Cinque

Cinque (pronounced singk)

(1) In certain games (those using cards, dice, dominoes etc), a card, die, or domino with five spots or pips.

(2) As cinquefoil (1) a potentilla (flower), (2) in heraldry, a stylized flower or leaf with five lobes and (3) in topology, a particular knot of five crossings.

1350–1400: From the Middle English cink, from the Old French cinq (five), from the Vulgar Latin cinque, from the Latin quīnque (five).  The archaic spelling cinq was from the modern French cinq, whereas the standard spelling probably emerged either under the influence of the Italian cinque or was simply a misspelling of the French.  In typically English fashion, the pronunciation “sank” is based on a hypercorrect approximation of the French pronunciation, still heard sometimes among what use to be called “the better classes”.  The alternative forms were cinq (archaic), sinque (obsolete) and sink & sank (both misspellings).  The homophones are cinq, sink, sync & synch (and sank at the best parties); the noun plural is cinques.

Cinque outposts, attested since the 1640s was a term which referred to the five senses.  The noun cinquecento (written sometimes as cinque-cento) is used in (as noun & adjective) criticism & academic works when describing sixteenth century Italian art and literature.  It dates from 1760, from the Italian cinquecento (literally “500”) and was short for mil cinquecento (1500).  The use to describe "a group of five, five units treated as one," especially at cards or dice, dates from the late fourteenth century and in English was borrowed directly from the French cinq, a dissimilation from Latin quinque (five) which in Late Latin also picked up the familiar spelling cinque.  The ultimate root was the primitive Indo-European penkwe (five).

Cinquefoil housing stained glass (leadlight) window.

In architecture, a cinquefoil is a ornament constructed with five cuspidated divisions, the use dating from the late fifteenth century, from the Old French cinqfoil, the construct being cinq (five) + foil (leaf).  The basis for the French form was the quinquefolium, the construct being quinque (five) + folium (leaf), from the primitive Indo-European root bhel- (to thrive, bloom).  In Gothic tracery, there was a wide use of circular shapes featuring a lobe tangent to the inner side of a larger arc or arch, meeting other lobes in points called cusps projecting inwards from the arch and architects defined them by the number of foils used, indicated by the prefix: trefoil (3), quatrefoil (4), cinquefoil (5), multifoil etc.  Although used as stand-alone fixtures, bands of quatrefoils were much used for enrichment during the "Perpendicular Period" (the final phase of English Gothic architecture, dated usually between circa 1350–1550; it followed the "Decorated Style" and was characterized by strong vertical lines, large windows with intricate tracery, and elaborate fan vaulting) and, when placed with the axes set diagonally, quatrefoils were called cross-quarters.

Porsche "phone-dial" wheels, clockwise from top left: 1981 911SC, 1988 924S, 1987 944S & 1985 928S.  With a myriad of variations, the cinquefoil motif was a style for wheels used by a number of manufacturers, the best known of which were the ones with which Porsche equipped the 911, 924, 944 & 928 where they were known as the “phone-dial”, a reference which may puzzle those younger than a certain age.  Because these have five rather than ten holes, they really should have picked up the nickname "cinquefoil" rather than "phone-dial" but the former was presumably too abstract or obscure so the more accessible latter prevailed.

Fiat 500 (2023), watercolor on paper by Monika Jones.  While the artist hasn't provided notes, it's tempting to imagine the inspiration was something like “Lindsay Lohan in white dress during summer in Rome, leaning on Fiat 500, painted in the tradition of Impressionism.”

A classic of the La Dolce Vita era, the rear-engined Fiat 500 was in continuous production between 1957-1975 and was the successor to the pre-war Fiat 500 Topolino, an even more diminutive machine which proved its versatility in roles ranging from race tracks to inner-city streets to operating as support vehicles used by the Italian Army in the invasion of Abyssinia (1935).  Almost 3.9 million of the post-war 500s (dubbed the Nuova Cinquecento (New 500)) were produced and as well as the two-door saloon (almost all fitted with a folding sunroof) there were three-door station wagons (the Giardiniera) & panel vans.  Although not all wore the 500 badge, in the home market, universally Italians called them the Cinquecentro.  There was also the unusual 500 Jolly, a cut down version built by Carrozzeria Ghia which featured wicker seats and a removable fabric roof in the style of the surrey tops once used on horse-drawn carriages.  The Jolly was intended as “beach car”, some carried on the yachts of the rich and although Ghia built only 650 originals, many 500s have since been converted to “Jolly Spec”, one of coach-building’s less-demanding tasks.  Being an Italian car, there were of course high-performance versions, the wildest of which was the Steyr-Puch 650 TR2 (1965-1969) which ran so hot it was necessary to prop open the engine cover while it was in use.  The Nuova 500’s successors never achieved the same success but such was the appeal of the original that in 2007 a retro-themed 500 was released although, al la Volkswagen’s “new Beetles” (1997-2019), the configuration was switched to a water-cooled front-engine with FWD (front-wheel-drive).

1985 Ferrari Testarossa “monospecchio-monodado”.

The early Testarossas were fitted with centre-lock magnesium-alloy wheels, chosen for their lightness.  Responding to feedback from the dealer network, as a running-change during 1988, these were substituted for units with a conventional five-bolt design.  The centre-lock wheels were called monodado (one nut) while the five lug-types were the cinquedado (five nut) and because of the time-line, while all the monospecchio cars are also monodado, only some of the monodaddi are monospecchi.  Monospecchi (literally "one mirror") is an unofficial designation for the early cars fitted with a single external mirror, mounted unusually high on the A-pillar, the location the product of Ferrari's interpretation of the EU's (European Union) rearward visibility regulations.  The Eurocrats later clarified things and Testarossas subsequently were fitted with two mirrors in the usual position at the base of the A-pillar. 

