Moist

Moist (pronounced moyst)

(1) Moderately or slightly wet; damp.

(2) Tearful.

(3) Accompanied by or connected with liquid or moisture.

(4) Prevailing high humidity.

(5) In informal (though not infrequent) use (1), of the vagina: sexually lubricated due to sexual arousal & (2) of a woman: sexually aroused, turned on.

(6) In medicine, characterized by the presence of some fluid such as mucus, pus etc; of sounds of internal organs (especially as heard through a stethoscope): characterized by the sound of air bubbling through a fluid.

(7) Historically, in science (including alchemy), pertaining to one of the four essential qualities formerly believed to be present in all things, characterized by wetness; also, having a significant amount of this quality.

1325-1375:  From the Middle English moist & moiste which has the senses of (1) damp, humid, moist, wet, (2) well-irrigated, well-watered, (3) made up of water or other fluids, fluid, (4) figuratively) (of ale), fresh, (5) carnal, lascivious; undisciplined, weak & (6) in alchemy, medicine, physics: dominated by water as an element.  It was from the Anglo-Norman moist, moiste & moste, from the Middle French moiste and the Old French moiste (damp, wet, soaked) & muste (damp, moist, wet (which endures in the thirteenth century modern French moite, perhaps from the Vulgar Latin muscidus (moldy) & mūcidus (slimy, moldy, musty), from mucus (slime).  Doubts have always surrounded the alternative etymology which suggested a link with the Latin musteus (fresh, green, new (literally “like new wine" from mustum (unfermented or partially fermented grape juice or wine, must).  The noun was derived from the adjective.  The noun moisture (diffused and perceptible wetness) dates from the mid-fourteenth century, from the Old French moistour (moisture, dampness, wetness (which endures in the thirteenth century modern French moiteur), from moiste.  The verb moisten (make moist or damp) emerged in the 1570s, from moist, which until the mid-fourteenth century was used as a verb.  Moist is a noun, adjective & (mostly obsolete) verb, moisten is a verb, moistened & moisty are adjectives, moistener is a noun and moistly an adverb; the verb moistify is classified as a jocular creation of Scottish origin.

Making moist look good: Lindsay Lohan, hot and damp in white bikini at the swimming pool, Los Angeles, 2009.

In general use it was from the fourteenth century applied to the tearful or eyes wet with tears, due either to crying, illness or old age; since the mid-twentieth century use in this context has increasing been restricted to literature or poetry, probably because of the influence of the increased lining of the word with the bodily fluids associated with sexual arousal.  As a poetic device, between the fourteen and eighteenth centuries, moist (sometimes as “the coming moist”), was used to suggest impending rain and a gathering storm was “the moist”.  Some older usage guides suggested moist was mostly used for agreeable or neutral conditions (moist chocolate cake; moist garden) while damp was applied to something undesirable (damp clothes; damp carpet) but this seems dated, given the current feelings of linguistic disapprobation.  The synonyms depend for meaning on context and can include (of the eyes) dewy-eyed, misty, teary, weepy, wet, (of the weather) damp, muggy, humid, rainy, & (of the built environment) wet & dank.

The language’s most hated word.

Moist appears to be the most disliked word in the English language.  In 2012 The New Yorker asked its readers to nominate a word to scrub from the English language and an overwhelming consensus emerged to ditch "moist".  Even in surveys where it doesn’t top the disgust list, moist seems always to score high (or low depending on one’s view) and most of the words with which it competes have about them some quality of moistness including pus (a white to yellowish liquid formed on the site of a wound or infection), phlegm (a liquid secreted by mucous membranes), seepage (the slow escape of a liquid or gas through small holes or porous material), splooge (an abrupt discharge of fluid, fester (of a wound or sore that becomes septic; suppurate), mucus (a slippery secretion produced by and covered by mucous membranes), ooze (fluid slowly trickle or seep out of something), putrid (organic matter decaying or rotting and emitting a fetid smell) & curd (a dairy product obtained by curdling milk (or soy).  Others have conducted similar surveys and found other words which attracted little fondness (not all of which literally involved any sort of wetness but had a spelling or pronunciation which seemed to hint at moistness) included festering, lugubrious, smear, squirt, gurgle, fecund, pulp and viscous.  Surprisingly perhaps, "rural" often rates a high disapprobation count, perhaps reflecting the urban bias of surveys (something presumably true of The New Yorker's erudite readership).  

Practitioners of structural linguistics provided another layer of interest, noting some correlation between the offending words and their use of the "phonetically abrasive" letters (“b”, “g”, “m”, “u” & “o”).  That would seem tom make “gumbo” at least a linguistic micro-aggression but it deserves to be defended.  Gumbo is a soup or stew (depending on how it’s prepared) especially popular in Louisiana and made with an intense stock, meat or shellfish, a thickener (historically always okra), and the so-called “holy trinity” of celery, bell peppers and onions; it’s said to be delicious.  The origin of the use of the word gumbo to describe the dish is uncertain but it was first recorded in 1805 as a part of Louisiana French and etymologists conclude it was probably from the Central Bantu dialect.  In the associative way such things work, Gumbo was used also of the creole patois of Louisiana; that use dating from 1838.  A patois is one of the layers of language and while a creole is recognized as a stand-alone language, a patois is considered a variation of a “real” language.  It’s a highly technical aspect of structural linguistics and the mechanics of differentiation used by linguists to distinguish between creoles, patois, and pidgins (many of which remain permanently in flux) are intricate and understood by few, the rules (about which not all agree) including arcane discussions about the situations in which patois is properly capitalized and those in which it’s not.  Less controversial is the use of gumbo in hydrology where it’s used of “fine, silty soils which when wet becomes very thick and heavy” (a use obviously redolent with moistness and thus likely to elicit disgust from delicate types).  For those who wish further to be disgusted, a usually reliable source (Urban Dictionary) has several pages of real-world definitions of gumbo, many of which rate high on the moistness index.   

