Synesthesia

Synesthesia (pronounced sin-uhs-thee-zhuh or sin-uhs-zhee-uh)

(1) In neurology and psychology, a neurological or psychological phenomenon in which a particular sensory stimulus triggers a second kind of sensation.

(2) The association of one sensory perception with, or description of it in terms of, another, unlike, perception that is not experienced at the same time.

(3) In literary theory or practice, an artistic device whereby one kind of sensation is described in the terms of another.

(4) In medical diagnostics, where a sensation felt in one part of the body as a result of stimulus that is applied to another, as in referred pain.

1892: From the Modern French or the New Latin, from Ancient Greek σύν (sún (with) or syn (together) + αἴσθησις (aísthēsis), (sensation; feeling) from the primitive Indo-European root au (to perceive) + abstract noun suffix -ia.  The word was modelled after existing construction anaesthesia.  Traditional spelling in the British Empire was synæsthesia but the US form synesthesia appears now global.  The meaning in psychology relating to the senses (colors that seem to the perceiver to having odor, etc.) is from 1891.  Synesthesia & synaesthete are nouns, synaesthetic is an adjective and synesthetically is an adverb; the noun plural is synesthesias.  

Clinicians have two categories of synesthesia: projective and associative.  Those who project see actual colours or shapes when stimulated whereas associators will feel an involuntary connection between the stimulus and the sense that it triggers.  For example, in the form chromesthesia synesthesia (sound to color) a projector would listen to a piano and see a purple shape whereas an associator might respond to the music by thinking it “sounds” purple.  There are a number of types of synesthesia, the best known of which grapheme-color synesthesia or the association of colours with letters or words.  In auditory-tactile synesthesia, certain sounds can induce sensations in parts of the body and debate continues about whether the near-universal reaction(s) induced by finger nails on a blackboard indicates synesthesia is a spectrum condition or this example is endemic in human physiology.  Lexical-gustatory synesthesia is the phenomenon of certain tastes being experienced upon hearing certain words.  Mirror-touch synesthesia is where someone feels the same sensation another person feels such as when a synesthete sees another touched on the arm; the synesthete involuntarily feeling a touch in the same place.

Logically, every possible combination of experiences which can occur can be a type of synesthesia.  Like a syndrome, something need not be wide-spread to be a type of synesthesia, it needs just to be specific: someone with the grapheme-color variant might see "Lindsay Lohan" as Lindsay Lohan.  Simultanéisme was a short-lived, early twentieth century movement in French poetry.  The writers aimed to achieve a kind of “simultaneousness of image and sound”, to represent or reproduce human sounds mingled with other sounds (ranging from birds & land mammals to those heard in cityscapes including the then novel automobile).  An attempt to form complex and dynamic onomatopoeiae, types of synaesthesia and kinaesthetic images, the finest surviving examples are in La Trilogie des forces (The Trilogy of Forces, 1908-1914) by the movement's founder Henri-Martin Barzun (1881–1973) and Naissance du poème (Birth of the poem, 1918) by Fernand Divoire (1883-1951).

For many reasons, as a literary device, synaesthesia in the twentieth century became much analysed and discussed with the critics even managing to build theories although it was not at all novel, innumerable writers of prose, poetry and non-fiction for millennia having synaesthetic references in their texts.  It’s a familiar feature of everyday speech, mentions such as “a heavy silence” or a “black look” being commonplace and there are no pedantic literalists who complain when a music critic writes of the “darkening voice” of the aging soprano.  So it’s a mixing of sensations, the concurrent appeal to more than one sense; the response through several senses to the stimulation of one and while as an intellectual exercise than can be made complex, in everyday life it’s just the way people think.

In the medical literature the French term synesthésie had appeared at least as early as 1864 but that was of bodily reflexes and co-sensations rather than the neurological condition and the first use in English in the modern sense is thought to appear in a translation of Jules Millet’s (1965-1982) doctoral thesis Audition colorée (Colored hearing) in which he differentiated synesthésie (for all kinds of combined senses) from those specifically associated with links between colors and sounds.  At the time, scientists and physicians in the English-speaking world were still using the borrowed French term pseudochromesthésie, a long word with a brief history.  In 1848, French physician Charles-Auguste-Édouard Cornaz (1825-1911) was the first to give a name to what would come to be known as synesthesia, calling it hyperchromatopsie (perception de trop de couleurs) (hyperchromatopsia (perception of too many colors)), the rationale for that being Dr Cornaz regarding the condition as the opposite of the well-documented chromatodysopsie (chromatodysopsia (color blindness); the term was the precursor to what would become hyperesthesia.  Dr Cordaz's coining fell into disuse after biographically otherwise obscure French physician Ernest Chabalier in 1864 published a paper using the term pseudochromesthésie (or pseudochromesthesia) (false colour-sensation) which enjoyed general adoption before being supplanted by synesthesia.

However, although the scientific study may have been embryonic, the idea was not and three lines from Charles Baudelaire’s (1821-1867) sonnet Correspondances (Fleurs du mal (Flowers of Evil, 1857)) are illustrative of what was a common technique from the factory floor to the academy:

Les parfums, les couleurs et les sons se répondent.

II est des parfums frais comme des chairs d'enfants,

Doux comme les hautbois, verts comme les prairies,

Those translating Baudelaire into English did take a few interpretative liberties with his work but the synaesthetic imagery (mostly) was preserved:

The scents and colours to each other respond.

And scents there are, like infant's flesh as chaste,

As sweet as oboes, and as meadows fair,

Cyril Scott (1879-1970), Baudelaire: The Flowers of Evil (1909)

Colour and sound and perfume speak to him.

