Lunch

Lunch (pronounced luhnch)

(1) A light midday meal between breakfast and dinner; luncheon.

(2) Any light meal or snack.

(3) To eat lunch.

(4) In slang, as “out to lunch”, dim, vague, uselessly ineffectual.

(5) In slang as “lunchy”, old-fashioned; passé; out of style (obsolete).

(6) In slang as “eating their lunch”, outwitting an opponent.

(7) In Caribbean slang (among older folk), mid afternoon tea.

(8) In first-class cricket, the break in play between the first and second sessions (confusingly for those new to cricket, although the first session is often called the "pre-lunch session", the second is known as the "lunch session" and not the "post lunch session").

(9) In Minnesota, USA, any small meal, especially one eaten at a social gathering.

1580:  It’s never been clear which came first: lunch or luncheon.  Origin of both is thought to lie in a dissimilated variant of nuncheon, the Middle English nonechenche (noon ling meal and drink), equivalent to none (noon) + schench (from the Old English scenc or scencan (to pour out, give drink)), cognate with the Dutch and German schenken.  Apparent unrelated, Old English had nonmete (afternoon meal, literally "noon-meat").  Nonechenche was possibly altered by the northern English dialect lunch (hunk of bread or cheese) from 1590 which may be from lump or the Spanish lonja (slice, literally “loin”).  Because dinner in the sense of the biggest or main meal of the day) could be eaten either at around noon, in the evening or at night, there was a need for a meal to fill the gap between breakfast and dinner.  Lunch is a noun & verb, luncher is a noun, lunching is a noun & verb and lunched is a verb; the noun plural is lunches.

A montage of a languid Lindsay Lohan lingering over lunch.

The idea of lunch as it’s now understood took a long time to evolve, to “take a lunch” in 1786 is recorded as eating a chunk of something (perhaps evolved from lump), carved sufficiently large to constitute a filling meal and as late as 1817, the US Webster’s Dictionary offered as the only definition of lunch "a large piece of food", a meaning long obsolete and in the 1820s, the Oxford English Dictionary (OED) thought it either “a vulgarism or a fashionable affectation".   Nevertheless, lunch’s intrusion into the language in the nineteenth century does suggest some sort of social change was afoot, either in the type, style or timing of meals or at least the words used to describe them.  Lunch-money was attested from 1868; lunch-time from 1821; lunch hour from 1840 and the lunch-break from 1960.  The slang phrase out to lunch in the sense of “a bit vague, dim, clueless (but some way short of actually insane) was first recorded in recorded 1955, the notion of being "not there" and instead at lunch.  The luncheon voucher was a public health measure, introduced in 1946 by the UK’s post-war Labour government (1945-1951).  It was literally a paper voucher which represented the mechanism by which the government would subsidize midday meals taken in private restaurants by employees in workplaces where there was no staff canteen.  Luncheon vouchers were an attempt to improve the national diet by encouraging the consumption of healthy, nutritious food at a time when so many basic items were still subject to the rationing imposed during wartime (indeed, some foodstuffs were subject to rationing only after the conflict ceased).  In an example of bureaucratic inertia, the scheme existed to an extent until 2013 by which time the effects of inflation had made the by then trivial subsidy inconsequential.

Receptacles in which to store one’s lunch for transport have a history.  The lunch-box is documented from 1864, the lunch-pail from 1891.  Those were descriptive nouns whereas lunch-bucket emerged in the 1990s as an adjective indicating working-class men or values, bucket presumably the best word because it was universally understood in the English-speaking world to an extent pail was not.  Lunch-bag seems never to have become a common form despite being widely used but in the 1970s, the verb brown-bag (and the related brown-bagging) referring to bringing lunch or liquor in a brown paper bag.  A long-time staple of a lunch-pail’s contents, lunch-meat (a processed form of meat-based protein produced in a size which, when sliced, was aligned with the slices of standard loaves of bread and thus convenient for making sandwiches) was first documented in 1931.  The lunch-counter (a long, elevated table or bench where customers eat standing or sitting on high stools) is an 1854 invention of US English.

The possible future of lunch: Grilled jellyfish.  Although many fish species are in decline, jellyfish numbers are growing.  The part eaten for lunch is called the umbrella. 

The portmanteau word brunch dates from circa 1890, a British student slang merging of breakfast and lunch, according to the magazine Punch (1 August 1896).  It appeared in 1895 in the defunct Hunter's Weekly, but two years earlier, at the University of Oxford, the students had drawn what must at the time have seemed an important distinction: The combination-meal, when nearer the usual breakfast hour, is "brunch" and, when nearer luncheon, is "blunch".  That’s a linguistic curiosity in that the brunch survived while blunch did not yet the modern understanding of a brunch appears to be something taken closer to the time of lunch than breakfast.  It may be that brunch was just the more pleasingly attractive word, blunch not so well rolling off the tongue.  Several spellings of luncheon were noted in the decades after the 1640s, the now standardised form not widespread until 1706.  Of uncertain origin, in the 1580s was used to describe something like the northern English dialectal lunch (hunk of bread or cheese), though influenced by the Spanish lonja (a slice, literally "loin"), blended with or influenced by nuncheon, from the mid-fourteenth century Middle English nonechenche, (light mid-day meal), from none (noon) + schench (drink), from the Old English scenc, from scencan (pour out).

