Cameo (pronounced kam-ee-oh)
(1) A technique of engraving upon a gem or other stone, as onyx, in such a way that an underlying stone of one color is exposed as a background for a low-relief design of another color.
(2) A gem or other stone so engraved; a medallion, as on a brooch or ring, with a profile head carved in relief
(3) A literary sketch, small dramatic scene, or the like, that effectively presents or depicts its subject.
(4) As "cameo, "cameo role" or "cameo appearance", a minor part played by a prominent performer in a single scene of a production, originally un-credited yet deliberately obvious (a la Alfred Hitchcock (1899–1980)). In modern use, the sense has extended to any brief appearance, credited or not.
(5) In commercial use, a color of creamy neutral ivory, the name an allusion to the hue most associated with the jewelry.
(6) The industry slang for "cameo lighting", a technique used on stage or set usually by restricting the output of a spotlight to a narrower beam and the reverse effect of "silhouette lighting" (a complementary chiaroscuro technique).
1375–1425:
From the Italian cam(m)eo
from the Old French camaieu, of
uncertain origin; replacing late Middle English camew & cameu both
direct borrowings from the Old French. The ultimate root is held usually to be the Medieval Latin cammaeus
(later camaeus), of unknown origin
but both the Arabic qamaa'il (flower
buds) and the Persian chumahan (agate)
have been suggested as the source. Cameo is a noun & verb and cameoed & cameoing are verbs; the noun plural is cameos or cameoes.
In the early fifteenth century, kaadmaheu, camew, chamehieux and many other spellings, all from the early thirteenth century in Anglo-Latin circulated, all meaning "engraving in relief upon a precious stone with two layers of colors" (such as onyx, agate, or shell and done so as to utilize the effect of the colors). These fell soon from use as the words derived from the Medieval Latin cammaeus and the Old French camaieu prevailed. By the nineteenth century, use extended to other raised, carved work on a miniature scale. The transferred sense of "small character or part that stands out from other minor parts" in a plays etc is from 1928, a derivation from the earlier meaning "short literary sketch or portrait", first noted in 1851, a transferred sense from cameo silhouettes. A cameotype was a small, vignette daguerreotype mounted in a jeweled setting, the first examples of which were produced in 1864.
Cameo
& Silhouette
A classic, simple silhouette (left), a nineteenth century hardstone cameo in 18 karat yellow gold in the mid-nineteenth century Etruscan Revival style (centre) and a silhouette with the detailing which became popular in the late 1700s (right).
As
artistic representations, there's obviously some overlap between a silhouette and
a cameo but they are different forms. A
silhouette is inherently a two dimensional rendering of a shape (typically a
portrait but they can be of any scene or object) which classically were simple
and of a solid colour (usually black) on a contrasting (usually white or cream)
background. Originally, there was no
detailing of features but that soon became common. Silhouette portraits were highly popular in
the eighteenth & nineteenth centuries and the form was especially popular
with untrained (indeed unskilled) amateurs because of the cheapness and simplicity
of the form, a finished work requiring little more than two sheets of paper (black
& white), a pair of scissors and a pot of glue. A cameo differs in that it is
three-dimensional, an embossed or raised piece, usually in relief. The most prized antique cameos are those
engraved on semi-precious gemstones, agate, forms of onyx, shells and lava but
in modern use synthetic materials are not uncommon and, being small and able to
be rendered in a single piece, can be 3D printed although the quality of these doesn’t (yet) match something hand-carved.
Launched in March 2017, cameo.com is a US-based distribution & content-sharing website, its niche being a platform on which celebrities and others can sell personalized video messages to fans or anyone else prepared to pay, the site claiming more than thirty-thousand sources are available. The price per clip is said to extend from US$5 to US$3000 and operates as a dynamic supply and demand curve, the price said to rise or fall in response to elasticity in demand, all determined by an AI algorithm which is predictive (able to anticipate a rise in demand and adjust prices accordingly).
For US$400 (or US$20 for a DM), one can receive a personalized video message from Lindsay Lohan. The service limits the text to two-hundred and fifty (250) characters so economy of language is encouraged. The client is able to request the theme and possible topics might include relationship counselling, fashion advice, career management & international relations. In most cases, it seems not necessary to approach this with undue urgency, many of the celebrities available on Cameo.com "for a limited time!" have been listed for some years.
Lindsay Lohan’s cameo in the 2024 (musical) re-make of Mean Girls (2004) attracted comment for a number of reasons but what most impressed many was the fee, reported by entertainment industry magazine Variety as US$500,000. While that sum is unverified, what has been confirmed is that her cameo (in the math competition scene) required four hours on set; given the simplicity of the math, Variety didn’t bother printing its calculation of the hourly rate but given the 2004 production was shot over three months for which Ms Lohan was paid a reputed US$1 million, it’s clear inflation alone doesn’t account for the differential. Still, any commodity is worth only what a buyer is prepared to pay and it’s a specialized supply & demand curve because there’s only one Lindsay Lohan.