Some perfumes are as fragrant as a child,

Sweet as the sound of hautboys, meadow-green;

F.P. Sturm (1879-1942), from Baudelaire: His Prose and Poetry, edited by Thomas Robert Smith (1880-1942) (1919)

sound calls to fragrance, colour calls to sound.

cool as an infant's brow some perfumes are,

softer than oboes, green as rainy leas;

Lewis Piaget Shanks (1879-1935), Flowers of Evil (1931)

Perfumes there are as sweet as the music of pipes and strings,

As pure as the naked flesh of children, as full of peace

As wide green prairies

George Dillon (1906-1968), Flowers of Evil (1936)

So are commingled perfumes, sounds, and hues.

There can be perfumes cool as children's flesh,

Like fiddIes, sweet, like meadows greenly fresh.

Roy Campbell (1901-1957), Poems of Baudelaire (1952)

Perfumes, sounds, and colors correspond.

There are perfumes as cool as the flesh of children,

Sweet as oboes, green as meadows

William Aggeler (1904-1974), The Flowers of Evil (1954)

Perfumes and sounds and colors correspond.

Some scents are cool as children's flesh is cool,

Sweet as are oboes, green as meadowlands,

Jacques LeClercq (1891-1971), Flowers of Evil (1958)

Perfumes, colors and sounds answer one another.

There are perfumes as cool as the flesh of children,

Sweet as oboes, green as prairies

Wallace Fowlie (1908-1998), Flowers of Evil (1964)

So perfumes, colors, tones answer each other.

There are perfumes fresh as children's flesh,

Soft as oboes, green as meadows,

Geoffrey Wagner (1927-2006), Selected Poems of Charles Baudelaire (1974)

So perfumes, colours, sounds may correspond.

Odours there are, fresh as a baby's skin,

Mellow as oboes, green as meadow grass,

James McGowan (1938-2014), Flowers of Evil (1993)

Perfumes, colours and sounds respond.

Odours fresh as the skin of an infant,

Sweet as oboes and green as a meadow,

Beverley Bie Brahic, Invitation to the Voyage (2021)

Wassily Kandinsky, color, shape and music

Winter Landscape (1909), oil on cardboard by Wassily Kandinsky.

In Russian painter and art theorist Wassily Kandinsky’s (1866–1944) particular synesthesia, color and music inextricably were tangled and so precise was it that he associated each note with an exact hue and it was so intrinsic to his being that he once observed: “…the sound of colors is so definite that it would be hard to find anyone who would express bright yellow with bass notes or dark lake with treble.”  It meant his experience of music was heightened, indeed defined, by the range of visual perceptions which shifted with every note.  The music of Richard Wagner (1813–1883) has had its consequences, good and bad, and it was his vivid visual response to a performance of Richard Wagner's (1813–1883) Lohengrin (1850) at Moscow’s Bolshoi Theatre that he abandoned his successful career as a lawyer and devoted himself to the painting which had been his hobby.  Accepted as a student at Munich’s Academy of Fine Arts, he later described the Wagnerian transformation of his life: “I saw all my colors in spirit, before my eyes. Wild, almost crazy lines were sketched in front of me.”  Wagner has led astray a few troubled souls but he guided Kandinsky along a good path; the world can gain much from having more artists but probably has enough lawyers.

Composition VII (1913), oil on canvas by by Wassily Kandinsky.

Whether Kandinsky would have become an artist had he not been a synaesthete can't be known but music certainly drew him to become a certain sort of painter.  His path artistic path he explained by saying: "A painter, who finds no satisfaction in mere representation, however artistic, in his longing to express his inner life, cannot but envy the ease with which music, the most non-material of the arts today, achieves this end. He naturally seeks to apply the methods of music to his own art."  Music he called "the ultimate teacher" and it critical to the development of especially his abstract works; noting the way the Viennese composer Arnold Schoenberg (1874–1951) had abandoned tonal and harmonic conventions in his compositions, he rejected the figure or recognizable object in favor of shapes, lines, and discordant colors which he deployed overlaid on texture to create a rhythmic visual experience which as closely as possible emulated in a two-dimensional space the emotional response he’d experienced when hearing the sounds.  Unsurprisingly, Kandinsky gave many of his paintings musical titles, such as Composition or Improvisation and it wasn’t unusual for critics to use phrases like “Kandinsky’s symphony of colors”.  Kandinsky also perceived color also had the ability to touch the feelings of the viewers, yellow able to disturb while blue awakened the highest spiritual aspirations.  That may have been mapping his experience as a synaesthete on to those not able to enjoy the gift but it was certainly an insight into his visions.  In 1911, Kandinsky published Über das Geistige in der Kunst (Concerning the Spiritual in Art) in which he defined the three types of painting: impressions, improvisations and compositions.  Impressions were based on an external reality while improvisations and compositions depicted images summoned from the unconscious, compositions the more formal of the two.  The treatise is one of the landmarks in the theoretical foundations of abstraction and remains an important contribution to an explanation of the techniques with which art can be constructed in an attempt to evoke psychological, physical, and emotional responses.

Improvisation 35 (1914), oil on canvas by Wassily Kandinsky.

As well as the works in which he explored the implications of his synesthesia, Kandinsky painted in other styles including Post-Impressionism, Expressionism, Abstraction, Landscape, Cityscape, Genre, Marina and Allegory.  Although he did paint people in recognizable form (including self-portraits), had Kandinsky painted Lindsay Lohan he’d likely not have been drawn to depicting her in a realistic likeness, attracted instead by the colors he’d have associated with the metaphorical “sound” of her once tempestuous lifestyle and the actual sounds of the music she created.  Quite what might have been colors and shapes of the involuntary visual experience he’d have enjoyed while hearing of her adventures or listening to her tunes is of course speculative but in his 1911 treatise he did map out a quite strict vocabulary linking specific colors to musical instruments and emotional states.  From that would emerge a constellation of colored planes and rhythmic lines, a Lohanic portrait best assessed as a musical composition, visual elements corresponding with timbre, pitch and rhythm.

