Showing posts sorted by date for query Buffalo. Sort by relevance Show all posts
Showing posts sorted by date for query Buffalo. Sort by relevance Show all posts

Tuesday, September 2, 2025

Suicide

Suicide (pronounced soo-uh-sahyd)

(1) The intentional taking of one's own life.

(2) By analogy, acts or behavior, which whether intentional or not, lead to the self-inflicted destruction of one's own interests or prospects.

(3) In automotive design, a slang term for rear doors hinged from the rear.

(4) In fast food advertising, a niche-market descriptor of high-calorie products deliberately or absurdly high in salt, sugar and fat.

(5) A trick in the game Diabolo where one of the sticks is released and allowed to rotate 360° round the Diabolo until it is caught by the hand that released it.

(6) In Queensland (Australia) political history, as suicide squad, the collective name for the additional members of the Legislative Council (upper house) appointed in 1921 solely for the purpose of voting for its abolition.

(7) In sardonic military slang, as suicide mission, a description for an operation expected to suffer a very high casualty rate.

(8) A children's game of throwing a ball against a wall and at other players, who are eliminated by being struck.

(9) Pertaining to a suicide bombing, the companion terms being suicide belt & suicide vest.

(10) In electrical power, as "suicide cable (or cord, lead etc)", a power cord with male connections each end and used to inject power from a generator into a structing wiring system (highly dangerous if incorrectly used).

(11) In drug slang, the depressive period that typically occurs midweek (reputedly mostly on Tuesdays, following weekend drug use.

(12) In US slang, a beverage combining all available flavors at a soda fountain (known also as the "graveyard" or "swamp water".

(13) As "suicide runs" or "suicide sprints", a form of high-intensity sports training consisting of a series of sprints of increasing lengths, each followed immediately by a return to the start, with no pause between one and the next.

1651: From the New Latin  suīcīdium (killing of oneself), from suīcīda and thought probably of English origin, the construct being the Latin suī (genitive singular of reflexive pronunciation of se (one’s self)) from suus (one’s own) + cīdium (the suffix forms cīda & cide) from caedere (to kill).  The primitive European root was s(u)w-o (one's own) from the earlier s(w)and new coining displaced the native Old English selfcwalu (literally “self-slaughter”).  Suicide is a noun & verb, suicidal is a noun & adjective, suicider is a noun; the noun plural is suicides.  Pedantic scholars of Latin have never approved of the word because, technically, the construct could as well be translated as the killing of a sow but, in medieval times, purity had long deserted Latin and never existed in English.  The modern meaning dates from 1728; the term in the earlier Anglo Latin was the vaguely euphemistic felo-de-se (one guilty concerning himself).  It may be an urban myth but there was a story that a 1920s editor of the New York Times had a rule that anyone who died in a Stutz Bearcat would be granted a NYT obituary unless the death was a suicide.  Suicide is a noun & verb, suicidal is a noun & adjective, suicider, suicidology, suicidalist, suicidality, suicidalness & suicidism are nouns, suicidogenic is an adjective, suicided is a verb & adjective, suiciding is a verb and suicidally is an adverb; the noun plural is suicides.

Terms like “professional suicide”, “commercial suicide” and “career suicide” are, even if the era of trigger warnings, still used as is “political suicide” and it is a word politicians like to use (of their opponents).  Paul Keating (b 1944; Prime Minister of Australia 1991-1996), having read the Fightback! political manifesto prepared for the 1993 general election by the Liberal Party’s then leader Dr John Hewson (b 1946; leader of the Liberal Party of Australia 1990-1994), declared it “the longest suicide note in Australian political history”, a critique which seems first to have been made by a member of the Canberra press gallery although a similar phrase had a decade earlier been used in the UK by Labour Party politician Sir Gerald Kaufman (1930–2017) when damning his own party’s 1983 platform.  An extraordinary 650(!) pages, Fightback! reflected well on Dr Hewson’s background as an academic neo-liberal economist but as something to persuade voters to vote Liberal it was monumentally bizarre and nobody has since attempted anything like it.  Dubbed at the time (for many a good reason) "the unlosable election", lose in 1993 Dr Hewson did and to this day Fightback! is blamed.

Bloody Bob hasn't!, John Clarke (1948–2017) and Bryan Dawe (b 1948), ABC Television 7:30 report, Monday 15 March, 1993.  

A footnote to the unexpected result in the 1993 election was an exposure of the dangers inherent in pre-recording television material for later broadcast.  The conventional wisdom was a significant factor in Labor's impending defeat was that Mr Keating allowed his personal ambition to become prime-minister prevail over the interests of the party and in deposing Bob Hawke (1929–2019; Prime Minister of Australia 1983-1991) who'd won the previous four elections, he'd sacrificed any hope of gaining a fifth term.  The satirists John Clarke (1948–2017) and Bryan Dawe (b 1948) produced a skit using their “pseudo interview” technique in which they followed the documentary model of the ABC’s (Australian Broadcasting Corporation) Labor in Power series; they depicted the political rivals as two children squabbling over whose turn it was with the toy.  The final question asked “Paul” which of them now had the toy to which he replied “Bloody Bob hasn’t!”.  The punch-line would have worked had Mr Keating had the decency to lose the election but of course he won so the joke went flat. 

UK Prime Minister Lord Salisbury (Robert Arthur Talbot Gascoyne-Cecil, 1830–1903; UK Prime Minister for thirteen years variously 1885-1902) remarked of the long, sad decline of Lord Randolph Churchill (1849–1895) that the deceased had proved to be “chief mourner at his own protracted funeral” and confided to colleagues “the man committed suicide as surely as if he blown his brains out.”.  Kaiser Wilhelm II (1859–1941; German Emperor & King of Prussia 1888-1918) remarked of the ill-advised book published by one politician whose career had imploded that it was probably the “…first time a man has committed suicide twice.  Not noted for his wit, that may have been Wilhelm’s finest moment although it does vie with his observation on hearing that, in deference to the state of war between their two nations, the British Royal family was changing its name to “Windsor”.  The Kaiser said he hoped soon to attend a performance in Berlin of William Shakespeare’s (1564–1616) “The Merry Wives of Saxe-Coburg and Gotha.”.

Comrade Stalin (1878-1953; Soviet leader 1924-1953) arranged a few “suicides” and in a nice touch sometimes appeared at the funeral as chief mourner whereas Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945) in similar circumstances seems to have restricted himself to sending a wreath and, for the especially exalted, authorizing a state funeral.  Although doubtlessly it's all just bad luck and coincidence, it is striking how many sources on various platforms have compiled lists of the remarkable number of "suicides" in some way associated with Bill (b 1946; US president 1993-2001) & crooked Hillary Clinton (b 1947; US secretary of state 2009-2013).  It's an impressively large toll but, in fairness, Socks (1989-2009; FCOTUS (First Cat of the United States 1993-2001)) did live an untypically long 20-odd years although he escaped the Clinton's clutches after 2001.

Suicide Squads

HH Asquith (1852-1928) and his youthful friend Venetia Stanley (1887–1948).

Although few were quite as vituperative as Paul Keating who once describes the members of the Australian Senate as "unrepresentative swill", governments in the twentieth century often found upper houses to be such a nuisance they schemed and plotted ways to curb their powers or, preferably, do away with them entirely.  As the electoral franchise was extended, governments were sometimes elected with what they considered a mandate to pursue liberal or progressive policies while upper houses, by virtue of their composition and tenure (some with life-time appointments) often acted as an obstruction, rejecting legislation or imposing interminable delays by sending proposed laws to be “discussed to death” in committees from which “nothing ever emerged”.  This was the situation which confronted the glittering Liberal Party cabinet of HH Asquith (1852–1928; UK prime minister 1908-1916) which in 1909 found the Lords, in defiance of long established convention, blocking passage of the budget.  The Lords was wholly unelected, its membership mostly inherited, sometimes by virtue of some service (virtuous or otherwise) by an ancestor hundreds of years before.  Successive elections didn’t resolve the crisis and Asquith resolved to pursue the only lawful mechanism available: the creation of as many peers as would be necessary (in the hundreds) to secure the passage of his legislation.

Terry Richardson's (b 1965) suicide-themed shoot with Lindsay Lohan, 2012.

That of course required royal ascent and the newly enthroned George V (1865–1936; King of the United Kingdom & Emperor of India 1910-1936), while making his reservations clear, proved a good constitutional monarch and made it known he would follow the advice of his prime-minister.  As it turned out, the “suicide squad” wasn’t required, their Lordships, while not at all approving of the government, were more appalled still at the thought of their exclusive club being swamped with “jumped-up grocers” in “bad hats” and allowed the legislation to pass.  Actually, “castration squad” might have been a more accurate description because while the Lords survived, Asquith ensured it would be less of an obstacle, substituting the road block of its power of veto with a speed-bump, a right to impose a two-year delay (in 1949 reduced to six months).  The New Labour administration (1997-2010) introduced further reforms which were designed eventually to remove from the Lords all those who held seats by virtue of descent and even the Tories later moved in that direction although the efforts have stalled and a few of the hereditary peers remain.  As things now stand, the last remaining absolute veto the Lords retain is to stop an attempt by a government to extend a parliament's life beyond five years. 

The preserved Legislative Council chamber in Queensland's Parliament House.

Some upper house assassins however truly were a suicide squad.  In Australia, the state of Queensland followed the usual convention whereby the sub-national parliaments were bicameral, the Legislative Council the upper house and like the others, it was a bastion of what might now be called "those representing the interests of the 1%" and a classic example of white privilege.  Actually, at the time, the lower houses were also places of white privilege but the Australian Labor Party (ALP) had long regarded the non-elected Legislative Council (and upper houses in general) as undemocratic and reactionary so in 1915, after securing a majority in the Legislative Assembly (the lower house) which permitted the party to form government, they sought abolition.  The Legislative Council predictably rejected the bills passed by the government in 1915 & 1916 and a referendum conducted in 1917 decisively was lost; undeterred, in 1920, the government requested the governor appoint sufficient additional ALP members to the chamber to provide an abolitionist majority.  In this, the ALP followed the example of the Liberal Party in the UK which in 1911 prevailed upon the king to appoint as many new peers as might be needed for their legislation to pass unimpeded through an otherwise unsympathetic House of Lords.  That wasn’t needed as things transpired but in Queensland, the new members of the Legislative Council duly took their places and on 26 October 1921, the upper house voted in favor of abolition, the new appointees known forever as "the suicide squad".  Despite the success, the trend didn't spread and the Commonwealth parliament and those of the other five states remain bicameral although the two recent creations, established when limited self-government was granted to the Northern Territory (NT) and Australian Capital Territory (ACT), both had unicameral assemblies.

