Tattoo

Tattoo (pronounced ta-too)

(1) A signal on a drum, bugle, or trumpet at night, for soldiers or sailors to go to their quarters.

(2) A knocking or strong pulsation.

(3) In British military tradition, an outdoor military pageant or display, conducted usually at night.

(4) The act or practice of marking the skin with indelible patterns, pictures, legends, etc, by making punctures in it and inserting pigments.

(5) A pattern, picture, legend, etc so made.

1570–1580: An evolution from the earlier taptoo from the Dutch command tap toe! (in the literature also as taptoe) (literally “the tap(room) is to” (ie shut)).  Originally, the tattoo was a signal on a drum, bugle, or trumpet at night, for soldiers or sailors to go to their quarters, the musical form varying between regiments but all based on a knocking or strong pulsation; it was later it became an outdoor, usually nocturnal military pageant or display.  The usual abbreviations are tat and tatt (used most often in the plural) and the derived terms tend to be functionally deterministic (amalgam tattoo, henna tattoo, sleeve tattoo, tattoo flash, tattoo gun, tattoo tool, tattoo machine, tattoo parlor, tribal tattoo, tattoo artist, tattoo removal etc).  It's much more common for one who applies tattoos to be called a tattooist than a tattooer and tattooee (who who is tattooed) is rare to the point of being extinct.  Tattoo & tattooing are nouns & verbs, tattooist, tattooee, tattooer & tattooage are nouns, tattooed is a verb & adjective and tattoolike and tattooless are adjectives; the noun plural is tattoos.

The word was first used during the Thirty Years' War (1618-1648) in the Low Countries (Belgium and the Netherlands) where the Dutch fortresses were garrisoned by a federal army containing Scottish, English, German and Swiss mercenaries commanded by a Dutch officer corps.  Drummers from the garrison were sent into the towns at 21:30 (9:30 pm) each evening to inform the soldiers that it was time to return to barracks.  The process was known as doe den tap toe (Dutch for "turn off the tap"), an instruction to innkeepers to stop serving beer and send the soldiers home for the night although the drummers continued to play until the curfew at 22:00 (10:00 pm).  Tattoo and the earlier tap-too and taptoo, are alterations of the Dutch words tap toe which have the same meaning.  Taptoo was the earlier used alteration of the phrase and a reference was found in George Washington's papers: "In future the Reveille will beat at day-break; the troop at 8 in the morning; the retreat at sunset and taptoo at nine o'clock in the evening."  Over the years, the process became more of a show and often included the playing of the first post at 21:30 and the last post at 22:00.  Bands and displays were included and shows were often conducted by floodlight or searchlight. Tattoos were commonplace in the late nineteenth century with most military and garrison towns putting on some kind of show or entertainment during the summer months.

A Lindsay Lohan tattoo; the Italian phrase la bella vita translates as "life is beautiful".

The use to describe body marking dates from 1760–1770.  Tattoo, from the Marquesan tatu or the Samaon & Tahitian tatau (to strike) coming to replace the earlier tattow from the Polynesian tatau.  It took some time for tattoo to become the standardised western spelling, the OED noting the eighteenth century currency of both tattaow and tattow.  Before the adoption of the Polynesian word, the practice of tattooing had been described in the West as painting, scarring or staining and in 1900 British anthropologist Ling Roth in documented four methods of skin marking, suggesting they be differentiated under the names tatu, moko, cicatrix and keloid.  There was, between the Dutch and the British, a minor colonial spat about which deserves the credit for importing the word to Europe and while that sounds petty, the colonial powers usually could find something about which to disagree,

A “dot tattoo” on the skin of a patient undergoing radiation therapy with a US one cent (“penny”) coin for comparison.

The US penny has a diameter of ¾ inch (19.05 mm).  On 12 November 12, 2025, after a run of some 230 years, the last penny was minted at the Philadelphia Mint, the first coin the US Treasury has discontinued since the half-cent was discontinued in 1857.  The penny (1 cent) will remain a unit in financial transactions and with billions in circulation, the physical coin will still be legal tender; being metal, some will last for centuries.  There was a time when a penny could buy many things but, over time, they became close to worthless although there were still “penny stocks” (speculative investments in the equities markets), even many of them cost a few pennies a share.  The word will remain part of idiomatic use (”pennies in the dollar”; “penny-wise, pound poor” etc) but the coins, for years a rare sight, will become a curiosity.  As recently as the 1960s it was still common to buy thing "for a penny" and candy stores would even have sweets available a "three for a penny" but the inflation which began late in the decade meant the coin soon had little practical use but one exception is the Catholic Worker newspaper, seven editions of which are each year published each year by the Catholic Worker Movement in New York; since 1933 it has sold for a penny.  While the term "legacy media" has become commonly used, the Catholic Worker truly is a relic of the pre-electronic age, being manually laid out for printing rather than digitally prepared and not available in any non-paper form; the publication has neither a website nor an E-mail address.

Because the radiation therapy used to treat cancer gains its effectiveness from precise targeting of the location of a patient’s cancer site, a small “dot tattoo” is applied to the skin so at each session the body exactly is aligned with the machinery for each session.  By “sighting” the machine using the black dot, therapists can ensure the radiation is delivered to the targeted area.  Small and permanent, the tattoos are barely distinguishable from birthmarks but some patients subsequently choose to have them removed using conventional laser techniques and advances in have made possible tattoo-free radiation therapy using technologies like SGRT (Surface Guided Radiation Therapy).  SGRT uses unremarkable cameras and infrared light to create a 3D map of a patient's skin surface, meaning the device can use internally-generated grid (from thousands of reference points) co-ordinates to handle the positioning.  In certain cases however (notably in more complex cases where multiple dots are needed), tattoos remain the preferred option and while some opt to keep them, others have no wish to be reminded of the experience and have them removed.

