Concierge

Concierge (pronounced kon-see-airzh or kawn-syerzh (French))

(1) A person who has charge of the entrance of a building and is sometimes the owner's representative; a doorkeeper.  Historically, the role is most associated with residential buildings in large French cities but the role is increasingly common in both residential and commercial buildings in many countries.

(2) A member of a hotel staff in charge of certain services for guests including (1) those provided for a fee by third parties including securing tickets for the theatre, tours or other entertainment, taxis, airport transfers etc and (2) internal hotel matters such as baggage handling, delivering and collecting laundry, providing directions etc.  Many do offer certain services such as hire-cars (and most famously prostitution) on the basis of secret commissions.

(3) An employee stationed in an apartment house lobby who screens visitors, controls operation of elevators, accepts deliveries to the tenants, etc.

(4) A custodian or warden of a prison (obsolete).

(5) As concierge medicine (also known as retainer medicine), pertaining to or being medical care for which the patient pays the doctor an annual fee, either for special or additional services or to guarantee priority attention when required.

(6) A synonym of conciergerie or concergius (obsolete).

(7) As shopping concierge, a part of the gig-economy which offers personal assistance in shopping in a particular area, additionally providing services (such as international shipping) which may not be offered by a retailer.  Shopping concierges charge usually either by time or a percentage of the transactions effected (or a combination of both) and it's assumed secret commissions are also paid by retailers.  In an informal sense, the idea has been extended to the finance sector where concierge is sometimes used as slang to describe brokers.

1640-1650: From the twelfth century French concierge (caretaker, doorkeeper of a hotel, apartment house, prison etc; porter of uncertain origin.   It may have been from the Old French cumserges, which may be from the Vulgar Latin conservius, from the Latin conservus (fellow slave), an assimilated form, the construct being con- (from com-) (with, together) + serviēns, present participle of servīre (to serve) and related both to servius (slave) and the modern “serve”.  The con- prefix was from the Middle English con-, from the Latin con-, from the preposition cum (with), from the Old Latin com, from the Proto-Italic kom, from the primitive Indo- European ḱóm (next to, at, with, along).  It was cognate with the Proto-Germanic ga- (co-), the Proto-Slavic sъ(n) (with) and the Proto-Germanic hansō.  It was used with certain words to add a notion similar to those conveyed by with, together, or joint or with certain words to intensify their meaning.  Servus was from the Proto-Italic serwos (guardian), from the primitive Indo-European serwos (guardian) which may be related to ser- (watch over, protect); it was cognate with servō and the Avestan haraiti (he heeds, protects).  In Latin, over the years, servus (genitive servī, feminine serva) could be used to mean servant, serf or slave.  The suggestion, attributed to nineteenth century French novelists, that concierge is a contraction of comte des cierges (a servant responsible for maintaining the lighting and cleanliness of medieval palaces (literally “count of candles”) is considered a figment of the literary imagination.  Like English, some languages (such as German and Portuguese adopted the French spelling while others produced variants including the Catalan conserge, the Russian консье́рж (konsʹjérž), the Serbo-Croatian консијерж (konsijerž) and the Spanish conserje.  Concierge is a noun; the noun plural is concierges.

In historic documents, concierge appears sometimes to be a synonym for a number of roles but many of these are historically (and sometimes geographically) specific including castle-keeper, lodge-keeper of a château and jailor (or keeper) in a prison.  Even in modern use, there’s some overlap in function and a caretaker, custodian or janitor will perform some of the roles associated with a concierge but not all.  The greatest degree of overlap occurs in city hotels, the larger having clear distinctions between the duties undertaken by commissioners (doormen), porters and a concierge proper but these demarcations blur or disappear in smaller operations.  Concierge can be a concept as well as an individual, some hotels having concierge departments but staffing them without using anyone with the exact title.  In the France of L'Ancien Régime, the title was once attached to a high royal official of the household.  When the spellings (the original Latinized forms) were concergius or concergerius, the role was that of the guardian of a house or castle and in the later middle ages it came to be used for the court official who acted as the custodian of a royal palace.  In Paris, circa 1360, as the Palais de la Cité ceased to be a royal residence and became the seat of the courts of justice, the Conciergerie was turned into a prison, an institution for which L'Ancien Régime sometimes had great need. As late as the year leading up to World War I (1914-1918), in Europe it was common for a hotel's concierge to be referred to as a a "Suisse", reflecting the frequency with which men from Switzerland filled the role.

The Secret Society of the Les Clefs d’Or

Escutcheon of the Secret Society of the Les Clefs d'Or.

The Secret Society of the Les Clefs d’Or is the international organization of hotel lobby concierges.  Now with chapters in many countries, it was registered originally in Paris in 1929 as the Union Internationale des Concierges d'Hôtels (UICH) and this identity was maintained formally until 1995 when, at the 42^nd International Congress held in Sydney, Australia, a resolution was passed changing the name to Union Internationale des Clefs d'Or (UICO).  The international membership now exceeds 4000.  Properly pronounced as lay-clay-door, the literal translation from French is keys of gold, reflected in their membership symbol, most frequently seen as the twinned lapel pins worn by members, something remarkably similar to the escutcheon of the Holy See and neither the Vatican nor the Les Clefs d’Or has ever denied that a relationship may exist.  To become a member of Les Clefs d’Or, one must be at least twenty-one years of age, of good moral character and active within their concierge community.  Additionally, they must be employed by hotels in the usual sense of the word (not corporate or residential buildings) and have been employed thus for a minimum of five years (two if that service has been under the supervision of a member).  Also, the desk at which they work must have a sign that includes the word “concierge.”  Approval of membership is subject to the provision of documents, sponsorship by two existing members and a formal interview process.

Promotional poster for Il portiere di notte (The Night Porter (1974)), directed by Liliana Cavani (b 1933).  Note the crossed keys of the Les Clefs d'Or on the lapel.

Novelists and film makers have often been fond of concierges, presumably because they can be used as a quasi-narrator or linkage device between protagonists, the dramatic and comedic potential frequently (though not always convincingly) explored.  The best film in this sub-genre remains the cult favourite The Night Porter (1974), set in the high cold war Vienna of 1957 and starring Dirk Bogarde (1921–1999) as former Nazi concentration camp officer and Charlotte Rampling (b 1946) who had been one of his youthful inmates and one upon whom he imposed a sadomasochistic relationship.  Although not without flaws in its editing, The Night Porter is memorably evocative of the era and is more highly regarded now than at the time of its release.  In 2018 it was one of the films included in the Venice Classics at the Venice International Film Festival.

