Monday, June 6, 2022

Ampersand

Ampersand (pronounced am-puhr-sand or am-per-sand)

The logogram “&” now representing the conjunction "and"; it originated as a ligature of the letters of the Latin et (and).

1830-1835: A contraction of and per se and, meaning "(the character) '&' by itself is 'and'" (a hybrid phrase, partly in Latin, partly in English); an earlier form was the colloquial ampassy (1706).  It seems now curious, even nonsensical, but made complete sense given the way language was used as late as the nineteenth century.  The form emerged to create a distinction to help avoiding confusion with “&” in such formations as “&c.”, a once common way of writing “etc.” (the et in et cetera is Latin for "and").  Also, the letters “a”, “I”, and “o” were, as recently as the fifteenth & sixteenth centuries written “a per se”, “I per se” etc, especially when standing alone as words.

The symbol is based on the Latin et (and) and comes from an old Roman system of shorthand signs (ligatures) attested in Pompeiian graffiti.  It is not from the notae Tironianae (Tironian notes or Tironian shorthand) (a system of shorthand invented circa 60 BC by Marcus Tullius Cicero's slave and personal secretary Tiro which consisted of about four thousand symbols which, in classical times, was extended by another thousand) although a variety of sources have maintained the myth for hundreds of years.  The confusion has lasted centuries because some medieval scribes, including Anglo-Saxon chroniclers, sprinkled their works with a symbol like a numeral 7 to indicate the word “and”.  Technically, the ampersand is a mondegreen (a kind of imperfect echoic) of "and per se and".

Variations on the theme: Some of the most sexy ampersands. 

In many nineteenth century schoolbooks the ampersand was printed at the end of the alphabet and by the 1880s, the word ampersand had become schoolboy slang for "posterior, rear end, hindquarters", a use that faded in the twentieth century as the word assumed its standardized meaning and schoolboys found English offered many callipygian alternatives.  The form in which it appeared at the end of listings of the alphabet was “…X, Y, Z and per se and."  This eventually became "ampersand", the term in common English use by around 1837 although, in contrast to the surviving twenty-six letters, the ampersand does not represent a speech sound, unlike other characters that earlier dropped from the English alphabet such as the Old English thorn, wynn, and eth.

Curiously, given it had for centuries been in the sets of typefaces used by printers (the advantage being the use of one rather than the spaces "and" absorbs, thereby saving space and ink, the latter a measurable financial saving in large print runs because of the frequency with which "and" needs to be expressed), the ampersand symbol (&) wasn't included in many early typewriters.  Instead, typist were compelled to improvise their own ampersands by typing an "e", then back-spacing and adding a "t" atop.  The manufacturers of the early typewriters limited the character sets included because the early devices were so prone to jamming and one way to reduce instances of this was to increase the space between the metal "arms" to which the "type bars" (also known as "strikers"; the upright ends of the bars which are molded as the "head" with the embossed letter, number or symbol) were attached.  Increasing the gap between the arms limited the number which could be installed so on the essentials were included.  As technology improved, the character sets were enlarged and the by the early twentieth century, the ampersand was de rigueur.

The Plastics Mean Girls Unisex Ampersand Sweatshirt, available in Thursday to Tuesday (left) & Wednesday (right) editions.

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