Researchers from Oberlin College in Ohio and Trinity University in San Antonio ran three different experiments to figure out how many people hate the word "moist" and work out why.  They found more than one person in five loathed moist and it seems people associate it with bodily functions, whether they realize it or not.  The researchers said their subjects’ responses were typified by an answer such as “It just has an ugly sound that makes whatever you’re talking about sound gross”.  The younger (or more neurotic) the study participants were, the more likely they were to dislike the word and the more disgust bodily functions provoked, the less they liked moist.  Still, although the researchers didn’t try to prove it, it’s doubtful many would have declined a slice of a nice, moist chocolate cake.

Moist dark chocolate cake

Using dark chocolate makes for the ultimate moist chocolate cake and it’s ideal to serve with brandy infused cream.  The preparation time is between 30-40 minutes, cooking takes 60-90 minutes and it’s ready to serve as soon as cooled.  This recipe will yield a cake of 12-14 slices.

Ingredients (chocolate cake)

200 g dark chocolate (about 60-75% cocoa solids), chopped
200 g butter, cubed
1 tablespoon instant coffee granules
85 g self-raising flour
85 g plain flour
¼ teaspoon bicarbonate of soda
200 g light muscovado sugar
200 g golden caster sugar
25 g cocoa powder
3 medium eggs
75 ml buttermilk
50 g grated chocolate or 100 g curls, to decorate

Ingredients (ganache)

200 g dark chocolate (about 60% cocoa solids), chopped
300 ml double cream
2 tablespoons golden caster sugar

Instructions

(1) Heat oven to 160C (fan-forced) / 140C (gas level 3).  Butter and line a 300 mm round (75 mm deep) cake tin.

(2) Put 200g chopped dark chocolate in medium pan with 200g butter.

(3) Mix 1 tablespoon instant coffee granules into 125 ml cold water and pour into pan.

(4) Warm over a low heat just until everything is melted (DO NOT overheat). Alternatively, melt in microwave (should take 3-5 minutes), stirring after 2 minutes.

(5) Mix 85 g self-rising flour, 85 g plain flour, ¼ teaspoon bicarbonate of soda, 200 g light muscovado sugar, 200 g golden caster sugar and 25 g cocoa powder; squash mix until lump-free.

(6) Beat 3 medium eggs with 75 ml buttermilk.

(7) Pour melted chocolate mixture and egg mixture into the flour mixture and stir everything to a smooth (quite runny) consistency.

(8) Pour this into tin and bake for 85-90 minutes.  To test, push a skewer into the centre and (1) it should come out clean and (2) the top should feel firm (surface cracking is normal and indicates perfectly cooked).

(9) Leave to cool in tin (during this, it will likely dip a little), then turn out onto a wire rack to cool completely. Cut cold cake horizontally into three.

(10) To make the ganache, put 200 g chopped dark chocolate in a bowl. Pour 300 ml double cream into a pan, add 2 tablespoons golden caster sugar and heat until mix is at the point of boiling.

(11) Immediately remove mix from heat and pour it over the chocolate.  Stir until the chocolate has melted and the mixture is smooth.  Cool until it becomes a little cooler but remains pourable.

(12) Sandwich the layers together with just a little of the ganache. Pour the rest over the cake letting it fall down the sides; smooth over any gaps with a palette knife.

(13) Decorate with 50 g grated chocolate or 100 g chocolate curls. The cake will keep “moist and gooey” for 3-4 days.

Dank

Dank (pronounced dangk)

(1) Unpleasantly moist or humid; damp and, often, chilly.

(2) In slang, as dank weed, excellent; high quality marijuana.

(3) In slang (as a critique of an internet meme), passé or clichéd, out of touch; having missed the cultural moment.

(4) In slang, an adjective of generalized approval or disapproval depending on the practice of the user, the former using dank ironically, the latter literally.

(5) A small silver coin formerly used in Persia

(6) As the acronym DANK, the Deutsch Amerikanischer National Kongress (German American National Congress).

(7) As an intransitive verb, to moisten, dampen; used of mist, dew etc (obsolete).

1350-1400: From the Middle English danke (wet, damp; dampness, moisture), probably from the North Germanic and related to the Swedish dänka & dank (marshy spot), the Norwegian dynke (to moisten), the Icelandic dökk (“pool”), the Old Norse dǫkk (pit, depression; water hole), from the Proto-Germanic dankwaz (dark).  The alternative etymology traces it to the a West Germanic source such as Dutch damp (vapor) or the Middle High German damph, both ultimately from the Proto-Germanic dampaz (smoke, steam, vapor).  Dank is an adjective & noun, dankly is an adverb, dankness is a noun and danker & dankest are adjectives.  The noun plural is danks.  Dank’s niche in the language is unique but words associated with the idea include chilly, damp, humid, muggy, steamy, sticky, wet, clammy, dewy, dripping, moist, slimy & soggy

In other languages the evolution differed.  In Modern Dutch, dank (gratitude, a showing or token of recognition; reward, recompense) is from the Middle Dutch danc, from Old Dutch thank, from the Proto-Germanic þankaz.  In German, dank (thanks to, because of) was cognate with danken and the Dutch dank (and related to the Latin grātia) while in Lower Sorbian it came to mean "tax, fine, levy, duty".  In one Germanic quirk, in Luxembourgish, dank evolved as the second-person singular imperative of danken (to thank), from the Old High German thankōn, from the Proto-Germanic þankōną and cognate with the German danken, the Dutch danken, and the English thank.

