Laurel

Laurel (pronounced lawruhl or lor-uhl)

(1) A small European evergreen tree, Laurus nobilis, of the laurel family, having dark, glossy green leaves (Known also as the bay tree or sweet bay).

(2) Any tree of the genus Laurus.

(3) In general use, any of various similar trees or shrubs, as the mountain laurel or the great rhododendron.

(4) The foliage of the laurel as an emblem of victory or distinction.

(5) A branch or wreath of laurel foliage.

(6) In the plural (laurels or victory laurels), an award conferred (literally or figuratively) as an honor for achievement in some field or activity.

(7) An English gold coin minted in 1619, so called because the king's head was crowned with laurel.

(8) In many color charts, a green of a darker hue.

(9) To adorn or enwreathe with laurel.

(10) To honor with marks of distinction.

1250–1300: A dissimilated variant of the Middle English laurer (laurel), from the Anglo-Norman, from the twelfth century Old French laurier & lorier (bay tree; laurel tree), the construct being lor (bay) + -ier, from the Medieval Latin laurārius, from the Latin laurus (laurel tree), thought related to the Greek daphne (laurel), probably from a pre-Indo-European Mediterranean language.  The French suffix -ier was from the Middle French -ier & -er, from the Old French, from the Latin -ārium, the accusative of -ārius.  It was used to form the names of trees, ships, jobs etc.  The second -r- in the Middle English laurer changed to -l- by process of dissimilation.  Laurel is a noun, a proper noun & verb and laureled (also laurelled) & laureling (also laurelling) are verbs; the noun plural is laurels.

Lindsay Lohan fridge magnet by Alexanton.

The use to describe an emblem of victory or of distinction (hence the phrase “to rest on one’s laurels” (the original form was “repose upon”)) which dates from 1831.  The phrase is now mostly used in the cautionary sense “don’t rest on your laurels”, a warning not to rely on a reputation gained through past successes but instead continue to strive and improve.  The companion phrase “look to your laurels” is an idiomatic expression known in Antiquity meaning one need to be vigilant and attentive to your accomplishments, skills or position because there will be those eager to surpass or outshine you.  Like “don’t rest on your laurels”, it stresses the importance of maintaining one’s competitive edge.

Sirens and the Night (1865) by William Edward Frost (1810-1877).

Although most associated with women, Laurel is a unisex given name and the feminine variants include Laura, Lauren, Lori, and Lorraine.  It was related also to the German Lorelie.  In several tales from Germanic mythology in which the maiden Lorelei (luring rock), who lives upon a rock in Rhine River, lures fishermen to their deaths by singing songs of such beauty they can’t resist, a variation of the story of Odysseus and the Sirens.  In Greek mythology, Sirens were deadly creatures who used their lyrical and earthly charms to lure sailors to their death.  Attracted by their enchanting music and voices, they’d sail their ships too close to the rocky coast of the Siren’s island and be shipwrecked.  Not untypically for the tales from antiquity, the sirens are said to have had many homes.  The Roman said they lived on some small islands called Sirenum scopuli while later authors place them variously on the islands of Anthemoessa, on Cape Pelorum, on the islands of the Sirenuse, near Paestum, or in Capreae (all places with rocky coasts and tall cliffs).  It was Odysseus who most famously escaped the sirens.  Longing to hear their songs but having no wish to be shipwrecked, he had his sailors fill their ears with beeswax, rendering them deaf.  Odysseus then ordered them to tie him to the mast.  Sailing past, when he heard their lovely voices, he ordered his men to release him but they tightened the knots, not releasing him till the danger had passed.  Some writers claimed the Sirens were fated to die if a man heard their singing and escaped them and that as Odysseus sailed away they flung themselves into the water and died.

#metoo: Apolo persiguiendo a Dafne (Apollo chasing Daphne (circa 1637)), oil on canvas by Theodoor van Thulden (1606–1669) after Peter Paul Rubens (1577–1640), Museo Nacional del Prado, Madrid.

