Slant

Slant (pronounced slant or slahnt)

(1) A surface, structure, line etc at a slope or in an oblique direction.

(2) In (US) football, an offensive play in which the ball-carrier runs toward the line of scrimmage at an angle (known also as the “slant-in”, a pass pattern in which a receiver cuts diagonally across the middle of the field).

(3) In prosody, as “slant rhyme”, a synonym for the “half rhyme”, “near rhyme” & “quasi-rhyme” (a form of imperfect rhyme in which the final (coda) consonants of stressed syllables (and, in modern English poetry, any following syllables to the end of the words) are identical in sound, but the vowels of the stressed syllables are not.

(4) In typography, a synonym of slash ( / ⟩, particularly in its use to set off pronunciations from other text (not used in IT where the distinctions are between the forward-slash (/) and the back-slash (\) which nerds call respectively the slash and the slosh.

(5) In biology, a sloping surface in a culture medium.

(6) In hydro-carbon extraction, as “slant drilling”, a technique in which the drilling is undertaken at an oblique angle rather than the traditional vertical orientation.

(7) In extractive mining, as type of run in which a heading is driven diagonally between the dip and strike of a coal seam.

(8) In informal use, a glance or look.

(9) To veer or angle away from a given level or line, especially from a horizontal; slope (in to incline, to lean).

(10) Figuratively, to have or be influenced by a subjective point of view, bias, personal feeling or inclination etc (often as “slant towards”, “slanted view” etc); a mental leaning, bias, or distortion (“feminist slant”, “MAGA slant”, “liberal slant”, “business slant” et al).

(11) To cause to slope.

(12) Figuratively, to distort information by rendering it unfaithfully or incompletely, especially in order to reflect a particular viewpoint (more generously sometimes described as “spin” or “massaged”).  The concept is known also as “angle journalism” (the particular mood or vein in which something is written, edited, or published).  In Scots English, the meaning “to lie or exaggerate” captures the flavor.  When used to describe the composing, editing, or publishing of something to attract the interest of a specific sub-group (a “slanted” story), “slanted towards” is necessarily pejorative if used only to suggest something optimized to appeal to a certain market segment or demographic (ie it’s more like “aimed at” or “intended for”).

(13) In slang, as “slant eye” (a racial slur now listed as disparaging & offensive), a reference to people from the Far East (applied historically mostly to the Chinese & Japanese), based on the shape of the eyes.  The variants included “slit eye”, “slitty-eyed” & “slopehead”, all equally offensive and now proscribed.

(14) In painting (art) a pan with a sloped bottom used for holding paintbrushes; a depression on a palette with a sloping bottom for holding and mixing watercolors; a palette or similar container with slants or sloping depressions.

(15) In US regional slang, a sarcastic remark; shade, an indirect mocking insult (archaic).

(16) In US slang, an opportunity, particularly to go somewhere (now rare).

(17) In historic Australian colonial slang, a crime committed for the purpose of being apprehended and transported to a major settlement.

Circa 1480s: From the Middle English –slonte or -slonte, both aphetic (in phonetics, linguistics & prosody, “of, relating to, or formed by aphesis” (the loss of the initial unstressed vowel of a word)) variants of aslant, thought to be of Scandinavian origin.  The other influence was probably the earlier dialectical slent, from the Old Norse or another North Germanic source and cognate with the Old Norse slent, the Swedish slinta (to slip) and the Norwegian slenta (to fall on the side), from the Proto-Germanic slintaną (which, in turn, was probably in some way linked with aslant.  Slant & slanting are nouns, verbs & adjectives, slanted is a verb & adjective, slantish is an adjective, slantwise is an adjective & adverb and slantingly & slantly are adverbs; the noun plural is slants.  The pleasing adjective slantendicular is listed by some as non-standard and presumably is proscribed in geometry and mathematics because it's an oxymoron; it’s a portmanteau word, the construct being slant + (perp)endicular.  It may be useful however in commerce or engineering where it might be used to describe something like a tool with a shaft which at some point assumes an oblique or skewed angle.   So it’s there to be used and slantindicular should be applied to stuff which is neither wholly nor fully slanted and in architecture, such structures are numerous.  In commerce, it could be used as a noun.

The noun slant by the 1650s was used to mean “an oblique direction or plane” and began in geography & civil engineering (of landforms, notably ski-slopes), developed from the verb or its adjective.  The now familiar (in the Fox News sense) meaning “way of regarding something, a mental bias” dates from 1905 while the derogatory slang sense of “a person of Asian appearance” came into use some time in the 1940s, a direct descendent from the earlier "slant-eyes", documented since 1929.  The verb slant is documented since the 1520s in the sense of “obliquely to strike (against something)”, an alteration the late thirteenth century slenten (slip sideways), the origin of which is murky but etymologists have concluded it came (via a Scandinavian source (noting the Swedish slinta (to slip)) and the Norwegian slenta (to fall on one side), from the Proto-Germanic slintanan.  The intransitive sense of “to slope, to lie obliquely” was in use by the 1690s, while the transitive sense of “to give a sloping direction to” had emerged by the early nineteenth century.  As early as the late fifteenth century forms were in use as an adverb, the adjectival use attested from the 1610s.  The technical use in literary theory as “poetic slant rhyme” was first used in the mid 1920s (assonance or consonance) although such lines had appeared for centuries, used sometimes deliberately as a device, sometimes not.  In the following stanza by English poet Peter Redgrove (The Archaeologist, published in Dr Faust's Sea-Spiral Spirit (1972)), the second and third lines contain a form of slant rhyme while the first and fourth have pure rhymes:

So I take one of those thin plates
And fit it to a knuckled other,
Carefully, for it trembles on the edge of powder,
Restore the jaw and find the fangs their mates.