Plastic wheelcover for the Ford (Australia) Fairmont XE (1982-1984, left), a circa 1949 British GPO standard telephone in Bakelite (centre) (globally, the most produced handset in this style was the Model 302, which, with a thermoplastic case, was manufactured in the US by Western Electric between 1937-1955 and plastic wheelcover for the Ford (Australia) Fairmont XF (1984-1988, right).  Telephones with larger dial mechanisms usually didn't use all the available space for the finger-holes.

Probably some are annoyed at the “five-hole” wheel design coming to be known as the “phone-dial” because of course the classic rotary-dial mechanism had ten holes, one for each numeral.  Ford Australia actually stuck to the classics when designing a plastic wheel-cover for the XE Fairmont (then the next rung up in the Falcon's pecking order) because it featured the correct ten holes and it was re-allocated as a “hand-me-down” for the Falcon when the XF was introduced, the Fairmont now getting an eight-hole unit.  None of these seem ever to have been dubbed “phone-dials”, probably because plastic wheel–covers have never been a fetish like the older metal versions or aluminium wheels (often as “rims” in modern usage, a practice which also annoys some).  The XE hubcap may be thought a decemfoil (10 leaf) and the XF unit a octofoil (8 leaf).

1971 Ford (South Africa) XY Fairmont GT with the GS Pack wheel covers.

The South African Fairmont GTs were never fitted with the "five slot" wheels used in Australia, getting instead the chromed wheel cover which in Australia was part of the "GS Pack", a collection of "dress-up" options designed to provide much of the look of a GT without the additional costs to purchase or insure one.  The GS Pack wheel covers were first seen in Australia on the 1967 XR Falcon GT and came from the Mercury parts bin in the US where they'd appeared on the 1966 Mercury Comet Cyclone GT; they were designed to look like a chromed, naked wheel, the idea a tribute to the Californian hot rod community in which the motif originated.

1971 Ford (Australia) XY Falcon GT with “five slot” wheels.

Although scholars of Latin probably haven’t given much thought to the wheels Ford used in the 1960s & 1970s, their guidance would be helpful because the correct Latin form for “slot” depends on context, the words being (1) Fissura: “crack, split or narrow opening”, (2) Rima: “narrow gap or slit”, (3) Foramen: “opening, hole or perforation” and (4) Scissura “cleft or division”.  So a XY GT’s wheel would be a cinquefissura, cinquerima, cinqueforamen or cinquescissura.  The scholars would have to rule but cinquerima seems best, tied in nicely with the modern (albeit contested) use of “rim” to mean wheel.      

In production over six generations between 1965-2008 the Fairmont was a "blinged-up" version of the Australian Ford Falcon (1960-2016), a car based on the US compact (1960-1969) Ford of the same name (the one-off 1970 US Falcon an entry level model in the intermediate Torinio (formerly Fairlane) range).  Ford in the US would also use the Fairmont name for a compact (1978-1983) but the most quirky use was that between 1969-1971, Ford South Africa sold a car substantially similar to the Australian Falcon GT but badged it "Fairmont GT".  Assembled (with some local components) in South Africa from CKD (completely knocked down) packs imported from Australia, the Fairmont name was chosen because US Falcons (assembled from Canadian CKD packs) had been sold in South Africa between 1960-1963 but had gained such a bad reputation (Ford Australia had to do much rectification work after encountering the same fragility) the nameplate was decreed tainted.  In the technical sense, "Fairmont GT" would have been a more accurate name in Australia too because the Falcon GTs were, with the bling, built on the Fairmont assembly line; the choice of "Falcon GT" was just a desire by the marketing team to create a "halo" machine for the mainstream range, something which succeeded to an degree which probably surprised even those ever-optimistic types.  Ford South Africa never offered a Fairmont GTHO to match the Falcon GTHOs produced in Australia to homologate certain combinations of parts for competition.

Lamborghini has used the phone-dial since the first incarnation appeared on the Silhouette in 1976 and it likes it still, left to right: Huranan, Gallardo, Countach, Diablo and Silhouette.  With five "holes", these are true cinquefoils.

Despite being often called a "hubcap", what appeared on the South African Fairmont GTs really was a "wheel cover".  The origin of the hubcap was, fairly obviously, “a cap for hub”, something which dates from the age of horse-drawn carts.  Although they would later become something decorative, hubcaps began as a purely function fitting designed to ensure the hub mechanism was protected from dirt and moisture because removing a wheel when the hub was caked in mud with bolts “rusted on” could be a challenge.  In the twentieth century the practice was carried over to the automobile, initially without much change but as wheels evolved from the wooden-spoked to solid steel (and even in the 1920s some experimented with aluminium), the hubcaps became larger because the securing bolts were more widely spaced.  This meant they became a place to advertise so manufacturers added their name and before long, especially in the US, the humble hubcap evolved into the “wheel-cover”, enveloping the whole circle and they became a styling feature, designs ranging from the elegant to the garishly ornate and some were expensive: in 1984 a set of replacement “wire” wheel covers for a second generation Cadillac Seville (the so-called “bustle-back”, 1980-1985) listed at US$995.00 if ordered as a Cadillac part-number and then that was a lot of money.  By the late 1980s, most wheel covers were plastic pressings, other than in places like the isolated environments behind the Iron Curtain.

Beltless: Lindsay Lohan in 2004 using touch-dial wall-phone, note the hooking of the thumbs in the belt loops.

Remarkably, although touch-dial (ie buttons) handsets appeared in the consumer market as early as 1963 and soon became the standard issue, in 2024 it’s possible still to buy new, rotary-dial phones although only the user experience remains similar; internally the connections are effected with optical technology, the “sound & feel” emulated.  There’s also a market for updating the old Bakelite & Thermoplastic units (now typically between 70-90 years old) with internals compatible with modern telephony so clearly there’s some nostalgia for the retro-look, if not the exact experience.  Even after the touch-dial buttons became ubiquitous the old terminology persisted among users (and in the manufacturers' documents); when making calls users continued to "dial the number".  The same sort of linguistic legacy exists today because ending a call is still the act of "hanging up" and that dates from the very early days of telephony when the ear-piece was a large conical attachment on a cord and at a call's conclusion, it was "hung up" on a arm, the weight of the receiver lowering the arm which physically separated two copper connectors, terminating the link between the callers.  