The feminine proper name Daphne was from the Greek daphne (laurel, bay tree) and in mythology was the name of a nymph.  Etymologists conclude the word is related to the Latin laurus (laurel) although the mechanism has been lost in time.  In Greek mythology, Daphne, daughter of the river Peneus, was a nymph with whom the God Apollo fell in love; he was provoked by Cupid, having disputed with him the power of his darts which Apollo, the recent conqueror of the Python, belittled.  When he pursued her to the banks of the Peneus, she was saved from being ravished by the god who transformed her into a Laurel tree, the origin of Apollo being so often depicted crowned with laurel leaves.  None of the writers from Antiquity seem ever to have pondered whether the nymph, had she been offered the choice between being ravished by a Greek god or being eternally arboreous, might have preferred to permit a slice to be cut from the loaf.  Still, being a sentimental chap, Apollo adopted the laurel as his favorite tree so there’s that.  The site of temples and a stadium, the Grove of Daphne was a pleasure resort of renowned natural beauty, dedicated to Apollo and located near Antioch.

Audrey Hepburn (1929–1993) in a “laurel leaves” hat designed by Hubert de Givenchy (1927–2018), photograph by Howell Conant (1916–1999), Switzerland, February 1962.

As an adjective, laureate (crowned with laurels as a mark of distinction) dates from the late fourteenth century and the earliest reference was to poets of particular distinction, from the Latin laureatus (crowned with laurel), from laurea (laurel crown; emblematic of victory or distinction in poetry), from the feminine laureus (of laurel).  The first known use of Laureat poete is in Geoffrey Chaucer’s (circa 1344-1400) Canterbury Tales (1387-1400) in reference to Scholar and poet of early Renaissance Italy, Petrarch (Francesco Petrarca (1304–1374), and it was used in Middle English of Greek fabulist Aesop (circa 620–564 BC) and, by the early fifteenth century of Chaucer himself.  In English the inverted form “poet laureate” was in imitation of Latin word order and although used informally since the early 1400s, the evidence suggests the first to be appointed by the state was probably (and perhaps posthumously) Benjamin Jonson (circa 1572–circa 1637) (1638) in 1638 although the first from whom the letters patent remain extant was John Dryden (1631–1700).  In the UK, the position of Poet Laureate is an honorary office in the gift of the monarch but these days, appointed on the advice of the prime minister.  Because many prime-ministers know nothing of poetry, they take advice on the matter.  There was a time when the Poet Laureate was an exalted character but these days there’s less interest and the best remembered is probably still Ted Hughes (1930–1998; Poet Laureate 1984-2008) and then less for his verse than the calls by feminists to boycott his works because he had Sylvia Path’s (1932-1963) “blood on his quill”. The noun came into existence in the 1520s, either an evolution from the adjective or through a mistaken reading of poet laureate and laureateship has been in use since 1732.  Laureate is most frequently used of Nobel prize winners, a use that began in 1947.

Exoskeleton & Endoskeleton

Exoskeleton (pronounced ek-soh-skel-i-tn)

(1) In zoology, an external covering or integument, any hardened external structure, as the shells of crustaceans or the scales and plates of fishes and reptiles, especially when it is of the nature of bone.

(2) All hard parts, such as hair, teeth, and nails which develop from the ectoderm or mesoderm in vertebrates (generally used only in technical literature).

1841: The construct was exo- + skeleton.  The prefix endo- was used as a word-forming element meaning "inside, within, internal.  It was from the Ancient Greek ἔνδον (éndon) (within; inner; internal) from the primitive Indo-European en-do- (an extended form of the root en (in)).  Skeleton was from the New Latin skeleton (bones, bony framework of the body), from the Ancient Greek skeleton soma (dried-up body, mummy, skeleton), from the neuter of σκελετός (skeletós) (dried up, withered, dried body (and as a noun: parched; mummy), from σκέλλω (skéllō & skellein) (dry, dry up, make dry, parch), from the primitive Indo-European (s)kelha- (to parch, wither); related was the Ancient Greek σκληρός (sklirós) (hard).

Skelton was an early variant form.  The noun use of Greek skeletos passed into Late Latin as (sceletus), hence the French squelette and the rare English skelet (1560s), the Spanish esqueleto & the Italian scheletro.  The meaning "bare outline" was first recorded circa 1600; hence the term "skeleton crew" from 1778 used to describe minimal staffing, the skeleton key a similar allusion to some of a structure being removed.  The phrase "skeleton in the closet" (source of secret shame to a person, family or institution) is from 1812 and thought an adoption from the imagery in Bluebeard fable (1697) by Charles Perrault (1628-1703). Exoskeleton was a creation in 1841 by English paleontologist Sir Richard Owen (1804–1892).

