone (often the man in charge) who worked at an industrial coal storage bunker.  Bunker & bunkerage is a noun, bunkering is a noun & verb, bunkered is a verb and bunkerish, bunkeresque, bunkerless & bunkerlike are adjectives; the noun plural is bunkers.

Just as ships called “coalers” were used to transport coal to and from shore-based “coal stations”, it was “oilers” which took oil to storage tanks or out to sea to refuel ships (a common naval procedure) and these STS (ship-to-ship) transfers were called “bunkering” as the black stuff was pumped, bunker-to-bunker.  That the coal used by steamships was stored on-board in compartments called “coal bunkers” led ultimately to another derived term: “bunker oil”.  When in the late nineteenth century ships began the transition from being fuelled by coal to burning oil, the receptacles of course became “oil bunkers” (among sailors nearly always clipped to “bunker”) and as refining processes evolved, the fuel specifically produced for oceangoing ships came to be called “bunker oil”.

Bunker oil is “dirty stuff”, a highly viscous, heavy fuel oil which is essentially the residue of crude oil refining; it’s that which remains after the more refined and volatile products (gasoline (petrol), kerosene, diesel etc) have been extracted.  Until late in the twentieth century, the orthodox view of economists was its use in big ships was a good thing because it was a product for which industry had little other use and, as essentially a by-product, it was relatively cheap.  It came in three flavours: (1) Bunker A: Light fuel oil (similar to a heavy diesel), (2) Bunker B: An oil of intermediate viscosity used in engines larger than marine diesels but smaller than those used in the big ships and (3) Bunker C: Heavy fuel oil used in container ships and such which use VLD (very large displacement), slow running engines with a huge reciprocating mass.  Because of its composition, Bucker C especially produced much pollution and although much of this happened at sea (unseen by most but with obvious implications), when ships reached harbor to dock, all the smoke and soot became obvious.  Over the years, the worst of the pollution from the burning of bunker oil greatly has been reduced (the work underway even before the Greta Thunberg (b 2003) era), sometimes by the simple expedient of spraying a mist of water through the smoke.

Floor-plans of the upper (Vorbunker) and lower (Führerbunker) levels of the structure now commonly referred to collectively as the Führerbunker.

History’s most infamous bunker remains the Berlin Führerbunker in which Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945) spent much of the last few months of his life.  In the architectural sense there were a number of Führerbunkers built, one at each of the semi-permanent Führerhauptquartiere (Führer Headquarters) created for the German military campaigns and several others built where required but it’s the one in Berlin which is remembered as “the Führerbunker”.  Before 1944 when the intensification of the air raids by the RAF (Royal Air Force) and USAAF (US Army Air Force) the term Führerbunker seems rarely to have been used other than by the architects and others involved in their construction and it wasn’t a designation like Führerhauptquartiere which the military and other institutions of state shifted between locations (rather as “Air Force One” is attached not to a specific airframe but whatever aircraft in which the US president is travelling).  In subsequent historical writing, the term Führerbunker tends often to be applied to the whole, two-level complex in Berlin and although it was only the lower layer which officially was designated as that, for most purposes the distinction is not significant.  In military documents, after January, 1945 the Führerbunker was referred to as Führerhauptquartiere.

Führerbunker tourist information board, Berlin, Germany.

Only an information board at the intersection of den Ministergärten and Gertrud-Kolmar-Straße, erected by the German Goverment in 2006 prior to that year's FIFA (Fédération Internationale de Football Association (International Federation of Association Football)) World Cup now marks the place on Berlin's Wilhelmstrasse 77 where once the Führerbunker was located.  The Soviet occupation forces razed the new Reich Chancellery and demolished all the bunker's above-ground structures but the subsequent GDR (Deutsche Demokratische Republik (German Democratic Republic; the old East Germany) 1949-1990) abandoned attempts completely to destroy what lay beneath.  Until after the fall of the Berlin Wall (1961-1989) the site remained unused and neglected, “re-discovered” only during excavations by property developers, the government insisting on the destruction on whatever was uncovered and, sensitive still to the spectre of “Neo-Nazi shrines”, for years the bunker’s location was never divulged, even as unremarkable buildings (an unfortunate aspect of post-unification Berlin) began to appear on the site.  Most of what would have covered the Führerbunker’s footprint is now a supermarket car park.