Dank is also a surname.  Diana Dank (b 1989) is a Russian actress and graduate in international management from the Russian Foreign Trade Academy (Moscow).

Dank is not, as is sometimes supposed, a blend of “damp” and “dark” although, most associated with describing damp, dark basements, it’s a practical working definition although dank places are often thought of as humid too.  The seemingly curious evolution of dank as a slang term meaning either “very good” or “very bad” is actually derived from the literal meaning in the sense of “moisture” which can be bad (rising damp etc) or something good (nice moist buds of weed).  Dank weed, the much admired strain of marijuana is said to be really potent, the recommended processing involving a slow drying of the harvested plant material in a paper bag with the top folded and placed in another bag, thereby reducing exposure to light & air.  When retrieving, aficionados check to ensure it remains moist, green and sticky, the resin glands still intact and “sweating” (slightly excreting).  Dank is the sense of things in general which are good developed from here, much as “filth” as a term of approbation emerged from the sense of “dirty bitch”.

Ooze

Ooze (pronounced ooz)

(1) Of moisture, liquid etc, to flow, percolate, or exude slowly, as through holes or small openings.

(2) To move or pass slowly or gradually, as if through a small opening or passage:

(3) The act of oozing, to make by oozing; to exude (moisture, air etc) slowly.

(4) Something that oozes; the product or the result from oozing.

(5) In geology, the technical word for a calcareous or siliceous mud composed chiefly of the shells of one-celled organisms, covering parts of the ocean bottom; a soft thin mud found at the bottom of lakes and rivers

(6) In commercial tanning, an infusion of vegetable matter, such as sumach or oak bark.

(7) Secretion, humor (now rare).

(8) Juice, sap (obsolete except when used as a verb describing process).

(9) Of something abstract, such as information or confidence, to appear or disappear slowly or imperceptibly (often followed by out or away).

Pre 900: The noun wass from the Middle English wose (sap), from the Old English wōs (sap, froth, juice, moisture) and wāse (soft mud, mire), from the Proto-Germanic wōsą & wosan (related to the Middle Low German wose (scum), the Old High German wasal (rain) and the Old Swedish os & oos), from the primitive Indo-European wósehz (sap) (related to the Sanskrit वसा (vásā) (fat)).  Also of influence was the Old English wāse (mud), related to the Old French wāse and the Old Norse veisa.  The other Proto-Germanic link was waison (source also of the Old Saxon waso (wet ground, mire) and the Old Norse veisa (pond of stagnant water), probably from a primitive long-lost Indo-European root meaning "wet".  The modern spelling is from the mid-1500s.  The verb form meaning (1) "to flow as ooze, percolate through the pores of a substance" (intransitive) and (2) "to emit in the shape of moisture" (transitive) emerged in the late fourteenth century.  Wosen (the Old English verb was wesan) was a verbal derivative of the Old English noun wos (sap, froth, juice, moisture)," from Proto-Germanic wosan from same source as the noun ooze (n.).  The modern spelling is from the late sixteenth century.  Ooze is a noun & verb; oozed, oozle & oozing are verbs and oozy is an adjective; the noun plural is oozes.

Kim Jong-un (Kim III, b 1982; Supreme Leader of DPRK (North Korea) since 2011) watching industrial lubricant ooze into a 205 litre (the old 44 (imperial) gallon) drum.

Lindsay Lohan having just had Herbie apply some oil to her T-shirt in Herbie: Fully Loaded (2005).

This was a "squirting" rather than an oozing and a bit of a risk for Herbie because although the classic, rear-engined Volkswagen Beetles were described as "air-cooled", in terms of thermal dynamics the flat-four was for cooling just as dependent on its oil supply.  Herr Professor Ferdinand Porsche (1875–1951) didn't exactly "invent" the concept of the Beetle but he was much involved in the design although Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945) claimed to be the one who insisted on the use of an air-cooled engine because "not every rural doctor has a garage".  Porsche's appointment as a professor was a personal gift from the Führer who created them (he made his personal photographer a professor!) about as freely as he would later churn out Field Marshals. 

The adjective was oozy which existed in Old English as wosig (juicy, moist) but the original sense is long obsolete, the meaning "containing or resembling fine soft mud; having the consistency of wet mud or slime" is from 1560s and the related form, ooziness, though rare, remains in occasional use.  Ooze and its derivatives are, to some degree, associated with words such as slime, mud, muck, sludge, marsh, bog, goo, silt, gunk, drain, seep, leak, dribble, percolate, trickle, exude, bleed, mire, fluid, gook, glop & alluvium yet none of them appear to evoke the same distaste as what is said to be the most disliked word in English: “moist”.

Calcareous-siliceous sediment distribution: The worldwide distribution of ooze.  In the 1960s, old Everett Dirksen (1896–1969; US senator (Republican-Illinois) and Senate Minority Leader 1959-1969) was so given to mellifluous oratory he was known in Washington DC as “the Wizard of Ooze”.

Slime

Slime (pronounced slahym)

(1) Soft, moist earth or clay, having an adhesive quality; thin, glutinous, viscous mud; any substance of a dirty nature that is moist, soft, and adhesive; bitumen; mud containing metallic ore, obtained in the preparatory dressing.

