Video

Video (pronounced vid-ee-oh)

(1) A visual product (usually moving images), with or without audio, saved on some form of playable media.

(2) The visual element (film, television etc), as in a program or script, pertaining to the transmission or reception of the image (as distinct from audio).

(3) The visual component of any transmission.

(4) Of or relating to the electronic apparatus for producing the television pictures; of or relating to television, especially the visual elements.

(5) A clipping of video cassette or video cassette recorder (VCR).

1935: From the Latin video (I see), first person singular present indicative of vidēre (to see), on the model of “Audio”, thus the appended –o.  The adjective came into use in 1935 (as the visual equivalent of audio) while the noun in the sense of “that which is displayed on a television screen” dates from the early British Broadcasting Corporation (BBC) transmissions in 1937; the early form used by the technical staff was “video transmission” echoing “audio transmission” in radio.  The first known instance of “videogame” in print dates from 1973 although by then consumer products have been available for some eighteen months and it’s possible that among developers or users, the term had earlier been in use.  Whereas all audio (tapes, clips, grabs etc) contain exclusively sound, a quirk of video media is that most contain both visual and audio content; in practice, this cause no confusion because the conventions are well-understood.  Other conventions have also evolved.  Movie obviously has some overlap with video a some long-form commercial product (such as the typical feature film) would always be described as a “movie” or a “film” rather than a video bit if the same thing exists on tape or optical media, it will often be called a “video”, especially if on tape (videotape the generic term).  In an optical disc it’s more likely to be called a DVD, a product which in 1995 actually began life as the “Digital Video Disc” but was soon renamed “Digital Versatile Disc” because the eight-fold increase in capacity compared to the CD (Compact Disc) meant they were a convenient low-cost storage option in computing.  Even discs in the more recent Blu-Ray optical format appear often to be called “DVDs” at the consumer level, an indication Blu-Ray came too late to gain critical mass as the industry switched to streaming and weightless distribution to static libraries.  The videocassette (more often used as video + cassette) seems first to have been mentioned in patent application documents in 1970, the Videocassette recorder (VCR) first available at the consumer level in 1971.

Many of the futurists who predicted something like the internet got much right but few predicted the upload aspect of sites like YouTube and TikTok, the conjunction of a high percentage of the population enjoying both the possession of a video camera and access to bandwidth meaning that within years there were billions of content providors, many of whom found an audience.  Such videos are rarely called “movies” and are described variously with terms like “videos”, “clips”, “vids” or “shorts”.  Modifiers have been applied to “video” to created whatever meaning is needed including direct-to-video, full-motion video, home video, martyrdom video, video arcade, video camera, video clip, video conference, video game, video journalism, video nasty, videographer, video-jockey, videotape and videogram.  Video is a noun, verb & adjective, videoing & videoed are verbs; the noun plural is videos or videmus.  The plural videmus (the first-person plural form of the Latin verb) is rare and used usually for humorous effect.

Video meliora, proboque, deteriora sequor

The Latin phrase video meliora, proboque, deteriora sequor is from the Roman Poet Ovid’s (Publius Ovidius Naso; 43 BC–17 AD) Metamorphoses, appearing in a passage in which Medea acknowledges her obligations towards her father and her homeland but decides anyway to desert her people and run off with Jason.  Poets and others have since used the words to refer to those who know right from wrong and choose to do wrong, the purpose to illustrate either human weakness or immorality.  In English, the best known of the authors who cited the phrase are the worthy John Locke (1632–1704) and deliciously wicked Thomas Hobbes (1588–1679) and earlier, Saint Augustine of Hippo (354–430) couldn’t resist, noting “he sees what the rectitude of actions requires and he wants it and is unable to do it”, something on which he may have reflected when writing in Confessiones (Confessions (397-400)) of his prayer to God: “Oh, Master, make me chaste and celibate - but not yet!”

Lindsay Lohan and her lawyer in court, Los Angeles, December 2011.

Video meliora, proboque, deteriora sequor appears in The Wise Virgins, the second novel published by Leonard Woolf (1880–1969) and a work which until re-published a decade after his death was neglected and tended to be assessed only as the catalyst for what proved the worst of the breakdowns suffered by his wife, the novelist Virginia Woolf (née Stephen; 1882–1941).  The book was released two years after their marriage and the first drafts had been begun during the honeymoon in Spain; something which over the year has drawn the odd wry comment.  The autobiographical elements were undisguised, the subjects the two newly-wed protagonists and a supporting cast drawn from the Bloomsbury set and although for decades dismissed, it’s regarded now as an engaging satire of the last days of the pre-1914 world of English society.  For the modern reader, it’s a compelling tragedy, a tale of someone who attempts to escape society’s conventions but through his own weakness of character finds himself trapped in that very world.

