Macro

Macro (pronounced mak-roh)

(1) Anything large in scale, scope, or capability.

(2) In the colloquial language of economics, of or relating to macroeconomics.

(3) In computing, an instruction that represents a sequence of instructions in abbreviated form (also rarely called macroinstruction) or a statement, typically for an assembler, that invokes a macro definition to generate a sequence of instructions or other outputs.

(4) In photography, producing larger than life images, often a type of close-up photography or as image macro, a picture with text superimposed.

(5) As the acronym MACRO, the Museum of Contemporary Art of Rome (Museo d'Arte Contemporanea di Roma).

1933: A word-forming element from the Ancient Greek μακρός (macros), a combining form of makrós (long), cognate with the Latin macer (lean; meagre) and from the primitive Indo-European root mak (long, thin); now a general purpose prefix meaning large.  The English borrowing from French appears to date from 1933 with the upsurge in writings on economics during the great depression.  It subsequently became a combining form meaning large, long, great, excessive et al, used in the formation of compound words, contrasting with those prefixed with micro-.  In computing, it covers a wide vista but describes mostly relatively short sets of instructions used within programs, often as a time-saving device for the handling of repetitive tasks, one of the few senses in which macro (although originally a clipping in 1959  of macroinstruction) has become a stand-alone word rather than a contraction.  Other examples of use vis-a-vis include macrophotography (photography of objects at or larger than actual size without the use of a magnifying lens (1863)), macrospore (in botany, "a spore of large size compared with others (1859)), macroeconomics (pertaining to the economy as a whole (1938), macrobiotic (a type of diet (1961)), macroscopic (visible to the naked eye (1841)), macropaedia (the part of an encyclopaedia Britannica where entries appear as full essays (1974)), macrophage (in pathology "type of large white blood cell with the power to devour foreign debris in the body or other cells or organisms" (1890)).

Dieting and the macro fad

In the faddish world of dieting, the macrobiotic (macro- +‎ -biotic (from the Ancient Greek βιωτικός (biōtikós) (of life), from βίος (bios) (life)) diet is based on the precepts of Zen Buddhism.  It’s said to seek to balance what are described as the yin & yang elements of food and even the cookware used in its preparation.  The regime, first popularised by George Ohsawa san (1893-1966) in the 1930s, suggests ten food plans which, if followed, will achieve what is said to be the ideal yin:yang ratio of 5:1.  Controversial, there’s no acceptance the diet has any of the anti-cancer properties its proponents often claim beyond that expected if one follows the generally recommended balanced diets which differ little from the macrobiotic.  It was Ohsawa san's 1961 book Zen Macrobiotic which introduced the word to a wider audience although he acknowledged the system had been practiced in Germany in the late eighteenth century.

In macro: Lindsay Lohan's left eye.

A later fad, macronutrients, is distinct from macrobiotics and describes another form of a balanced diet, the three classes of macronutrients being the familiar proteins, fats, and carbohydrates.  The macro diet puts a premium on whole rather than processed foods and requires calorie counting because of the need to track intake and maintain the metrics within a certain range.  Where the macro diet differs is that the metrics vary between individuals rather than requiring conformity to the unchanging yin:yang ratio .  Depending on factors such as body type, life-style, age and health, a nutritionist will construct a target macro ratio (eg 40% carbohydrates, 40% protein and 20% fat) although that may change depending upon outcomes achieved.  The pro ana community seems to view the macrobiotic diet with uninterest rather than scepticism, noting it’s optimised around a concept of balance rather than weight-loss and, while perhaps useful in some aspects, is just another fad diet and that’s fine because, if followed, all diets probably work but for pro ana purposes there are better, faster, more extreme ways.

Macrophotography (also known as photomacrography, macrography or macro-photography) is a specialised niche in imagery, usually in the form of close-up photographs of small subjects, typically living organisms like insects, the object being to create an image greater than life size.  The word is used also by processing technicians to refer to the creation of physically large photographs regardless of the size of the subject or the relation between subject size and finished photograph.

When macro photography depended on a camera with a macro lens committing images to film stock, it was a genuinely specialised skill.  Now, advances in the sensor technology used in small, general purpose digital cameras mean anyone can produce raw images very close to those attainable using a DSLR (digital single-lens reflex) or SLR (single-lens reflex) with a true macro lens and editing software exists to enhance the images.  The emergence of very high definition (8K+) OLED (organic light-emitting diode) televisions in sizes larger than human beings has introduced a new subset to macrophotography for home use.  The 8K devices are currently available in sizes up to 150" (3.8m) and the technology exists to join together edgeless screens to create one vast panel, the size limited only by the software support.