Ms Justine Haupt with custom rotary-dial cell phone in turquoise.

Ms Justine Haupt (b 1987), an astronomy instrumentation engineer at New York’s Brookhaven National Laboratory went a step further (backwards, or perhaps sideways, some might suggest) and built a rotary-dial cell phone from scratch because of her aversion to what she describes as “smartphone culture and texting”, something to which many will relate.  In what proved a three year project, Ms Haupt used a rotary-dial mechanism from a Trimline telephone (introduced in 1965 and produced by Western Electric, the manufacturing unit of the Bell System), mounted on a case 4 x 3 x 1 inches (100 x 75 x 25 mm) in size with a noticeably protuberant aerial; it used an AT&T prepaid sim card and has a battery-life of some 24-30 hours.  Conforming to the designer’s choices of functionality, it includes two speed-dial buttons, an e-paper display and permits neither texting nor internet access.  

Designer colors: Available in black, white, turquoise, beige and the wonderful Atomic Hotline Red.  The "atomic" in the name is an allusion the hotline's origin in the aftermath of the Cuban Missile Crisis (October 1962) which was all about nuclear weapons.

Although she intended the device as a one-off for her own use, Ms Haupt was surprised at the interest generated and in 2022 began selling a kit (US$170) with which others could build their own, all parts included except the rotary-dial mechanism which would need to be sourced from junk shops and such.  Unlike the larger mechanism on the traditional desk or wall-mounted telephone, the holes in the Trimline’s smaller rotary-dial used the whole circle so the ten-hole layout is symmetrical and thus the same as the XE Fairmont’s wheelcover, something doubtlessly wholly coincidental.  Unfortunately, Ms Haupt encountered many difficulties (bringing to market a device which connects to public telephony networks involves processes of greater complexity than selling mittens and such) but the project remains afoot.

The rough-fruited cinquefoil or sulphur cinquefoil (Potentilla recta).

In botany, the potentila is a genus containing some three-hundred species of annual, biennial and perennial herbaceous flowering plants in the rose (rosaceae) family.  Since the 1540s it’s been referred to as the cinquefoil (also “five fingers” or “silverweeds”), all distinguished by their compound leaves of five leaflets.

The Confederation of Cinque Ports was a group of coastal towns in Kent, Sussex and Essex, the name from the Old French which means literally “five harbors”.  The five were Hastings, Sandwich, Dover, Romney, and Hythe, all on the western shore of the English Channel, where the crossing to the continent is narrowest.  Because of (1) their importance in cross-channel trade and (2) being in the region ,most vulnerable to invasion, they were granted special privileges and concessions by the Crown in exchange for providing certain services essential for maritime defense, dating from the years prior to the formation of the Royal Navy in the fifteenth century.  The name was first used in the late twelfth century in Anglo-Latin and the late thirteenth in English.

An early version of a PPP (public-private partnership), with no permanent navy to defend it from sea-borne aggression, the crown contracted with the confederation to provide what was essentially a naval reserve to be mobilized when needed. Earlier, Edward the Confessor (circa 1003–1066; King of England 1042-1066) had contracted the five most important strategically vital Channel ports of that era to provide ships and men “for the service of the monarch” and although this was used most frequently as a “cross-Channel ferry service” and was not exclusively at the disposal of the government.  Under the Norman kings, the institution assumed the purpose of providing the communications and logistical connections essential to keeping together the two halves of the realm but after the loss of Normandy in 1205, their ships and ports suddenly became England’s first line of defense against the French.  The earliest charter still extant dates from 1278 but a royal charter of 1155 charged the ports with the corporate duty to maintain in readiness fifty-seven ships, each to be available each year for fifteen days in the service of the king, each port fulfilling a proportion of the whole duty.  In return the ports and towns received a number of tax breaks and privileges including: An exemption from tax and tolls, limited autonomy, the permission to levy tolls, certain law enforcement and judicial rights, possession of lost goods that remain unclaimed after a year and of flotsam (floating wreckage and such) & jetsam (goods thrown overboard).  Even at the time this was thought to be a good deal and the leeway afforded to the Cinque Ports and the substantial absence of supervision from London led inevitability to smuggling and corruption although in this the Cinque Ports were hardly unique.

The Lord Warden of the Cinque Ports was something like a viceroy and the office still exists today but is now purely ceremonial and, although technically relict, remains a sinecure and an honorary title, regarded as one of the higher honors bestowed by the Sovereign and a sign of special approval by the establishment which includes the entitlement to the second oldest coat of arms of England.  The prestige it confers on the holder is derived from (1) it being the gift of the sovereign, (2) it being England’s most ancient military honor and (3), the illustrious standing of at least some of the previous hundred and fifty-eight holders of the office.  It is a lifetime appointment.

William Lygon (1872-1938), seventh Earl Beauchamp, in uniform as Lord Warden of the Cinque Ports.

The office of lord warden has not been without the whiff of scandal.  William Lygon, who in 1891 succeeded his father as the seventh Earl Beauchamp, was at twenty-seven appointed governor of New South Wales, a place to which he would later return, happily and otherwise.  In 1913, Lord Beauchamp, well-connected in society and the ruling Liberal Party’s leader in the House of Lords, was appointed Lord Warden of the Cinque Ports and, fond of pomp, ceremony and dressing-up, he enjoyed the undemanding role.  However, in 1930, he embarked on a round-the-world tour which included a two-month stint in Sydney, where he stayed, accompanied by a young valet who lived with him as his lover.  This, along with other antics, did not go unnoticed, and the Australian Star newspaper duly reported:

“The most striking feature of the vice-regal ménage is the youthfulness of its members … rosy cheeked footmen, clad in liveries of fawn, heavily ornamented in silver and red brocade, with many lanyards of the same hanging in festoons from their broad shoulders, [who] stood in the doorway, and bowed as we passed in … Lord Beauchamp deserves great credit for his taste in footmen.”