You are watching Fox.

While it’s unlikely volumes of the poetry of Emily Dickinson (1830–1886) sit upon the bookshelves of those members of the Fox News audience who have bookshelves, they likely would concur with her words: “Tell the truth but tell it slant.”  “Slanted reporting” has become something which in recent years has attracted much attention (and much hand-wringing by the usual suspects) as an increasingly polarization of positions has been alleged to be a feature of political discourse in the West.  There is little doubt the effect (as reported) is obvious but there’s some debate about both the mechanics and the implications of the phenomenon.  As long ago as 2018, a study found that although the tenor and volume of things on X (formerly known as Twitter) was found to be increasingly toxic and surging, the number of active users engaged in these political polemics was found to be tiny and their effect was distorted by (1) the huge number of tweets they tended to post, (2) the propensity of their fellow-travelers to re-tweet and (3) the use of bots which were more prolific still.  If anything, recent voting patterns suggest it would seem the views of the general population appear to be trending away from the extremes towards the more centralist positions offered by independents or small-parties, something most obvious in Australia where compulsory voting exists.  Outfits like Fox News offer a slanted take on just about everything (and promote country & western music which truly is inexcusable) but this is something which has been identifiable in the news media as long as it’s existed and their blatant bias is hardly subversive or threatening, simply because it is so blatant.  What was most interesting in what emerged from the recent defamation suit filed by Dominion Voting Systems against Fox News suggested the network’s stance on things was motivated more by the financial imperative than ideological purity.  Intriguingly, what some analysts concluded was that if the universe shifted and the Fox News audience transformed into a bunch of seed-eating hippies, there would follow Fox’s editorial position, the slant being towards the advertising revenue rather than a particular world view.  Of course, there are some slants which are unalterable and dictated by ideological purity but with commercial media, it’s likely sometimes cause is confused with effect.

The Leaning Tower of Pisa (left) and Lindsay Lohan in The Parent Trap (1998) in front of London’s perpendicular Big Ben (1859) (right).  The architect’s original name for the latter was a typically succinct “Clock Tower”, chosen because it housed the “Great Bell of the Great Clock of Westminster” but it was in 2012 renamed “Elizabeth Tower”, marking the Diamond Jubilee of Elizabeth II (1926-2022; Queen of the UK and other places, 1952-2022), something little noted by Londoners or those beyond who continue to prefer the nickname “Big Ben” although strictly speaking that’s a reference only to the “Great Bell” a 13.5 ton (13.7 tonne) casting in bell metal (a bronze which is an alloy of about 77% copper & 23% tin).  The origin of the nickname is contested but there are no romantic tales, all the possible inspirations being worthy white men as was the Victorian way.

Although in Italy alone there are seven leaning towers (three of which stand (ie lean) in Venice), it’s the torre di Pisa (Tower of Pisa) which is by far the best-known and a frequent Instagram prop.  Built between 1173-1372, the structure in the Piazza del Duomo (Pisa’s Cathedral Square) is the campanile (the freestanding bell tower) of the adjacent Pisa Cathedral and the famous lean of some 4^o (actually somewhat less than its greatest extent after more than a century of compensating engineering works) was apparent even during construction, the cause the softness of the sub-surface.  That geological feature has however contributed to the tower’s survival, the “rubber-like” sponginess below acting to absorb movement and despite a number of severe earthquakes in the region over the centuries, the tower remains.  It is of course known as the leaning tower than a sloping, oblique or slanted tower, probably because of the conventions of use which evolved in English.

The words “sloping”, “oblique”, “slanted”, & “leaning” all describe something not vertical or horizontal there tend to be nuances which dictate the choice of which to use.  Sloping generally is used of something which inclines or declines at a gentle or continuous angle, the implication being of a gradual or smooth transition from elevation to another, such as the way a hillside rises gradually rises to its summit.  Oblique is mostly a matter of specific angles and is thus common is mathematics, geometry and engineering.  Again, it’s a reference to something neither parallel nor perpendicular to a baseline but it tends to be restricted to something which can be defined with an exact measurement; in geometric or technical use, an oblique line or angle is one neither 90^o nor perfectly horizontal.  Slanted describes something positioned at a diagonal, often used to imply a more noticeable or sharp angle but also is widely used figuratively, metaphorically and in idiomatic phrases.  Leaning refers to something tilted or positioned at an angle due to external pressure, the object in an unstable position and in need of support.  The implication carried is that something which “slants” is designed thus to do while something which “leans” does so because of some design flaw or unexpected external force being applied so it’s the leaning and not the sloping tower of Pisa, even though the structure has assumed quite a slope.

Slanting Engines

On a slant: Diagram of the mounting of the M194 straight-six engine in the Le Mans winning Mercedes-Benz 300 SL (W194) canted at a 40^o slant (left); the Mercedes-Benz M196 straight-eight engine schematic (centre) and installed in a 1954 W196R "Streamliner" at a 53^o slant (right).  The two large donut-like objects at the front are the inboard, finned brake drums; at the time, the engineers maintained disk brakes were "not yet ready for use". 