Dirk Bogart in The Night Porter with the paired crossed keys of the Les Clefs d'Or on the lapels.

Most concierges aren’t sadomasochistic (as far as is known) but they can still be involved in bizarre stuff.  One former member of the secret society is Australian Elvis Soiza (b 1959, concierge at 111 Eagle Street, Brisbane) who says he can procure anything (provide it's lawful to do so).  No longer a member because the Les Clefs d’Or restricts its rolls to those working in hotels, he notes there’s remarkably little difference between what’s done in a corporate building and a luxury hotel, the concierge still the “human face to a property” and one there to “offer advice, sooth, inform, entertain and organise”.  He sums up such buildings as “a hotel without bedrooms” (although Elon Musk may have blurred things a bit).

Lindsay Lohan usurping the escutcheon of the Les Clefs d'Or (digitally altered image).

During his years in hotels, Mr Soiza received many interesting requests but the most remarkable came in London during the 1980s when a Middle Eastern sheik asked him to arrange a pink elephant as a birthday surprise for his wife.  Thinking he needed a large stuffed toy he began to peruse the Harrods’ catalogue, only to be told the sheik wanted a real elephant, painted pink.  It took some doing, requiring Mr Soiza to coordinate a local circus, the Royal Society for the Prevention of Cruelty to Animals (RSPCA), local government (it's not clear which one, the Greater London Council (GLC, 1965-1986) was in 1986 dissolved by the Thatcher government with its responsibilities assigned to existing borough councils), the Indian High Commission and the Metropolitan Police but, within twelve hours, he’d secured an elephant, had it painted pink, obtained the required permit and, with a police escort, had the beast led to the hotel in time for the birthday party.  Quite remarkable.

The original image (left), the photoshopped fake (centre) and an actual African pink elephant (a form of partial albinism).

Pink elephants are of course hard to find in London but they're rare anywhere.  On the internet, there have been claims the creatures can be found in parts of India, the color the result of the red soil in the environment, the creatures spraying dust on their hides to protect themselves from biting insects.  However, it turned out to be fake news, the supporting evidence created with Photoshop and wildlife experts that while elephants cover themselves in mud, this doesn’t change the colour of their skin.  It's true there is a rare genetic disorder (technically a form of albinism) which can result in the skin of young African elephants displaying a slight pink hue but it's nothing like the vivid hot pink in the Photoshopped fake news.

Tiara

Tiara (pronounced tee-ar-uh, tee-ahr-uh or tee-air-uh (non-U))

(1) A jeweled, usually semi-circular, ornamental coronet worn by women.

(2) In the Roman Catholic Church. a head-piece consisting of three coronets on top of which is an orb and a cross, once worn by the pope, or carried before him during certain non-liturgical functions; a symbol of the position, authority and dignity of the pope.

(3) A high headdress, or turban, worn by the ancient Persian Kings and other men of rank.

1545–1555: An English borrowing, via Italian, from the Latin tiara (headdress) from the Ancient Greek tiā́ra & the Ionic τιήρης (tiḗrēs) (a kind of turban).  The etymology of the Latin and Greek forms is wholly unknown.  In English, there was an earlier anglicized form tiar, attested from the 1510s and tiara became common by the eighteenth century.  Tiara is a noun, tiaraed is a verb & adjective and tiaraless, betiared & tiaralike are adjectives (tiaraesque seems not to have appeared); the noun plural is tiaras.

The Triple Tiara

Sultan Süleyman the Magnificent (circa 1545), woodcut by an unknown Venetian artist.  Historians suspect the depiction of the splendid jewel-studded helmet was substantially accurate but the object may simply have been too heavy safely to wear for all but static, set-piece events, the risk of injury to the neck too great.  Still, he had four tiers so: "Take that pope!"

The papal triple tiara is the final form of a crown which worn by popes of the Roman Catholic Church between the eighth century and 1963.  Traditionally it was worn for their coronation but no pontiff has been so crowned since Paul VI (1897-1978; pope 1963-1978) in 1963 and his abandonment was in the spirit of the Second Vatican Council (Vatican II, 1962-1965).  The name tiara refers to the entire headgear and it has used a three-tiered form since a third crown was added during the Avignon Papacy (1309–1378) and it's referred to also as the triregnum, triregno or Triple Crown.  In a piece of one-upmanship (perhaps one tiership), Suleiman I (Süleyman the Magnificent, 1494-1566, Sultan of the Ottoman Empire 1520-1566) commissioned from Venice a four tier helmet to show, in addition to the authority claimed by popes, he could add the symbol of his imperial power.  Often put on display as the centrepiece of Ottoman regalia to impress visitors, there's no documentary evidence the sultan ever wore the four layer tiara, crowns not part of the tradition and, fashioned from gold and gemstones, it would anyway have been extraordinarily heavy.

Lindsay Lohan, the wandering daughter who ran off to Dubai in Lynn Kiracofe tiara, W Magazine photo- shoot, April 2005.

A representation of the triregnum combined with two crossed keys of Saint Peter continues to be used as a symbol of the papacy and appears on papal documents, buildings and insignia.  Remarkably, there’s no certainty about what the three crowns symbolize.  Some modern historians link it to the threefold authority of the pope, (1) universal pastor, (2) universal ecclesiastical jurisdiction and (3) temporal power.  Others, including many biblical scholars, interpret the three tiers as meaning (1) father of princes and kings, (2) ruler of the world and (3) vicar of Christ on Earth, a theory lent credence by the words once used when popes were crowned:  Accipe tiaram tribus coronis ornatam, et scias te esse patrem principum et regum, rectorem orbis in terra vicarium Salvatoris nostri Jesu Christi, cui est honor et gloria in saecula saeculorum (Receive the tiara adorned with three crowns and know that thou art father of princes and kings, ruler of the world, vicar on earth of our Savior Jesus Christ, to whom is honor and glory for ever and ever).

Escutcheons of the Holy See (left) and the Secret Society of the Les Clefs d’Or (right).