Endoskeleton (pronounced en-doh-skel-i-tn)

(1) In zoology, the internal skeleton or framework of the body of an animal (generally the bony or cartilaginous skeleton of vertebrates).  Certain invertebrates, such as sponges and echinoderms, also have endoskeletons.

(2) For most (non-technical) purposes, a synonym for skeleton.

1838: The construct was endo- + skeleton  The prefix exo- was used as a word forming element in words of Greek origin meaning "outer, outside, outer part" and was used from the mid-nineteenth century.  It’s from the Ancient Greek ἔξω (éxō) (outer; external).and was related to ex (out of).  Endoskeleton is used almost exclusively in the biological sciences.  For most general purposes, it’s synonymous with skeleton which is the default assumption of use because it’s familiar from humans and most familiar animals.  Exoskeleton has become more widely used in recent years because of the interest in fields such as engineering, robotics and medicine in using external structures, often to augment or replace human functions.

Trilobites

Trilobite (pronounced try-low-byte) translates literally as “three lobes".  Often casually referred to as bugs or sea-bugs, in taxonomy, all trilobites actually belong in the class of trilobite in the phylum arthropod and within the class are ten orders.  It’s not known how many species of trilobites existed but almost 21,000 have thus far been identified in the fossil record, their numbers and variety leading them to be regarded as one of history’s more successful animals.  They inhabited all the seas and oceans and endured some three-hundred million years, surviving several mass-extinction events.  Their long duration, their structure and living habits meant they became a common and frequently discovered fossil, noted since antiquity although the first attempt scientifically to classify one seems to have been by Wan Shizen of China who, in 1689 described trylobite pygidia (tails) as batstones.  The first known scientific drawing was by Welsh botanist, the Reverend Edward Lhuyd (1660-1709) whose sketch of a trilobite was published in "The Philosophical Transactions of the Royal Society.  The drawing, now classified as being a Ogygiocarella debuchii, was then (not unreasonably), called the "flatfish".

Truly ancient, trilobites pre-date the Cambrian explosion and went extinct only towards the end of the Permian extinction event which ended the Paleozoic age.  However, the earlier events took their toll, a few orders vanishing after the Ordovician extinction event while the Devonian event removed all but one order, that last survivor dying out in the Great Permian Extinction.  Why such a successful and prolific creature could not endure these extinctions remains a debate.

All share the same basic structure, having three lobes: a left pleural, a middle axial and a right pleural lobe, their bodies divided into a cephalon (dead), thorax (middle), and pygydium (tail).  Trilobites had a thick, protective exoskeleton which formed a hard calcite shell, something like that of the modern crab and is the reason for their frequency in the fossil record, the exoskeletons usually the only part to survive although, in the rare cases where certain surrounding conditions exist, traces of soft tissue such as antennae can survive fossilization.  As a trilobite grew, it molted its exoskeleton, and many of the fossils which exist are molted frames rather than dead creatures.

Endoskeleton cars

The Birdcage: The Maserati Tipo 60/61 (chassis #2549).

Endoskeleton cars are far from uncommon but some make the concept more obvious than others.  The Maserati Tipo 60/61 (1959-1961) gained the nickname “Birdcage” (by which it’s almost always known) because observers were much taken with the delicacy of the construction.  By the late 1950s, space-frames had become familiar to race-car builders but they were usually robust-looking arrangements whereas Maserati had rendered an intricate latticework of some 200 chromoly steel tubes welded often in triangulated form in the points of highest stress, the design delivering both lightness and rigidity.

Mercedes-Benz 300 SLR (W196S, upper) & 300 SL (W198, lower).

One of the reasons the Maserati’s skeleton looked so delicate was that the space-frame had become associated with Teutonic-flavored construction like that used by Mercedes-Benz for its 300 SL & 300 SLR.  Both shared the same method of construction but despite the names and the the visual similarity between the two, there were few common components beyond the nuts, bolts & screws.  The 300 SL (W198; 1954-1963) was a road car while the SLR (W196S; 1955) was a lengthened version of the W196R Formula One Grand Prix car with a sexy body and an enlarged (though somewhat detuned) straight-eight engine.