Tan lines.

Tan lines are visible differentiations in hue separating a “tanned” area from the paler “untanned” skin; it’s created by sun exposure or an artificial source of UV (ultra violet) radiation and is the marker between where clothing, sunscreen or shade has blocked the UV rays which radiate the exposed skin.  Because such exposure is a documented risk-factor for skin cancer, intentionally seeking to be sunburnt to create fashionable tan lines is potentially harmful and many health warnings have been issued.  While the energy from the Sun makes possible life on Earth and humans benefit for some exposure, too much definitely can be dangerous so, when exposed, the recommendation is to use coverage, either with clothing or frequent application of a sunscreen (the higher the rated SPF (sun protection factor) the more effective it should be.  Probably, there’s never been a better encapsulation of strategy than the Australian “Slip, Slop Slap” public health campaign of 1981 (slip on a shirt, slop on sunscreen, and slap on a hat).  It was an effective message but while the incidence of skin cancer has fallen, between half and two thirds of the Australian population will in their lifetime suffer at least one skin cancer.  Despite the numbers, tanning (with consequent tan lines) remains a popular pastime but fortunately, modern commerce saw a gap in the market and many beauticians will now emulate tan lines using (a usually spray-on form of) tanning lotion.

A tantoo.

The portmanteau word tantoo (the construct being tan + (tat)too) describes a tan line planned deliberately in the style of a tattoo and, in the abstract, it can be thought to have the same relationship to a tattoo that a negative has with a printed photograph.  Tantoo stickers are available in a variety of shapes and the look is achieved by placing the sticker on the skin in the desired spot, then inflicting sufficient sun damage on the surrounding area until the desired tone is achieved.  At that point the sticker is removed.  Tan lines have a place in cultural history because of the relationship between pale skin being associated with wealth (ie someone not toiling in the fields) and certain forms of “selective tanning” being linked with “the leisured class”.  In the late twentieth century tan lines emerged as a genuine aesthetic in the beauty industry and rather than seeking to conceal their presence, many dressed to in a way which made them a feature.

Loleia Swimwear’s Black Friday Sale campaign, November 2025.

Most tan lines are merely circumstantial although in niches they can be a thing, some adult sites now listing “tan lines” as a category.  So, variously they can be admired or pass barely noticed but we live in very sensitive times and an Australian swimwear brand in November 2025 received criticism for “glamourising sunburn”, a conclusion drawn by those outraged by Loleia Swimwear’s Black Friday Sale campaign.  What caused the angst was Loleia’s use of a photograph of a bronze-skinned model with LOLEIA 30% OFF STOREWIDE CODE: BLACKFRIDAY digitally added to her back in a way which looked as if the characters were in un-tanned skin (ie a tantoo).  Based in the Western Australian capital Perth (the world’s most isolated city according to urban geographers), Loleia is said to have become a cult favourite in the crowded swimwear business but being targeted by the skin police will have generated a level of brand-awareness it would otherwise have taken much effort and likely millions of dollars to attain.  Wisely, the brand did not respond to multiple requests for comment, presumably advised there was little to be gained for either defending or apologizing for the use of the image whereas letting the story play out was priceless (and free) publicity.

Token gesture #1: Loleia's website is lavishly stocked with images of models in swimwear but there seems to be only one carrying a container of sunscreen and, at SPF (Sun Protection Factor) 30 it's not the most protective available.  Note the admirable shoulder blade definition.

The CCWA’s (Cancer Council of Western Australia) SunSmart manager condemned the advertisement, saying: “It’s really concerning to see images like that, particularly targeting young people who might see that image and not realise that it might be a generated image.  We don’t want people to aspire to that kind of look – tanning causes damage to your skin, and it is skin cells in trauma.  Portraying and promoting images like that in the media is really not on … we’re really disappointed to see that kind of depiction.”  That must mean the SunSmart manager believes bikini-buying young women will assume an advertising agency would pay an appropriately-stickered model to lie for hours under the sun or a sunlamp to achieve the desired tantoo rather than spend a few minutes (or maybe seconds if generative AI (artificial intelligence) is used) photoshopping a stock image.  Perth may be isolated but the young folk there know about fake images.  In fairness, the CCWA did have a good point to make because tanning remains fashionable in Australia despite the country’s skin cancer rates being among the world’s highest, the sometimes lethal melanoma one of the most common cancers in Australians aged between 15-29 (ie the prime bikini-wearing demographic).

Token gesture #2 (DEI): Although the quota seems to have been set low, the site includes a handful of MoCs (models of color).

Cultural change can be achieved but nobody seems yet to have found the formula which to make youth perceive untanned skin as desirably attractive and the bronzed look as mere “skin damage”.  Historically, that was in many places the dominant narrative but that was when a tanned skin was associated with peasants toiling in the fields and a pale complexion reflected having the wealth and social status to “stay out of the sun”.  Social and economic shifts have changed things in that in the twentieth century tans became linked with leisure which, combined with a “beach culture” (certainly in sunny Australia) made bronzed skin a marker of youthful vitality.  “We’re really trying to change the culture that Australia has around the fact that tanning is desirable because we know that it just leads to skin cancer” the SunSmart manager was quoted as saying, adding “We’d really encourage brands and advertising agencies to consider how they’re depicting those behaviours in their materials – considering that it’s young people that they’re targeting, [it’s important] to think about how they can encourage them to do the right thing, particularly with swimwear brands.  We want to see just some positive reinforcement of the messages that we’ve been talking about for generations.”