Curiously, the brace of crossed keys appear also in the symbols used the Secret Society of the Les Clefs d’Or (The Golden Keys) which is the international association of hotel concierges; the similarities between their escutcheon and that of the Holy See are quite striking.  According to the Roman Catholic Church's Inquisition (the old Holy Office, now officially known as the Dicastery for the Doctrine of the Faith (DDF)), the crossed keys are a symbol of the Papacy's authority and power, representing the "keys of heaven" that in the New Testament were passed from Jesus Christ to Saint Peter.  In Roman Catholic tradition, Peter was appointed by Jesus as the first Pope and given the keys to symbolize his authority to forgive sins and to make decisions binding on behalf of the Church (this the theological basis of what in canon law was codified in the nineteenth century as papal infallibility).  The two keys thus symbolize the pope's two powers: (1) spiritual power (represented by the silver key) and (2) temporal power (represented by the gold key).  The latter power manifested in a most temporal manner during the thousand-odd years (between the eighth & nineteenth centuries) when the authority of the papal absolute theocracy extended to rule and govern the Papal States (which were interpolated into the modern state of Italy upon Italian unification (1859-1870).  Claiming (officially) only temporal dominion, the Secret Society of the Les Clefs d'Or logo depicts both their keys in gold, one said to symbolize the concierge's role in unlocking the doors to the world for their guests, the other their ability to unlock the secrets of their destination and provide insider knowledge and recommendations (restaurant bookings, airport transfers, personal service workers of all types etc).  However, neither the Vatican nor the Les Clefs d’Or have ever denied intelligence-sharing, covert operations, common rituals or other links.

Documents in the Vatican Archive suggest by 1130 the papal tiara had been modified to become a conventional (and temporal) symbol of sovereignty over the Papal States.  In 1301, during a dispute with Philip IV (Philip the Fair, 1268–1314, King of France 1285-1314), Boniface VIII (circa 1230–1303; pope 1294-1303) added a second layer to represent a pope’s spiritual authority being superior to an earthly king’s civil domain.  It was Benedict XII (1285–1342; pope 1334-1342 (as the third Avignon pope)) who in 1342 who added the third, said to symbolize the pope’s moral authority over all civil monarchs, and to reaffirm Avignon’s possession.  A changing world and the loss of the Papal States in 1970 deprived the triple crown of much temporal meaning but the silver tiara with the three golden crowns remained to represent the three powers of the Supreme Pontiff: Sacred Order, Jurisdiction and Magisterium.

Coronation of Paul VI (1897-1978; pope 1963-1978), 30 June 1963 (left), the triple tiara created for Pius XII (1876-1958; pope 1939-1958) (centre) and the coronation of Pius XII, 12 March, 1939 (right).  Historians sometimes describe the reign of Pius XII as "the last imperial papacy". 

Not since 1963 has a pope worn the triple crown.  Then, Paul VI (1897-1978; pope 1963-1978), at the end of his coronation ceremony, took the tiara from his head and, in what was said to be a display of humility, placed it on the altar.  The act may have been thought symbolic of the winds of change being brought by the Second Vatican Council (Vatican II, 1962-1965, published 1970) and it was certainly theologically defensible but cynical observers (and among Vaticanologists there are a few) would soon come to interpret as emblematic of Paul VI's pontificate.  Apparently, he'd not wanted to be crowned but acceded to the wishes of the tradition-bound curia and in a compromise, "took it off shortly after it was put on".  Thus proceeded the next 15 years during which Paul came to be known as the "Vatican's Hamlet" because he always found it hard to make a decision.  However, in a practical expression of his act of humility, the triple tiara was auctioned, the money raised used for missionary work in Africa although, keeping things in house, the winning bidder was the well-funded (this was before the need to pay compensation to victims of clerical sex-abuse) Archdiocese of New York.  That allocation proved a good investment because Africa has been a growth market for the church, unlike increasingly Godless Europe and elsewhere in the West.  Benedict XVI (1927–2022; pope 2005-2013, pope emeritus 2013-2022) and Francis (b 1936; pope since 2013) received triple tiaras as gifts but neither wore them.  Benedict’s, in a nice ecumenical touch, was made by Bulgarian craftsmen from the Orthodox Church in Sofia, a gesture in the name of Christian unity.  Benedict would have appreciated that, having always kept a candle burning in the window, there to guide home the wandering daughter who ran off to Constantinople.

The wandering film star who ran off to Monte Carlo

Former Hollywood film star Grace Kelly (1929–1982; Princess Consort of Monaco 1956-1982), in tiara, pre-wedding photograph, 1956 (a necklace with stones arrayed in this form is styled a Golconda).  The car is a 1963 Thunderbird Limited Edition Landau, known colloquially as the “Princess Grace Edition”.  When the engagement was announced, the joke soon circulated: "When they're a little girl they want to be a princess, when they grow up they want to be a film star, when they're a film star they want to be a princess."

Princess Grace of Monaco was often seen in a tiara (they’re part of the “princess uniform”) and in the same year Paul IV was the last pope to be crowned, she had the pleasure of learning a Ford produced in the US had picked up the nickname “Princess Grace Edition” although Ford’s internal project name was “Thunderbird Special Edition Principality of Monaco” and it was released as a 1963 model with the name: “Thunderbird Limited Edition Landau”.  Produced in a run of 2000 during the final season of the third-generation Thunderbird (1961-1963), all but one were virtually identical and each received an individually number plaque.  The connection to principality & princess wasn’t tenuous because she was consulted on the color scheme and her husband (Rainier III (Rainier Louis Henri Maxence Bertrand Grimaldi, (1923–2005; Prince of Monaco 1949-2005)) received Landau Number 1 as a gift; presumably that was the quid pro quo (from the Latin quid prō quō (literally “something for something”).  The prince’s Landau Number One differed in a number of details from the other 1999 in the run in that it was a one-off build for the prince, one difference being the inclusion of the crest of the Principality of Monaco on a plaque made of silver while all others had one of chrome-plated steel with a brushed aluminum insert faceplate.  In the usual way such “limited edition” plaques were done, they were emblazoned with “Limited Edition Thunderbird Landau”, the serial number (nnnn of 2000) “World Premiere” & “Principality of Monaco”, the latter in a script font.  The features which distinguished the Landau were:

Corinthian White paint.
Dark Rose Beige vinyl roof.
Pearl White leather interior trim with Rose Beige seats.
Dark Rose Beige padded dash & carpet, including carpeted door trim panel bottoms (the only 1963 Thunderbirds so equipped).
Simulated Rosewood trim on console, instrument panel, door panels, rear quarter trim panels, and seat back emblem inserts (these were otherwise in color-keyed vinyl).
Deluxe wheel covers.
Rear fender skirts (spats).
White steering wheel with unique centre-boss insert.
White background on S-Bar inserts.
Monotone vinyl door and quarter trim panels.

Vogue Magazine’s six-page advertising feature, 15 February, 1963.