The possible future of lunch: Fishcakes.  Fishcakes are a way by-products of the industrial processing of seafood can be sold as a protein source (ie make use of what would be otherwise used for agricultural feed, the pet-food business or end up a waste product.

The etymology of all these words is tangled and there are reasons to suspect the similar forms arose independently in different place rather than as forks of anything vaguely lineal, the OED discounting the notion of lunching, which dates from the 1650s, being derived from the verb lunch because that wasn’t to be attested for another century, the OED suggesting there may be some connection (by analogy) with words like truncheon etc to simulate a French origin which is speculative but such things are not unknown in ever class-conscious England.  Whatever the origin, it does seem to have been used to describe an early afternoon meal eaten by those who take dinner at noon.

Sepia

Sepia (pronounced see-pee-uh)

(1) A dark brown pigment obtained from the ink-like secretion of various cuttlefish, often used with brush or pen in drawing.

(2) A drawing made with this pigment.

(3) A photograph or digital image in the tone recognized as “sepia”.

(4) A specific range of shades of brown, which tend to a reddish tincture.

(5) In photography, a print or photograph rendered within this color range, associated especially with early types such as calotype.  Now easily replicated in software, when using physical film stock it can be produced by first bleaching a print (after fixing), then immersing it for a short time in a solution of sodium sulphide or of alkaline thiourea.

(6) Any of several cuttlefish of the genus Sepia, producing a dark fluid used naturally for defense and, by humans, in various mixes of ink (mostly archaic but still used in technical literature).

1821: From the Italian seppia (cuttlefish), from the Latin sēpia, from the Ancient Greek σηπία (sēpía) (cuttlefish (and its secretion)), the origin of which is uncertain, the orthodox explanation being it was from the Ancient Greek σήπειν (sḗpein) (to make rotten) but there are etymologists who suggest while that’s “semantically possible” (on the basis of the “rotten:” smelling ink), it’s may be from a pre-Greek source.  The Greek sḗpein was related to σήψ (sḗps) (a kind of lizard; also a serpent, the bite of which was alleged to cause putrefaction”).  The Greek sēpía was akin to sepsis.  Sepia & sepian are nouns & adjectives and sepialike (also as sepia-like) is an adjectives; the noun plural is sepias.

The use of the word to describe the brown pigment extracted from the secretions of cuttlefish dates from the 1820s and the “brownish” meaning as applied to drawings was first recorded in English in 1863 (originally as “sepia drawing”); it was extended later to photography and film and it remains a motif in “retro” art and verisimilitude in film & television.  Reflecting the influence of Classical & Medieval Latin in the formation of zoological taxonomy, sepia had been used of the cuttlefish as early as the late-fourteenth century but today such use is rare.  The Latin was also the source of words in a number of languages including the Bulgarian се́пия (sépija), the Catalan sèpia, the Esperanto sepio, the Finnish seepia, the French sépia, the Galician sepia, the German Sepia, the Hungarian szépia, the Japanese: セピア色 (sepiairo), the Portuguese sépia, the Romanian sepia, the Russian се́пия (sépija), the Spanish sepia, the Swedish sepia, the Tagalog sepia and the Turkish sepia.  

The noun sepiolite (in mineralogy, a hydrated magnesium silicate, clay mineral used for carving into decorative articles and smoking pipes (known also as meerschaum), from the same etymological origin as sepia, picked up the name because of the resemblance to cuttlebone.  The -lite suffix (when used formally) was a representation of the Ancient Greek λίθος (líthos) (stone) and was appended to form the names of rocks and minerals.  In informal use (in commerce or humorously (and in politics often disparagingly)) it's a phonetic version of “light” in the sense of “smaller, lesser, reduced in weight”; it's used often for cut-down (sometimes free) versions of software, diet drinks etc.

Montage of Lindsay Lohan red-carpet stills, rendered in vintage calotype sepia.

As an adjective sepian (the comparative more sepian, the superlative most sepian) began life meaning (1) of or pertaining to the sepia (in the sense of the cuttlefish or its dark pigment) and (2) of the color (not of necessity produced with the derived ink).  In the post-war Unites States, sepia was adopted to refer to some of those with darker pigmentation of the skin, specifically applied to black Americans or African Americans.  The emergence was because in many parts of the US, use of most offensive of the N-words had become socially less acceptable in many circles and as this disapprobation trickled down the social spectrum, new slurs were created, sepian presumably attractive because of the history as a description of colors of paint, fabrics etc.  It was thus separated from ethnic identity and could thus be defended as wholly neutral in use.  As a term, it was neither sufficiently widely adopted nor endured in use for long enough for any pejorative association to become attached so it never became part of the linguistic treadmill.

Bridget Bardot (b 1934) in sepia, on set in Viva Maria! (1965).

As an artistic device, sepia is sometimes used in film.  In The Wizard of Oz (1939), one of the most famous uses was to contrast the bleak, sepia-toned scenes in Kansas with the vibrant (techni-) color in the Land of Oz.  A different effect was achieved in The Shape of Water (2017) (which is either a fantasy or science fiction (SF) film depending on who is writing the review), the sepia-toned sequences depicting the protagonist's memories and dreams.  Presumably, directors find sepia a useful device because black & white (the other obvious alternative) has through use become vested with connotations, gained not only from of the association with film noir.

