Decadence

Decadence (pronounced dek-uh-duhns or dih-keyd-ns)

(1) The act or process of falling into an inferior condition or state; deterioration; decay.

(2) Synonyms: decline, retrogression, degeneration

(3) Moral degeneration or decay; turpitude.

(4) Unrestrained or excessive self-indulgence.

(5) The decadent movement in literature (often with an initial capital and extended sometimes to the visual arts).

1540–1550: From the early fifteenth century French décadence, from the Medieval Latin dēcadentia (decay), from the Late Latin dēcadent-, stem of dēcadēns (falling away), the present participle of the Vulgar Latin dēcadere (to fall away; to decay), an etymologically restored form of the Latin dēcidere (to fall away, fail, sink, perish”), the construct being de- (apart, down) + cadere (to fall (from the primitive Indo-European root kad- (to fall)).  The meaning “process of falling away from a better or more vital state” dates from the 1620s while the use to define epochs is traced by some historians to the sense used of “decadent” in 1837 by Thomas Carlyle (1795–1881): “…in a state of decline or decay (from a former condition of excellence)”, decadent from the from French décadent (a back-formation from décadence).  The use to refer (disparaging) the perceived corruption of literary values began in the 1850s and thirty years later was common in both French and English criticism.  The addition of the sense of decadence being “a form of self-indulgence” seems not to have emerged until the late 1960s when it was applied (negatively) to the counter-culture but modern commerce soon re-packaged to use it of products marketed as “desirable and satisfying”; creamy desserts were often so labeled and the cake “Chocolate Decadence” became a generic term, the recipes varying greatly in detail.  Originally, the term “decadence” was used of “a period of historical decline, particularly of empires or civilizations” but, from the late nineteenth century, it shifted to become a literary & artistic word describing a movement and later a type of moral or cultural behavior, particularly human behavior that is seen as self-indulgent or excessive.  Finally, it became the name of a chocolate cake, something (vaguely) linked to association philosophers and historians would make between the decline of civilizations declined from periods of greatness into moral and structural decay, often with a focus on materialism and indulgence.  Decadence & decadency are nouns, decadent is a noun & verb and decadently is an adverb; the noun plural is decadences.

The related adjective deciduous was from the Latin dēciduus (falling down or off), from dēcidō (fall down) and is now most familiar from the arboreal branch of biology where it describes trees which shed their leaves (variously in winter, the fall (autumn) or the dry season.  However, in the technical language of anatomy it’s used of body parts which fall off or are shed, at a particular time or stage of development (ie not the result of injury or disease) and more generally can be used figuratively of things transitory or ephemeral, this mostly as a literary device.  Obviously also related is the noun decay, from the Middle English decayen & dekeyen (to decrease, diminish), from the Anglo-Norman decaeir (to fall away, decay, decline), from the Vulgar Latin dēcadere.  Decay describes the process or result of being gradually decomposed; rot, decomposition and is widely used of qualities such as (1) a deterioration of condition; loss of status, quality, strength, or fortune, (2) civic, societal or moral decay and (3) systemic decay.  It was also once used of overthrows of governments and even now has a technical meaning in computer programming.

Lindsay Lohan arriving at the Maddox Gallery to attend the Tyler Shields (b 1982) Decadence exhibition private view, London, February 2016.

Despite the spelling, unrelated is the noun “decade”.  Decade (the spelling decad long obsolete) was from the Middle English decade, from the Old French decade, from the Late Latin decādem ((set of) ten), from the Ancient Greek δεκάς (dekás), from δέκα (déka) (ten).  In English, the reference to a “span of ten years” was originally a clipping of the phrase “decade of years”, that seeming tautology existing because over the centuries there have been also “decades of soldiers” (ie ten men), “decades of days” (in history a period of ten days, particularly those in the ancient Egyptian, Coptic, and French Revolutionary calendars, “decades of books” (a work in ten parts or books, particularly such divisions of Roman historian Livy’s (Titus Livius; 59 BC–17 AD) Ab Urbe Condita (literally “From the Founding of the City” and in English usually styled as History of Rome), “decades of prayers” (in the rituals of the Roman Catholic Church, a series of prayers counted on a rosary, typically consisting of an Our Father, followed by ten Hail Marys, and concluding with a Glory Be and sometimes the Fatima Prayer), “decades of stuff” (things which existed as a group, set or series of ten),  The dominant, modern sense of “a period of ten years” dates from the seventeenth century while the notion it “usually” is one beginning with a year ending in 0 and ending with a year ending in 9” was (more or less) formalized in the nineteenth.  In technical use “decade” has been re-purposed in some specialist fields including the Braille language (to refer to the various sets of ten sequential characters with predictable patterns), electronics (of devices or components used to represent digits and physics & engineering (of the interval between any two quantities having a ratio of 10 to 1).

For what most people do most of the time, a decade is “a period of ten years beginning with a year ending in 0 and ending with a year ending in 9” (ie the 1980s, 1990s etc) bit it remains correct that a decade can be any period of that duration (such as 1994-2003).  May style guides don’t approve of this, not because it’s technically wrong but because it can tend to confuse if things are not carefully phrased.  That seems wise advice although the suggestion terms like decennium or decennary can be a substitute for “non-standard” ten-year periods is unlikely to catch on.  Words nerds note that the computation protocol for something like “the 1970s” is xxx0-xxx9 whereas for “real” decades it’s xxx1-xxx0, following the practice for centuries and millennia, something which creates the certain anomalies because there was no “year 0”, the Western calendrical shifting directly from 1 BC to 1 AD.  “Decadence” and “decade” do however sometimes mix: the Japanese term Lost Decade (失われた10年) (Ushinawareta Jūnen) coined in the late 1990s to describe the period of national economic stagnation in precipitated by the collapse of the asset price bubble (notably Tokyo commercial floor-space) which began in 1990.  The phenomenon though endured and economists responded in subsequent decades by adding 失われた20年(lost 20 years) and 失われた30年 (lost 30 years).  The 2020s are showing little indication of a return to high growth and given Japan’s structural challenges (debt rations and an aging & declining population, there’s an expectation 失われた40年 will appear in the late 2020.