The first part of the complex to be built was the Vorbunker (upper bunker or forward bunker), an underground facility of reinforced concrete intended only as a temporary air-raid shelter for Hitler and his entourage in the old Reich Chancellery.  Substantially completed during 1936-1937, it was until 1943 listed in documents as the Luftschutzbunker der Reichskanzlei (Reich Chancellery Air-Raid Shelter), the Vorbunker label applied only in 1944 when the lower level (the Führerbunker proper) was appended.  In mid January, 1945, Hitler moved into the Führerbunker and, as the military situation deteriorated, his appearances above ground became less frequent until by late March he rarely saw the sky,  Finally, on 30 April, he committed suicide.

Bunker Busters

Northrop Grumman publicity shot of B2-Spirit from below, showing the twin bomb-bay doors through which the GBU-57 are released.

Awful as they are, there's an undeniable beauty in the engineering of some weapons and it's unfortunate humankind never collectively has resolved exclusively to devote such ingenuity to stuff other than us blowing up each other.  That’s not a new sentiment, being one philosophers and others have for millennia expressed in various ways although since the advent of nuclear weapons, concerns understandably become heightened.  Like every form of military technology ever deployed, once the “genie is out of the bottle” the problem is there to be managed and at the dawn of the atomic age, delivering a lecture in 1936, the British chemist and physicist Francis Aston (1877–1945) (who created the mass spectrograph, winning the 1922 Nobel Prize in Chemistry for his use of it to discover and identify the isotopes in many non-radioactive elements and for his enunciation of the whole number rule) observed:

“There are those about us who say that such research should be stopped by law, alleging that man's destructive powers are already large enough.  So, no doubt, the more elderly and ape-like of our ancestors objected to the innovation of cooked food and pointed out the great dangers attending the use of the newly discovered agency, fire.  Personally, I think there is no doubt that sub-atomic energy is available all around us and that one day man will release and control its almost infinite power.  We cannot prevent him from doing so and can only hope that he will not use it exclusively in blowing up his next door neighbor.”

The use in June 2025 by the USAF (US Air Force) of fourteen of its Boeing GBU-57 (Guided Bomb Unit-57) Massive Ordnance Penetrators (MOP) bombs against underground targets in Iran (twelve on the Fordow Uranium Enrichment Plant and two on the Natanz nuclear facility) meant “Bunker Buster” hit the headlines.  Carried by the Northrop B-2 Spirit heavy bomber (built between 1989-2000), the GBU-57 is a 14,000 kg (30,000 lb) bomb with a casing designed to withstand the stress of penetrating through layers of reinforced concrete or thick rock.  “Bunker buster” bombs have been around for a while, the ancestors of today’s devices first built for the German military early in World War II (1939-1945) and the principle remains unchanged to this day: up-scaled armor-piercing shells.  The initial purpose was to produce a weapon with a casing strong enough to withstand the forces imposed when impacting reinforced concrete structures, the idea simple in that what was needed was a delivery system which could “bust through” whatever protective layers surrounded a target, allowing the explosive charge to do damage where needed rtaher than wastefully being expended on an outer skin.  The German weapons proved effective but inevitably triggered an “arms race” in that as the war progressed, the concrete layers became thicker, walls over 2 metres (6.6 feet) and ceilings of 5 (16) being constructed by 1943.  Technological development continued and the idea extended to rocket propelled bombs optimized both for armor-piercing and aerodynamic efficiency, velocity a significant “mass multiplier” which made the weapons still more effective.

USAF test-flight footage of Northrop B2-Spirit dropping two GBU-57 "Bunker Buster" bombs.

