Zephyr

Zephyr (pronounced zef-uhr (U) or zef-er (non-U))

(1) A gentle, mild breeze, considered the most pleasant of winds.

(2) As a literary device, the west wind personified which should be used with an initial capital letter and not capitalized if referring to some gentle waft.

(3) Any of various things of fine, light quality (fabric, yarn etc), most often applied to wool.

(4) The usual (Westernised) spelling of Ζεφυρος (Zéphuros or Zéphyros), the Greek and Roman god of the west wind.  The Roman name was Zephyrus, Favonius.

(5) A model name used on various cars produced by the Ford Motor Company, including some under the Lincoln and (the now defunct) Mercury brands.

Circa 1350: From the Middle English zeferus & zephirus, from the Old English zefferus, from the Latin zephyrus, from the Ancient Greek Ζέφυρος (Zéphuros or Zéphyros) (the west wind), probably from the Greek root zophos (the west, the dark region, darkness, gloom).  The Latin Zephyrus was the source also of zéphire (French), zefiro (Spanish) and zeffiro (Italian).  The plural is zephyrs and the derived term is zephyrette (capitalised and not); the alternative spellings were zephir & zefir.  The casual use in meteorology dates from circa 1600.  While, as Zephyr, classically something warm, mild and occidental, zephyr can be used to refer to any gentle breeze or waft where the wish is to suggest a wind not strong as in a gust, gale, cyclone, blast, typhoon or tempest, the adjectival form being zephyrean.

Cupid and Psyche (1907) by Edvard Munch (1863–1944).

In Greek mythology, Ζεφυρος (transliterated as Zéphuros or Zéphyros) was the god of the west wind, one of the four seasonal Anemoi (wind-gods), the others being his brothers Notus (god of the south wind), Eurus (god of the east wind) and Boreas (god of the east wind).  The Greek myths offer many variations of the life of Zephyrus, the offspring of Astraeus & Eos in some versions and of Gaia in other stories while there were many wives, depending on the story in which he was featured.  Despite that, he’s also sometimes referred to as the “god of the gay”, based on the famous tale of Zephyrus & Hyakinthos (Hyacinthus or Hyacinth).  Hyacinth was a Spartan youth, an alluring prince renowned for his beauty and athleticism and he caught the eye of both of both Zephyrus and Apollo (the god of sun and light) and the two competed fiercely for the boy’s affections.  It was Apollo whose charms proved more attractive which left Zephyrus devastated and in despair.  One day, Zephyrus chanced upon the sight of Apollo and Hyacinth in a meadow, throwing a discus and, blind with anger, sent a great gust of wind at the happy couple, causing the discus to strike Hyacinth forcefully in the head, inflicting a mortal injury.  Stricken with grief, as Hyacinth lay dying in his arms, Apollo transformed the blood trickling to the soil into the hyacinth (larkspur), flower which would forever bloom in memory of his lost, beautiful boy. Enraged, Apollo sought vengeance but Zephyrus was protected by Eros, the god of love, on what seems the rather technical legal point of the intervention of Zephyrus being an act of love.  There was however a price to be paid for this protection, Zephyrus now pledged to serve Eros for eternity and the indebted god of the west wind soon received his first task.  There are other tales of how Cupid and Psyche came to marry but in this one, with uncharacteristic clumsiness, Cupid accidently shot himself with one of his own arrows of love while gazing upon the nymph Psyche and it was Zephyrus who kidnapped her, delivering his abducted prize to Cupid to be his bride.

Chloris and Zephyr (1875) by William-Adolphe Bouguereau (1825-1905), Musee des Beau-Arts of the Musées Mulhouse Sud Alsace.

Zephyros was in classical art most often depicted as a handsome, winged youth and a large number of surviving Greek vases are painted with unlabeled figures of a winged god embracing a youth and these are usually identified as Zephyros and Hyakinthos although, some historians detecting detail differences list a number of them as being of Eros (the god of Love) with a symbolic youth.  Although sometimes rendered as a winged god clothed in a green robe and crowned with a wreath of flowers, in Greco-Roman mosaics, Zephyros appears usually in the guise of spring personified, carrying a basket of unripened fruit.  In some stories, he is reported to be the husband of Iris, the goddess of the rainbow and Hera’s messenger and in others, Podarge the harpy (also known as Celano) is mentioned as the wife of Zephyrus but in most of the myths he was married to Chloris.  Chloris by most accounts was an Oceanid nymph and in the tradition of Boreas & Orithyia and Cupid and Psyche, Zephyrus made Chloris his wife by abduction, making her the goddess of flowers, for she was the Greek equivalent of Flora, and living with her husband, enjoyed a life of perpetual spring.