Token gesture #3 (DEI): There was also a smattering of plus-size models (at the lower end of the spectrum).  As a general principle, the plus-size community is at higher risk of sun-induced skin damage because their surface area is greater.

The manager of Skin Collective (a Perth skincare clinic) concurred, saying “…advertising sunburn in any form was dangerous.  It’s a real concern that an advertising campaign is glamourising sunburn or tanning by showing it in a pattern.  Research has shown that actually it takes only one sunburn that blisters and causes a peel to double your melanoma likelihood or risk.  I definitely think a year ago, there was a significant messaging around making it trendy or cool to create tans.  We saw even people go as far as tattooing tan lines on their bodies, which is a real concern in a country that has the highest melanoma rates.  I think we need to take responsibility and understand that our marketing campaigns genuinely do influence trends – it’s important that your messaging is about sun safety, and we can do that by creating beautiful, curated campaigns that still [have a] SunSmart message.  We’re actually changing the health of a whole generation, and it’s really important for us to be those educators.”

Mostly though, the site's photography is on theme and the compositional standard high although what was striking (especially for a swimwear retailer) was the relative paucity of blonde hair and it may be this was done deliberately to disguise the lack of diversity.

The issue with tanning in Australia is not new.  In 2024, Ad Standards (the national regulator for advertising standards) found Fox Tan had, in a TikTok video, breached the AANA’s (Australian Association of National Advertisers) code of ethics regarding health and safety (advertisers have ethics, who knew?).  That case concerned a video of a woman lying on a sun lounge, the caption reading: “When they say it’s time to get out of the sun now but your tan just started to look good.”  According to Ad Standards, noting “…skin cancer affects a very large number of Australians over their lifetime and continues to lead to a high number of deaths every year”, the panel concluded “…the audience for the advertisement is likely to be younger Australians interested in tanning and considered that the messaging in this advertisement was especially dangerous for this group of people.”  However commendable her efforts, the CCWA’s SunSmart manager may be fighting a losing battle. 

In Japanese, the word irezumi means "insertion of ink" and is applied variously to tattoos using tebori (the traditional Japanese hand method, a Western-style machine or any method of tattooing using insertion of ink.  The most common word used for traditional Japanese tattoo designs is horimono although increasingly the word tattoo is used to describe non-Japanese styles of tattooing. Etymologists found tattoo intriguing because so many languages contain similar words, some appearing to have emerged independently of the others and anthropologists agree the practice of tapping on primitive instruments as a distractive device seems to have been a widespread practice while images were being made on the skin, the conclusion being some of the variations are likely onomatopoeic:

English: tattoo
Danish: tatovering
Italian: tatuaggio
Brazilian: tatuagem
Estonian: tatoveering
Romanian: tatuaj
Norwegian: tatovering
Māori: Ta moko
Swedish: tatuering
German: tatowierung
French: tatouage
Spanish: tatuaje
Dutch: tatoeage
Finnish: tatuointi
Polish: tatuaz
Portuguese: tatuagem
Lithuanian: tatuagem
Creol: tatouaz

Glaucus

Glaucus (pronounce gloh-kus)

(1) Bluish-green, grayish-blue, sea-colored (ie of certain seas) or a gleaming pale blue.

(2) Any member of the genus Glaucus of nudibranchiate mollusks, found in the warmer latitudes, swimming in the open sea, strikingly colored with blue and silvery white.  They’re known also as sea swallow, blue angel, blue glaucus, blue dragon, blue sea slug, blue ocean slug).  If offered the choice, the organisms presumably would prefer to be called swallows, angels or dragons rather than slugs.

(3) A desert lime (Citrus glauca), a thorny shrub species endemic to semi-arid regions of Australia.

From the Ancient Greek γλαυκός (glaukós) (the γλαῦκος (glaûkos) was an edible grey fish although the species is uncertain (perhaps the derbio)) and was taken up by the Medieval Latin as glaucus (bright, sparkling, gleaming” and “bluish-green).  There may be an Indo-European root but no link has ever been found and despite the similarity, other words used to denote gleaming or shimmering light and colors (glow, gleam etc), there’s no known etymological link and it may have been a substratum word from Pre-Greek.  The eighth century BC poet Homer used the Greek glaukos to describe the sea as “gleaming, silvery”, apparently without any suggestion of a specific color but later writers adopted it with a sense of “greenish” (of olive leaves) and “blue; gray” (of eyes).  In English, the adjective glaucous dates from the 1670s and was used to refer to shades of bluish-green or gray; it’s a popular form in botany and ornithology, describing surfaces with a powdery or waxy coating that gives a pale blue-gray appearance.  In fashion, the vagueness of glaucus (especially the adjective glaucous) makes it handy because it can be used to describe eyes or fabrics neither quite blue nor green yet really not suited to being called turquoise, teal, aqua etc.  Glaucus is a noun & adjective; the noun plural is glaucuses.

