Metadata

Metadata (pronounced met-a-dar-ta)

(1) In computer science (originally from the database discipline), information that is held as a description of stored data; data that describes other data, serving as an informative label.

(2) In surveillance and law-enforcement, an infinitely variable set of parameters about a file, directory or other cluster of data which constitute the structured information about the data.

2000s: A compound word meta + data. Data is the plural of the Latin datum (something given) and some pedants continue to insist on the singular/plural distinction in English though it seems a losing battle.  Data entered English in the 1640s as “a thing given”, technically the neuter past participle of dare to give.  The meaning in the modern sense of "transmittable and storable computer information" was first noted in 1946 and “data processing” dates from 1954.  Despite the origins, metadata is a pure English word to which the rules of English apply; despite the technical possibilities offered by reducing metadata to individual components, there’s no such thing as a metadatum.

Meta comes from the Latin meta cone (turning post) which, in ancient Rome was a column or post, placed at each end of a racetrack to mark the turning places and Meta, as an independent word in English was first recorded in 1875.  In English, meta’s meaning is derived from the Ancient Greek μετά (with, after, alongside, on top of, beyond).  With its wide range of meanings, meta appears in many loanwords from Greek, with the meanings such as “after”, “along with”, “beyond”, and “among,”, the prefix added to the name of a subject and designating another subject that analyses the original one but at a more abstract or higher level.  Related are the Old English mið or mith, German mit, Gothic miþ and Old Norse meth.  In modern use, outside of computer science, it’s something with refers to itself, especially in self-parodying manner.  The notion of "changing places with" probably led to senses "change of place, order, or nature," which was a principal meaning of the Greek word when used as a prefix but which didn’t endure in English.  Other languages picked up the word with localised adaptions: metadados, metadatan, metadatat, metadatahantering, metadataschema and metadatastruktur are all early twentieth-century creations.

Meta’s third sense is defined as "higher than, transcending, overarching, dealing with the most fundamental matters of," exits probably because of a misinterpretation of metaphysics as "science of that which transcends the physical."  This has led to the prodigious erroneous extension in modern use, with meta- affixed to the names of other sciences and disciplines.  It’s especially loved by people like pop-music and movie critics who adopt the academic jargon of literary criticism and affix it whenever possible, particularly, one suspects, when writing about foreign film.

Of Metadata

Metadata is simply data about data and broadly, there are three distinct types: descriptive, structural and administrative metadata.  Descriptive metadata describes a resource for purposes such as discovery and identification and can include elements such as the title, abstract, author and keywords.  Structural metadata is about containers of data and indicates how compound objects are put together such as the way pages are ordered to form chapters.  It describes the types, versions, relationships and other characteristics of digital materials.  Administrative metadata provides information to help manage a resource, such as when and how it was created, file type and other technical information, and rights of access.

The usual sources cite a variety of dates when the word metadata first appeared but all agree it’s an early twenty-first century construction, the most useful metaphor probably the index card from the old days of libraries when only printed material was stored.  An index card would contain what would now be understood as a book’s metadata: author, title, publisher, date of publication, ISBN, number of pages etc.  Interest in the concept by the computer industry increased during the 1980s when the volume of information stored in formats which couldn’t easily be indexed began greatly to grow.  Unlike text, which was inherently easy to index, stuff stored in pixel formats such as images or videos could easily be referenced only by things of limited utility, like file-names or creation date.  The growth of metadata was thus both technologically and behaviorally deterministic, actual metadata varying according to the data referenced.  The metadata of an image might contain information about camera model, lens type and exposure whereas software binaries might include internal revision numbers, compiler versions and external dependency links.

Three wise men, Australian experts in metadata.  George Brandis QC (b 1957; attorney-general-2013-2017), Eric Abetz (b 1958; Liberal Party minister 2001-2007 & 2013-2015) and Tony Abbott (b 1957; prime-minister 2013-2015).

For those unaccustomed to data-handling and the protocols of digital-storage, the idea of metadata could be difficult to visualize.  Unfortunately, those a bit baffled included some of the politicians who were passing laws imposing on internet service providers (ISPs) and others a mandated requirement to retain and subsequently make available to the authorities the metadata referencing the internet use of their customers.  Seeking clarity about the government’s new metadata retention laws, Sky News on 24 June 2014 interviewed the then attorney-general, George Brandis QC and the discussion was certainly revealing.  It appears someone had briefed the attorney that a good metaphor for the relationship between metadata and the referenced data was that between the addresses of sender and receiver written on an envelope (which could be read by anyone) and the letter inside which could be read only the recipient.  That was good, to the extent it was, but Senator Brandis seemed to think it meant the government could simultaneously record the web addresses (URLs) accessed by people yet have no idea of the content viewed.  There was a pythonesque quality to the interview.