The report found its way to London when Beauchamp’s brother-in-law, the second Duke of Westminster (1879–1953), hired detectives to gather evidence, hoping to destroy him and damage the Liberal Party, the Tory duke hating both.  Evidence proved abundant and not hard to find so in 1931 Westminster publicly denounced Beauchamp as a homosexual to the king (George V 1865–1936; King of the United Kingdom & Emperor of India 1910-1936), who was appalled and responded that he “…thought men like that always shot themselves.”  Westminster insisted a warrant be issued for Beauchamp’s arrest and that forced him into exile.

Lady Beauchamp seems to have shown some confusion upon being informed of her husband’s conduct.  Although he had enjoyed many liaisons in their (admittedly large) residences (his partners including servants, socialites & local fishermen) and his proclivities were an open secret known to many in society, his wife remained oblivious and expressed some confusion about what homosexuality was.  Leading a sheltered existence, Lady Beauchamp had never been told about the mechanics of "the abominable crime of buggery" and baffled, thought her husband was being accused of being a bugler.  Once things were clarified she petitioned for divorce, the papers describing the respondent as:

“A man of perverted sexual practices, [who] has committed acts of gross indecency with male servants and other male persons and has been guilty of sodomy … throughout the married life … the respondent habitually committed acts of gross indecency with certain of his male servants.”

Beauchamp decamped first to Germany which would once have seemed a prudent choice because, although homosexual acts between men had been illegal since the unification of Germany in 1871, under the Weimar Republic (1918-1933), enforcement was rare and a gay culture flourished blatantly in the larger German cities, the Berlin scene famous even then, the writer Christopher Isherwood (1904–1986) describing things memorably although it wasn't until his diaries were later published one fully could "read between the lines".  After the Nazis gained power in 1933, things changed and Beauchamp contemplated satisfying George V’s assumption but was dissuaded, instead spending his time between Paris, Venice, Sydney and San Francisco, then four of the more tolerant cities and certainly places where wealthy gay men usually could bribe their way out of any legal unpleasantness.

Sir Robert Menzies in uniform as Lord Warden of the Cinque Ports.

Sir Robert Menzies (1894–1978; prime-minister of Australia 1939-1941 & 1949-1966) was one of the more improbable appointments as lord warden.  In the office (1965-1978), he replaced Sir Winston Churchill (1875-1965; UK prime-minister 1940-1945 & 1951-1955) on whom the hardly onerous duties had been imposed in 1941.  The old soldier Churchill had spent a lifetime appearing in military uniforms (his RAF (Royal Air Force) Air Commodore's outfit adorned with "pilot's wings" (aviator badge), apparently "self-awarded" on the basis of flying lessons (concluded after a non-fatal crash) he'd undertaken at the Royal Naval Flying School at Eastchurch on the Isle of Sheppey while serving as First Lord of the Admiralty (1911-1915)) and wore it well but the very civilian Menzies looked something like one of the characters from a Gilbert and Sullivan (Sir William Gilbert (1836–1911) & Sir Arthur Sullivan (1842–1900) comic opera.  That he was made lord warden rather than being granted a peerage was thought by some emblematic of the changing relationship between the UK and Australia.

After the death of George V, the warrant for Beauchamp’s arrest was lifted and, in July 1937, he returned to England.  What did come as a surprise to many was that soon after his arrival, invitations were issued for a Beauchamp ball, ostensibly a coming-of-age celebration for Richard Lygon (1916-1970; the youngest son) but universally regarded as an attempt at a social resurrection.  In a sign of the times, much of London society did attend although there were those who declined and made it known why.  Still, it seems to have appeared a most respectable and even successful event, Henry "Chips" Channon (1897-1958) noting in his diary it was a bit dull, the “only amusing moment when Lord Beauchamp escorted… a negress cabaret singer into supper.  People were cynically amused but I was not surprised, knowing of his secret activities in Harlem.  It is never a long step from homosexuality to black ladies.”  Lord Beauchamp didn’t long enjoy his return to society, dying within a year of the ball but the vicissitudes of his life were helpful to Evelyn Waugh (1903-1966) when writing Brideshead Revisited (1945), the character of Lord Marchmain based on Beauchamp himself while the ill-fated Sebastian Flyte was inspired by Beauchamp’s son Hugh (1904-1936) who shared and (with some enthusiasm) pursued some of his father’s interests.  Despite it all, an appointment as Lord Warden of the Cinque Ports is for life and Lord Beauchamp remained in office until his death.

Spade & Splayd

Spade (pronounced speyd)

(1) A garden or farming tool for digging, having an iron blade adapted for pressing into the ground with the foot and a long handle commonly with a grip or crosspiece at the top, and with the blade usually narrower and flatter than that of a shovel.

(2) Some implement, piece, or part resembling this.

(3) A heavy metallic projection on the bottom of a gun trail, designed to dig into the earth to restrict backward movement of the carriage during recoil.

(4) To dig, cut, or remove with a spade.

(5) In four-suit card-games, a black figure shaped like an inverted heart and with a short stem at the cusp opposite the point; a card of the suit bearing such figures.

(6) In slang, a disparaging and offensive term for a person with black skin (based on the spade in packs of cards) (obsolete).

(7) In nautical use, a type of oar blade that is comparatively broad and short (as opposed to a spoon).

(8) A cutting tool for stripping the blubber from a whale or skin from a carcass.

(9) As “in spades”, a term synonymous with the idiomatic “laying it on with a trowel” to indicate something done to excess or in an emphatic way.

(10) As “to call a spade a spade”, to be candid; to speak plainly without resort to euphemisms.