(2) Any mucilaginous substance; or a mucus-like substance which exudes from the bodies of certain animals (typically fish, snails or slugs) or vegetable (eg fungi); any ropy or viscous liquid matter, especially of a foul kind.

(3) In slang, as slimeball, an informal, derogatory term for a sneaky, unethical, repulsive or otherwise despicable person.

(4) In video gaming, a monster appearing as a slimy blob or in some other way slimy.

(5) Human flesh, seen disparagingly (an obsolete figurative use).

(6) In slang as “Jew’s slime”, bitumen (offensive and obsolete).

(7) In the African-American vernacular (more recently adopted in MTE (my thoughts exactly) slang)), a friend; “a homie”.

(8) In biology, as the acronym SLIMEs (also as abbreviated SLMEs & SLiMEs), subsurface lithoautotrophic microbial ecosystems, a type of endolithic ecosystems which manifest as agglomerations of bacteria and fungi which inhabit pores in the interlocking mineral grains of igneous rock beneath Earth's surface.

(9) In biology, as slime-mold, a broad term often referring to roughly six groups of Eukaryotes (organisms the cells of which contain a nucleus).

(10) In computing, as the acronym SLIME (Superior Lisp Interaction Mode for Emacs), an Emacs mode for developing Common Lisp applications.

(11) To cover or smear with or as if with slime.

(12) In industrial processing, to remove slime from, as fish for canning (technically a clipping from de-slime so slime can be both a synonym and antonym of de-slime).

Pre 1000: From the Middle English slime, slyme, slim & slym from the Old English slīm.  The Old English slīm may be from the Old English lim (birdlime; sticky substance) but is probably from the Proto-Germanic slīmą, from the primitive Indo-European sley- (smooth; slick; sticky; slimy), the source slao of the Old Norse slim.  The English forms were related to a remarkable number of similar words in many languages including the Dutch slijm (phlegm), the Danish slim, the Old Frisian slym, the Old Norse slīm, the German Schleim (mucus, slime), the Saterland Frisian Sliem, the Latin limus (alime, mud or mire), the Sanskrit linati (sticks, stays, adheres to; slips into, disappears), the Russian slimak (snail), the Ancient Greek λίμνη (límnē) (marsh), the Old Church Slavonic slina (spittle), the Old Irish sligim (to smear) & leinam (I follow (literally "I stick to")), the Welsh llyfn (smooth), the Greek leimax (snail), limne (marsh, pool, lake) & alinein (to anoint, besmear), the Old High German slīmen (to smooth), and the Latin līmax (snail).  The main influence on the changes in spellings noted in the Medieval period is thought to have been the Latin limus (slime, mud or mire) & linere (to daub, besmear, rub out, erase).  Slime & sliming are nouns and verbs, slimed is a verb, slimy is a noun & adjective and slimily is an adverb and slimier & slimish are adjectives; the noun plural is slimes.

Slime is available in designer colors.

Slime was used as an insult to a person from the early-fifteenth century when the phrase “to cover with slime" appeared (apparently the first use of slime as a verb) although slimeball appears not to have appeared until the twentieth and, unusually in English, hyphenation is rare.  Similar words in English include sludge, mud, goo, gunk, mucus, mire, scum, ooze, fungus & glop and, ever inventive, English has a wide range of alternatives for slimeball as an insult.  In biology, the slime-mold dates from 1880 and those with a morbid fear of slime are said to be suffering from blennophobia, from the Ancient Greek βλέννος (blénnos) (mucus, slime) + -phobia.  The suffix -phobia (fear of a specific thing; hate, dislike, or repression of a specific thing) was from the New Latin, from the Classical Latin, from the Ancient Greek -φοβία (-phobía) and was used to form nouns meaning fear of a specific thing (the idea of a hatred came later).

Slime is a popular motif in political satire, used here by Glenn McCoy (b 1965) to sum up crooked Hillary Clinton's (b 1947; US secretary of state 2009-2013) past and the 2016 presidential campaign between her and Donald Trump (b 1946; US president 2017-2021).  The use of "slime" in this context plays on the almost universal human revulsion to such substances.  

An unverified representation of the Earth’s human population as a slimeball, plonked in New York’s Central Park (a place that’s seen not a few slimeballs).  This is actually a revival of the word "slime" in the now obsolete way it was used as a disparaging reference to human flesh.  At the time it was rendered, total population was some 7.88 billion souls and the calculation used was a human density of 985 kg/m³ (2172 lb/35 cubic foot) at an average human body mass of 62 kg (137 lb).  This would create a slimeball just under 1 km (820 yards) wide but the Earth’s population may just have reached 8 billion so the slimeball’s mass will have increased by 0.010152%.

Slimeballs are where one finds them:  Crooked Hillary Clinton with Harvey Weinstein.  In some places, “slimebucket” is used to convey the same meaning.

A depiction of Laura Croft, of Tomb Raider fame, being slimed.

Cacophony

Cacophony (pronounced kuh-kof-uh-nee)

(1) A harsh discordance of sound; dissonance.

(2) The use of inharmonious or dissonant speech sounds in language.

(3) In music, the frequent use of discords of a harshness and relationship difficult to understand.

