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Tuesday, November 14, 2023

Magnum

Magnum (pronounced mag-nuhm)

(1) A large wine bottle having a capacity of two ordinary bottles or 1.5 liters (1.6 quarts).

(2) In ballistics, a magnum cartridge or firearm (a loaded with a larger charge than other cartridges of the same calibre).

(3) A firearm using such a cartridge.

(4) Used generally, unusually great in power or size:

1788:  From the Latin magnum (“great, large, big" (of size), "great, considerable" (of value), "strong, powerful" (of force); of persons, "elder, aged"), neuter of magnus (large), from a suffixed form of the primitive Indo-European root meg- (great).  The original use in English was to describe the large wine-bottle, then usually containing two quarts.  As the name of a powerful type of handgun, it was first registered in 1935 by the US company, Smith & Wesson of Springfield, Massachusetts.  Outside of ballistics, the most common use is now probably “magnum opus" (masterpiece, a person's greatest work, literally "great work", applied, in literature, music, art and (sometime a little liberally) popular culture.  The noun plural is magnums or magna.

Magnum ammunition

Lindsay Lohan in habit with Smith & Wesson .500 Magnum, Machete (2010).

Released in September 2010 at the Venice Film Festival and distributed internationally by Sony Pictures, Machete would probably be more highly regarded if the full-length feature had lived up to the promise created by the artfully-edited trailer.  Probably about twenty minutes too long, the critical consensus suggests Machete was a violent, shallow, repetitive and probably unnecessary addition to whatever was the sub-genre of exploitation it inhabited.  That said, the production values were thought high enough for those who like this sort of thing to be able to look forward to it as one of the more enjoyable movies of the summer of 2010.

Smith & Wesson .357 Magnum.

A magnum cartridge is one with a larger case size than the standard cartridge of the same calibre and case shoulder shape.  The now generic term is derived from Smith & Wesson’s Original .357 S&W Magnum, introduced in 1934; magnum ammunition containing either or both additional propellant or a heavier projectile but the term is a bit of an anomaly in the business of ballistics.  Although in the terminology of firearms, most jargon is explicitly defined, “magnum ammunition” has no precise codified set of standards, instead being just an indication of the possession of more powerful characteristics than other loads of the same calibre and shape.

Smith & Wesson .500 Magnum.

Smith & Wesson’s original .357 Magnum was introduced in 1934 in response to the growing availability of bullet-proofing technology in both automobiles and the ballistics vests used for personal protection.  It was an attempt to provide greater penetrative power without the need to increase the bore with the consequential increase in the size and weight of weapons.  Predictably though, the arms race had begun, and in the decades which followed, magnum loads would become available for a wide range of calibres, hand guns and long arms as well as shotguns, the classic .44 Magnum, later made famous in popular culture, released in 1954.  It didn’t stop there, increasing demand for the .44 convincing Smith & Wesson to develop the .500 Magnum, currently the most powerful handgun load generally available and one marketed, in addition to its other attractions, to those who might find it more convenient than a rifle for hunting big game.  The size, weight and recoil however mean it’s not suitable for all and in the US, .500 is anyway the legal limit for handgun loads.  In US law, it’s a rare restriction.

.460 Weatherby Magnum.

For that reason, even Smith and Wesson do recommend that unless one plans to hunt elephant at close range or expect to confront a charging wild boar, loads like the .357 Magnum are better for what most people do most of the time.  The same caution applies to the Magnum loads for rifles, the .375 Magnum often nominated by experts as the perfect compromise for all but the most extreme applications.  Indeed, it was loads like the .375 Magnum which eliminated most of the need for the famous old-style “elephant guns” like Holland & Holland’s .600 Nitro and the .458 and .460 Magnum cartridges of the 1950s were necessitated only by regulations governing big-game hunting in Africa mandating a load above .400.  Despite that, demand for the heavy calibres remains strong, Holland and Holland, after introducing a canon-like .700 Nitro found demand so unexpectedly strong that they resumed production of the long retired .600.  While it seems unlikely heavier loads will be thought practical, that may not matter, there being some evidence many of the .700 Nitros are sold to collectors, never to be fired.