There are “slant” engines and they exist in three configurations.  The first is simply a conventional in-line engine (straight-six, straight-eight etc) which, when installed in a vehicle, is fitted with the block canted to the left or right, the objective being a lower hood line which means a better aerodynamic outcome.  A classic example was the Mercedes-Benz W196R Formula One racing car (1954-1955) in which the straight-eight was canted to the right at a 53^o angle, the technique carried over when the same structure was used to produce the W196S (1955) used to contest the World Sports Car Championship.  Rather opportunistically, the W196S was dubbed the 300 SLR (one of which in 2022 became the world's most expensive used car, selling at a private auction for US$142 million) as a form of cross promotion with the 300 SL (W198, 1954-1956) Gullwing then in production, even though the two types shared little more than nuts, bolts and a resemblance.  The 300 SL did however also have its straight-six engine sitting at a slant, this time canted at a 50^o angle and although the factory never published an estimate of the reduction in drag, it’s long been presumed to be “at least several percent”.  Another advantage of the configuration was it made possible the use of “long-tube” runners for the induction system, taking advantage of the properties of fluid dynamics to permit them to be tuned either for mid-range torque or top-end power.  The concept used math which had been worked out in the nineteenth century and had often been used in competition but it wasn’t until 1959 when Chrysler in the US released their picturesque induction castings that the system, imaginatively named the “Sonoramic”, reached a wider audience.

Chrysler Slant Six (170 cid, 1963) schematic.

The “true” slant engines were those with a slanted block atop an otherwise conventional arrangement of components, the best known of which was Chrysler’s long-serving “Slant Six”, produced in displacements of 170 cubic inch (2.8 litre, 1959-1969), 198 cubic inch (3.2 litre, 1970-1974) and 225 cubic inch (3.7 litre, 1960-2000).  The block of the Slant Six was canted to the right at a 30^o and like Mercedes-Benz, Chrysler took advantage of the space created to the left to produce some wide induction runners, the most extravagant those used by the special Hyper Pack option package which used a four barrel carburetor, enabling the engine to produce power which made it competitive with many V8 powered machines.  Although the name “Slant Six” became famous, it was only in the mid-sixties it caught on, Plymouth originally calling the thing a 30-D (a reference to the a 30^o slant), hardly very catchy and something to which only engineers would relate and Slant Six was soon preferred although the aficionados really like “tower of power” and the engine even today still has a devoted following.

Chrysler Slant Six with Hyper Pak in 1962 Plymouth Valiant V-200.

Chrysler didn’t restrict the Sonoramics to the big-block V8s, using it also on the short-lived (1960-1962) Hyper Pak performance option for the both 170 cubic inch (2.8 litre, 1959-1969) and 225 cubic inch (3.7 litre, 1987-2000) versions of the Slant Six, the engineers taking advantage of the space afforded by the canted block to permit the curvaceous intake runners nearly to fill the engine bay.  The Hyper Pak wasn't seen in showrooms but was available as an over-the-counter kit (literally a cardboard box containing all necessary parts) from Dodge & Plymouth spare parts departments and its life was limited because it became a victim of its own success.  Although less suitable for street use because it turned the mild-mannered straight-six into something at its best at full throttle, in the race events for which it was eligible it proved unbeatable, dominating the competition for two years, compelling the sanctioning body cancel the series.

Manifold porn: The Slant Six's angle meant there was much space available to the left and a range of intake manifolds followed, some of which remain available to this day.  Using variations of the sonoramic tuning, manifolds were produced for single, two & four barrel carburetors and between 1965-1968, Chrysler's Argentine operation produced the Slant Six in a version with twin single barrel carburetors.  The use of the properties of fluid dynamics to gain power or torque as desired quickly was adopted by the industry as an engineering orthodoxy.

Some myths seem to have become attached to the Hyper-Pak.  What seems to be true is the original kit, sold in 1960 for the 170 engines used in competition, was a genuine homologation exercise and as well as the intake manifold & Carter AFB four barrel carburetor, it included all the internal parts such as the high-compression pistons, the high-lift camshaft and the valve train components needed to support the consequently higher engine speeds.  Because the competition rules allowed modifications to the exhaust system, on the track the cars ran tubular steel headers which fed an open exhaust, terminating in the racers' preferred “dump pipe”.  After the requisite number of “complete” kits were sold, thus fulfilling the homologation demands, the kits were reconfigured and included only the “bolt-on” parts such as the induction system and a camshaft which, while more aggressive than the standard unit, wasn’t as radical as the one used on the track but could be used in conjunction with the standard valve train and Chrysler’s TorqueFlite automatic, thus expanding the Hyper-Pak’s appeal.

At the same time, the availability was extended to the larger 225 which between 1961-1963 was also available with an aluminum block, thus becoming one of the small number of engines configured with the combination of an aluminum block with a cast-iron head.  US manufacturers were at the time aware the trend was for cars to continue getting bigger so they were interested in ways to reduce weight.  However, despite saving some 70 lbs (32 KG), Chrysler’s aluminum block was, like General Motors’ (GM) 215 cubic inch (3.5 litre) V8, short-lived (though the V8 after being sold to Rover enjoyed a long, lucrative and prolific second life, not finally laid to rest until 2006) for not only were teething troubles encountered with the still novel method of construction, the accountants made clear using cast iron was always going to be cheaper so the industry just accepted weight gain and whenever required, increased displacement to compensate, an approach which persisted until the first oil shock of the early 1970s.

1970 Dodge Challenger (1970-1974) with 225 Slant Six.

Until 1973, both the Challenger & the corporation's companion pony car (the Plymouth Barracuda (1964-1974)) was available with the Slant Six (198 & 225) although the fitment rate was under 10%, unlike the early pony cars (Ford Mustang, Chevrolet Camaro and the early Barracudas) where the six-cylinder versions would at times be close to 40% of production.  Many of the surviving Slant Six Challengers & Barracudas have been "re-purposed" as clones of the more desirable versions with big-block V8s.