Black Lines I (1913), oil on canvas by Wassily Kandinsky.

From his visual lexicon, it’s possible to imagine how a visual symphony of Lindsay Lohan might have appeared, her distinctive red hair drawn not as naturalistic strands but, because of the his association of vermilion with the sound of a trumpet, (someting cross-cultural, Dr Johnson (Samuel Johnson (1709-1784)) once describing the color scarlet to a blind man as “the clangour of a trumpet”) there’d likely have been intense, sharp, angular geometric structures or aggressive, flaming slashes of red slicing across the canvas.  Thematically, it would be a “loud” work, suggestive of something sudden and explosive but there would also be “quieter” elements, Kandinsky associating a light, powder blue with the sound of a flute and ultramarine or cobalt with that of a cello or the deeper tones of an organ.  There might have been interlocking concentric circles and smooth, floating curves of blue weaving through the sharp red angles, the “cool” blue tones not balancing but clashing with the “hot” reds, representing both the rhythmic layers of her music and the more melancholy undercurrent of a life lived under the microscope of the tabloid press.  Superficially incoherent because of fragmented geometric shapes and intersecting diagonals, the tension between colors would have created an emotional dissonance, visual “chords” at once seductive and unstable.

Violet (1923), colour lithograph by Wassily Kandinsky.

It’s likely Kandinsky would have been unable to resist so obvious an artistic possibility as Lindsay Lohan’s famous freckles, representing as they do in music a staccato percussion.  On canvas, this would have been translated into a scatter plot of sharp dots peppered not in a defined pattern but randomly, as naturally as they appear on skin.  Kandinsky thought dots (in the sense of “representations of points”) as the ultimate minimalist entity implying a sudden, sharp beat or a silent pause; either way, there would be a spray of rhythmic, percussive dots jumping across the canvas, one’s interpretation of that an element in deconstructing the whole.  While his techniques were multi-layered, he did claim in one aspect there was simplicity because: "Everything starts from a dot."  Shapes being signifiers of an inherent spiritual weight, there would have been triangles because he imagined them as possessing aggressive, forward-moving energy; they would appear with circles representing the soul and peace.  The darkness in her life would have been conveyed by chaotic, clashing black lines and there would also be yellow, a color the artist described as “frenzied” and capable of “violently bothering" the viewer.  All this would typically be “played out” by interactions on the “charged, expectant silence” of a solid, white background.  A viewer would perhaps not recognize even a hint of a human presence and the work would be understood only if the title made explicit Lindsay Lohan was the subject.  Even then, some notes from the artist would be helpful because, while a set of emotional and musical impulses orchestrated in color would be a familiar language to other color-music synaesthetes, the level of abstraction would for others make it mysterious and probably weird beyond immediate understanding.

Congress

Congress (pronounced kong-gris, kuhn-gres, kuhng-gris or khung-gres)

(1) The national legislative body of the US, a continuous institution consisting of the Senate and the House of Representatives (initial capital).

(2) This body as it exists for a period of two years during which it has the same membership (other than replacements by necessity).  By convention, Congresses sequentially are numbered.

(3) A session of this body.

(4) The national legislative body of a nation (used especially in republics and it has been used also of political parties or movements (such as the South African liberation movement the ANC (African National Congress, founded in 1912) and India’s INC (the Indian National Congress, founded in 1885 during the British Raj)).

(5) A formal meeting or assembly of representatives for the discussion, arrangement, or promotion of some matter of common interest (in this context often a synonym of academy, society, convention, council or conference).  Use of congress in this sense is not restricted to governmental or other official bodies, associations, special interest groups and sporting organizations routinely using the term.

(6) The act of coming together; an encounter; meeting.

(7) An association, especially one composed of representatives of various organizations (often used interchangeably with conference, society or association).

(8) Familiar relations; dealings or intercourse.

(9) Sexual intercourse; coitus.

(10) The collective noun for a group of baboons (something which can delight those observing the antics of those in the US Congress).

(11) To assemble together (ie to meet in a congress).

1350–1400 From the Middle English congres & congress (body of attendants, following (the meaning in the fifteenth century extending to “meeting of armed formations” while the sense of “a coming together of people, a meeting of individuals” emerged in the 1520s), from the Latin congressus (both “a friendly meeting” & “a hostile encounter”), past participle of congredi (to meet with; to fight with), an assimilated form, the construct being con- (in the sense of “with, together”), + gradi (to walk, step), from gradus (a step (from the primitive Indo-European root ghredh- (to walk, go)).  The adjective congressional (of or pertaining to a congress) was an adaptation from the Latin congressionem and the most common use now is the sense of “of or pertaining to the US Congress”, dating from 1776.  As something new, in the UK it was initially treated as “a barbarous Americanism” but as early as 1816 it was pointed out in England that the Congress (the highest legislative body in the US) had been formed in defiance of the UK and the nation’s citizens were hardly likely to wait on ascent from London before forming and using the adjectival derivative.  Congress is a noun & verb, congressional & congressive are adjectives and congressionally is an adverb; the noun plural is congresses.

The use of “congress” to describe “sexual intercourse; coitus” dates from the 1580s but, except in historic references or as a deliberate archaism, use tends now to be as a euphemism.  There was however once a handy distinction (heard from pulpits and in legal proceedings) between the naked noun and “marital congress (sexual intercourse as performed by two people enjoying benefit of marriage), the latter quite respectable (if not much discussed), the former not always, especially if adulterous.  The special adjective uncongressed was coined in the science of genetics to describe “unaligned chromosomes”, a phenomenon presumably about as bad as it sounds.  By contrast, a marriage in which “sexual intercourse; coitus” was held not to have transpired was said to be “unconsummated”, something often unfortunate for one or both parties but useful because it was grounds upon which a bishop might declare an otherwise legally marriage annulled.  That had the advantage of creating the legal fiction the ceremony had “never happened” with the couple able to return to church to marry new partners, something historically not always possible for divorcees (although for those rich enough there were sometimes “word-arounds” that could persuade an appropriately compensated bishop).  In centuries gone by, being “married before the eyes of God” was no small thing with important legal and social implications.