The princess apparently suggested beige for the paintwork on the basis it was her favorite color but there was some debate within the corporation and the planning committee’s minutes of the final meeting on 19 September, 1962 record the decision “unanimously” was taken to opt for Corinthian White over Rose Beige, that rationale being the combination was close to that used on Monaco’s national flag.  The “Dark Rose Beige” used for the vinyl roof was a noticeably deeper hue than the “Rose Beige” offered as a RPO (regular production option) on the standard Thunderbird line and was really closer to maroon while the shade used for the seats, while lighter than the roof, was darker than what was available for other Thunderbirds.  The roof covering on the Limited Edition Landaus proved prone to fading if exposed to strong sunlight and within a few years, many appeared a very different color.

Vogue Magazine fashion feature, 15 February, 1963.

Vogue took advantage of the having the Thunderbird available by using it as a backdrop for the photo-shoot to accompany “The rush to little suède dazzlers; to leathers that mix”; the location was Cagnes-sur-Mer, a fortified medieval town on the Riviera “with all the appropriate thrall.”  The model’s dress and set-in belt were by Highlander, the cardigan of Fleming-Joffe leather, the handbag by Roger Model, jewellery by Peladan with Bryans stockings inside Aimont red shoes.  Vogue however got the car wrong in captioning the picture: “Ford's creamy, brand-new, limited-edition Thunderbird Landau.  It's turned out in such small numbers that each car has a number; all are a cool cream-white, inside and out, roofed, carpeted and accented in warm tones of rosy beige.”  The Limited Edition Landaus had the Rose Beige upholstery while the car in the photo-shoot was a regular production model.  The other curiosity is a smiling model, a rare sight in fashion photography where the usual expression is the “studied neutral” which catwalk models are trained to use.  

The connection to European royalty had obvious sales appeal but Ford’s motivation was pragmatic, sales of the “Bullet Bird” (the nickname an allusion to the projectile-like lines) having declined in 1962 and with it being common knowledge a new version was scheduled for 1964, what was needed was something to stimulate demand, thus the conjuring up of a “package”, a tactic on which the industry would increasingly come to rely.  This choice of a “Monaco” theme was to take advantage of Ford Falcons competing in that year’s Monte Carlo Road Rally (one Falcon would win its class) and the principality was thus used as the location for the photo-shoot for that year’s mid season (the so-called “1963-½” cars) publicity campaign including the Galaxie 500 XL Sports Hardtop, Fairlane Sports Coupe and Falcon Hardtop; having a prince and princess associated with the fanciest Ford of all was icing on the gingerbread.  While all the Ford’s shipped to Monaco to be photographed for what was dubbed the “Ford Command Performance campaign” were variously red, white or blue, the princess’s preferred beige was seen because Ford also sent one Sandshell Beige Falcon Squire Station Wagon; converted to a ambulance, it was donated to the Red Cross to be used during the running of the rally.

Escutcheon

Escutcheon (pronounced ih-skuhch-uhn)

(1) In heraldry, an individual or corporate coat of arms.

(2) In heraldry, a shield or shield-like surface upon which is depicted a coat of arms (a small shield used to charge a larger one).

(3) An ornamental or protective plate around a keyhole, door handle, drawer pull, light switch etc.

(4) In admiralty and other nautical architecture, a panel on the stern of a vessel bearing the registered name and port of registry.

(5) In medicine, the pattern of distribution of hair upon the pubic mound.

(6) In medicine as escutcheonectomy, the surgical removal of tissue from the pubic mound, a treatment for the unfortunate condition of "buried penis".

(7) In veterinary history, a marking upon the back of a cow's udder and the space above it (the perineum), formed by the hair growing upward or outward instead of downward.  It was once (apparently erroneously) used as an index of milking qualities and known informally among dairy farmers as the "milk mirror".

(8) The depression behind the beak of certain bivalves (a class of marine and freshwater mollusks); the ligamental area.

(9) As escutcheon pin, a decorative nail with a round, domed head, usually made of, or plated with, brass or copper, and used for fastening escutcheons, label-card holders, or other decorative surface hardware to wood surfaces.

(10) A decorative and/or protective plate or bezel which fills any gap between a switch, pipe, valve, control knob etc and the surface from which it protrudes.

(11) The insignia around a doorknob's exterior hardware or a door lock's cosmetic plate.

1470-1480: From the Middle English scochon (shield on which a coat of arms is depicted), from the Anglo-Norman (and the Old Northern French) escuchon, from the Old French escusson (half-crown (coin); coat of arms, heraldic escutcheon) (which endures in modern French as écusson), from the from Vulgar Latin scutionem, ultimately from the Latin scūtum (shield), from the primitive Indo-European skoito- (piece of wood, sheath, shield) (and the source also of the Old Irish sciath, the Welsh ysgwyd, the Breton scoed (shield), the Old Prussian staytan (shield) and the Russian ščit (shield), probably a noun derivative of a variant of primitive Indo-European root skei- (to cut, split) on the notion of "board".  The curious use of the term in dairy farming sounds medieval but was not documented until 1867 although it's possible it had long been in oral use.  The alternative spellings escocheon & scutcheon are both long obsolete.  Escutcheon is a noun and escutcheoned is an adjective (and has been used as a (non-standard) verb; the noun plural is escutcheons.

In heraldry, the technical term "an escutcheon of pretense" describes a shield or emblem displayed alongside the shield of a married woman to indicate her husband's family name and coat of arms.  It is also sometimes referred to as an "impalement" because the two coats of arms are "impaled" or joined together side by side.  The purpose of the escutcheon of pretense is to indicate the woman's marital alliance and to ensure her husband's family name and coat of arms are displayed alongside hers.  In cases where the woman has a higher rank or a more prestigious coat of arms than her husband, the escutcheon of pretense may be used to display her own coat of arms in a more prominent position.  Between heraldic systems there are various rules and conventions which dictate the exact design and in some cases there are no precise rules.  The most common designs are (1) the escutcheon may divided vertically down the center-line with the husband's coat of arms to the left and the wife's to the right & (2) the escutcheon being quartered, this affording the advantage of both sets of arms appearing more prominently.  In centuries past, an escutcheon of pretense was also evidence of the assertion of a legal claim to some distinction or an estate, armorial bearings etc to which he was not entitled by strict right of descent, something which often arose in marriages to heiresses.  It was known also as the inescutcheon.

Escutcheons of the Holy See (left) and the Secret Society of the Les Clefs d’Or (right).