Concurrent with this, the British developed the first true “bunker busters”, building on the idea of the naval torpedo, one aspect of which was in exploding a short distance from its target, it was highly damaging because it was able to take advantage of one of the properties of water (quite strange stuff according to those who study it) which is it doesn’t compress.  What that meant was it was often the “shock wave” of the water rather than the blast itself which could breach a hull, the same principle used for the famous “bouncing bombs” used for the RAF’s “Dambuster” (Operation Chastise, 17 May 1943) raids on German dams.  Because of the way water behaved, it wasn’t necessary to score the “direct hit” which had been the ideal in the early days of aerial warfare.

RAF Bomber Command archive photograph of Avro Lancaster (built between 1941-1946) in flight with Grand Slam mounted (left) and a comparison of the Tallboy & Grand Slam (right), illustrating how the latter was in most respects a scaled-up version of the former.  To carry the big Grand Slams, 32 “B1 Special” Lancasters were in 1945 built with up-rated Rolls-Royce Merlin V12 engines, the removal of the bomb doors (the Grand Slam carried externally, its dimensions exceeding internal capacity), deleted front and mid-upper gun turrets, no radar equipment and a strengthened undercarriage.  Such was the concern with weight (especially for take-off) that just about anything non-essential was removed from the B1 Specials, even three of the four fire axes and its crew door ladder.  In the US, Boeing went through a similar exercise to produce the run of “Silverplate” B-29 Superfortresses able to carry the first A-bombs used in August, 1945. 

Best known of the British devices were the so called “earthquake bombs”, the Tallboy (12,000 lb; 5.4 ton) & Grand Slam (22,000 lb, 10 ton) which, despite the impressive bulk, were classified by the War Office as “medium capacity”.  The terms “Medium Capacity” (MC) & “High Capacity” referenced not the gross weight or physical dimensions but ratio of explosive filler to the total weight of the construction (ie how much was explosive compared to the casing and ancillary components).  Because both had thick casings to ensure penetration deep into hardened targets (bunkers and other structures encased in rock or reinforced concrete) before exploding, the internal dimensions accordingly were reduced compared with the ratio typical of contemporary ordinance.  A High Capacity (HC) bomb (a typical “general-purpose” bomb) had a thinner casing and a much higher proportion of explosive (sometimes over 70% of total weight).  These were intended for area bombing (known also as “carpet bombing”) and caused wide blast damage whereas the Tallboy & Grand Slam were penetrative with casings optimized for aerodynamic efficiency, their supersonic travel working as a mass-multiplier.  The Tallboy’s 5,200 lb (2.3 ton) explosive load was some 43% of its gross weight while the Grand Slam’s 9,100 lb (4 ton) absorbed 41%; this may be compared with the “big” 4000 lb (1.8 ton) HC “Blockbuster” which allocated 75% of the gross weight to its 3000 LB (1.4 ton) charge.  Like many things in engineering (not just in military matters) the ratio represented a trade-off, the MC design prioritizing penetrative power and structural destruction over blast radius.  The novelty of the Tallboy & Grand Slam was that as earthquake bombs, their destructive potential was able to be unleashed not necessarily by achieving a direct hit on a target but by entering the ground nearby, the explosion (1) creating an underground cavity (a camouflet) and (2) transmitting a shock-wave through the target’s foundations, leading to the structure collapsing into the newly created lacuna. 

The etymology of camouflet has an interesting history in both French and military mining.  Originally it meant “a whiff of smoke in the face (from a fire or pipe) and in figurative use it was a reference to a snub or slight insult (something unpleasant delivered directly to someone) and although the origin is murky and it may have been related to the earlier French verb camoufler (to disguise; to mask) which evolved also into “camouflage”.  In the specialized military jargon of siege warfare or mining (sapping), over the seventeen and nineteenth centuries “camouflet” referred to “an underground explosion that does not break the surface, but collapses enemy tunnels or fortifications by creating a subterranean void or shockwave”.  The use of this tactic is best remembered from the Western Front in World War I, some of the huge craters now tourist attractions.