Section

Section (pronounced sek-shuhn)

(1) A part cut off or separated.

(2) A distinct part or subdivision of anything (object, data set, country, social class, military establishment et al).

(3) In text, a distinct part or subdivision within a document or set of documents (periodicals, newspapers, legal codes et al), the idea emulated in many forms of broadcasting.

(4) One of a number of parts that can be fitted together to make a whole or a larger component.

(5) An act or instance of cutting; separation by cutting.

(6) In surgery, the making of an incision or the physical incision (in medical slang, “section” & “Caesar” contest the right to be the colloquial short form for “Caesarean section” with the latter apparently the winner.

(7) In pathology, a thin slice of a tissue taken for microscopic examination (sometimes called a specimen although section has a specific technical meaning related to its suitability for use in microscopy.

(8) In all physical sciences, a slice or part (of a mineral, metal, plant etc) removed for examination or other purposes.

(9) A graphical or mathematical representation of an object as it would appear if cut by a plane, showing its internal structure (in architecture, engineering etc).

(10) In geometry, a plane surface formed by cutting through a solid; the shape or area of such a plane surface.

(11) In geology, a sequence of rock layers.

(12) In North American land law (some jurisdictions in US & Canada), an area one mile square (640 acres; 2.6 km²; 259 hectares).

(13) In New Zealand land law a plot of land (of varying size) for building on, especially in a suburban area

(14) In military establishments, classically a small unit (as few as 6-8) consisting of two or more squads (as few as 2+3), several squads when assembled comprising a platoon (terminology and numbers vary greatly between militaries and branches within).

(15) In military terminology any small tactical grouping, either standing or created ad-hoc for specific missions; as “staff section”, the administrative and organizational apparatus attached to an operational unit or units.

(16) In the design of carriages for railroads, a division of a sleeping car containing both an upper and a lower berth.

(17) In railroad administration, a length of track, roadbed, signal equipment etc, maintained by one crew.

(18) In mass-transit, any of two or more trains, buses, trams etc, running on the same route and schedule at the same time, one right behind the other, and considered as one unit, as when a second is necessary to accommodate more passengers than the first can carry.

(19) In mass transit (Australia & New Zealand), a fare stage on a bus, train or tram etc (similar to the sectors used by airlines).

(20) In botany, a segment of a naturally segmented fruit, as of an orange or grapefruit.

(21) In botany, a taxonomic rank below the genus (and subgenus if present), but above the species.

(22) In zoology, an informal taxonomic rank below the order ranks and above the family ranks.

(23) In art, as “sectional art”, a single work designed to be displayed as separate pieces (as opposed to the single piece collage or montage (made from many components) or the diptych, triptych, polyptych etc (where all the pieces are in some way attached to create a (usually) symmetrical whole.

(24) In music, a division based on the instruments used or their purpose (rhythm section; brass section; string section et al).

(25) In music, an extended division of a composition or movement that forms a coherent part of the structure.

(26) In publishing, as the section mark (sometimes called the signature), a mark used to indicate a subdivision of a book, chapter etc or as a mark of reference to a footnote (the symbol § denotes a section in a document)

(27) In bookbinding (sometimes called the signature, gathering, gather or quire) a folded printing sheet or sheets ready for gathering and binding.

(28) In live theatre, one of a series of circuits for controlling certain lights (footlight, down-lights et al).

(29) In category theory, a right inverse.

(30) In some jurisdictions, a mechanism by which a mentally disturbed person may be confined in an institution (under appropriate statute) for examination to determine whether a longer or permanent order of confinement is justified.

(31) In military slang (as “to section” or “section 8”), to dismiss an individual from the service on mental health grounds.

1550-1560: From the Middle English seccioun (in astronomy, “the intersection of two straight lines; a division of a scale”), from the Old French section, from the Latin sectionem (stem of sectiō) (a cutting; cutting off, excision, amputation of diseased parts of the body etc), from sectus, past participle of secāre (to cut), from the primitive Indo-European root sek (to cut).   The construct was sec(t) (āre) + -iōn.  The meaning “a part cut off or separated from the rest” dates from the early fifteenth century while that of a “drawing representing something as if cut through” was from the 1660s.  In English, from the 1550s, there was the sense of “an act of cutting or dividing”; that is now archaic or preserved only in some aspects of engineering and in medical phrases, most famously the Caesarian section.  The meaning “a subdivision of a written work, statute etc” was first noted in the 1570s when the structure in publishing was (more or less) standardized: books divided into chapters, chapters into sections and sections into paragraphs or breaks, a system still reflected by modern word-processing software.  Section can have defined meanings (such as in publishing or land law) but the in general use the synonyms include cut, division, snippet, part, segment, slice, piece & specimen.  Section is a noun & verb, sectionalism & sectionality are nouns, sectioning is a noun & verb, sectional & sectionary are nouns & adjectives, sectioned is a verb (and a non-standard adjective), sectionable is an adjective and sectionally is an adverb; the noun plural is sections.

Three-piece sectional art, distinguished a triptych in that the three sections are hung separately.  Some commercial galleries do describe such products as "triptychs" because the word has such an association with "high art". 