The international association of hotel concierges is the Secret Society of the Les Clefs d’Or (The Golden Keys) and the similarities between their escutcheon and that of the Holy See are quite striking.  According to the Roman Catholic Church's Inquisition (the old Holy Office, now officially known as the Dicastery for the Doctrine of the Faith (DDF)), the crossed keys are a symbol of the Papacy's authority and power. The keys represent the "keys of heaven" that were in the New Testament passed from Jesus Christ to Saint Peter.  In Roman Catholic tradition, Peter was appointed by Jesus as the first Pope and given the keys to symbolize his authority to forgive sins and to make decisions binding on behalf of the Church (this the theological basis of what in canon law was codified in the nineteenth century as papal infallibility).  The two keys thus symbolize the pope's two powers: (1) spiritual power (represented by the silver key) and (2) temporal power (represented by the gold key).  The latter power manifested in a most temporal manner during the thousand-odd years (between the eighth & nineteenth centuries) when the authority of the papal absolute theocracy extended to rule and govern the Papal States (which were interpolated into the modern state of Italy upon Italian unification (1859-1870).

Claiming (officially) only temporal dominion, the Secret Society of the Les Clefs d'Or logo depicts both their keys in gold, one said to symbolize the concierge's role in unlocking the doors to the world for their guests, the other their ability to unlock the secrets of their destination and provide insider knowledge and recommendations (restaurant bookings, airport transfers, personal service workers of all types etc).  However, neither the Vatican nor the Les Clefs d’Or have ever denied intelligence-sharing, covert operations, common rituals or other links.

The escutcheon of Lindsay Lohan's family crest.

The Lohan family motto is Hoc majorum virtus (This is the valour of my ancestors) but it wasn't until well into the seventeenth century it because at all common for mottos to appear on coats of arms.  Older coats of arms therefore never originally included a motto and in most jurisdictions they remain still optional (some European registries actually proscribe their use) and technically are separate from the grant, the inclusion the choice of the family or individual concerned.  Coats of arms however are legally registered designs and must conform to certain rules whereas a motto can on a whim be changed.

Freemason

Freemason (pronounced free-mey-suh n)

(1) A member of a secret society (Free and Accepted Masons, constituted in London in 1717), present in many countries which operates in a cult-like manner (initial upper case and often used in the clipped form “Mason”).

(2) Historically, one of a class of skilled stoneworkers of the medieval period (lasting into the early modern era), possessing passwords and both public & secret signs, used as devices by which they could identify one another.

(3) A member of a society composed of such workers, which also included honorary members (accepted masons) not connected with stone work.

1350-1400: From the Middle English fremason.  Free was from the Middle English free, fre & freo, from the Old English frēo (free), from the Proto-West Germanic frī, from the Proto-Germanic frijaz (beloved, not in bondage), from the primitive Indo-European priHós (dear, beloved), from preyH- (to love, please); it was related to the English friend.  The verb was from the Middle English freen & freoȝen, from the Old English frēon & frēoġan (to free; make free), from the Proto-West Germanic frijōn, from the Proto-Germanic frijōną, from the primitive Indo-European preyH-.  Mason was from the Middle English masoun & machun, from the Anglo-Norman machun & masson or the Old French maçon, from the Late Latin maciō (carpenter, bricklayer), from the Frankish makjō (maker, builder), a derivative of the Frankish makōn (to work, build, make), from the primitive Indo-European mag- (to knead, mix, make), conflated with the Proto-West Germanic mattjō (cutter), from the primitive Indo-European metn- & met- (to cut).  The “mason” element of the word is uncontested.  A mason was a bricklayer (1) one whose trade was the handling, and formation of structures in stone or brick or (2) one who prepares stone for building purposes.  It later (3) became the standard short-form for a member of the fraternity of Freemasons.  However, the origin of the “free” part is contested.  Some etymologists suggest it was a corruption of the French frère (brother), from frèremaçon (brother mason) while others believe it was a reference to the masons working on “free-standing” (ie large rocks they would cut shape into smaller pieces) stones.  Most however maintain it meant “free” in the sense of them being independent of the control of local guilds or lords.  The noun freemasonry was in use by the mid-fifteenth century.  Freemason, Freemasonism & freemasonry are nouns and freemasonic is an adjective; the noun plural is Freemasons.  Unfortunately, the adjective freemasonistic and the adverb freemasonistically appear not to exist and it can be correct to use "freemasonry" as a collective noun (eg "the Roman Curia is a freemasonry of cardinals") if used of those notorious for plotting & scheming.  

The origin of the freemasons was in a travelling guild of masons who wandered England offering their services to those needing stonework.  Operating in opposition to the established guilds, the freemasons (ie free from the dictates of the guilds) had a closed system of passwords, symbols and secret signs (the origin of the famously mysterious Masonic handshake) so safely they could identify each-other and ensure intruders (presumably agents of the guild) couldn’t infiltrate their midst.  In the early seventeenth century, they began accepting as honorary members even those who were not stonemasons and by the early eighteenth century the structure had had developed into the secret fraternity of affiliated lodges known as Free and Accepted Masons (often as F&AM) and as an institution the F&AM were first registered in London in 1717.

Freemason T-shirts should not be confused with other "Free" campaign clothing. 

The “accepted” refers to persons admitted to the society but not belonging to the craft and in time this became the nature of the Freemason, long removed from the actual trade of stone-working.  As an institution, the Freemasons (especially by their enemies and detractors) are often spoken of as if something monolithic but the only truly common thread is the name although most do (at least officially) subscribe to a creed of “brotherly love, faith, and charity”.  Structurally, they’re nothing like the Roman Catholic Church with its headquarters and single figure of ultimate authority and are a looser affiliation even than the “worldwide Anglican community” where the spiritual “authority” of the Archbishop of Canterbury is now wholly symbolic.  The Freemasons are more schismatic still and can’t even be compared to the loosest of confederations because their basic organizational units, the lodges, operate with such autonomy that one might not be on speaking terms with one in the next suburb and each may even deny that the other is legitimately Masonic.

Despite that, the conspiracy theorists have often been interested in the Masons because they can be treated as if they are monolithic and it is true that as recently as the second half of the twentieth century there were many entities (notably police forces) where there was an unusual preponderance of Masons in prominent positions and in one force, for decades, by mutual consent, the position of commissioner alternated between a Roman Catholic and a Freemason.  In Europe, it wasn’t uncommon for the Masons to be grouped with the Jews as the source of all that was corrupt in society and some satirists made a troupe of “the Freemasons and the Jews” being at the bottom of every evil scheme, cooked up either at lodge or synagogue.  One who needed no convincing was Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945) who, to his dying day, believed a mix of Masonic plotting and intrigues within the royal court was behind the overthrow of Benito Mussolini (1883-1945; Duce (leader) & prime-minister of Italy 1922-1943) in 1943.