Lincoln Zephyr V12, 292 cubic inches (4.4 litre).  It was the last of the American V12s.

In the inter-war era, the finest of the big American cars, the Cadillacs, Lincolns, Packards and Duesenbergs, offered craftsmanship the equal of anything made in Europe and engineering which was often more innovative.  The 1930s however were difficult times and by mid-decade, sales of the big K-Series Lincolns, the KA (385 cubic inch (6.3 litre) V8) and KB (448 cubic inch (6.3 litre) V12) were falling.  Ford responded by designing a smaller, lighter Lincoln range to bridge the gap between the most expensive Ford and the lower-priced K-Series Lincolns, the intention originally to power it with an enlarged version of the familiar Ford V8 but family scion Edsel Ford (1893–1943; president of the Ford Motor Company 1919-1943), decided instead to develop a V12, wanting both a point of differentiation and a link to K-Series which had gained for Lincoln a formidable reputation for power and durability.  Develop may however be the wrong word, the new engine really a reconfiguration of the familiar Ford V8, the advantage in that approach being it was cheaper than an entirely new engine, the drawback the compromises and flaws of the existing unit were carries over and in some aspects, due to the larger size and greater internal friction, exaggerated.

Lincoln Zephyr V12, 267 cubic inches (4.4 litre).

The V12 however was not just V8 with four additional pistons, the block cast with a vee-angle of 75^o rather than the eight’s 90^o, a compromise between compactness and the space required for a central intake manifold and the unusual porting arrangement for the exhaust gases.  The ideal configuration for a V12 is 60^o and without staggered throws on the crankshaft, the 75^o angle yielded uneven firing impulses, although, being a relatively slow and low-revving unit, the engine was felt acceptably smooth.  The cylinder banks used the traditional staggered arrangement, permitting the con-rods to ride side-by-side on the crank and retained the Ford V-8’s 3.75 inch (90.7 mm) stroke but used a small bore of just 2.75 inches (69.75 mm), then the smallest of any American car then in production, yielding a displacement of 267 cubic inches (4.4 litres), a lower capacity than many of the straight-eights and V8s then on the market.

1941 Lincoln Zephyr coupe in Darian Blue.

The V12 was introduced in 1936 in the new Lincoln Zephyr, the name chosen to emphasize the wind-cheating qualities of the modernist styling which, with a raked windscreen and integrated fenders, was among the more successful of the streamlined, aerodynamic designs which followed the Chrysler Airflows which had encountered such market resistance.  A relatively low-weight and the presumed aerodynamic efficiency permitted more than respectable performance by the standards of the time but the engine did suffer teething troubles.  Because the exhaust system was routed through the block to four ports on each side of the engine, cooling was from the beginning the problem it had been on the Ford V8, only on a larger scale.  Although the cooling system had an apparently impressive six-gallon (22.7 litre) capacity, it quickly became clear this was under certain conditions marginal and the radiator grill was soon extended to increase airflow.  Nor was lubrication initially satisfactory, the original oil pump found to be unable to maintain pressure when wear developed on the many bearing surfaces; it was replaced with one that could move an additional gallon (3.79 litre) a minute.  Most problems were resolved during the first year of production and the market responded to the cylinder count, competitive price and styling; after struggling to sell not even 4000 of the big KAs in 1935, Lincoln produced nearly 18,000 Zephyrs in 1936, sales growing to over 25,000 the following year.  Production between 1942-1946 would be interrupted by the war but by the time the last was built in 1948, by which time it had been enlarged to 292 cubic inches (4.8 litre (there was in 1946, briefly, a 306 cubic inch (5.0 litre) version) over 200,000 had been made, making it the most successful of the American V12s.  It was an impressive number, more than matching the 161,583 Jaguar built over a quarter of a century (1971-1997) and only Daimler-Benz has made more, their count including both those used in Mercedes-Benz cars and the the DB-60X inverted V12 aero-engines famous for their wartime service with the Luftwaffe.  

1969 Ford (UK) Zephyr Zodiac Mark IV.

Lincoln ceased to use the Zephyr name after 1942, the V12 cars after then advertised simply as Lincolns, distinguished in name only by the coachwork.  The Zephyr badge was in 1950 revived by Ford of England for their line of mainstream family cars, augmented after 1953 by an up-market version called the Zodiac, noted for its bling.  The first three generations (1950-1966) were well-regarded (the Mark III (1962-1966) in most ways a superior car to the contemporary US Ford Falcon) and enjoyed success in both the home and export markets but the Mark IV (1966-1972), despite a tantalizingly advanced specification and offering a lot of metal for the money, proved so ghastly the name was retired when the range was replaced.  Not having suffered the tainted Mark IV Zephyrs, Ford felt it safe to recycle the Zephyr name in the US, firstly on the bland Mercury clone (1978-1983) of the (US) Ford Fairmont and finally, for a single year in 2006, on an undistinguished Lincoln which was almost immediately re-branded the MKZ.  There have been no Zephyrs since.