George Brandis QC explains metadata: Edited highlights.

Much ado about meta

A photograph of Lindsay Lohan created 10 February 2017 with a Canon EOS 5D Mark III.  The full metadata appears below.

Facebook’s decision to adopt the brand-name Meta for its holding company aroused some interest along with much fear and loathing.  It does seem a commonsense change given the company’s plans to expand its activities in ways where a brand-name associated with something as specific as a social media platform might not be helpful.  The name Facebook has much history and a niche so defined it might be difficult to nudge perceptions whereas the hope is that meta will come somehow to define whatever it is Meta wishes to be thought of as doing.  Most obviously, that will include the metaverse which, despite the company’s explanations, remains mysterious.  The term metaverse appeared first in Neil Stephenson’s (b 1959) well-received novel Snow Crash (1992) which existed somewhere in the genre of science-fiction, the framework of which was two parallel worlds, physical reality and the on-line, virtual Metaverse.  The Facebook folk presumably read and understood Snow Crash in which the Metaverse is a tool of corporations and beset with corruption, secrecy and exploitation so hopes are that either they have a feeling for irony or they don’t take SF too seriously.

The metadata associated with Lindsay Lohan's photograph.

The possibly cultivated sense of mystery may not be deliberate but may be unavoidable given what Meta plans to do is no different from what would anyway have been done under the Facebook banner which had long been described as the "Facebook ecosystem".  Anyway, the metaverse is said to be something which spans the physical and digital worlds, something which has been the ongoing project of many for some decades and anything Meta has said so far doesn’t suggest anything new in their plans so while the metaverse is perhaps less interesting than some may have hoped, it’s also less threatening than some seem to have feared.  Like Facebook therefore although it's not fair to say it just a piece of re-branding.  The vision is of the internet in 3D with which users will interact through one or more avatars through abstraction layers created by adding to the long-familiar 2D environment a mixture of augmented & virtual reality (AR & VR).  The long-term plan is for the early-adopters to spend hours, days, weeks, months, years etc with the bulky hardware attached to their heads, the data harvested from their interactions training the AI software to be ready for a time when the required devices will no longer be large and heavy and may not even be external.  Assuming a critical mass of users of the desirable demographics find such an ecosystem addictively compelling, it's be a valuable space for a company to dominate.      

The concept of the digital ecosystems is well-understood and one is most valuable in the sense of revenue maximization when the number of users can be both increased and encouraged to stay, making a particular ecosystem their entire online environment.  This is done by giving people what they want and because a high percentage of people want a great volume with surprisingly little variation of type, possibilities exist.  Most people want to do a small range of things on-line, some of which are but variations on others, even much of what is fed to people as news is packaged in a way that it becomes just another form of the entertainment which is the overwhelming bulk of what’s consumed. 

Meta’s metaverse is just the latest attempt to corner an audience in the way that Amazon became a sort of shopping metaverse but the Microsoft Network is the classic case-study of the limits of what’s possible when ambitions are cast adrift from the moorings of behavioral reality.  In the early 1990s, in the days of dial-up connections and bulletin boards, Microsoft launched its own online service with the aim of supplanting the then-dominant CompuServe.  The Microsoft network (MSN) was conceived as a "closed system” with all content stored and maintained by Microsoft, access available only to paying subscribers.  The universe however was about to shift and the availability of browsers, useable by real people and not just nerds, easily to view the growing content of the internet via the world wide web (which recently had been bolted atop) was a momentous change to what on-line meant and rapidly the internet displaced the old private networks.  Had it been a company without the resources and critical-mass of Microsoft, the shock would immediately have been fatal to the project but Microsoft was able to persist, MSN an integral part of the much vaunted Windows 95, both debuting in August 1995.  Typically, the way Microsoft integrated the sign-up process into the Windows interface attracted the interest of competitors and the inevitable anti-trust action began even before the release.  Incredible as it now sounds, such was the faith in the proprietary MSN model that Microsoft by default didn't load the IP stack or include an internet browser with the early build Windows 95, responding only later to pressure with a more expensive version of the operating system with which one was bundled or a stand-alone installation which sold for a then expensive US$49.95.

The Justice Department need not have bothered with their investigation.  Although MSM did attract subscribers, fewer than 8% of Windows 95 users availed themselves of the easy one-click access; interest in the web was much greater.  By 1996, MSM had become a web-based service and Microsoft devoted much money (reportedly well over a US$ billion at a time when a billion dollars was still a lot of money) to making it the complete environment which users would never have to leave; the metaverse of its day.  It never worked although the purchase of hotmail for a then impressive U$400 million proved a useful platform on which things could be built.  By 1998 MSN was just another place to visit on the internet.