Although it was the longer lived 225 version which gained the Slant Six its stellar reputation for durability and the ease with which additional power could be extracted, there's always been a following for the short-stroke 170 because of its European-like willingness to rev, the characteristics of the over-square engine (unique among the slant-six's three displacements (170-198-225)) unusually lively for a US straight-six.  Despite some aspects of the specification being modest (there were only four main bearings although they were the beefy units used in the 426 cubic inch Street Hemi V8), for much of its life it used a tough forged steel crankshaft and high-speed tolerant solid valve lifters; it proved a was a famously robust engine and one remarkably tolerant of neglect.  Despite that, after the Hyper Pak affair, Chrysler in the US showed little interest in any performance potential, knowing the US preference for V8s, something which doomed also Pontiac's short-lived single overhead camshaft (SOHC) straight-six (1966-1969).  A version of the 225 with a two-barrel carburetor (rated at 160 horsepower, an increase of 15 over the standard unit) was offered in some non-North American markets where V8 sales were not dominant and it proved very popular in South Africa, Australia, New Zealand and Central & South America but only when tighter US emission regulations forced its adoption did a 225 with a two barrel carburetor appear in the home market though there it was installed to restore the power losses suffered after the emission control plumbing was added rather than seek gains.

Pontiac Trophy 4 cutaway.

Making a straight-eight or V8 by combining two in-line fours has been done a few times and many have been successful (although Triumph managed to create a truly horrid one for the otherwise lovely Stag).  Less common is making a four from an eight but that’s what Pontiac did when they conjured their 194.5 cubic inch (3.2 litre) four by using one bank of their 389 cubic inch (6.4 litre) Trophy V8 and it was (just about) literally cut in half, meaning the cylinders were canted to the right by 45^o (the V8 obviously in a conventional 90^o configuration.  To emphasize the family connection with the highly regarded Pontiac Trophy V8, the smaller offspring was called the Trophy 4 (although it was at time also dubbed the Indy 4 or Indianapolis 4 which even at the time sounded ambitious).  It did work and the economic advantages for the manufacturer (use of common components and the same assembly line) were compelling but the limitations inherent in a four-cylinder of such a large displacement were apparent in the rough-running and wear on critical parts and it was available only between 1961-1963, only in the compact Tempest.

Diagram showing balance shaft locations.

Large displacement four cylinder engines have been built.  Fiat in 1910 built two of their S76s to contest the world LSR (land speed record) and they were an hefty 28.4 litres (1730 cubic inch), the “Beast of Turin” using its then impressive 290 horsepower (216 kW) to attain a one-way speed of 132.27 mph (213 km/h) but, because it was not possible for the team to make the “return run” (ie in the opposite direction) within the stipulated one hour, the LSR remained with the Blitzen Benz which in 1909 had set a mark of 125.94 mph (202.65 km/h).  On land, never again would anyone build a four with the capacity to match the Beasts of Turin but units with displacements approaching 5.0 litres (305 cubic inch) were not uncommon during the inter-war years.  However, the technology of the internal combustion engine (ICE) greatly advanced during World War II (1939-1945) and one consequence of that was engine speeds rose and less displacement was required for a specific output, both factors which conspired to make the big fours unfashionable.  They did however make a comeback in the 1970s when the clever trick of “balance shafts” enabled the inherently chronic second order harmonic vibrations to be “dampened out” and Porsche between 1991-1995 produced a 3.0 litre (183 cubic inch) range which used the technique.  The balance shaft was invented early in the twentieth century by English engineer Frederick Lanchester (1868–1946) but it was Mitsubishi which in the 1970s patented their “Silent Shaft” system and although Porsche developed their own version, they worked out the Japanese design was superior so used that instead, paying Mitsubishi a small royalty (under US$10) for each one installed.  A balance shaft uses two counterweights (looking something like small hockey pucks with the shaft running through them), set some 1½ inches (40 mm) apart and turns at twice the engine-speed.  With one shaft mounted high on one side of the engine and the other low on the opposite side, the pair counter-rotates, balancing the large reciprocating mass.  

Slope

Slope (pronounced slohp)

(1) To have or take an inclined or oblique direction or angle considered with reference to a vertical or horizontal plane; slant.

(2) To move at an inclination; obliquely to move.

(3) To direct at a slant or inclination; incline from the horizontal or vertical.

(4) To form or describe something with a slope or slant.

(5) A descriptor of ground or some aspect of the natural or built environment which has an incline, such as a hill.

(6) An inclination or slant, especially downward or upward; to lie or cause to lie at a slanting or oblique angle.

(7) Any deviation from the horizontal or vertical; an inclined surface.

(8) In mathematics, (1) the tangent of the angle between a given straight line and the x-axis of a system of Cartesian coordinates; (2) the derivative of the function whose graph is a given curve evaluated at a designated point.

(9) In slang, a disparaging and offensive term used to refer to a person of East Asian appearance.

(10) As slope off, a slang term (mostly UK, Australia & New Zealand) describing someone moving slowly, or furtively away, usually to avoid work or responsibility; a rare variation is “sloped-in”, used to describe to who arrive somewhere surreptitiously (those late for work etc).

(11) To follow an inclined course down a hillside (applied especially to natural features).

(12) In military use, as slope position, a drill command referring to the position in which a long-arm should be held.

1495–1505: From Middle English slope (go in an oblique direction), from the earlier adjectival meaning “slanting”, an aphetic variant of the Middle English aslope, from the Old English aslopen, past participle of āslūpan (to slip away), the construct being a- (away) + slupan (to slip).  From 1709 slope was used to mean "to be in a slanting position", the transitive sense "place in a slanting position" having been part of the language since circa 1600.  The derogatory slang meaning "oriental person" is attested from 1948.  Slopingly is an adverb, slopingness, sloper & slope are nouns, sloped & sloping are adjectives and sloped & sloping are verbs.