(11) As “to do the spadework” to be thorough in preparation.

(12) A hart or stag three years old (rare).

(13) A castrated man or animal (archaic).

Pre-900: From the Middle English noun spade, from the Old English spada, spade & spadu.  It was cognate with the the Proto-Germanic spadǭ, spadô & spadō, the Dutch spade, the Old Frisian spada, the Old Saxon spado, the Old High German spato, the German Spaten, the Old Norse spathi (spade), the Hunsrik Spaad and the Ancient Greek spáthē (blade; broad, flat piece of wood).  The ultimate source was the primitive Indo-European spe-dh-, from which the Ancient Greek gained σπάθη (spáthē) (blade), Hittite išpatar (spear), Persian سپار‎ (sopār) (plow), Northern Luri ئەسپار‎ (aspār) (diging) and Central Kurdish ئەسپەر‎ (esper) & ئەسپەرە‎ (espere) (cross-piece on shaft of spade to take pressure of foot).  More recent descendants include the Scottish Gaelic spaid and the Fiji Hindi sipi.  Spade & spading are nouns & verbs, spader & spadeful are nouns, spaded is a verb and spadable & spadelike are adjectives; the noun plural is spades.

Pentagon-authorized playing cards, 2003.

The use on playing cards dates from 1590–1600, from the Italian, plural of spada the meaning of which was originally “sword”, from the Latin spatha, from the Greek spáthē.  Historically, the ace of spades was the highest card in the deck and, dating from the reign of James I (James Stuart, 1566–1625; James VI of Scotland 1567-1925 &  James I of England and Ireland 1603-1625), the law required the ace of spades to bear the insignia of the printing house.  This was to ensure the stamp duty was paid and the method to certify its payment on playing cards was a physical stamp on the highest card of the deck.  Beginning in the seventeenth century, card manufacturers started putting their identification marks on the ace of spades and it was soon an industry tradition, maintained even when the tax was no longer payable, the intricate designs now serving to protect them from illegal copying.  The ace of spades has a (somewhat dubiously gained) reputation as the death card but its become part of the folk lore attached to various organized crime operations and has been used by some militaries in psychological warfare, the US army ordering bulk supplies of ace of spades cards to scatter around although the belief the Viet Cong soldiers feared the card appears to have been untrue.

Lindsay Lohan's Royal Routine in spades in The Parent Trap (1998).

The Pentagon however still liked the imagery.  In the run-up to the 2003 invasion of Iraq, thousands of packs of cards were issued, all decorated with pictures of the Iraqi regime's most wanted figures.  The dubious honor of being the ace of spades was of course granted to President Saddam Hussein (1937–2006; president of Iraq 1979-2003) but, unfortunately, the regime's final official spokesman, Mohammed Saeed al-Sahhaf (b 1940), despite his memorable war-time press conferences (as a result of which he was dubbed "Comical Ali" (a dark allusion to Ali Hassan al-Majid al-Tikriti (1941-2010, an Iraqi military officer who became notorious for his use of chemical weapons against Kurdish civilians) or "Baghdad Bob" by the press corps) which made him the country's second best known figure, didn't rate a card.  The Pentagon deemed him not worth even a two of clubs, an act of some ingratitude in the circumstances.

Dating from the 1520s, the spatula, now familiar as a kitchen tool used to scrape the contents of bowls, was derived from the early fifteenth century medical instrument, from the Latin spatula (broad piece), diminutive of spatha (broad, flat tool or weapon) from the Ancient Greek spathe (broad flat blade (used by weavers); the erroneous form spattular appeared circa 1600.

Mid-twentieth century silver-plated cake server by Viners of Sheffield (left) & early twentieth century Danish silver-plated cake spades (right).

The cake spade was a curious alternative to the cake (or pie) server, the latter a utensil styled to conform to the size and shape of the typical domestic slice of cake or pie.  Where the cake spade differed was in the use of a regular or irregular trapezoid shape which, although it would make it difficult to maneuver something cut in the traditional, elongated triangle used with circular cakes or pies, offered advantages in stability for anything served is a squarer form including desirable stuff like lasagna: horses for courses.

Drain spade with comfort step and D-grip with fibreglass handle; available at Walmart.

Although a proliferation of modern hybrid designs for home gardeners has a little blurred the distinction, traditionally, a spade differs from a two-handed shovel mostly in the form and thickness of the blade.  The phase “to call a spade a spade" (using blunt language, call things by right names and avoid euphemisms) dates from the 1540s and was a translation of a Greek proverb (which was known to the Greek satirist and rhetorician Lucian of Samosata (Λουκιανός ό Σαμοσατεύς; circa 125-Circa 185) ten skaphen skaphen legein (to call a bowl a bowl) but Dutch Catholic theologian Desiderius Erasmus Roterodamus (Erasmus of Rotterdam; 1466–1536) mis-translated, confusing the Greek skaphe (trough, bowl) for a derivative of the stem of skaptein (to dig) and the mistake has forever stuck, possibly because, at least in English, it better conveys the meaning.

Laying it on with a trowel

The trowel used by Queen Victoria when laying the foundation stone of the new buildings at the Victoria and Albert Museum, 17 May 1899, an act she managed to perform without leaving the comfort of her carriage.  A trowel is a kind of small hand-held spade, used in gardening and to apply the mortar in brick-laying.  The ornamental trowel was rendered in silver and enamel by the silversmith Nelson Dawson (1859-1941) and his wife Edith (1862-1928).

The phrase “in spades” (a suggestion of abundance) appeared first as recently as 1929 in a short story by US journalist and author Damon Runyon (1880-1946), a reference to the desirably of having many of the suit in bridge, spades the highest-ranking suit.  A similar phrase is that reported by the poet Matthew Arnold (1822-1888) and attributed to Benjamin Disraeli (1804–1881; UK prime- minister 1868 & 1874-1880) who, when discussing the techniques he adopted during his audiences with Queen Victoria (1819–1901; Queen of the UK 1837-1901), advised “everyone likes flattery and when you come to royalty, you should lay it on with a trowel”.