Making a fine legal point, one apparently open to interpretation.

Crooked Hillary Clinton (b 1947; FLOTUS 1993-2001 & US secretary of state 2009-2013, left) watching attentively as her husband Bill Clinton (b 1946; POTUS 1993-2001) assured the nation “I did not have sexual relations with that woman… Miss Lewinsky.” (White House intern Monica Lewinsky (b 1973)), the White House, January 1998.  A trained lawyer and former Arkansas attorney-general, Mr Clinton may have been tempted to say “I did not have congress with that woman… Miss Lewinsky.”  At least arguably that could have be held to be “truthful” because “congress” generally is understood as coitus (penetrative sexual intercourse) where as “sexual relations” casts a wider net.  Whether such sophistry would have saved him from impeachment seems unlikely and nothing was going to save him from the wrath of crooked Hillary.  Unfortunately, in subsequent legal proceedings, we never got to hear Mr Clinton's deconstruction of “congress” but we did learn what the word “is” means and that his definition of “sexual relations” extended to “giving” oral sex but excluded “receiving” oral sex.  The latter distinction surprised a few but at least now we know.

“Congress grass” is a synonym for “famine weed” (Parthenium hysterophorus), a highly invasive plant noted for its devastating impact on agriculture, food security, and native ecosystems. The undesirable plant gained the name “famine weed” from the way aggressively it would colonize farmland and pastures, replacing nutritious native flora and releasing allelopathic chemicals that severely would stunt the growth of crops and grasses, leading to sharp declines in agricultural yields, famines associated with heavily infested regions.  In India, during the 1950s, the plant came derisively to be damned with the moniker “Congress grass” after the accidental introduction of the species by seeds in contaminated US wheat, imported during a national food shortage.  The name references not the US Congress but the INC (Indian National Congress, usually clipped to “the Congress”), in control of the national government that had arranged the importation.  Native to Central America, Parthenium hysterophorus is listed as invasive also in Australia and a number of African nations.

The specific sense of congress as “a meeting of delegates, formal meeting of persons having a representational character” was in use by at least the 1670s and in 1775 became the name for the national legislative body of the American states (with an initial upper case) which became the USA, the word chosen from a number of suggestions (legislative assembly, parliament etc).  The three sittings of the “Continental Congress” (representing the 13 American colonies seeking independence from imperial rule) were convened in 1774, 1775-1776 & 1776-1781.  The Congress of the Confederation (formally the United States in Congress Assembled) was the national governing body of the US between March 1781 and March 1789; established by the Articles of Confederation, it served as a transitional government between the Second Continental Congress and the modern US Congress which first sat on 4 March, 1789.

The US Capitol Building where the Congress sits, the House of Representatives housed in the south wing, the Senate in the north.  The original building was completed in 1800 and the final engineering sign-off of the dome structure came in 1867.  The last major structural changes were undertaken in 1962.

The US Congress is the is the legislative branch of the federal government, declared constitutionally “co-equal” with the executive and legislative branches although that’s a philosophical stance rather than a functional description, the Congress uniquely able to pass federal laws (in legal theory the occasionally infamous “Executive Orders” issued by POTUSs as unilateral actions under powers granted by Article II of the Constitution or federal law(s) are valid only to the extent they are constitutional and comply with federal law).  The Congress is divided into two houses: the Senate and the House of Representatives both of which are now elected by a popular vote; each state having two senators, the Senate has 100 members while in the House of Representatives there are 435, size of a state’s population determining its allocation.  Within each state, it is the legislature which has the power to determine electoral boundaries and over the years these processes have given rise to a rich vocabulary including “gerrymander”, “re-districting” & “electoral malapportionment”, the the memorable judicial maxim “legislators represent people, not trees and acres” handed down in a judgment by Chief Justice Earl Warren (1891–1974; Chief Justice of the US 1953-1969) in Reynolds v. Sims, 377 U.S. 533 (1964)).  The way the Democrats and Republicans draw lines on maps to maximize the benefit of their respective parties and disadvantage their opponents has always been entertaining but, because the exercise ultimately is one of math, what will be interesting is (1) how the process will be perfected when optimized by the use of AI (artificial intelligence) and (2) how the courts (ultimately the USSC (US Supreme Court)) will rule on the lawfulness of increasingly exaggerated distortions.

Constitutionally, the formal title for someone holding a seat in the House of Representatives is “Representative” which makes sense but “Congressman”, although originally a term of derision, became common.  “Representative” remains the preferred term in formal writing (certainly official government documents) and when addressing a member, the convention being “Representative Name” although “The Honorable Name” is in certain contexts used.  “Congressman” & “Congresswoman” are however deeply entrenched in US English and seem to be the most popular forms used by the public and much of the media.  The first congresswoman was Jeannette Rankin (1880–1973), a women's rights advocate, in 1916 elected as a Republican in Montana for a single term (she served a second in 1941-1943); she remains the only woman ever elected to Congress from Montana.  The gender-neutral “Congressperson” belongs to the “modern” class of words (which predate the mainstreaming of wokism) including “chairperson”, “salesperson” etc.  It has been accepted by dictionaries and style guides with some media organizations recommending use although it’s said rarely to be heard in oral use.  Representatives are elected for two-year terms and senators for six so in the congressional elections conducted every two years; all 435 seats in the House are contested along with about a third of the Senate.

One who would have been grateful “congressperson” wasn’t in general use in the early 1960s would have been the singer-songwriter Bob Dylan (b 1941) who released The Times They Are a-Changin' as the title-track of his 1964 album, “Come senators, congressmen” appearing as the first line of the third verse and suiting the rhythm of the work in a way “Come senators, congresspersons” wouldn’t have worked.