Translators seem to believe Homer's glauk-opis Athene (Athena Glaukopis) meant “bright-eyed” rather than “gray-eyed” goddess; it was an epithet emphasizing her intelligence and wisdom, the construct being glau(kos) (gleaming, silvery; bluish-green; grey) + opsis (eye; face).  The word γλαύξ (glaux) (little owl) may have been related and linked to the bird’s distinctive, penetrating stare but it may also be from a pre-Greek source.  Owls do however sometimes appear with the goddess in Greek art and, like her, became a symbol of wisdom and intelligence.  The other epithets applied to Athena included Ophthalmitis and Oxyderkous, both references to her sharp, penetrating gaze.  As a descriptor of color, glaucus was applied widely including to eyes, the sea, the sky or fabrics and was used of shining surfaces.  The descendants include the Catalan glauc, the English glaucous, the French glauque, the Romanian glauc, the Italian glauco, the Portuguese glauco, the Romanian glauc and the Spanish glauco.  The Middle English glauk (bluish-green, gray) was in use as late as the early fifteenth century.

Renaissance-era engraving of Athena, the Ancient Greek goddess of wisdom, warfare, and craft, depicted in Corinthian helmet with spear and clothed in a long πέπλος (péplos); her aegis (shield or breastplate), bearing the Gorgon's head, rests nearby.  Athena’s sacred bird, the Athene noctua (little owl) is perched atop a pile of books, symbolizing knowledge & wisdom while the creature at her feet is the chthonic serpent Erichthonius which she raised, used often to stand for the triumph of reason over chaos, thus appearing also as the sacred serpent which protected the Acropolis.  The Greek Inscription on the banner reads: ΜΟΧΘΕΙΝ ΑΝΑΓΚΗ ΤΟΥΣ ΘΕΛΟΝΤΑΣ ΕΥ ΠΡΑΤΤΕΙΝ (Those who wish to do well must undergo toil) a classical aphorism often suggested as being a paraphrasing lines from Pindar or Isocrates, extolling effort and virtue.

In the myths of Antiquity there were many tales of Glaucus and in that the character was not unusual, the figures in the stories sometimes differing in details like parentage, where they lived, the lives they led and even whether they were gods or mortals; sometimes the lives depicted bore little similarity to those in other tales.  The myths in ancient Greece were not a fixed canon in the modern Western literary tradition; they were for centuries passed down orally for centuries before being written and in different regions a poet or dramatist was likely to tell it differently.   That was not just artistic licence because the stories could be a product people would pay to hear and content providers needed new product.  Additionally, as is a well-documented phenomenon when information is passed on orally, over generations, the “Chinese whispers problem” occurs and things, organically, can change.

Lindsay Lohan’s in glaucous (in the Medieval Latin sense of gleaming as well as the color) John Galliano satin gown, worn with Santoni stilettos, Irish Wish (Netflix, 2024) premiere, Paris Theater, New York City, March, 2024.

Nor was there the modern conception of IP (intellectual property) or copyright in the characters, the myths “belonging” literally to all as a shared public cultural heritage.  Were a poet (Ovid, Homer, Hesiod etc) to “re-imagine” an old myth or use well known characters to populate a new plot, that wasn’t plagiarization but simply a creative act in interpretation or reshaping.  There were social and political determinisms in all this: We now refer casually to “Ancient Greece” but it was not a unitary state (a la modern Greece) but an aggregation of city-states with their own distinct cults, local legends and literary traditions.  So, in one region Glaucus might have been depicted as a sea-god while somewhere to the south he was a warrior; a tragedian might make Glaucus tragic, a philosopher might use him as an allegorical device and a poet might map him onto a formulaic tale of jealousy, transformation and redemption.  The best comparison is probably the fictional characters which have entered public domain (as Mickey Mouse recently achieved) and thus become available for anyone to make of what they will.  To be generous, one might suggest what the AI (artificial intelligence) companies now wish to be made lawful (vacuuming up digitized copyright material to train their LLMs (large language models) for commercial gain while not having to pay the original creators or rights holders) is a return to the literary practices of antiquity.

Lindsay Lohan’s eyes naturally (left) are in the glaucus range but with modern contact lens (right), much is possible.

So it wasn’t so much that writers felt free to adapt myths to suit their purposes but rather it would never have occurred to them there was anything strange in doing exactly that.  Significantly, any author was at any time free to create a wholly new cast for their story but just as movie producers know a film with “bankable” stars has a greater chance of success than one with talented unknowns, the temptation must have been to avoid risking market resistance and “stick to the classics”.  Additionally, what’s never been entirely certain is the extent to which the poets who wrote down what they heard were inclined to “improve” things.  The myths were in a sense entertainment but they were often also morality tales, psychological studies or statements of political ideology, a medium for exploring fate, identity, love, betrayal, divine justice and other vicissitudes of life.  The very modern notion of “authorship” would have been unfamiliar in Antiquity, a ποιητής (author; poet) being someone who “shaped” rather than “owned” them and Homer (who may not have been a single individual) was revered not because he “made up” the Trojan War, but because masterfully he recounted it, just as now historians who write vivid histories are valued. 

Some of the many lives of Glaucus (Γλαύκος)

(1) He was the son of Antenor who helped Paris abduct Helen and to punish him, his father drove him out.  He fought against the Greeks, and was said sometimes to have been slain by Agamemnon but the more common version is he was saved by Odysseus and Menelaus; as the son of Antenor, who was bound to them by ties of friendship.

