Sunday, July 24, 2022

Vampire

Vampire (pronounced vam-pahyuh)

(1) A preternatural being, commonly believed to be a reanimated corpse, said to suck the blood of sleeping persons at night.

(2) In the folklore of the Balkans, Eastern & Central Europe, a corpse, animated by an un-departed soul or demon, that periodically leaves the grave and disturbs the living, until it is exhumed and impaled or burned.

(3) A person who preys ruthlessly upon others; an extortionist or blackmailer.

(4) A woman who unscrupulously exploits, ruins, or degrades the men she seduces (usually truncated to vamp although nuances in meaning exist).  Despite many early references, vampiress and vampirina never caught on.

(5) A type of blood-sucking bat.

(6) A species of crab.

(7) In the theatre, a stage trapdoor.

(8) In medicine, a colloquial term for a patient suffering from systemic lupus erythematosus, with effects such as photosensitivity and brownish-red stained teeth.

1732: From the now archaic vampyre (spectral being in a human body who maintains semblance of life by leaving the grave at night to suck the warm blood of the living as they sleep), from the French vampire and German vampir, from the Hungarian (Magyar) vampir, from the Old Church Slavonic opiri (related to the Serbo-Croatian vampir, Bulgarian vapir & Ukrainian uper).  The Serbian vàmpīr, was an alteration of earlier upir (by confusion with doublets such as vȁzdūh, ȕzdūh and with intrusive nasal, as in dùbrava, dumbrȁva (grove)) and was related to the Czech upír, the Polish upiór, the Old Russian upyrĭ & upirĭ and the Russian upýr.  Some etymologists suggest the ultimate source was the Kazan Tatar ubyr (witch) but not all agree, many suggesting a Macedonian origin more probable.  An Eastern European creature popularized in English by late nineteenth century gothic novels but scattered English accounts of night-walking, blood-gorged, plague-spreading un-dead corpses have been traced back to 1196 and few doubt there was an oral tradition long pre-dating this.  Influenced by the literature, the blood-sucking bat was named in 1774 by the French gentlemen scientist, Georges-Louis Leclerc, the Comte de Buffon (1707–1788).  Related adjectival forms are vampiric and vampirish, the noun vampirism dating from 1737.

Figurative sense of "person who preys on others" is from 1741, the idea of “one who sucks money from others” being little worse than “one who sucks their blood”.  The word vamp (a seductive woman who uses her charms to exploit men" dates from 1911 and was short for vampire; it’s entirely unrelated to the earlier term “vamp” from the trade of cobbling.  Dracula was the name of the vampire king in Bram Stoker's (1847-1912) Gothic horror novel Dracula (1897), a borrowing from Prince Vlad III of Wallachia (circa 1430-circa 1477; remembered in English as Vlad the Impaler and in Romania (where he is celebrated as a national hero) as Vlad Drăculea.

It was Lord Byron (1788-1824) who did most to popularize in Western literature all things vampiric in his epic poem The Giaour (1813), but it was John Polidori (1895-1921) who in 1819 authored the first true vampire story, called The Vampyre.  Polidori was Byron’s personal physician and the vampire of the story, Lord Ruthven, is based partly on him and the "ghost story competition" that spawned this piece was the same contest which tempted Mary Shelley (1797-1851) to write her 1818 Gothic novel Frankenstein (or The Modern Prometheus).  Other early texts include Samuel Taylor Coleridge's (1772-1834) unfinished poem Christabel (circa 1799) and Sheridan Le Fanu's (1814-1873) lesbian vampire story, Carmilla (1872) which remains influential to this day in the depiction of vampires but it’s Bram Stoker's Dracula which remains the definitive version in popular fiction.  The portrayal of vampirism as a disease of contagious demonic possession, with an undertone of sex, blood, and death, suited the zeitgeist of Victorian Europe where tuberculosis, syphilis, typhoid and cholera were common.



In Among the Shadows (2020 (released in some markets as The Shadow Within)), Lindsay Lohan played a vampire (top left), one married to a European Union (EU) politician no less and it’s hard to imagine a more complementary relationship.  In May 2011, Lindsay Lohan was the subject of a vampire-themed session by photographer Tyler Shields (b 1982), called Life is not a fairytale.

On screen, the best evocations of the vampiric remain the Nosferatu films, especially the 1979 re-make of the 1922 original.  Aspiring vampires meet here:

De Havilland Vampire (DH-100) Mark 1.

The de Havilland Vampire was a British jet fighter.  Although development began as early as 1941 and the aircraft first flew in 1943, the problems associated with jet propulsion meant it entered service too late to see combat during World War II, the first Vampires delivered to Royal Air Force (RAF) squadrons only in 1946.  The second jet fighter to be operated by the RAF (the first the Gloster Meteor), it was the first powered by a single engine, a configuration delayed in development because of the poor thrust delivered by the early jets and the Vampire was one of a number of aircraft released in the late 1940s which straddled the engineering and aeronautical practices of the propeller and jet eras of fighters.  The jet engine and the unusual twin-boom configuration aside, it was a conventional design, borrowing much from de Havilland’s wartime practices which had proved so effective including the use of molded plywood for the frame, assembled as a glued sandwich to which was attached the aluminum skin.

De Havilland Vampire (DH 113) NF10 prototype G-5-2.

The hybrid of old and new was a product of so much of the design work having been completed before an understanding of the advantages and possibilities of the swept wing pioneered by the Germans, notably with the Messerschmitt 262, had been gained.  Without a swept wing, the Vampire would never achieve the performance of the more cutting edge designs which increasingly appeared in the late 1940s and was the last really simple interceptor to serve with the RAF.  Despite that, for most of its operational life it was far from obsolescent and remained in front-line service until 1953, during which it set altitude records and was the first jet to fly a trans-Atlantic flight; the Sea Vampire naval variant being in December 1945 the first jet to take off from and land on an aircraft carrier.  The last Vampires were retired from RAF service in 1966 but foreign services maintained them in operational use much longer, the Swiss using them still in the 1980s.  Almost 3300 were built and their simplicity and ease of maintenance has meant many now in private hands continue to fly.

Vampire hunting used to be a thing (and debatably should still be) and for enthusiasts, Affiliated Auctions & Realty recently offered an early nineteenth century vampire slaying kit, fitted in a violin case.  The kit includes a bronze crucifix, two wooden stakes, a 15 inch (380 mm) dagger with tusk grip, sterling pommel & bolster and nickel cross-guard, a flintlock pistol with engraved barrel and functioning stock, a brass powder horn in the style of a swimming fish, a hardwood mallet (for driving stakes through the heart), a brass container for shot powder, a wooden container for silver-shot balls, a glass holy water bottle (without seam lines) and a Holy Bible with mother of pearl inlay.

Nosferatu (1979) trailer. 

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