Come senators, congressmen

Please heed the call

Don't stand in the doorway

Don't block up the hall

For he that gets hurt

Will be he who has stalled

The battle outside ragin'

Will soon shake your windows

And rattle your walls

For the times they are a-changin'

Although The Times They Are a-Changin' now is regarded as a classic Dylan song and one of his standards, while internationally it enjoyed some success as a single, it was never released in that form in the US, included only on the original eponymous album and subsequent compilations.  Like much of Dylan’s work, there were several influences including biblical echos from Mark and Ecclesiastes.

Official portrait of George Santos while he was entitled to be styled “Representative the honorable George Santos”.

The first (openly) LGBTQQIAAOP Republican elected to Congress as a freshman (one's first elected presence there, a use borrowed from universities where it describes first-year students), George Anthony Devolder Santos (b 1988) entered Congress in the 2022 mid-term elections, taking the seat of New York's 3^rd congressional district.  Although he seems to have passed untroubled through the Republican Party’s candidate vetting process, after his election a number of media outlets investigated and found his public persona was almost wholly untrue and contained many dubious or blatantly false claims about, inter alia, his mother, personal biography, education, criminal record, work history, financial status, ancestry, ethnicity, sexual orientation & religion.  When confronted, Mr Santos did admit to lying about certain matters, was vague about some and ducked and weaved to avoid discussing others, especially the fraud charges in Brazil he evaded by fleeing the country.  Although a life-long Roman Catholic, Mr Santos on a number of occasions claimed to be Jewish, even fabricating stories about his family suffering losses during the Holocaust.  Later, after the lies were exposed, he told a newspaper “I never claimed to be Jewish.  I am Catholic. Because I learned my maternal family had a Jewish background I said I was ‘Jew-ish.”  In the right circumstances, delivered on-stage by a Jewish comedian, it might have been a good punch-line.

George Santos: The Congress's loss was OnlyFans' gain but unfortunately the new career didn't last because of an excessive number of “fan solicitations”.

Following an investigation by the House Ethics Committee and a federal indictment, the House of Representatives in 2023 voted 311–114 to expel Mr Santos, meaning he gained the dubious distinction of being the first member of Congress to have been expelled without having previously been convicted of a crime or having supported the Confederacy (the pro-slavery southern states opposed to the Union forces in the US Civil War (1861-1865)).  In other historic footnotes, he became the sixth member of the House to be expelled and the first Republican.  Subsequently, Mr Santos pled guilty to identity theft & wire fraud and in April 2025 was sentenced to a prison term of 87 months.  However, in October that year, after spending only some three months behind bars, Donald Trump (b 1946; POTUS 2017-2021 and since 2025) commuted his sentence, cancelling all unpaid fines and restitution, one of the reasons cited being Mr Santos's solid voting record in Congress (100% Republican).  There was a time when such a pardon would have attracted much comment but such has been Mr Trump’s use of his power to issue pardons, few now seem exceptional or even noteworthy.  The power to pardon (inherited from Kings of England who no longer discharge it as a personal right) is unusual in being the only power in the US Constitution not subject to “checks & balances”; it is a personal presidential prerogative.  Noting that, political scientists and legal scholars are looking forward to the pardons announced on the last day of Mr Trump’s term on the basis: “We ain’t seen nothing yet”.  Members of the House of Representatives typically are addressed as "the honorable" in formal use but this is a courtesy title and not a requirement.  It's a matter left to individual members and as far as is known, Mr Santos has not yet indicated whether he wishes people to continue to address him as “the honorable George Santos” but clearly he has a fan base.  In 2024, Mr Santos opened an OnlyFans page (US29.99 per month) but after only a few weeks he was forced to “abandon the platform due to the high volume of fan solicitations”.

Congressman Randy Fine (b 1974; Representative for Florida's 6^th congressional district since April 2025) in red MAGA (Make America Great Again) hat (left) and a rooster with a large red coxcomb (the fleshy red pate of a rooster, left).

The long familiar “congressman” actually started as a term of derision before entering mainstream use as a neutral descriptor, a milder form being the later plural noun “congressfolk”.  Because voters (and others) so often find cause to be critical of those in Congress, a rich vocabulary of variants has over the years appeared, “congressfolk” yielding “congressdope” while independently coined terms included “congresscritter” and congressjerk while the offensive, ethnic slur “congresscoon” was a label applied to the first black congressmen (the presence of whom in the Congress many whites found appalling and not just those south of the Mason-Dixon Line).  To this day, phrases such as “those fuckwits in Congress” or “the stupid Congress” are part of US vernacular English although literary standards have declined since 1780 when one wrote: “Ye coxcomb Congressmen, declaimers keen, Brisk puppets of the Philadelphia scene.”  

Even within the political class the word can be weaponized.  Although in passing over 900 bills the 80^th Congress (1947-1949) was hardly inert, it didn’t do everything the administration wanted so, on the campaign trail in 1948, the ever-combative Harry S. Truman (1884–1972; POTUS 1945-1953) dubbed it the “Do Nothing Congress” although the nickname was something of a “tar by association” tactic against his Republican opponent (Thomas E. Dewey (1902-1971) in the presidential election as much as it was against the legislators.  Most of the world fixates on presidential politics because of the drama and the cults of personality but domestically, it’s in the legislatures that lobbyists do their work and that’s where they make “campaign contributions” in exchange for getting the legislation which most benefits the corporations employing them.  “The business of America is business” was how former president Calvin Coolidge (1872–1933; POTUS 1923-1929) summed it up.  It’s not wholly dissimilar to the development of the English constitution; it took centuries to evolve but essentially, in exchange for getting the money he needed to fight his wars, the king approved the laws the politicians wished to pass.  In the US, the dynamic relationship is between politicians & corporations, mediated by the lobbyists and between the two sides, there's much interchanging of personnel which is why the system is sometimes described by political scientists as “incestuous”.  The dynamic of the system does of course shift; sometimes those in Congress have dominated the president and sometimes he has dominated them so in that sense Trump 2.0 (Mr Trump's second administration) is just a phase the system is going through.