Margot Robbie (b 1990) in costume as Harley Quinn (a comic book character created by DC Comics), Suicide Squad (2016).

Across the Tasman Sea (which locals call "the ditch"), the New Zealand upper house lasted another three decades but it’s eventual demise came about not because of conflict but because the institution was increasing viewed as comatose, rejecting nothing, contributing little and rarely inclined even to criticize.  Unlike in England and Queensland, in New Zealand the abolition movement enjoyed cross-party support, left and right (although the latter in those days were pretty leftist), united in their bored disdain.  One practical impediment was the New Zealand parliament couldn’t amend the country’s constitution because no government had ever bothered to adopt the Statute of Westminster (1931) by which the Imperial Parliament had granted effective independence to the Dominions but in 1947 this was done.  Despite that, the Labour Party didn’t act and after prevailing in the 1950 general election, it was a National Party administration which passed the Legislative Council Abolition Act, its passage assured after a twenty-member “suicide squad” was appointed and the upper house’s meeting of 1 December 1950 proved its last.  Opposition from within the chamber had actually been muted, presumably because to sweeten the deal, the government used some of the money saved to pay some generous “retirement benefits” for the displaced politicians.  New Zealand since has continued as a unitary state with a unicameral legislature.

Pineapples.

In the Far East (the practice documented in Japan, the PRC (People's Republic of China) and the renegade province of Taiwan), fruit sellers offer pineapples for sale of the basis of “Murder” (谋杀 and variants) or “Suicide” (自殺する and variants).  Ominous as it sounds, it's just commercial shorthand.  Pineapples being more difficult to handle than many fruits, fruit shops offer the “murder” service in which staff will (for a small fee) peel and chop as required.  Those prepared to do their own preparation at home can take the “suicide” option and (at a lesser cost) purchase the whole fruit, skin and all.  There are many reasons to eat pineapple.

Suicide doors

1928 Mercedes-Benz Nürburg (W08) with four rear-hinged doors.

It wasn’t until the 1950s the practice of hinging doors from the front became (almost) standardized.  Prior to that, they’d opened from the front or rear, some vehicles featuring both.  The rear-hinged doors became known as suicide doors because they were genuinely dangerous (in the pre-seat belt era), the physics of them opening while the car was at speed had the effect of dragging the passenger into the airstream.  Additionally, it was said they were more likely to injure people if struck by passing vehicles while being opened although the consequences of being struck by a car sound severe whatever the circumstances.

2021 Rolls-Royce Phantom VIII Tempus.

Still used in the 1960s by Lincoln, Ford and Rolls-Royce, they were phased out as post-Nader safety regulations began to be applied to automotive design and were thought extinct when the four door Ford Thunderbirds ceased production in 1971.  However, after being seen in a few design exercises over the decades, Rolls-Royce included them on the Phantom VII, introduced in 2003, the feature carried over to the Phantom VIII in 2017.  Like other manufacturers, Rolls-Royce has no fondness for the term suicide doors, preferring to call them coach doors; nomenclature from other marketing departments including flex doors and freestyle doors.  Engineers are less impressed by silly words, noting the correct term is rear-hinged and these days, mechanisms are included to ensure they can be opened only when the vehicle is at rest.  Encouraged by the reaction, Rolls-Royce brought back the rear-hinged door for their fixed (FHC) and drop-head (DHC) coupés although, despite the retro-touch, the factory seems now content usually to call them simply coupés and convertibles.  

1971 Ford Thunderbird Landau.

In a nod to a shifting market, when the fifth generation Thunderbird was introduced in 1967, the four-door replaced the convertible which had been a staple of the line since 1955.  Probably the only car ever visually improved by a vinyl roof, the four-door was unique to the 1967-1971 generation, its replacement offered only as a coupé.  The decision effectively to reposition the model was taken to avoid a conflict with the new Mercury Cougar, the Thunderbird moving to the "personal coupé" segment which would become so popular.  So popular in fact that within a short time Ford would find space both for the Thunderbird and the Continental Mark III, changing tastes by the 1970s meaning the Cougar would also be positioned there along with a lower-priced Thunderbird derivative, the Elite.  Such was the demand for the personal coupé that one manufacturer successfully could support four models in the space, sometimes with over-lapping price-points depending on the options.  The four-door Thunderbirds are unique in being the only car ever built where the appearance was improved by the presence of a vinyl roof, the unusual semi-integration of the rear door with the C pillar necessitating something be done to try to conceal the ungainliness, the fake "landau irons" part of the illusion.

1967 Lincoln Continental convertible.  The later cars with the longer wheelbase are popular as wedding cars because the suicide doors can make ingress & egress more elegant for brides with big dresses although those with big hair often veto the lowering of the roof until after the photos have been taken.

The combination of the suicide door, the four-door coachwork and perhaps even the association with the death of President Kennedy has long made the convertible a magnet for collectors but among American cars of the era, it is different in that although the drive-train is typical of the simple, robust engineering then used, it's packed also with what can be an intimidating array of electrical and hydraulic systems which require both expertise and equipment properly to maintain.  That need has kept a handful of specialists in business for decades, often rectifying the mistakes of others.  It was unique; after the last of the even rarer Mercedes-Benz 300d Cabriolet Ds left the line in 1962, Lincoln alone offered anything in the once well-populated niche.

LBJ's 1964 Lincoln Continental convertible.

The four-door convertible's most famous owner was Lyndon Johnson (LBJ, 1908–1973; US president 1963-1969) who would use it to drive visitors around his Texas ranch (often with opened can of Pearl beer in hand according to LBJ folklore).  While never a big seller (21,347 made over seven years and it achieved fewer than 4,000 sales even in its best year), it was the most publicized of the line and to this day remains a staple in film & television productions needing verisimilitude of the era.  The convertible was discontinued after 1967 when 2276 were built, the two-door hardtop introduced the year before out-selling it five to one.  The market had spoken; it would be the last convertible Lincoln ever produced and it's now a collectable, LBJ's 1964 model in 2024 selling at auction for US$200,000 and fully restored examples without a celebrity connection regularly trade at well into five figures, illustrating the magic of the coach-work.

A mother watching her daughter enter her 1963 Lincoln Continental, the door held open by the girl's brother.  These are two of the family's 2.66 (1964 average) children.

Ford's advertising agency rose to the occasion when producing copy for the four-door convertible.  They certainly had scope because it was unique so many superlatives and adjectives which usually were little more than "mere puffery" would in this case have been literally true.  It was though a case of making "a silk purse from a sow's ear" because Lincoln adopted the suicide doors only because the car's wheelbase was too short for conventionally (forward) hinged doors to provide a sufficiently wide gap for entry and exit.  While that may sound a strange thing to plague a new design, the 1961 Continental was built on the platform of a proposed Ford Thunderbird which would have been available only with a two-door body and despite what the advertising copy suggests, even with the use of suicide doors, access to the rear compartment was tight, something not rectified until the wheelbase (123 inches (3,124 mm) for 1961-1963 & 126 inches (3,200 mm) for 1964-1969) was extended.     

Lincoln Continental concepts, Los Angeles Motor Show, 2002 (left) and New York Motors Show 2015 (right).

The Lincoln Continental for decades remained successful after the "great des-sizing" began in 1979 and despite the perceptions of some, the generation which was least-well received was that (1982-1987) based on Ford's smaller "Fox" platform, sales rebounding when the larger eighth generation (1988-1994) made it debut and that was despite the switch to FWD (front-wheel-drive) and the lack of a V8; clearly for Lincoln buyers it was size which mattered rather than the details of what lay beneath and presumably many neither knew, could tell or cared it was FWD, a configuration which anyway increased interior space, something of more tangible benefit to most than what could be achieved on a slalom course.  Interest by the late 1990s was however dwindling and the nameplate suffered a fourteen year hiatus between 2002-2016.  Unfortunately, the resuscitation (without suicide doors) used as its inspiration the concept car displayed at the 2015 New York International Auto Show rather than the one so admired at Los Angeles in 2002.  The LA concept might not have been original but was an elegant and accomplished design, unlike what was offered in NYC fifteen years later: a dreary mash-up which looked something like a big Hyundai or a Chinese knock-off of a Maybach.  The public response was muted.

2019 Lincoln Continental Eightieth Anniversary Edition.

The tenth generation (2017-2020) managed what were by historic standards modest sales but by 2019, it seemed clear the thing was on death-watch but Lincoln surprised the industry with a batch of eighty LWB (long wheelbase) models with suicide doors to mark the eightieth anniversary of the Continental’s introduction in 1939.  Although there were those who suggested the relatively cheap process of a stretch and a re-hinge of the back-doors was a cynical way to turn a US$72K car into one costing US$102K and was likely aimed at the Chinese market where a higher price tag and more shiny stuff is thought synonymous with good taste, the anniversary models were sold only in the home market. Although even at the high price there was enough demand to induce ford to do a run of another 150 (non-commemorative) suicide door versions for 2020, the retro gesture proved not enough to save the breed and it was announced production would end on 30 October 2020 with no replacement listed.  Not only was the announcement expected but so was the reaction; the market having long lost interest in the uninspiring twenty-first century Continentals, few expressed regret.  The name-plate however, one of the most storied in the Ford cupboard, will doubtless one day return.  What it will look like is unpredictable but few expect it will match the elegance of what was done in the 1960s.

Haile Selassie I (1892-1975; Emperor of Ethiopia 1930-1974) being received by a ceremonial guard after alighting from the 1966 Vanden Plas Princess 4 Litre (DM4) Limousine of the Governor-General of Jamaica, 21 April 1966 (left) and Vanden Plas Princess with suicide doors open (right).

Emperor Haile Selassie’s 1966 state visit to Jamaica and the Caribbean has since been celebrated by Rastafari as “Grounation Day”, the term based on the emperor declining to walk on the red carpet provided in accordance with protocol because he wished to “make contact with the soil”.  Among many of the Rastafari (a movement which emerged in the 1930s, taking its name from Ras (the emperor’s pre-imperial name Ras)) Haile Selassie was worshipped as God incarnate, the messiah who delivered the peoples of Africa and the African diaspora to freedom from colonial oppression.  The limousine had been delivered to the island some six weeks earlier for the use of Elizabeth II (1926-2022; Queen of the UK and other places, 1952-2022) during her royal tour after which, she returned to London and the car was re-allocated to Government House as the viceroy’s official vehicle.  While it looked like something left over from pre-war days, for its intended purpose it was ideal, the rear compartment capacious, luxuriously trimmed and tall, making it suitable for those wearing even the highest plumed hats.  Into this welcoming space, occupants stepped through suicide doors which offered unparalleled ease of entry and departure, especially for the diminutive Haile Selassie who would barely have needed to bow his head.