Stack

Stack (pronounced stak)

(1) A more or less orderly pile or heap.

(2) A set of shelves for books or other materials ranged compactly one above the other, as in a library.

(3) As smoke-stack, a number of chimneys or flues grouped together (and used originally to describe an especially tall structure).

(4) A vertical duct for conveying warm air from a leader to a register on an upper story of a building.

(5) A vertical waste pipe or vent pipe serving a number of floors.

(6) In informal use, a great quantity or number.

(7) In radio, an antenna consisting of a number of components connected in a substantially vertical series.

(8) In computing, a linear list arranged so that the last item stored is the first item retrieved and an area in a memory for temporary storage

(9) In military jargon, a conical, free-standing group of three rifles placed on their butts and hooked together with stacking swivels.

(10) In air traffic control, as air stack or stack-up, groups of airplanes flying nearly circular patterns at various altitudes over an airport where crowded runways, a low cloud ceiling, or other temporary conditions prevent immediate landings.

(11) In historic English measure for coal and wood, equal to 106 cubic feet (3m³).

(12) In geology, a column of rock isolated from a shore by the action of waves.

(13) In poker and some other games, the quantity of chips held by a player at a given point in a gambling game.

(14) To arrange or select unfairly in order to force a desired result, especially to load (a jury, committee, etc.) with members having a biased viewpoint.

(15) In Australian slang, to crash (typically a bike, skateboard etc).

(16) In recreational drugs as "stacked pill", a dose (most associated with MDMA) with an external coating in several (stacked) colors.

1250–1300: From the Middle English stak (pile, heap or group of things) from a Scandinavian source akin to the Old Norse stakkr (haystack), thought to be from the Proto-Germanic stakkoz & stakon- (a stake), from the primitive Indo-European stog-, a variant of steg (pole; stick (source of the English "stake")), the source also of the Old Church Slavonic stogu (heap), the Russian stog (haystack) and the Lithuanian stokas (pillar).  It was cognate with the Danish stak and the Swedish stack (heap, stack).

Noted stackers, same cause; different effect: Liz Truss & Xi Jinping with their predecessors.

Especially in politics, the idea of loading the membership of some body (a committee, a branch meeting etc) so that votes may be controlled is an ancient (if not noble) practice but it wasn't described as "stacking" until the early twentieth century.  In some jurisdictions, the practice of "branch stacking" (paying for people to enroll in a political party, many of whom may not be aware of their involvement) has been made unlawful but the technique seems still widespread.  Recent examples at the more exalted level of executive government include Liz Truss (b 1975; UK prime-minister for a few weeks in 2022) who stacked her famously brief administration exclusively with her supporters regardless of their talent and Xi Jinping (b 1953; paramount leader of the People's Republic of China since 2012) who, when re-structing the seven member Standing Committee of the Politburo after securing a third term in office, ensured no dissenting voices were likely to be heard.  This worked out not well for Ms Truss; Mr Xi expects better things. 

Stacked: Lindsay Lohan photographed in a pleasing aspect.

Stack in the sense of Australian slang (often as "stacked it") means "to crash" in some way, typically from a skateboard, scooter or bike and (to clarify things) the word was memorably used by #metoo campaigner Grace Tame to explain an injury sustained just after she'd upset the ruling Liberal party.  In the sub-culture of recreational drugs, "stacked pills" are those with a layered color scheme suggesting some interesting variation of ingredients (although all the evidence suggests the finish is purely decorative); among the MDMA crowd "stacked disco biscuits" were said to be a 1990s favorite.  As applied to the (noun) shelves in libraries upon which books are (verb) stacked, use dates from 1879 and as a description of the chimneys of factories, locomotives etc it came into use in the mid-1820s.  The use in computing (the best known of which is probably the IP (Internet Protocol) stack)) dates from 1960 when the word was use to describe software consisting two or more components, the loading of which is dependent on an earlier part, hence the idea of layers which stack upon each-other.  As a modifier it was used to describe the haystack in the mid-fifteenth century and in industrial architecture the smoke-stack (a very tall factory chimney) dates from the mid 1820s (although the structures pre-date the use).  The use of smoke-stack was later picked up by naval architects and was applied also to steam locomotives although these exhausts weren't disproportionately tall.  The verb stack emerged in early fourteenth century agriculture in the sense of "to pile up the grain into a stack" and was thus directly from the noun.  Perhaps surprisingly, the adjectival use of stacked appears undocumented until 1796 when it was used as a past participle to describe the clusters of hay assembled at harvest but etymologists suspect it had long been in oral use.  The adjectival use of stacked to suggest a woman who is pleasingly (even perhaps slightly disproportionately) curvaceous dates from 1942.