1650-1660: From the sixteenth century French cacophonie (harsh or unpleasant sound) from the New Latin cacophonia, from the Ancient Greek κακοφωνία (kakophōnía) (ill or harsh sounding), from kakophonos (harsh sounding), the construct being being κακός (kakós) (bad, evil) + φωνή (phōnḗ) (voice, sound) from the primitive Indo-European root bha (to speak, tell, say).  The source of kakós was the primitive Indo-European root kakka (to defecate), something which may have been in mind in that notable year 1789, when first cacophony was used to mean "discordant sounds in music".  The most natural antonym is harmony although musicologists tend to prefer the more precise euphony.  Cacophony is a noun, cacophonic & cacophonous are adjectives, cacophonously an adverb and the noun plural is cacophonies.

A certain sort of murder: The cacophonous aggregation.

In zoology, the term “cacophonous aggregation” is used to describe the noisy, seemingly chaotic and often large gatherings of crows that occur when they discover a dead member of their species.  Ornithologists who specialize in the study of the behaviour of crows (of the Corvidae family) are called corvid behavioral ecologists and it’s a well populated branch of the discipline because crows are noted for much which indicates high intelligence including the use of objects as “tools” and the ability to engage in abstract thought such as adding stones to narrow-necked containers so the water level rises, enabling it to be reached for drinking.  Although the researchers note the temptation to anthropomorphize (the attribution of human characteristics, intentions emotions or behaviours to non-human entities) needs to be resisted, the particular murder of crows around a dead member of their species does strikingly resemble something like a funeral or wake, the dramatic vocal performances at these “crow funerals” (which can last for up to 30 minutes) appearing to be an emotional ritual.  The alternative explanation is they function as a form of risk assessment and learning mechanism, the gathering around a dead bird to identify a dangerous location or potential predator.  Whether this can be said to be a form of necrophobia (a fear of death) can be debated but zoologists observing elephants gathering around the carcass of one of their recently deceased have noted similar behaviour.

Noise as music

There were twentieth century composers, all of whom thought themselves both experimental and somewhere in the classical tradition, who wrote stuff which to most audiences sounded more cacophonous than melodic.  Some, like Béla Bartók (1881–1945) and Arnold Schönberg (1874–1951) had a varied output but for untrained listeners seeking music for pleasure rather than originality or the shock of something new, the works of Karlheinz Stockhausen (1928–2007), Charles Ives (1874–1954) and Philip Glass (b 1937) were not fun.  Some critics however, trained or otherwise, claim to enjoy many of these cul-de-sacs of the avant-garde and find genius among the noise.  Comrade Stalin (1878-1953; Soviet leader 1924-1953) would have called them formalists.

Lou Reed, Metal Machine Music (1975).

In popular (sic) culture, Lou Reed (1942–2013) in 1975 released Metal Machine Music, either (1) to fulfil a contractual obligation to a record label with which he no longer wished to be associated, (2) to annoy critics and others he didn’t like, (3) as a piece of electronic music, (4) to win a bet with Andy Warhol (1928-1987) or (5) because he was suffering an amphetamine induced psychosis.  Known as MMM or 3M by fans and categorized by most as noise, drone, industrial or minimal, it’s about two hours of modulated feedback running at different speeds.  Despite the derision attracted at the time, it’s since built a cult following and has been performed live, one approving reviewer suggesting MMM is best understood as “…electricity falling in love with itself”.  The original release was a double album on twelve-inch vinyl and featured a “locked grove” on the final track meaning the noise endlessly would loop, theoretically forever.  This trick couldn’t be done on the new medium of the CD but there were no complaints the omission detracted from the experience.

Phonaesthetics is a discipline most associated with the phonetics branch of linguistics although it’s of interest also in psychology or any aspect of literary studies concerned with the utility of sounds or words as poetic devices.  Despite progress in the use of machines to systematize the relationship between certain sounds and human feeling, phonaesthetics remains still too subjective to be regarded as something which can be called “scientific” although few would doubt that even if precise models have never been created, one knows the qualities when one hears them.  The basis of phonaesthetics is the perception of beauty induced by the sounds of certain words or their elements and while there may be various explanations why a word like “succulent” is so pleasing, the effect is real.  Sounds alone however do not account for all reactions because words can have many associations (some historic and often varying between cultures).  At the phonetic level there seems no obvious reason why the word “moist” should evoke such distaste yet consistently it’s high on the lists of the “most hated” words in English, the planet’s definitely cross-cultural fondness for moist chocolate cakes notwithstanding.  Most conclude the aversion has some link with human bodily fluids.

Noise as politics

Cassandra.

Remarkably, Lindsay Lohan (a dedicated “remainer”) proved one of the more thoughtful commentators amid the “cacophony of Brexit analysis” on the fateful night of the referendum when 72.21% of the UK electorate voted (51.89-48.11%) to leave the EU (European Union (1993)), the multi-national aggregation which evolved from the EEC (European Economic Community), the Zollverein formed in 1957) that the country had joined in 1973.  In the clatter of that night, she proved a wise voice and in the years to come, throughout the land, increasingly, people will say: “We should have listened to Lindsay.”

The use of “phonaesthetics” in this context appears to have been by the fantasy author J.R.R. Tolkien (1892-1973), a man well-versed in words, sounds and their effects on readers; the construct was the Ancient Greek φωνή (phōnḗ) (voice, sound) + αἰσθητική (aisthētikḗ) (aesthetics) and the aesthetic qualities of “speech sounds” enjoys a dichotomous binary: those subjectively euphonious (pleasing) or cacophonous (displeasing).  Importantly, this is the study of sound and not written text; although the two main flavours of Chinese (Mandarin & Cantonese) are essentially the same language, the former when spoken tends to be judged mellifluous, the latter jarring.  So, “euphony” describes the perception of sounds as pleasant (which implies lyrical, rhythmical or harmonious) whereas “cacophony” is associated with harshness (often a chaotic or discordant mix).  That does not mean something cacophonous is meaningless, indeed the very jumble may be an ideal device to convey meaning whether in speech or music, poets and composers skilled in using sounds to generate feelings serenity or disorder as required, the juxtaposition of the two able to be used to exaggerate the effects of both.