Although Disraeli joined the Church of England at the age of twelve, he was born Jewish and one who clearly understood the value of laying flattery on “with a trowel” was Benjamin Netanyahu (b 1949; Israeli prime minister 1996-1999, 2009-2021 and since 2022) who, while doubtless noting the “No Kings” protest movement in the US, decided that for these purposes Donald Trump (b 1946; US president 2017-2021 and since 2025) should be treated like royalty.  Shortly after it was in June 2025 announced the US military had (with the now famous “bunker-buster” bombs) attacked Iranian nuclear processing facilities which the ayatollahs had concealed deep inside a convenient mountain, Mr Netanyahu appeared at the lectern, metaphorical trowel in hand:

Benjamin Netanyahu (left) & Donald Trump (right).

“Congratulations President Trump, your bold decision to target Iran's nuclear facilities with the awesome and righteous might of the United States will change history.  Israel has done truly amazing things. But in tonight's action against Iran's nuclear facilities, America has been truly unsurpassed.  It has done what no other country on earth could do. History will record that President Trump acted to deny the world's most dangerous regime, the world's most dangerous weapons.  His leadership today has created a pivot of history that can help lead the Middle East and beyond to a future of prosperity and peace.  President Trump and I often say 'peace through strength'.  First comes strength, then comes peace.  And tonight President Trump and the United States acted with a lot of strength.  President Trump, I thank you.  The people of Israel thank you.  The forces of civilization thank you.  God bless America.  God bless Israel and may God bless our unshakeable alliance, our unbreakable faith.”

Disraeli himself can scarcely ever have been as effusive in his praise of his Queen (although on occasion he was known to go on bended knee to kiss the hand) and were Mr Netanyahu able to grant Mr Trump an imperial title (as Disraeli in 1876 conferred on Victoria by making her “Empress of India”), surely he would.  In paying due tribute, the Israeli prime minister set the mark but in a post-operation press briefing conducted with the Chairman of the Joint Chiefs of Staff (US Air Force (USAF) General Dan Caine (b 1968)) Pete Hegseth (b 1980; US secretary of defense since 2025) rose to the occasion:

Donald Trump (left) & Pete Hegseth (right).

“For the entirety of his time in office, President Trump has consistently stated, for over 10 years, that Iran must not get a nuclear weapon, full stop.  Thanks to President Trump's bold and visionary leadership and his commitment to peace through strength, Iran's nuclear ambitions have been obliterated.  Many presidents have dreamed of delivering the final blow to Iran's nuclear program, and none could, until President Trump.  The operation President Trump planned was bold and it was brilliant, showing the world that American deterrence is back.  When this President speaks, the world should listen and the U.S. Military, we can back it up.  The most powerful military the world has ever known.  No other country on planet Earth could have conducted the operation that the chairman is going to outline this morning.  Not even close.  Just like Soleimani found out in the first term Iran found out when POTUS says 60 days that he seeks peace and negotiation, he means 60 days of peace and negotiation otherwise that nuclear program, that nuclear capability, will not exist.  He meant it.  This is not the previous administration.  President Trump said, no nukes. He seeks peace, and Iran should take that path.  He sent out a Truth last night, saying this: any retaliation by Iran against the United States of America will be met with force far greater than what was witnessed tonight, signed the President of the United States, Donald J Trump.  Iran would be smart to heed those words. He said it before, and he means it.  I want to give congratulations to our commander in chief. It was an honor to watch him lead last night and throughout and to our great American warriors on this successful operation. God bless our troops. God bless America, and we give glory to God for his providence and continue to ask for his protection.”

Donald Trump (left) and Mark Rutte.

Not wanting the White House to think NATO (North Atlantic Treaty Organization) couldn’t handle a trowel as well as Tel Aviv and the Pentagon, Mark Rutte (b 1967; prime minister of the Netherlands 2010-2024, secretary general of NATO since 2024) took the opportunity presented by Mr Trump’s impending arrival at the 2025 NATO Summit Defence Industry Forum to send the president a message congratulating him on the apparent success of the USAF’s strikes on Iran:

“Mr President, dear Donald, congratulations and thank you for your decisive action in Iran, that was truly extraordinary, and something no one else dared to do. It makes us all safer.  You are flying into another big success in The Hague this evening.  It was not easy but we’ve got them all signed onto 5 percent!  Donald, you have driven us to a really, really important moment for America and Europe, and the world.  You will achieve something NO American president in decades could get done.  Europe is going to pay in a BIG way, as they should, and it will be your win.  Safe travels and see you at His Majesty’s dinner!”

Mike Huckabee (left) and Donald Trump (right).

One who had his own way of sending the message was Mike Huckabee (b 1955; Baptist preacher, Republican governor of Arkansas 1996-2007, US ambassador to Israel since 2025) who earlier had told Mr Trump that while doubtlessly he was hearing advice from many sources telling him what to do about Iran: “There is only one voice that matters, HIS voice.  I believe you will hear from heaven and that voice is far more important than mine or ANYONE else’s.”  The president clearly liked the thought of God as his advisor and re-posted the message on his Truth Social platform.  Despite his critics alleging he thinks himself as above God, it’s probably more accurate to suggest Mr Trump regards Him as an equal.

Splayd (pronounced splade)

An eating utensil combining the functions of spoon, knife and fork.

1943: A constructed brand name which was not a conventionally blended word but one with a pronunciation intended to remind the speaker of the devices functional elements (spoon & blade) with the hint of "splay" (to slant, slope or spread outwards) to allude to the shape of the tines.  While the shape of the splayd was at the time unusual, the idea of utensils which combined the knife, fork & spoon had been around for generations and during World War II (1939-1945), allied soldiers enviously would admire the "light-weight and brilliantly simple" one issued to the German army.  Splayd is a noun; the noun plural is splayds.