DeSoto's stacked tailamps

1957 DeSoto Adventurer Convertible.

DeSoto's signature triple stacked taillamps were a footnote in Detroit's macropterous era of the late 1950s, the style making possible the distinctive vertical arrangement.  Chevrolet would for years make the triple lamps a trademark of their more expensive lines (although, apart from the odd special built for the show circuit, they resisted the temptation to add a third to the Corvette) but they always had them in a less memorable horizontal array.  DeSoto's motif was Chrysler's most successful use of the fins but it wasn't enough to save the brand  which was crowded out of the mid-priced market, not only by competition from General Motors (GM) and Ford but also by intra-corporate cannibalization, squeezed from below by Dodge and from above by Chrysler's new Newport line.  Demand for DeSotos collapsed and that so many were built in 1960 was simply to use up the large inventory of parts exclusive to the brand, the last of the line, heavily discounted, not sold until well into 1961.

Open stack exhausts

The exhaust systems of most internal combustion engines are designed to allow as efficient an operation as possible over a broad range of engine speeds while performing as quietly as is required.  Unlike engines used on the road, those designed for competition aren’t as compromised by the need for a wide powerband and quiet operation so open stack exhausts, optimized for flow and the reduction of back-pressure, are attractive.

Stacked: BRM P57 in its original configuration.

During the 1950s, despite engine capacity having being reduced from 4.5 (275 cubic inch) to 2.5 (153 cubic inch) litres, speeds in Formula One were increasing so the sport’s governing body (then the  Commission Sportive Internationale (CSI)), a crew almost as dopey about such things as the Fédération Internationale de l'Automobile (FIA) are now), reacted by imposing a further reduction to 1.5 litres (92 cubic inch).  The 1.5 litre formula ran between 1961 and 1965 but came under increasing criticism as being unworthy of Formula One status in an age when big-engined machinery in other categories was attracting such interest.  The rules did however compel designers and engineers to conjure up some exquisite voiturettes.  BRM’s jewel-like 1.5 litre V8 was the first since the one-off Mercedes-Benz W165 built for the 1939 Tripoli Grand Prix and proved successful, winning the 1962 drivers’ and constructors’ championships.  To extract the maximum from the tiny V8, BRM initially ran them with eight, slightly angled, open-stack exhaust headers which were effective but, because of the limits of the metallurgy of the era they were prone to working loose so, with only the slightest sacrifice in top-end power, during 1962 an orthodox horizontal system was fabricated as a replacement.

Stacked: Graham Hill, 14th BRDC International Trophy, Silverstone, 12 May 1962.

BRM's chassis for the 1.5 litre formula was actually ready before the new (P56) V8 so in 1961 it was fitted with the widely-used four cylinder Coventry Climax unit which proved uncompetitive against the various configurations of the V6 used in the Ferrari 156 F1 (the "sharknose").  Confusingly, in its debut season, BRM labelled the car the P48/P57 while in 1962 the official name was P578; subsequently just about everybody called the thing the P57 and although lacking the charisma of the earlier and later sixteen cylinder cars it was the factory's most successful engine/chassis combination and wasn't replaced until 1964, one private team even (without success) campaigning the P57 into 1965.

Destacked: Graham Hill, 1962 South African Grand Prix, East London, 29 December 1962.

Kamikaze

Kamikaze (pronounced kah-mi-kah-zee or kah-muh-kah-zee)

(1) A member of a World War II era special corps in the Japanese air force charged with the suicidal mission of crashing an aircraft laden with explosives into an enemy target, especially Allied Naval vessels.

(2) In later use, one of the (adapted or specifically built) airplanes used for this purpose.

(3) By extension, a person or thing that behaves in a wildly reckless or destructive manner; as a modifier, something extremely foolhardy and possibly self-defeating.

(4) Of, pertaining to, undertaken by, or characteristic of a kamikaze; a kamikaze pilot; a kamikaze attack.

(5) A cocktail made with equal parts vodka, triple sec and lime juice.

(6) In slang, disastrously to fail.

(7) In surfing, a deliberate wipeout.