The reformed Lindsay Lohan.  Congress hasn't much mended its ways.

Others have found inventive ways to color their critique of the Congress.  In March 2011, delivering an address to the annual Washington Conference of the Institute of International Bankers, Richard W. Fisher (b 1949; president and CEO of the Federal Reserve Bank (the “Dallas Fed”) 2005-2015), spent some time discussing the fiscal policy (ie the dynamics of government spending vs revenue (taxation and such)) of the US Congress, his concern that for long-term investment to be secured, investors must have “…confidence in the long-term prospects of where they invest.  In my judgment, it will be hard to secure that needed comfort until Congress makes clear it will refrain from the errant fiscal ways of the past, changes the way it taxes and spends and regulates, and places the nation demonstrably, and unalterably, on a path of fiscal rectitude.”  To illustrate his point in an immediately accessible way, Mr Fisher added that the country had “…suffered for too long from ‘Lindsay Lohan’ Congresses.  Like Ms. Lohan, the American Congress is a beautiful creation, blessed with enormous talent. But it has been waylaid by addiction—in the case of the Congress to spending and debt—and by a proclivity for shoplifting—in the case of the Congress to pocketing for their immediate gratification the economic future of our children and grandchildren and our grandchildren’s children.”  It may have been a bit of a “mean boy” way of putting it but doubtlessly his point was well understood by his audience, Ms Lohan then in her “troubled starlet” phase.  However, while Ms Lohan became an admirably reformed creature, the US Congress (which alone has the authority to authorize every dollar raised, borrowed and spent by the federal government) remains something of a fabulous beast, the national debt now some US$38 trillion and growing.

Senator Rebecca Ann Felton (1835–1930, left) and Senator Mitch McConnell (b 1942; US senator (Republican-Kentucky) since 1985; leader of the Senate Republican Conference 2007-2025, right).  The spooky resemblance between Senator Fulton (who in 1922 served for one day as a senator (Democratic-Georgia), appointed as a political manoeuvre) and Senator McConnell has led some to suggest he might be her reincarnated.  Some not so acquainted with history assumed the photograph of Senator Felton was Mitch McConnell in drag.

Members of the Senate, regardless of gender, are styled as “Senator” even though the Senate is a part of the Congress.  Although it has become common to describe the Senate and House respectively as “upper house” and “lower house” (reflecting the UK practice of so-describing the House of Lords and House of Commons), many political scientists claim that’s misleading and the two houses should be regarded as co-equal wings of the congress, each fulfilling a distinct function but not in a hierarchical structure.  They’re correct in asserting the use sits awkwardly with later constitutional development but the terminology is, in the US context, ancient, dating from at least the first federal Congress in 1789 when the Senate routinely was described as the “upper” chamber and the House the “lower”, simply reflecting the British parliamentary vocabulary with with those involved were familiar.

Federal Hall, New York City, circa 1950.

The framers of the US constitution did not use the terms “upper” and “lower”, something in keeping with spirit of an age that was the not exactly egalitarian but it certainly reflected their deliberately (if imperfectly) democratic, anti-aristocratic intentions.  The conceptual analogy can however be pursued, the Senate being smaller, the members granted longer terms with election originally being indirect by state legislatures while the house was directly elected (although the franchise was far from one of universal suffrage).  However, whatever the constitutional niceties, that arrangement did neatly map onto the bicameral model familiar in the UK and Europe where upper and lower chambers often were seen although surveys of early American political writing seems to hint there might have been some reluctance to use the traditional “upper” & “lower”, the Senate instead referred to as a “more select” or “more elevated” body; while many in the US political class were elitist, there was a reluctance to make that explicit.  That in 1789 members of the two houses first sat with senators assembling in a room on the first floor while representatives convened downstairs is a charming anecdote but is regarded by historians as a piece of architectural determinism, the downstairs room in New York’s Federal Hall being large enough for all the representatives, the less multitudinous senators able to fit upstairs.  Still, although the use “upper” & “lower” was already deeply embedded in the Anglo-American constitutional lexicon before Congress first met in the upstairs-downstairs arrangement, some did note the coincidence and it’s not impossible use of the terminology at least briefly was reinforced.  The room-allocation certainly didn’t create the use.

However, by the early nineteenth century, “upper house” and “lower house” routinely appeared as neutral descriptive terms in newspapers, parliamentary manuals, and political commentary, used of the Congress as well as state legislatures.  Modern political scientists have analysed the texts and concluded the use was merely of convenience as verbal shorthand because the terms were so well understood; it was in no way an attempt to “put meaning into the words of the constitution”.  Although there were obvious structural similarities with the UK parliament, the social and political history was different but while the powers of the House of Lords greatly were curtailed by the Parliament Acts (1911 & 1949), the US Senate became one of democracy’s more powerful “second chambers” in that it has a power of veto over executive appointments (judges, ambassadors, members of the cabinet etc) and no POTUS may have a treaty with a foreign entity ratified without the concurrence of the Senate.  Along with the Australian Senate (routinely and uncontroversially styled as an “upper house”) which has the power to force governments from office, the US Senate is one of the democratic world’s more powerful, the term in the jargon of political science being “strong bicameralism.”