That said, Austria’s Pfeifer firearms created supply to meet what demand there may be.  The Pfeifer .600 Nitro Express Zeliska single-action revolver weighs over 13 lb (4.85 kg) and is  22 inches (.56 m) in length, the cylinder section alone weighing 4.5 lb (17 kg).  Although generating a muzzle energy of 7,591 foot pounds (33.7 kn), paradoxically, the weight of the gun actually limits the recoil, making controlled shooting possible although, practice is essential.  With a cylinder capacity of either five .600 Nitro or .458 Winchester Magnum rounds, it's able to fire a 900 grain, .600 some 2000 feet (600+ m).  At release, Zeliska listed the revolver at US$17,316 and because each .600 Nitro Express round costs about US$45, it’s an expensive hobby.

The Magnum Concilium

Dating from Norman times, the Magnum Concilium (Great Council) was an English assembly eventually composed of senior ecclesiastics, noblemen and representatives of the counties of England and Wales (and later of the boroughs too) which was from time-to-time convened to discuss matter of state with the king and his advisors (sitting as the Curia Regis (King's Court; a kind of predecessor to the Privy Council and later the cabinet).  The Magnum Concilium evolved into the Concilium Regis in Parliamento (the parliament of England), the first generally thought to be the so-called "Model Parliament" of 1295, which included archbishops, bishops, abbots, earls, barons, and representatives of the shires and boroughs.  The evolution wasn’t linear, power in the land a constant struggle between king and parliament, the authority of both fluctuating as the politics of the day effed and flowed.  Nor was the parliament a united force, shrewd kings knowing how to exploit divisions between the parliamentary factions but by the reign of Edward II (1284-1327; as Edward of Caernarfon, King of England 1307-1327), the nobility was ascendant, the Crown compliant and the rest essentially irrelevant.

Execution Of Charles I, 1649 (circa 1850) by an unknown artist.

Under Edward III (1312–1377; as Edward of Windsor, King of England 1327-1377), the modern bicameral structure (a House of Commons & a House of Lords), became clear and the authority of Parliament grew although the Lords remained by far the most powerful because that was where the economic resources were concentrated.  That reality was reflected by the practice, under the Plantagenet kings, of the summoning of the Magnum Concilium being something exclusively ecclesiastical & aristocratic, the representatives of the commons rarely in attendance.  After Henry VII (1457–1509; King of England 1485-1509) convened the Magnum Concilium on several occasions in the late 1400s, for various reasons, its participation in the governance of England went into abeyance until, in 1640, Charles I was advised to summon the Magnum Concilium after he’d dissolved the Short Parliament in order to raise money because his misrule and wars of adventure had bankrupted the state.  The king got his money but his private army was soon at war with the parliamentary forces of both Scotland and England and those wars did not for him go well.  Before the decade was over, he would be beheaded.

The Magnum Concilium has not since met but experts in English constitutional law have confirmed it still exists and can, at any time, be summoned by the Crown.

Chrysler’s 440 Magnum Six-Pack

383 Magnum V8 with cross-ram induction in in 1960 Dodge Dart Phoenix D-500.

Chrysler’s family of big-block wedge V8s lasted from 1958 until 1978 but, although the label is often commonly applied, not all were designated “Magnum”.  The first Magnum was a high-performance version of the B-series 383 cubic inch (6.3 litre) V8 (which differs from the later RB 383), the highlight being the option of a (long) cross-ram inlet manifold with two four-barrel carburetors.  It was only Dodge which used the Magnum label; the equivalent power-plant in a Plymouth was called a Commando (there were adjectives sometimes added) and in a Chrysler, a TNT.