Under watchful eyes: Grand Ayatollah Ali Khamenei (1939-2026; Supreme Leader, Islamic Republic of Iran 1989-2026) delivering a speech, sitting in front of the official portrait of the republic’s ever-unsmiling founder, Grand Ayatollah Ruhollah Khomeini (1900-1989; Supreme Leader, Islamic Republic of Iran, 1979-1989).  Ayatollah Khamenei seemed in 1989 an improbable choice as Supreme Leader because others were better credentialed but though cautious and uncharismatic, he was for almost four decades a great survivor in a troubled region but finally was killed by the sheer weight of US firepower and the effectiveness of its intelligence gathering (at least some of which is assumed to have come from within the Iranian regime).  What the death of the Supreme Leader reminded everyone was that bunkers have their limits so, just as recent events will have strengthened the ayatollahs' view that possession of an IND ( independent nuclear deterrent) is both wise and Godly, they'll also want deeper holes dug and more concrete poured.  

Since aerial bombing began to be used as a strategic weapon, of great interest has been the debate over the BDA (battle damage assessment) and this issue emerged almost as soon as the bunker buster attack on Iran was announced, focused on the extent to which the MOPs had damaged the targets, the deepest of which were concealed deep inside a mountain.  BDA is a constantly evolving science and while satellites have made analysis of surface damage highly refined, it’s more difficult to understand what has happened deep underground.  Indeed, it wasn’t until the USSBS (United States Strategic Bombing Survey) teams toured Germany and Japan in 1945-1946, conducting interviews, economic analysis and site surveys that a useful (and substantially accurate) understanding emerged of the effectiveness of bombing although what technological advances have allowed for those with the resources is the so-called “panacea targets” (ie critical infrastructure and such once dismissed by planners because the required precision was for many reasons rarely attainable) can now accurately be targeted, the USAF able to drop a bomb within a few feet of the aiming point.  As the phrase is used by the military, the Fordow Uranium Enrichment Plant is as classic “panacea target” but whether even a technically successful strike will achieve the desired political outcome remains to be seen.

Mr Trump, in a moment of exasperation, posted on Truth Social of Iran & Israel: “We basically have two countries that have been fighting so long and so hard that they don't know what the fuck they're doing."  Actually, both know exactly WTF they're doing; it's just Mr Trump (and many others) would prefer they didn't do it.

Donald Trump (b 1946; US president 2017-2021 and since 2025) claimed “total obliteration” of the targets while Grand Ayatollah Khamenei admitted only there had been “some damage” and which is closer to the truth should one day be revealed.  Even modelling of the effects has probably been inconclusive because the deeper one goes underground, the greater the number of variables in the natural structure and the nature of the internal built environment will also influence blast behaviour.  All experts seem to agree much damage will have been done but what can’t yet be determined is what has been suffered by the facilities which sit as deep as 80 m (260 feet) inside the mountain although, as the name implies, “bunker busters” are designed for buried targets and it’s not always required for blast directly to reach target.  Because the shock-wave can travel through earth & rock, the effect is something like that of an earthquake and if the structure sufficiently is affected, it may be the area can be rendered geologically too unstable again to be used for its original purpose.