Leonard and Virginia Woolf, a photographic postcard, Dalingridge Place, West Hoathly, Sussex, 23 July 1912.

Commercially, The Wise Virgins was a failure and Leonard Woolf took the opportunity to blame the unfortunate timing of publication: “The war killed it dead” he recorded in his autobiography, not bothering to list the work in the index.  There’s long been the idea he wasn’t unhappy to see it buried; Virginia Woolf read The Wise Virgins three months after publication and although with the bloodless austerity of a don she noted in her diary that the work was “very good in some ways and very bad in others”, within a fortnight she descended into what would prove the worst of her many breakdowns and the only one, feminist critics like to mention, during which she rejected her husband, refusing for some two months to see him.  Virginia Woolf's own works, including her two fictional portraits based on him are more sympathetic to his memory, his character in The Wise Virgins perhaps a portrait of what he imagined he might have been had he not repressed his worse impulses and certainly, Leonard Woolf’s reputation has not suffered like that of Ted Hughes (1930–1998; Poet Laureate 1984-2008) after the suicide of his wife Sylvia Path (1932-1963).  As with many a roman-à-clef, one must always be conscious that much is fiction but it’s a tale of the fate of another flawed man and the quote from Ovid is not misplaced.

Corduroy

Corduroy (pronounced kawr-duh-roi)

(1) A cotton-filling pile fabric with lengthwise cords or ridges.

(2) In the plural as corduroys (or cords), trousers made from this fabric.

(3) Of, relating to, or resembling corduroy.

(4) A method of building an improvised road or causeway, constructed with logs laid together transversely (used by military forces, those operating in swampy ground areas etc); the result was described originally as “ribbed velvet” and when intended for sustained use, earth was thrown into the gaps and compacted, thus rendering a relatively smooth, stable surface.

(5) To form such a “road” by arranging logs transversely.

(6) In ski-run maintenance, a pattern on snow resulting from the use of a snow groomer to pack snow and improve skiing, snowboarding and snowmobile trail conditions (corduroy thought a good surface for skiing).

(7) In Irish slang, cheap, poor-quality whiskey (based on the idea on the fabric corduroy not being “smooth”.

1776: Of uncertain origin.  There’s no consensus among etymologists but the most support seems to be for the construct being cord +‎ duroy (one of a number of lightweight, worsted fabrics once widely produced and known collectively as “West of England Cloth”).  Cord (A long, thin, flexible length of twisted yarns (strands) of fiber) was from the late thirteenth century Middle English corde (a string or small rope composed of several strands twisted or woven together; bowstring, hangman's rope), from the Old French corde (rope, string, twist, cord), from the Latin chorda (string of a musical instrument, cat-gut), from the Doric Ancient Greek χορδά (khordá) (string of gut, the string of a lyre) and may be compared with the Ionic χορδή (khordḗ), from the primitive Indo-European ghere- (bowel; intestine).  The adjective cordless (of electrical devices or appliances working without a cord (ie powered by a battery) dates from 1905 and was augmented later by “wireless” which described radios so configured.  Cordless is still a useful word now that the meaning of “wireless” in the context of computing has become dominant.  The curious use of cord as “a unit of measurement for firewood, equal to 128 cubic feet (4 × 4 × 8 feet), composed of logs and/or split logs four feet long and none over eight inches diameter (and usually seen as a stack 4 feet high by 8 feet long)” dates from the 1610s and was so-called because it was measured with a cord of rope marked with the appropriate measures.

Lindsay Lohan as fashion influencer: In burnt red corduroy pants & nude platform pumps, Los Angeles, December 2011 (left) and leaving Phillippe Restaurant after dinner with Woody Allen (b 1935), New York, May 2012 (right).  It's said that before he met Lindsay Lohan, the film director had never worn corduroy trousers and he still prefers brown, seemingly unable to escape the 1970s when he was perhaps at his happiest.

Until well into the twentieth century, the old folk etymology was still being published which held the word was from the French corde du roi (cloth of the king”), which seems never to have be used in France, the correct term for “cloth of the king” being velours côtelé.  It’s not impossible there’s some link with cordesoy, from the French corde de soie (“rope of silk” or “silk-like fabric”) because that form is documented in an advertisement for clothing fabrics dating from 1756.  The spelling corderoy appears in commercial use in 1772 but the modern “corduroy” became the standard form in the 1780s.  The origin of duroy is obscure and the earliest known use (in print) of the word appeared in the early seventeenth century; it may be from the French du roi (of the king), a 1790 trade publication in France including the term duroi (a woolen fabric similar to tammy).  So, although the case for cord +‎ duroy seems compelling, etymologists note (1) duroy was fashioned from wool while corduroy was made with cotton and there’s no other history of the two words being associated, (2) grammatically, the compound should have been duroy-cord and (3) this does not account for the earlier corderoy.