Wet & Dry

Wet (pronounced whet)

(1) Moistened, covered, or soaked with water or some other liquid.

(2) In a liquid form or state.

(3) Something that is or makes wet, as water or other liquid; moisture.

(4) Damp weather; rain.

(5) In historic (US prohibition era) use, a person in favor of allowing the manufacture and sale of alcoholic beverages; still used as a descriptor of political candidates or activists in “dry” counties who advocate the status be changed to “wet” but now substantially a retronym.

(6) To make (something) wet, as by moistening or soaking (sometimes followed by through or down).

(7) To urinate on or in (applied usually to pets or children).

Pre 900: From the Middle English wet wett & wette (past participle of weten (to wet)), (wet, moistened), from the Old English wǣtan (to wet, moisten, water), replacing the Middle English weet, from the Old English wǣt, from the Proto-Germanic wētijaną (to wet, make wet), from the primitive Indo-European wed- (water, wet), also the source of “water”.  It was cognate with the Scots weit, weet, wat & wete (to wet), the Saterland Frisian wäitje (to wet; drench) & wäit (wet), the Icelandic væta (to wet) & votur (wet), the North Frisian wiat, weet & wäit (wet), the Old Frisian wēt, the Old Slavonic vedro (bucket), the Swedish and Norwegian våt (wet), the Danish våd (wet), the Faroese vátur (“wet”) and the Old Norse vātr; akin to water.  Wet is a noun, verb & adjective, wetter, wettability & wetness are nouns, wetly an adverb, wetted & wetting are verbs, and wettish, wetter, wettest & wettable are adjectives.  The noun plural is wets and the homophone whet (in accents with the wine-whine merger).

Words in some way related to wet include damp, drench, misty, drizzle, mizzle, humid, dank, fog, mist, muggy, rain, slippery, snow, soak, sodden, soggy, stormy, dip, douse, drench, hose, irrigate & liquid.  For all related words, context and the history of use define the relationship (of extent, type etc).  For example, to drench or soak something implies saturate whereas moistening means only some degree of dampness whereas to soak something suggests an immersion of extended duration until saturated.  With reference to rain, which can always be referred to as wet weather, mizzle & drizzle are expressions of graduation which suggest a lighter fall.

The multi-media US personality Ye (the artist formerly known as Kanye West (b 1977)) with Australian architect & model Bianca Censori (b 1995) in "Wet" themed top, Huacai Intercontinental Hotel, Beijing, China, September 2024.  She wears it well.

The word wet has proved convenient shorthand for many technical purposes including in calligraphy and fountain pens where it referred to depositing a large amount of ink from the nib or the feed.  To audio engineers, a “wet sound” recording is one to which the audio effects have been applied.  In aviation, it’s a reference to having used the afterburners or water injection for increased engine thrust (maximum wet thrust can be more than twice maximum dry thrust (afterburners consuming huge quantities of fuel)).  In mining a “wet extraction” is a method using fluids whereas a dry extraction relies on the employment of dry heat or fusion.  In soldering, to wet is to form an intermetallic bond between a solder and a metal substrate.  In bench-top science, to wet is to employ a liquid (typically water) as a method of chemical analysis.  A wetback (also called a wet-heater) was a form of heater which in addition to radiating heat to an external space was also attached to the building’s hot water supply, thus providing in whole or in part the energy used to maintain its temperature (wetback was applied also from 1924 as a derogatory description of undocumented Mexican immigrant to the US, a reference to their usually sodden state after crossing the Rio Grande.  There presumably have been bed-wetters (involuntary urination while sleeping) since there have been beds but etymologists can find no instance of the term bed-wetting prior to 1844 (it has also gained an idiomatic identity in politics (qv)).  In ecology, a wetland is an area where water covers the soil, or is present either at or near the surface of the soil all year or for varying periods of time during the year, including during the growing season.  The wet-nurse, though an ancient profession, was first so described in the 1610s.

As vulgar slang, as applied to women, it referred to the sexual arousal indicated by the vulva being moistened with vaginal secretions (which may or may not be related to the word “moist” being often rated as the most disliked in the English language).  The sexual slang associated with men is the “wet dream” which most etymologists insist dates only from 1851 although Middle English in the same sense had ludificacioun (an erotic dream), these nocturnal adventures mentioned by Henry VIII in letters as proof of his virility, called into doubt by his inability to be aroused by one of the wives he didn’t wish to keep.

Wet is widely applied in idiomatic use: To be “wet behind the ears” is to be inexperienced; a “wet blanket” (from 1871, from use of blankets drenched in water to smother fires (the phrase attested in this literal sense from the 1660s)) is someone who spoils the fun of others by failing to join or disapproving of their activities; to “wet one's whistle” is to have one or more alcoholic drinks, an allusion to the idea intoxicants stimulate sociability; in politics a “bed wetter” is a politician who reacts nervously to every passing vicissitude, the label usually applied by those with safe seats to those holding marginal electorates; to be “all wet” is (1) to be mistaken or (2) a really bad idea, both used since the early 1920s (thought built on the earlier sense of “ineffectual”, perhaps ultimately from the circa 1700 slang meaning "drunken"; in computing there’s hardware and software and those working in AI (artificial intelligence) refer to the human brain as wetware; In crime and espionage, wet-work is a euphemistic reference to jobs involving assassination (known also as a wet affair, a wet job & wet stuff, all phrases alluding to the spilling of the blood of others).  In historic UK slang, a wet was someone thought ineffectual, feeble or with no strength of character, a weak or sentimental person (although this use faded as the specific political construction (qv) which emerged in the 1980s prevailed).