Insoluble

Insoluble (pronounced in-sol-yuh-buhl)

(1) A substance which cannot be dissolved, broken down or dispersed.

(2) That which cannot be solved; unsolvable; insolvable.

(3) That which cannot be explained; mysterious or inexplicable.

(4) In chemistry, a substance incapable of dissolving in a solvent.

1350-1400: From the Middle English insoluble (indestructible, unable to be loosened), from the Old French insoluble or the Latin insolūbilis (that which cannot be loosened), the construct being in (not) + solubilis (soluble) which replaced the Middle English insolible; Middle French borrowed the word from the Latin as insoluble.  In the sciences, the noun insolubility in the sense of “incapability of dissolving in a liquid” dates from 1754 (insoluble having conveyed that since 1713), the Late Latin insolubilitas having previously been used and from 1791 it replaced the Latin insolubilis (that cannot be loosened) although in the early seventeenth century it’d been used of the marriage vow to mean "that cannot be dissolved".  The curious (and in many way annoying as such thing in English are) parallel meaning "that which cannot be solved" dates from 1722 and etymologists think it likely a separate formation from the earlier senses.  The related adjective irresolvable was from the 1650s and was from an assimilated form of in- (not, opposite of), the meaning "that which cannot be resolved into parts" emerging after 1785.  Insoluble is a noun & adjective, insolubility is a noun and insolubly is an adverb; the noun plural is insolubles.

In chemistry, insoluble has the precise technical meaning “incapable of dissolving in a solvent” and while it’s actually rare for absolutely no solute to dissolve at all, many substances are poorly soluble although a compound may be insoluble in one solvent yet fully miscible in another.  There’s also the influence of external factors, most notable temperature; increasing temperature frequently improves the solubility of a solute.  The figurative sense (that which cannot be solved; unsolvable; insolvable) is actually used less than other words or phrases which convey the idea, doubtlessly because of the parallel meaning.  Some claim that in Medieval scholarship, it was a tacit conviction among the learned that the insoluble question did not exist and that all that was ever required was to find the right man whose studies were so deep that he would eventually deduce the answer.  It’s a modern-sounding idea and recalls some of the optimistic phases the United States went through in the twentieth century; probably few think like that now.

Dr Rowan Williams (b 1950; Archbishop of Canterbury, 2002-2012) and Benedict XVI (1927–2022; pope 2005-2013, pope emeritus 2013-2022), discussing insoluble problems during the papal visit to the UK, Lambeth Palace, London, September 2010

One who probably never felt quite like that but may at times have allowed himself the odd, brief moment of optimism was former Archbishop of Canterbury Dr Rowan Williams, a literary critic and one-time Professor of Divinity at Oxford although his decade in Lambeth Palace seems to have cured him of that.  In late 2008, Dr Williams took a two month summer sabbatical to finish a book about his literary hero, the Russian novelist Fyodor Dostoevsky (1821-1881) which was published as Dostoevsky: Language, Faith and Fiction.  Those few weeks may have been among the happiest of his life, later reflecting that “It was a wonderful experience actually, just being able to get up in the morning and write instead go to committees and answer letters and try to solve insoluble problems in the church.”  To the suggestion that prayer might provide answers to at least some of those insoluble problems he replied “I'll do just that.”  Ten years on, there little indication his prayers were answered.

Architectonic

Architectonic (pronounced ahr-ki-tek-ton-ik)

(1) Of or pertaining to the principles of architecture, design and construction.

(2) In figurative use in the social sciences (especially political science and sociology), those things foundational or fundamental; supporting the structure of a morality, society, or culture.

(3) As a descriptor outside the field of architecture, denoting, relating to, or having architectural qualities, especially in its highly organized manner or technique of structure.

(4) In metaphysics, of or relating to the systematic classification of the totality of knowledge.

(5) In artistic composition, having a clearly defined structure, especially one artistically pleasing.

1635-1645 From the Latin architectonicus (of architecture), from the Ancient Greek ἀρχιτεκτονικός (arkhitektonikós) (pertaining to a master builder), from ἀρχιτέκτων (arkhitéktōn) (architect).  Interestingly, in surviving Greek texts, the most commonly-used forms appears to be arkhitekton (chief workman).  As technology improved it became possible to observe physical objects at smaller scales, even down to the sub-atomic level.  What was seen was of course inherently structural so architectonic was co-opted by many fields which created their own words including receptorarchitectonic (in anatomy & biology, relating to the architectonics of receptors, neuroarchitectonic (the architectonics of nerves and the nervous system) and nanoarchitectonic (the design of nanotechnology devices or the architectonic of nanoscale architecture) and politico-architectonic (in structuralism and urban planning, the analysis of purpose of individual elements).  The adjective architectonical dates from the 1590s.  Architectonic is a noun & adjective, architectonically is an adverb and architectonical is an adjective; the noun plural is architectonics.