None of that of course means cord +‎ duroy was not the source and many English words have been formed in murky ways.  There’s also the possibility of some link with the English surname Corderoy (although there is no evidence of a connection); the name was also spelt Corderey & Cordurey, the origin lying in the nickname for “a proud person” (of French origin, it meant “king’s heart”).  Some are more convinced by a suggestion made in 1910 by the English philologist Ernest Weekley (1865-1954) who speculated corduroy began life as folk-etymology for the trade-term common in the sixteenth century: colour de roy, from the French couleur de roi (king’s colour) which originally was a reference to both a cloth in the rich purple associated with the French kings and the color itself. Later, it came to signify a bright tawny colour and a cloth of this hue.  Corduroy as an adjective came into use after 1789 and the use to describe roads or causeways improvised by means of with logs laid together transversely (usually to provide wheeled vehicles passage over swampy ground dates from the 1780s.  Corduroy is a noun, verb & adjective, corduroying & corduroyed are verbs and corduroylike is an adjective; the noun plural is corduroys.

1975 Mercedes-Benz 450 SEL 6.9 trimmed in classic 1970s brown corduroy.

By the 1960s most Mercedes-Benz were being trimmed in their famously durable MB-Tex, a robust vinyl which was not only easy to maintain but closely resembled leather, lacking only the aroma (and third-party manufacturers soon made available aerosols for those who found the olfactory appeal too much to forgo).  However, leather and velour (of mohair in the most exclusive lines) were either standard or optional on more expensive models and when exported to first-world markets beyond Europe (such as North America or Australia), MB-Tex or leather was standard and the fabrics were available only by special order.  A notable exception was the Japanese market where buyers disliked the way their prized “car doilies” slid of the hide; they always preferred cloth.  The velour was certainly better suited to harsh northern European winters and testers would often comment on how invitingly comfortable were the seats trimmed in the fabric.  To add to the durability, the surfaces subject to the highest wear (ie those at the edges on which there was the most lateral movement during ingress and egress) used a corduroy finish (the centre panels also trimmed thus, just for symmetry).

Abrosexual

Abrosexual (pronounced ab-ruh-seks-uhl (U) or ab-roh-sek-shoo-uhl (non-U))

Describing, noting, acknowledging or relating to a person whose sexual orientation is fluid and may from time to time fluctuate.

2013: The construct was abro- + sexual.  Abro- was not a standard suffix but was an adaptation of the Ancient Greek ἁβρός (feminine ἁβρᾱ́, neuter ἁβρόν) (habrós) (graceful, delicate, pretty) which scholars of the Classics note appeared usually in verse (though never in epic poetry) and was rare in early texts written in prose.  In abrosexual it was used in the sense of “graceful, delicate, pretty” (presumably because in Antiquity it was used especially of the human body) but originally it could also describe something splendid in appearance, an elegance of style or (often in a derogatory manner), dainty, luxurious or effete, thus the transferred sense of “delicate”, applied often to those from the Orient.  The construct of abrosexual appears one of English’s linguistic novelties and is unrelated to abrogate (now best known from the use in administrative law) which, dating from 1526, was from the Middle English abrogat (abolished), from the Latin abrogātus, the perfect passive participle of abrogō (repeal), the construct being ab (away) + rogō (ask, inquire, propose).

The word –sexual was a noun or adjective describing a state or style of sexuality, the construct being sex + -ual.  Sex was from the Middle English sexe (gender), from the Old French sexe (genitals; gender), from the Latin sexus (gender; gender traits; males or females; genitals), from the Proto-Italic seksus, from the primitive Indo-European séksus, from sek- (to cut, cut off, sever), thus the meaning “section, division (into male and female)”.  The use as it applied to women was influenced by the Middle French le sexe (women), traces of this development noted in the late sixteenth century.  The usage for third and additional sexes was calqued from the French troisième sexe (third gender), which was applied first to “masculine women” in 1817 and male homosexuals in 1847 (the first such reference in English apparently to in reference to Catholic clergy, a theme which continues, one of the internal criticisms of the Roman Curia (the Holy See’s ecclesiastical cum bureaucratic apparatus, the establishment which runs the Vatican) that it is a “gay cabal”.  Perhaps surprisingly, the use of the word “sex” to describe “sexual intercourse” seems not to have appeared in print until 1899 when was used in that context in HG Wells’ (1866-1946 and a noted proponent of “free love”) novel Love and Mr Lewisham; obviously an abbreviation rather than a euphemism and etymologists presume the use would for some time have been “verbal shorthand” in oral use.  Modernity arrived in 1929 when DH Lawrence (1885–1930) introduced the phrase “have sex” to idiomatic English; it caught on.  The –ual suffix was a back-formation from Latin adjectives ending in –uālis (formed from fourth-declension nouns suffixed with –ālis) and an alternative form of –al.  Abrosexual is an adjective and a (non-standard) noun; the noun plural is abrosexuals.  The companion word is the (non-standard) abroromantic.