(2) He was the son of Hippolochus and grandson of Bellerophon and with his cousin Sarpedon, he commanded the Lycian contingent at Troy.  In the fighting around the city, he found himself face to face with Diomedes but both recalled their families were bound by ties of friendship so the two exchanged weapons, Diomedes of bronze and Glaucus of gold.  Later, when Sarpedon was wounded, he went to assist him, but was stopped by Teucer, wounded and forced to retire from the fray.  Apollo cured Glaucus in time to recover Sarpedon's body, though he was unable to stop the Greeks stripping the corpse of its arms.  Glaucus was killed during the fight for the body of Patroclus by Ajax and on Apollo's order his body was carried back to Lycia by the winds.

(3) He was the son of Sisyphus and succeeded his father to the throne of Ephyra, which later became Corinth.  Glaucus took part in the funeral games of Pelias but was beaten in the four-horse chariot race by Iolaus; after this his mares ate him alive after being maddened either by the water of a magic well, or as a result of Aphrodite's anger, for in order to make his mares run faster Glaucus refused to let them breed, and so offended the goddess.  In another legend, this Glaucus drank from a fountain which conferred immortality. No one would believe that he had become immortal, however, so he threw himself into the sea, where he became a sea-god and every sailor who cast a gaze upon him was assured an early death.

(4) He was a sea-deity.  Glaucus was a fisherman standing on the shore when he noticed if he laid his catch upon a certain herb-covered meadow, the fish miraculously were restored to life and jumped back into the sea. Curious, he tasted the herb himself and was seized by an irresistible urge to dive into the waters where the sea goddesses cleansed him of his remaining traces of mortality.  With that, he assumed a new form, his shoulders grew broader and his legs became a fish’s tail, his cheeks developed a thick beard (tinted green like the patina of bronze) and he became a part of the oceanic pantheon.  He also received the gift of prophecy to become a protector of sailors, often giving oracles and wisdom drawn from the sea.

Glaucus et Scylla (1726), oil on canvas by Jacques Dumont le Romain (1704-1781), (Musée des Beaux-Arts de Troyes). 

(5) Virgil made him the father of the Cumaean Sibyl and he appeared to Menelaus when the latter was returning from Troy; in some traditions he is said to have built the Argo and to have accompanied the ship on its voyage.  Glaucus courted Scylla unsuccessfully, and also tried to win the favours of Ariadne when Theseus abandoned her on Naxos. In that quest he failed but Dionysus included him in his train when the god took her away and made her his wife.

(6) He was the son of Minos and Pasiphae and while still a child he was chasing a mouse when he fell into a jar of honey and drowned.  When Minos finally found his son's corpse, the Curetés told him the child could be restored to life by the man who could best describe the colour of a certain cow among his herds which changed its colour three times a day.  It first became white, then red and finally became black.  Minos asked all the cleverest men in Crete to describe the colour of the cow and it was Polyidus who answered that the cow was mulberry-coloured, for the fruit is first white, turns red, and finally goes black when ripe. Minos felt that Polyidus had solved the problem and told him to bring Glaucus back to life, shutting him up with Glaucus' body.  Polyidus was at his wits' end, until he saw a snake make its way into the room and go over towards the body. He killed the serpent but soon a second came in and, seeing the first lying dead, went out before returning carrying in its mouth a herb with which it touched its companion.  Immediately, the snake was restored to life so Polyidus rubbed this herb on Glaucus, who revived at once.  Minos, however, was still not satisfied.  Before allowing Polyidus to return to his fatherland he demanded that the soothsayer should teach Glaucus his art.  This Polyidus did, but when he was finally allowed to go, he spat into his pupil's mouth, and Glaucus immediately lost all the knowledge he had just acquired.  In other versions of the legend, it was Asclepius, not Polyidus, who brought Glaucus back to life.

Zigzag

Zigzag (pronounced zig-zag)

(1) A line, course, or progression characterized by sharp turns first to one side and then to the other.

(2) One of a series of such turns, as in a line or path (typically in a repeating “Z-like” pattern.

(3) Proceeding or formed in a zigzag:

(4) In sewing, dressmaking etc, a pattern or stitches in this shape.

(5) In military use (land, sea & air), to move or manoeuvre in a zigzaging motion, usually as a form of evasion.

(6) In figurative use, something performed in a non-lineal way, characterized by frequent changes, often in response to external influences such as criticism.

(7) As “zigzag rule”, a rule composed of light strips of wood joined by rivets so as to be foldable, all the opening and closing parts being in parallel planes.

(8) In World War I (1914-1918) US military slang, a slang term for “someone drunk”.

1712: From the mid-seventeenth century French zigzag which replaced the earlier ziczac, from the German zickzack, from the Walloon ziczac, a gradational compound based on Zacke (tack) (familiar in English use as the “zigzagging technique” used in yachting).  It’s thought the coining of the original may have been influenced by the letter “Z” which appears twice, a “Z” able to be interpreted as a representation of a “zigzag movement”.  Less supported among etymologists is the alternative theory the German Zickzack was from Zacke (point; tooth; prong; jagged projection).  The earliest known use in German was to describe military siege approaches, a use adopted (by analogy) by early English landscape architects (then known as “gardeners”) to the layout of appropriately shaped paths in parks.  It was used as an adjective from the mid eighteenth century, the first appearing in 1774.  The brand of cigarette paper (a favorite of many stoners because the glue was said to make joints “easier to roll”) was first sold in 1909.  The adjectival use is common in fabric design and dressmaking, the zigzag pattern widely used.  In sewing, a zigzag stitch is one of the standard set in sewing machines, used usually to finish edges, the attachment to create such stitches known as a zigzagger.  The hyphenated spelling zig-zag is common.  Zigzag is a noun, verb adjective & adverb; zigzaggedness & zigzagger are nouns and zigzagged & zigzagging are verbs; the noun plural is zigzags.