1965 Vanden Plas Princess 4 Litre (DM4) Limousine Landaulette (left) and 1940s advertisement for Dickson automatic rear door-locks.

Based on a car which was even upon its debut in 1952 seemed old fashioned, by 1968 when production finally ended, the Vanden Plas Princess was, stylistically and technically, a true relic and it’s remarkable that complete with a split windscreen of two flat panes, it was a contemporary of machines like the Lincoln Continental, Jaguar XJ6 and NSU Ro80.  It was very much a case it being better to be inside a DM4 among burled walnut and West of England Cloth (durable leather was for chauffeurs and other servants who rode up front) looking (and for some, waving) out than on the outside looking in.  What must seem even more remarkable was that despite picking up a nickname like “suicide doors”, governments for decades did nothing to compel manufacturers to fit the small, cheap mechanisms (available on the aftermarket for US$3.95 a pair) which would prevent the doors opening while the car was in motion.  These potentially life-saving devices were not expensive and if installed in bulk on production lines, the unit cost would not much have exceeded US$1.00.  It was another world and not until the 1960s did the rising death toll compel legislatures to take seriously the matter of automotive safety.

1968 Vanden Plas Princess 4 Litre (DM4) "facelift prototype".

Vanden Plas did in 1968 belatedly plan an update of the DM4 which sort of "brought it into the 1950s" although for the target market, that may have been no bad thing.  By then however Harold Wilson's (1916–1995; UK prime minister 1964-1970 & 1974-1976) Labour Party government had engineered the "great coming together" which was the ultimately doomed British Leyland and with Jaguar also in the conglomerate, their much more advanced Daimler DS420 (1968-1992) limousine was obviously superior and there was no place for the "modernized DM4", the grafting of quad headlights and a one-piece windscreen not enough to save the relic from extinction.  Along with New Zealand's curious hybrid model of the 1970s, the Wilson government was the West's only serious attempt to combine political freedom with a quasi-socialist planned (if not quite command) economy and the reactions to the lessons provided by British Leyland (and other state ventures) contributed to the hegemony of the neo-liberal model which for the last four-decades odd has done what it's done.  

When used by the wedding and hire car industries, some operators took advantage of many of the English limousines from the 1950s & 1960s being fitted with version of the GM (General Motors) Hydramatic automatic transmission, installing in each centre-post a dead-bolt activated by an electrical solenoid, the system triggered by “on” by the shift lever being in drive (locking the rear doors) and “off” by moving the lever to neutral (withdrawing the bolt).  Vanden Plas did at least on some models include on the dashboard a pair of red lights which brightly would glow if the corresponding left or right door was not completely closed.  The much more expensive Rolls-Royce limousines had no such “safety lights”; passengers in those were on their own.  It was not a theoretical problem because there were many documented cases of passengers, especially those sitting (without seat belts) in the jump-seats leaning against the doors, sometimes pressing down the handle, cause the door to open.

1960 Facel Vega Excellence EX1.

The four-door Facel Vegas featured suicide doors which were among the most potentially dangerous because of the dubious (though elegant) engineering in the locking mechanisms.  Note also the "dog leg" of the A-Pillar (windscreen), a styling trend borrowed from Detroit which caused many injuries to knees and one victim was Richard Nixon (1913-1994; US president 1969-1974) who who in August, 1960 suffered a hit during his doomed campaign for that year's presidential election.  It resulted in a staphylococci infection which for two weeks confined him to bed in Walter Reed Hospital at a time when his opponent (John Kennedy (JFK, 1917–1963; US president 1961-1963) was travelling the country campaigning and for a born politician like Nixon it wouldn't have been much consolation that his bedside well-wishers included Lyndon Johnson and Barry Goldwater (1909–1998; Republican Party nominee for the 1964 US presidential election); hearing those two were walking down the corridor, he may have wondered if he could fake his own death.  One biographer suggested the injury happened because his team deliberately chose to use a cheaper Chevrolet rather than a "larger" Cadillac in order to project a less elitist image.  While the reason for the choice of car was true, the impact injury would anyway likely have happened because, beginning with the 1959 range, for reasons of production-line rationalization, Chevrolet & Cadillac (along with corporate stable-mates Buick, Oldsmobile & Pontiac) all shared GM's corporate C-Body platform and while between divisions there were sometimes dimensional differences (notably in wheelbases), the front doors, A-Pillars and seat mounting points were identical in all.    

If compatible (which seems improbable given the novelty of this French approach to door-latch design), the Dickson locks would have been a worthwhile addition for the Facel Vega Excellence (1956-1964) which, in a triumph of fashion over function, had no B-Pillar (ie the central one between the doors) at all, the suicide doors secured only by a locking mechanism in the door sill, something which worked well in static testing but on the road, lateral stresses induced during cornering meant the doors were apt to “fly open”, something to ponder in the pre-seat-belt era.  The completely pillarless look did however look good so there was that.  One of the most glamorous machines of the era, many celebrities were drawn to Facel Vegas but the most infamous association was with the author Albert Camus (1913–1960), killed instantly when the FV3B in which he was a passenger crashed into a tree; the car was being driven by his publisher, Michel Gallimard (1917–1960), who was mortally injured, dying within days.  Although the accident happened on a long, straight section of road, the conditions were icy and the official cause was listed as "...a loss of control while travelling at an excessive speed for the conditions".  The FV3B was a two-door coupé so there was no link with the suicide doors used on the Excellence, the possibility of tyre failure has always been speculative and there's now little support for the conspiracy theory (which long circulated) suggesting the KGB may have sabotaged the car because of the author's anti-Soviet stance.  Powered by a variety of Chrysler V8s (the "Hemi", "Poly" & "Wedge" all at times used), the "big" Facel Vegas (1954-1964; some 506 coupés, 156 sedans and a reputed 11 cabriolets) were France's finest cars of the post-war years but the decision to produce a smaller range doomed the company.  The concept was sound, the market existed and the product was well-designed but the French-made four-cylinder engine proved chronically (and insolubly) unreliable; by the time a version powered by a robust Volvo unit was ready, warranty claims and the costs of the re-engineering had driven Facel Vega bankrupt.

Lure of the tragic

Evelyn McHale: "The most beautiful suicide".

Predictably, it’s the suicides of celebrities (however defined) which attract most interest but there’s a fascination also with those by young women and that’s understandable because of the lure of youthful beauty and tragedy.  The photograph remembered as “the most beautiful suicide” was taken by photography student Robert Wiles (1909-1991), some four minutes after the victim's death.  Evelyn Francis McHale (1923–1947) was a bookkeeper who threw herself to her death from the 86th-floor observation deck of New York's Empire State Building, landing on a Cadillac limousine attached to the General Assembly of the United Nations (UN) which was parked on 34th street, some 200 feet (60 m) west of Fifth Ave.  The police would later find he last note which read: “I don’t want anyone in or out of my family to see any part of me. Could you destroy my body by cremation?  I beg of you and my family – don’t have any service for me or remembrance for me.  My fiance asked me to marry him in June.  I don’t think I would make a good wife for anybody. He is much better off without me.  Tell my father, I have too many of my mother’s tendencies.”  It was reported her mother suffered from “an undiagnosed and untreated depression”.

Mary Miller and the "Genesee Hotel Suicide".  Earlier postcard of the Genesse Hotel with eighth floor ledge indicated by yellow arrow (left) and Mr Sorgi's photograph (centre) of the suicide's aftermath (right).

In many parts of the world, it’s now unusual if someone is not carrying a device able instantly to capture HD (high-definition) images & video footage but until relatively recently, cameras rarely were taken from the home unless to use them at set piece events such as vacations or parties.  Not only are people now able to record what they see but within seconds, images and clips can be transmitted just about anywhere in the world, some “going viral”.  This proliferation of content has had many implications, one noted phenomenon it seeming now more likely someone will film another at imminent risk of death or injury than offer to assist; psychiatrists, sociologists and such have offered views on that but the behaviour, at least in some cases might be better explained by lawyers and economists.

In 1942 it was mostly professional photographers who routinely would have to hand a camera and the devices were not then like the instantly available “point & shoot” technology of the digital age, the process then a cocktail of loading physical film-stock, assessing the light, adjusting the aperture and maybe even swapping lens.  The photograph (the lens wide-open and the shutter was set to a 1000th of a second), of Mary Millar (1907-1942), mid-flight in her leap to death from an eighth-floor ledge of the Genesee Hotel in Buffalo, New York was a thing most unusual: an anyway rare event happening when someone stood ready to take the picture.  When published, the photograph was captioned “Suicide” or “The Genesee Hotel Suicide” but the popular press couldn’t resist embellishment, one using the title “The Despondent Divorcee” which was in the tabloid tradition of “making stuff up”; Ms Millar had never been married and not in a relationship.  She left no suicide note.

Ignatius Russell Sorgi (1912-1995) was a staff photographer on Buffalo’s Courier Express who on 7 May, 1942 happened to take a different route back to the office when he saw a police car speeding down the road, sirens blaring.  Accordingly, in the “ambulance chasing” tradition, he followed, not knowing what he’d see but knew it might be news-worthy and gain him a front-page credit: “I snatched my camera from the car and took two quick shots as she seemed to hesitate…As quickly as possible I shoved the exposed film into the case and reached for a fresh holder.  I no sooner had pulled the slide out and got set for another shot than she waved to the crowd below and pushed herself into space.  Screams and shouts burst from the horrified onlookers as her body plummeted toward the street.  I took a firm grip on myself, waited until the woman passed the second or third story, and then shot.

Sunday, January 12, 2025

Triple

Triple (pronounced trip-uhl)

(1) Threefold; consisting of three parts (matching or not).

(2) Of three kinds; threefold in character or relationship.

(3) Three times as great; multiplied by three (numbers or quantities in general).

(4) In international law or international relations, as triple entente, triple alliance etc, a treaty or some state of arrangement between three states.

(5) In baseball (also called the three-base hit), a hit which enables the batter safely to reach third base.

(6) In (ten-pin) bowling, three strikes in succession.

(7) In basketball, a three-point field goal.