In English, use in the metaphysical sense (pertaining to systematization of knowledge) dates only from 1801, the allusions to the origins in Antiquity something of a retrospective Enlightenment discovery.  The division of what in Antiquity tended to be called “the sciences” (ie about any field of knowledge to which any form of method could be applied) into ancillary and architectonic is often described as Aristotelian because it was in the surviving texts of Aristotle (384-322 BC) that the concept is both so prevalent and obvious but it was Immanuel Kant (1724–1804) who, in Critique of Pure Reason (1781), provided framework in its modern understanding, architectonics being the study both of a system and the processes of its construction.  Kant’s contemporary, Jean-Jacques Rousseau (1712–1778), was a philosopher who contributed much to the understanding of the implications of the architectonic, perhaps because as well as his interest in metaphysics, he was a composer and something of a critic of architecture.

Six of the Painterly Architectonic set (1916-1918) in oil by Lyubov Popova (1889-1924).

Painterly Architectonic was a series of works by Russian & Soviet avant-garde artist Lyubov Popova.  Thematically, she explored the effects of color and shape on individual parts of a whole, overlaying the representations of the objects after the manner of collage.  The paintings distort space within the square and rectangular frames, right angles, vertical and horizontal lines almost all shunned in seas of slants and diagonals.  Travelling in Western Europe in the years before World War I (1914-1918), Popova was stunned by the Cubist and Futurist works she saw in France & Italy and these ideas she took back to Moscow, her focus on the interrelationships between individual parts.  In 1916 Popova declared herself a "Suprematist", a term coined a year earlier by Kazimir Malevich (1879-1935) another member of the Russian avant-garde who explained it described an art which rejected painting’s historic devotion to representation, focusing instead on the supremacy of pure artistic feeling.  After the October Revolution in 1917, it became a movement, many artists believing a revolutionary society demanded a radically new artistic language. In that they were probably right but in comrade Stalin’s (1878-1953; Soviet leader 1924-1953) time, they would find the vocabulary was limited.

Hijab

Hijab (pronounced hi-jahb, hi-jab, hee-jahb or hee-jab)

(1) A traditional scarf or veil worn by Muslim women to cover the hair and neck and sometimes the face.

(2) The traditional dress code of Muslim women, calling for the covering of the entire body except the face, hands, and feet (except in places where the interpretation is more strict and all or some of the hands, face and feet must be concealed).

1885–1890: From the Arabic حِجَاب‎ (ḥijāb) (veil, cover, curtain), from ḥajaba (to cover).  It first appeared in this sense in bilingual dictionaries in 1906 whereas in classical Arabic it meant both "partition, screen, curtain," and also generally "rules of modesty and dress for females.  One (1800) English lexicon of the “Hindoostanee language" suggested hijab was used to mean "modesty or shame," and other similar dictionaries (circa 1800) noted the connotations of "to cover, hide or conceal" and the 1906 publication (qv) also listed "modesty".  The alternative forms hejab, hijaab, hijāb; hajib & hijabi are all now regarded as non-standard, globalisation and the internet making hijab the preferred global spelling; the noun plural is hijabs.

Asif Ali Zadari and the late Benazir Bhutto, pictured on their wedding day, discussing head fashions.

The hijab is the most minimal of the Islamic veils.  Classically a square scarf of any color which covers the head and neck but leaves the face exposed, it can be of any shape, color or fabric but styles and shades tend to be more somber in more conservative cultures.  It can be used as just another fashion accessory, and, where local circumstances permit, some do drape it in a rather perfunctory way, exposing just as much as can be gotten away with.  Politicians attempting simultaneously to placate the local Mufti and assert their feminist credentials adopt this trick; former Pakistani prime-minister, the late Benazir Bhutto (1953-2007), was an expert.

Lindsay Lohan, wearing an al-amira, pictured here with aid worker Azize in Antep refugee camp, Gaziantep, Turkey, October 2016.

The al-amira and shayla are variations on a theme.  The former is two-piece, consisting of a close-fitting cap and a tube-like scarf, the latter a long, rectangular scarf, wrapped around the head and tucked or pinned in place at the shoulders.  Both are more closely-fitting than a hijab and are used when it’s important to ensure no hair is left exposed.

