Especial (pronounced ih-spesh-uhl)
(1) Special;
exceptional; outstanding.
(2) Of
a particular kind, or peculiar to a particular one; particular.
1350-1375:
From the Middle English especial, from the Old and Middle French especial (pre-eminent,
important) from the Latin speciālis (pertaining
to a particular kind or species) from species
(appearance, form, beauty), from specere
(to look). In French, the forms differed:
Latin words with initial sp-, st- and sc- usually acquired an e-
when borrowed by Old French whereas Modern French has restored the word to spécial. The adverb especially emerged in the late fourteenth century, shortly after the adjective. Especial is an adjective and (in commerce with an initial capital) a proper noun, the rare especialness is a noun and especially is an adverb; the proper noun plural is Especials.
Meanings of special and especial are essentially the same yet usage differs. Special is common, especial rare, specially is rare, especially common. Most dictionaries however maintain especial and especially should have a more limited use than special and specially. Special is always used in preference to especial when the sense is one of being out of the ordinary. Special is also used when something is referred to as being for a particular purpose. Where an idea of pre-eminence or individuality is involved, either especial or special may be used, In informal English however, special is usually preferred in all contexts but especially tends to prevail, probably because it’s a sound which more easily rolls of the tongue. Special is by far more common than especial; the Corpus of Contemporary American English (COCA) claims special is used some six-hundred times for every time especial is used. It’s more economical too for unlike especial, special does not demand to be followed by a noun. However, all of this applies to English and in Spanish the adjective especial is common. To purists, use of especial should be rare and use confined to particular contexts where it collocates with particular nouns and especially where it avoids conflicts with other specific meanings: An especial interest or an especial value meaning something different than a special interest or special value. In A Dictionary of Modern English Usage (1926), Henry Fowler (1858–1933) observed the characteristic sense of especial & especially was "pre-eminence of the particular as opposed to the ordinary" whereas special & specially were used to convey the idea of the "particular as opposed to the general". However, he proceeded to acknowledge modern practice which tended to use such special for all such purposes, leaving it for the recipient to pick up the meaning from the context, something he seemed to concede was "possible" if not "preferable" and he noted the continuing popularity of especially, lamenting only that it appeared to encourage tautology, constructions like "more especially" condemned.
Special relativity: Being especially special
Holden, the General Motors (GM) Australian subsidiary, for over a decade had it pretty easy, enjoying a fifty-percent market share despite by the early 1960s its products being, whatever their other virtues, outdated and underpowered. GM would later respond but in the short-term, resorted to a bit of tarting-up. Holden had for ten years used the Special designation for their up-market offering but in 1962 added a new top of the range model called the Premier, meaning the Special was no longer so special. Despite this, the name endured another six years before becoming the Kingswood which was no more special, the new name meaning nothing in particular. Confusing things still further, for most of the years it existed, the Special was actually the best-selling Holden, the other models, the Standard and the shorter-lived Business, enjoyed lower sales so in that sense, the Special was the standard model rather than the Standard.
So, by 1968, GM had in Australia ceased to call anything Special though much of their advertising continued to suggest everything they sold was special in some way. In the US, GM's use of the Special badge started sooner and lasted longer, Buick using it first in 1936, curiously for their lowest-priced model, a placement similar to that seen sometimes in education where it was applied to classes or schools for those with learning difficulties (although that use has ceased, falling foul of the linguistic treadmill). Buick of course no more wanted their customers to make a connection with "special education" any more than with Albert Einstein's (1879-1955) theory of special relativity which explains how space and time are linked for objects moving at a consistent speed in a straight line. Buick's interest in relativity was probably limited to that between the models in its line-up and Special really meant nothing other than being a word thought to have generally positive associations. Additionally, Buick buyers didn’t like change then any more than now.
1966 Ferrari 365 P Berlinetta Speciale. Probably everything sounds better in Italian than English. To the ears of English-speakers, a reading in Italian from a lawn-mower repair-manual sounds like the words of a lyric poet.
The Ferrari 365 P Berlinetta Speciale was a design by Pininfarina shown in 1966 and was both a test bed for a racing project and an exploration of the possibility of a mid-engined V12 road car, the styling taking cues from the designer’s smaller Dino 206 Berlinetta Speciale, built in 1965. Reflecting the origin of its race-car chassis, the 365 Speciale was configured with three-abreast seating and a central driving position, a layout seat McLaren would later adopt for their F1 (1992-1998). In a nod to the seating, the car is sometimes referred to as the 365 Berlinetta Tre-posti (three seater). Ferrari still use speciale as a name.
1965 Dino 206 Berlinetta Speciale.
The Dino Speciale
would influence the later Dino 206 & 246 road cars, produced by Ferrari between
1967-1974. The relationship with the 365 is obvious but, being scaled up to accommodate
the big V12, the lines aren’t as harmonious as the dainty V6 Dino, reflecting
the difficulties stylists had applying the layout when using bulky engines. Still, the 365 P Speciale provided the factory with valuable experience in the then
novel concept and traces of the shape are evident in what did in 1971 emerge as
the 365 GT/4 Berlinetta Boxer, the prototype
which would become Ferrari’s first mid-engined twelve-cylinder car to reach
production. The Boxer's svelte shape was however made possible by flattening the vee to 180o, something
which proved a more satisfactory solution to the problem than the transverse
location of the 60o V12 Lamborghini used in 1966 for the Miura. Achingly beautiful though the Miura was, its
behaviour at speed could be tricky, exactly the reason Ferrari chose not to
make the Stradale.
1965 Ferrari 250 LM Stradale.
The 365 Speciale was actually the second
mid-engined V12 road car Ferrari built; in 1965, the 250 LM Stradale (road)
had been displayed at the Geneva Motor Show.
Based on the Le Mans winning 250 LM, it was a prototype for what was planned to be a small batch
of road cars but Enzo Ferrari (1898-1988), then anyway dubious about the very idea of mid-engined
V12s with all-independent suspension falling into the hands of amateurs, vetoed
the project, the Stradale still just
too much a racing car to let the unskilled rich unleash one on the streets.
Mean Girls Special Collector's Edition (2004) on DVD, Paramount Pictures (part number D341604D).
There’s no defined standard for what is included in “special” editions of commercially released films but unlike “director’s cut” versions which to some extent change the actual content of the original releases (cinema, optical, TV or streaming), “special editions” tend to be the original plus a bundle of “extras”. Assembled usually as “featurettes”, typically, the additional content will consist of interviews with the cast, director or writers, out-takes, bloopers, deleted scenes, advertising and other promotional material and sometimes commentaries from critics or commentators with expertise in some issue of interest. For nerds, there’s sometimes even content about technical aspects of production, an addition most often seen with product made with much use of special effects but discussions about matters such as fashion or history might also appear.
The Mean Girls Special Collector's Edition included (1) discussions about casting, (2) an interview with Rosalind Wiseman (b 1969), author of Queen Bees and Wannabes (2002) on which the Mean Girls screenplay was based, (3) commentary by the writers and producers, (4) “Word Vomit” (the Blooper Reel), (5) deleted scenes with commentary, (6) “Plastic Fashion” (a discussion about costume design and the use of clothing as a metaphor for character development), (7) interstitials (advertising material created with original material not used in the final cut) and (8) promotional trailers for other Paramount films.
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