(8) In curling, takeout shot in which three stones are removed from play.

(9) In musical time or rhythm, having three beats in each bar

(10) As triple crown, in various sporting competitions (Rugby Union, thoroughbred racing, motor sport etc), a (sometimes informal) acknowledgement of victory in three specific events (use based on the triple crown (sometimes as triple tiara) once used for the coronation of the Roman Catholic Pope).

(11) In internal combustion engines (ICE), an engine with three pistons or rotors.

(12) One of three; a third (obsolete and the source of some misunderstandings when found in historic texts).

(13) In programming theory, as Hoare triple, a description of how the execution of a piece of code changes the state of the computation in Hoare logic, consisting of (1) a command to be run, (2) a pre-condition that holds true beforehand, and (3) a post-condition that holds true afterwards.

(14) In mathematics, a sequence of three elements or 3-tuple.

1325-1375: From the Middle English triple (there was also þripell), from the Old French triple or the Medieval Latin triplare (to triple) from the Latin triplus (threefold, triple), from the primitive Indo-European tréyes.  Triple is a noun, verb & adjective, tripled is a verb, tripling is a noun & verb, triply is an adverb and triplet is a noun; the noun plural is triples.

In English, the Latinate multiplier “triple” is but one of many ways the value three (3) is in some way expressed or applied.  “Three” is the highest value, single digit cardinal number, as an ordinal it’s “third” (the Latinate ordinal is “tertiary”), the adverbial form is “thrice” (or the more mundane “three times”, as a multiplier the term is “threefold” (also as “three-fold”), the distributive is “triply”, the collective “tripartite”, “trio” or “threesome” (ménage à trois a popular version which has tended to limit the utility of “threesome” for other purposes), the multiuse collective “triplet”, the Greek or Latinate collective “triad”, the collective prefix (from both Latin & Ancient Greek (the latter also had “trito”)) was “tri”, the fractional expression is “third” (the Latinate fractional prefix was “trient-”, the elemental “thrin” & “triplet” and a period of three years is a triennium.  However, while there are weeks, fortnights & months, there’s no accepted term which express a measure of 21 days although three months is often described as “a quarter” although in the context of the nine month gestation associated with human pregnancy, the three month blocks are "trimesters" (first, second & third).  The use in obstetrics extended to education and in systems where academic years exist in four semesters (or terms), there is also the "fourth trimester".

Boss & Co SxSxS 16-bore triple-barrel shotgun #4690.

Originally an adjective, the noun emerged in the early fifteenth century.  The use in baseball dates from 1880 while the various uses of triple-deck, triple-decker etc (a development of the earlier double-decker) for cakes, sandwiches, bunk-beds etc all came into use in the early 1940s.  Triple-barrel carburetors were rare but did exist, Porsche for example using them on their flat sixes.  Rugby Union in 1883 was the first to use “triple crown”, awarded in the UK to the side which won the three “home countries” (England, Ireland, Scotland & Wales) matches.  That was based on the use of the papal triple crown (sometimes as triple tiara) then used for the coronation of the Roman Catholic Pope and was later picked up in US thoroughbred racing: The Kentucky Derby, the Preakness Stakes, and the Belmont Stakes comprise the Triple Crown which was first officially awarded in 1919 although the term didn’t become widely used until the 1930s.  In motorsport, despite the popular perception, it’s never been an official award and many branches of the sport have their own triple crowns, most barely known outside of the small circle of their cognoscenti.  The three events which comprised the classic triple crown were (1) the Indianapolis 500 (first run in 1911), the 24 Hours of Le Mans (first run in 1923) and the Monaco Grand Prix (first run in 1929) and it’s been achieved only once.  That was by Graham Hill (1929–1975) who completed the set at Le Mans in 1972 and although he and others have suggested the Formula One World Championship should be included instead of the Monaco Grand Prix, the original arrangement seems still the accepted "triple crown".

Triple-Face Portrait (circa 1951) by Sylvia Plath (1932-1963), tempera on paper, Lilly Library, Indiana University, Bloomington, Indiana (left) and John Foster Dulles (1888–1959; US Secretary of State 1953-1959, right), then a member of the US delegation to the Second Session of the UNGA (United Nations General Assembly), making a broadcast on the UN radio programme for transmission to the Far East, UN Headquarters, New York City, 11 November 1947.  There was a time when, occasionally, the Republican Party found some use for what the UN used to be.

Used literally, the term “triple-face” is common in geometry, engineering & architecture but as a figurative expression of people it’s rare, although, who knows what was in the mind of a troubled poet.  Many however have been damned as “two-faced” but on one occasion, after someone had observed Foster Dulles was “a bit two-faced” about something, Winston Churchill (1875-1965; UK prime-minister 1940-1945 & 1951-1955) responded he couldn’t be because “…if he had two faces, he wouldn’t use that one.  During his not infrequent criticisms of Dulles, habitually Churchill would speak of his “great slab of a face” although in retirement the old enmities (mostly) were forgotten and in May 1959 he visited him in his hospital room in Washington DC.  The two had "a pleasant chat" and within a fortnight Dulles was dead.

Triple sec liqueurs

First distilled as a commercial product in France, “triple sec” is the generic term for an orange-flavoured liqueur which, while rarely consumed alone, is one of the most widely used ingredients in cocktails and other mixed drinks.  It’s this one of the “essentials” in any cocktail bar and the best-known triple sec is Cointreau.  Curiously, there is no consensus about the origin of the term “triple sec” and the theories include (1) the reference in some of the early instructions for the production process to “triple distillation”, (2) the use of three types of orange peel (bitter, sweet & dried) or (3) the meaning “three times as dry”, the literal translation of the French sec being “dry”.  The last, while obvious, is discounted by historians of the industry because Triple Secs have probably always been quite sweet.  Whatever the origin, it’s now a universally used term for many orange liqueurs.

The Triple Alliance and Triple Entente were diplomatic arrangements formed in Europe in the decades prior to the First World War (1914-1918).  The Triple Alliance between Germany, Austria-Hungary & Italy was signed in 1882 as a defensive system directed entirely against France.  It was an integral part of the series of treaties and agreements variously negotiated or imposed by Otto von Bismarck (1815-1989; chancellor of the German Empire (the "Second Reich") 1871-1890) and needs to be understood in the way it interacted with other cogs in the Bismarck machine.  That machine, a collection of inter-locking treaties and agreements (some of them secret) worked to further the interests of (1) the German Empire and (2) a general peace in Europe and was a good device in Bismarck’s capable hands but it proved lethal when less competent practitioners (who didn’t fully understand the implications) inherited the tool.  The Triple Entente was between France, Russia and the UK and was formed in 1907; in the narrow technical sense it was not a formal military alliance but an “understanding” between the three to counter the growing power of Germany and the Triple Alliance.  The Ottoman Empire and Bulgaria would become attached to the Triple Alliance with the onset of war although Italy initially remained neutral before (in what would continue to be an Italian tradition) switching sided in 1915 to join the Alliance.  Both the Alliance and the Entente played their parts in the escalating tensions which culminated in the outbreak of hostilities which would trigger the chain reaction of declarations of war.  Had Bismarck still been in Berlin, it’s unlikely things would have been allowed to assume their own momentum.

Six-pack: Lindsay Lohan re-imagined as one of identical triplets (that's her on the right) in matching LBDs.

The word is used also as a modifier as required such as triple-barreled (used with three-element surnames and in various manufactured items but best known in shotguns), triple-headed (again widely used but probably still most associated with creatures from mythology, tripledemic (a term used in public health and epidemiology to describe the simultaneous outbreak of three epidemics or pandemics), triple fault (in computing a third (and fatal) error instance in a CPU attempting a graceful recovery from a double fault, triple jump (an athletic (track & field) event involving three different types of jump), triple goddess (a female deity who is either three goddesses in one or one who is triune (both three and one at the same time) and triple X syndrome (a chromosomal variation characterized by the presence of an extra X chromosome in each cell of a human female).

The words triumvirate, trilateral & tripartite all in some way reference groups of three entities, but differ in use context.  Triumvirate (a group of three powerful people (often in governance or leadership), who share control or authority) was from the Latin triumviri (three men), the origin being the first Triumvirate of ancient Rome (Julius Caesar (100-44 BC), Marcus Licinius Crassus (115–53 BC) & Pompey (Gnaeus Pompeius Magnus; 106-48 BC)) and although that uneasy alliance was neither formalized nor lasted long, in the language of political or organizational leadership, the word is still used.  Trilateral (involving three sides, parties, factions or countries (especially of treaties and in diplomatic discourse) was from the Latin, the construct being tri- (three) + latus (side) and the word is sometimes used in geometry although the most common application is in describing international meetings involving three nations.  Tripartite (divided into or involving three parts or parties; threefold.) was from the Latin tripartitus (divided into three parts) and is used widely in law, bureaucracy, politics and philosophy to refer to just about anything involving three parties.

Because of the evocative (and often re-purposed) name, the best remembered (although few who use the phrase would recall the origin or details) tripartite agreement between states was the Holy Alliance, a (loose) coalition of the (almost) absolute monarchs of Austria, Prussia, and Russia, united by (1) a certain idea of Christianity, (2) the imperative or regime survival and (3) the specter of the mob operating the guillotine during the most interesting years (1789-1793) of the French Revolution.  Formed shortly after the conclusion of the Congress of Vienna (1814-1815), historians are divided on when it can be said to have become effectively defunct, some setting its demise as early as 1825 or 1830 although most concede its ghostly apparition would haunt the continent until the 1860s.

Seated, left to right: Stalin, Roosevelt & Churchill at Tehran (top left), Churchill, Roosevelt & Stalin at Yalta (top right), Churchill, Truman & Stalin at Potsdam (bottom left) and Attlee Truman & Stalin at Potsdam (bottom left).

The Tehran (28 November-1 December 1943), Yalta (4-11 February 1945) and Potsdam (17 July-2 August 1945) conferences were the three meetings held between the heads of government of the UK, US, & USSR.  It was at these gatherings that the strategic direction of World War II (1939-1945) was plotted to a successful conclusion and (rather more controversially), the social, economic and political map of Europe and beyond was negotiated.  Although a trilateral meeting from which emerged some tripartite agreements (some of which were honored), it’s not correct to speak of the three protagonists around the table as a triumvirate because their roles remained separate, merging at the margins only by force of immediate necessity.  Although trilateral, five leaders were at various times involved in the three meetings and only comrade Stalin (1878-1953; Soviet leader 1924-1953) attended all three from start to finish, Harry Truman (1884–1972; US president 1945-1953) attending the Potsdam conference because of the death of Franklin Delano Roosevelt (FDR, 1882–1945, US president 1933-1945) while midway through that event, Clement Attlee (1883–1967; UK prime-minister 1945-1951) replaced Winston Churchill (1875-1965; UK prime-minister 1940-1945 & 1951-1955) after the latter’s defeat in the general election.  If comrade Stalin needed any proof democracy was a bad idea, the results of the UK’s 1945 election provided plenty.  The group photographs from the conferences (especially the pivotal event at Yalta) were among the most re-produced images from the war and recently, a historian has even explored the carpet from the Yalta images.