Lindsay Lohan, pictured here wearing a burka by Gucci while shopping in Dubai during her self-imposed exile from US while Donald Trump was president.

The almost identical niqab and burka are the highest evolution of the form.  The burka (also variously as burqa, burkha, burqua, boorka, bourkha (obsolete) & bourqa (rare)) is an all-enveloping garment, almost always in dark, solid colours which covers the entire body with a small (sometime mesh-covered) aperture through which to see.  The niqab is the same except it leaves the eyes exposed.  Until 2022, of the many “morality police” forces which have existed in countries with a majority Islamic population, the best known was Afghanistan's Committee for the Propagation of Virtue and the Prevention of Vice which actually pre-dated the Taliban takeover in 1996 but they certainly deployed it with an enthusiasm which went much beyond it functioning as “burka police” and in one form or another, it actually operated for most of the (first) post-Taliban era.  When the Taliban regained power in 2021, immediately they created the "Ministry of Invitation, Guidance and Promotion of Virtue and Prevention of Vice" and, in a nice touch, allocated as its headquarters the building formerly used by the Ministry of Women’s Affairs.  The protests in Iran which in September 2022 began over the conduct of their hijab police rapidly became a movement chanting "Death to the Dictator!". 

The khimar is a long, cape-like veil that hangs down to just above the waist. It covers the hair, neck and shoulders completely, but leaves the face clear. The chador, worn by many Iranian women when outside the house, is a full-body cloak that is favored over the similar looking burka because it is more easily put on and taken off.  A cloak, it's especially suited for wearing in cooler months when the clothing underneath tends to be bulkier.

Celebrated since 2013 on the first day of February, World Hijab Day is all encompassing in that it’s not restricted just to hijabs and includes other styles.  The day notes the long tradition attached to head-coverings mandated for religious purposes, the history pre-dating Islam by hundreds of years and the garment was anyway probably created out of necessity, those living under a hot Mesopotamian sun using linens to protect their heads from the sun and wind.  It seems head coverings were first written into law during the thirteenth century BC, in an ancient Assyrian text mandating women, daughters and widows cover their heads as a sign of piety. Notably, headscarves were forbidden for prostitutes and women of the lowest classes, an edict enforced by social ostracization or even arrest.  From this origin, the practice was adopted by the religions which emerged from the region, Judaism, Christianity & Islam and the bible (1 Corinthians 11:6-7) contains a typical injunction:

For it shall be a disgrace for a wife to cut off her hair or shave her head, let her cover her head.  For a man ought not to cover his head, since he is the image and glory of God, but woman is the glory of man.

Although the tradition has faded, even in some parts of the Islamic world, conservative sections still maintain the rule.  Even some post Vatican II Roman Catholic nuns continue to wear the habit, Orthodox Jewish women will don either the tichel (a type of headscarf) or sheitel (a wig) and in Islam, the Quran's verses about modesty have been interpreted in different ways, some insisting head covering is obligatory while others say it’s a choice.  Political systems, geography and ethnicity also interact with tradition in the politics of head coverings and several countries, including France, Germany and Austria, have limited women from wearing full-face coverings such as the niqab and burka in public spaces.

Nansen

Nansen (pronounced nan-sun)

(1) A surname of Scandinavian origin.

(2) A passport issued to a stateless refugee during the inter-war years (1922-1938).

1922: The noun Nansen in the sense of the passport was a direct adoption of the proper noun Nansen from the Norwegian explorer and diplomat Fridtjof Nansen (1861-1930), then the League of Nations High Commissioner for Refugees.  The origin of the surname is unknown beyond it being a Danish & Frisian patronym meaning “son of Nanne”.  The use as a given name was an adaptation of the surname Nansen (the female form being Nansina).  As in many parts of Europe, surnames tended to be (1) occupational (names derived from the occupation or job of an ancestor), patronymic (2) a name passed down from either the father or more distant ancestor) or (3) toponymic (a place name, often taken from a geographical feature such as a mountain or river).  In places like England where parish records date back centuries family lines and the origins of surnames are relatively easy to trace but in Norway, prior to 1923, the most common male surnames were those that ended in “–son“ or “–sen” (meaning “son of”) which means tracing histories back more than two or three generations is difficult.  The female family names operated in the same way using the extension “–dotter” or “–datter” (meaning “daughter of”) so the surname of Nanne’s daughter would emerge either as “Nannesdotter” or “Nannesdatter.  Sweden abolished the practice in 1901 to ensure a single family name was passed from generation to generation; this was the convention Norway adopted in 1923.