1970 Dodge 440 Magnum Six-Pack.

Introduced in 1969, the highest evolution of the RB Magnum were the 440 cubic inch (7.2 litre) versions built with three Holley 2300 series two-barrel carburetors instead of the more commonly seen single carburetor induction (which were on the 440 almost exclusively in four-barrel form).  The early versions used an Edelbrock manifold cast in aluminum but supply difficulties forced Chrysler also to cast their own in cast-iron to meet demand.  Although obviously a high-performance variation, marketed by Dodge as the 440 Magnum Six-Pack, the engine was engineered to use only the centre 250 cubic feet per minute (7 m3) carburetor under normal throttle loads, the outer two 370 cfm (10.4 m3) units used only if summoned.  If one could resist the temptation of the sudden onrush of power, the Magnum Six-Pack could be quite economical by the admittedly slight standards of the time.

440 Magnum Six-Pack in 1970 Dodge Challenger.

Internally, the Six-Pack Magnums differed from the single carburetor engines in the use of stiffer valve springs borrowed from the 426 Street Hemi, stronger rocker arms (strengthened connecting rods were added in 1970), molybdenum-filled piston rings and flash chromed valves.  Better to cope with the additional stresses imposed by those high-tension springs, the camshaft lobes and lifter faces were blueprinted to equalise the loads, the lifters rotating to distribute wear equally across the surfaces subject to friction.  With its compression ratio upped from 10.1:1 to 10.5:1, upon release, the Magnum Six-Pack was rated at 390 bhp (290 kw), dropping slightly to 385 (287) when some minor anti-emission adjustments were made in 1971.  At around half the price of Chrysler’s much-vaunted Street-Hemi adaptation of the race engine, the Magnum Six-Pack was a bargain, at least matching the Hemi in most aspects of performance until speeds above 120 mph (190 km/h) were attained, along with a longer manufacturer’s warranty and lower insurance costs, at least for some.  It was good while it lasted but 1971 was the swansong for both the Magnum Six-Pack and the Street-Hemi, emission regulations and an astonishing increase in the cost of insuring the things crushing demand.

1972 Jensen FF Series III.

Across the Atlantic however, the Six-Pack Magnum did enjoy a brief afterlife after being driven extinct in the US.  Jensen, in the throes of phasing out their acclaimed but unprofitable all-wheel-drive FF, were looking for a flagship which could be created quickly and cheaply, ruling out the mooted convertible which wouldn’t appear for some years.  With their planned new F-Type unlikely to be on sale before 1973, the need was for something which demanded neither much development time nor an onerous budget.

The much admired louvers on 1972 Jensen SP.

Jensen had for years been building their Interceptor & FF models with the Chrysler RB engines and had even flirted with the idea of doing a run with the Street Hemi, a project aborted when the costs of adaptation became apparent.  In late 1970, Jensen’s need for something was communicated to Chrysler which, by happy coincidence, had a batch of Magnum Six-Pack engines which had been gathering dust in a Canadian warehouse since being effectively orphaned by the new US emission control legislation.  Within days, agreement was reached, Jensen taking delivery of the first tranche of the batch which, although unable to be sold in the US, were legal just about everywhere else.  The mechanical specification settled, discussions then turned to other features which could be included to enhance the car’s status as a premium product.  Because it was the 1970s (and there's really no other excuse), without much discussion, it was agreed to glue on a vinyl roof; that many others did the same thing is no defense.  More defensible was the inclusion of a high-quality and very expensive Learjet eight-track cartridge stereo system and, to provide some continuity with the FF, it was decided to use that model’s blue-themed badges rather than the red used on the Interceptor.  Also, interestingly, it was during these initial discussions that a fully louvered hood (bonnet) would be included in the coachwork but there’s no indication there was any concern about additional engine-bay heat, the louvers apparently just a styling device to evoke memories of earlier eras when they were common on high-performance machinery.  There was little debate about the name; several people had suggested SP was the obvious choice.  In December 1970, the first prototype SP was built although the intricacies of the triple carburetor engine weren’t entirely new to Jensen’s engineers, having a few months earlier fitted one to an Interceptor to fulfil a customer request.  Assessment of the prototype proved the adaptation was as straight-forward as expected, the minor issue of the additional clearance demanded by the big air-filter effected by a quick fix to the filter housing.