1945: From the Japanese 神風 (かみかぜ) (kamikaze) (suicide flyer), the construct being kami(y) (god (the earlier form was kamui)) + kaze (wind (the earlier form was kanzai)), usually translated as “divine wind” (“spirit wind” appearing in some early translations), a reference to the winds which, according to Japanese folklore, destroying Kublai Khan's Mongol invasionfleet in 1281.  In Japanase military parlance, the official designation was 神風特別攻撃隊 (Shinpū Tokubetsu Kōgekitai (Divine Wind Special Attack Unit)).  Kamikaze is a noun, verb & adjective and when used in the original sense should use an initial capital, the present participle is kamikazeing and the past participle, kamikazed; the noun plural is kamikazes.

HESA Shahed 136 UAV.

The use of kamikaze to describe the Iranian delta-winged UAV (unmanned aerial vehicle, popularly known as “drones”) being used by Russia against Ukraine reflects the use of the word which developed almost as soon as the existence of Japan’s wartime suicide bomber programme became known.  Kamikaze was the name of the aviators and their units but it was soon also applied to the aircraft used, some re-purposed from existing stocks and some rocket powered units designed for the purpose.  In 1944-1945 they were too little, too late but they proved the effectiveness of precision targeting although not all military cultures would accept the loss-rate the Kamikaze sustained.  In the war in Ukraine, the Iranian HESA Shahed 136 (شاهد ۱۳۶ (literally "Witness-136" and designated Geran-2 (Герань-2 (literally "Geranium-2") by the Russians) the kamikaze drone have proved extraordinarily effective being cheap enough to deploy en masse and capable of precision targeting.  They’re thus a realization of the century-old dream of the strategic bombing theorists to hit “panacea targets” at low cost while sustaining no casualties.  Early in World War II, the notion of panacea targets had been dismissed, not because as a strategy it was wrong but because the means of finding and bombing such targets didn’t exist, thus “carpet bombing” (bombing for several square miles around any target) was adopted because it was at the time the best option.  Later in the war, as techniques improved and air superiority was gained, panacea targets returned to the mission lists but the method was merely to reduce the size of the carpet.  The kamikaze drones however can be pre-programmed or remotely directed to hit a target within the tight parameters of a GPS signal.  The Russians know what to target because so many blueprints of Ukrainian infrastructure sit in Moscow’s archives and the success rate is high because, deployed in swarms because they’re so cheap, the old phrase from the 1930s can be updated for the UAV age: “The drone will always get through”.

Imperial Japan’s Kamikazes

By 1944, it was understood by the Japanese high command that the strategic gamble simultaneously to attack the US Pacific Fleet at anchor in Pearl Harbor and territories of the European powers to the south had failed.  Such was the wealth and industrial might of the US that within three years of the Pearl Harbor raid, the preponderance of Allied warships and military aircraft in the Pacific was overwhelming and Japan’s defeat was a matter only of time.  That couldn’t be avoided but within the high command it was thought that if the Americans understood how high would be the causality rate if they attempted and invasion of the home islands, that and the specter of occupation might be avoided.

USS New Mexico (BB-40) hit by Kamikaze off Okinawa, 12 May 1945.

Although on paper, late in the war, Japan had over 15,000 aircraft available for service, a lack of development meant most were at least obsolescent and shortages of fuel increasingly limited the extent to which they could be used in conventional operations.  From this analysis came the estimates that if used as “piloted bombs” on suicide missions, it might be possible to sink as many as 900 enemy warships and inflict perhaps 22,000 causalities.  In the event of an invasion, used at shorter range against landing craft or beachheads, it was thought an invasion would sustain over 50,000 casualties to by suicide attacks alone.  Although the Kamikaze attacks didn't achieve their strategic objective, they managed to sink dozens of ships and kill some 5000 allied personnel.  All the ships lost were smaller vessels (the largest an escort carrier) but significant damage was done to fleet carriers and cruisers and, like the (also often dismissed as strategically insignificant) German V1 & V2 attacks in Europe, significant resources had to be diverted from the battle plan to be re-tasked to strike the Kamikaze air-fields.  Most importantly however, so vast by 1944 was the US military machine that it was able easily to repair or replace as required.  Brought up in a different tradition, US Navy personnel the target of the Kamikaze dubbed the attacking pilots Baka (Japanese for “Idiot”).

HMS Sussex hit by Kamikaze (Mitsubishi Ki-51 (Sonia)), 26 July 1945.