The splayd was created by William McArthur of Sydney, Australia, with production licensed to several manufacturers, the best known of which was Viners of Sheffield.  Although several variations of the spork (a utensil combining the functionality of spoon and fork) already existed, the splayd’s innovation was the refinement of two outer fork tines, each having a hard, flat edge, suitable for cutting through soft food and they tended to have a geometric rather than a rounded bowl (usually with two longitudinal folds in the metal).  Mrs McArthur used and sold splayds in her Martha Washington Café in Sydney's Martin Place between 1943-1967 and in 1960 sold the manufacturing rights to the Stokes company which instituted some minor changes to the design, making them more easily mass-produced.

Set of six splayds plated in 24 carat gold; most splayds were rendered in 18-8 stainless steel although, especially in England, silver plate items appeared in smaller volumes.

Among some of the middle class seeking to add a layer of something to their dinner parties, splades were often seen and during their heyday in the 1950s & 1960s.  They were also a popular wedding gift and one unintended benefit was their usefulness in aged care and medical rehabilitation facilities, their use recommended for those with feeding difficulties following or during treatment of the arm.  A range was manufactured with the Selectagrip system which featured customizable handles to assist people who had difficulties gripping or manipulating standard utensils.

Legion

Legion (pronounced lee-juhn)

(1) In the army of Ancient Rome, a military formation which numbered between 3000-6000 soldiers, made up of infantry with supporting cavalry.

(2) A description applied to some large military and paramilitary forces.

(3) Any great number of things or (especially) as persons; a multitude; very great in number (usually postpositive).

(4) A description applied to some associations of ex-servicemen (usually initial capital).

(5) In biology, a taxonomic rank; a group of orders inferior to a class; in scientific classification, a term occasionally used to express an assemblage of objects intermediate between an order and a class.

1175–1225: From the Middle English legi(o)un, from the Old French legion (squad, band, company, Roman military unit), from the Latin legiōnem & legiōn- (nominative legiō) (picked body of soldiers; a levy of troops), the construct being leg(ere) (to gather, choose, read; pick out, select), from the primitive Indo-European root leg- (to gather; to collect) + -iōn   The suffix –ion was from the Middle English -ioun, from the Old French -ion, from the Latin -iō (genitive iōnis).  It was appended to a perfect passive participle to form a noun of action or process, or the result of an action or process.  Legion & legionry are nouns, adjective & verb and legionnaire & legionary are nouns; the noun plural is legions.

The generalized sense of "a large number of persons" emerged circa 1300 as a consequence of its use of legion in some translations of the Bible (my name is Legion: for we are many (Mark 5:9; King James Version (KJV, 1611)).  It was used to describe various European military formations since the 1590s and had been applied to some associations of ex-servicemen since the American Legion was established in 1919.  The French légion d'honneur (Legion of Honor) is an order of distinction founded by Napoleon in 1802, the légion étrangère (French Foreign Legion) was originally a unit of the French army officially made up of foreign volunteers (Polish, Belgian etc) which traditionally served in colonies or on distant expeditions although French nations soon appeared in Foreign Legion colours “for a number of reasons”.  The noun legionnaire from the French légionnaire dates from 1818.  The most famous modern association is Legionnaires' Disease, caused by Legionella pneumophilia, named after the lethal outbreak in July 1976 at the American Legion convention in Philadelphia's Bellevue Stratford Hotel, Legionella thus becoming the name of the bacterium.  The cause of the outbreak was traced to water used in the building’s air-conditioning systems.

The Bellevue Stratford and Legionella pneumophilia

The origin of Legionnaires’ disease (Legionella pneumophilia) was in the bacterium resident in the air-conditioning cooling towers of the Bellevue Stratford Hotel in Philadelphia which in July 1976 was hosting the Bicentennial convention of the American Legion, an association of service veterans; the bacterium was subsequently named Legionella.

The Bellevue-Stratford Hotel, 1905.

The Legionella bacterium occurs naturally and there had before been outbreaks of what came to be called Legionella pneumophilia,(a pneumonia-like condition) most notably in 1968 but what made the 1976 event different was the scale and severity which attracted investigation and a review of the records which suggested the first known case in the United States dated from 1957.  Like HIV/AIDS, it was only when critical mass was reached that it became identified as something specific and there’s little doubt there may have been instances of Legionella pneumophilia for decades or even centuries prior to 1957.  The increasing instance of the condition in the late twentieth century is most associated with the growth in deployment of a particular vector of transmission: large, distributed air-conditioning systems.  Until the Philadelphia outbreak, the cleaning routines required to maintain these systems wasn’t well-understood and indeed, the 1976 event wasn’t even the first time the Bellevue Stratford had been the source two years earlier when it was the site of a meeting of the Independent Order of Odd Fellows but in that case, fewer than two-dozen were infected and only two fatalities whereas over two-hundred Legionnaires became ill thirty-four died.  Had the 1976 outbreak claimed only a handful, it’s quite likely it too would have passed unnoticed.

Winter Evening, Bellevue-Stratford Hotel, circa 1910 by Charles Cushing (b 1959).

That the 1976 outbreak was on the scale it was certainly affected the Bellevue-Stratford.  Built in the Philadelphia CBD on the corner of Broad and Walnut Streets in 1904, it was enlarged in 1912 and, at the time, was among the most impressive and luxurious hotels in the world.  Noted especially for a splendid ballroom and the fine fittings in its thousand-odd guest rooms, it instantly became the city’s leading hotel and a centre for the cultural and social interactions of its richer citizens.  Its eminence continued until during the depression of the 1930s, it suffered the fate of many institutions associated with wealth and conspicuous consumption, its elaborate form not appropriate in a more austere age.  As business suffered, the lack of revenue meant it was no longer possible to maintain the building and the tarnish began to overtake the glittering structure.

The Bellevue Hotel Ballroom.