The League of Nations began issuing travel documents (originally called “Stateless Persons Passports” under the auspices of the Office of the High Commissioner for Refugees, then headed by Norwegian diplomat Fridtjof Nansen (1861-1930).  They quickly became generally known as “Nansen passports”., often shortened to “Nansen”.  The documents were needed because in the aftermath of what was the called The World War (which finished off the old Habsburg, Hohenzollern, Romanov and Ottoman empires), national boundaries were re-drawn, civil wars erupted and something like what would now be called ethnic cleansing meant there were suddenly millions of stateless refugees on European soil.  Without passports, refugees were usually unable to travel from where they weren’t wanted.

What made the need for a non-state travel document was the new government of the Soviet Union (USSR) revoking the citizenship of Russians living abroad, a measure aimed at the 780,000-odd who had fled Russia after the Russian civil war.  The Nansen passports held by some of these Russians would prove life-saving in 1945 when, because of a still controversial agreement signed at the Yalta Conference (4-11 February 1945), Russians who had fought with the Wehrmacht and were interned by British & US forces were repatriated to the USSR because comrade Stalin wished to execute or otherwise punish Cossacks and other anti-Bolsheviks who had been troublesome since the Russian Revolutions (March & October 1917).  Actually, all those who had fled the country in 1922 and been rendered stateless then were exempt from repatriation but in the muddled haste with which the deportations were undertaken at the time, not all escaped and possession of a Nansen passport was sometime the difference between life and death.

After 1938, the passports issued by a newly created, London-based agency, the Office of the High Commissioner for Refugees under the Protection of the League of Nations.  Noted holders of Nansen passports include the prima ballerina Anna Pavlova (1881–1931), the author Vladimir Nabokov (1899-1977), the Nazi Waffen-SS Obersturmbannführer (lieutenant colonel) Otto Skorzeny (1908–1975) and the composers Sergei Rachmaninoff (1873–1943) & Igor Stravinsky (1882–1971).  It was Stravinsky who once described Rachmaninoff as “six feet of Russian misery”.

Ormolu

Ormolu (pronounced awr-muh-loo)

(1) Gilded metal, especially cast brass or bronze gilded over fire with an amalgam of gold and mercury, used for furniture mounts and ornamental objects (also called bronze doré or gilt bronze).

(2) An alloy of copper, tin or zinc used to imitate gold (also called mosaic gold).

(3) Gold or gold powder prepared for use in gilding.

(4) A descriptor of objects prepared using the technique (as a modifier).

1755–1765: From the French moulu (ground gold), the source being the Latin aurum (gold) + moulu, past participle of moudre (to grind) from the Old French moudre from the Latin molere, present active infinitive of molō.  Molō was from the primitive Indo-European melh- (to grind, crush) and cognate with the Latin mollis, the Ancient Greek μύλη (múlē) and the English meal; it’s also the source of the English maelstrom.  The verb forms are ormolus (third-person singular simple present), ormoluing (present participle) and ormolued (simple past and past participle).

Deadly

Used mostly for the decorative mountings of furniture, clocks, candlesticks, chandeliers and porcelain, ormolu was a technique of gilding used to apply a finely-ground, high-carat gold–mercury amalgam to objects made from an alloy (typically bronze).  The method used high-temperature kilns to remove the mercury, leaving behind a gold coating and in French, was called bronze doré, in English, gilt bronze.  It’s associated especially French Empire clocks (those of the First Empire the most admired) but was also used in nineteenth century English workshops.

The process, sometimes colloquially called mercury-gilding or fire-gilding, was both labor-intensive and dangerous because craftsmen, many of who died young, were exposed to the toxic mercury emissions from the kilns.  A variety of helmet-like devices were used in an attempt to ameliorate the dangers but none were very effective and, after the revolution of 1830 and the overthrow of Charles X (1757–1836; King of France 1824-1830), the process was outlawed in France but use continued well into the twentieth century, some factories operating as late as the 1960s.  The process has been supplanted by modern techniques such as electroplating.

French ormolu and pink porcelain clock set Garniture (1795) by Jean-Baptiste André Furet (circa 1720-1807) in the style of François Rémond (1747-1812).

Canon

Canon (pronounced kan-uhn)

(1) An ecclesiastical rule or law enacted by a council or other competent authority and, in the Roman Catholic Church, approved by the pope; the body of ecclesiastical law.