In music, although functionally the distinctions had long been understood, the idea of sections in a band or orchestra didn’t come into use until the 1880s (the sections either by type (strings) or function (rhythm).  The use of section to describe the one square mile (640 acres) blocks used for purposes of sub-dividing public lands dates from 1785.  The famous “section 8” began as World War II (1939-1945) US military slang referring to the passage in army regulations under which as soldier could be discharged from the service for reasons of mental illness (not necessarily defined as insanity).  The verb section came into use in publishing in the early nineteenth century in the sense of “divide a text into sections”, extended by the 1890s to “cut through so as to present a section”.  The adjective sectional in the sense of “pertaining to a division of a larger part” was first noted in 1806 but it is mere coincidence this was the year in which the thousand year old Holy Roman Empire was dissolved.  It originally did mean “of or pertaining to some particular section or region of a country as distinct from others”, something would soon often be heard in the US political vocabulary in the decades leading up to the Civil War (1861-1965).  The noun sectionalism emerged in parallel an originally meant “sectional prejudice or spirit; the clashing of sectional interests” but it soon added the sense “a confinement of interests to a local sphere”.  It was in use in US English by 1836 but, again under the influence of those forces which would lead to the Civil War, it was in frequent use by the mid-1850s.

The meaning “composed or made up of several independent sections that fit together” was in use in engineering and other mechanical fields by the mid-eighteenth century.  The specific noun meaning “piece of furniture composed of sections which can be used separately” appeared in the early 1960s (a clipping of sectional seat, sectional sofa etc in use since 1949) but the preferred modern descriptor is “modular”.  The noun cross-section (section of something made by a plane passing through it at a right angle to one of its axes) dates from 1748 and was first applied to the sketches and plans of engineers and architects.  In the early twentieth century, it picked up the figurative sense of “a representative sample”, emerging apparently in the social sciences before entering general use.  The noun subsection (also as sub-section) (part or division of a section) dates from the 1620s.  The noun midsection (also as mid-section) (middle of the human body, the midriff or belly) was coined in the 1930s for commercial purposes.  Other forms (quarter-section, half-section, multi-section, un-sectioned, bisection etc were coined as the need arose.

Lindsay Lohan in sections, hung above a "sectional sofa".  "Sectional furniture" was first advertised in the late 1940s and offered more flexibility in that the pieces could be assembled in a variety of configurations, better to suit the available space.  The modern trend is to describe such pieces as "modular furniture" but the art is still sectional; modular art is something different. 

The military slang (as “to section” or “section 8”) referred to World War II (1939-1945) US Army regulations (detailed in Section VIII) under which an individual could be dismissed from the service on mental health grounds.  These grounds provided for the discharge of men who were deemed mentally unfit for military service so didn’t exactly follow the conventions followed in civilian medicine; proven (or confessed) homosexuality could for example be the grounds for a Section VIII discharge.  The term entered popular culture in the post-war years when it was used in fictional depictions of military life, often as a humorous device following the attempts of soldiers to be “sectioned” as a way out of the military.  Most militaries have since adopted practices which align more closely with the mainstream handling of mental health conditions.

The Caesarian section (delivery of a baby by cutting through the abdomen of the mother) was apparently first described as “a section” in 1923 although “a Caesar” seems to be the preferred modern medical slang.  The operation had first been documented in the 1530s and the name was based on that supposedly being the method by which Julius Caesar (100-44 BC; Roman general and dictator of Rome 49-44 BC) was delivered.  Modern thought has rejected that notion and the legend thus also accounts for the historic tracing of his cognomen to the Latin caesus, past participle of caedere (to cut).  If there’s any basis to this, it may have been an ancestor who was so born because Caesar's mother lived to see his adulthood and there’s no record of any woman in antiquity surviving the procedure which was performed usually when the mother had already died.  Modern medical analysts concur with the improbability of the link and the first known attempt to on a live woman was in the early sixteenth century and as late as the 1800s, before antiseptics and blood transfusions were routinely available, there was a 50% mortality rate.

Montage

Montage (pronounced mon-tahzh (mawn-tazh in French))

(1) The technique of combining in a single composition, pictorial elements from various sources, as parts of different photographs or fragments of printing, either to give the illusion that the elements belonged together originally or to allow each element to retain its separate identity as a means of adding interest or meaning to the composition; the composition itself.

(2) By analogy, the creation of a thing or concept by combining a number of related elements; any combination of disparate elements that forms or is felt to form a unified whole.

(3) In photography, as photomontage, a juxtaposition or partial superimposition of several shots to form a single image.

(4) In film & television etc, a technique of editing used to present an idea or set of interconnected ideas.

1929: A borrowing from the French montage (assembly, set-up), the construct being mont(er) (to mount; to put up) + -age.  Monter was from the Vulgar Latin montāre, the present active infinitive of monto (to climb, mount, go up), from mōns & montem (mountain), from the primitive Indo-European men- (mountain).  The suffix -age was from the Middle English -age, from the Old French -age, from the Latin -āticum.  Cognates include the French -age, the Italian -aggio, the Portuguese -agem, the Spanish -aje & Romanian -aj.  It was used to form nouns (1) with the sense of collection or appurtenance, (2) indicating a process, action, or a result, (3) of a state or relationship, (4) indicating a place, (5) indicating a charge, toll, or fee, (6) indicating a rate & (7) of a unit of measure.  The French suffix -age was from the Middle & Old French -age, from the Latin -āticum, (greatly) extended from words like rivage and voyage.  It was used usually to form nouns with the sense of (1) "action or result of Xing" or (more rarely), "action related to X" or (2) "state of being (a or an) X".  A less common use was the formation of collective nouns.  Historically, there were many applications (family relationships, locations et al) but use has long tended to be restricted to the sense of "action of Xing".  Many older terms now have little to no connection with their most common modern uses, something particularly notable of those descended from actual Latin words (fromage, voyage et al).