The Papal Triple Tiara

Sultan Süleyman the Magnificent (circa 1545), woodcut by an unknown Venetian artist.  Historians suspect the depiction of the splendid jewel-studded helmet was substantially accurate but the object may simply have been too heavy safely to wear for all but static, set-piece events, the risk of injury to the neck too great.  Still, he had four tiers so: "Take that pope!"

The papal triple tiara is the final form of a crown which worn by popes of the Roman Catholic Church between the eighth century and 1963.  Traditionally it was worn for their coronation but no pontiff has been so crowned since Paul VI (1897-1978; pope 1963-1978) in 1963 and his abandonment was in the spirit of the Second Vatican Council (Vatican II, 1962-1965).  The name tiara refers to the entire headgear and it has used a three-tiered form since a third crown was added during the Avignon Papacy (1309–1378) and it's referred to also as the triregnum, triregno or Triple Crown.  In a piece of one-upmanship (perhaps one tiership), Suleiman I (Süleyman the Magnificent, 1494-1566, Sultan of the Ottoman Empire 1520-1566) commissioned from Venice a four tier helmet to show, in addition to the authority claimed by popes, he could add the symbol of his imperial power.  Often put on display as the centrepiece of Ottoman regalia to impress visitors, there's no documentary evidence the sultan ever wore the four layer tiara, crowns not part of the tradition and, fashioned from gold and gemstones, it would anyway have been extraordinarily heavy.

Lindsay Lohan, the wandering daughter who ran off to Dubai in Lynn Kiracofe tiara, W Magazine photo- shoot, April 2005.

A representation of the triregnum combined with two crossed keys of Saint Peter continues to be used as a symbol of the papacy and appears on papal documents, buildings and insignia.  Remarkably, there’s no certainty about what the three crowns symbolize.  Some modern historians link it to the threefold authority of the pope, (1) universal pastor, (2) universal ecclesiastical jurisdiction and (3) temporal power.  Others, including many biblical scholars, interpret the three tiers as meaning (1) father of princes and kings, (2) ruler of the world and (3) vicar of Christ on Earth, a theory lent credence by the words once used when popes were crowned:  Accipe tiaram tribus coronis ornatam, et scias te esse patrem principum et regum, rectorem orbis in terra vicarium Salvatoris nostri Jesu Christi, cui est honor et gloria in saecula saeculorum (Receive the tiara adorned with three crowns and know that thou art father of princes and kings, ruler of the world, vicar on earth of our Savior Jesus Christ, to whom is honor and glory for ever and ever).

Lindsay Lohan triple-pack DVD bundle.

Documents in the Vatican Archive suggest by 1130 the papal tiara had been modified to become a conventional (and temporal) symbol of sovereignty over the Papal States.  In 1301, during a dispute with Philip IV (Philip the Fair, 1268–1314, King of France 1285-1314), Boniface VIII (circa 1230–1303; pope 1294-1303) added a second layer to represent a pope’s spiritual authority being superior to an earthly king’s civil domain.  It was Benedict XII (1285–1342; pope 1334-1342 (as the third Avignon pope)) who in 1342 who added the third, said to symbolize the pope’s moral authority over all civil monarchs, and to reaffirm Avignon’s possession.  A changing world and the loss of the Papal States in 1970 deprived the triple crown of much temporal meaning but the silver tiara with the three golden crowns remained to represent the three powers of the Supreme Pontiff: Sacred Order, Jurisdiction and Magisterium.

Coronation of Paul VI (1897-1978; pope 1963-1978), 30 June 1963 (left), the triple tiara created for Pius XII (1876-1958; pope 1939-1958) (centre) and the coronation of Pius XII, 12 March, 1939 (right).  Historians sometimes describe the reign of Pius XII as "the last imperial papacy". 

Not since 1963 has a pope worn the triple crown.  Then, Paul VI (1897-1978; pope 1963-1978), at the end of his coronation ceremony, took the tiara from his head and, in what was said to be a display of humility, placed it on the altar.  The act may have been thought symbolic of the winds of change being brought by the Second Vatican Council (Vatican II, 1962-1965, published 1970) and it was certainly theologically defensible but cynical observers (and among Vaticanologists there are a few) would soon come to interpret as emblematic of Paul VI's pontificate.  Apparently, he'd not wanted to be crowned but acceded to the wishes of the tradition-bound curia and in a compromise, "took it off shortly after it was put on".  Thus proceeded the next 15 years during which Paul came to be known as the "Vatican's Hamlet" because he always found it hard to make a decision.  However, in a practical expression of his act of humility, the triple tiara was auctioned, the money raised used for missionary work in Africa although, keeping things in house, the winning bidder was the well-funded (this was before the need to pay compensation to victims of clerical sex-abuse) Archdiocese of New York.  That allocation proved a good investment because Africa has been a growth market for the church, unlike increasingly Godless Europe and elsewhere in the West.  Benedict XVI (1927–2022; pope 2005-2013, pope emeritus 2013-2022) and Francis (b 1936; pope since 2013) received triple tiaras as gifts but neither wore them.  Benedict’s, in a nice ecumenical touch, was made by Bulgarian craftsmen from the Orthodox Church in Sofia, a gesture in the name of Christian unity.  Benedict would have appreciated that, having always kept a candle burning in the window, there to guide home the wandering daughter who ran off to Constantinople.

The Triple Action: The Great Nurdle Affair

Previously little discussed before courts, the nurdle received some brief attention when a trademark-infringement lawsuit (Colgate-Palmolive Co v. GlaxoSmithKline LLCUS District Court, Southern District of New York, No. 10-05728) was filed in July 2010 by GlaxoSmithKline (GSK), makers of Aquafresh “Triple Protection” toothpaste, against Procter & Gamble (P&G), owners of the Colgate “Triple Action” brand.  Almost immediately, P&G counter-sued in the same court with the retaliatory GlaxoSmithKline LLC v. Colgate-Palmolive, No. 10-05739.  One was seeking, inter alia, the exclusive right to depict a nurdle, the other claiming the image was so generic the right could be exercised by anyone.

Battle of the nurdles: P&G's Colgate Triple Action (top) and GSK's Aquafresh Triple Protection (bottom).

The disputes hinged on “triple” as a descriptor and “nurdle”, not as a word but as the image of a wave-shaped blob of toothpaste sitting atop the bristles on the head of a toothbrush.  GSK's core argument was that it held trademark registrations on both “triple protection” and a red, white & blue-striped nurdle.  P&G argued “triple protection” was weak and that a nurdle is inherently merely descriptive because it is but a literal image of the product.  What the court had to decide was whether a reasonable consumer, on seeing the nurdle and “triple action” text description on packages of Colgate toothpaste, could be sufficiently misled to believe what they were looking at was sourced, sponsored or endorsed by GSK which used both on their Aguafresh brand.

GSK’s nurdle.

In a filing of some eighty pages, P&G noted its recent release in the US of a toothpaste with packaging which superimposes the words “Triple Action” (the implication being (1) cavity protection, (2) fresh breath & (3), whiter teeth) atop a blue, white and green nurdle.  In response, GSK, which used the “Triple Protection” phrase on its Aquafresh products, filed a trademark application for the "nurdle design" regardless of color; this induced P&G to sue to enforce its rights to use the nurdle.  P&G further noted GSK did not file their application until after they had already complained about P&G’s nurdle design and suggested GSK was using the process to stifle competition by asserting an excessively broad scope for trademark rights.

P&G’s nurdles, registered by Colgate as trademarks. 

GSK’s filing was only half the length and accused P&G of adopting various nurdle designs and the “Triple Action” mark in an effort to “trade off the commercial magnetism” of GSK own packaging which had since 1987 included a distinctive red, white and blue nurdle, an argument which implied elements of both usurpation and ambush marketing.  P&G asked the court to declare its “Triple Action” phrase and interpretation of the nurdle not confusingly similar to GSK’s own “Triple Protection” phrase and nurdle which used distinctively different colors.  It sought also have the court (1) cancel GSK’s “Triple Protection” and nurdle trademark registrations and (2), deny such injunctive relief that would have prevented P&G from using any nurdle design and a phrase containing “triple”.  Damages were sought on several grounds including punitive damages.  It was a case of some commercial significance given GSK had deployed the nurdle as a cartoon character in a marketing campaign aimed at children, the idea being that if children pestered their parents enough to buy Aquafresh for them, it was likely they’d gain the whole family as a conquest.  The nurdle campaign ran on Nurdle World in the US and The Nurdle Shmurdle in the UK.

Post settlement: Colgate Triple Action with a visually different nurdle.

Late in 2011, the parties announced a notice of settlement had been filed in the court; a confidential settlement had been negotiated.  The details have never been made public but a review of supermarket shelves suggests (1) the red, white & blue GSK nurdle is acknowledged to be propriety, (2) a nurdle nevertheless remains generic and can be depicted as long as it is sufficiently distinguished from GSK’s 1987 original and (3) things claiming to be of or pertaining to happening in threes may be described as “triple” whatever but, in the context of toothpaste, “triple protection” is a GSK trademark.  P&G could thus display a nurdle, just not GSK’s nurdle.  So, as a private settlement, there’s no change to established law but those inhabiting that grey space between ambush marketing and actual deceptive and misleading conduct no doubt took note.  A judge might anyway find the outcome in accordance with the operation of trademark law: a trademarked image as specific as the GSK nurdle is entitled to protection but, as a general principle, a word as notoriously common as “triple” is the property of the commons available to all.

The Mercedes-Benz triple rotor Wankel

The original (although there was a prototype rendered in the tradition of functional brutalism) Mercedes-Benz C111 with triple rotor Wankel engine (1969).