Kim Jong-Un (Kim III, b 1982; Supreme Leader of DPRK (Democratic People's Republic of Korea (North Korea)) since 2011) leads the bowing ceremony before the portraits of Kim Il-Sung (Kim I, 1912–1994; Great Leader of DPRK, 1948-1994, left) and Kim Jong-Il (Kim II, 1941-2011; Dear Leader of DPRK, 1994-2011, right), 9^th Congress of the WPK (Workers' Party of Korea), April 25 House of Culture, Pyongyang, 19-25 February 2026.  Unanimously, delegates paid tribute to the Supreme Leader and declared it the “best congress ever”.

In political use, although a “party congress” and “party caucus” both involve the party’s members meeting together, they are almost always different institutions.  By convention, a party congress is a large formal gathering of the membership or selected delegates.  These tend in scope to be national or regional and concerned with matters such as policy platforms, leadership and the endorsement of candidates although in recent decades they have become carefully managed (and scripted), set-piece events designed to demonstrate (or, for public purposes, to emulate) unity.  Held periodically and being now highly structured, they fulfil a ceremonial as well as practical purpose although functionally, most are now wholly unnecessary; dating from a time before modern communications when the only way for things to be “thrashed out” was for members to assemble to debate and vote, most “decisions” announced at party congresses have been worked out well in advance with the debates and announcements just “window-dressing” and a type of “brand identity”.  Most are now far removed from the origin in European, socialist or communist traditions but in authoritarian systems like those in the PRC (People’s Republic of China) or DPRK (Democratic People's Republic of Korea (North Korea)), the visual choreography is tighter even than that imposed by political machines in the West.

A party caucus inherently is a smaller gathering because almost always it’s restricted to elected or appointed members within a legislature or other (sometimes nominally) deliberative body.  The exact practice differs between (and sometimes even within) countries but, as a general principle, in parliamentary systems a caucus describes all elected legislators from one party meeting privately to discuss matters such as strategy, leadership coordination, or internal discipline.  The terms “party congress” and “party room” are thus usually interchangeable although there are instances where “caucus” has for historic reasons become so associated with one party that others avoid the label.  An obvious example is the ALP (Australian Labor Party (or as some prefer, Agitprop, Lies & Propaganda)) where use of “caucus” is entrenched so other parties tend to use “party meeting”, “party room” etc.  Similarly, in the US, while the congressional Democrats collectively are a “caucus” (sharing the noun with baboons which seems a nice touch), the Republicans are a “conference”.  Membership can be “loose”, the self-described “democratic socialist” Bernie Sanders (b 1941; senior US senator (Independent, Vermont) since 2007) having long “caucused with the Democrats”.  In the US, “caucus” was adopted for certain versions of “primary contests” in which candidates are selected (in other places the process might be called “pre-selection”).

Joe Biden (b 1942; VPOTUS 2009-2017 & POTUS 2021-2025) and his wife, Dr Jill Biden (b 1951) at a campaign stop during the Iowa Caucuses, Council Bluffs, Iowa, 30 November, 2019.

In the US, caucuses are now less common and the party machines would be delighted were they wholly to go extinct because, unlike primaries which are conducted at locations which are easily managed, caucuses are from the “horse & buggy” era and are geographically spread, often taking places in people’s houses.  For candidates, it can be a logistical nightmare but so culturally entrenched are the famous “Iowa Caucuses” which “kick off” the four-yearly cycle of presidential elections that whatever happens elsewhere, Iowa won’t be for turning.  In the US, there are also “sub-set caucuses” such as the “Congressional Black Caucus” and, upon formation in 1971, it was envisaged as a “non-party” gathering at which Democrats, Republicans and others could assemble to discuss matters of especial interest to the African-American community.  Remarkably, from time to time, Republicans have attended meetings.  The proliferation of caucuses within the Democratic Party has increased and there are caucuses labelled as “Jewish”, “Progressive”, “Muslim”, “women’s”, “African American”, “Education”, “Hispanic”, “Veterans”, “LGBTQ+”, “Pride”, “Stonewall”, Asian American & Pacific Islander”, “Native” and “Senior”; there may be more because the modern Democratic Party is a fissiparous beast.  

Watercolor of a Viennese ball.  So frequent were the balls at the Congress of Vienna, the Prince de Ligne famously observed “Le Congrès dance beaucoup, mais il ne marche pas” (Congress dances much, but it doesn't walk).

There are many aspects to the relationship between the US and PRC and following the May 2026 meeting in Beijing between Xi Jinping (b 1953; General Secretary of the CCP (Chinese Communist Party) and paramount leader of the PRC since 2012) and Donald Trump, analysts covered most of them.  There was much on trade, tariffs, military actions (calling events such as invasions “wars” has become unfashionable) in the Middle East or Ukraine, AI (artificial intelligence), oil, the renegade province of Taiwan and more.  What was however most striking about President Xi’s narrative was his observation the PRC and US had much more to gain from “cooperation” than “conflict”.  What Mr Xi seemed to be suggesting was different from earlier concepts which had at times characterized the relationship between the US and the Soviet Union; he wasn’t advocating a revival of “peaceful co-existence” or “détente” but something like a genuine, if unofficial, partnership based on mutual interest.  Although it’s speculative, it seems likely President Xi admires the Congress of Vienna (1814-1815) when the ruling elites met over some nine months to construct a post-Napoleonic Europe divided between the great powers, a structure in which (1) the ruling class would be spared another unpleasantness like the French Revolution (1789) and (2) a perpetual balance of power would be maintained, ensuring peace.  That in the two centuries since, the Congress has attached much criticism, largely for imposing a stultifying air of reaction on the continent, does not render the structure irrational nor detract from the rationale and some historians have come to regard the congress more fondly; while it’s not true the consequence was a exactly century of peace in Europe, it created a framework which meant a goodly number of decades notably less blood-soaked than what came before and certainly what followed after 1914.