Reinhard Heydrich (second from left, back to camera) conducting a tour of the SS Freemasonry Museum, Berlin, 1935.

The Nazis enjoyed curiously diverse interactions with the Freemasons.  During his trial (1945-1946) in Nuremberg Hermann Göring (1893–1946; leading Nazi 1922-1945, Hitler's designated successor & Reichsmarschall 1940-1945) told the IMT (International Military Tribunal) it was only an accident of history he was in the dock because in 1922 he was on his way “…to join the Freemasons when I was distracted by a toothy blonde.”  Had he joined the brotherhood, he claimed, he’d never have been able to join the Nazi Party because it proscribed Freemasonry.  During the same proceedings, Hjalmar Schacht (1877–1970; President of the German Central Bank (Reichsbank) 1933–1939 and Nazi Minister of Economics 1934–1937) said that even while serving the Third Reich he never deviated from his belief in the principles of “international Freemasonry”.  There is no evidence any of the judges on the IMT were Freemasons and it's mere coincidence Göring (who didn't become a Freemason) was sentenced to be hanged while Schacht (who from the dock championed the cult) was acquitted.

Nazi anti-Freemason propaganda, a poster first issued in Stuttgart, 1935.  The heading translates as: World politics World revolution with the lower text being: Freemasonry is an international organization beholden to Jewry with the political goal of establishing Jewish domination through world-wide revolution.  The map, adorned with Masonic symbols, highlights the revolutions in Europe between the French (1789) and German (1919) Revolutions.  In the same way the Nazis conflated Bolshevism with Judaism, the Freemasons were depicted as part of the “Jewish conspiracy”.

Upon coming to power, the Nazis certainly took that proscription seriously but the suppression of Freemasonry was not unique, the party looking to stamp out all institutions which could be an alternative source of people’s allegiances or sources of ideas.  This included youth organizations, trade unions and other associations, their attitude something like that of the Chinese Communist Party (CCP) to the Falun Gong and the two authoritarian parties were similarly pragmatic in dealing with the mainstream churches which were regulated and controlled, it being realized their support was such that eradication would have to wait.  By 1935, the Nazis considered the “Freemason problem” solved and the SS even created a “Freemason Museum” on Berlin’s Prinz-Albrecht-Palais (conveniently close to Gestapo headquarters) to exhibit the relics of the “vanished cult”.  SS-Obergruppenführer (Lieutenant-General) Reinhard Heydrich (1904–1942; head of the Reich Security Main Office 1939-1942) originally included the Freemasons on his list of archenemies of National Socialism which, like Bolshevism, he considered an internationalist, anti-fascist Zweckorganisation (expedient organization) of Jewry.  According to Heydrich, Masonic lodges were under Jewish control and while appearing to organize social life “…in a seemingly harmless way, were actually instrumentalizing people for the purposes of Jewry”.

1960 Rolls-Royce Phantom V (1959-1968) by Park Ward in Masons Black.  Chassis 5AS69 was commissioned for the Nigerian High Commissioner to London; the quad headlight assemblies (fitted to the Phantom V from 1963) are a later addition.

According Rolls-Royce, “Masons Black” has nothing to do with Freemasonry, the name coming from “Masons Ltd”, the original suppliers of the paint, the company first delivering the proprietary shade to the factory (where it was used to coat chassis members) and coach-builders (not until the 1950s would Rolls-Royce supply a body) in the late 1920s.  Originally a deep, high-gloss black enamel, as the industy in the post-war years transitioned first to cellulose and later polyurethane paints, the name “Masons Black” was retained with new mixes emulating the old hue.  While in the mysterious world of Masonic symbolism black is used in rituals to represent the “depths of the Earth” or the “first alchemical stage”, some who claim to have analysed the (publicly available) imagery say the colors most associated with the cult are shades of blue.

2018 Rolls-Royce Phantom VIII SWB (2017-) in Jubilee Silver, a color close to the “average” color of belly-button lint but, despite the imprimatur of the Ig Nobel Prize committee, Rolls-Royce didn’t add the shade to their color chart as “Navel Fluff Blue” so that opportunity for product differentiation was lost.

Probably not too much should be read into the relationship between blue and the Freemasons because it’s a popular color used by many institutions for many purposes.  Indeed, Dr Karl Kruszelnicki (b 1948) was in 2002 awarded an Ig Nobel Prize (in interdisciplinary research) for undertaking was appears to have been the first “…comprehensive survey of human belly button lint - who gets it, when, what color, and how much” which revealed a previously unknown significance of blue.  In the published findings from his groundbreaking research, Dr Kruszelnicki concluded belly-button lint (known also as “navel fluff”) tends in most to be a predominantly bluish gray because that’s the average of the mix of the dyes used in the manufacture of fabrics and threads from which clothing is assembled.  While other elements can appear in belly-button lint (including dust, hair and dead skin cells), overwhelmingly it’s composed of detritus from clothing.  The same phenomenon can be observed in the filters of tumble dryers.

The Australian arm of Rupert Murdoch’s (b 1931) media empire has become essentially the propaganda unit of the Liberal Party of Australia.  In 2018 Brisbane’s Murdoch-owned Courier-Mail (known to sceptical locals as the “Curious Snail”) was able to run a gushing puff-piece on Peter Dutton (b 1970; leader of the opposition and leader of the Australian Liberal Party since May 2022), headed (left) by a statement from his wife Kirilly (b 1974): “He is not a monster.”  People might give him the benefit of the doubt on that one but the Courier-Mail has never been able to run the one on the right because neither Mr Dutton or his wife have ever denied he’s a Freemason.

A depiction of Peter Dutton in the regalia of a Freemason Grand Master (digitally altered image).  Note the apron worn beneath the jacket, a style unique to The Ancient and Accepted Scottish Rite of Freemasonry.