ZIG is used as an acronym for a number of purposes including (1) zoster immune globulin (a globulin fraction of pooled plasma from patients who have recovered from herpes zoster and used prophylactically for immuno-suppressed children exposed to varicella and therapeutically to ameliorate varicella infection), (2) a general-purpose imperative, statically typed, compiled programming language intended as a modern successor to the C language and is (3) the abbreviation of Zimbabwe Gold, the official national currency of Zimbabwe since April 2024; it began in October 2023 as a gold-backed digital token in October 2023.  ZAG is the International Air Transport Association’s (IATA) code for Zagreb International Airport, Croatia and to describe Zymosan-Activated Granulocytes (a type of white blood cell (granulocytes) that have been stimulated by exposure to zymosan, a polysaccharide derived from the cell walls of yeast species like Saccharomyces cerevisiae).

Lindsay Lohan with Kim Kardashian (b 1980) with strategically placed “gash” in dress.

The feature may be described as either a “zig” or “zag” because the terms are interchangeable.  However, were there to be two connected gashes which assume opposite directions: that would be a “zigzag”.  While the nature of the formation of the words “zig” & “zag” is not unique, it is unusual in that, dating from the late eighteenth century, both were extractions: back-formation from “zigzag”.  A notable quirk of zig & zag is that interchangeably they can be used to mean the same thing yet when used in the same sentence, they mean “to move in opposite directions”.  In separate use, it thus matters not whether one says “she zigged around” or “she zagged around”; the meaning is the same.  Used together however, the rule is strict: she will always be described as “zigzagging” and never “zagzigging”.  Zigzag is often intended to be humorous and when applied to politicians it’s a way of saying they are “being evasive” or “flip-flopping”.

Lindsay Lohan wearing a Tolani zig zag scarf (given it was winter, the piece should probably be described as a “muffler”) in the style made famous by the Italian fashion house Missoni, New York, November 2007.

Founded in 1953 by Ottavio (1921-2013) and Rosita (b 1931) Missoni, the house became well-known during the 1960s for their vibrant and colorful knitwear, the signature motif of which was a distinctive zigzag pattern.  The technology which made the garments possible was not new, the Missoni’s “re-discovering” the long discarded “Rachel” machines traditionally used to create the shawls worn in the south of Italy, devices which permitted an almost infinite variation of lines and styles within a given design; such things were of course possible using other machinery but the versatile Rachels allowed changes to be integrated into the production line process, making possible economies of scale not available to other manufacturers; all that was required was a quick juggling of the assembly’s array of multi-colored points and what would emerge was fabric with horizontal and vertical lines in a rainbow of colors.  Ottavio Missoni did acknowledge the stylistic debt owed, once saying: “For a thousand years, the Incas have been copying my knit sweaters…”

A swatch of Missoni's signature zigzag.

The event which made Missoni famous was at the time thought scandalous although, given what these days is worn on catwalks and red carpets, it seems quaint indeed.  After their first, well-received, catwalk show in 1966, Missoni was invited to the event held in Florence’s Pitti Palace in April 1967 and it was only during last-minute rehearsals Rosita Missoni became aware the shape and color of the models’ bras were clearly visible, distracting attention from the unique zigzagging patterns which were the brand’s signature.  With no time to arrange a fix like skin-toned bodysuits, her solution was for the models to remove their bras; that solved the problem but replaced one distraction with another, the assembled pack of photographers most impressed because, under venue’s unusually bright lights, the pieces became transparent.  Since dubbed “The Battle of the Bras”, at the time not all thought the look “appropriate” but it generated much publicity and was one of the reasons Milan would in the late 1960s emerge as one of the world’s fashion capitals, the photographers following the Missonis back to Milan.  The couple weren’t invited to the next year’s Pitti Palace show but Vogue, Marie Claire, Elle, and Harper's Bazaar all provided generous coverage and the Rubicon had been crossed, Yves Saint-Laurent (1936–2008) in 1968 displaying the “see-through” look.  Since then, it’s never gone away.

PLA Shenyang J-8II (left) and USN Lockheed EP-3E ARIES II (right)

The phrase “he zigged when he should have zagged” came into common use in the mid-twentieth century and is believed to have been popularized by radio sports commentators who needed something “graphical” to paint a “word picture” of why a football player had been tackled.  The origin is thought to be sardonic military humor and a euphemism for “he was killed while attempting an evasive maneuver”.  An example of “he zigged when he should have zagged” was the fate of the unfortunate Lieutenant Commander (shao xiao) Wang Wei (1969-2001) of the People's Liberation Army (PLA) Navy of the PRC (People’s Republic of China), killed when his Shenyang J-8II interceptor (a Chinese knock-off of the old Soviet-era MiG 21) collided with a US Navy Lockheed EP-3E ARIES II signals reconnaissance aircraft (a development of the old P-3 Orion).  The affair became known as the “Hainan Island Incident” because the damaged EP-3 was forced to land on the Chinese territory of Hainan Island, the ensuring diplomatic spat played out over the next ten days, resolved by the US ambassador to Beijing handing to the PRC’s foreign minister the “Letter of the two sorries”; US surveillance flights have continued and the PLA is now more cautious in its shadowing.  US pilots noted the dark linguistic coincidence of the name “Wang Wei” being pronounced “wong way”.