Lindsay Lohan resisting a zephyr's efforts to induce a wardrobe malfunction, MTV Movie Awards, Los Angeles, 2008.

Masquerade

Masquerade (pronounced mas-kuh-reyd)

(1) A party, dance, or other festive gathering of persons wearing masks and other disguises, and often elegant, historical, or fantastic costumes.

(2) A costume or disguise worn at such a gathering.

(3) A false outward show; façade; pretense.

(4) An activity, existence etc, under false pretenses.

(5) To go about under false pretenses or a false character; assume the character of; give oneself out to be; a pretentious display.

(6) To disguise oneself.

(7) To take part in a masquerade.

(8) Figuratively, an assembly of varied, often fanciful things.

(9) A dramatic performance by actors in masks; a mask or masque (obsolete).

(10) A Spanish entertainment or military exercise in which squadrons of horses charge at each other, the riders fighting with bucklers and canes (always rare, now obsolete).

(11) In military jargon, to conceal (artillery pieces etc) from the view of the enemy.

1560s: The noun "assembly of persons wearing masks and usually other disguises" was from the Middle French mascarade, masquerade & masquerade (the modern French is mascarade (masquerade, masque; farce)), or the Spanish mascarada (masked party or dance) (sometimes as masquerada & mascarado), from the Italian mascarata (a ball at which masks are worn), a variant of the etymon Upper Italian mascherata (masquerade) from maschera (source of mask), from the Medieval Latin masca (mask).  The English word was cognate with Late Latin masquarata, the Portuguese mascarada and the Spanish mascarada.    Some sources insist the supposedly Spanish derivatives of the French were actually “pseudo-Spanish” but in Spanish mascara was anyway “a mask”.  The spelling maskerade has been obsolete since the late 1600s although the synonym masque endured beyond another two centuries.  The verb was derived from the noun and the extended sense of a "disguise in general; concealment or apparent change of identity by any means" dates from the 1660s; the figurative sense of "false outward show" emerging during the next decade.

The related verb forms (used without object) were masqueraded & masquerading and masquerader was a noun, the adjective masqueradish and the adverb masqueradingly both rare; the plural was masquerades (also attributively).  Words vaguely similar, if not actual synonyms, include carnival, circus, cloak, color, costume, cover, cover-up, deception, dissimulation, domino, facade, festivity, front, guise, impersonation, imposture, mask, mummery, personation & pose.

Curiously, although the word appears not to have entered English for another half-century, the masquerade (masked ball, festive entertainment in which participants wear a disguising costume) was known in French since the 1510s.  It developed to mean an "amateur theatrical performance" in the 1560s, such entertainments popular (and performed originally in masks) with the Elizabethan nobility.  The military sense to describe a type of camouflage used to conceal field pieces such as cannons dates from 1706 and, in the army way of things, was quickly shortened to “mask”.

Masked Ball at the Opera (1873) by Edouard Manet (1832–1883).

Much associated with the tradition of the Venetian Carnival, masquerade balls (maschera in the Italian) moved from the ballroom to become costumed public festivities in Italy during the sixteenth century Renaissance although they never lost the perception of the link with the upper classes.  As they spread to France and England, they also took with them their fashionable status and, expensive & exclusive, they soon became one of the most preferred gatherings for the urban elite of Paris and London which constituted a genuinely new economic and social structure but, although symbolizing extravagance, whether there was ever the extent of sexual frivolity, debauchery, and gender subversion that was suspected then and has often been the depiction in latter-day popular culture, is at least uncertain.

The perception of there being something wrong surfaced early, clergy and the other usual suspects assuming the anonymity and sexual mixing of the masquerade must obscure the gender restraints they thought proper.  The satirical artists of the time lent weight to the vicars’ vexations, prints of masquerade balls showing women often scantily clad and leaning towards men with immodest intention: gender roles not just fluid but actually reversed, women asserting sexual power.  Henry Fielding’s (1707–1754) first published poem, The Masquerade (1724), highlighted the subversive power of the masks.

here, in one confusion herl'd,

seem all the nations of the world,

Cardinals, quakers, judges dance;

Grim Turks are coy, and nuns advance,

Grave churchmen here at hazard play;

So for his ugliness more fell,

Was H-d-g-r toss'd out of hell,

And in return by Satan made

First Minister of masquerade.

Lindsay Lohan in masquerade mask.