The other chocolate cake: Chocolate Decadence Soap by Heritage Downs: Aus$6.50 (inc GST) per cake; the gift for the chocaholic who has everything.

In the history of art or literary theory, “decadent” was in the nineteenth century iused to describe a period during which the output was “qualitatively in decline” compared with the (perceived) excellence of a former age.  Historically, it was applied to the Alexandrine period (300-30 BC) the period after the death of Augustus (Gaius Julius Caesar Augustus (known also as Octavianus (Octavian)); 63 BC-14 AD, founder of the Roman Empire (27 BC-476 AD) and first Roman emperor 27 BC-14 AD).  In modern use it’s applied to the late nineteenth century symbolist movement in France (the poetry a particular target).  The movement emphasized the autonomy of art (exemplified in the contemporary phrase l'art pour l'art (art for art's sake), the need for sensationalism & melodrama, egocentricity, the bizarre or (wholly or partially) artificial, and the superior “outsider” position of the artist who was “in” yet not quite unambiguously “of” society; a critic rather than a participant (which of course was a reference to middle-class (or bourgeois society).  What is now classified as “decadent” poetry was preoccupied with personal experience, self-analysis, perversity, the suffering of artists and elaborate and exotic sensations.

View of Amalfi (1844), pencil, ink & water colour by John Ruskin (1819-1900).

In France the exemplar of decadence was the poet & critic Charles Baudelaire (1821–1867) whose book of lyric poetry Les Fleurs du mal (The Flowers of Evil; the first version published in 1857) is regarded still a manifest of the movement (though some conservative critics prefer “cult”) and the deconstructions who trace the changes in tone (he continued to add material until his death) regard it as something of a “journal” of the times.  In English translation, Les Fleurs du mal is some 300 pages and, in the way of the movement, the poetic forms are not “traditional” and some of the imagery is as suggestive as the thematic motifs of eroticism, suffering, sin, evil and death which will delight some and repel others and the latter wishing to explore the movement might find more accessible the novel À rebours (Against the Grain (published also as Against Nature); 1884) by the French author & art critic Joris-Karl Huysmans (pseudonym of Charles-Marie-Georges Huysmans (1848–1907)); it’s a slimmer volume which English poet & critic Arthur Symons (1865–1945) would later describe as the movement’s “breviary” (in this context “a brief summary”).  There were many notable figures who devoted their lives to proving their allegiance to this aesthetic cult and the preoccupation with decay, ruins sadness and despair was appealing to nihilists and neo-Romantics, linked even with twentieth century German fascism which was styled (however misleadingly) as a revival of purity and a return to Classical roots.  It never caught on in quite the same way in the English-speaking world the influences are clear in the work of “excessively civilized” & “troubled” figures like the Irish writer Oscar Wilde (1854–1900) and English aesthete John Ruskin.

Chocolate Decadence Cake by Vegan Peace (Striving towards peacefully sharing our Earth).

Ingredients (wet & dry to be mixed separately)

1½ cups whole wheat pastry flour (or gluten-free all-purpose flour) (dry).
1 cup organic white sugar (not powdered) (dry).
3 tablespoons cocoa powder, sifted if lumpy (not Dutch process cocoa) (dry).
1 level teaspoon baking soda (dry).
¼ teaspoon sea salt (dry).
1 teaspoon vanilla extract (wet).
1 tablespoon apple cider vinegar (wet).
1½ cup oil (sunflower, non-virgin olive, melted coconut, or safflower) (wet).
1 cup chocolate soymilk (wet).

Freaky Frosting Ingredients

5 tablespoons plus 1 teaspoon non-hydrogenated margarine.
2¼cups plus 4 teaspoons organic powdered (confectioner's) sugar.
5 tablespoons plus 1 teaspoon cocoa powder (sifted if lumpy).
2 teaspoons vanilla extract.
Pinch of sea salt.
½ cup chocolate soymilk.

Directions

(1) Preheat oven to 350° F (175° C).

(2) Oil 9 x 9 inch (230 x 230 mm) pan or a dozen muffin cups.

(3) Mix wet & dry ingredients separately ensuring each is lump-free and well-mixed.

(4) Gently combine wet-mix & dry-mix do not “over-mix” (the batter will at this point taste strange but this will disappear in the baking process.

(5) Pour mix into oiled baking pan or muffin cups and bake until the point where a knife inserted in the centre comes out clean (ie no trace of liquid or semi-liquid batter).  For cupcakes, this should take about 20 minutes; for the pan between 30-40 minutes.

(6) Remove from oven and allow cake to cool before frosting.

Frosting Directions

(7) Using electric beater, whip margarine in a large bowl until fluffy (do not over-whip.

(8) Slowly add in remaining ingredients one at a time, in the order listed.  Beat at high speed until very fluffy, using a rubber spatula to scrape down the sides of bowl as needed.

(9) Refrigerate frosting until cake has cooled.

(10) Frost cake, ideally after allowing frosting to warm to room temperature before serving cake.  A chocolate decadence may be decorated with edible flowers, raspberries, strawberries, chocolate shavings or whatever else seems to suit.

Cartnaping

Cartnaping (pronounced kahrt-nap-ing)

(1) In retail industry slang, the act of customers taking a shopping cart (in some markets a “shopping trolley, buggy, trundler etc”) beyond the designated confines (usually a car-park).

(2) In slang, a customer (now presumed to be a “Karen”) who purloins another’s (empty) shopping cart for their own use, usually when no others conveniently are to hand.