Jewish Museum Berlin (2001), overhead view (left), exterior (centre) and interior (right).

Designed by US architect Daniel Libeskind (b 1946) and opened in 2001, Berlin’s Jewish Museum is noted for the “zigzag” theme reflected in its floor plan, exterior surfaces and interior detailing.  The “gashes”, a recurring motif, are integral to the design and described as “voids”, deep, empty spaces which “cut their way” through the building, serving as symbols representing the absence, loss, and emptiness left by the Holocaust.  The architect’s idea was to evoke a sense of disorientation & fragmentation, recalling the often disrupted history of the Jewish people in Germany (the Holocaust only the most severe of the pogroms suffered).  According to the museum, the voids are intended to summon in visitors periods of reflection, silence, and remembrance; a recall of what irrevocably has been lost.  In terms of design & effect, one of the most celebrated voids is the "Memory Void" in which houses the installation Shalekhet (Fallen Leaves) by Israeli painter & sculptor Menashe Kadishman (1932–2015), constructed with thousands of metallic faces spread across the floor.  On these, visitors walk, producing a haunting sound many report as “intensifying the emotional experience”.  Voids are not unusual in museums, galleries and other exhibition spaces but unlike some, those in the Jewish Museum contain no exhibits, reminding visitor of the void in Jewish culture rent by the Holocaust.

Masticate

Masticate (pronounced mas-ti-keyt)

(1) To chew (usually food).

(2) To reduce materials (such as rubber) to a pulp by crushing or kneading.

1640–1650: From the Late Latin masticātus, past participle of masticāre (to chew), from the past participle stem of the post-Classical Latin masticō (I chew), from the Ancient Greek μαστιχάω (mastikháō) (I gnash the teeth”).  The English masticate was a back-formation of the earlier mastication.  The noun mastic (gum or resin obtained from certain small trees of the Mediterranean region and in various places east of Suez used as a chewing gum) emerged in the late fourteenth century and was from mastic, from the thirteenth century Old French mastic and directly from Late Latin mastichum, from the Classical Latin mastiche, from the Ancient Greek mastikhe, of uncertain origin but probably in some way connected with masasthai (to chew) and thus related to the modern mastication.  The etymologists are divided on whether the Ancient Greek mastikhan (to gnash the teeth) was from the primitive Indo-European mendh- (to chew (and the ultimate source of mandible) or of pre-Greek origin.  Masticate, masticated & masticating are verbs, masticatory, masticator & mastication are nouns and masticable is an adjective; the noun plural is mastications.

All forms tend now to be seen in specialised niches, masticatory almost always in medical or scientific literature and seems to be a favorite in entomology while masticable (capable of being chewed, that may be masticated) appeared first in 1802, quickly adopted by dieticians in hospitals & zoos although it has survived only in the latter.  Other than for technical purposes, masticate’s most obvious niche is in humor, the effect achieved by using the word in a way easily confused with the almost homophonic masturbate, a device used also with the thespian/lesbian homophone.  So usually, unless one is discussing the eating habits of insects or aiming for humorous effect, the monosyllabic “chew” is a better choice.

Thespian Lindsay Lohan with cheeseburger, masticating.

The verb chew (masticate, bite and grind with the teeth) was from the Middle English cheuen, from the Old English ceowan, from the West Germanic keuwwan (source also of the Middle Low German keuwen, the Dutch kauwen, the Old High German kiuwan and the German kauen).  The source may have been from the primitive Indo-European gyeu- (to chew), source of the Old Church Slavonic živo (to chew), the Lithuanian žiaunos (jaws) and the Persian javidan (to chew).  The figurative sense (to to think over (usually as “chew on it”)) dates from the late fourteenth century, the origin said to be “dinner table discussions over pieces of bacon fat”.  For humorous effect, the process is sometimes described as “mental mastication”.  Later variations include “to chew the rag” (discuss some matter), first documented in 1885 as army slang although there are claims it began both in the British Army and the Indian Army under the Raj.  To “chew the fat” meant the same thing and was mid-twentieth century slang.  . To chew (someone) out was first cited in 1948 but was thought to be military slang from World War II (1939-1945), the idea being having been “chewed up and spat out”.  As a packaged product, chewing gum was first sold in the US in 1843, the early formulations being hardened secretions from the spruce tree.

The purported fallacy

The purported fallacy is a rhetorical device intended to confuse or suggest irrelevant considerations into the mind of the listener,  It’s related to but distinct from the “red herring” (in figurative use, a clue, information, argument, etc. that is or is intended to be misleading, diverting attention from the real answer or issue).  A well-known example from the US is often quoted but is unfortunately a myth, fake news in its time but still refusing to die.  In the Florida primary contest for the Democratic nomination in the 1950 Senate campaign, Claude Pepper (1900–1989; Democrat Senator for Florida 1936-1951, Democrat member of House of Representatives (Florida 1963-1989)) lost to George Smathers (1913–2007; Democrat member of House of Representatives (Florida) 1947-1951 and Democrat Senator for Florida 1951-1969).  Smathers had managed Pepper's successful 1938 campaign and the association continued, Pepper pulling strings so Smathers could avoid military service during World War II (1939-1945) and helping him become an assistant attorney-general.