Reading Fielding, that middle-class moralist, it seemed that when masked in the company of masked men, women tainted their innocence and some feared that were women to taste sexual freedom, who knew where that might lead.  The masquerade, like many things which broke barriers of class, gender, and ethnicity by at least appearing to challenge social norms, induced one of the moral panics at which the English excel.  The clergy would preach from their pulpits of the "evils of the masquerade" and if that didn’t get through to the congregation, pamphleteers passed out their papers on the streets, warning of corruption and depravity.  Perhaps conflicted, because their presses printed advertisements and tickets for the very masquerades they claimed to oppose, newspaper editors wrote scathing editorials and the civil authorities responded with a predictably selective suppression, The Weekly Journal of 10 April 1775 describing with some relish the forcible breaking-up of a masquerade described as a gathering of "Chamber-Maids, Cook-Maids, Foot-Men, and Apprentices".  It seems the idea of a massed gathering of the working class in masks was a threatening thing; there’s no record of the events hosted by the gentry being disturbed.

Masqueraders (circa 1880 by Raimundo de Madrazo y Garreta (1841-1920).

The concerns however persisted and the masquerade was just one example of what was seen as an epidemic of unwholesome foreign influences which had of late landed upon English shores.  Returning to his theme, in a submission to An Enquiry into the Causes of the Late Increase of Robbers, Henry Fielding wrote that, "bad Habits are infectious by Example, as the Plague itself by Contact" and the masquerade being foreign meant it was suspect, like much of the diabolical and unwelcome cultural epidemic spread from Italy, France and the Orient.  In a 1724 sermon, the Bishop of London blamed the presence of the masquerade on English soil on a certain "ambassador of a neighboring nation” and went on to preach that the masquerade was a plot devised by France to "enslave true Englishmen by encouraging in them licentious and effeminacy" and journalists pursued the idea of continental corruption, noting the masquerade began in "hot countries notorious for Lewdness”.  There was even a conspiracy theory, one writer suggesting this “foreign diversion" was a European plot to neutralize the beauty of English women by forcing them to "hide their charms with a mask".

The fear of women enjoying sexual licence was the problem.  Those in the anti-masquerade movement equated attending the masquerade with the sexual act itself, just another expression of the double standards in eighteenth-century English culture, the presence of women at masquerades thought something heinous, while that of men, though hardly condoned, was more or less tolerated.  Some female critics were more pragmatic.  Writing in The Female Spectator Eliza Haywood (circa 1693–1756) advised her female readers that "women of honour" not only should not attend the masquerade but "shun the gentlemen who were so depraved as to offer them tickets".  On the other hand, she advised her male readers not against going to the masquerade themselves but against bringing their wives or sisters, lest their mistress might also be in attendance.  Undeniably sound advice.

Nineteenth century drawing, Lisbon earthquake, 1755.

It was an act of God which drove a stake through the heart of the English masquerade.  On November 1, 1755 an earthquake destroyed much of the city of Lisbon, killing thousands.  As news spread, the anti-masquerade movement spoke out publicly, claiming the earthquake was visited upon the Portuguese for their sin and corruption, the very thing that had spread to England.  Whether those in government took this analysis too seriously isn’t known but they certainly reacted to the public outcry the mob’s rantings summoned and masquerades were banned for a year.  Although there were spasmodic attempts at revivals, the popularity suffered and it was by the late eighteenth century extinct in England, not to return for more than a hundred years.

Troop

Troop (pronounced troop)

(1) An assemblage of persons or things; company; band.

(2) A great number or multitude.

(3) In historic military use, (usually) an armored cavalry, cavalry or artillery battery consisting of two or more platoons and a headquarters group.

(4) As troops, a body of soldiers, police etc.

(5) A unit of Boy Scouts or Girl Scouts usually having a maximum of 32 members under the guidance of an adult leader.

(6) A herd, flock or swarm of some living creatures.

(7) A band or troupe of actors (archaic).

(8) To gather in a company; flock together.

(9) To come, go, or pass in great numbers; throng; to walk, as if in a march; go; to walk, march, or pass in rank or order:

(10) To associate or consort (usually followed by with).

(11) In British military use, to carry (the flag or colors) in a ceremonial way before troops (used also by the military in some countries where military traditions have been influenced by the British).

(12) To assemble or form into a troop or troops.

(13) An alternative spelling of troupe (archaic).

(14) In British military slang, formerly to report a soldier for a breach of discipline (archaic).

(15) An alternative word for consort (archaic).

(16) The collective noun for a group of baboons.

(17) In music, a particular roll of the drum; a quick march.

(18) In mycology, mushrooms that are in a close group but not close enough to be called a cluster.