Abrosexual seems first to have appeared on-line in 2013 but interest has recently spiked for reasons not immediately clear, sexual fluidity hardly a new idea; the current feeling seems to be it has become increasingly popular as a form of self-identification, one which has the advantage of infinite variability (no consistency demanded).  One early criticism of the word was it was unnecessary because the “P” in the LGBTQQIAAOP glossary referred to “pansexual” (those attracted to a person because of their personality; sex and gender both irrelevant) which seemed to cover the behavior.  The difference however is that pansexuality is a permanent state whereas abrosexuality is an identity in which orientation may shift, the implication presumably that whatever might be the orientation to which one has shifted, as long as it lasts, it is exclusive although how that maps onto some states has never been explained.  For example, a bisexual may be attracted almost exclusively to one gender and may then shift to favor almost exclusively the other: is that an example of fluidity within the rubric of bisexuality, an instance of abrosexuality or both.  In other words, must the shift be only between the LGBTQQIAAOP categories or can it also refer to degrees of intensity, a definitional puzzle complicated further by the multisexual umbrella which covers those whose preference span a number of categories.

The Abrosexual Pride flag.

The annual Abrosexual Pride Day is 2 July and of course, by definition, abrosexuals are not restricted to than one celebration.  An asexual might mark International Asexuality Day on 6 April and then shift to become a lesbian, thus enjoying also Lesbian Visibility Day on 26 April, Lesbian Day on 8 October and Coming Out Day 72 hours later.  There is also an acknowledged abrosexual flag although the origin of the design is contested as is the meaning represented by the choice of colors; the most popular suggestion being green signaling queer attraction, the fade to and from white the effortless transition and the pink the actual shift.  The hues are those of a watermelon, the use of which is analogous with the contemporary use of the N-word which is permissible only by (certain) people of color (PoC) in that it should be spoken only by those who identify was abrosexual, use by others a slur or micro-aggression depending on context.  It's not the first time "watermelon" has been co-opted: in Thailand the word is used to describe soldiers who are "green on the outside, red on the inside", the reference being to (1) the green military fatigues they wear and (2) red being the color of the political opposition (the establishment using the yellow of the royal family).  So abrosexuality is a permanent state of orientational flux.  Even if one switches from one to another only once in one’s life, one remains at least a latent abrosexual, however much one may rationalize such things as “just a phase” because the modern politics of sexuality are predicated on the “born like this” paradigm; the shifts inherent in abrosexuality are an inherent part of one and not a lifestyle choice like becoming a vegan or joining the Freemasons.  Phases might exist but they’re part of the whole and all are equally authentic but abrosexual doesn't belong in the LGBTQQIAAOP glossary; it is a process, not a category.

Just a phase: Lindsay Lohan with former special friend Samantha Ronson.

There are however those who have suggested such things could be a purely situational occurrence; a thing of time and place.  Interviewed in January 2018, Lindsay Lohan was asked about if she considered herself “sexually fluid” to which she responded with an unambiguous “No, I definitely like men”.  Probed further about her sometimes tempestuous relationship with former special friend Samantha Ronson she seemed amused and replied “I was living in LA.  I'm not saying it's a bad thing…” and that expanded a little on her observation in 2013: “I know I’m straight. I have made out with girls before, and I had a relationship with a girl.  But I think I needed to experience that and I think I was looking for something different.”  She concluded her 2018 comments by noting she was “having a break from relationships at the moment… not forever, but just for now."  In Ms Lohan’s case the fondness for women may just have been an “LA induced” phase and (now a married mother) she’s permanently straight but “not forever, but just for now” is the essence of abrosexuality.

Nice

Nice (pronounced nahys)

(1) Pleasing; agreeable; delightful.

(2) Amiably pleasant; kind.

(3) Characterized by, showing, or requiring great accuracy, precision, skill, tact, care, or delicacy.

(4) Showing or indicating very small differences; minutely accurate, as instruments.

(5) Minute, fine, or subtle.

(6) Having or showing delicate, accurate perception.

(7) Refined in manners, language etc.

(8) Virtuous; respectable; decorous.

(9) Suitable or proper; carefully neat in dress, habits, etc; dainty or delicate (especially of food).

(10) Having fastidious, finicky, or fussy tastes (sometime used as over-nice in a disparaging sense).

(11) Coy, shy, or reluctant (obsolete).

(12) Unimportant; trivial (obsolete).

(13) Uncertain; delicately balanced (obsolete).

(14) Wanton (obsolete).