One institution which has for almost three centuries proscribed Freemasonry is the Roman Catholic Church although that official position has run in parallel with a notable Catholic membership in many lodges.  The ban was both explicit and often expressed up until the pontificate of Pius XII (1876-1958; pope 1939-1958) but after the Second Vatican Council (Vatican II; 1962-1965), the winds of change seemed to blow in other directions and in recent years from Rome, there’s been barely a mention of Freemasonry, the feeling probably that issues like secularism, abortion, homosexuality, radical Islam and such were more immediate threats.  It was thus a surprise to many when on 13 November 2023 the Vatican's Dicastery for the Doctrine of the Faith (the DDF, the latest name for the Inquisition) reaffirmed the Church's teachings that laity or clerics participating in Freemasonry are in "a state of grave sin."  The DDF didn’t repeat the words of Clement XII (1652–1740; pope 1730-1740) who in 1738 called Masonry “depraved and perverted” but did say: “On the doctrinal level, it should be remembered that active membership in Freemasonry by a member of the faithful is forbidden because of the irreconcilability between Catholic doctrine and Freemasonry", citing Declaration on Masonic Associations (1983) by Benedict XVI (1927–2022; pope 2005-2013, pope emeritus 2013-2022) when, as Cardinal Joseph Ratzinger, he was head of the DDF (then called the Congregation for the Doctrine of the Faith (CDF)).  Continuing in a way which recalled the ways of the Inquisition, ominously the DDF added: “Therefore, those who are formally and knowingly enrolled in Masonic Lodges and have embraced Masonic principles fall under the provisions in the above-mentioned Declaration. These measures also apply to any clerics enrolled in Freemasonry.”

Liz Truss (b 1975; UK prime-minister Sep-Oct 2022) who "says what we're all thinking".

Apparently, the DDF issued the document in response to concerns raised by a bishop in the Philippines who reported a growing interest in the secret society in his country.  That was interesting in that cultural anthropologists have noted the form of Catholic worship in the Philippines was in some ways a hybrid which merged the Western tradition with the local rituals the Spanish priests who accompanied the colonists found were hard to suppress.  It proved a happy compromise and the faith flourished but one of the Vatican’s objections to Freemasonry has long been that the society swears oaths of secrecy, fellowship and fraternity among members and has accumulated a vast catalogue of rituals, ceremonial attire and secret signals.  It has always made the church uneasy that these aesthetic affectations often use Christian imagery despite being used for non-Christian rituals.  Indeed, it’s not a requirement of membership that one be a Christian or even to affirm a belief in the God of Christianity or Jesus Christ as the savior or mankind and the secret nature of so much Masonic ritualism has given rise to the suspicion of the worship of false idols.  Of relevance too is the existence of the complex hierarchy of titles within Masonism which could be interpreted as a kind of parallel priesthood.

Pope Francis (b 1936; pope since 2013) is fighting a war which he hopes will set the course of the church for the next generation.  Before it could commence in anger he had to wait for the death of Benedict but the battle is now on and it’s against a cabal of recalcitrant cardinals and theologians (“the finest minds of the thirteenth century” he’s rumored to call them) who are appalled at any deviation from established orthodoxy in doctrine, ritual or form, regarding such (at least between themselves), as heresy.  Quite where the DDF’s re-statement of the 300 year old policy of prohibition of Freemasonry fits into that internecine squabble isn’t clear and it may be the interest aroused surprised even the DDF which may simply have been issuing a routine authoritative clarification in response to a bishop’s request.  Certainly nothing appears to have changed in terms of the consequences and the interpretation by some that the revisions to canon law made some years were in some way substantive in this matter appear to have been wrong.

Escutcheons of the Holy See (left) and the Secret Society of the Les Clefs d’Or (right).

Interestingly, the DDF (nor any other iteration of the Inquisition) has never moved to proscribe the Secret Society of the Les Clefs d’Or (The Golden Keys; the international association of hotel concierges.  This is despite the organization being structurally similar to the Freemasons and the similarities between their escutcheon and that of the Holy See are quite striking.  According to the DDF, the crossed keys are a symbol of the Papacy's authority and power, the keys representing the "keys of heaven" that were in the New Testament passed from Jesus Christ to Saint Peter.  In Roman Catholic tradition, Peter was appointed by Jesus as the first Pope and given the keys to symbolize his authority to forgive sins and to make decisions binding on behalf of the Church (this the theological basis of what in canon law was codified in the nineteenth century as papal infallibility).  The two keys thus symbolize the pope's two powers: (1) spiritual power (represented by the silver key) and (2) temporal power (represented by the gold key).  The latter power manifested in a most temporal manner during the thousand-odd years (between the eighth & nineteenth centuries) when the authority of the papal absolute theocracy extended to rule and govern the Papal States (which were interpolated into the modern state of Italy upon Italian unification (1859-1870).  Claiming (officially) only temporal dominion, the Secret Society of the Les Clefs d'Or logo depicts both their keys in gold, one said to symbolize the concierge's role in unlocking the doors to the world for their guests, the other their ability to unlock the secrets of their destination and provide insider knowledge and recommendations (restaurant bookings, airport transfers, "personal service workers" of all types etc).  However, neither the Vatican nor the Les Clefs d’Or have ever denied intelligence-sharing, covert operations, common rituals or other links.

In an indication they'll stop at nothing, the Freemasons have even stalked Lindsay Lohan.  In 2011, Ms Lohan was granted a two-year restraining order against alleged stalker David Cocordan, the order issued some days after she filed complaint with police who, after investigation by their Threat Management Department, advised the court Mr Cocordan (who at the time had been using at least five aliases) “suffered from schizophrenia”, was “off his medication” and had a "significant psychiatric history of acting on his delusional beliefs.”  That was worrying enough but Ms Lohan may have revealed her real concerns in an earlier post on twitter in which she included a picture of David Cocordan, claiming he was "the freemason stalker that has been threatening to kill me- while he is TRESPASSING!"  Obviously, being stalked by the Freemasons is bad enough but the thought of being hunted by a schizophrenic Freemason truly is frightening.  Apparently an unexplored matter in the annals of psychiatry, it seems the question of just how schizophrenia might particularly manifest in Freemasons awaits research so there may be a Ph.D there for someone.  Just as intriguing of course is whether the Masonic assassin was sent by the Freemasons to murder Lindsay Lohan and the "schizophrenic" story was concocted just to conceal the cult's involvement and there are precedents for such theories.  In May 1941, after Rudolf Hess (1894–1987; Nazi Deputy Führer 1933-1941) flew to Scotland in a private diplomatic venture to negotiate an end to hostilities between the UK and Germany, the Nazi government quickly issued a statement claiming the trip was unauthorized and Hess had gone mad (the last bit they phrased rather more delicately).  For decades, conspiracy theorists did suggest Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945) had authorized the flight by the "motorized Parsifal" and denied prior knowledge only once it was clear the mission had failed (and Hess in the note he left did say "madness" could be a suitable cover story in such circumstances) but the consensus among historians is Hess acted alone although his motivation remains a matter of debate.  Once the Nazi's story of Hess being "mad" was digested, Berlin's cynical humor soon surfaced and a joke circulated having the erstwhile Deputy Führer introduced to Winston Churchill (1875-1965; UK prime-minister 1940-1945 & 1951-1955) who said to him: "So you're the madman", to which Hess replied: "No, I'm only his deputy."             