Triple cylinder engines in cars were something of a niche in the early post war years but of late they’ve achieve a new popularity, improvements in electronics and combustion chamber design meaning three cylinders can now achieve what once required four and even with an equivalent displacement their efficiency is inherently greater because of the reduction in internal friction.  Obviously compact, they’ve proved an ideal power-plant in motor cycles and hybrid vehicles.  One quirky triple was the Mercedes-Benz C111 which first appeared in 1969 with a 1.8 litre (110 cubic inch) three-rotor Wankel engine, something then thought to have a great future; to some, it seemed at the time a good idea.  The C111, although produced in a small run and finished in some cases to production car standards was only ever a test bed, not only for the doomed rotary engine but also developments in suspension design, anti-lock braking (ABS; Anti-Bloc System) and safety engineering.  The gullwing body really was designed by an Italian-born stylist but so long had he been in Germany that Teutonic ways had entered his soul so the C111 was less lovely than what might have emerged from a studio in Turin but at the time it still caused a stir, even though finished in what the factory called “safety orange”, their standard high-visibility paint for prototypes and test-beds.  Later versions were fitted with a four-rotor Wankel, a variety of diesels and even a 4.8 litre (292 cubic inch) V8, the fastest of the rotaries said to be capable of 300 km/h (188 mph) while the V8 version (C111-II-D) in 1976 set a new closed-course record on the Nardò Ring in Italy, clocking in at 403.978 km/h (251.815 mph).  No Mercedes-Benz Wankel was ever offered for public sale but others (for better and worse) attempted the venture and the most prolific was the the Japanese manufacturer Mazda which enjoys the distinction that certain versions of its Cosmo were the only production cars sold with triple-rotor engines.

Triple carburetors

1966 Ferrari 275 GTB/C (Gran Turismo Berlinetta Competizione (denoting a grand touring coupé built to competition-specification)).

When submitting to the Fédération Internationale de l'Automobile (the FIA; the International Automobile Federation and world sports dopiest regulatory body) the application to homologate the 275 GTB/C for sports car racing, there was a filing error or some other glitch in the factory’s administrative processes because the document certifying the existence of a six-carburetor option for the 275 GTB wasn’t part of the paperwork enclosed.  That meant the 275 GTB/C could appear on the grid only with triple carburetors so to compensate, Ferrari had Weber produce a run of 40 DF13 units which in addition to their higher flow-rate featured lightweight magnesium bodies instead of the aluminium housing and were distinguished also by the distinctive, rearward-facing inlet trumpets.  As might be expected, original Weber 40 DF13s now command a premium price.  Twelve 275 GTB/Cs were built and the model was a turning point in being the last Ferrari built for racing to use the classic Borrani wire wheels.  Such had been the advances in tyre technology that by 1966 the grip generated transferred stresses so acute that in extreme conditions the spokes could break, a tendency exacerbated by the wheels’ additional width (7 inch front 7½ rear); there were accidents.  Accordingly, the two 275 GTB/Cs built as road cars were factory-fitted with aluminum-alloy wheels although the lovely Borranis continued to be made available for the later and much heavier 365 GTB/4 (Daytona, 1968-1973) and 365 GTC/4 (1971-1972), the factory cautioning they were suitable only for road use.  In truth, using a 275 GTB/C on the road was a dubious proposition because, as a weight-saving measure, the body panels had been fabricated in thin 20-gauge aluminium; about half the thickness of the metal used for the road cars, it could be dented just by being touched and the dainty bumperettes (which offered at least some protection on the other variants) were wholly fake and merely affixed to the panels with no underlying structure.

1960 Jaguar XK150S 3.8 (left) and schematic of typical installation of Jaguar's auxiliary enrichment thermo-carburetor (right).

The last in the XK series (XK120 (1948-1954), XK140 (1954-1957) & XK150 (1957-1961)), the Jaguar XK150 debuted with a version of the twin carburetor 3.4 litre XK-Six used since 1948.  Increased weight had blunted the XK150's performance, something not wholly off-set by the slight increase in power coaxed from the engine and in 1958 the option of an "S" specification was made available as the XK150S, restoring the pace of the earlier cars, the raised output achieved with a revised cylinder head and triple carburettors (seen earlier in the 1950s on the C-Type, D-Type & XKSS).  The final and fastest of the species was the 3.8 litre version of the XK150S, introduced in 1960; the engine in essentially this configuration would later be shared with the early E-Types (XKE) and Mark X, the triple carburetor arrangement carried when the 4.2 litre versions were released in 1964.  The triple carburetor engines were in 1968 withdrawn from the US market because the anti-emission regulations made the cost of certification prohibitive although, while in North America buyers had to be content with twin-carburetor units, the triples continued for RoW (rest of the world) vehicles exported to other places or sold in the home market.  When the last of the six-cylinder E-Types was made in 1971, that was the end of the line for the triple carburettor Jaguar.  It is however misleading to suggest the XK150S, E-Type and Mark X/420G were the only series-production Jaguars with triple carburetors because on some cars during the 1950s & 1960s, the factory fitted a smaller electromagnetically controlled “auxiliary carburetor” which augmented the main pair, making starting easier.  The unusual arrangement acted as a choke but it was a complicated solution to a simple problem and, while performing faultlessly in testing, in the real world with gas (petrol) of varying quality and in different climatic conditions, it sometimes proved troublesome and there were owners who gave up and installed a conventional choke.

1966 Pontiac 2+2 421 HO Tri Power.

The early carburetors were all single throat (later also as “choke” or “barrel”) devices and almost all were gravity-fed; it wasn’t until the 1930s the first two-barrel (then called a “duplex”) units appeared.  That design was such an advance because the duplexing allowed “fuel separation” manifolds which more accurately sent the mixture to the most distant cylinders; the adoption if this technology in 1934 allowed the output of Ford’s then new “flathead” V8 to rise from 60 to 85 horsepower (HP).  Buick in 1941 created what was, in effect, the first four-barrel system by installing two two-barrel units, the second becoming active only when the throttle had been opened far enough to operate the progressive linkage.  The advantage of that was economy of operation because the additional fuel-burn happened only on demand; it was an approach Detroit would use (in gradually diminishing numbers) until 1971.  Four-barrel carburettors which operated on the same model appeared at scale in the 1950 and became an industry standard, some even installed in pairs on the high-performance vehicles.  Ideal in many ways for the V8 layout, the problem for the manufacturers was the engines grew at a much greater rate than the carburetors and while the dual four-barrel configuration was suited to some, a better compromise for many was to use triple two-barrels.   

"Triple" is used of many things: Lindsay Lohan and her lawyer in court, Los Angeles, December 2011.

Pontiac and Oldsmobile in 1957 also took the triple two barrel path, Chevrolet and Cadillac following the following the next year.  Ford flirted only briefly with the triple two-barrel before switching for a few years to dual four barrels for their high performance V8s, their first venture in 1958 when three were bolted onto the big, heavy 430 cubic inch (7.0 litre) MEL V8 although in that form it appeared only in one Mercury for that single season.  As higher-volume four-barrel carburetors became widely available, the rationale for the triple option faded and Chevrolet ceased use for all but the full-sized line and the Corvette; the last triple carburetor Corvettes were built in 1969.  Chrysler was last to adopt the idea and the last to offer it, Trans-Am themed 340 cubic inch (5.5 litre) Plymouth ‘Cudas and Dodge Challengers made in 1970 while the 440 cubic inch (7.2 litre) (advertised variously as “Six Pack” by Dodge and “Six Barrel” by Plymouth) was available in several models between 1969-1971 (it's said six 1972 cars were so configured) although its last appearance was in the Jensen SP, the last of which was built in 1973.  Jensen's experiment had at the time seemed a good idea because, with the engines outlawed in the US, they obtained the surplus stock at an attractive price but in the Interceptor's smaller engine bay and equipped with air-conditioning (something Chrysler never coupled with the triple carburetor engines), the SP proved troublesome and production was terminated, Jensen not taking up to option to buy the remaining stock.

Of taillights and exhaust tips 

1957 DeSoto Adventurer Convertible.

DeSoto's signature, triple stack taillights were a footnote in Detroit's macropterous era of the late 1950s, the style making possible the distinctive vertical arrangement.  Chevrolet would for years make triple taillights a marker of their more expensive lines (although, apart from the odd special built for the show circuit, they resisted the temptation to add a third to the Corvette (the additional rear apertures on the abortive 1963 Corvette Grand Sport (GS) were for air extraction)) but they appeared always in a less memorable horizontal array.  DeSoto's motif was Chrysler's most successful use of the fins but it wasn't enough to save the brand  which was crowded out of the mid-priced market, not only by competition from General Motors (GM) and Ford but also by intra-corporate cannibalization, squeezed from below by Dodge and from above by Chrysler's new Newport line.  Demand for DeSotos collapsed and that 3034 1961 models were built in late 1960 happened only to use up the large inventory of the few parts still exclusive to the brand.  The last of the line, heavily discounted, were not sold until well into 1961 by which time DeSoto was a single-model range and any loyal customer unable to be supplied with one after stocks were exhausted was rewarded instead with a similarly configured Chrysler Newport, a rung up the corporate hierarchy.  The 47-day production run of the 1961 DeSotos was short but it was longer than that of Ford's doomed 1960 Esdel, 2864 of which left the production line over 34 days late in 1959.

1958 De Soto Firelite station wagon in Wedgewood Blue & Pearl White with matching interior.

Despite it proving a potent weapon in the culture wars which assumed their current shape in the late twentieth century, the idea of “political correctness” is not new and in some form has existed probably since societies reached a certain level of development.  In the US of 1958 there definitely was a political correctness in public and private discourse and all that differs from today is (1) the parameters of what’s “correct” have changed and (2) the means of enforcement.  In 1958, in the US (and the West generally), there was little public perception of the notion of cultural appropriation so De Soto’s advertising agency was doing nothing unusual in using the heading “Room for the whole darn tribe” (“tribe” the then common term for Native American nations (peoples originally known to white settlers as “Red Indians” and later clipped to “Indians” (or “injuns” as Hollywood preferred)) to emphasis the capaciousness of a station wagon.  Warming to the theme, the copywriters invoked a bit of pidgin English in going on to assure potential buyers: “There's heap plenty room in a new De Soto wagon - room for a tribe or a tepee!  And look how much more De Soto fives you for your wampum!”, adding for emphasis: “Plenty of room for grandmother, two little Indians and friend in De Soto's wide new rear-facing Vista_seat.  The term “Pidgin English” (any one of a variety of forms of “broken English” which (mostly) use the vocabulary of English but with less adherence to formal grammar) didn’t become common until its use in the Far East in the nineteenth century but retrospectively was applied to the use in North America; “heap plenty room” was an example of what was originally called “trade English”.