A montage of Lindsay Lohan as Andy Warhol (1928–1987) might have rendered.

Montage, although now most associated with photography, painting and other static installations, was originally a term in cinematography, first attested in 1929.  The use was extended in 1931 (as photomontage) to the use of photographs or photographic negatives to make art or illustrations.  The technique can, in many fields, be used to add a veneer of intellectual gloss to what is really an elaborated form of plagiarism.  More helpfully, photomontages have been a vital aspect of the techniques of producing large scale imagery and the first were literally assembled on large tables by technicians armed with scissors, magnifying glasses and adhesive tape, the most prolific of the early adopters being the military who used the small images taken during photo-reconnaissance (PR) missions.  As camera technology improved, definition increased and more detail was captured but this was counted somewhat by increased anti-surveillance measures which forced the PR missions to operate at higher altitude.  Interestingly, the Allied military in World War II (1939-1945) found women much more efficient in both analysing PR and assembling montages.

A montage of Lindsay Lohan as Andy Warhol (1928–1987) might have rendered.

The techniques honed in wartime proved valuable in peacetime for creating large-scale maps and renderings from sometimes even thousands of small fragments.  This was the way big areas on the surface of the earth were able to be visualized as if a single photograph and in the 1950s work began on the task of mapping the ocean floor, something of interest not only oceanographers & nautical geographers but also to navies, commercial shipping companies and miners, the oil & gas industry long aware that vast untapped resources lay under the waves.  The concept of mapping the seabed is simple in that all that is required is to have the images in the form of a grid which could then be assembled in a single montage (the world’s biggest).  However, while the scale in terms of the surface area proved manageable, obtaining the data at depths in which pressures are immense and darkness total proved as challenging as predicted and although the maps are in a sense complete, the deepest parts of the oceans remain to some extent mysterious.  The available montages (which scientists call bathymetric data sets) include the GEBCO (General Bathymetric Chart of the Oceans which is an international project), Seabed 2030 (a collaborative project between GEBCO and the Japanese Nippon Foundation which plans to have a comprehensive map of the entire ocean floor by 2030), the EMODnet (European Marine Observation and Data Network which publishes highly detailed bathymetric maps for European waters) and the US NOAA (National Oceanic and Atmospheric Administration which offers maps of US waters and contributes to global programmes, their material available through the National Centers for Environmental Information (NCEI).

A montage of Lindsay Lohan as Andy Warhol (1928–1987) might have rendered.

The difference between collage and montage is that while a collage weaves together things of difference to create a unified whole, a montage uses complete things of some similarity to create something visually coherent although, with some modern artists, coherence can prove elusive, however cohesive a whole the glue might produce.  At the definitional margins however, the distinctions can be significant in the production but be undetectable in the result.  To create what appeared to be the montage of the seabed, what was done was technically a collage, the assembled components including photographs, renderings from ship-based sonar measurements and satellite altimetry as well as some enhancement in software.  However big might have been the ambition to create a unified montage of the ocean floor, cosmologists & astronomers thought bigger still and as space-based cameras and wandering craft became available, montages were assemble of objects such as the moon and the lovely rings of Saturn.  Aiming to produce the grandest montage of all is the European Space Agency which (ESA), using observations from their Euclid space mission (launched in July 2023) will explore dark matter and dark energy; over time billions of galaxies will be viewed.  What makes Euclid different from the Hubble Telescope and JWST (James Webb Space Telescope) is it can survey large parts of the sky at once, the agency describing the difference as between looking through a window compared with a keyhole.  In time, all the known objects in the universe might be photographed which will permit quite a montage but what really interests the cosmologists is the dark matter (which may actually be dark energy or a combination of the two) so it’s a quest for the known unknowns and unknown unknowns.

Sickle

Sickle (pronounced sik-uhl)

(1) In agriculture, an implement for cutting grain, grass, etc., consisting of a curved, hook-like blade mounted in a short handle.

(2) In astronomy, a group of stars in the constellation Leo, likened to this implement in formation (initial capital letter).

(3) In veterinary anatomy, any of the sickle-shaped middle feathers of the domestic cock.

(4) In pathology, as sickle-cell anemia, a severe hereditary condition in which mutated haemoglobin distorts red blood cells into a crescent shape, causing the cells to become stuck in capillaries; historically known as drepanocytosis.  The deformation of red blood cells into an abnormal crescent shape is called sickling and in medical slang a patient with the condition is a sickler.  

(5) As a stylized graphic, crossed with a hammer, used as a symbol of communism and the USSR and adopted by communist parties in many countries; metonymically, Socialism or communism itself.