1971 Jensen SP at the Geneva Motor Show, March 1972.  Just fifteen were built in left-hand drive configuration because the SP engine couldn't meet the new US emission standards, thereby precluding sales in the market most receptive to thirsty machines.

Scheduled for release in the northern autumn of 1971, Jensen’s original plan had been to announce the SP as part of their new range including the Mark III versions of both the Interceptor and FF but the realities of the future made apparent the mixed-messaging was a bad idea.  The SP was intended to be the new top-of-the line model so announcing it with an updated version of the doomed yet still more expensive FF made little sense, the Mark III FF created only as a way to ensure the last fifteen FF body-shells (the all-wheel drive configuration necessitated a longer wheelbase) could be utilised.  Almost all FF marketing was thus terminated and the emphasis switched to the new two-model range with the SP sitting atop which meant the Mark III FF, which would become one of the Jensens most prized by collectors, went at the time almost unnoticed.

1972 Monteverdi 375/4.

Beginning its tour of the motor show circuit, the new flagship was greeted with subdued interest by the motoring press which viewed the SP as the hot rod Interceptor it was and which, while entertaining in a occasionally brutish (and rather un-Jensen like) sort of way, was not as intriguing as the soon-to-be lamented FF, the prowess of which had so astonished all who drove it, exploring for the first time the revolutionary possibilities of anti-lock braking and all-wheel-drive.  Nevertheless, the performance did impress, a top-speed of 143 mph (230 km/h) being reported although it was noted that Monteverdi’s even bigger and heavier 375/4 limousine had been clocked just a little faster and it used the 440 with only a single four barrel carburetor.  Still it was fast enough and nobody complained the SP lacked pace.

Jensen SP press release, 5 October 1971.

What did elicit complaint was the manner in which that speed sometimes arrived.  The tremendous delivery of power at full-throttle was praised but the lack of predictable response lower in the rev-range attracted criticism, the additional carburetors kicking in sometimes unexpectedly and not always when the car was heading in a straight line.  Issues with hot-starting were also apparent and even the otherwise much admired multi-louvered bonnet was found not the be without fault, the slats apparently changing either the properties of the metal or the reaction of the shape to the fluid dynamics of air-flow; at speed, the bonnet would “slightly shiver, almost as though improperly fastened” and testers, used to the cocoon-like stability of the Interceptor and FF, found it disconcerting.  While none of the reviews were damning, nor were they much more than polite.

1972 Jensen SP engine bay.

Worse was to come as customers started reporting problems, the first being the issue of under-bonnet heat.  Although a big machine by European standards, the engine bay of the Jensen was smaller than anything to which it’d been fitted in the US and, even with the louvers helping to ventilate the space, it got very hot in there and this quickly affected the carburetors which had never before been exposed to such extremes; parts warping as the metal heated and then cooled, causing air-gaps to emerge, making accurate tuning, vital with multiple-carburetion, impossible.  The factory was soon receiving reports of engines which refused to idle and, due to the inherent nature of the Holly 2300 carburetor design, engines would run too rich after a week or so of nothing more than normal driving.

1963 Jensen CV8.

For a small company like Jensen, it was a major setback.  The company had built the Interceptor's reputation on reliability and ease of ownership essentially by piggy-backing on the back of the bullet proof Chrysler V8s and TorqueFlite transmissions it had begun using in the Interceptor's predecessor, the CV8.  The approach, adopted by many in this era, appealed to buyers not sufficiently seduced by the bespoke charm and mechanical intricacies of the continental competition to wish to deal with the cost and inconvenience of the more demanding maintenance schedules listed by Ferrari, Lamborghini & Maserati.  Like the MGA Twin-Cam (and for that matter the later Jensen-Healey), the SP was a classic case of insufficient product development and testing, examples of which littered the post-war UK industry.  Perhaps there was complacency because (1) multiple carburetors were nothing new to British manufacturers and (2) the Six-Pack Magnum had a good record of reliability in the US.  However, three Hollys on a big-block Chrysler turned out to behave differently to three big SUs on a Jaguar XK-six.                  