1545: From the French troupe, from the Old French trope (band of people, company, troop, crowd), of uncertain origin but perhaps from the Frankish throp (assembly, gathering of people), from the Proto-Germanic þurpą (village, land, estate), from the primitive Indo-European treb- (dwelling, settlement) or a back-formation of troupeau, diminutive of the Medieval Latin troppus (flock) and Middle French troupe, from which Modern French gained troupeau (herd)), the construct being trop- (from the Germanic form thorp) + -el, from the Latin –ellus, the diminutive suffix.  There may have been some connection with the Old English ðorp or the Old Norse thorp (village) and the Oxford English Dictionary (OED) suggest the French form was from the Latin troppus (flock) of unknown origin but may also have been picked-up from the (speculative) Germanic source.  Doublet of troupe, and possibly also of thorp and dorp; it was cognate with the German Dorf (village).

It came to be applied to groups of animals in the 1580s, the military adoption for a “subdivision of a cavalry force" dating from the same time, the general use of ‘troop” to describe any “armed forces” attested from the 1590s.  Troops were part of the structure in the Boy Scouts from the organization's beginnings in 1908, the Girl Scouts emulating this upon formation four years later.  In modern use, the spelling troupe has assumed the exclusive use of describing a company of actors, singers, acrobats or other entertainers and performers.

The noun troop is a linguistic curiosity.  It’s used as a collective noun (a troop of girl-scouts) and in the noun plural (the troops) but not as a noun singular (one doesn’t refer to individual troops as “a troop”) but there is the noun singular “trooper”.

Military and Para-military use

The troop as a military sub-unit continues to exist in some armed and police forces but tends now not in general to be part of military structures.  It was originally a tactical group, a small formation of cavalry, part of a squadron deployed on a battlefield for a specific action and it’s in that sense that use persists, a troop sometimes an alternative term for an infantry section or platoon.  There are historic exceptions in the US Cavalry and the British Army where a troop can be an infantry company or artillery battery.

The Australian Army uses the term, a troop a platoon sized element and the general term for army personnel (and literally the private soldier) is trooper.  Technically, it’s only the Special Air Service Regiment (SASR; special forces) of the Royal Australian Infantry Corps which uses troop to refer to its platoon size formations but it remains common slang.  As a general principle, where used in the military, a troop tends to be platoon-sized except in the US Cavalry, where it’s equivalent to a company (ie three to four platoons) and, when combined, these form a regiment, the change in nomenclature dating from 1883.

Para-military use: A troop of girl scouts (or guides) selling biscuits (or cookies).

In civilian use, many US police forces use troop and trooper because they modelled their command structures along military lines, the same reason the Boy Scouts and Girl Scouts adopted the form although, in these less robust times, it’s become common, especially with the latter, to replace troop with company, the now less-fashionable military connection being less overt.

One exception was the Salvation Army which never used troop, either as an organizational unit or in the collective to describe its members although, it was common to refer to them as "Christian soldiers".  They did use military ranks and some of the structural terms (such as corps and division) were adopted but never troop.

Karen

Karen (pronounced kar-uhn (kahr-ren or kuh-ren for the given name))

(1) A group of people of eastern and southern Burma (Myanmar).

(2) One of these people.

(3) The language of the Karen, a Tibeto-Burman language of the Sino-Tibetan family.

(4) Of or relating to the Karen people or their language.

(5) A female given name, originally a form of Katherine.

(6) A general purpose pejorative term used to disparage white, middle-class, middle-aged women.

1759: The original spelling was Carian, from the Burmese ka-reng (wild, dirty, low-caste man), a not entirely affectionate local descriptor of the Mongoloid people of Burma.  For the ethnic group, the noun plural is Karens, (especially collectively) or Karen; for all other uses it’s Karens. 

1800s: The feminine proper name entered English from the Danish Karen, a vernacular form of Catherine & Katherine that arose in medieval Denmark.  Rare in the English-speaking world before 1928, it first became popular during the 1940s and was consistently in the top-ten for girls born in the United States between 1951-1968, and was the third most popular girl's name in 1965.  That proved to be peak-Karen and its use rapidly declined to be negligible.  Used in the Danish, Arabic, Dutch, Hebrew, Norwegian, German and English languages, variants (mostly German, Austrian & the Nordic countries) include Caja, Kaja (Danish), Caren, Caryn, Karena, Kaat, Karin, Karyn (and dozens of others), it has since 1945 also been used in Japan, China, Malaya (later Malaysia) and the Philippines.

Karen can also be a family name (surname).  In Armenian, Karen (Կարեն) (kɑˈɾɛn) is a common masculine given name, derived from the Parthian name of the House of Karen (or Caren) which ruled the Tabaristan region, corresponding (approximately) to the provinces of Gilan and Mazandaran.  The House of Karen (Kārēn in the Middle Persian; Kārēn in the Parthian & Persian (کارن‎), Kārin or Kāren, known also as Karen-Pahlav (Kārēn-Pahlaw)) was one of the seven great houses during the rule of the Parthian and Sassanian Empires.  The masculine given name Garen is a western Armenian form of the eastern Armenian Karen.