Dry (pronounced drahy)

(1) Free from moisture or excess moisture; not moist; not wet.

(2) In climatic matters, having or characterized by little or no rain.

(3) Characterized by absence, deficiency, or failure of natural or ordinary moisture.

(4) Not under, in, or on water.

(5) Not now containing or yielding water or other liquid; depleted or empty of liquid.

(6) In dairying and other forms of animal-based milk production, a beast not yielding milk (also used by analogy for oil wells).

(7) The absence of lachrymosity, free from tears.

(8) Drained or evaporated away.

(9) Desiring drink; thirsty; causing thirst.

(10) A food (typically toast) served or eaten without butter, conserves (jam, jelly), honey etc.

(11) Of food, lacking enough moisture or juice to be satisfying or succulent.

(12) Of bread and bakery products, stale.

(13) Of or relating to non-liquid substances or commodities (usually as dry goods, dry measure; dry provisions etc).

(14) Of wines (though now also used of beer, cocktails and other beverages), not sweet.

(15) Characterized by or favoring prohibition of the manufacture and sale of alcoholic liquors for use in beverages (mostly prohibition-era US but still a term used in political debates in “dry” counties).

(16) As a general descriptor, anything plain; bald; unadorned; something expressed in a straight-faced, matter-of-fact way.

(17) Dull; uninteresting:

(18) Indifferent; cold; unemotional.

(19) An unproductive period.

(20) Of lumber, fully seasoned.

(21) Of masonry construction, built without fresh mortar or cement.

(22) Of a wall, ceiling, etc in an interior, finished without the use of fresh plaster.

(23) In ceramics unglazed (if deliberate) or insufficiently glazed (if in error).

(24) In art, hard and formal in outline, or lacking mellowness and warmth in color.

(25) To make something free from moisture (or with its moisture substantially reduced.

(26) Something tedious, barren, boring, tiresome, jejune.

(27) Of wit, shrewd and keen in an impersonal, sarcastic, or laconic way.

(28) In sheep farming, a ewe without a lamb after the mating season

(29) In electronics, an imperfectly soldered electrical joint (where the solder has not adhered to the metal), thus reducing conductance

(30) In food preservation, to preserve (meat, vegetables, fruit etc) by removing the moisture.

(31) In chemistry as anhydrous, free from or lacking water in any state, regardless of the presence of other liquids.

(32) In audio engineering, a sound recording free from applied audio effects (especially reverberations).

(33) In animal breeding, an impotent male beast (applied especially to bulls).

(34) In the rituals of certain Christian denominations, of a mass, service, or rite: involving neither consecration nor communion.

In acting (especially on stage, to forget one’s lines.

Pre 900: From the Middle English drye, dryge, drüȝe & drie (without moisture, comparatively free from water or fluid), from the Old English drӯge, from the Proto-Germanic draugiz (source also of the Middle Low German dröge, the Middle Dutch druge, the Dutch droog, the Old High German truckan & trucchon, the German trocken and the Old Norse draugr), from the Germanic root dreug- (dry), from the primitive Indo-European dherg (to strengthen; become hard), from dher (to hold, support).  Dry is a noun, verb and adjective, dryable, drier, driest, dryer (or dryest) are adjectives, dryly an adverb, dries, drying & dried are verbs and dryness is a noun.  The noun plural is drys or dries; the spelling drie is long obsolete.

The meaning "barren" dates from the mid fourteenth century.  As applied to “persons showing no emotion, use emerged circa 1200; of humor or jests (delivered without show of pleasantry, caustic, sarcastic), it’s of early fifteenth century origin (and implied in dryly).  The sense of "uninteresting, tedious" was from the 1620s.  Of wines, brandy etc which were "free from sweetness or fruity flavor", use dates from circa 1700.  Dry was first used of places prohibiting alcoholic drink in 1870 (although, ad-hoc, there had been “dry feasts” & “dry festivals” at which no alcohol was served since the late fifteenth century and the colloquial dry (prohibitionist) entered US political slang in 1888.  Prior to and during the prohibition era in the US, the “drys” were those who supported prohibition and in the isolated counties in the US where it’s still imposed, they remain a (local) political force.  Dry goods, first so named in the 1560s were those dispensed in dry, not liquid, measure.  Dry land (that not under the sea) as a concept (first in the law of real property) was from the early thirteenth century.  The dry-nurse (a back formation from wet-nurse) was “one who attends and feeds a child but does not suckle it", use dating from the 1590s.  The dry-run (rehearsal) dates from 1941 and was adopted by the military and just about everyone else dates from 1941.  Dry ice "solid carbon dioxide" became available in 1925.  Dry out in the drug addiction sense is from 1967.

