Saturnalia

Saturnalia (pronounced sat-er-ney-lee-uh or sat-er-neyl-yuh)

(1) The festival of Saturn (in Ancient Rome a holiday to mark the winter solstice, honoring the deity Saturn), celebrated in December as a time of unrestrained merrymaking (with initial capital and used sometimes with a plural verb).

(2) Uninhibited revelry; orgy (usually without initial capital).

(3) Merrymaking.

(4) In paleontology, a taxonomic genus (Saturnalia tupiniquim) within the order Saurischia (a dinosaur of the Triassic).

1585–1595: From the Latin Sāturnālia, neuter plural of the adjective Sāturnālis (pertaining to Saturn (corresponding to the Ancient Greek Kronia)), from Saturnus, the construct being Sāturn + -ālia, neuter plural of -ālis- (the third-declension two-termination suffix (neuter -āle) used to form adjectives of relationship from nouns or numerals).  Regarding the dinosaur, etymologists interpret the word as the Latin equivalent of the Portuguese carnaval (Carnival (the period before Lent)); so called because the genus was discovered in Brazil during Carnival.  The anagram of Saturnalia (a festival much associated with the taking of strong drink) is Australian; sometimes in language, things work out well.  Saturnalia is a noun and Saturnalian an adjective (often without the initial capital).  The noun plurals are Saturnalia & Saturnalias.

The Roman festival of the winter solstice was originally celebrated for three days beginning on 17 December but was later extended to seven days.  It was a popular winter event because the revelry, drinking and the taking of mirthful license was extended to all classes, even slaves (of which the Romans had many).  In the West the word remained the preserve of classists and historians until 1782 when an extended sense of "a period of wild or noisy revelry" began to be used, the adjectival Saturnalian (soon without the initial capital) noted in 1801.  The Latin proverb nōn semper Sāturnālia erunt (literally “it will not always be the Saturnalia”) translates as “not every day can be a holiday”, one of life’s more melancholy lessons.

Les Romains de la décadence (1847) (The Romans in their Decadence) by Thomas Couture (1515-1879), Musée d'Orsay, Paris.

The painting of Les Romains de la décadence absorbed three years of Thomas Couture’s life and during the process he told fellow artists that in it was a work in the tradition of the masters of ancient Greece, the Renaissance and the Flemish school.  He wanted to give fresh impetus to French painting and thought a historical work documenting human behavior during high antiquity was the way to convey his moral message.  In the catalogue printed when he exhibited the finished piece at the 1847 Paris Salon, Couture quoted a fragment of two lines by the Roman poet Juvenal, (circa 55-circa 140) in the catalogue for the 1847 Salon where the painting was exhibited: "Crueller than war, vice fell upon Rome and avenged the conquered world". 

The imagery is heavy-handed but effective, ancient statures from an austere and pure past casting condemnatory eyes upon the debauched and decadent below.  Couture, a Jacobin, republican and anti-cleric, created the work as a critique of what would now be called the “political class”, his target the moral decadence which beset the country under the July monarchy, the elite of which had been discredited or disgraced by successive scandals.  As a political statement it was a realist allegory but it was influential too in its style.  A work on a huge scale and reminiscent of Raphael, so much of the French “classic” school of the second half of the century owed some debt to Les Romains de la décadence.  Within a year of the salon, the revolution of 1848 had toppled the July monarchy and prints with the faces of politicians imposed would circulate in France during the troubled 1930s dubbed Le français de la décadence (The French of the Decadence).

In a slightly santized form, Les Romains de la décadence was in 1846 etched by Edmond Hédouin (1820-1889).  It’s now held by the Philadelphia Museum of Art.

As a festival, Saturnalia faded from memory in the early medieval period because of the decline and fall of Rome and the standardization on the Christian calendar of the Christmas holiday which borrowed some of Saturnalia’s traditions and should thus be thought an absorption of the pagan event rather than its replacement, the slight change in dates not climatically significant.  Unusually in the stratified society of Rome, Saturnalia was an egalitarian event in that some of the rituals involved a reversal of social norms, an allusion to those days when Saturn ruled over the Earth as a bucolic paradise.  Under Roman law, during the first three days of Saturnalia, all schools, businesses and courts were required to close to ensure all could share in the fun.

The Saturn cocktail (1967)

1½ oz Gin

½ oz fresh lemon juice

¼ oz passion fruit purée

½ oz orgeat syrup

¼ oz velvet falernum

(1) Blend all ingredients with 1 cup of crushed ice until smooth.

(2) Pour contents into a rocks glass with 4 oz of fresh crushed ice.

(3) Garnish with a lime twist wrapped around a cherry.

The start of Saturnalia was marked by priests in the temples of Saturn unwrapping from the feet of the statues of the god the woolen garments with which they were usually attired, the intended symbolism an act of liberation signifying the strictures which usually governed life were, for a few days, relaxed.  Graphically emblematic of that was that during Saturnalia, all Romans whether senators, citizens, freedmen or slaves were free to wear a pilleus, the felt cap otherwise restricted to freedmen.  Slaves too enjoyed a little more latitude in life, technically free to disobey and disrespect their masters without fear of punishment although the work of historians did make the point this was a right exercised usually with some caution and thought for the future.  The best remembered (or at least the most frequently cited) ritual of Saturnalia was the feast where masters served their slaves or even had them sit at the same table but there’s little to indicate if this was a widespread practice, some sources suggesting it was more likely that something like “staff Christmas parties” were arranged, the wine and food provided by the master or employer.

Beyond that, the rituals of Saturnalia were recognizably those of Christmas or other pagan festivals of the winter solstice, featuring festive masks, poetry readings & performances, games of chance (gambling became lawful during Saturnalia).  Most notably, there was the exchange of gifts between family, friends and loved ones, traditionally on the last day of the holiday which eventually settled on 23 December.   Many modern gift traditions can be traced back to Saturnalia, including the annual bonus employees would sometime enjoy and there were “gag gifts” too, worthless trinkets or items truly ghastly, senators and even the odd emperor noted to have a fondness for these.