One spelling used in both Germany and the Nordic countries is Carin.  The Swedish-born Countess Carin von Kantzow (1888-1931) was the first wife of Hermann Göring (1893–1946; leading Nazi 1922-1945, Hitler's designated successor & Reichsmarschall 1940-1945) and the palatial country house (construction of which was paid for by the state) he had built during the 1930s was “Carinhall” in her memory.  Carinhall sat in the grounds of his large hunting estate (another gift from the state) in the Schorfheide Forest, north-east of Berlin and was the site of many events in which he showed off his varied tastes in clothing (including Roman togas and painted toenails) and sybaritic lifestyle.  What went on at Carinhall was the subject of much gossipy humor in political & diplomatic circles and the more austere Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945) once suggested to a visitor: “You should visit Göring at Carinhall, a sight worth seeing.”.  He later had a much smaller lodge built after marrying his second wife (Emma “Emmy” Sonnemann (1893–1973)); that he named “Emmyhall”.  In 1945, as the Red Army approached, Göring had Carinhall destroyed with explosives and only a few ruins now remain.

Hitler and Göring at Carinhall. The reaction of more conventional types to Göring’s appearance and behaviour was captured by an entry in the memorable diary of Count Galeazzo Ciano (1903–1944; Italian foreign minister 1936-1944 (and the son-in-law of Benito Mussolini (1883-1945; Duce (leader) & prime-minister of Italy 1922-1943)).  The occasion was the Reichsmarschall’s visit to Rome early in 1942, seeking Italian reinforcements for the faltering campaign in Russia:

“As usual he is bloated and overbearing.  We had dinner at the Excelsior Hotel, and during the dinner Goering talked of little else but the jewels he owned. In fact, he had some beautiful rings on his fingers.  On the way to the station he wore a great sable coat, something between what automobile drivers wore in 1906 and what a high-grade prostitute wears to the opera.”

Beware of the edgy bob

Karen is a pejorative term used in the English-speaking world to disparage white, middle-class, middle-aged women on the basis of their sense of entitlement and demanding behavior.  It’s thus a particular critique of white privilege and is especially associated with a certain bob cut hairstyle, now known in the industry as the speak to the manager.  The origins are murky and the Karen in its now understood term is really a coalesced form from a number of threads to define characteristics like "entitlement, selfishness, a desire to complain" with stereotypical behavior being demanding to “speak to the manager”, usually about some trivial matter.  A creation of social media, the evolution from its point of critical-mass has (presumably coincidently) run in parallel with COVID-19; in November 2019, Google reported fewer than 20,000 instances of use which, by July 2020 had increased to over eight million.  It has origins in the mid-2010s as a way for people of color, particularly African-Americans, to satirise the class-based and racially charged hostilities and micro-aggressions they often face and in that it was different from the BLM (black lives matter) movement in that it focused not on violence but on instances of casual-racism, always by women perceived to be of a certain age and class.  Earlier instances were tied to specific events captured on the suddenly ubiquitous smartphones, yielding the predictably alliterative Permit Patty, BBQ Becky and Golfcart Gail but, in 2018, the trend distilled into Karen, an apparently quintessentially white name.

Except in Scandinavia, Karens are dying out.

Quite how "Karen" should be classified attracted feminist deconstruction. Although used exclusively in a pejorative manner toward a person of a specific race and gender, the subject, although female, is not one historically associated with discrimination in this context and thus the critical descriptive tools really didn’t exist.  The conclusion seemed to be this was just another way to silence women, denying them a right to speak.  The more radical feminist left, attracted more to intersectionality, suggested it was "sexist, ageist, and classist”, although, despite being deployed only against white women, it couldn’t, as a matter of law in most Western jurisdictions, be thought racist as such although, because the targets of many Karens were depicted as minorities, it did fit into the general rubric of the critique of white privilege.  Use seems to have peaked in 2020 but "a Karen" is still often heard.

Doppelganger

Doppelganger (pronounced dop-uhl-gang-er or daw-puhl-geng-er (German))

(1) In legend, a ghostly apparition of a living person, especially one that haunts such a person.

(2) A counterpart of a living person, identical in appearance; a person remarkably similar in appearance to another.

(3) In the pop-culture fantasy genre, a monster that takes the forms of people, usually after killing them.