1990s: First recorded in California on the model of “kidnapping”, the construct being cart + nap + -ing.  In most non-US use, the spelling would usually be “cartnapping”.  Historically, a cart was a small, open, wheeled vehicle, drawn or pushed by a person or animal and used usually for transporting goods (although many passenger transports (often towed) have been described thus.  Go-carts (also as go-kart), the small motor vehicles, powered by lawn-mower or motorcycle engines remain one of the most popular platforms in entry-level motorsports although the sport no prefers they be called “karts”.  Cart was from the Middle English cart & kart, from the Old Norse kartr (wagon; cart), akin to the Old English cræt (chariot; cart), from the Proto-Germanic krattaz, krattijô & kradō, from the primitive Indo-European gret- (tracery; wattle; cradle; cage; basket), from ger- (to turn, wind).  It was cognate with the West Frisian kret (wheelbarrow for hauling dung), the Dutch krat & kret (crate; wheelbarrow for hauling dung), the German Krätze (basket; pannier); the most obvious wider cognate was the Sanskrit ग्रन्थ (grantha) (a binding).

In English the familiar meaning of “nap” is “to sleep for a brief time, especially during the day”.  In that sense, nap was from the Middle English nappen, from the Old English hnappian (to doze, slumber, sleep), from the Proto-West Germanic hnappōn (to nap) and was cognate with the Old High German hnaffezan & hnaffezzan (from which Middle High German gained nafzen (to slumber), source of the German dialectal napfezen & nafzen (to nod, slumber, nap).  In this sense, “nap” is used figuratively, often in the phrase “caught napping” which suggests being “caught off guard (in military conflicts, sporting competitions etc.  However, one of the other meanings of “nap” was “to grad; to nab”) and while the use is long extinct as a stand-alone word, as an element it endures in “kidnap” (and the derived “cartnap”, “catnap” etc).  In that sense the source of “nap” is murky but it was probably of North Germanic origin, from the Old Swedish nappa (to pluck, pinch).  The suffix –ing was from the Middle English -ing, from the Old English –ing & -ung (in the sense of the modern -ing, as a suffix forming nouns from verbs), from the Proto-West Germanic –ingu & -ungu, from the Proto-Germanic –ingō & -ungō. It was cognate with the Saterland Frisian -enge, the West Frisian –ing, the Dutch –ing, The Low German –ing & -ink, the German –ung, the Swedish -ing and the Icelandic –ing; All the cognate forms were used for the same purpose as the English -ing).  Cartnaping & cartnap are nouns & verbs, cartnaper is a noun and cartnaped is a verb; the noun plural is cartnapings and although also rare, cartnapers is more widely used, usually on internet “shaming” sites which document the devices abandoned or dumped in streets, waterways, parks etc.

How it all began: US Patent 2,196,914.

Although it’s clear such things had been used in many cultures for millennia, as a mass-produced commodity, the modern shopping cart was “invented” by Sylvan Goldman (1898-1984) an Oklahoma-based supermarket mogul.  It was in 1936, during the Great Depression, that Mr Goldman built his first prototypes and the following year, he began a trial of the devices in his chain of Humpty Dumpty grocery stores.  Although the early take-up rate was “sluggish”, by 1938, when he filed a patent application for his original design (“a combination basket and carriage”) the things had becoming popular with customers and in April 1940 the US Patent and Trademark Office granted US Patent 2,196,914 (Folding Basket Carriage for Self-Service Stores).

The utility was so obvious that shopping carts rapidly became features of large shopping centres throughout the nation and he soon added features, most famously as “baby seat” although the implementation of that would probably shock & appal today’s H&S (health & safety) regulators.  In the post-war years the shopping carts multiplied by the million because of a then unique combination of circumstances in the US economy: (1) widespread prosperity, (2) a ship of population from town centres to (often newly developed) remote suburbs, (4) clusters of those suburbs being serviced by large shopping centres & supermarkets and (4) multi-vehicle households which meant women had begun to drive to shop.  What the shopping centres tended to do was provide a space in which all a week’s shopping could be done in one place, purchases collected by customers who parked their car in a vast car park and it was the shopping cart which made this structural model possible.

1964 GM Runabout show car with obligatory white, happily married, middle-class woman with one of her 2.8 children (who were always well-behaved).  Note the child's white gloves, a wise parental precaution (even pre-COVID-19) given the volume of pathogens found on the typical supermarket shopping cart.

One refinement to the concept was the GM Runabout, displayed at the General Motors Futurama Exhibit the 1964 New York World's Fair.  The three-wheeled car was able to seat two adults and three children (approximately the size projected for the “average” white, middle-class US family of the late 1960s) and was optimized for ease of handling, the single front wheel able (at low speeds) to turn through 180^o.  The target market was made obvious by its most innovative feature: two fitted shopping carts which slotted into the rear bodywork, the wheels and lower assembly folding away when locked into position.  That might seem superfluous given supermarkets provided such things but the advantage was the carts could also be used at home, obviating the need to make several trips between car and kitchen.  The retail industry presumably would have liked to have seen the idea catch on because, having already off-loaded onto the customer the task of carrying the groceries to the car, it would have meant they could do away with most of their own stock of carts, needing only a few for those who needed to take their goods as far as a taxi.  The poor, able to afford neither cab nor car would just have to work it out.

Mitt Romney (b 1947; Republican nominee in the 2012 US presidential election, US senator (Republican-Utah) since 2019) (left), buying 12-packs of Caffeine Free Diet Coke and Wild Cherry Diet Pepsi, Hunter's Shop and Save, Wolfeboro, New Hampshire, August 2012.  Mormons are not allowed to do anything “evil” (though it's rumored some do) and the Doctrine and Covenants (the D&C (1835); referred to usually as the Word of Wisdom) is the scriptural canon of the Church of the Latter Day Saints (the Mormons), section 89 of which provides dietary guidelines which prohibit, inter-alia, the consumption of alcohol, tobacco, and hot drinks (ie tea & coffee).  This index of forbidden food accounts not only for why noted Mormon Mitt Romney usually looks so miserable but also why manufacturers of chocolate, candy & soda have long found Utah a receptive and lucrative market; other than joyful singing, the sugary treats are among their few orally enjoyed pleasures.  In buying caffeine-free soda, Mitt shows he still knows how to have a good time.  Lindsay Lohan, shopping in Beverley Hills in December 2007 (right), uses a shopping cart because a half-dozen 500 ml (16.9 fl oz) bottles of evian water are heavier than they look.  Neither have ever been accused of cartnapping.