(15) A Mediterranean port and the capital of the department of Alpes-Maritimes, in south-east France; a resort on the French Riviera; founded by Phocaeans from Marseille circa third century BC; it was ceded to France in 1860 by Sardinia.  Ancient Nicaea is from the Ancient Greek nikaios (victorious) from nikē (victory); Nizzard (a resident of Nice) is derived from Nizza, the Italian form of the city name.

(16) In the UK, an acronym for the National Institute for Clinical Excellence, a body established in 1999 to provide authoritative guidance on current best practice in medicine and to promote high-quality cost-effective medical treatment in the National Health Service (NHS).

(17) In computing (the Unix operating system), a program used to trigger a script or program with a specified priority.

(18) In the slang of drug users, being well affected. 

1250–1300: From the Middle English nice, nyce & nys (foolish, stupid), from the Old French nice, niche & nisce (silly, simple, foolish, ignorant) from the Latin nescius (to be ignorant, incapable), the construct being ne- (the Latin negative prefix) + sci- (stem of scīre (to know)) + -us (the Latin adjectival suffix); the more familiar Latin form being nescire (to know not, be ignorant of), the construct being ne- + scire, the ultimate source of which was the primitive Indo-European ne (not).  Use of the noun "nice" is restricted to the Unix operating system, where it describes a program used to trigger a script or program with a specified priority, the implication being that running at a lower priority is "nice" (in the sense of "kind") because it leaves more resources for others (thus the specialized verbs nicing & niced).  Nice is a noun, adjective & adverb, nicity is a noun, nicer & nicest are adjectives & adverbs, niceish (nicish the archaic spelling) is an adjective, nicely is an adverb and niceness & nicety are nouns; the most common noun plural seems to be niceties.

Not always nice

Lindsay Lohan in a nice dress, LLohan Nightclub pop up event, Playboy Club, New York, October 2019: David Koma crystal-embellished cady midi dress with asymmetric hem, Valentino Rockstud 110mm pumps (part-number WS0393VOD) and Chanel mini tweed bag.

The sense development of nice is regarded as unusual by most etymologists, most of whom find the meaning shifts extraordinary, even for an adjective.  Meaning originally “silly or foolish”, by circa 1300, it meant "timid, faint-hearted", came to mean "fussy or fastidious" by the late fourteenth century, shifting (slightly) within decades to "dainty, delicate" yet meaning "precise, careful" by the 1500s, the sense preserved in Modern English in such terms as “a nice distinction” and “nice and early”.  By 1769 it’s being used to convey something "agreeable or delightful and by 1830, "kind & thoughtful" yet the variety of meanings clearly overlapped, perhaps due to generational inertia: the Duke of Wellington (1769-1852), writing in 1815 of the recent battle of Waterloo which at many points could have gone either way said “It has been a damned nice thing — the nearest run thing you ever saw in your life”, using nice in yet another older sense of "uncertain, delicately balanced".

Lindsay Lohan and her lawyer in court, Los Angeles, December 2011.  As early as the 1990s, some guides were predicting the use of "nice" to convey the sardonically ironic was becoming so clichéd it might become unfashionable but it continues to flourish, possibly because it has never become associated with "lower class" speech.

The meaning shifts have created problems for historians and archivists, the Oxford English Dictionary (OED) noting that when analysing documents from the sixteenth and seventeenth centuries it can be difficult to say in what particular sense a writer intended "nice" to be taken.  The imprecision upset many and by 1926, the authoritative Henry Fowler (1858–1933) wrote in his Dictionary of Modern English Usage that nice had become "too great a favourite with the ladies, who have charmed out of it all its individuality and converted it into a mere diffuser of vague and mild agreeableness."  Pace Henry Fowler but it is handy for a language to include a word which so encapsulates “vague and mild agreeableness” and in any of its meanings, nice is not without synonyms.  So the semantic history is varied and, as the etymology and the obsolete senses attest, any attempt to insist on only one of its present senses as correct will not be in keeping with actual use.  The criticism usually extended is nice is used too often and has become a cliché lacking the qualities of precision and intensity that are embodied in many of its synonyms.  In modern use, it’s now often used ironically, something not desirable, or worse, can now be described as “nice”, the meaning well-understood.

Stiletto

Stiletto (pronounced sti-let-oh)

(1) A small, slender knife or dagger-like weapon intended for stabbing; usually thick in proportion to its width.

(2) An archaic name for the rapier.

(3) A pointed instrument for making eyelet holes in needlework; a sharply pointed tool used to make holes in leather; also called an awl.

(4) A very high heel on a woman's shoe, tapering to a very narrow tip, also called the spike heel or stiletto heel.

(5) A beard trimmed to a pointed form.

(6) A style used in the fashioning of decorative fingernails.