Exoskeleton cars

MVE Exocet (left) & Exomotive’s Exocet Sport V8 (right).

Exoskeleton vehicles are numerous on farms, mine-sites and such but rarely seen on public roads.  They do though have a niche for those who want something which sacrifices just about everything (aerodynamics, weather protection, doors etc) for the nimbleness only extreme light-weight can deliver.  An example is the MVE Exocet, released for public sale in 2010.  It’s an inventive approach to the kit-car concept and takes the classic front-engined, rear-wheel drive approach, based on Mazda’s Miata (the MX-5, introduced in 1989 and a kind of clone of the Lotus Elan of the 1960s but without the problems), the advantage with the Japanese platform being its unusual sub-frame which permits the removal of the body, leaving the engine, drive-train and suspension as a rolling assembly to be transplanted to the Exocet chassis.

The nicely defined shoulder blade and ribcage definition of Lindsay Lohan's endoskeleton.

Because of the light weight, even when using sensible four-cylinder engines the Exocet delivers high-performance but the Americans in particular can’t resist the idea that just about any car can be improved by the installation of a V8 and quite outlandish power to weight ratios are possible.  An indicative example of Exomotive’s Exocet Sport used a 525 horsepower (LS3) version of one of the later evolutions of the small-block Chevrolet V8 which, fully fueled, weighed in at 1690 lb (767 kg), somewhat less than a 2023 Formula One car.  Because it possible to buy, off the shelf (as a “crate” engine), V8 engines with about the same power as a F1 power-plant generates, although there was be something a weight penalty, the potential does exist to build a two-seater roadster with a similar power-to-weight ratio and there are jurisdictions which even allow such a thing to be registered for use on public roads.  Opinions would differ on whether such a build is a good idea but the little machines, if the V8 was tuned more for low and mid-range torque rather than ultimate power, would seem to have great potential in competitions such as short-course events and hill-climbs although the dubious aerodynamics would render it less suited to high-speed tracks.

Art and money: Porsche 934 by Benedict Radcliffe (US$249,002) and Comedian by Maurizio Cattelan’s (the banana duct-taped to the wall; (US$6.2 million)).

The exoskeleton concept inspired English artist and sculptor Benedict Radcliffe (b 1976) to create a number of small scale tubular steel sculptures in the shape of cars including the Lancia Stratos (1973-1978), Lamborghini Countach (1974-1990) and Ferrari F40 (1987-1992), mostly powdered-coated in lurid colors.  Usually, they sell for several thousand US dollars but in early 2025, one in 1:1 scale in the shape of a Porsche 934 sold for US$249,002.  In a nod to history, it was painted in the same fluro-orange used for the Jägermeister livery used for the race cars in 1979-1977 and rolled on period-correct centre-locking BBS wheels shod with Avon slick tires.  At that price, it was little different from what one would pay for a new Porsche 911 GT3, straight from the showroom floor.  Still, it’s less than the US$1.5 million which is typical of what’s been paid in recent years on the rare occasions a 934 is offered for sale.  Produced between 1976-1977, Porsche built 31 934s, simply for the purpose of creating a version of the 930 (the 911 Turbo, 1975-1978) which would comply with the FIA Group 4 (GT Cars) rules (the 935 was the companion Group 5 (Special Production Cars) project).  The art market cannot be assessed with any form of conventional metrics but in paying a quarter-million odd for a tubular structure, one gets quite a lot compared with the Italian visual artist Maurizio Cattelan’s (b 1960) Comedian, (the banana duct-taped to the wall) which a couple of months earlier had, at auction, realized US$6.2 million.

Sanction

Sanction (pronounced sangk-shuhn)

(1) Authoritative permission or approval, as for an action.

(2) Something that serves to support an action, condition, etc.

(3) Something that gives binding force, as to an oath, rule of conduct, etc.

(4) In (usually contract) law, a provision of a law enacting a penalty for disobedience or a reward for obedience.

(5)  A penalty or reward.

(6) In international law, action by one or more states (or a multi-national institution) toward another state, institution or individual(s), calculated to force it compliance with certain obligations.

(7) To authorize, approve, or allow; to ratify or confirm.