Pre-1000: From the Middle English sikel (also assibilated in sichel), from the Old English sicol & siċel, the origin of which is uncertain, the most supported suggestion being it was a borrowing from Latin sēcula (sickle) or sīcīlis (sickle)”, cognate with the Dutch zikkel and the German Sichel.  The construct of the Latin sēcula was sec(āre) (to cut) + -ula or –ule (the diminutive suffix used to form taxonomic names, usually of genera).  The alternative explanation is it was a diminutive of the Proto-Germanic sikilō (ploughshare) from the primitive Indo-European seg-, a variant of sek- (to cut).  It was cognate with West Frisian systel, sisel & sizel (sickle), the Dutch sikkel (sickle) and the German Sichel (sickle).  It was related also to West Frisian sichte (sickle), the Dutch zicht (sickle), the Low German Sichte & Sicht (sickle) & Sech (blade of a sickle or scythe).  Sickle is a noun, verb & adjective, sickler & sickleman (sicklewomoman seem never to have been a thing although there must have been many and one would presumably now use sickleperson) are nouns, sickled is a verb and sickling is a noun & verb; the noun plural is sickles.

One of the standards used by the USSR after 1922.

The hammer and sickle (available on PCs as the Unicode symbol ☭ long before emojis) was created in 1917 to symbolise proletarian solidarity: the hammer representing the workers, the sickle the peasants (the intelligentsia ignored for representational purposes by the journalists, school-teachers and lawyers who would come to dominate the later dictatorship).  The design, formerly adopted as the USSR’s national symbol in 1922, was by Yevgeny Ivanovich Kamzolkin (1885–1957), his winning entry in a competition.  During the decades when the USSR enjoyed a better image than during the cold war, the hammer and sickle became widely used as a symbol both for communist parties and international proletarian unity even though the Soviet state had long been the dictatorship of the party elite rather than of the proletariat as Karl Marx (1818-1883) had predicted in his Communist Manifesto (1848).

Hammer and Sickle Set, (1977) by Andy Warhol (1928–1987), screen-printed montage on paper.

It remains a familiar sight in Russia and states like China, Laos and Vietnam which are, even if only nominally, still communist.  It’s less welcome in many former communist countries, some of which make public display a criminal offence, mirroring German legislation banning the swastika.  Even the French Communist Party, for much of its existence the most cravenly Stalinist and Moscow-centric of operations, abandoned the hammer and sickle in favour of a five-pointed star although the painful step wasn’t taken until 2014.  The British Labour Party, wimpier than the French, once used a crossed shovel and quill which, to some critics, came respectively to symbolise the workers who founded the party and the bourgeoisie who staged a hostile takeover a process which afflicted also the Australian Labor Party (ALP), described by one disillusioned veteran as "the cream of the working class overthrown by the dregs of the middle class".  By the the 1980s, the British Labour party had adopted a rose which meant everything in general and nothing in particular so the "New Labour" of the 1990s was, if not inevitable, at least anticipated.  In the Kremlin, Vladimir Putin (b 1952; president or prime minister of Russia since 1999) wasn’t going to let anything like that happen and in 2007 he intervened to stop modernisers among his own supporters removing the hammer and sickle from reproductions of the most hallowed relic of the Great Patriotic War (1941-1945), the Victory Banner, the flag Soviet troops raised over the Reichstag building in Berlin on 1 May 1945.  Mr Putin wasn't at all nostalgic about the Soviet economic model but he liked everything else and has tried to recreate as much of it as possible.

No sickle required: Lindsay Lohan with hammer used to attack a Volvo as part of a promotional stunt, New York City, March 2014.  Who hasn't wanted to attack a Volvo with a big hammer?

The flag of the Hezbollah (right), the public display of which is banned in some jurisdictions where both the organization's political & military wings are listed as "terrorist organizations" includes a depiction of  Kalashnikov AK-47 assault rifle but that of Mozambique (left) is the only national flag to feature the famous weapon and the Africans fixed a bayonet to the barrel which was a nice touch.  Mozambique gained independence from Portugal in 1975 although the flag wasn’t officially adopted until 1983 as a modified version of what was essentially the battle flag of the Frente de Libertação de Moçambique (FRELIMO, the Mozambique Liberation Front, the Marxist (later styled “democratic socialist”) resistance movement which fought a war of liberation (1964-1974) against the Portuguese colonial forces).  Artistically, just as Marxism (notably often in Stalinist form) had been politically influential in post-colonial Africa, the hammer & sickle exerted an artistic appeal.  The flag of Mozambique has an AK-47 crossed by a hoe sitting atop an open book and is the only national flag upon which appears a modern firearm, the handful of others with guns all using historic relics like muskets or muzzle-loaded cannons.  The Angolan flag has a machete crossing a half gear wheel and both these African examples follow the symbolic model of the hammer and sickle, representing variously the armed struggle against repression, the industrial workers and the peasantry.

Hammer & sickle pencil mini-skirts.

Youth

Youth (pronounced yooth)

(1) The state (imprecisely defined) of being young.

(2) The appearance, freshness, vigor, spirit etc, characteristic of one who is young (usually as youthful or youthfulness).

(3) The time of being young; early life (figuratively applied also to institutions, ideas, movements etc to describe the first or early period.)

(4) The period of life from puberty to the attainment of full growth (nominal adulthood), sometimes used as a (vague) synonym for adolescence.

(5) Young persons, collectively.

(6) A young person, by convention usually male (which some etymologists suggest is the only correct use).