The slippery slope and the thin end of the wedge

Borrowed from political science, the terms “slippery slope” and “thin end (sometimes edge) of the wedge” are sometimes used interchangeably but, while both refer to similar processes, there are nuances which distinguish the two.  The idea is that a small, minor and perhaps innocuous change or innovation affecting something can trigger a chain of events which might result in unintended consequences; in that there are similarities with chaos theory but a slippery slope is much more specific and probably lineal.  There’s often overlap between the two and the distinctions are not always absolute but circumstances usually tends more to one than the other.  Both tend to be used in political discourse by extremists and fanatics and are often example of what is called the “slippery slope fallacy” such as the argument that if gay marriage is allowed, eventually the gay people will be allowed to marry their goats.  That argument really was raised by some who claimed it wasn't an extreme position to take, pointing out that two generations earlier, those who had been opposed to the decriminalization of homosexuality because it would put society on a slippery slope towards gay marriage had been accused of raising a “slippery slope fallacy”.  All things considered, goats seem safe.  The slippery slope is also a piece of imagery adopted sometimes by black-letter-law judges who oppose judicial activism.

The difference is essentially in the dynamics driving the process.  On a slippery slope, things happen because of the inherent inertia; the notion that of sitting on a slippery slope, the slide downhill an inevitable consequence of the physics of fluid dynamics and the force of gravity.  The downward path will happen naturally.  By contrast, the model of the thin end of the wedge is that of the wedge driven into the tree.  If left there nothing will happen but if the woodsman continues to hammer the edge into the trunk, at some point, the tree will fall.  An example of the thin end of the wedge was the deployment in the early 1960s by the Kennedy administration (1961-1963) of a small number of military advisors to support the government of South Vietnam.  It had never been intended that large-scale combat operations would be undertaken in Vietnam but, step-by-step, Washington increased the commitment.  An more familiar example of the slippery slope is to adopt a rigorous diet and then allow a weekly “cheat day”.  On the first cheat day, one might have just the one chocolate biscuit but the next week it’s a biscuit and a donut and within weeks it’s packets of both.

Anthony Trollope’s (1815-1882) 1857 novel Barchester Towers is set in a tranquil and leafy town but there are few novels which, without even a threat of bloodshed, so successfully and with such subtlety impart such feelings of incipient evil and a relentless undercurrent of dread.  In Victorian novels there were many characters of dubious virtue but few not actually homicidal managed to induce in readers such feelings of unease and distaste as the slimy Reverend Obadiah Slope.

Although said to be “tall and not ill made”, Slope was “saucer-eyed”, his hair “lank, and of a dull pale reddish hue… formed into three straight lumpy masses, each brushed with admirable precision, and cemented with much grease.”  His face, “perhaps a little redder” than his hair, not unlike beef “of a bad quality”, a “redeeming feature” his nose which was “pronounced, straight, and well-formed” although marred still by “a somewhat spongy, porous appearance, as though it had been cleverly formed out of red colored cork".  The description of the nose is not without significance for it had by some been asserted that he was of lineal descent from Dr Slop, “that eminent physician who assisted at the birth of Mr Tristram Shandy, and that in early years he added an ‘e’ to his name, for the sake of euphony.”  Shandy, the eponymous character from Laurence Sterne's (1713-1768) nine volume work (1759-1757), The Life and Opinions of Tristram Shandy, Gentleman, was birthed by the “man-midwife” Dr Slop, who squashes Tristram's nose with forceps as he yanks the baby out.

Slope was the domestic chaplain to Bishop Proudie at Barchester and began as a protégé of the Bishop’s wife (a truly ghastly woman) but later became her enemy as he attempted when he endeavored to wrest the control of the diocese from her hands by becoming an eminence (pâle) rouge, a kind of vicarage Richelieu controlling the Bishop.  The plots and schemes of the calculating chaplain, conducted with much obsequiousness, play out in the novel as a part of a struggle between those of the high church and the evangelicals, a struggle not resolved to this day.  The Trollope aficionados don’t regard Barchester Towers as his best work but few deny it’s one of the most enjoyable and anyone who wishes to sample Trollope should start here.

On the slopes: Lindsay Lohan in Gstaad, Switzerland, 2016.  The experience on skis may have come in handy in 2022 during filming for Netflix's Falling for Christmas.

Sonoramic

Sonoramic (pronounced sonn-o-ram-ick)

A form of enhanced induction for internal combustion engines; sometimes called cross-ram or long-ram induction.

1959:  A compound word constructed by engineers (apparently with no contribution from the marketing department), the construct being the Latin sonō (make a noise, sound) + the English ram + -ic.  Sonō was from the primitive Indo-European swenhe (to sound, resound) which was cognate with the Sanskrit स्वनति (svanati) (to sound, resound).  The more productive Latin derivative was Latin sonus (sound, a noise) from the primitive Indo-European swon-o, again from the root swenhe.  Ram was from the Old English ramm (in the sense of "battering ram", from the Old High German ram, thought probably related to the Old Norse rammr (strong) and the Old Church Slavonic ramenu (impetuous, violent).  The suffix -ic is from the Middle English -ik, from the Old French -ique, from the Latin -icus, from the primitive Indo-European -kos & -ḱos, formed with the i-stem suffix -i- and the adjectival suffix -kos & -ḱos.  The form existed also in the Ancient Greek as -ικός (-ikós), in Sanskrit as -इक (-ika) and the Old Church Slavonic as -ъкъ (-ŭkŭ); A doublet of -y.  In European languages, adding -kos to noun stems carried the meaning "characteristic of, like, typical, pertaining to" while on adjectival stems it acted emphatically; in English it's always been used to form adjectives from nouns with the meaning “of or pertaining to”.  A precise technical use exists in physical chemistry where it's used to denote certain chemical compounds in which a specified chemical element has a higher oxidation number than in the equivalent compound whose name ends in the suffix -ous; (eg sulphuric acid (H₂SO₄) has more oxygen atoms per molecule than sulphurous acid (H₂SO₃).  The engineers were influenced in their coining of sonoramic by the debut three years earlier of the sonogram (thereby creating sonogramic), a form of diagnostic imaging used in medicine.