1954 Standard Vanguard Phase II Deluxe in blue over red leather (standard on the Deluxe model).  Across the Atlantic, other also used the "triple stack" motif for tailights although, in a very different economic environment, none ever matched what De Soto's did.

Wampum was a clipping of Clipping of wampumpeag which is thought from the Massachusett wampompeage (string of white beads used as money) and was used here in the slang sense of “all one’s stuff”.  Tribe was from the Middle English tribe & tribu, from Old French tribu, from the Classical Latin tribus (a reference to the three original tribes of Rome (Ramnes, Tities & Luceres with use later extended to (1) ad-hoc classifications of the city’s inhabitants (usually ultimately on some economic basis) and (2) the lower classes).  When European explorers (and later, soldiers & settlers) began to spread around the planet, the word was a (sometimes merely descriptive but always inherently derogatory) term applied to nation or peoples judged culturally primitive (variously in Africa, Australasia, Asia, the Pacific or the Americas).  Tepee (also as tepee), was from the Lakota word thípi, the construct being the verb thí (to dwell) + pi (a pluralising enclitic (a suffix-like ending that marks the subject of the verb as plural) and used to mean “they dwell” but because Lakota verbs can be used as nouns, it could mean also “that in which they dwell” and although in the popular Western imagination (much assisted by Hollywood) a tepee is usually thought of as the cone-shaped tent used by many native peoples of the Great Plains of North America, the nations used a number of designs for their dwelling structures.  Curiously, Chrysler seemed never able to decide whether the spelling of the long defunct brand should appear as “DeSoto”, “Desoto” or “De Soto”.  While everything suggests the name was for legal purposes always “De Soto”, at various times, on both the cars’ badges and in advertising & other documents, the variants also appeared.

Publicity shot for 1958 DeSoto Fireflite Convertible.  The shape of the taillight's housing was known usually as the "cathedral" (an allusion to the building's spire) when used with more conventional lens (mid-1950s Packards the classic example) and the model is wearing a "bullet bra", the name coming from the shape of the projectile component of a bullet.

It was in 1957 the Adventurer became DeSoto's top-of-the-range; the previous year it had been described as a “limited production edition” of the then top model Fireflite and it came in a single, well-equipped configuration (just about everything on the Fireflite's option list bundled as standard equipment), all finished in a distinctive three-tone of while, black & gold.  Almost a thousand were sold (with a high profit margin) so Chrysler decided the “limited production” shtick had really been a “test the water” exercise and duly augmented the line, inserting the Adventurer atop.  Introduced for 1958 were the new corporate V8s with wedge-shaped combustion chambers which would replace the Hemis (with hemispherical chambers) and (eventually) the Polys (with polyspherics), the new engines matching or improving the output of their via the simple expedient of increased displacement; both fuel economy and exhaust emissions worsened but at the time this was thought just the cost of doing business.  One innovation which improved both those metrics as well as boosting, power, torque and flexibility was what should have been Chrysler’s big news for 1958: optional Bendix electronic fuel injection (FI).  The “Electrojector” FI system added US$637 to the Adventurer’s US$4369 list price (at a time when the average weekly wage was around US$90 for men and US$58 for women although that demographic was not the car’s target market) and did exactly what it said on the tin, an increase in power of up to 40 HP possible.  When it was good, it was really good but it suffered two flaws: (1) the capacitors were affected by the heat which could be generated in the engine bay and (2) the distributor and injector signaling unit (the so-called “brain box”) insufficiently was shielded from strong AM (amplitude modulation) radio signals, resulting in fuel delivery which could be erratic (or even cease) so when it was bad, it was horrid.

1958 DeSoto Adventurer badge.

Because the Electrojector was just one box to be ticked on the options list, by the time buyers had specified air-conditioning (US$404) and other desirable fittings, it wasn't common for Adventurers to be invoiced for well over US$6000 (ie about a third the average price of a 3-4 bedroom house although perhaps not the ones inhabited by buyers of fuel-injected Adventurers) so an ill-running engine was unlikly to long be tolerated.  Within four months the option was withdrawn and almost all the FI-equipped cars (it was available also on Chryslers, Dodges and even the low-priced Plymouths) were retro-fitted with dual four barrel carburettors, sacrificing much but gaining reliability.  The few cars with the Bendix apparatus still in place are now in the hands of collectors.  Extolling the system’s many virtues, Bendix’s chairman at the time of the release predicted electronic FI wholly would replace carburetors and that with so few moving parts, reliability would be stellar.  In that he was of course (eventually) proved correct but it would be almost five decades before ICs (integrated circuits) were sufficiently robust and produced is such volumes that electronic FI came almost universally to be adopted. 

More sharing of stuff than before: 1960 DeSoto Fireflite four-door hardtop (left) and 1960 Chrysler New Yorker four-door hardtop (right).

Note the New Yorker's larger rear window.  Remarkably (by today's standards), for this generation Chrysler offered two different designs of rear glass, the extra surface-area described in the brochures as the “Extra-large rear window” and it was a time when such flourishes were a matter purely for designers and accountants whereas now it would require a separate programme crash-testing several vehicles.  The big glass was standard on all two-door hardtops & New Yorker four-door hardtops and optional at various times on the Saratoga, Newport and Windsor four-door hardtops.  While the additional glass was admired and obviously provided a better view (in and out!), the increase in heat-soak from direct sunlight was considerable and in the US, south of a certain latitude, one so equipped and not fitted with the still optional (and then expensive) air-conditioning could be a hot experience, the effect something like a greenhouse

1961 Chrysler brochure (page 7).

The phrase "EXTRA-LARGE REAR WINDOW" really did appear (capitalized) in the brochures and the simplicity in the description wasn't always typical of the advertising copy of an era during which words like "vista", "panoramic" or "dioramic" might have been expected when extolling the virtues of having more glass.  In the same (1961) brochure, the plain-speaking language may be compared with "FLIGHT-SWEEP DECK LID", used to describe the fake spare tyre cover the agency further explained was a "smooth sculptured circle" which added "a distinctive finishing touch".  In the wild, the "flight sweep deck lid" was tended to be called the "washing machine lid" or "toilet seat".  "Flight-Sweep" was an allusion to a pair of concept-cars Chrysler sent around the show circuit in 1955 and they genuinely did have the spare tyre housed under the mounting although the complexity of the assembly would have seen it vetoed by the accountants as too expensive for mass-production.  When "Flight Sweep" was used as an advertising hook for the 1956 range, while some of the styling cues from the show cars did appear the "toilet seat" did not but it was a feature (many suggesting, even then, a blemish) between 1957-1960 when it was fitted as standard on some of the higher-priced lines and an option on others.  There were buyers who chose the option so the "toilet seat look" must have had some appeal, inexplicable as it now seems to most.  The US market in the 1960s and 1970s was in some ways a strange place and there's no better way to explain why the popularity of the vinyl-covered roof lasted so long, something which encouraged stylists to concoct so many strange variants.

By 1960 (left) the DeSoto's taillights were a shadow of the way the triple-stack motif had been defined in 1959 (right): This juxtaposition is DeSoto Red Tail Lights in Black and White by Paul Ward.  Many designers probably will prefer the later interpretation but there's a charm to the triple stack.

By 1959 the writing was on the wall for the once popular DeSoto and the 1960 range would prove its swansong, the last of the breed barely modified Chryslers and the only real hint of the past was the taillight's triple frets.  On the DeSoto the ridges were a modest attempt to retain brand identity but in optics such things have a purpose and are known as “Fresnel lenses” or “Fresnel ribs”, the name from French civil engineer Augustin-Jean Fresnel (1788–1827), remembered for his research into optics which led eventually to the near-unanimous acceptance of the nature of light being a wave (he was half-right but light was later proved to possess a wave-particle duality).  His more enduring Fresnel lens used the catadioptric (reflective/refractive) principle and what the “stepped” design did was extend the reach of lighthouse beams, doubtlessly saving the lives of many seafarers.  Fresnel’s invention was a refinement of the dioptric (refractive) stepped lens, a concept first published by the French cosmologist and mathematician Georges-Louis Leclerc, Comte de Buffon (1707-1788) and Fresnel’s enhancements better distributed and directed the light, improving visibility from longer distances and a greater range of angles.

1974 Dino 246 GTS C&F (Chairs & Flares) by Ferrari in Grigio Notte Metallizzato (top left), 1970 Ferrari 365 GT 2+2 in Bianco Tetratema (top right), 1975 Ferrari 365 GT4 BB in Verde Germoglio (bottom left) and 1974 Ferrari 365 GT4 in Rosso Corso (lottom right).  Fortunately, for Ferrari, the triple taillight thing proved to be "just a phase it was going through".

Unexpectedly, beginning in the late 1960s, Ferrari for a decade-odd had a flirtation with triple taillights and in 1973 they doubled-down for the 365 GT4 BB (better (if not wholly accurately) known as the Berlinetta Boxer), adding a pair of triple tail-pipe apparatuses (thus a count of six rather than the usual four) for the 4.4 litre (270 cubic inch) Flat-12 (which the most scrupulous engineers insist is really a 180o V-12 and certainly not a boxer as defined).  Curiously, the prototype BB shown at the 1971 Turin Salon had the usual four taillights and four pipes so the change happened during the final design stages.  By mid-decade it must have been decided sextuples were excessive and a quadruple of either was enough, the factory for a while (mostly) sticking to the classics; as designs like the Dino 206 & 246 illustrate, less can be more.  Since the BB however, Ferraris have also appeared with two and three tailpipes (some in the 1970s had but one) and in the twenty-first century many cars come with just a minimalist pair of taillights.  Ascetically, no arrangement works as well as the traditional template: four lights, four pipes.

The fetish of motorcycle exhaust systems

Top left: 1974 Suzuki GT750 "Water Buffalo" (3-into-4).

Top centre: 1980 Laverda Jota 1000 (3-into-2).

Top right: 1972 Kawasaki 750 Mach IV (H2) (3-into-3 (1-2 asymentric)). 

Bottom right: 2021 MV Agusta Superveloce 800 (3-into-3 (1-2 asymentric)).

Bottom centre: 2017 MV-Agusta Dragster 800Rc (3-into-3, 0-3 asymentric).

Bottom right: 2018 MV Agusta F4 (4 into 4).