The problem Ms Lohan identified has long been known (the fear of Freemasons and the cult of Freemasonry is the linguistically unremarkable "masonphobia" and it's reasonable to assume that since a schizophrenic Freemason tried to murder her, Ms Lohan has been masonphobic).  In the US, between 1828-1838 there was an Anti-Mason political party which is remembered now as one of the first of the “third parties” which over the decades have often briefly flourished before either fading away or being absorbed into one side or the other of what has for centuries tended towards two-party stability.  Its initial strength was that it was obsessively a single-issue party which enabled it rapidly to gather support but that proved ultimately it’s weakness because it never adequately developed the broader policy platform which would have attracted a wider membership.  The party was formed in reaction to the disappearance (and presumed murder) of a former Mason who had turned dissident and become a most acerbic critic and the suspicion arose that the Masonic establishment had arranged his killing to silence his voice.  They attracted much support, including from many church leaders who had long been suspicious of Freemasonry and were not convinced the organization was anything but anti-Christian.  Because the Masons were a most secretive cult and conducted their meetings in private, their opponents tended to invent stories about the rituals and ceremonies (doing stuff with goats often mentioned) so the myths grew.  Those myths clearly were potent enough to secure some electoral success and the Anti-Masons even ran William Wirt (1772-1834 and still the nation’s longest-serving attorney-general (1817-1829)) as their candidate in the 1832 presidential election where he won 7.8% of the popular vote and carried Vermont, a reasonable achievement for a third-party candidate.  Ultimately though, that proved the electoral high-water mark and most of its members thereafter were absorbed by the embryonic Whig Party.

Peugeot 504 sedan in metallic gray.

The Roman Catholic Church is a institution with a two-thousand year history and whatever happens in the flow of tributaries, in the upper reaches, things change slowly but there are shifts as circumstances compel and what seems to have evolved between the pontificates of Pius XII and Francis is the view the greatest threats to Christendom are no longer "Communism, homosexuality & Freemasonry" but are now "Islam, homosexuality & Freemasonry".  To reinforce the fears the two ancient foes evoke in the Vatican, the matter of Archbishop Paul Marcinkus (1922–2006; president of the Institute for the Works of Religion (the "Vatican Bank") 1971-1989) must have confirmed in the mind of many there must be some connection between the two.  The archbishop was gay which was nothing unusual among the bishops and cardinals in the Vatican (indeed it’s probably unusual not to be gay in such circles) but even in that colourful milieu his sexual appetite was considered “in the upper range” and his fondness for Swiss Guards was both well known and the subject of some mirth among the Curia; often the archbishop would "lend" his Peugeot 504 (in metallic gray with a "lovely leather" interior) to his favourite Swiss Guards to use on their expeditions for this and that.  Highlights of the archbishop’s life included (1) being for a time ensconced behind the Vatican walls and protected by diplomatic immunity to ensure he’d not have to face interrogation from the various authorities interested in matters related to certain transactions at the Vatican Bank, (2) being associated with Italian banker Roberto Calvi (1920–1982), chairman of the bank Banco Ambrosiano (which collapsed in 1982) and known as Banchiere di Dio (God's Banker); found hanged from the scaffolding under London's Blackfriars Bridge) and (3) being accused of complicity in the murder of Pope John Paul I (1912–1978; pope August-September 1978).  There’s no compelling evidence the 33 day pontificate of JPI ended with his murder and nor is there anything but “a bit of circumstantial” suggest Marcinkus may have been involved.  Most historians concluded JPI died from natural causes and the marvellous conspiracy theory hinges on the suggestion the pope was planning to institute reforms in the Vatican Bank which had been linked to financial corruption involving the Banco Ambrosiano and the Propaganda Due (P2) Masonic Lodge.

Archbishop Marcinkus (far left) & Paul VI (1897-1978; pope 1963-1978, centre left) meet US Baptist preacher & civil rights activist Reverend Dr Martin Luther King Jr (1929–1968, centre right) & US Baptist preacher & civil rights activist Reverend Ralph Abernathy Sr (1926–1990, far right), the Vatican, 18 November 1964.  The US delegation was on the Rome leg of a European tour.

Even by the standards of the cult, the P2 Masonic Lodge was secretive which was understandable given how deeply it was involved in political corruption, financial irregularities and organized crime and finally it was banned in 1981 after the extent of its criminality became just too much for elements within the Italian state to continue the protection for years provided.  Founded in 1945, P2 originally was just another Masonic lodge under the Grand Orient of Italy but it came under the control of businessman and fascist Licio Gelli (1919–2015) who became Venerable Master and transformed it into a kind of shadow state.  In the manner Masons have practiced for centuries, P2 infiltrated institutions and recruited influential figures including politicians (including then media figure Silvio Berlusconi (1936-2023; prime minister of Italy 1994-1995, 2001-2006 & 2008-2011), military officers, judges, journalists and businessmen, most with some degree of fascist sympathy.  Essentially, P2’s agenda was a kind of “MIGA” (Make Italy Great Again) program and in the way these things are done, their plan for a latter day Il Risorgimento (Resurgence, the nineteenth century movement which culminated in the unification of Italy (1961)) their project, although presented as a “Plan for Democratic Rebirth” was actually a plot to undermine democracy and take control of the government.  P2 deeply was implicated in the scandals swirling around the Vatican Bank and the collapse of Banco Ambrosiano in 1982 and when finally investigated, almost a thousand officials and others were found to have ties to the cult; the prime minister, Arnaldo Forlani (1925–2023; Prime Minister of Italy 1980-1981), was compelled to resign although at the time of his death he was both the oldest living and longest-lived Italian prime minister so there was that.  As the scandal unfolded, Venerable Master Licio Gelli was expelled from the Masons (presumably because he’d committed the unforgivable sin of “being caught”) and arrested, triggering years of court cases, escapes from custody, hiding in other countries and pleading not guilty.  In the Italian way, despite receiving long sentences he spent very little time in prison and by 2003 seemed content P2 had in a way succeeded because the “democratic rebirth plan” was “being implemented by Silvio Berlusconi”.