(4) An evil twin (often as alter ego)

1826 (1824 as a German word in English): From the German Doppelgänger, literally "double-goer" or “double walker” originally with a ghostly sense.  Although now less common, it was once sometimes the practice to use the half-English spelling doubleganger.  Doppel was from doppelt (double), from doppeln (double (made up of two matching or complementary elements)), from the Old French doble (to double), from the Latin dūplus, from the Proto-Italic dwiplos, the construct being duo (two) +‎ plus, from the Old Latin plous, from the Proto-Italic plous, from the primitive Indo-European pleh- & pelhu- (many) and cognate with the Ancient Greek πολύς (polús) (many) and the Old English feolo (much, many).  It was influenced by the Ancient Greek διπλόος (diplóos) (double), the construct being δι- (di-), from δύο (dúo) (two), + -πλόος (-plóos) (-fold) and the Proto-Germanic twīflaz (doubt). A doublet of Zweifel.  Gänger was from Middle High German genger (to go, to walk), the construct being Gang +‎ -er.  Gang was from the Middle High German ganc, from the Old High German gang, from the Proto-Germanic gangaz (pace, step, gait, walk) and cognate with the English gang.  The synonyms in the various senses include double, lookalike, dead-ringer & alter ego.

Kim Jong-un, 2019-2020.

Rumors that Kim Jong-un (b circa 1994, Supreme Leader of the Democratic People’s Republic of Korea (North Korea, the DPRK) since 2011) was incapacitated with (unspecified) health problems spiked in late 2021 when he appeared looking notably thinner than in his appearances only months earlier, the conspiracy theory hinging on the idea the part of the Supreme Leader was being played by a doppelganger.  Most speculation centered on Mr Kim’s apparently chronic obesity, chain smoking and legendarily enthusiastic intake of his favorite Swiss cheese, some suggesting the doppelganger would fulfill the role until a team of foreign doctors working in secret restored the Supreme Leader to good working order while others opined he may actually be dead and the elite of the ruling Workers' Party of Korea (the WPA, a kind of cross between the a communist party and the Kim family’s holding company) was just buying time while they worked out what to do next.

Noted DPRK watchers, the National Intelligence Service (NIS), the Republic of Korea's (South Korea, the ROK) spy agency, dismissed the idea and said the new, sexy, slimmed-down Supreme Leader was real, their findings based on a comparison using facial recognition software, weight-tracking models and analysis of high-resolution video.  According to the NIS, Mr Kim’s weight which by 2019 had reached 142 kg (313 lb), less than a year later had further ballooned to around 146 kg (322 lb) while his appearances in late 2021 indicated a loss of between 20-25 kg (44-55 lb).  They added he appeared to be in rude good health.

Kim Jong-un, 2021.

If that’s true, the weight-loss could be accounted for either by Mr Kim’s desire to slim down for reasons of health or may be political, the DPRK facing one of its worst food shortages in many years and he may wish to convey the impression he’s sharing in the deprivations being suffered by his people.  Various seasonal factors would anyway have squeezed the food supply but the COVID-19 measures taken certainly exacerbated the problem, the closure of the borders inducing the sharpest economic contraction since the loss in the early 1990s of economic assistance from the Soviet Union.  The DPRK’s trade with its main trading partner, the People’s Republic of China (PRC), dropped by between 80-90% from pre-pandemic levels and the NIS noted it was the “mismanagement” of the economy which had caused inflation rates to surge beyond that afflicting all but a few other countries but, with a chronic shortage of ink and paper, the DPRK was unable to resort to the short-term expedient of printing money.  Still, things appear not actually on the point of collapse, ballistic missile tests continuing and the COVID-19 policy has, as stated by official DPRK propaganda, proved an outstanding success, Pyongyang confirming the country has suffered zero cases since the pandemic began.  It does seem to prove a “shoot to kill” border policy works, something a few Western politicians have long suspected and probably longed for.

Kim Jong-un looking at morning tea.

Targeted sanctions imposed in response to the regime’s nuclear weapons recalcitrance had already resulted in some humanitarian suffering but the closure of the PRC-DPRK border and has increased this by blocking shipments of grain, fertilizer and farming equipment.  Severe flooding caused by powerful typhoons in 2020 which so lowered that year’s harvest also had effects which lingered, crop yields again very low in 2021.  It had become so bad that in a rare public admission, Mr Kim in 2021 told a Worker’s Party meeting that the “people’s food situation is now getting tense” and his immediate policy switch was to order all citizens to devote all their effort to farming, making sure to secure “every grain” of rice.  With apparently all NGO and UN staff having left the country, most sources of foreign aid have evaporated and the DPRK is more dependent on its own resources than at any time since the end of the Korean War (1950-1953).  All this might explain Mr Kim’s weight-loss, although not yet obviously malnourished, he’s at least setting an example.

Manchu Tuan, Shenyang, PRC (left) and the Supreme Leader (right).