Fluid dynamics and resonant conditions

1960 Chrysler 300F with long-ram Sonoramic 413 cid (6.8 litre) wedge V8.

All else being equal, increasing the volume of the fuel-air mixture (energy input) flowing through an internal combustion engine (ICE) increases power and torque (energy output).  This can be done with an external device such as a supercharger, or resonance can be created in the induction system by designing a passage which uses the physics of fluid dynamics to increase pressure in specific spaces.  Obviously uninvolved in the engineering, Chrysler’s marketing people claimed in 1960 that the Sonoramic was new technology but for many years the principle had been used in racing engines, the mathematical equations determining acoustics & resonance having been published by German physicist and physician Hermann Ludwig Ferdinand von Helmholtz (1821–1894) in a scientific paper published in 1863.  Indeed, the concept had before been used on road cars but always in a discrete manner; what Chrysler did in 1959 with the long-tube ram-runners was make a dramatic fashion statement in designer colors.

Representation of fluid dynamics under specific resonant conditions.

Essentially, the Sonoramic is an implementation of Sir Isaac Newton's (1642–1727) first law of motion, more commonly known as the law of inertia: “An object at rest tends to stay at rest and an object in motion tends to stay in motion” and it’s the second part which Sonoramic exploited.  During the intake cycle of an engine, the fuel-air mix flows through the intake manifold, past the intake valve, and into the cylinder, then the intake valve shuts.  At that point, the law of inertia comes into play: Because the air was in motion, it wants to stay in motion but can’t because the valve is shut so it piles up against the valve with something of a concertina effect.  With one piece of air piling up on the next, the air becomes compressed and this compressed air has to go somewhere so it turns around and flows back through the intake manifold in the form of a pressure wave.  This pressure wave bounces back and forth in the runner and if it arrives back at the intake valve when the valve opens, it’s drawn into the engine.  This bouncing pressure wave of air and the proper arrival time at the intake valve creates a low-pressure form of supercharging but for this to be achieved all variables have to be aligned so the pressure wave arrives at the intake valve at the right time.  This combination of synchronized events is known as the "resonant conditions".

Long and short-tube Sonoramic intake manifolds.

Most of the Sonoramics produced were long-tubes with a tuned internal-length of thirty inches (760mm), generating prodigious quantities of mid-range torque, ideal for overtaking under highway conditions.  These characteristics were ideal for road cars but also built were a small number of the so-called short-tube Sonoramics, a somewhat misleading term because they shared the external dimensions of the standard devices, the difference being that only a fifteen-inch (380mm) length of the internal passages were resonance-tuned and this, at the expense of mid-range torque, produced much more power high in the rev-range making them more suitable for competition.  Used by Chrysler to set a number of speed records, these were the most charismatic of the breed and a handful were built with manual gearboxes.  At auction, in November 2010, the sole 1960 Chrysler 300F short-tube Sonoramic convertible with the Pont-a-Mousson 4-speed gearbox, sold for US$437,250.

1960 Chrysler 300F long-ram Sonoramic 413 cid (6.8 litre) wedge V8.

The first four generations of the 300 letter series had used increasingly larger versions of the Hemi V8 and the 1958 300D (with a 392 V8) even offered the novelty of a very expensive fuel-injection option but, unlike the mechanical systems offered by Mercedes-Benz, Chevrolet and a handful of others, the Bendix "Electrojector" system used a rudimentary computer which proved unreliable and most were returned to the dealer to be retro-fitted with carburettors.  The Hemi, heavy and expensive to produce, was in 1959’s 300E replaced by the larger capacity, wedge-head 413 which matched it for power but lacked the mystique, something substantially restored in 1960 when the 300F debuted with the sexy Sonoramic.  Ram Induction today is common, although contemporary designs, integrated with fuel-injection systems, are not as photogenic as the original Sonoramics.  As well as raw aluminium, the tubes were available in the designer colors of the time, red, gold and blue; red ones are thought most cool.

Republic P-47 Thunderbolt test-bed with XI-2200 V16 (1945).

Chrysler’s interest in ram tuning was an outgrowth of the desire to exploit the findings of research undertaken during the war developing very high-performance piston engines for fighter aircraft.  This had culminated in the XI-2220, a 2,220 cubic inch (36.4 litre) V16 aero-engine which, rated at 2450 horsepower, was tested in a Republic P-47 Thunderbolt, an appropriate platform given that the P47 was then the biggest, heaviest single-engined fighter ever to enter service (among piston-engined aircraft it still is).  Although the indications were that close to 4000 horsepower was achievable (at least for short durations), with the advent of the jet engine the days of the big piston-engined fighters were nearly done.  The V16 project was cancelled, a fate suffered also by the other outstanding big aero-engine of that last generation: the Napier-Sabre H24.

XI-2220, V16 aircraft engine (1944-1945).

The lessons learned however would be applied on the ground instead of in the skies because although big capacity piston engines had mostly been rendered obsolete for aircraft, a few generations of some just a bit smaller were about to start roaming American roads.  The cars and their engines would be like nothing before seen, Chrysler adopting for their new 331 cubic inch (5.4 litre) V8 in 1951 the V16’s hemispherical combustion chambers, a feature it would use for most of that decade and the next and such was the aura of the name that it’s used still, even if things are now a bit less hemispherical than before.

Chrysler A-311 V8 experimental engine.