1605–1615: From the Italian stiletto, a doublet of stylet, the construct being stil(o) (dagger or needle (from the Latin stilus (stake, pens))) + -etto (-ette) and from the Latin stilus came also stelo, an inherited doublet.  The etto- suffix was used to forms nouns from nouns, denoting a diminutive.  It was from the Late Latin -ittum, accusative singular of –ittus, and was the alterative suffix used to form melioratives, diminutives, and hypocoristics and existed variously in English & French as -et, in Italian as Italian -etto and in Portuguese & Spanish as -ito.  With an animate noun, -etto references as male, the coordinate female suffix being -etta, which is also used with inanimate nouns ending in -a.  It should not be confused with the homophonous suffix -eto.  Stilus was from the primitive Indo-European (s)teyg- (related to instīgō & instigare) and was cognate with the Ancient Greek στίζω (stízō) (to mark with a pointed instrument) and the Proto-Germanic stikaną (to stick, to stab).  Despite the similarity, there’s no relationship with the Ancient Greek στῦλος (stûlos) (a pillar).

A quasi-technical adoption in law-enforcement and judicial reports were the verb-forms stilettoed & stilettoing, referring to a stabbing or killing with a stiletto-like blade.  It was a popular description used by police when documenting the stabbing by wives of husbands or boyfriends with scissors or kitchen knives; use faded in the mid-twentieth century.  The idea of a long, slender beard trimmed into a pointed form being "a stiletto" popular in the sixteenth & seventeenth centuries but all such forms seem now to be referred to either as "a goatee" or "a Van Dyke".  The adjectival use can also sometimes need to be understood in the context of the phrase or sentence: "a stilettoed foot" can be either "the foot of someone wearing a shoe with a stiletto heel" or "a foot which has been stabbed with a long, thin blade.  Stiletto & stilettoing are nouns & verbs, stilettoed is a verb & adjective and stilettolike (also stiletto-like) is an adjective; the noun plural is either stilettos or stilettoes.

Of blades and heels

The stiletto design for small bladed weapons pre-dates not only modern metallurgy but antiquity itself.  The essence, a short, relatively thick blade, was technologically deterministic rather than aesthetic, most metals of the time not being as sturdy as those which came later.  Daggers were for millennia an essential weapon for personal protection but, particularly after developments in ballistics; they tended to evolve more for formal or ceremonial purposes.

The Schutzstaffel (SS) dagger model M1933 (often abbreviated to M33).

The M1933 was the standard issue to all SS members, the hilt either silver or nickel-plate while the grip was black wood.  Produced in large numbers, collectors are most attracted to the low-volume variations such as those without the manufacturer’s trade-mark or RZM control markings.  Most prized are the rare handful with a complete "Ernst Röhm inscription" which read In herzlicher freundschaft, Ernst Röhm (In heartfelt friendship, Ernst Röhm).  Given his his habits, enjoying Röhm's "friendship" would for a few have proved a double-edged sword.   Some 136,000 of the engraved SA daggers were produced, a further 9900-odd distributed to the SS.  After Röhm (1887–1934; chief of the Nazi Sturmabteilung (the stormtroopers (the SA)) was executed during the Nacht der langen Messer (Night of the Long Knives), also called Unternehmen Kolbri (Operation Hummingbird) in 1934, all holders of the Röhm Honour Dagger were ordered to have the inscription removed and most complied, the unmodified survivors thus highly collectable although in some countries, the very idea of trading Nazi memorabilia is becoming controversial.  As ceremonial devices, bladed weapons were a feature of the uniforms worn during the Third Reich (1933-1945) and they were issued to all branches of the Wehrmacht (the German armed forces) the police, the various paramilitaries, the diplomatic service as well as organizations as diverse as the railways, the fire services, the forestry service and the postal office.  In this they were continuing a long German tradition but the Nazis vision of a homogenous, obedient population included the notion that uniforms should be worn wherever possible and there is something in the cliché that (at least at the time), no German was ever as happy as when they were in uniform.

Although the term is used widely, in the narrow technical sense, not all slim, high heels are stilettos.  The classic stilettos were the extremely slender Italian originals produced between the 1930s and 1960s, the heels of which were no more than 5 mm (0.2 inch) in diameter for much of their length, flaring at the top only to the extent structurally required successfully to attach to the sole; the construction of solid steel or an alloy.  Many modern, mass-produced shoes sold as "stilettos" are made with a heel cast in a rigid plastic with an internal metal tube for reinforcement, a design not having the structural integrity to sustain the true stiletto shape.  However, English is democratic and in the context of footwear, "stiletto" now describes the visual style, regardless of the materials.

The lines of the classic black stiletto (top left) were long ago made perfect and can't be improved upon; such is the allure that many women are prepared to endure inconvenience, instability, discomfort and actual pain just to wear them.  They appeal too to designers and the style, the quintessential feminine footwear, has been mashed-up with sneakers, Crocs, work-boots, sandals and even a scuba-diver's flippers (though they really were at home only on the catwalk).  Military camouflage is often seen, designers attracted by the ultimate juxtaposition of fashion and function.  The Giuseppe Zanotti Harmony Sandals (bottom row, second from right) were worn by Lindsay Lohan on The Masked Singer (2019).    