1970 Dodge Super Bee 440 Magnum Six-Pack with typical girlfriend of typical buyer.

The occasional quirk of the Magnum Six-Pack was not unknown in the US but there the nature of the thing was well-understood; it was a hot-rod engine bought by those who wanted such things, most owners young, male, mechanically adept and often anxious to tinker under the hood (bonnet).  The Jensen buyer was a wholly different demographic, mostly older, affluent men who either had rarely seen under a bonnet or hadn’t looked for many years and their expectations of a car which was twice as expensive as Jaguar’s V12 E-Type were very different to those youthful Californian baby boomers had of their hotted-up taxi cabs.  Used to the effortless, if thirsty, behavior of the Interceptor, some found their SPs, the high-performance of which most could rarely explore, were behaving like brand new, very expensive old clunkers.

Jensen FF with typical mistress of typical buyer.

Weeks of testing and experiments with all sorts of adjustments proved pointless.  In Jensen’s workshops it was always possible to produce a perfectly running SP but, after sometimes as little as a week in the hands of owner, it would be back, displaying the same symptoms and in the end, Jensen admitted defeat and offered the only solution guaranteed to work: remove the triple induction system and replace it with the Interceptor’s faithful Carter Thermoquad four barrel carburetor.  That alleviated all the drivability issues but did mean that having paid their £6,976.87, a premium of a thousand-odd pounds over the anyway expensive Interceptor, the emasculated SP became an Interceptor with a vinyl roof, an eight-track cartridge player and a vibrating bonnet.  The factory’s records suggest between a quarter and a third of buyers opted for the Theromquad fix and some refunds were paid to the especially unhappy.

Last gasp: 1974 Jensen Interceptor convertible.

Although Jensen had known, because the Magnum Six-Pack was out of production, the SP was not going to have a long life, it had been hoped it would fulfil its role until the new F-Type was expected to be released in 1973.  However, having built 208 SPs, Jensen didn’t take up their option on what remained in Chrysler’s Canadian remainder bin and, once the stock already delivered was exhausted, the SP was allowed quietly to die.  Between September 1971 and July 1973, 231 Jensen SPs were completed with one final example built in October, a special order from someone who really wanted one.

1972 Jensen-Healey publicity shot.

It was the start of a run of bad luck that would doom also the Interceptor and the entire company: (1) Development issues would beset the F-Type which would never see the light of day, (2) the Jensen-Healey (1972-1976) sports car which had seemed so promising turned into an expensive flop and (3) the first oil shock in 1973 rendered the Interceptor and many of its ilk suddenly big, thirsty dinosaurs and not even the release in 1974 of a much-admired convertible version could rescue things.  Bankruptcy loomed and by 1976 the end came.  However, in the way flawed but charismatic English cars have often, decades on, enjoyed second acts, the SPs are now much prized and there’s a small industry devoted to restoring them to their six-barreled glory, modern materials and techniques of insulation & cooling now able to transform them into something as well-behaved as any Interceptor.

The magnum’s place in the hierarchy of Champagne bottles.

Lindsay Lohan with Magnum backdrop.

Saturday, March 26, 2022

Psychopomp

Psychopomp (pronounced sahy-koh-pomp)

In mythology and religion, a spirit, deity, person etc., who guides the spirits or souls of the dead to the other world or after-life.

1835: From the Latin psȳchopompus, from Ancient Greek ψῡχοπομπός (psūkhopompós or psȳchopompós) (conductor (guide) of souls), the construct being ψῡχή (psūkh) (the soul, mind, spirit) + πομπός (pompós) (guide, conductor, escort, messenger). Psyche was from the Latin psychē, from the Ancient Greek ψυχή (psukh) (soul).  The modern word psychology was from the French psychologie, from the Latin psychologia, the construct being the Ancient Greek ψυχή (psukh) (soul) +-λογία (-logía) (study of).  Pomp was from the Middle English, from the Old French pompe, from the Latin pompa (pomp), from the Ancient Greek πομπή (pomp) (a sending, a solemn procession, pomp”), from πέμπω (pémpō) (I send), from pempein (to send, dispatch, guide, accompany) of unknown origin.  Etymologists note the verb has no etymology drawn from Indo-European traditions and nor does it display the characteristics of loanwords or a pre-Greek vocabulary.  In Classical Latin the nominative was psȳchopompus, the genitive psȳchopompī, the dative psȳchopompō, the accusative psȳchopompum, the ablative psȳchopompō & the vocative psȳchopompe.  Psychopomp is a noun.  The noun plural is psychopomps.