Dumped in the wild: victims of cartnaping. 

But carts built into cars never reached the market so the shopping cart remained ubiquitous, thus the emergence of the crime of “cartnaping”, a poorer demographic (such as university students with carts loaded with beer & frozen pizzas) sneaking from the store, using their cart all the way home.  So the students got their beer and pizza but now had the problem of disposing of an unwanted cart and waiting for dark to fall before dumping the things in local parks, waterways or underpasses was a popular solution.  Because there were so many cartnaping students, it became a real problem (1) for the environment and (2) for the stores which paid several hundred dollars for each cart.  One early response was to pay third-party contractors a “fee per cart recovered” but more recently there have been measures to prevent cartnaping including electronic devices which make it difficult to push the things beyond a certain point and a deposit scheme in which a low-denomination coin is inserted to gain use; the money refunded when the cart is returned.  The latest approach is to require a swipe with a credit card or phone, not to extract a payment but to register the name of the user and local authorities have a variety of schemes t address the problem including a "report-a-cart hotline" and regimes under which stores are fined for each of their carts found "in the wild".

Badminton

Badminton (pronounced bad-min-tn)

(1) A racquet sport played on a rectangular (at competitive level, always indoor) two players or two pairs of players equipped with light rackets used to volley a shuttlecock over the high net dividing the court in half.

(2) A drink made with a mix of claret, soda water and sugar (also as badminton cup).

(3) A small village and civil parish in the south-west English county of Gloucestershire (initial upper case).

(4) A community in the Glyncoed area, Blaenau Gwent county borough, Wales, UK.

(4) Among the young of Hong Kong, a euphemism for sexual congress.

1873-1874: The game was named after Badminton House, the country seat of the dukes of Beaufort in Gloucestershire (now associated with the annual Badminton horse trials).  The derived terms include badminton court, badminton racquet and badminton ball.  The locality name was from the Old English Badimyncgtun (estate of (a man called) Baduhelm), which deconstructs as the personal name Bad (possibly also found in the Frankish Badon) + helm (from the Old English helma (helm, tiller)+ -ing (from the Middle English -ing, from the Old English –ing & -ung (in the sense of the modern -ing, as a suffix forming nouns from verbs), from the Proto-West Germanic –ingu & -ungu, from the Proto-Germanic –ingō & -ungō. It was cognate with the Saterland Frisian -enge, the West Frisian –ing, the Dutch –ing, The Low German –ing & -ink, the German –ung, the Swedish -ing and the Icelandic –ing; All the cognate forms were used for the same purpose as the English -ing)).+ -tun (used here to refer to “a place”).  Among players in England, the sport is sometimes referred to with the slang “badders”.  Badminton & badmintonist are nouns; the noun plural is plural badmintons.

Badminton racquets (racket in US use) use the same design as tennis racquets but are of lighter construction and not as tightly strung.

Games using shuttlecocks (the designs having variations but all using deliberately “anti-aerodynamic” properties to dissipate the energy carried in flight) are known to have been played for at least centuries across Eurasia, the attractions including the game not putting a premium on physicality (women at comparatively little disadvantage because the effect of fluid dynamics on the shuttlecock negated much of the power of inherently stronger men) and there being no need for a truly flat, prepared surface.  The recognizably modern game of badminton evolved in the early-mid nineteenth century and was something of a cult under the Raj, played by expatriate British officers of the Indian Army, both the polo crown and those unable to afford the upkeep of ponies.  It was a variant of the earlier games “shuttlecock” and “battledore” (battledore an older term for “racquet”).  The history of the sport’s early days is murky and it’s not clear if the first games in England really were played at Badminton House, the Duke of Beaufort’s country estate in 1873-1874 but it seems it was from then the game spread.  The apparently inexplicable “badminton ball” (the game played with a shuttlecock) is accounted for by the fame once being played using a soft, woolen ball and called “ball badminton”.

Among the first players at Badminton House were soldiers returning from their service under the Raj and just as they took English habits and practices to India (for good and bad), upon returning they brought much from the Orient, including their sport.  Under the Raj, it had been played outdoors and when it was wet or windy, the woollen ball was often used but the principle was essentially the same as the modern game except nets weren’t always used and there was sometimes no concept of a defined “court”, the parameters established by the players’ reach and capacity to return the shot from wherever the ball or shuttlecock was placed; what was constant was that if the shot hit the opponent’s ground, the point was won.

Standard dimensions of shuttlecocks used in officially sanctioned competitions.

Under the Raj, the game was known also as Poona or Poonah, named after the garrison town of Poona (named thus in 1857 and changed to Pune in 1978 as part of the process which restored the historic names of Chenni (Madras until 1996), Mumbai (Bombay until 1996) etc).  It was in Poona where some of the most devoted players were stationed and there were several layers of competition taken as seriously as polo tournaments; when these offers returned to England, badminton clubs were soon established (mostly in the south).  The so called “Pune Rules” (of which there were variations reflecting the regimental origins of the clubs) were maintained until 1887 when the recently confederated Badminton Association of England (BAE) codified a standard set which differ little from those of the modern game.  The All England Open Badminton Championships for gentlemen's doubles, ladies' doubles, and mixed doubles were first played in 1899 while singles competitions debuted in 1900 and an England–Ireland championship match was held in 1904.  It first appeared in the Olympic Games as an “exhibition sport” at Munich (1972) and has been in the regular programme since Seoul (1988), the medal table dominated overwhelmingly by the PRC (People’s Republic of China); only players from the PRC and Indonesia have every won Olympic gold.