(2) One of a body of dignitaries or prebendaries attached to a cathedral or a collegiate church; a member of the chapter of a cathedral or a collegiate church.

(3) In the Roman Catholic Church. one of the members (canons regular) of certain religious orders.  Historically, a member of either the Augustinian or Premonstratensian, living communally as monks but performing clerical duties

(4) The body of rules, principles, or standards accepted as axiomatic and universally binding in a field of study or art.

(5) A fundamental principle or general rule.

(6) A standard; criterion.

(7) The books of the Bible recognized by any Christian church as genuine and inspired.

(8) Any officially recognized set of sacred books.

(9) A piece of music in which an extended melody in one part is imitated successively in one or more other parts (fugal).

(10) A size of printer's type equal to 48 point (archaic).

(11) In hymnography, a kind of hymn in Eastern Orthodox Christianity

(12) In bellfounding, one or more hanging loops cast integrally with the crown

1150-1200: In ecclesiastical use, from the Middle English canonicus (shared with French), a back formation from the Old English canōnic (one under rule), from the Medieval Latin canōnicus (of or under rule).  The word in Ancient Greek was kanōnikós from kanon (any straight rod or bar; rule; standard of excellence), possibly from kanna (reed).  As applied to the clergy, the title dates from circa 1200, from the Anglo-French canun, from the Old North French canonie (which is Modern French is chanoine), from the Church Latin canonicus (clergyman living under a rule), the noun use of the Latin adjective canonicus (according to rule).  The meaning “standard, accepted list” is from the Old English, again from the Latin, from the Greek kanōn (rule, rod for measuring, standard), related to kanna (a reed or cane) and in English, dates from circa 1400 but only in the context of the lists assembled for ecclesiastical purposes.

The Latin word was taken in ecclesiastical use for "decree of the Church" and eventually this expanded into the codified "Canon Law" of the Church.  The general sense of "a rule or principle" dates from the late fourteenth century while the idea of a "standard of judging" is from circa 1600.  From circa 1400 as "The Scriptures", the word was applied to those books of the Bible accepted by the Christian church" and this later extended to secular books of admitted excellence or supremacy (an most importantly meeting the approval of the Church) and in some archives there are a number of such lists but according to Harold Bloom (1930-2019) who noted the history in The Western Canon (1994), the "...secular canon, with the word meaning a catalog of approved authors, does not actually come into use until the mid-eighteenth century."

Thou shalt not.

The canon as a "catalogue of acknowledged saints" is from 1727, reflecting the implications of the late fourteenth century verb canonize and the companion noun canonization.  To canonize was to "place officially in the canon or calendar of saints" and was from the Old French canonisier and directly from the Medieval Latin canonizare, from the Late Latin canon (church rule, catalogue of saints).  The noun canonization (act of enrolling a beatified person among the saints) was from the Medieval Latin canonizationem (nominative canonizatio), the noun of action from the past-participle stem of canonizare.  Use has varied greatly between pontificates, something explained by the power to canonize lying exclusively in the gift the pope since 1179.  The related forms are canonized, canonizing and the marvelous canonicity.  The use in music to describe "a kind of fugal composition" is from the 1590s.

In the traditional sense of the Western canon of literature, although never a fixed-set, it’s become increasingly contested, even to the point of being criticized, inter alia, by post-modernists, critical theorists, Marxists and feminists as a form of cultural imperialism.  Canonical is the adjectival form.

Lindsay Lohan's canon of film

1998 The Parent Trap

2003 Freaky Friday

2004 Confessions of a Teenage Drama Queen

2004 Mean Girls

2005 Herbie: Fully Loaded

2005 My Scene Goes Hollywood: The Movie

2006 A Prairie Home Companion

2006 Just My Luck

2006 Bobby

2006 Friendly Fire

2006 The Holiday

2007 Chapter 27

2007 Georgia Rule

2007 I Know Who Killed Me

2009 Labor Pains

2010 Machete

2011 Lindsay Lohan

2012 First Point

2013 Inappropriate Comedy

2013 Scary Movie 5

2013 The Canyons

2015 Till Human Voices Wake Us

2019 Among the Shadows (The Shadow Within in some markets)

2022 Falling for Christmas

2023 Irish Wish

A romantic nihilist's canon of film

1939 Wuthering Heights

1958 Touch of Evil

1958 Vertigo

1964 Dr Strangelove

1970 Zabriskie Point

1971 A Clockwork Orange

1971 Dirty Harry

1973 The Exorcist

1979 Nosferatu the Vampyre

1986 The Texas Chainsaw Massacre 2

1987 Nightmare on Elm Street III

1987 Withnail and I

1990 Truly, Madly, Deeply

1991 Europa (Zentropa in the US)

1991 Delicatessen

Stew & Casserole

Stew (pronounced stoo or styoo)

(1) A preparation usually of meat, fish, or other food cooked by stewing, especially a mixture of meat and vegetables (recipes exist for vegetarian & vegan stews).