Within minutes of the bombing having been announced, legal academics were being interviewed (though not by Fox News) to explain why the attacks were unlawful under international law and in a sign of the times, the White House didn't bother to discuss fine legal points like the distinction between "preventive & pre-emptive strikes", preferring (like Fox News) to focus on the damage done.  However, whatever the murkiness surrounding the BDA, many analysts have concluded that even if before the attacks the Iranian authorities had not approved the creation of a nuclear weapon, this attack will have persuaded them one is essential for “regime survival”, thus the interest in both Tel Aviv and (despite denials) Washington DC in “regime change”.  The consensus seems to be Grand Ayatollah Khamenei had, prior to the strike, not ordered the creation of a nuclear weapon but that all energies were directed towards completing the preliminary steps, thus the enriching of uranium to ten times the level required for use in power generation; the ayatollah liked to keep his options open.  So, the fear of some is the attacks, even if they have (by weeks, months or years) delayed the Islamic Republic’s work on nuclear development, may prove counter-productive in that they convince the ayatollahs to concur with the reasoning of every state which since 1945 has adopted an IND.  That reasoning was not complex and hasn’t changed since first a prehistoric man picked up a stout stick to wave as a pre-lingual message to potential adversaries, warning them there would be consequences for aggression.  Although a theocracy, those who command power in the Islamic Republic are part of an opaque political institution and in the West there had been reports of the struggle being conducted anticipation of the death of the aged (and reportedly ailing) Supreme Leader, the matter of “an Iranian IND” one of the central dynamics.  Many will be following what unfolds in Tehran and the observers will not be only in Tel Aviv and Washington DC because in the region and beyond, few things focus the mind like the thought of ayatollahs with A-Bombs.

Of the word "bust"

The Great Bust: The Depression of the Thirties (1962) by Jack Lang (left), highly qualified content provider Busty Buffy (b 1996, who has never been accused of misleading advertising, centre) and The people's champion, Mr Lang, bust of Jack Lang, painted cast plaster by an unknown artist, circa 1927, National Portrait Gallery, Canberra, Australia (right).  Remembered for a few things, Jack Lang (1876–1975; premier of the Australian state of New South Wales (NSW) 1925-1927 & 1930-1932) remains best known for having in 1932 been the first head of government in the British Empire to have been sacked by the Crown since William IV (1765–1837; King of the UK 1830-1837) in 1834 dismissed Lord Melbourne (1779–1848; prime minister of the UK 1834 & 1835-1841).

Those learning English must think it at least careless things can both be (1) “razed to the ground” (totally to destroy something (typically a structure), usually by demolition or incineration) and (2) “raised to the sky” (physically lifted upwards).  The etymologies of “raze” and “raise” differ but they’re pronounced the same so it’s fortunate the spellings vary but in other troublesome examples of unrelated meanings, spelling and pronunciation can align, as in “bust”.  When used in ways most directly related to human anatomy: (1) “a sculptural portrayal of a person's head and shoulders” & (2) “the circumference of a woman's chest around her breasts” there is an etymological link but these uses wholly are unconnected with bust’s other senses.

Bust of Lindsay Lohan in white marble by Stable Diffusion.  Sculptures of just the neck and head came also to be called “busts”, the emphasis on the technique rather than the original definition.

Bust in the sense of “a sculpture of upper torso and head” dates from the 1690s and was from the sixteenth century French buste, from the Italian busto (upper body; torso), from the Latin bustum (funeral monument, tomb (although the original sense was “funeral pyre, place where corpses are burned”)) and it may have emerged (as a shortened form) from ambustum, neuter of ambustus (burned around), past participle of amburere (burn around, scorch), the construct being ambi- (around) + urere (to burn),  The alternative etymology traces a link to the Old Latin boro, the early form of the Classical Latin uro (to burn) and it’s though the development in Italian was influenced by the Etruscan custom of keeping the ashes of the dead in an urn shaped like the person when alive.  Thus the use, common by the 1720s of bust (a clipping from the French buste) being “a carving of the “trunk of the human body from the chest up”.  From this came the meaning “dimension of the bosom; the measurement around a woman's body at the level of her breasts” and that evolved on the basis of a comparison with the sculptures, the base of which was described as the “bust-line”, the term still used in dress-making (and for other comparative purposes as one of the three “vital statistics” by which women are judged (bust, waist, hips), each circumference having an “ideal range”).  It’s not known when “bust” and “bust-line” came into oral use among dress-makers and related professions but it’s documented since the 1880s.  Derived forms (sometimes hyphenated) include busty (tending to bustiness, thus Busty Buffy's choice of stage-name), overbust & underbust (technical terms in women's fashion referencing specific measurements) and bustier (a tight-fitting women's top which covers (most or all of) the bust.