Like many aspects of the English language, euphemisms evolve or appear under all sorts of influences.  Some come from popular culture (wardrobe malfunction) and some are an attempt deliberately to deceive (misspoke) while others are a “curated creation” although not all succeed; Gretchen in Mean Girls (2004) never quite managed to make “fetch” happen.  Sometime, they can appear as that bugbear of governments: the “unintended consequence”.  In August 2024, the Hong Kong Education Bureau published a 70-page sex education document which, inter-alia, advised teen-aged Hong Kongers to delay romantic relationships and “set limits on intimacy with the opposite gender” (intra-gender intimacy wasn’t mentioned, presumably not because it’s regarded as desirable but because the bureau though it unmentionable).  Helpfully, the document included worksheets (with tick-boxes) for adolescents and guidance for the teachers helping to educate them on coping with sexual fantasies and the consequences of “acting on impulses”.  Easily the most imaginative tactic the bureau advocated as part of its “abstinence strategy” was that young folk should repress their teen-age sexual urges with “a game of badminton”, a suggestion which drew criticism from experts and lawmakers and derision from the public.  Nobody suggested playing badminton was a bad idea but the consensus was that advocating it as an alternative behaviour for two horny teen-agers was “overly simplistic and unrealistic”, the most common critique being the bureau was “out of touch”, a phrase not infrequently directed towards the Hong Kong government generally.

Some also questioned whether a 70 page booklet was the ideal information delivery platform for the TLDR (too long, didn’t read) generation, brought up on TikTok’s short, digestible chunks.  Still, there was certainly much information and helpful tips including a compulsory form for couples in a “love relationship” which contained a list of the parameters they could use to “set limits to their intimacy” and informed them these matters involved four key subjects: (1) the relationship between love and sex, (2) the importance of boundaries, (3) how to cope with sexual fantasies and impulses and (4) the horrible consequences and were one to act upon these impulses.  The conclusion was strong” “Lovers who are unable to cope with the consequences of premarital sex, such as unwed marital pregnancy, legal consequences and emotional distress, should firmly refuse to have sex before marriage.”  Sex can of course be transactional and even contractual and in that spirit students were urged to “fill in and sign a commitment form to set limits on intimacy” and to help with what young folk could find a difficult clause to draft, the bureau suggested: “It is normal for people to have sexual fantasies and desires, but we must recognise that we are the masters of our desires and should think twice before acting, and control our desires instead of being controlled by them.”  Signing that would presumably “kill the moment” and the bureau assured its readers this would control their sexual impulses in certain ways so they could promise to develop “self-discipline, self-control, and resistance to pornography”.

Nor were external influences neglected, the bureau counselling adolescents that a way to suppress their “natural sexual impulses” was to avoid media and publications which “that might arouse them”, recommending instead they “exercise and indulge in distractions” which will help divert their attention away from “undesirable activities”.  As everyone knows, badminton is both good exercise and a desirable activity.  Not only the sometimes decadent media was seen as a threat; there was also the matter of one’s peers and one scenario the bureau described was coming upon “a young couple in a park” exchanging caresses, the correct reaction to which was to avoid temptation by “leaving the scene immediately” or instead “enjoying the sight of flowers and trees in the park”.  Of greater relevance perhaps was the way to handle the situation were a young man to find himself alone with his girlfriend while “studying at home”: “Leave the scene immediately; go out to play badminton together in a sports hall.”  There was also sartorial advice for your scholars, the students to dress appropriately and avoid wearing “sexy clothing” that could lead to “visual stimulation.”  Any ayatollah would agree with that, wondering only why it took the Hong Kong government so long to point it out.  Whether the new guidelines will be result in behavioral changes remains to be seen but the document certainly stimulated responses from the meme-makers, one claiming the advocacy for badminton as a contraceptive proved just how out of touch was the Hong Kong government because it “obviously hasn’t caught up with the popularity of pickleball.”  However, the most obvious cultural contribution was linguistic, phrases like: “want to try out my badminton racquet?” and “let’s play badminton” suggested as the latest euphemism for acts of illicit sex.

“Fetch” never quite happened: Regina George (Rachel McAdams (b 1978)) shuts down Gretchen Wieners (Lacey Chabert (b 1982)), Mean Girls (2004).  Thanks to the government of Hong Kong, “Badminton” may yet happen.

In fairness to the Hong Kong government, it’s not unique in its ineptitude in talking to the young about sex.  Their messaging was however at least clear and unambiguous unlike that in the Australian government’s infamous “milkshake” advertising campaign in 2021.  That was about the matter of “consent to have sex”, a matter of some significance given the frequency of it being the central contested issue in many rape cases so it was an important thing to discuss but unfortunately, all that was agreed was it was embarrassingly dumbed-down and a puerile attempt at humor.  Within days the milkshake video was withdrawn from the Aus$3.7 million campaign.  About the same time the mystifying milkshake video was making children laugh, Mick Fuller (b 1968; commissioner of the New South Wales (NSW) Police Force 2017-2022) proved one didn’t have to be a boomer to be out of touch with the early twenty-first century.  Mr Fuller, noting no doubt the fondness the young folk showed towards their smartphones, suggested an app would be answer, as it seems to be to just about every other problem (“there’s an app for that”).  Deconstructed, that would seem to require both parties logging into the app (hopefully having it already installed) and in some way authorizing sexual activity with the other.  For security reasons, 2FA (two-factor authentication) would obviously be a necessity so it would be doable, only delaying rather than killing the moment.  Still, it didn’t sound like something which would soar to the top of App Store charts and while Mr Fuller argued such a tool could be used “to keep matters out of the justice system”, he did concede it might be a “ “terrible” suggestion and “the worst idea I have all year.”.

The Badminton Cup cocktail

Ingredients

Strips of peel from a ½ cucumber
¼ cup plus 2 tablespoons of superfine sugar
Pinch of freshly grated nutmeg
One 750-ml bottle dry red wine (ideally a Bordeaux (Claret))
16 ounces chilled soda water
Ice, preferably 1 large block

Instructions

(1) In a small punch bowl, combine the cucumber peel, sugar and nutmeg.
(2) Add wine, stirring until the sugar dissolves.
(3) Refrigerate until chilled (will typically take some two hours).
(4) Stir in the soda water, add ice and serve.