Although it’s uncertain, the first Kamikaze mission may have been an attack on the carrier USS Frankin by Rear Admiral Arima (1895-1944) flying a Yokosuka D4Y Suisei (Allied codename Judy) and the early flights were undertaken using whatever airframes were available and regarded, like the pilots, as expendable.  Best remembered however, although only 850-odd were built, were the rockets designed for the purpose.  The Yokosuka MXY-7 Ohka (櫻花, (Ōka), (cherry blossom)) was a purpose-built, rocket-powered attack aircraft which was essentially a powered bomb with wings, conceptually similar to a modern “smart bomb” except that instead of the guidance being provided by on board computers and associated electronics which were sacrificed in the attack, there was a similarly expendable human pilot.  Shockingly single-purpose in its design parameters, the version most produced could attain 406 mph (648 km/h) in level flight at relatively low altitude and 526 mph (927 km/h) while in an attack dive but the greatest operation limitation was that the range was limited to 23 miles (37 km), forcing the Japanese military to use lumbering Mitsubishi G4N (Betty) bombers as “carriers” (the Ohka the so-called "parasite aircraft") with the rockets released from under-slung assemblies when within range.  As the Ohka was originally conceived, with a range of 80 miles (130 km), as a delivery system to the point of release that may have worked but such was the demand on the designers to provide the highest explosive payload, thereby limiting both the size of the rocket and the fuel carried, restricting the maximum speed to 276 mph (445 km/h) which would have made the barely maneuverable little rockets easy prey.

Yokosuka MXY-7 Ohka.

During the war, Japan produced more Mitsubishi G4Ms than any other bomber and its then remarkable range (3130 miles (5037 km)) made it a highly effective weapon early in the conflict but as the US carriers and fighters were deployed in large numbers, its vulnerabilities were exposed: the performance was no match for fighters and it was completely un-armored without even self-sealing fuel tanks, hence the nick-name “flying lighter” gained from flight crews.  However, by 1945 Japan had no more suitable aircraft available for the purpose so the G4M was used as a carrier and the losses were considerable, an inevitable consequence of having to come within twenty-odd miles of the US battle-fleets protected by swarms of fighters.  It had been planned to develop a variant of the much more capable Yokosuka P1Y (Ginga) (as the P1Y3) to perform the carrier role but late in the war, Japan’s industrial and technical resources were stretched and P1Y development was switched to night-fighter production, desperately needed to repel the US bombers attacking the home islands.  Thus the G4M (specifically the G4M2e-24J) continued to be used.

A captured Japanese Yokosuka MXY-7 Ohka (Model 11), Yontan Airfield, April 1945.

Watched by Luftwaffe chief Reichsmarschall Hermann Göring (1893-1946), Adolf Hitler (1889-1945) awards test pilot Hanna Reitsch the Iron Cross (2nd class), Berlin, March 1941 (left); she was later (uniquely for a woman), awarded the 1st-class distinction.  Conceptual sketch of the modified V1 flying bomb (single cockpit version) (right).

The idea of suicide missions also appealed to some Nazis (predictably most popular among those not likely to find themselves at the controls.  The idea had been discussed earlier as a means of destroying the electricity power-plants clustered around Moscow but early in 1944, the intrepid test pilot Hanna Reitsch (1912–1979) suggested to Adolf Hitler (1889-1945; German head of government 1933-1945 & of state 1934-1945) a suicide programme as the most likely means of hitting strategic targets.  Ultimately, she settled on using a V1 flying bomb (the Fieseler Fi 103R, an early cruise missile) to which a cockpit had been added, test-flying it herself and even mastering the landing, some feat given the high landing speed.  As a weapon, assuming a sufficient supply of barely-trained pilots, it would probably have been effective but Hitler declined to proceed, feeling things were not yet sufficiently desperate.  The historic moment passed.

Tether

Tether (pronounced teth-er)

(1) A rope, chain, or the like, by which an animal is fastened to a fixed object so as to limit its range of movement; a rope, cable etc. that holds something in place whilst allowing some movement.

(2) The utmost length to which one can go in action; the utmost extent or limit of ability or resources.

(3) To fasten or confine with or as if with a tether.

(4) In digital technology, to use an electronic device (typically a phone) to enable a wireless internet connection on another nearby device (typically a laptop).

(5) In idiomatic use, as “at the end of one's tether”, to be at the limit of one's resources, patience, or strength.

(6) In nautical jargon, a strong rope or line that connects a sailor's safety harness to a boat's jackstay.

(7) The cardinal number three in an old counting system used in Teesdale and Swaledale (a variant of tethera).