The 1950 Senate election in Florida was noted for flamboyant oratory, ideological ferocity and personal dramas but that was neither novel nor unique to Florida, indeed, by mid twentieth century thing had been toned-down from what had prevailed during much of the 1800s.  Smathers labeled his opponent “Red” Pepper which, if unfair, was funny and, in the early Cold War, a not unusual tactic, Senator Joe McCarthy (1908–1957; senator for Wisconsin (Republican) 1947-1957) that year having delivered his inflammatory Lincoln Day speech in which he claimed to have list of known communists employed by the State Department.  However, what arose during the campaign was the legend that Smathers, assuming low education and high prejudice in the minds of some voters, had made speeches in rural areas accusing his opponent of being “a shameless extrovert”, having “a sister who was once a thespian in wicked New York”, having "practiced celibacy before his marriage" and being someone “who had been seen masticating fish”.

Irresistibly good copy, the words appeared in the 17 April issue of Time magazine and despite cautioning they were “of doubtful authenticity” they’ve for decades been recycled, used for illustrative effect for this and that across the political spectrum; Robert Sherrill (1924-2014) on the left and William F Buckley (1925–2008) on the right, both claiming it happened.  The truth (which Buckley later acknowledged), was the words turned out to be the work of journalists covering the campaign who, over drinks, began inventing double-talk quotations and swapping them.  It became a contest to see who could write the funniest and some of them leaked, published as fact.  After decades of estrangement, a Pepper fund-raising letter ended up in Smathers' office.  Smathers responded with a contribution and Pepper, after joking that the cheque bounced, sent a note of thanks.  Smathers said he would contribute to Pepper as long as he was in the Congress as a champion of the elderly, adding he was now “old enough to where I kind of feel like he may speak for me''.

Satirists work in a similar vein to those tipsy reporters.  In 2006, in a parody of the attack ads the Liberal Party was using against Stephen Harper’s (b 1959; prime minister of Canada 2006-2015) Conservative Party government, National Public Radio (NPR) offered:

Stephen Harper has plans for Canada, scary plans.  Scary, evil plans.  We can't make this up, we're not allowed to. Stephen Harper owns a dragon.  He keeps it in a shed. Seriously.  Stephen Harper drinks his own blood.  We saw him. We're not allowed to make this up.  The Liberal Party, let's see how badly we can lose this thing.

Cassandra

Cassandra (pronounced kuh-san-druh)

(1) In classical mythology, prophet endowed with the gift of prophecy but fated never to be believed.  Cassandra is called Alexandra in some texts.

(2) A person who prophesies gloom or doom.

(3) A female given name from Greek and of uncertain origin.

1664: From antiquity; in Greek mythology, a daughter of Priam and Hecuba of Troy.  The name is a Latinized from from the Greek Κασσάνδρα (Kassándra or Kassándra) and is of uncertain origin; scholars are divided, some suggesting a feminine form of Greek andros (of man, male human being) and link this to the sometimes cited "helper of men" or "praise of men".  Etymologist note the second element of the name resembles the feminine form of the Greek andros (of man, male human being) which has led some to suggest a link with the primitive Indo-European skand & kand- (to shine).  Interestingly, others have pondered a connection with the not entirely dissimilar primitive Indo-European forms kekasmai (to surpass, to excel) or skend & kend- (raise).  The figurative use in English was first noted in 1664.

Usually associated with prophesy, Cassandra was a daughter of Priam, last king of Troy, and his wife Hecuba but in Homer’s Iliad, while the loveliest of Priam’s daughters, she wasn’t a prophet and according to Aeschylus’ tragedy Agamemnon, Cassandra was loved by Apollo, who promised her the power of prophecy if she would surrender to his desires.  Cassandra accepted and took the gift, but then refused Apollo’s lustful wants.  Enraged, while kissing her, he spat into her mouth to inflict on her the curse that nobody would believe her prophecies.  There are variations in the texts from antiquity, some involving serpents, but all seem to concur Cassandra either was always mad or, at some point in her troubled life, went mad.  In Aeschylus' Agamemnon, she laments her doomed affair with Apollo:

Apollo, Apollo!

God of all ways, but only Death's to me,

Once and again, O thou, Destroyer named,

Thou hast destroyed me, thou, my love of old!

Cassandra foretold the fall of Troy and the death of Agamemnon, but her warnings went unheeded.  During the sack of Troy, Ajax the Lesser dragged Cassandra from the altar of Athena and raped her.  As vengeance, Athena, with the help of Poseidon and Zeus, summoned a storm that sank most of the Greek fleet as it returned home.  After the fall of Troy, Cassandra fell with Agamemnon and later they were murdered together.  She was worshiped (as Alexandra) with Agamemnon.

Cassandra:  Eric Abetz (b 1958, senator (Liberal Party) for Tasmania) 1994-2022) in the Australian Senate, Monday 26 November 2017, delivering an important speech opposing same-sex marriage, surrounded by his supporters.

Cassandra: Well acquainted with the ways of the paparazzi, interviewed on US radio, Lindsay Lohan warned the Duke & Duchess of Sussex (Prince Harry and Meghan Markle) that moving to Malibu, California would not mean they would be less exposed to their intrusions.  Upon being informed the couple had apparently bought a house in Malibu Beach, Ms Lohan laughed at the suggestion moving there from London would help them escape the paparazzi, warning them their presence in California would act as a magnet.  As things transpired, the Sussexes bought a house in Montecito but the short drive north is unlikely to prove a deterrent.  To think otherwise is California dreaming.