The Badminton Beltie Cocktail

The Badminton cup is a classic summer cocktail designed to refresh on a hot day.  However, English summers, though now noticeably hotter than in decades past, can be unpredictable and there will be cold days.  In such weather, the Badminton beltie is a better choice than a badminton cup, the sour fruitiness of the raspberry whisky said to combine with the sweet smoothness of the spiced rum to create a “belter of a drink”.  It was created during the unseasonably cold and wet week of the 2023 Badminton Horse Trials.

Ingredients

2 measures spiced rum liqueur (20%)
2 measures raspberry whisky liqueur (18%)
Crushed Ice

Instructions

(1) Half fill a rocks or tumbler glass with crushed ice
(2) Add measures of spiced rum liqueur & raspberry whisky liqueur.
(3) Gently muddle the mix.
(4) Garnish with two slices of fresh lime.

Mojito

Mojito (pronounced moh-hee-toh)

A cocktail of Cuban origin, made with white rum, sugar-cane juice, lime juice, soda-water and mint.

1930–1935: From American-infused Cuban Spanish, perhaps a diminutive of the Spanish mojo (orange sauce or marinade) from mojar (to moisten; make wet) from the (hypothetical) Vulgar Latin molliāre (to soften by soaking), from the Latin molliō (soften), from mollis (soft).  The noun plural is mojitos.  The origin of the name mojito is disputed.  The most popular is that the name relates mojo, a Cuban seasoning made from lime and used to flavour dishes.  The alternative view is it’s a derivative of mojadito ("a little wet" in Spanish), the diminutive of mojado (wet).  Mojito is a noun, the noun plural is Mojitos and by convention, it seems mostly to appear with an initial capital.

Ingredients

Juice of 1 large lime.
1 teaspoon granulated sugar.
Small handful of mint leaves, plus extra sprig to serve.
60ml white rum.
Soda-water to taste.

Method

(1) Muddle lime juice, sugar & mint leaves in small jug, progressively crushing mint.  Pour into tall glass, adding handful of ice.

(2) Using chilled glass, pour over rum, stirring with long-handled spoon.  Top-up with soda water, garnish with mint and serve.

To create a virgin mojito, omit rum.

Lindsay Lohan enjoying ice-cream and (an allegedly virgin) mojito, Monaco 2015.

Where Hemmingway sat: Havana’s La Bodeguita del medio.  The red car pictured on the wall is a 1959 "bat wing" Chevrolet Bel Air convertible, emblematic of the "frozen in time" fleet of US cars which for more than two decades formed the backbone of the island's fleet, Washington's economic embargo meaning the importation of newer machinery was banned.  The survivors (now often re-powered with a variety of engines including diesels) are still used to take tourists sightseeing.

It’s not uncommon for the origin of the names of cocktails to be both obscure and contested.  Before the modern era, something like a cocktail could be uniquely regional, something well known in one part of a city yet unknown in another and around the world, because what seemed an appealing combination of drinks in one place would likely be tried in others, it’s a certainty many cocktails would independently have been “invented” many times.  So it’s impossible to know when, where or by whom a great number were first concocted and the contested history tends to be as much about the names as the recipes.  The Mojito, which has gained a new popularity in the twenty-first century, has a typically murky past and there are a number of stories which claim to document its origin, the best-known of which centres on Havana’s La Bodeguita del medio, a restaurant in which Nobel literature laureate Ernest Hemingway (1899–1961) spent many hours, sitting in the bar; Hemmingway lent lavish praise to Bodeguita del medio’s version of the Mojito and he was a fair judge of such things.  The restaurant claims to be the first place on the planet to have served the drink, the recipe coming from African slaves working the Cuban sugar cane fields who created the mix from aguardiente de cana (literally “firewater of the sugar cane”).  In this telling it thus started life as a simply distilled spirit from the cane cuttings and the name Mojito fits this tale, the Spanish mojo meaning “to place a little spell”.  That lacks the documentary evidence etymologists prefer but points are gained for romance.

A brace of Mojitos with environmentally friendly stainless steel straws.  The earliest mixes may have been called El Draque.

Sir Francis Drake (circa 1540–1596) was a English sailor remembered for his role in defeating the Spanish Armada in 1588 but he was also a pirate (the English preferred the term “privateer”, pirates being “foreigners”), an aspect of his character which appealed to many including Hermann Göring (1893–1946; leading Nazi 1922-1945, Hitler's designated successor & Reichsmarschall 1940-1945) who reckoned the decline of England was due to pillaging buccaneers like Drake being replaced by “shopkeepers” (as he would characterize Westminster politicians).  One of Drake's ventures was a plan to take Havana harbor from the Spanish and sack the city of its gold, the holdings there known to be vast but a survey of the place’s formidable defences led him to abandon that idea.  By then however many of his crews were suffering scurvy and dysentery which threatened the continuation of his voyage anywhere so, because Cuba’s native populations were known to have effective remedies for many diseases, Drake sent ashore a landing party to trade this and that for the ingredients for a medicine. The sailors returned with aguarediente de cana (mint leaves mixed with lime juice & the spirit distilled from sugar cane) and the tonic proved efficacious.  As the Admiralty would later understand, it was the lime juice which was most effective (and it would later be supplied on ships to end the problem of scurvy by providing the needed daily dose of vitamin C) but it would have been the spirit which made the potion more palatable to seamen.  A cocktail made with a similar mix was widely served in Cuba in the years after the abortive raid and this may have been the first commercially available Mojito although it didn’t use the name: it was called the El Draque.  It’s thus possible African slaves may not have mixed the first version but they may be responsible for the Mojito moniker, the Spanish mojadito (a little wet) and the Cuban lime-based seasoning mojo the other candidates.  Whatever the source, all agree it was the foundation of the Bacardi company in the mid nineteenth century which started the spread and Hemmingway’s imprimatur from the comfort of Bodeguita del medio’s bar stools was enough for it to begin its rise to the point where the Mojito is among the most popular modern cocktails.