1350-1400: From the Middle English tether & teder, (rope for fastening an animal), said by some to be from the Old English tēoder and/or the Old Norse tjóðr (tjothr, from the Danish tøjr), both from the Proto-Germanic teudrą or teudran (rope; cord; shaft) of uncertain origin but possibly from the primitive Indo-European dewtro-, from dew- (to tie), or from the primitive Indo-European dewk- (to pull).  It was cognate with the North German Tüder (tether for binding the cattle), the Middle Dutch tūder & tether and the Old High German zeotar (pole of a wagon)

Most etymologists are unconvinced by the link to Old English and conclude a Scandinavian source was most likely but no documentary evidence exists.  The circumstantial evidence is that the Old Norse tjoðr (tether) is certainly from the Proto-Germanic teudran and was the source also of the Danish tøir, the Old Swedish tiuther, the Swedish tjuder, the Old Frisian tiader, the Middle Dutch tuder, the Dutch tuier (line, rope) and the Old High German zeotar; the ultimate root of all was the primitive Indo-European deu- (to fasten) + the mysterious suffix -tro.  The original meaning (confining grazing animals by a rope or cord) dates from the second half of the fourteenth century and the familiar figurative sense of "measure of one's limitations" is attested from the 1570s.  Perhaps surprisingly, there appears to be no mention in English of the words describing the reverse procedure (untethered; untethering) until 1775.  The verb emerged in the late fourteenth century (implied in tethering) in the sense of "confine by a tether," and was used originally of grazing animals as a direct development of the noun.  The figurative use was contemporary with this.

HG Wells’ (1866–1946) last book was Mind at the End of its Tether (1945), a slim volume, best remembered for the fragment “…everything was driving anyhow to anywhere at a steadily increasing velocity”, seemingly describing a world which had become more complicated, chaotic and terrifying than anything he had prophesized in his fiction. In this it’s often contrasted with the spirit of cheerful optimism and forward-looking stoicism of the book he published a few months earlier, The Happy Turning (1945), but that may be a misreading.  Mind at the End of its Tether is a curious text, easy to read yet difficult to reduce to a theme; in his review, George Orwell (1903-1950) called it “disjointed” and it does have a quality of vagueness, some chapters hinting at despair for all humanity, others suggesting hope for the future.

Lindsay Lohan tethered in bondage scene in I Know Who Killed Me (2007).

It’s perhaps the publication date the tints the opinions of some.  Although released some three months after the first use of atomic bombs in August 1945, publishing has lead-times and Wells hadn’t heard of the A-bomb at the time of writing although, he had in 1914 predicted such a device in The World Set Free.  In writing Mind at the End of its Tether, Wells, the great seer of science, wasn’t in dark despair at news of science’s greatest achievement, nuclear fission, but instead a dying man disappointed about the terrible twentieth century which, at the end of the nineteenth, had offered such promise.

Anchorite

Anchorite (pronounced ang-kuh-rahyt)

A person who has retired to a solitary place, traditionally for a life of religious seclusion; a recluse or hermit.

1400–1450: From the late Middle English anchorite & ancorite, (hermit, recluse, one who withdraws from the world for religious reasons (and applied especially in reference to the Christian hermits of the Eastern deserts in the two centuries after circa 300 AD.)), a conflation of the Middle English ancre (from the Old English ancra & ancer) and the Old French anacorite or the Medieval Latin anachōrīta & anchōrīta and the Late Latin anchoreta from the Late Greek anachōrētḗs (literally "one who has retired"), the construct being ana- (back), from anachōrē- (stem of anachōreîn (anakhōrein) (to withdraw)) + khōreîn (to withdraw, to give place), a verbal derivative of chôros (khōra) (place, space, free space, room), from the primitive Indo-European root ghē- (to release, let go; be released) + -tēs (the agent suffix).  The Old English and the Old Irish ancharae were from the Late Latin anachōrēta, from the Late Greek.  The word replaced the Old English ancer, from the Late Latin anchoreta.  Anchoritic is an adjective, anchoritically is an adverb, anchoritism is a noun; anchoress is the feminine noun form.  Synonyms include hermit, recluse, solitary, cenobite, ascetic, monastic, eremite, vestal, postulant & solitaire.

The last papal resignation but one.

Pietro Angellerio (1215-1296) was for five months between July and December 1294 installed as Pope Celestine V.  His resignation from the office was the last until Joseph Ratzinger (b 1927; Pope Benedict XVI 2005-2013; pope emeritus since) in 2013 retired from his eight-year pontificate to become (uniquely) pope emeritus.

Prior to being created pope, Celestine had for decades been a monk and hermit, living a anchorite existence in remote caves and subsisting on little more that wild vegetables, fruits, honey and the occasional locust, his unworldly background meaning he emerged as the ultimate compromise candidate, declared pope after a two-year deadlock in the church’s last non-conclave papal election.  The cardinals had been squabbling for all those two years which so upset the hermit in his cave that he wrote them a letter warning divine retribution would be visited upon them if they didn't soon elect a pope.  Realizing he was entirely un-political, without enemies and likely pliable, the cardinals promptly elected him by acclamation.