1555–1565: From the Latin sānctiōn- (stem of sānctiō (the establishment of an inviolable decree)), genitive sānctiōnis, the construct being sānct(us) (past participle of sancīre (to prescribe by law; to make law by decree) + -iōn (from the Latin suffix -iō (genitive -iōnis), appended to a perfect passive participle to form a noun of action).  The Middle English borrowing came directly from the French sanction and the usual early form in English meant "confirmation or enactment of a law" and was sometimes used interchangeably with the Latin sanctionem (nominative sanctio) (“act of decreeing or ordaining” or “decree, ordinance" the noun of action from the past-participle stem of sancire (to decree, confirm, ratify, make sacred)) which was used especially of ecclesiastical decrees.  The verb form in the sense “confirm by sanction, make valid or binding” dates from 1778 and by 1797 it meant also “authoritatively to permit”, both derived from the noun.  The seemingly contradictory meaning "impose a penalty on" was first used in 1956 but is rooted in an old legalistic sense of the noun and, when deconstructed, the ambiguity dissolves, this use in international diplomacy first documented in 1900 as a plural of the noun sanction in the sense of "part or clause of a law which spells out the penalty for breaking it", a meaning which can be traced back to the 1650s.  From the Latin, influenced by the spread of Roman civil law, derivatives appear in many languages including Catalan (sanció), French (sanction), Galician (sanction), Italian (sanzione), Piedmontese (sansion), Portuguese (sanção), Russian (санкция (sankcija)) and Spanish (sanction).  Sanction & sanctioner are nouns, sanctioned & sanctioning are verbs and sanctionable, sanctionless & sanctionative are adjectives; the noun plural is sanctions.

Sanction busting

Although in some ways a simple language to learn, English has some quirks, notably a massive vocabulary in which one word can have many meanings and multiple words can mean the same thing.  There are also cases where a word can seem simultaneously to sustain two diametrically opposite meanings and these are called auto-antonyms (or contronym or Janus words), the technical term for the phenomenon being enantiosemy ((from the Ancient Greek ἐναντίος (enantíos) (opposite)).  Sanction can convey opposite meanings, depending on context, the Janus-faced nature more evident when used as a noun.  The noun historically referred to the "action of ordaining as inviolable under a penalty" but, in a manner not unfamiliar in English, it evolved in opposite directions, one relating to legal or ethical rules, the other to the penalties imposed for violating these rules.  From the eighteenth to the mid-twentieth century, the verb tended to the positive, the negative meaning "penalize" in general use until the 1950s.  Sanction in this sense is most commonly used in official (though not exclusively governmental) contexts, most often when one government imposes economic measures on another to try to force it to comply with laws or expectations.  The linguistic evolution wasn’t deliberate because that’s not how English usually works; instead it was an adoption of the verbal shorthand of the world of diplomacy.

The Kim Dynasty's new (used) cars

Like his grandfather Kim Il-sung (Kim I, 1912–1994; Great Leader of DPRK (North Korea) 1948-1994), and father Kim Jong-il (Kim II, 1941-2011; Dear Leader of DPRK (North Korea) 1994-2011), Kim Jong-un (Kim III, b 1982; Supreme Leader of DPRK (North Korea) since 2011), is a great admirer of big Mercedes and the regime is believed still to be the only outfit on earth owning a brace of long-roofed (presidential in collector slang) Mercedes-Benz 600s (W100, 1963-1981) Pullman Landaulets (only twelve of which were built).  The Supreme Leader however must have decided to update and it appears that in 2018, several "special" Mercedes-Benz were shipped from the Dutch Port of Rotterdam, via China and five other countries, to the DPRK.  The cars appear to be from the factory's "Guard" programme and there’s an unconfirmed rumor a toilet is installed in at least one for the Great Leader’s convenience.

The Great Leader's motorcade on the way to meet with Vladimir Putin (b 1952; president or prime minister of Russia since 1999), Mercedes Maybach S600 Pullman Guard in front, Mercedes Maybach S62 following, Vladivostok, Russia, April 2019. 