In the world of fingernail fashioning, there are stilettos and stilettos square.  A statement shape, something of a triumph of style over functionally, the stiletto gains its dramatic effect from long and slender lines and can be shaped with either fully-tapered or partially square sides.  They’re vulnerable to damage, breaking when subjected to even slight impacts and almost never possible with natural growth and realistically, pointed nails, certainly in their more extreme iterations (the stilettos, lipstick, mountain peaks, edges, arrow-heads, claws or talons), are more for short-term effect than anything permanent.  Best used with acrylics, the knife-like style can be a danger to the nail itself and any nearby skin or stockings.  Those contemplating intimacy with a women packing these should first ponder the implications.  True obsessives insist the stiletto styles should be worn only with matching heels and then only if the colors exactly match.

1964 Hillman Imp.

The Hillman Imp was a small economy car introduced in 1964.  It was the product of the Rootes Group which needed an entry in a market segment which had been re-defined by the British Motor Corporation’s (BMC) Mini and although similar in size, the engineering was radically different: rather than the Mini's front-engine / front wheel drive (FWD) arrangement which became (and to this day remains) the template for the industry, the Imp was configured with a rear-engine and rear wheel drive (RWD), something which had for decades been a feature of small Europeans cars but was in the throes of being abandoned.  It never achieved the commercial success of the BMC product although it continued in production after 1967 when the Rootes group was absorbed by Chrysler and, perhaps remarkably, it remained on the books until 1976.  In that time, it sold in not even 10% of the volume achieved by the Mini between 1959-2000.

Hillman Imp V8, Oran Park, Sydney, Australia, 1971.

The Hillman Imp did enjoy some success in competition, winning three successive British Saloon Car Championships between 1970-1972 (competing in Class A (under 1000 cm³)) but years earlier, its light-weight and diminutive dimensions had appealed to Australian earth-moving contractor Harry Lefoe (1936-2000) who had a spare 302 cubic inch (4.9 litre) Ford (Windsor) V8 sitting in his workshop.  By then, the Imp was a Chrysler product but because the published guidelines of the Australian Sports Sedan Association (ASSA) restricted engines to those from cars built by the manufacturer of the body-shell, the small-block Ford V8 could be put in an Imp because it had been used in the earlier Sunbeam Tiger.  So the big lump of an iron V8 replaced the Imp's 875 cm³ (53 cubic inch) aluminium four and such was the difference in size that Lefoe insisted his Imp had become "mid-engined" although it seems not to have imparted the handling characteristics associated with the configuration, the stubby hybrid infamous for its tendency to travel sideways.  It was never especially successful but it was loud, fast, spectacular and always a crowd favourite.

1967 Sunbeam Stiletto.

Introduced in 1967, the Sunbeam Stiletto was a “badge-engineered” variant of the Imp (there were also Singers), the name an allusion to the larger Sunbeam Rapier (a stiletto a short blade, a rapier longer).  Badge engineering (a speciality of the British industry during the post-war years) was attractive for corporations because while it might increase unit production costs by 5-10%, the retail price could be up to 40% higher.  Very much a “parts-bin special” (although there was the odd unique touch such as the quad-headlamps and the much-admired dashboard), mostly it was a mash-up, the fastback bodywork already seen on the Imp Californian and some interior fittings and the more powerful twin carburettor engine shared with the Singer Chamois.  Curiously, some sites report the fastback lines proved less aerodynamically efficient than the Imp’s more upright original, the opposite of what was found by Ford in the US when the “formal roof” Galaxies proved too slow on the NASCAR ovals, a “semi-fastback” at essentially the same angle as the Stiletto proving the solution; the physics of aerodynamics can be counter-intuitive.  Stiletto production ceased in 1972 with the Sunbeam brand-name retired in 1976 although Chrysler used it as a model name until 1981.

Lindsay Lohan in Christian Louboutin Madame Butterfly black bow platform booties with six-inch (150 mm) stiletto heel.

Peculiar

Peculiar (pronounced pi-kyool-yer)

(1) Something thought strange, queer, odd, eccentric, bizarre.

(2) Something uncommon or unusual.

(3) Distinctive in nature or character from others.

(4) Belonging characteristically to something.

(5) Belonging exclusively to some person, group, or thing.

(6) In astronomy, designating a star or galaxy with special properties that deviates from others of its spectral type or galaxy class.

(7) A property or privilege belonging exclusively or characteristically to a person.

(8) In the Church of England, a particular parish or church that is exempted from the jurisdiction of the ordinary or bishop in whose diocese it lies and is governed by another.