(2) In informal use, a state of agitation, uneasiness, or worry.

(3) A term for a brothel; a whorehouse (archaic), in the collective “the stews” was a neighborhood in which there were many brothels (the red light district).

(4) A cooking vessel for boiling or stewing (obsolete since the early eighteenth century); a cauldron; still seen as a modifier (stew pot).

(5) To cook food by simmering or slow boiling; to undergo cooking by simmering or slow boiling.

(6) In informal use, to fret, worry, or fuss, often in the phrases “in a stew” or “to stew over” (synonyms include agitation, confusion, dither, flap).

(7) In informal use, to feel uncomfortable due to a hot, humid, stuffy atmosphere, as in a closed room; to swelter.

(8) A fishpond or fish-tank (often as stew-pond); (mostly archaic UK use with origins in Sussex).

(9) An artificial oyster bed (in US regional use).

In the preparation of tea, to cause the tea to become bitter by infusing or drawing for too long

(10) As a general descriptor, a mix (usually of heterogeneous objects, substances, people etc).

(11) In slang (commercial flight crew, cruise ship crews, military mess staff), a clipping of steward or stewardess.

(12) A public room for hot steam baths (obsolete).

Circa 1300:  From the Middle English stew, stue, stewen & stuwen (to take a sweat bath) and stuen (to take a very hot bath), from the Anglo-Norman estouve, from the Old & Middle French estuver (étuve in modern French), a verbal derivative of estuve (sweat room of a bath) (thought related to the Medieval Latin stupha, of uncertain origin), from the unattested Vulgar Latin extūfāre (evaporate), the construct being ex- (out of; from) + the unattested tūfus (vapour), from the Ancient Greek τῦφος (tûphos) (smoke, steam), from τύφω (túphō) (to smoke).  It was cognate with the Italian stufare, the Spanish estufar and the Portuguese estufar.  In the Old English there was stuf-bæþ (a hot-air bath, vapor bath).  Stew in the sense of fish tanks was from the Old French estui, from estoier (to shut up, confine), ultimately from the Latin studium (study).  Stew is a noun & verb, stewable is an adjective, stewed is a verb & adjective and stewing is a noun.  The noun plural is stews.

The intransitive use dates from the 1590s while the meaning "to boil slowly, to cook meat by simmering it in liquid" came into use in the early fifteenth century.  The meaning "to be left to the consequences of one's actions" is from 1650s, especially in figurative expression “to stew in one's own juices”.   The use of stewed to suggest a state of drunkenness dates from 1737.  As a noun dating from circa 1300, a stew was first a "vessel for cooking" from the verb while the meal (stewed meat with vegetables) wasn’t so described until 1756 and the coordinate terms (which emerged or were over the centuries borrowed) included brew, simmer, hash, jumble, medley, mishmash, potpourri, pottage, pot pie, stroganoff, salmagundi, casserole, hotpot (also hot-pot), hot-dish, cassoulet, goulash & ragout.  Modifiers are common (beef stew, chicken stew, Irish stew, cowboy stew, son-of-a-bitch stew, son-of-a-gun stew, hillbilly stew etc, army stew, prison stew etc).  Stews are probably among the oldest prepared & combined dishes cooked by man, the original cooking vessels including animal skulls and turtle shells.

The apparently curious use to refer to brothels dates from the mid-fourteenth century (often in the plural as stews and whole districts could be describes as “the stews” if thought to contain many brothels or be the haunt of prostitutes.  It was a carry-over of the earlier use of stew (from the Old French estuve "bath, bath house; bawdy house) to refer to a bath house (a heated room designed for public bathing) and the parallel reflected the apparently not undeserved reputation of medieval bath houses.  In late fourteenth century Middle English, Ionete-of-the-steues (Janet of the Stews) was common slang for a prostitute.  Adolf Hitler (1889-1945; Nazi head of government 1933-1945 & head of state 1934-1945) was Austrian and must have liked stew-favored idioms.  When he heard the British government had provided a security guarantee to Poland, he became enraged and shouted "I'll cook them a stew (einen Eintopf kochen) they'll choke on!"