Benito Mussolini (1883-1945; Duce (leader) & Prime-Minister of Italy 1922-1943) standing beside his “portrait bust” (1926).

The bust was carved by Swiss sculptor Ernest Durig (1894–1962) who gained posthumous notoriety when his career as a forger was revealed with the publication of his drawings which he’d represented as being from the hand of the French sculptor Auguste Rodin (1840-1917) under whom he claimed to have studied.  Mussolini appears here in one of the subsequently much caricatured poses which were a part of his personality cult.  More than one of the Duce's counterparts in other nations was known to have made fun of some of the more outré poses and affectations, the outstretched chin, right hand braced against the hip and straddle-legged stance among the popular motifs. 

“Portrait bust” in marble (circa 1895) of (1815-1989; chancellor of the German Empire (the "Second Reich") 1871-1890) by the German Sculptor Reinhold Begas (1831-1911).

 In sculpture, what had been known as the “portrait statue” came after the 1690s to be known as the “portrait bust” although both terms meant “sculpture of upper torso and head” and these proved a popular choice for military figures because the aspect enabled the inclusion of bling such as epaulettes, medals and other decorations and being depictions of the human figure, busts came to be vested with special significance by the superstitious.  In early 1939, during construction of the new Reich Chancellery in Berlin, workmen dropped one of the busts of Otto von Bismarck by Reinhold Begas, breaking it at the neck.  For decades, the bust had sat in the old Chancellery and the building’s project manager, Albert Speer (1905–1981; Nazi court architect 1934-1942; Nazi minister of armaments and war production 1942-1945), knowing Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945) believed the Reich Eagle toppling from the post-office building right at the beginning of World War I had been a harbinger of doom for the nation, kept the accident secret, hurriedly issuing a commission to the German sculptor Arno Breker (1900–1991) who carved an exact copy.  To give the fake the necessary patina, it was soaked for a time in strong, black tea, the porous quality of marble enabling the fluid to induce some accelerated aging.  Interestingly, in his (sometimes reliable) memoir (Erinnerungen (Memories or Reminiscences) and published in English as Inside the Third Reich (1969)), even the technocratic Speer admitted of the accident: “I felt this as an evil omen”.

The other senses of bust (as a noun, verb & adjective) are diverse (and sometimes diametric opposites and include: “to break or fail”; “to be caught doing something unlawful / illicit / disgusting etc”; “to debunk”; “dramatically or unexpectedly to succeed”; “to go broke”; “to break in” (horses, girlfriends etc): “to assault”; the downward portion of an economic cycle (ie “boom & bust”); “the act of effecting an arrest” and “someone (especially in professional sport) who failed to perform to expectation”.  That’s quite a range and that has meant the creation of dozens of idiomatic forms, the best known of which include: “boom & bust”, “busted flush”, “dambuster”, “bunker buster”,  “busted arse country”, “drug bust”, “cloud bust”, belly-busting, bust one's ass (or butt), bust a gut, bust a move, bust a nut, bust-down, bust loose, bust off, bust one's balls, bust-out, sod buster, bust the dust, myth-busting and trend-busting.  In the sense of “breaking through”, bust was from the Middle English busten, a variant of bursten & bresten (to burst) and may be compared with the Low German basten & barsten (to burst).  Bust in the sense of “break”, “smash”, “fail”, “arrest” etc was a creation of mid-nineteenth century US English and is of uncertain inspiration but most etymologists seem to concur it was likely a modification of “burst” effected with a phonetic alteration but it’s not impossible it came directly as an imperfect echoic of Germanic speech.  The apparent contradiction of bust meaning both “fail” and “dramatically succeed” happened because the former was an allusion to “being busted” (ie broken) while the latter meaning used the notion of “busting through”.