Can

Can (pronounced kan)

(1) A sealed container for food, beverages etc, by convention made from aluminum, iron coated with tin or another metal (has now become a common form even on parts of the English-speaking world where “tin” was the traditional use (the form “tin can” covering all bases).

(2) A receptacle for garbage, ashes, etc (often as “trash can”)

(3) A bucket, pail, or other container used usually for holding or carrying liquids.

(4) A drinking cup; a tankard.

(5) A shallow, cylindrical (usually aluminum, cardboard or plastic) container made in various sizes and used for storing and handling film on cores or reels (often used in the phrase “in the can” to indicate the completion of something).

(6) In slang (mildly vulgar), of US military origin, the latrine; the toilet.

(7) In slang, jail; prison (often in the phrase “in the can”).

(8) In slang (mildly vulgar), the buttocks (always in the plural).

(9) In audio engineering, a set of headphones which cover the ears (always in the plural).

(10) In admiralty slang, a depth charge (in the US Navy used also as a slang term for a destroyer, the “utility” warship in size historically between a frigate and cruiser).

(11) In slang, to discard something; to throw away.

(12) In slang, to throw something away;

(13) In slang, to stop something (a project, discussion etc).

(14) In many places, an alternative to “canx” as an abbreviation for “cancelled” (notably by those who have standardized on three-character codes)

(15) In military ordnance, a standard abbreviation for “canon”.

(16) For some purposes, the abbreviation for “Canada” & “Canadian”.

(17) To be able to; to possess the necessary qualifications, skill or knowledge; to know how to; to have the power, authority or means to.

(18) To have the possibility.

(19) To know (obsolete).

(20) To seal a substance (usually food) in a can; to preserve by sealing in a can (can also be used of substances stored in glass jars etc.

(21) In slang, to dismiss from employment; to fire.

(22) In film & television, to record on film, tape or some other medium (based on the physical “cans” in which films were stored).

Pre 900: From the Middle English, from the Old English cunnan (to know, know how) and cognate with the German & Gothic kann (know), the Old Norse kunna, Old High German kunnan, the Latin cognōscere (to know) and the Sanskrit jānāti (he knows).  The use to describe the receptacle emerged some decades later and was from the Middle English canne, can & cane, from the Old English canne and cognate with the German Kanne, the Old Norse and Old High German kanna, the Irish gann and the Swedish kana, all of which may be of West Germanic origin.  In the Late Latin, a canna was a “small drinking vessel”.  Can is a verb & noun, canned & canning are verbs; the noun plural is cans.

In Singlish, “can” is a versatile word.  Singlish (the construct a portmanteau of Sin(gapore) + (Eng)lish)) is still known by some language specialists as Colloquial Singaporean English but the blend is a more popular description and aligns the variation with flavors like Spanglish (Spanish influenced English), Hinglish (Hindi influenced English) & Konglish (Korean influenced English).  In Singapore, Singlish is used in parallel with Singaporean Standard English (differing usually from British English only in the accents although standards in the Far East tend generally to be higher) and it’s been documented since the 1960s although the linguistic tradition is much older.  In Singlish, the meaning of “can” can vary according to the relationship between the speakers and the tone of voice used although essentially it means “yes”, the nuances learned through use. For example Can or not? means “Can you do this?” to which the reply is Can (yes).  As a politeness, that might be responded to by Can meh? (Are you sure?), the expected answer being Can lah! (Yes of course!).  Inevitably, that begat Cannot lah!

In idiomatic use, a “can of worms” is a complicated, difficult, distasteful problem and if applied in retrospect it’s often of something which proved insoluble.  To “carry the can” is to take responsibility for something (particularly if challenging or troublesome); when used in the form “left carrying the can” it implies the task has been “dumped on one”, all others having evaded task.  It’s believed “carry the can” has its origin in the undesirable task of “latrine duty” in the military which required one literally to carry away from the temporary latrines “cans of shit” (also the origin of “can” as a slang word for “toilet”.  To “kick the can down the road” is delay dealing with a problem, the idea being of not then picking up the can as one eventually must.  “In the can” indicates something is complete, arranged, agreed or finalized and was from film production, the cores or reels of processed and edited films being stored “in the can” (a shallow, cylindrical (usually aluminum, cardboard or plastic) container made in various sizes to suit different film stocks.  To be a “can do” sort of person is to be dynamic, positive and anxious to accept a challenge.  The politician Campbell Newman (b 1963; premier of the Australian state of Queensland 2012-2015) described himself as “Can do Campbell” and enjoyed a fine election victory but it ended badly; in the next he suffered one of the bigger landslides in modern political history losing even his own seat.  “Canned laughter” was the process by which “laughter tracks” were spliced into the recordings of television comedies for subsequent broadcast, emulating a live (and appreciative) audience.  It’s often been regarded cynically but all the research suggests it really did work.  The popular phrase ”no can do” indicates an inability or unwillingness to do something.

Yes we can

Barack Obama (b 1961; US president 2009-2017) more than once observed he thought the speeches he wrote were better than any which came from his speechwriters and one can see his point but one of the reasons his presidency is regarded as insubstantial is that his words were more impressive than his deeds.  He was elected president and awarded the Nobel Prize for the same reason: He wasn’t George W Bush (George XLIII, b 1946; US president 2001-2009).  He promised much, exemplified by the phrase “…yes, we can” which expertly he worked into a speech he delivered in Nashua, New Hampshire on 8 January 2008, during the Democratic primaries while campaigning against crooked Hillary Clinton (b 1947; US secretary of state 2009-2013) for the party’s nomination:

…and tonight, I think about all that she's seen throughout her century in America — the heartache and the hope; the struggle and the progress; the times we were told that we can't and the people who pressed on with that American creed: Yes, we can.