In geopolitics, for authoritarian leaders to suggest “cooperation” with those more liberal is not new.  Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945) in 1940, not best pleased at being at war with the British (the nation he regarded still as Germany’s natural ally), offered London what to many in the British establishment seemed a tempting deal, given the army had just been forced into an hasty and ignominious retreat from the beaches of Dunkirk.  As Hitler imagined the globe under his new order in which the German Empire would extend from the English Channel to the Urals, one feature which fitted in nicely was the British Empire and in return for offering his obviously potent military to assist in its defence, all he wanted from the British was an end to hostilities and “non-interference” in a Europe now under German occupation or hegemony.  The British had their own reasons for rejecting that kind offer but, after the tide of the war had turned, they heard something similar (and possibly about as sincere) from comrade Stalin (1878-1953; Soviet leader 1924-1953).  At the Yalta Conference in February 1945, the British and Americans first heard comrade Stalin’s idea that the ideal arrangement for the upcoming post-war world was that the Soviets wouldn’t interfere in the way the countries in the Western sphere of influence were handled and in return he expected no interference in the Soviet sphere (basically those nations unfortunate enough to end up behind what came to be called the Iron Curtain).

Deals being done: The Congress of Vienna (1819), engraving by Jean-Baptiste Isabey (1767–1855).

However, the circumstances of 2026 differ greatly from the world of 1815 and what could be achieved at the Congress of Vienna by Lord Castlereagh (1769–1822; UK foreign secretary 1812-1822) and Prince Klemens von Metternich (1773-1859; Foreign Minister of the Austrian Empire 1809-1848 & Chancellor 1821-1848) was a function of what was unique about that time and place.  The so-called Concert System (known also as the Vienna System in a nod to the epoch-making congress) in which the spheres of influence of Europe’s five great powers (Austria, France, Prussia, Russia and the UK) were effectively formalized with mechanisms created to resolve disputes by means other than armed conflict, while a model which could be mapped onto the geopolitical map of 2026 is of course an implausible resurrection because things are different.  Still, Mr Xi is a diligent student of history and is aware how much more productive can be great-power cooperation than conflict, outcome of the latter sometimes as bad for the “winners” as the “losers”.  What he’ll have noticed is Donald Trump genuinely is unique among post-war presidents in that he avowedly has no interest in “spreading democracy” around the globe, content if other countries, whatever their political arrangements buy US goods and services; he cares not at all whether or not they buy the US Constitution.

As Mr Xi could have told him, that’s a sensible position to take because a system which suits one national culture may wholly be incompatible with others and what’s remarkable is not that the US, debatably for the first time since the 1920s, now has a “pragmatic president” but that it took so long for them to get one.  What most distinguished US foreign policy since 1945 was the way it was affected by the much-discussed national characteristic of “exceptionalism”, a collective confidence that proved an asset in a venture like sending men to walk on the moon but in foreign policy has on occasions led the Americans astray.  Essentially, the problem is the idealistic American belief that every problem can be overcome (exemplified by the Pentagon’s standard doctrine of “overwhelming force”) whereas less ambitious realists understand some problems are insoluble and need just endlessly to be “managed”, witness the way the British for so long ran the Raj with a relative handful of troops and administrators.

Horse trading at the Yalta Conference, February 1945, Franklin Delano Roosevelt (FDR, 1882–1945, POTUS 1933-1945, left), comrade Stalin (1878-1953; Soviet leader 1924-1953, centre) and Winston Churchill (1875-1965; UK prime-minister 1940-1945 & 1951-1955, right).

The cartoon was by Ernest Howard "E.H." Shepard (1879–1976) and appeared in Punch some days after the conference communiqués were published.  In the UK it was titled The Pellmell of the European Puzzle but, in many other markets, that was changed to The European Hotch-Potch because “pell-mell” was thought obscure.  Pellmell (also as pell-mell) traditionally was used in the sense of “hasty and uncontrolled” so it was at least half-right to apply the term to what was done at Yalta.  Pellmell was from the French pêle-mêle, from the Old French pesle-mesle, reputedly a rhyme based on the stem of mesler (to mix, meddle).  Unlike the Congress of Vienna which absorbed some nine leisurely months between September 1814-June 1815, the Yalta Conference was done in little more than a week but although there were many dinners, there were no balls and no dancing.  So intractable was the position of comrade Stalin on matters of consequence to him, had it lasted nine months it's doubtful the outcomes would greatly have differed.   

President Xi (left) and President Trump (right).  While structuralists might disagree, behaviorists would likely find more similarities than differences.     

While something like a “Congress of Singapore” with global or even extensive regional ambitions would be overreach, it’s not difficult to imagine Mr Xi and Mr Trump at a table demonstrating the “art of the deal(s)”, each sacrificing the odd pawn to secure an uncontested rook or knight (or even a bishop).  The pawns of course might object to being “shuffled around” but as Mr Xi would explain to them: “twas ever thus” and their people will much prefer the fruits of an increasing co-prosperity to abstractions like democracy and the chimera of free speech.  Mr Trump’s background was in the world of corporations and deals rather than politics (as he one admitted, he “bought” politicians as required and was impressed by how cheap they were) so he can relate to someone like Mr Xi who functions as the CEO of a corporate state, more than he can presidents or prime ministers juggling the competing interests upon which they depend.  Like Mr Trump who wants as little as possible to do with the internal affairs of America’s customers (ie other countries), Mr Xi has no wish to waste effort or resources in the pointless business of attempting to impose Beijing’s way of running the PRC on others; good relations and mutually beneficial trade ties are much more sensible goals.  In Mr Xi and Mr Trump, not since a couple of horse-traders like comrade Stalin and Winston Churchill were running their countries have two great powers been headed by a pair more suited to “doing deals”.  While problems like Kashmir and Palestine will need “endless management”, in other places, there is scope for a couple of realists to “cooperate” and because Mr Trump (mostly) has purged the US system of tiresome idealists, for the first time in living memory, at least slight progress may be possible.  As at Yalta, there might be victims but where deals are there to be done, someone always has to pay the price.