Triple cylinder engines have been a feature of motorcycle engines for decades and different manufacturers have taken various approaches to the exhaust systems, an item which exerts upon riders a special fascination.  It’s not unusual to fit single systems (3-into-one) but there are also some which bifurcated (what the industry used to call "siamesed") the central header pipe, the derived pair joining the two outer pipes to duct into two mufflers.  Unusually, Suzuki for a while offered 380, 550 & 750 cm3 machines with 3-into-4 systems, the central header bifurcated  but with the novelty of terminating the two pipes in separate mufflers, thereby emulating the appearance of a four-cylinder machine.  It was a curious arrangement which Suzuki abandoned and other manufacturers choose not to follow (although there had been after-market suppliers which concocted 2-into-4 systems which exchanged the "advantage" of "the look" for the drawback of additional weight and needless complexity).  Greatly at the time, Suzuki must have valued symmetry and the only way to achieve it with three outlets to to mount them under the rear faring, behind the seat, a la the way the MV Agusta F4's (1999-2018, bottom right, above) four pipes were mounted.

1973 Kawasaki H2 Mach IV 750 (left), 1975 Triumph X-75 Hurricane (centre) and 2020 MV Agusta Dragster 800 RC 75th Anniversario (right).

Somewhat earlier, asymmetry hadn’t frightened Kawasaki which used pragmatic 3-into-3 engineering for their range (250, 350, 400, 500 & 750 cm3) of charismatic, highly strung two-strokes, one pipe to the left, two to the right and it was a distinctive feature which, although sometimes seen on the track, remains rare on the road.  In the same era, Triumph on their X75 Hurricane took 3-into-3 asymmetry to its logical conclusion, its three pipes arranged in a radically upswept stack on the right.  It looked dramatic and was much admired but didn’t catch on although there’s been the odd revival, the Italian house MV-Agusta adopting the look and engineering a particularly aggressive interpretation on their Dragster 800RC.  The Italians can make even exhaust pipes into artistic statements.  When the Guggenheim Museum in New York staged The Art of the Motorcycle exhibition (October 2001-January 2003), one featured machine was the MV Agusta F4, and there was a focus on the way its four pipes exited rakishly from the tail section.

Two early British triples: 1969 BSA Rocket 3 (top) and 1968 Triumph Trident T150 (bottom).

So there have been triple-cylinder motorcycles with exhaust systems configured as 3-into-1, 3-into-2, 3-into-3 & 3-into-4 but the early versions of the Triumph Trident and BSA Rocket 3 (1968-1975) offered a unique take on things with a design which had the three headers (the centre bifurcated thereby creating four pipes) ducted into two mufflers, each of which terminated with three exhaust stubs so it can be described as a 3-into-4-into-2-into-6 which seems at least one layer of complication too many.  The styling on the early Trident and Rocket wasn’t well received and was revised for 1971.  Neither motorcycle was a commercial success because they arrived too late; had the pair been released in 1966 as was planned, things might have been better because genuinely they were fast and offered a level of refinement beyond the parallel twins which for years had been a mainstay of the British industry.  As it was, within weeks of their debut, Honda’s epoch-making 750-Four was on the market, a generation (or more) advanced compared with the competition and when the Kawasaki 900 later followed, even the (slight) performance advantage enjoyed by the British triples vanished.

A later British triple: 2022 Triumph Rocket 3 GT in triple black.

When Triumph announced the Rocket 3 in 2019, most attention was on the numbers, the 2458 cm3 (150 cubic inch) triple being the largest displacement engine available in a motorcycle and the (163 ft-lb) (221 Nm) torque generated also industry leading, topping even the big Ducatis and the straight-six BMW.  Triumph since 2004 been at the top of the displacement tree with the Rocket III’s 2294 cm3 (140 cubic inch) engine and the updated model was very much a modernization exercise, something which may account for the decision to switch from the traditional Roman numerals to a digitally compliant “3”.  Being a triple there were of course options for how to handle the exhaust ducting and for the GT model Triumph opted for the asymmetric on the model of the old Kawasaki two-strokes rather than reprise its own X-75 Hurricane of nearly half a century earlier.  Unlike Kawasaki, Triumph didn’t make asymmetry a signature feature, choosing to route the third exhaust, almost inconspicuously, just under the swing-arm on the left side, a curious juxtaposition with the visual statement of intent made by the two on the right.  Doubtlessly the engineering behind the decision was sound and to add a bit of high-tech bling, some Rocket 3’s had carbon-fibre exhaust tips and most conspicuously they were carbon-fibre.

1962 BMW R50S with Hoske exhaust system.

It’d be reasonable to assume Suzuki’s 3-into-4 and the BSA & Triumph 3-into-4-into 2-into six was about as bizarre as things got in the cultish world of motorcycle exhaust systems but there were others to prove it was not only the Japanese and British who could be eccentric.  Germany is the land of “good beer, good sausages & good engines” with its machinery renowned for efficiency, eschewing as frivolous anything not strictly functional and BMW’s now more than century signature parallel twin motorcycle engines have always been configured in the most obviously logical way: one muffler per cylinder.  However, BMW specialist and former racer Ernst Hoske (1921-1976) for decades fabricated custom exhaust systems for the big twins and the most charismatic was his pair of 1-into-2s to create a “four pipe” look and although that had be seen before, his products were on the market years before the Honda 750-Four in 1969 set the template.

1958 Aermacchi Chimera 175.

Herr Hoske’s products however used familiar motifs in their design (if sometimes duplicated) but from Italy in 1958 came the single cylinder 1958 Aermacchi Chimera 175 with an apparatus which really can’t be described using the “traditional” n-into-n terminology.  Equipped with a 175 cm3 four stroke single, at first glance the Aermacchi’s most striking feature is the semi-enveloping, streamlined bodywork in two-tone blue over white but having absorbed that expression of Italian style, the eye tends to be drawn to the muffler, which, if deconstructed, doubtless is a 1-into-3 but such is the intricacy it deserves a more poetic name.  Unfortunately it wasn't around long enough to bet one because the unit cost of production was high and it seems the device appeared on only the earliest examples of the 125 reputedly made.  It’s thus a rare piece and not a part-number available off the shelf; while its metal and thus could be replicated, that would require the time and effort of a skilled steel fabricator so owners surely take great care when riding.  Whether such a piece could now be rendered with a 3D printer isn’t clear but that technology might not yet be at that stage.  Although a rarity, it was the Aermacchi which became the Harley Davidson single cylinder motorcycles of the 1960s, all built with conventional exhaust systems.  Like the novel approach of BSA and Triumph, no manufacturer has since emulated what Aermacchi did.

1961 MV Agusta 150 Sport RS (Rapido Sport).  The 150 Sport RS was in continuous production between 1959-1969 but, unfortunately, when the line was updated, the stylish 1-into-2 exhaust system didn’t make it into the 1970s.

The Rapido Sport was interesting in that it was a “work-around” Italian law.  In an era of increasing speeds and traffic volumes, in 1959, as a public safety measure the national government amended the Codice della Strada (Highway Code), prohibiting motorcycles with a displacement of 150 cm3 or less from using any road gazetted as an Autostrada.  Undeterred, MV Agusta bored the single cylinder of the 125 cm3 Centomila engine used in their Turismo Rapido (TR) out to 150.1 cm3 and thus the 150 Sport RS was unleashed to mix it with cars, busses and trucks.  That wasn’t the last time manufacturers would outfox Rome’s regulators.  In 1975, in response to an industry-protection law which banned the importation for sale of motorcycles below a certain weight with a displacement less than 380 cm3, Suzuki increased the capacity of their two-stroke triple from 371 to 384 cm3, thus creating a GT380 with dimensionally unique internals for the Italian market.

1961 MV Agusta 150 Sport RS (Rapido Sport).

Although references still appear to the German Autobahns being the world’s “first modern highways”, it was Italy’s autostrade which came first, the Milan to Varese Autostrada dei Laghi (connecting Milan to Varese) opened in 1924, almost a decade before the Köln–Bonn Autobahn (joining Cologne & Bonn).  The Italian autostrade set the template for what would be emulated world-wide as the controlled-access highway in that the system was designed specifically for motor traffic, with limited entry and exit points; no provision was made for level crossings, intersections, pedestrians, or horse traffic.  As roads, the structures were optimized for efficient, high-speed travel with terrain levelled as required so curves could be gentle and slopes as gradual as possible.  However, what Italy did, Germany did on a grander scale with wider lanes, more robust methods of construction and a standardized design for bridges and overpasses.

1961 MV Agusta 150 Sport RS (Rapido Sport).

Additionally, the project included the development of landscape aesthetics because, reflecting Adolf Hitler’s (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945) interest in such thing, the Autobahns were as much a piece of representative architecture as any public building.  In one aspect however, the Italian approach proved ultimately more influential because from the start every Autostrada had at least one toll-booth whereas for Hitler, every Autobahn was a piece of propaganda demonstrating the success and vitality of the Nazi state so there were no tolls, the message being people gained dividends from National Socialism.  That typified Hitler’s disregard of economic reality although he considered himself an expert on such things, later deriding the military high command on the basis “My generals know nothing of the economic aspect of war”.  Although the cost of Autobahns contributed only a little to Germany’s balance sheet in 1939, some economists have argued that regardless of any objectives in foreign policy, the state by then of the country’s public finances made war at some point inevitable because other then conquest (ie rape and pillage of other people’s resources), there was no other way out of the monetary & fiscal hole Hitler had dug.  In the post-war years of high-taxation, thousands of toll-free highways were around the world constructed but after the 1980s, as the neo-liberal model spread its tentacles, tolls made quite a comeback. 

A page from Herr Hoske's catalogue, circa 1966.  His long-range fuel tanks are now collectors items, the most prized the rare handful which included a built-in tool kit appended to the top.

As well as the mufflers, Herr Hoske’s company was known also for its large capacity fuel tanks (built on an even grander scale than the optional “Interstate tanks” Norton at times offered on the Commando (1967-1977) and although they were quite bulbous, there’s a charm to his shapes and they certainly suited the lines of the pre-modern BMWs which, until modernity arrived in 1973, maintained a stylistic connection with those of the inter-war years.  Offering larger fuel capacity they were of course functional although gas (petrol) is heavy stuff and when full, the weight distribution of the machine significantly was changed and riders had to hone their technique to compensate for the raised centre of gravity.  Reproductions of the famous Hoske exhaust pipes are still being produced today and, like the originals, even the 2-into-4 units are functional in that, if using conjoined megaphone mufflers, an owner can “tune” their bike to produce the desired exhaust note, another thing which fascinates riders (if not pedestrians).