The first process of dry-cleaning (to clean clothes or textiles without using water) appears to have been advertised first in 1817.  The long-known "fungal decay in timber" was in 1779 first described as dry rot, the figurative sense of "concealed or unsuspected inward degeneration" dating from 1821.  As a hair-drying device, the first use of blow-dry appears to be a surprisingly late 1971.  The process of preserving vegetables as freeze-dried was a wartime development in the US, first announced as a patented commercial process in 1946, the earlier sun-dried documented since the 1630s although the technique dates from early human culture.  The dry sense of humor (with apparent unintentional humor or sarcasm) was noted first in the early fifteenth century, dryly meaning "without moisture" in the 1560s and "without affection" by the 1620s.  The drywall (plasterboard, sheetrock; gypsum-based manufactured panel used in interior construction) was first sold in 1952, the earlier use (1778) of dry wall meaning (a wall built without mortar).  A drier (used since the early fourteenth century as a surname) as “one who dries and bleaches cloth," agent noun from the verb dry (that which dries or is used in drying), dated from the 1520s.  Dryer was used to describe a piece of machinery in 1848 although the first drying-machine appears to have entered service as early as 1819.

Wet & Dry

Wet and dry must be one of the most obvious and commonly cited dichotomies in English and there are a number of noted examples.

Perilli's Dry, Intermediate and Wet tyres for use in Formula One.

In motorsport, there are wet and dry tyres, the former (obviously) used when the track is wet and the latter (also called “slicks”) when the surface is dry.  There are also various flavors of “intermediate tread” tyres for conditions which are damp rather than wet.  The difference is that dry tyres have no tread (the grooves cut into the contact surface) pattern, the purpose of which is to provide passages into which the water is forced to be expelled at the sides.  In the early 1970s, there were competitions with rules which demanded the use of street tyres (ie those used on street cars as opposed to racing rubber) and some drivers discovered a unique property of BF Goodrich’s square-shouldered T/A Radial was that if the tread was (in advance) carefully worn down to a certain point, it would behave much like a slick and last long enough not to have to be replaced for the duration of most races (or until fuel-stop sessions in endurance events).

In the law of real property, there are wet and dry leases, typically issued in conjunction when handling riparian property.  The leases are often divided because it’s not uncommon for the one commercial operation to have part of a business on land and part on water (such as a marina or docking facility) and being very different, may have different operators.  It’s thus normal commercial practice for a head-lessor (perhaps a hotel operator) to enter into both a dry lease (for the hotel property on land) and the wet lease (for whatever happens on the water) and then sub-lease the wet lease to someone with the appropriate expertise.

Wet and dry sandpaper is the tip of the sanding iceberg.  Wet sanding, which is sanding with the addition of water to act as a lubricant, is less abrasive than dry sanding, and results in a smoother finish and whenever possible, it’s best to wet-sand when finishing a project.  Dry sanding removes more material, and smooths rough material more quickly and if the ultimate in smoothness isn’t required, is the choice of many.  So, wet sand for a super smooth finish but the two are of course frequently combined, dry sanding first to remove most of the unwanted material before wet sanding.

Lindsay Lohan in Cynthia Rowley (b 1968) wetsuit.

In diving, wetsuits and drysuits use different engineering but operate on a similar principle.  Wetsuits use a layer of water (heated by the wearer's body) to provide insulation while a drysuit uses a layer of air and is completely water-proof, stopping water from coming into contact with the skin.  Wetsuits are made from rubber neoprene and are designed so the diver’s body heat is retained but, unlike drysuits, are not waterproof.  For that reason, a loose fitting wetsuit is suitable only for warm-water conditions; skin-tight wetsuits are ideal for cold water surf because they are warm and permit more movement than drysuits.  Where the drysuit excels is in predominately out-of-water conditions such as kayaking, paddle-boarding or water-based photography.  For extreme winter conditions a drysuit is really the only choice because for warmth, additional layers can be added beneath the suit, something not possible with a wetsuit.

In northern Australia, the concepts of spring, summer, autumn (fall) & winter really don’t make climatic sense the way defined seasons do in more temperate regions.  Instead, there’s just the wet and the dry.  The dry is long and hot, rain is rare and towards the end of the dry there is the “build-up” which unfolds over a month or more as the air becomes warmer and heavier, the clouds in the evenings begin to darken and the humidity becomes increasingly oppressive.  Locals call it the period of mango madness because as the fruit ripens, emotional instability is apparent in some, mood swings induced by the inexorable rise in heat and humidity.  The wet usually begins in late November or early December and is marked by heavy monsoonal downpours, spectacular lightning, increased cyclone activity and a rise in crimes of violence.

Makita 20 litre Wet Dry Vacuum Cleaner 1000W.

Wet and dry vacuum cleaners are devices regarded with some awe because we’re all schooled to take care to ensure water is kept way from electrical appliances yet the manufacturers of these things encourage us to suck water into them.  They’re obviously of great utility in handling wet floors or sodden carpets but can be used anywhere where something wet is the problem and suction the answer such as cleaning hot tubs or removing surface condensation.

During the 1980s, in the corrosive, gut-wrenching world of Tory politics, the factions became not quite formalized but certainly well-understood as the “wets and drys”.  The origin lay in the use of the term “wet” which the right-wing fanatics (of which there were a few in the government of Margaret Thatcher (1925–2013; UK prime-minister 1979-1990)) applied to their less hard-line colleagues (defined as those not in favor of repealing the twentieth century).  Wet was an old term of derision in historic UK slang, someone thought ineffectual, feeble or with no strength of character, a weak or sentimental person.  In an effort to retaliate, the wets labelled the fanatics “the drys” but this backfired because the drys loved the idea and were soon describing themselves thus, presumably because while "a bit wet" had long been an insult, "dry humor" had always been thought clever and sophisticated.