Psychopomps were entities (variously spirits, angels, creatures, birds or even people) in a number of cultures and religions whose role was to guide the souls or spirits of the newly dead from Earth to the afterlife.  Wholly non-judgmental, they impartially took the soul in hand and lead them to the hereafter where, according to tradition, what awaited was perhaps a final judgment but sometimes not.  In both sacred and pagan art, psychopomps have been depicted in (often ethereal) human form, as winged angels, animals such as horses and, very often as winged creatures, most famously ravens or vultures, the birds often in large flocks, massed above and circling, awaiting the death of the dying.  To classicists, the word is most associated with Hermes or Charon but by far the psychopomp which resonates most in popular culture is the Grim Reaper.

Psychopomps of note

La barca de Caront (Charon's boat (circa 1932)) oil on canvas by José Benlliure y Gil (1855 - 1937), Museu de Belles Arts de València.

Although famous in Greek mythology as a pschopomp, Χάρων (Charon, written sometimes as Kharon) was more mercenary than most.  Known as the ferryman of Hades who carries the souls of just deceased who had received the rites of burial, across the river Acheron (pain) (in later accounts, the river Styx (hate)) that divided the world of the living from that of the dead.  Traditionally, Charon’s fee was a single coin (an obolus or danake) which the family left on the lips of the corpse and in some of the myths (there are many variations in Greek mythology), those whose families had not a coin to leave or who were denied funereal rites were condemned to wander the “shores of the river for a hundred winters”.  In the manner of modern container shipping, Charon also carried cargo on his return voyages, the catabasis mytheme recording that heroes (including Sisyphusm, Heracles, Dionysus, Hermes, Odysseus, Orpheus, Theseus & Psyche) were brought back across the river from the underworld in Charon’s boat (although what he charged is not recorded).

Beyond ecumenical, Azrael, the Angel of Death, appears in both Jewish and Christian mythology but in Islamic mythology he uniquely assumes the role of a psychopomp, said to take straight to Allah, every soul directly upon death.  Unlike some traditions in which a role in the timing of someone’s demise is delegated to the pyschopomp, in Islamic theology, only Allah is said to know and decide the precise moment when someone is supposed to die so Azrael has no power of life and death; he is but the cab or the rank, the taxi driver who can never refuse a fare.  In the world of the living, some have tried to help Azrael: there was once a Berber chieftain who instructed his mean to shave their heads, leaving a single tuft of hair so that when their time came, Azrael would have something to which to grab.

Two versions of Valkyrie (1864 (left) & 1869 (right)) by Peter Nicolai Arbo (1831–1892), oil on canvas, Nasjonalgalleriet, Oslo.

In Norse mythology there were other psychopomps (Frejya and Odin would sometimes act as psychopomps) but the most famous were the Valkyries, the beautiful maidens who circled high in sky above battlefields, choosing which soldiers would live and which would die.  Half the dead would be taken to Fólkvangr (Freyja's afterlife) and half the Valkyries would take to Valhalla, where they would become einherjar (single fighters) and await the onset of Ragnarök, the climactic “twilight of the gods”.  On the rare occasions when peace reigned and no battles were being fought on Midgard, (the Old Norse name for the soil on which humans dwell), the Valkyries attended the einherjar in the banquet hall of Valhalla, serving them mead (an alcoholic beverage, often described as “fermented honey water” and made by fermenting honey mixed with water, hops and various fruits & spices).  Seen often accompanied by ravens and sometimes connected with swans and especially horses, thanks to innumerable painters of the romantic era and Richard Wagner (1813-1883), (whose Ride of the Valkyries from Die Walküre (the second of the four musical dramas of his Der Ring des Nibelungen (The Ring of the Nibelung (1870)), is probably is best-known fragment), an aura surrounds the Valkyries but if one digs into the Norse myths, they emerge as not always wholly virtuous, sometimes behaving rather like the mean girls of the age.