At a time when women's voices were silenced and their hopes dismissed, she lived to see them stand up and speak out and reach for the ballot. Yes, we can.

When there was despair in the Dust Bowl and depression across the land, she saw a nation conquer fear itself with a New Deal, new jobs and a new sense of common purpose. Yes, we can.

When the bombs fell on our harbor and tyranny threatened the world, she was there to witness a generation rise to greatness and a democracy was saved. Yes, we can.

She was there for the buses in Montgomery, the hoses in Birmingham, a bridge in Selma and a preacher from Atlanta who told a people that "We Shall Overcome." Yes, we can.

A man touched down on the moon, a wall came down in Berlin, a world was connected by our own science and imagination. And this year, in this election, she touched her finger to a screen and cast her vote, because after 106 years in America, through the best of times and the darkest of hours, she knows how America can change. Yes, we can.

America, we have come so far. We have seen so much. But there is so much more to do. So tonight, let us ask ourselves: If our children should live to see the next century; if my daughters should be so lucky to live as long as Ann Nixon Cooper, what change will they see? What progress will we have made?

This is our chance to answer that call. This is our moment. This is our time — to put our people back to work and open doors of opportunity for our kids; to restore prosperity and promote the cause of peace; to reclaim the American Dream and reaffirm that fundamental truth that out of many, we are one; that while we breathe, we hope, and where we are met with cynicism, and doubt, and those who tell us that we can't, we will respond with that timeless creed that sums up the spirit of a people: Yes, we can.

As a rhetorical device, the repetition of “yes we can” worked well and he deserves credit also for the skill with which it was delivered; few US politicians since Ronald Reagan (1911-2004, US president 1981-1989) have shown such a flair for timing and effect and Reagan had the advantage of decades of practice under the tutelage of some of the best film directors.  But in office, reality bit and Obama soon understood why so many of his predecessors had commented that one surprise as president was how difficult it was to get anything done and the more that involved change, the harder it was.  On the night, “yes we can” thrilled many but among Republicans and even some factions in his own party, the spirit was somewhere between “no we probably shouldn’t” and “no we won’t”.  Still, he may have convinced himself because in his farewell address in Chicago in January 2017 he reprised “yes we can” before pausing for effect and adding “…yes we did”.  Dutifully, the audience applauded.

Soda agnostic Lindsay Lohan with (clockwise from top left) can of Rehab, can of Coca-Cola, can of Red Bull, Can of Pink Ginseng, can of Sunkist Soda & can of Pepsi Cola.  The car is the "Rehab" shot is a 2006 Mercedes-Benz SL 65 (R230; 2004-2011) which would later feature in the tabloids after a low-speed crash.

In the matter of can & may.

"Can" and "may" are modal verbs and the grammar Nazis police their use with some relish and for those who care about such things, there are frequent instances of misuse.  Can & may are sometimes interchangeable: just about anywhere on the planet it can at some time rain but it’s as correct to say it may at some time rain.  In some cases too, neither can nor may might be the appropriate word to use even if both are grammatically correct:  It’s really not helpful to ask: “Can I believe anything said by crooked Hillary Clinton?” or “May I believe anything said by crooked Hillary Clinton?” because the better choice is “Should I believe anything said by crooked Hillary Clinton?”  The answer is of course: “No”.  Still, the general principle is “can” is used of possibilities and “may” of permissions”, illustrated by the companion sentences “I can swim” & “May I go swimming”.  One of the quirks of English which may account for some the undue popularity of “can” is that while can’t has since the eighteen century been one of the language’s most commonly used contractions, “mayn’t is listed by most authorities as rare or archaic (though extinct might more reflect reality).  That was probably because can’t more effortlessly rolls from the tongue.

Campbell's Soup Cans (1962), acrylic with metallic enamel paint on canvas by Andy Warhol (1928–1987).

One of the landmarks of pop-art, Warhol’s Campbell's Soup Cans (1962), is a piece which depends for its effect, not on its content but its intent and there was a randomness of chance in the choice of subject.  The artist explained it by revealing for some twenty years he’d been having a can of the stuff for his lunch, thereby accounting for the motif of “the same thing over and over again”, a idea he’d reprise with variations for the rest of his life.  Had his habit been to enjoy sardines for lunch instead, the painting would have looked different but the meaning would not have changed.  It’s was also an coincidence of capitalism that 32 cans appear, that happening because at the time the company offered that many flavors but had they offered 36, the work would have contained that many.  Presumably, had the range been 29, 31 or some other number symmetrically more challenging things might have differed in detail but the concept would have survived.  Repeating the nearly identical image, the canvases stress the uniformity and ubiquity of the product’s packaging and subvert the idea of painting as a medium of invention and originality.  Although pop-art had at the time a newness about it, Campbell's Soup Cans was another step in the path art had taken since 1917 when Marcel Duchamp (1887–1968) had submitted a porcelain urinal for display in an art gallery, his purpose being to have people question whether art was defined by what it was or the context in which it appeared.  Does anything become art if it's put in an art gallery?  It was an confronting question and we’ve been living with its implications since, none more so than Ted Cruz (b 1970; US senator (Republican-Texas) since 2013), cans of "Campbell's Big'n Chunky Soup" his favorite food.  In 2016 he told US Weekly: "When I'm away from the family, in Washington DC, my dinner is a can of soup.  I have dozens in the pantry" and in that count he may be being untypically modest; his wife revealed that after their honeymoon, he returned from a trip to the grocery store with (literally) 100 cans. 

Campbell's Soup (Limited Editions).

On several occasions, the Campbell brand has taken advantage of the famous association and produced editions of soup cans with Warhol style labels complete with the artist's printed signature.  The first two runs used color schemes close to those which appeared in the 1962 work but the most recent was rather more garish with some changes to the layout.  A notable difference was the customers weren’t required to purchase 32, the cans sold individually.  In a development which Warhol would doubtless have applauded, the cans soon appeared on sites like eBay for three figure US$ sums, a healthy appreciation for their original RRP between US$1-2.