Shocked, the hermit declined the appointment, only to have his own arguments turned on him, the cardinals insisting if he refused the office he would be defying God himself; trapped, he was crowned at Santa Maria di Collemaggio in Aquila, taking the name Celestine V.  The anchorite, lost in the world of power politics and low skullduggery was utterly unsuited to the role and within months issued an edict confirming the right of a pope to abdicate.  That done, he resigned, intending to return to his cave but his successor, Boniface VIII (Benedetto Caetani, circa 1231-1303; pope 1294-1303) had no wish to have such a puritanical loose canon at large and imprisoned him in an agreeable castle where, within months, he died.  In 2013, Benedict XVI fared better, retiring to a sort of papal granny flat in the Vatican.

Allegory of the Coronation of Celestine V, Musée di Louvre, Paris.

The painter is unknown but the work has been dated to the sixteenth century.  There was long a story, published in both the 1967 forgery Dossiers Secrets d'Henri Lobineau (Secret Files of Henri Lobineau) and the almost equally dubious 1968 book Le Trésor Maudit de Rennes-le-Château (The Accursed Treasure of Rennes-le-Château) by Géraud-Marie de Sède (1921–2004), that the painting was one allegedly brought by controversial priest François-Bérenger Saunière (1852–1917) from the Louvre, circa 1891, but this was later disproved.  It wasn’t until 1923 it was recognized and subsequently classified as being of Celestine V.

Milieu

Milieu (pronounced mil-yoo, meel-yoo or mee-lyœ (French))

(1) Surroundings, medium, environment, especially of a social or cultural nature.

(2) A group of people with a common point of view; a social class or group.

(3) In psychotherapy, as "milieu therapy" a controversial form of community-based psychotherapy in which patients are encouraged to take responsibility for themselves and others within the unit, based upon a hierarchy of collective punishments.

(4) In linguistics & human communications, as "milieu control", tactics that control environment and human communication through the use of peer pressure and group language.

1795-1805: From the twelfth century French milieu (physical or social environment; group of people with a common point of view (literally “middle place”)), from the Middle French milieu, meilleu, & mileu, from the Old French milliu, meillieu & mileu (middle, medium, mean),  from the Latin medius, formed under the influence of the primitive Indo-European root medhyo (middle) + lieu (place), thus understood as the Latin medius (half; middle) + locus (place, spot; specific location) and the French construct mi- (mid) +‎ lieu (place) mirrors that.  English speakers have used milieu for the environment or setting of something since the early-1800s but other "lieu" descendants are later including lieu itself and lieutenant, in use since the fourteenth century.  By the mid-nineteenth century milieu was in use in English in the sense of “surroundings, medium, environment: and had become a fashionable word among scholars and writers.  A micromilieu is a subset of a milieu.  Milieu is a noun; the noun plural is milieux or milieus.

In the milieu of the industrial baroque, Lohan Nightclub, Iera Odos 30-32 | Kerameikos, Athens 104 35, Greece.

In the twentieth century, milieu was adopted by the emerging discipline of sociology as a technical term.  The US sociologist Charles Wright Mills (1916–1962; professor of sociology at Columbia University 1946-1962) contrasted the immediate milieu of an individual’s life with the over-arching social, political and economic structure, highlighting the distinction between "the personal troubles of milieu" and the "public crises of social structure".

Mills' best known work was the much criticized but also influential The Power Elite (1956), a work much focused on the construct of the milieu which is the repository of power in the modern capitalist West.  Mills took a structuralist approach and explored the clusters of elites and how their relationships and interactions works to enable them to exert (whether overtly or organically) an essentially dictatorial control over US society and its economy.  Mills, while acknowledging some overlap between the groups, identified six clusters of elites: (1) those who ran the large corporations, (2) those who owned the corporations, (3) popular culture celebrities including the news media, (4) the upper-strata of wealth-owning families, (5) the military establishment (centred on the Pentagon’s Joint Chiefs of Staff) and (6), the upper echelons of government (the executives, the legislatures the judges, the senior bureaucracy and the duopoly of the two established political parties.  The overlaps he noted did not in any way diminish the value of his description, instead illustrating its operation.  Had he lived, the French sociologist Émile Durkheim (1858–1917) probably wouldn't much have differed from Mills but in his era he was more concerned with an individual's personal formation and the relationship of that to the enveloping milieu in which they existed.  He described the "big" structure as the milieu social, asserting it contained internalized expectations and representations of social forces & social facts which, he argued, existed only in the imaginations of individuals as collective representations.  Phenomenologists, structuralists at heart, built two models: society as a deterministic constraint (milieu) or a nurturing shell.