In general circulation, Kim Jong-un doppelgangers are not actually rare, at least two known to be available for hire from talent agencies.  Regardless of what happens in the DPRK, it may be a good gig because in 2012, satirical site The Onion named Kim Jong-un the world’s sexiest man, either because he was, in their words, “devastatingly handsome” or a nod to Henry Kissinger’s (b 1923; US secretary of state 1973-1977) claim (actually probably a boast) that “power is the ultimate aphrodisiac”.  The Onion’s winner in 2011 had been Syrian dictator Bashar al-Assad (b 1965; president of Syria 2000-) so the editors may have found Dr Kissinger persuasive.  Manchu Tuan sells kebabs in the north-eastern Chinese city of Shenyang and says business has boomed since this resemblance to Mr Kim appeared on social media and he has hired another cook to prepare the kebabs, much of his time now absorbed with customers taking selfies with him.

Donald Trump doppelganger: Dolores Leis Antelo, a farmer from Nanton, La Coruna, Spain.  The two are reportedly not related and have never met.

Shao Jianhua Changsha, Hunan, PRC and his queue of selfie-requesting customers.

Shao Jianhua, who five years ago moved from his native Zhejiang to Changsha, makes and sells meat pies with dried and pickled vegetables, a dish associated with costal Zhejiang.  His shop operates from a cluster near the university halls of residence and the students, although very fond of his highly-regarded pies, also request selfies, business having expanded since word spread of his resemblance to PRC president Xi Jinping (b 1953; PRC president 2013-).  Mr Shao, whose pies sell for 3.5 yuan (US$0.55) has increased production to 1,600 a day during peak season and the queues are frequently long.

The conspiracy theorists do apply some science to their subjects.  Of particular interest are ears, cosmetic surgeons noting that ears are so difficult to modify to match those of another person and that latex versions attached with surgical glue are the best solution for these purposes although even with these there are limitations.  It’s not the first time a head of government’s ears have attracted interest.  In 1939, Adolf Hitler (1889–1945; Führer of Germany 1933-1945) sent his court photographer Heinrich Hoffmann (1885–1957) with the party which in 1939 went to Moscow to execute the Nazi-Soviet Pact, his task, inter alia, to get a good shot of Comrade Stalin’s (1878-1953; Soviet leader 1924-1953) ear-lobes, the Führer wishing to be reassured his new (and temporary) ally’s lobes were “separate and Ayran” and not “attached and Jewish”.  He was satisfied with Hoffman’s evidence but that didn’t stop him later double-crossing Stalin.

Front and back of blood sample of prisoner #7 (Hess), “Spandau #7 Pathology SVC Heidelberg MEDDAC 1139.

The flight to England by Rudolf Hess (1894–1987; Deputy Führer 1933-1941) in 1941, an attempt to persuade the British to conclude the war on the eve of the invasion of Russia, was one of the strangest episodes of the war and whether or not his flight was approved by Hitler remained a matter of conjecture for decades although the available evidence does suggest the Führer was as shocked as everyone else.  Another conspiracy theory ran for years, that of whether the Hess the British produced for trial in Nuremberg (1945-1946) and who was subsequently imprisoned in Spandau until his suicide (other conspiracy theories explore this) in 1987 was actually a doppelganger.  Books with various explanations about why the British might have done this were written, including one by a doctor who examined Hess while a prisoner and couldn’t reconcile his physiology with the injuries he’s suffered while serving in the Imperial Army in the First World War.  Eventually even the suspicious authors conceded the incarcerated Hess was the real one and in 2019, after one of Hess’s hermetically sealed blood samples was discovered and subjected to a DNA analysis which found a 99.99% likelihood of a match with one of Hess’s living relatives.

Lindsay Lohan and body double Aoife Bailey during filming of Irish Wish (Netflix, 2024).

The most obvious doppelgangers are "body doubles", actors used when filming scenes when, for whatever reason, the lead actor can't be used.  Such are the tricks and techniques of film production, the body doubles don't have to be even close to exact doppelgangers, they need only be vaguely similar though they often share some distinctive characteristic (such a long red hair).  Generally, body doubles are used for three reasons:

(1) Dangerous stunts: Body doubles with specific expertise are often hired to perform dangerous scenes, such as car chases, fight scenes, or jumps from great heights.

(2) Time constraints: In some cases, the lead actor or actress may not be available to film certain scenes due to scheduling conflicts.  In these situations, a body double can be used to film the scene in their place, allowing production to continue without delay.

(3) Privacy: In some instances, actors may not wish to appear in certain scenes, typically those involving nudity.  Sometimes contractual clauses include these stipulations.

What stunt doubles do, Lindsay Lohan and body double Aoife Bailey during filming of Irish Wish (Netflix, 2024).  The car is a 1965 Triumph TR4A.