Casserole (pronounced kas-uh-rohl)

(1) A baking dish of glass, earthenware etc, often with a cover and sometimes used also as a serving dish.

(2) Any food, usually a mixture, cooked in such a dish.

(3) To bake or cook (food) in a casserole.

(4) A small (metal, glass, carbon fibre or ceramic) dish with a handle, used in chemical laboratories.

1706: From the sixteenth century French casserole (ladle-like pan), the construct being casse (small saucepan; pan for dripping) (from the Old Provençal cassa (large spoon), akin to the Medieval Latin cattia (pan, dipper; crucible) (influenced by the Provençal caça but the ultimate source may be the ancient Greek kyathion or kuathion, a diminutive of kuathos (cup for the wine bowl) + -role (the diminutive suffix)).  Similar (and related formations include cassole (without the -er-) and casseron (using the diminutive suffix -eron, from -on).    The Middle French was casserolle.  Casserole is a noun and verb, casseroled is an adjective and casseroling a verb; the noun plural is casseroles.

The word exists in many European languages including Danish (kasserolle), German (Kasserolle), Norwegian Bokmål (kasserolle), Norwegian Nynorsk (kasserolle) & Russian (кастрю́ля (kastrjúlja)).  The word for centuries described only the cooking vessel but by the late nineteenth century (some sources say explicitly 1889 but it’s likely the oral use pre-dates this) it was applied also of the dishes cooked in one, under the influence of chefs’ jargon such as en casserole & à la casserole.  As need be, modifiers are added (tuna casserole, chicken casserole, vegetarian casserole etc).  In situations where confusion might arise, it’s recommended the meals be called “casseroles” and the cooking vessels “casserole pans”.

Lindsay Lohan cooking marshmallowed yams in casserole dish, Thanksgiving, 2013.

Stews and casseroles are frequently indistinguishable (although by tradition stews have a thicker gravy), especially when served although there are techniques in cooling which allow as chef to produce a casserole with a crusty surface whereas a stew tends to be wholly amorphous.  Both are slow-cooked, one-pot dishes, the difference being that stews are cooked on a stovetop while casseroles are oven-baked.  Chefs insist a casserole should be baked uncovered in the oven but many leave the lid on and the differences can make a difference in that in an oven, heat circulates all around whereas on a stovetop it’s applied only from the bottom.  For this reason stews are usually cooked in pots made from earthenware, cast-iron or some other material with high heat-retention properties; this will tend to equalize the temperature and when cooking a stew, it should be covered from the point when the liquid is added onto the solid ingredients and left to simmer for a few hours until the gravy thickens.  For a stew, chefs recommend frying the meat to the point of crustiness before adding other ingredients and, although the view is not universal, many suggest that if adding onions (an essential ingredient for many), they too should be pre-cooked.  With casseroles, meat may need to be pre-cooked depending on the cut.

Chickpea & Aubergine Stew

Preparation time: 15 minutes (plus overnight soaking).

Cooking time: 8-10 hours.

Serves: 4-6.

Dig out the slow cooker to make this healthy stew. Topped with toasted pine nuts and served with flatbreads, it makes a wonderfully nutritious vegan meal

Ingredients

200g dried chickpeas, soaked overnight

2 tablespoons of extra virgin olive oil (plus extra to serve (to taste)

2 onions, finely sliced

6 garlic cloves, crushed

1 tablespoon baharat

1 teaspoon ground cinnamon

1 small bunch of flat-leaf parsley, stalks finely chopped, leaves roughly chopped (to serve)

3 medium aubergines (eggplant), sliced into 20 mm (¾ inch) rounds

2 x 400g cans chopped tomatoes

1 lemon, juiced

50g pine nuts, toasted (to serve)

Selection of pitta breads or flatbreads, to serve (optional)

Method

(1) Drain the chickpeas and bring to the boil in a pan of salted water. Cook for 10 minutes, then drain.

(2) Heat oil in a frying pan over a medium heat and fry the onions for 10 mins, or until beginning to soften.  Stir in the garlic, baharat and cinnamon and cook for 1 minute. Tip the onion mixture into a slow cooker and add the chickpeas, parsley stalks, aubergines (eggplant), tomatoes and 2 cups of water. Season to taste.

(3) Cover and cook on high for 2 hours, then turn the heat to low and cook for 6-8 hrs more until the mixture has reduced slightly and the chickpeas and aubergines are really ten

(4) Stir in lemon juice, then scatter the pine nuts and parsley leaves.  Drizzle with olive oil and serve with pitta breads or flatbreads.