Late Period Solid-cast copper alloy figure of Anubis, British Museum, London.

Anubis (νουβις in the Ancient Greek, also known as Inpu, Inpw, Jnpw, or Anpu in Ancient Egyptian and romanized as Anoup) was an Egyptian psychopomp but also assigned a variety of roles under different ruling dynasties including a protector of graves, the god of death & the afterlife, mummification and embalming.  Depicted usually as a man with a canine head (thought sometimes during the First Dynasty as the beast alone).  Anubis' female counterpart was Anput and his daughter was the serpent goddess Kebechet.  In his role as a psychopomp, the jackal-headed god was tasked with guiding souls to Duat, the Egyptian underworld, where they would be judged according to the goodliness done during their earthly existence.  The Egyptians (usually) believed the heart was the repository of the soul so Anubis weighted the organ against a single feather representing truth.  Were the heart lighter than the feather, their journey continued but if too heavily laden with sin, Anubis would cast it to Ammit, a demon known as the “Devourer of the Dead” who would consume it.

The versatile, multi-tasking Hermes was the Greek god of commerce, thieves (and there’s some overlap there) and athletes.  However, he was also the messenger of the gods and thus the fleet-footed Hermes was able to travel between worlds, explaining why he was also the god of border crossings.  Uniquely, Hermes was the only Olympian god able to visit Heaven, Earth, and Hades something he never tired of mentioning to the other, realm-bound gods, and another of his tasks was to lead the souls of the dead to the entrance of Hades, where they awaited the boat of Charon to pick them up. Among the best remembered of Hermes’ charges were the suitors of Odysseus’ wife Penelope, all of whom were killed when the hero finally returned from Troy.

Coming & going, dressed for the occasion.  Lindsay Lohan in Grim Reaper mode fulfilling a court-mandated community service order at LA County Morgue, October 2011.

In the modern age it’s the Grim-Reaper who is the archetypal psychopomp.  Depicted since the fifteenth century as a scythe-carrying skeleton (the enveloping black cloak soon became de rigueur), his (there have in the West been some depictions of the reaper as female (although well-known elsewhere) but a male identity is usually at least implied although, at the artistic level, most imagery is genderless which must be right because, having no soul, the reaper is unworldly) mode of operation varies depending on the source.  Some say he selects the souls to harvest by tapping his victim on the shoulder, a notice to quit the world, while others insist he merely gathers the souls of the departed.  In English, the Grim Reaper was first (at p 11) mentioned in The Circle of Human Life (1847, 113 pp) by Friedrich August Gottreu Tholuck (1799–1877), a slim volume published in Edinburgh (by Myles Macphail book-binding) which discussed the stages in the life of a good Christian.

 There are many who suppose that a clear and certain foreknowledge of the day of their death would exert a very powerful influence upon their mind. In this opinion, however, there must be some deception.  All know full well that life cannot last above seventy, or at the most eighty years.  If we reach that term without meeting the grim reaper with his scythe, there or there about, meet him we surely shall.  Death being thus the most certain of all certain events, why not begin at once the work of preparation for it?”

Not all mythology was written with the intricate plots and tales of the Greek.  In Etruscan mythology, Charun was with good cause known as the “Demon of Death” and often appeared with Vanth, a goddess of the underworld.  His role in death and the harvesting of souls was a efficient but not subtle.  When someone was deemed ready to die, Charun would appear before them and smash their skull with his great hammer until they were dead.  He and Vanth would then take the soul to the underworld; those souls declared evil or unworthy, Charun would punish by taking up his hammer, repeatedly striking them for all eternity.