(7) As a locality name, the Isle of Youth (Isla de la Juventud in the Spanish and formerly the Isle of Pines), an island in the Caribbean, a municipality in southern Cuba.

Pre 900: From the Middle English youthe, youghte & ȝouþe, from the Old English geoguth or ġeoguþ (the state of being young; young people, junior warriors; young of cattle (and related to geong (young)), from the Proto-West Germanic juwunþa, from the Proto-Germanic jugunþō & jugunþiz (youth) and related to the Old Saxon juguth, the Old Frisian jogethe, the Middle Dutch joghet, the Old High German iugund, the Gothic junda and the Latin juventus.  It was cognate with the Saterland Frisian Juugd, the Gothic junda, the German Low German Jöögd, the West Frisian jeugd, the Dutch jeugd and the German Jugend.  The ultimate source of the Germanic forms was a suffixed form of the primitive Indo-European root yeu- (vital force, youthful vigor) + the Proto-Germanic abstract noun suffix –itho.  According to the Oxford English Dictionary (OED), the Proto-Germanic form apparently was altered from juwunthiz by the influence of its contrast dugunthiz (ability (source of the Old English duguð)).  In Middle English, the medial “g” became a yogh (a Middle English letter (ȝ) used mainly where modern English has gh and y), which then disappeared.  The alternative forms yought & youthe are obsolete.  The Middle English youthhede (youthhood, the synonyms being yonghede, yongthe & youthe) was an example of an early nuancing as it described the part of life which followed childhood and is thus the equivalent of the modern adolescence although it’s clear it was also used of youth generally.  Youth, youthism & youthfulness are nouns, youthy is a noun & adjective (both obsolete), youthwards is an adverb and youthful & youthless are adjectives; the noun plural is youths (collectively as youth).

Synonyms are easy to list but harder to use like youth, the meanings tend to be loaded, some working in some contexts but not others and the list includes: juvenility, youngness & youngth (both archaic), youthfulness, immaturity, minority, adolescence, child, childish, kid, lad, teen, teen-ager, youngster, young  minority, immaturity & stripling.  The classic antonym is adulthood but in some contexts old-age, senility and dotage (the one favoured by Kim Jong-un (Kim III, b 1982; Supreme Leader of DPRK (North Korea) since 2011) to disparage Donald Trump (b 1946; US president 2017-2021) before they fell in love) may be applied.

Lindsay Lohan as an 11 year old youth and at a youthful 36.

The adjective youthful dates from the 1560s and much earlier, Old English had geoguðlic and other words formerly used in the same sense were youthlike, youthly, youthsome & youthy.  Yippie was first reported in 1968 and was the “marketing” name of the (not wholly fictitious) "Youth International Party" (modelled on the then commonly used “hippie”), “founded” by counter culturalists Abbie Hoffman (1936–1989), Jerry Rubin (1938–1994), Nancy Kurshan (b 1944) & Paul Krassner (1932–2019).  Youth can be a modifier (youth culture, youth crime, youth worker, youth hostel, youth market, youth justice et al) and be modified (middle youth, troubled youth) while “youthism” (discrimination against the young) is the companion term to ageism (discrimination against the old) although the former is, at law, not an inherently “suspect category” in most systems where the appropriate framework exists; that’s why five year olds can’t sue for the right to hold drivers licences although if someone that youthful in somewhere like Florida or Texas petitioned the US Supreme Court for the right to carry an AR-15, given the composition of the bench, it’s far from certain there wouldn’t be at least a few dissenting opinions supporting his or her right and as a piece of black letter law, under current interpretations, it could be argued a five year old with an AR-15 wouldn’t be any less representative of a “well-regulated militia” than anyone else who now enjoys the right.

Ever inventive, English has coined new derivations as required, the spread encouraged by the emergence of social media.  A “youthemism” is a particular form of euphemism, describing the phrases and photographs used in advertising to make older individuals feel a little young younger; youthemisms appear in the slogans and marketing campaigns for everything from pairs of jeans to “mid life crisis” motor cycles.  Also from advertising (sometime seeking votes as well as sales) is “youthenize” which describes making someone or something more appealing to a younger market; as a transitive verb it can be used to mean “to make youthful or younger; to rejuvenate”.  By obvious analogy with earthquake, “youthquake” seems first to have appeared in Vogue magazine in 1965 and was a reference to the cultural changes being wrought by the youthful baby boomers who were (uniquely in history) both in a critical mass and an economic force by virtue of their unprecedented (for youth) levels of disposable income.  The phrase “fountain of youth” is an allusion to some of the tales from antiquity and is used to refer to any product, exercise regime or other activity which promises to restore or prolong youthfulness.  The non-standard spelling “yoof” is a colloquialism from England which first gained currency during the 1980s, often as “yoof kulture” and in Thatcher-era England was a way of disparaging the behaviour and sloppy language standards among the young.  Like other words intended to offend, there were sub-cultures which adopted yoof as a form of group identity and solidarity, use prevalent among the then emerging “ravers” and the “acid house” scene.

Hitler Youth & Band of German Maidens members on camp together, circa 1937. Sometimes, the boys & girls got to know one another.