The new Hemi V8 had obvious performance potential and the engineers experimented with the tuned-length induction system used on the V16 before the final supercharger/turbocharger combination was adopted.  So successful was the ram-tuned engine (named A-311) that attempts were made to contest the 1952 Indianapolis 500 but the race’s sanctioning body understood the implications the remarkable new powerplant would have on their carefully-curated ecosystem of owners and sponsors and declared it didn’t comply with the rules, even tweaking them a bit to ensure it never would.

Ramcharger Club’s 1949 Plymouth with extreme ram-charging.

The research however continued and, although it’s not clear to what extent their efforts received factory-support, in the late 1950s some young engineers formed the drag racing-focused Ramchargers Club using, somewhat improbably, a 1949 Plymouth business coupe fitted with a particularly extravagant implementation of the technology, a surrealistically tall intake manifold, a device built for dynamometer testing and never intended for a moving vehicle.  They dubbed the Plymouth "High & Mighty".  Bizarre it may have looked but the cartoon-like Plymouth achieved results which vindicated the approach and the system was introduced on 1960 Plymouths, Dodges and Chryslers, the highest evolution of Sonoramic offered on the Chrysler 300 letter series cars until 1964.  Interestingly, while it was only Plymouth which used the Sonoramic name, Dodge labelling the system D-500 Ram Induction and Chrysler simply Ram Induction, all of them are commonly referred to as Sonoramics.

Lindsay Lohan enjoying the effects of fluid dynamics.

Not content with applying the science of fluid dynamics only to the induction system, the Ramchargers used it also for the exhaust headers.  Rather than additional power, the commendably juvenile quest was for noise, the exaggerated, trumpet-like tubes using the megaphone principle which increases volume by raising acoustic impedance.  The desired result was achieved and although there's no record of anyone with a decibel-meter taking a reading, the old Plymouth was said to be spectacularly loud.  Megaphone exhausts were subsequently banned.    

Chrysler Slant Six with Hyper Pak.

Chrysler didn’t restrict the ram induction idea to the big-block V8s, using it also on the short-lived (1960-1962) Hyper Pak performance option for the both 170 cubic inch (2.8 litre, 1959-1969) and 225 cubic inch (3.7 litre, 1987-2000) versions of their Slant Six, the engineers taking advantage of the space afforded by the angled block to permit the curvaceous intake runners nearly to fill the engine bay.  The Hyper Pak wasn't seen in showrooms but was available as an over-the-counter kit (literally a cardboard box containing all necessary parts) from Dodge & Plymouth spare parts departments and its life was limited because it became a victim of its own success.  Although less suitable for street use because it turned the mild-mannered straight-six into something at its best at full throttle, in the race events for which it was eligible it proved unbeatable, dominating the competition for two years, compelling the sanctioning body cancel the series.

Although it was the longer lived 225 version which gained the Slant Six its stellar reputation for durability and the ease with which additional power could be extracted, there's always been a following for the short-stroke 170 because of its European-like willingness to rev, the characteristics of the over-square engine (unique among the slant-six's three displacements (170-198-225)) unusually lively for a US straight-six.  Despite some aspects of the specification being modest (there were only four main bearings although they were the beefy units used in the 426 cubic inch Street Hemi V8), for much of its life it used a tough forged steel crankshaft and high-speed tolerant solid valve lifters and was a famously robust engine.  Despite that, after the Hyper Pak affair, Chrysler showed little interest in any performance potential, knowing the US preference for V8s, something which doomed also Pontiac's short-lived single overhead camshaft (SOHC) straight-six (1966-1969).  A version of the 225 with a two-barrel carburetor (rated at 160 horsepower, an increase of 15 over the standard unit) was offered in some non-North American markets where V8 sales were not dominant and it proved very popular in South Africa, Australia, New Zealand and Central & South America but only when tighter US emission regulations forced its adoption did a 225 with a two barrel carburetor appear in the home market, installed to restore power losses rather than seek gains.

Manifold

Manifold (pronounced man-uh-fohld)

(1) Of many kinds; numerous and varied:

(2) Having numerous different parts, elements, features, forms, etc.

(3) A copy or facsimile, as of something written, such as is made by manifolding (obsolete except in historic reference).

(4) Any thin, inexpensive paper for making carbon copies on a typewriter (archaic).

(5) In internal combustion engines, the part (1) of the exhaust system attached directly to the exhaust ports and (2) of the induction system attached directly to the inlet ports.

(6) In mathematics, a topological space that locally looks like the ordinary Euclidean space.

(7) The third stomach of a ruminant animal (an omasum) (US (mostly south of the Mason-Dixon Line)), usually in the plural.

(8) In computer graphics, a polygon-mesh representing the continuous closed surface of a solid object.

Pre 1000: From the Middle English adjective manifold (many times, in multiplied number or quantity), from the West Saxon & Old English manigfeald & manigfealde (monigfald was the Anglian variant) (various, varied in appearance, complicated; numerous, abundant), the construct being manig (many) + feald (fold).  From the Proto-Germanic managafalþaz came the common Germanic compound (the Middle High German manecvalt (manifold), the Icelandic margfaldr (multiple), the Old Frisian manichfald, the Middle Dutch menichvout & menigvoudig (various), the Danish mangefold (multiple), the German mannigfalt, the Swedish mångfalt (diversity) and the Gothic managfalþs), it’s thought perhaps a loan-translation of the Latin multiplex (multiply; having many forms) and the Old English also had a verbal form, manigfealdian (to multiply, abound, increase, extend), the meaning later extended to (the now obsolete) “make multiple copies of by a single operation”.  The adverb manigfealdlice (in various ways, manifoldly), was derived from the adjective.