(9) In printing and typesetting, special characters not generally included in standard type fonts, as phonetic symbols, mathematical symbols etc (such as ±§¿).  Also called arbitraries.

1400-1450: From the late Middle English, from the Old French peculiaire and directly from the Latin pecūliāris (as one's own property), from pecūlium (private property (literally "property in cattle") a derivative of pecū (flock, farm animals) from pecus (cattle) (in Antiquity, the ownership of cattle was an important form of wealth).  The meaning “unusual” dates from circa 1600, a development of the earlier idiom “distinguished or special”.  The meaning "unusual, uncommon; odd" emerged by circa 1600, an evolution from the earlier "distinguished, special, particular, select" which was in use by at least the 1580s.  The euphemistic phrase "peculiar institution" (slavery; "peculiar" used here in the sense of "exclusive to the "slave states") dates from the 1830s when it was used in speeches by Southern politician John C Calhoun (1782-1850) and it was a standard part of the US political lexicon until abolition.  In ecclesiastical administration, peculiar was used in the sense of "distinct from the auspices of the diocese in which it's located".  Peculiar is a noun & adjective, peculiarize is a verb, peculiarity is a noun and peculiarly is an adverb; the noun plural is peculiars.

In the Church of England, a peculiar is an ecclesiastical district, parish, chapel or church which operates outside the jurisdiction of the bishop and archdeacon of the diocese in which they are situated. Most are Royal Peculiars subject to the direct jurisdiction of the monarch but some are those under another archbishop, bishop or dean.  The arrangement originated in Anglo-Saxon times and developed as a result of the relationship between the Norman and Plantagenet Kings and the English Church. King Henry VIII (1491–1547; King of England (and Ireland after 1541) 1509-1547) retained Royal Peculiars following the Reformation and the Ecclesiastical Licences Act (1533), as confirmed by the Act of Supremacy (1559), transferred to the sovereign the jurisdiction which previously been exercised by the pope.  Surprisingly, most peculiars survived the Reformation but, with the exception of Royal Peculiars, almost all were abolished during the nineteenth century by various acts of parliament.  Mostly harmless among Anglicans, the concept existed also in the Roman-Catholic Church where it caused a few difficulties, usually because of bolshie nuns in convents answerable to Rome and not the local bishop.  The bishops, used to obedience, even if grudging, enjoyed this not at all.

Peculiar has a range of meanings.  One is the sense of something “uniquely peculiar to” meaning an attribute or something else shared with no other and sometimes things one thought peculiar to one thing or another are proved not so unique.  Saturn’s lovely rings were once thought peculiar to that planet but exploration and advances in observational technology meant that by the late twentieth century, it could be revealed Jupiter, Uranus and Neptune all had ring systems, all more modest than those of Saturn but they were there.  Non-realistic art has often for its impact depended on a depiction of the peculiar: blue trees, flying dogs and green people once all enough to shock.  This too can change.  Once, a painting of a black swan would have seemed peculiar because, as the Roman saying went rara avis in terris nigroque simillima cygno (a bird as rare upon the earth as a black swan).  The accepted fact was that all swans were white.  However, late in the seventeenth century, Dutch explorers visiting what is now the coast of Western Australia became the first Europeans to see black swans and event subsequently picked up in philosophy as the “black swan moment”, referencing the implications of an accepted orthodoxy of impossibility being disproven, later developed into the “black swan logical fallacy” which became a term used when identifying falsification.

Peculiar in the sense of something bizarre: 1961 Plymouth Fury Convertible.  It must have seemed a good idea at the time and never has there been anything to suggest the designers were under the influence of stimulants stronger than caffeine or nicotine.

Sometimes something thought peculiar can be described as “funny-peculiar” to distinguish it from something disturbing: peculiarities can be thought of as perversions.  In 1906, an embittered and vengeful Friedrich von Holstein (1837–1909; between 1876-1906, an éminence grise in the foreign office of the German Empire) sent a letter to the diplomat Prince Phillip of Eulenburg (1847–1921), the man he blamed for the ending of his long and influential career:

“My dear Phili – you needn’t take this beginning as a compliment since nowadays to call a man ‘Phili” means – well, nothing very flattering… I am now free to handle you as one handles such a contemptible person with your peculiarities.”

From this incendiary note ensued a series of legal proceedings exploring the allegations of “unnatural conduct” (homosexual activity) levelled against Prince Phillip, proceedings which involved a roll-call of characters, many with motives which went beyond their strict legal duty and a few with their own agendas.  The matter of Phili’s peculiarities was of great significance, not merely because homosexuality was punishable under the criminal code (although the statute was rarely enforced) but because the prince had for decades been the closest friend of the German Emperor, Kaiser Wilhelm II (1859–1941; German Emperor & King of Prussia 1888-1918).