Although the ostentation of old never quite returned, in the post-war years, the Bellevue-Stratford did continue to operate as a profitable hotel until an international notoriety was gained in July 1976 with the outbreak of the disease which would afflict over two-hundred and, ultimately, strike down almost three dozen of the conventioneers who had been guests.  Once the association with the hotel’s air-conditioning became known, bookings plummeted precipitously and before the year was out, the Stratford ceased operations although there was a nod to the architectural significance, the now deserted building was in 1977 listed on the US National Register of Historic Places.

The Bellevue Hotel XIX Restaurant.

The lure of past glories was however strong and in 1978-1979, after being sold, a programme described as a restoration rather than a refurbishment was undertaken, reputedly costing a then impressive US$25 million, the press releases at the time emphasizing the attention devoted to the air-conditioning system.  The guest rooms were entirely re-created, the re-configuration of the floors reducing their number to under six-hundred and the public areas were restored to their original appearance.  However, for a number of reasons, business never reached the projected volume and not in one year since re-opening did the place prove profitable, the long-delayed but inevitable closure finally happening in March 1986.

The Bellevue Hotel Lobby.

But, either because or in spite of the building being listed as a historic place, it still attracted interest and, after being bought at a knock-down price, another re-configuration was commenced, this time to convert it to the now fashionable multi-function space, a mix of retail, hotel and office space, now with the inevitable fitness centre and food court.  Tellingly, the number of hotel rooms was reduced fewer than two-hundred but even this proved a challenge for operators profitably to run and in 1996, Hyatt took over.  Hyatt, although for internal reasons shuffling the property within their divisions and rebranding it to avoid any reference to the now troublesome Stratford name, benefited from the decision by the city administration to re-locate Philadelphia’s convention centre from the outskirts to the centre and, like other hotels in the region, enjoyed a notable, and profitable, increase in demand.  It’s now called simply: The Bellevue Hotel.

The Bellevue Hotel.

Understandably, the Bellevue’s page on Hyatt’s website, although discussing some aspects of the building’s history such as having enjoyed a visit from every president since Theodore Roosevelt (1858–1919; US president 1901-1909) and the exquisitely intricate lighting system designed by Thomas Edison (1847-1931) himself, neglects even to allude to the two outbreaks of Legionnaires’ disease in the 1970s, the sale in 1976 noted on the time-line without comment.  In a nice touch, guests may check in with up to two dogs, provided they don't exceed the weight limit 50 lb (22.67 kg) pounds individually or 75 lb (34 kg) combined.  Part of the deal includes a “Dog on Vacation” sign which will be provided when registering; it's to hang on the doorknob so staff know what's inside and there's a dog run at Seger Park, a green space about a ½ mile (¾ km) from the hotel.  Three days notice is required if staying with one or two dogs and, if on a leash, they can tour the Bellevue's halls but they're not allowed on either the ballroom level or the 19^th floor where the XIX restaurant is located.  A cleaning fee (US$100) is added for stays of up to six nights, with an additional deep-cleaning charge applicable for 7-30 nights.

Lindsay Lohan with some of the legion of paparazzi who, despite technical progress which has disrupted the primacy of their role as content providers in the celebrity ecosystem, remain still significant players in what is a symbiotic process.

Cadillac advertising, 1958.

Cadillac in 1958 knew their buyer profile and their agency’s choice of the Bellevue Stafford as a backdrop reflected this.  They knew also to whom they were talking, thus the copywriters coming up with: “Not long after a motorist takes delivery of his new Cadillac, he discovers that the car introduces him in a unique manner.  Its new beauty and elegance, for instance, speak eloquently of his taste and judgment.  Its new Fleetwood luxury indicates his consideration for his passengers.  And its association with the world’s leading citizens acknowledges his standing in the world of affairs.”  That’s just how things were but as the small-print (bottom left of image) suggest, women did have their place as Cadillac accessories, a number of them in the photograph to look decorative in their “gowns by Nan Duskin”.  Lithuania-born Nan Duskin Lincoln (1893-1980) in 1926 opened her eponymous fashion store on the corner of 18^th & Sansom Streets and enjoyed such success she was soon able to purchase three buildings on Walnut Stereet which she converted into her flagship and for years it was an internationally-renowned fashion mecca.  Ms Duskin was unusual in that despite have never been educated beyond the sixth grade, she was an advocate for fashion being taught at universities and while that may not seem revolutionary in an age when it’s probably possible to take a post-graduate degree in basket weaving, it was at the time a novel idea.  She worked as a lecturer in design and criticism at Drexel University, the institution later establishing the Nan Duskin Laboratory of Costume Design.  It was said of Ms Duskin that when she selected a wedding dress for brides-to-be, almost invariably they were delighted by the suggestion though she would lament the young ladies were not always so successful in their choice of grooms.

Nan Duskin brochure, 1942; While fashions change, slenderness never goes out of style and these designs are classic examples of “timeless lines”.  Presumably, this brochure was printed prior to the imposition of wartime restrictions which resulted in such material being restricted to single color, printed on low-quality newsprint. 

Responsible for bringing to Philadelphia the work of some European couture houses sometimes then not seen even in New York, there was nobody more responsible for establishing the city as a leading centre of fashion before her semi-retirement in 1958 when she sold her three stores to the Dietrich Foundation.  Unashamedly elitist and catering only to the top-end of the market (rather like Cadillac in the 1950s), her stores operated more like salons than retail outlets and while things for a while continued in that vein after 1958, the world was changing and while the “best labels” continued to be stocked, the uniqueness gradually was dissipated until it was really just another store, little different from the many which had sought to emulate the model.  In 1994, Nan Duskin filed for Chapter 11 Bankruptcy (which enables to troubled companies to continue trading while re-structuring) but the damage was done and in 1995 the businesses were closed.  Nothing lasts forever and it’s tempting to draw a comparison with the way Cadillac “lost its way” during the 1980s & 1990s.