The noun manifold was applied to the mechanical device (“a pipe or chamber, usually of cast metal, with several outlets”) from the mid-1850s and was a short-form (from engineer’s slang) of “manifold pipe” which had been in use since 1845 which originally was applied to the types of musical instruments mentioned in the Old Testament.  The familiar use to describe the components which are part of an internal combustion engine’s intake & exhaust systems dates from 1904 and applied initially to the pipe between a carburetor and the combustion chambers; the existence of exhaust manifolds was noted the following year.

Of manifold sins and wickedness: Lindsay Lohan smoking and smoldering.

 Among those first translating the Bible into English, manifold was a popular word and few phrases more concisely encapsulate the Church’s view of us than “manifold sins and wickedness”.  In the Book of Common Prayer (1549). the Church of England helpfully provided a general confession for those who knew they were wicked sinners (and of presumably greater significance knew that God knew) but had neither the time nor desire to list them all.  Once uttered, it invited God’s forgiveness.  The Book of Common Prayer became controversial within the more liberal factions of the Anglican communion because its more exacting demands were thought to be uninviting to a society which was changing while the Church was not.  However, despite many revisions (including some regionally exclusive to parts of the old colonial empire), sins and wickedness remain manifold in most editions. 

The General Confession from the Book of Common Prayer (1662 edition)

Almighty God, Father of our Lord Jesus Christ, maker of all things, judge of all men: We acknowledge and bewail our manifold sins and wickedness, which we, from time to time, most grievously have committed, by thought, word and deed, against thy Divine Majesty, provoking most justly thy wrath and indignation against us.

We do earnestly repent, and are heartily sorry for these our misdoings; the remembrance of them is grievous unto us; the burden of them is intolerable.

Have mercy upon us, have mercy upon us, most merciful Father; for thy Son our Lord Jesus Christ's sake, forgive us all that is past; and grant that we may ever hereafter serve and please thee in newness of life, to the honour and glory of thy name; through Jesus Christ our Lord.  Amen.

The Duesenberg manifolds

1935 Duesenberg Supercharged J (SJ) dual cowl phaeton with coachwork by LaGrande, the lines made more rakish still by the use of a Rollston V-shaped windshield.

The Duesenberg Model J was admired for it power, exclusivity, speed and coachwork but one aspect which always draws the eye of nerds is the exhaust manifold.  The look most associated with the marquee is that with four flexible pipes emerging from the right side of the bodywork, a motif used not only by Duesenberg’s corporate stablemates Cord and Auburn but also, if less extravagantly, by Mercedes-Benz where it was a feature of many of the supercharged cars of the 1920s and 1930s.

1935 Duesenberg Model J Special Speedster (SSJ)

The official factory designation was always “Model J” and their documents referred to the supercharged cars as the “Supercharged J” but the latter is known universally as the SJ.  The public imagination was further stimulated in 1935 when a short wheelbase version of the SJ was announced.  The factory referred to it as the “Special Speedster” but people preferred SSJ although it was a rare sight as only two were produced before Duesenberg finally succumbed to the effects of the Great Depression.

Of manifold shapes and weaknesses

The original manifolds used with the Model J were a variety of eight-port (8-into-1 in motorcycle parlance) units made from monel (a high-strength alloy of nickel, and copper, blended with carbon, iron & manganese) which engineers called “sewer pipes” (in modern parlance they’re known also as “dump pipes”).  In terms of fluid dynamics they were efficient but, cast in one piece they were prone to cracking as the torsional forces to which they were subject tended to find the weakest points so they were redesigned as two-piece units (4-into-1) which better distributed the loadings.  This improved durability though the propensity for the cast monel to crack wasn’t wholly eliminated and the the eight-pipe design made difficult the installation of the vertically installed supercharger hardware, added to which the heat-soak from the manifold was undesirable so the system was redesigned to used siamesed ports which fed the distinctive four external exhausts.

Memel 8-into-1 "sewer-pipe" manifold on 1934 Duesenberg SJ with the centrally-mounted supercharger fitted between cylinders 4 & 5 (left), the two piece (2 x 4-into-2) monel sewer-pipe manifolds in 1934 Duesenberg J (centre) and 8-into-1 sewer-pipe emerging through the engine-compartment right-side panel (right).  The use of the apple-green color for engine components was a signature feature of the brand.

The externally-routed pipe-work is regarded as one of the most charismatic features of the big Duesenbergs and still it’s associated by many with the presence of a supercharger but some of the SJs used the monel manifolds and, for the most flamboyant, the factory anyway offered the look as a retro-fit option for US$1000 (at a time when a new Ford V8 could be purchased for US$505).  Because of the fragility of the monel pipes and the fashion for the external ducting, only a handful of supercharged cars with the original manifolds are thought to survive.  To those who make a fetish of intricacy, the monel sewer-pipe manifolds are thought the most photogenic of all.

Manifold porn: Chrysler's Slant Six was an engine of modest specification and expectations but typical of the corporation in those days, the basic engineering was fundamentally sound and in a variety of displacements (170 cubic inch (2.8 litre, 1959-1969), 198 (3.2, 1970-1974) & 225 (3.7 1960-2000), it was produced between 1959-2000 making it one of the US industry's longest-serving powerplants.  One unusual aspect of the Slant Six's design was the block was canted to the right at a 30^o which meant there was much space available to the left and a range of intake manifolds followed, some of which remain available to this day.  Using variations of the Sonoramic tuning, manifolds were produced for single, two & four barrel carburetors and between 1965-1968, Chrysler's Argentine operation produced the Slant Six in a version with twin single barrel carburetors.  The use of the properties of fluid dynamics to gain power or torque as desired quickly was adopted by the industry as an engineering orthodoxy.