The German form jugend became notorious because during the Third Reich (1933-1945) the Hitlerjugend (Hitler Youth, 1926-1945 and abbreviated as HJ) was the Nazi Party organization for boys (10-18), intended to instil a sense of nationalism, prevent any from drifting towards delinquency and, more controversially, prepare them for military training proper.  The Bund Deutscher Mädel (Band of German Maidens) was the girls' wing of the Hitlerjugend and, abbreviated as BDM, its purpose was to prepare girls for their traditional role of motherhood.  Perhaps unfortunately, some mixed activities such as the HJ and the BDM going on camps together resulted in much practical preparation for motherhood, revelations of this promiscuity leading Germans to conclude BDM might be better understood as Bund Deutscher Matratzen (Band of German Mattresses).

The word youth has long been applied to the young of both sexes (and now of all genders) but there was (especially among classists) an argument that while anyone could be youthful or possess the quality of youthfulness, only a young male could be described as a youth.  That was skating on etymologically thin ice although it does seem likely the view did reflect the conventions of use in earlier centuries and that was another example of the reverence for antiquity which so flourished in the post medieval-period.  Those who translated the myths from Rome and Greece of course wrote often of the beautiful boys and young men who litter the tales but the girls and women were never youths; they were nymphs, waifs, pixies, sprites, fairies or naiads and this tradition infected academia, more than one professor insisting a youth could be only male.

But now it’s used of anyone young though context still matters.  In clinical medicine for example there are two distinct fields: paediatric medicine and adolescent medicine, puberty the point of delineation.  As a technical distinction in hospitals that’s uncontroversial but other words within the rubric of youthfulness can carry baggage, juvenile for example being innocuous when used in zoology to describe the young of a species but potentially incendiary when applied to people, such remains the influence of the phrase “juvenile delinquency”, popular since the 1960s whenever there’s a need to create a moral panic about the behaviour of youth (complaints about which by older generations have been documented since Antiquity).  Adolescent too has suffered because of phrases like “adolescent humor”, “adolescent behavior” etc which rarely suggest anything positive.

Teenage fencing.

Then of course there is teen-age which true pedants will always distinguish from teenage (pronounced teen-ige) which is a technical herm of fence-builders to describe a technique of weaving which interleaves brushwood to produce a type of fencing called wattle, the weave effected usually horizontally around vertical uprights planted in the ground.  The use to refer to those aged 13-19 dates from 1911 and was used originally of Sunday school classes with the adjective teen-aged first noted 1922 although it wasn’t until the 1950s that an identifiable “teen-age culture” could be said to exist, something of which many (then and now) disapproved but modern capitalism, generally neutral on low-intensity cultural squabbles, identified a new market and in music, clothing, film and just about every aspect of pop-culture, teens have since been a valuable segment, spending either other people’s money (OPM) or their own.  Being teen-aged of course stops with one’s 20^th birthday but youth for some time persists although there’s no general agreement for how long.  A helpful guide though may be the criterion enforced by New Zealand-based tour operator Contiki Tours, long renowned for their innovative model of alcohol-fueled packaged tourism for amorous youth although it seems they now also cater for those who drink rather less enthusiastically than the average Antipodean.  Contiki restrict their tours to those aged 18-35, presumably because at 18 sex is lawful in all countries visited and 35 is the upper limit at which it's (in some cases) plausible for men to hook-up with 18 year old women.  The days when a 21^st birthday was of legal significance have gone but there’s a wide range of ages which (somewhat arbitrarily) are used to at least imply a suggestion of adulthood including matters of sexuality activity (generally 14-18 depending on jurisdiction), obtaining a drivers licence (14-23), voting (15-20), consuming alcohol (5 (with parental supervision) –20), being responsible for criminal acts (8-14) or becoming President of the United States (35).  Lindsay Lohan, having thus attained the statutory age of political adulthood on 2 July 2021, may now seek to become POTUS; that would MAGA.

A montage of images of a teen-aged Lindsay Lohan.  

Legal rights and responsibilities however really don’t define the end of youth because it’s a cultural construct and probably most would accept 25 or even 29 as the end although of course many even beyond this can remain “youthful” and the distinction between someone thought a “youth” or a “young adult” is likely more a judgment of the individual than anything much to do with their age and in casual use, youth, inherently a relative term, can also be applied to the middle aged.  When it was noticed during the first Nuremberg Trial (1945-1946) that certain defendants were being influenced during the communal lunches by the most recalcitrant of the Nazis, it was decided to serve the meals to a number of separate tables and the one allocated to Walther Funk (1890–1960; Nazi economics minister & central bank president) (then aged 56), Hans Fritzsche (1900–1953; Nazi propagandist) (46), Albert Speer (1905–1981; Nazi court architect 1934-1942; Nazi minister of armaments and war production 1942-1945) (41) & Baldur von Schirach (1907-1974; head of the Hitlerjugend (Hitler Youth) 1931-1940 and Gauleiter (district party leader) & Reichsstatthalter (Governor) of Vienna (1940-1945) (38) was referred to by jailers and prisoners alike as der Tischjugend (the youth table), the average age of the diners at the other tables much older.  The troublemaker who was the reason the seating plans were changed was Hermann Göring (1893–1946; leading Nazi 1922-1945, Hitler's designated successor & Reichsmarschall 1940-1945) (52) who was put in a room to eat alone which he did, most unhappy at being denied his audience.