The “Guard” range of vehicles are produced on a special post-production assembly line to meet the demand from heads of state, royalty, oligarchs and leading figures in organized crime for a vehicle which retains the traditional aura of a limousine while affording the levels of protection associated with the smaller armored personnel carriers (APC) & troop carriers used by the military.  The most expensive in the range is based on the opulent Mercedes-Maybachs and meet VR10 protection standards (defined under Directive BRV 2009 v2.0, only some of the specifications of which publicly are disclosed) but it’s known additional steel-alloy & composite panels are installed between the unibody and outer body panels, overlapped at key points to provide what’s described as “comprehensive ballistic protection”, a similar approach applied to the floor to deflect the blast from explosives (conforming to the ERV 2010 protocol).  The windows are thicker and coated with polycarbonate to prevent splintering with the panes permanently fixed (that approach may have been thought not suitable if the rumors of the toilet are true and the Great Leader's car is the previous version with an opening window).  Although the Guard has a wheelbase eight inches (200 mm) longer than the Standard Mercedes-Maybach platform and weights (presumably much) more, the factory lists the power-train as identical to the base vehicle, the 5.5 litre (365 cubic inch) twin-turbocharged V-12 rated at 523 horsepower and 612 lb-ft of torque.

Because sanctions imposed by the United Nations as punishment for Pyongyang's nuclear weapons development are supposed to bar companies and individuals from selling luxury goods to North Korea, technically, The Supreme Leader shouldn’t have be able to buy them.  It’s however estimated that since 2015, some US$440 million in luxury goods have been imported by the DPRK, sourced from some ninety countries, almost all in violation of UN sanctions.  In response to questions, Daimler, which manufactures Mercedes-Benz, a spokesperson said they had "...no indication on how the mentioned vehicles were delivered and where they come from", later issuing a statement:

"For Daimler, the correct export of products in conformance with the law is a fundamental principle of responsible entrepreneurial activity.  Our company has had no business connections with North Korea for far more than 15 years now and strictly complies with EU and US embargoes.  To prevent deliveries to North Korea and to any of its embassies worldwide, Daimler has implemented a comprehensive export control process. Sales of vehicles by third parties, especially of used vehicles, are beyond our control and responsibility."

Although Daimler seemed to imply The Supreme Leader was now reduced to buying used cars (something never suggested of The Great Leader or The Dear Leader), neither Berlin nor Pyongyang commented on the diplomatic slight.

In the matter of Lindsay Lohan v Take-Two Interactive Software Inc et al, New York Court of Appeals (No 24, pp1-11, 29 March 2018), New York’s highest appellate court dismissed Lindsay Lohan’s suit against the makers of video game Grand Theft Auto V and rejected her invasion of privacy claim which alleged one of the game’s characters was based on her.  The judges found the "actress/singer" in the game merely resembled a “generic young woman” rather than anyone specific.  Unfortunately the judges seemed unacquainted with the concept of the “basic white girl” which might have made the judgment more of a fun read.  Take-Two Interactive Software had requested sanctions be imposed, claiming “Lindsay Lohan complains that her image and persona have been wrongfully used by Take-Two in the video game Grand Theft Auto V, but her claim is so legally meritless that it lacks any good-faith basis and can only have been filed for publicity purposes” and was thus an abuse of process.  Both the trial and appellate judges declined to impose sanctions.

In civil legal proceedings, it's possible in some jurisdictions for a party to request a judge to “sanction” the opposing side by imposing a penalty or punishment for some form of misconduct or violation of the rules of the court.  Typically, sanctions are sought when one party believes the other has engaged in improper behavior, such as failing to comply with discovery obligations, disobeying court orders, or engaging in frivolous or abusive litigation tactics including using the administrative processes of the court to "string out" the length of the hearing, usually in the hope of exhausting an opponent's financial resources, compelling them to discontinue the action.  In most jurisdictions this technically doesn’t extend to “vexatious litigation” (the determination of which remains the preserve of the court) but counsel may raise essentially the same issue as “an abuse of process”.  The mechanism of the sanction is to promote equity of access, fairness of procedure, ensure compliance with court rules, and deter inappropriate conduct during proceedings. The specific sanctions available depend on the jurisdiction and the rules of the court.  Some common types of sanctions include:

(1) Fines may be imposed (payable to the court) or compensation to the other party might be ordered.

(2) Orders may be issued restricting or limiting a party's ability to present certain evidence or arguments related to the issues in the case.  This sanction is invoked where attempts are made to introduce material which is irrelevant, repetitive or in excessive volume.  Pleadings or statements of claim may also be excluded.

(3) In extreme cases of willful or deliberate misconduct, a judge may find the party in contempt of court and this may result in the imposition of fines or even terms of imprisonment. 

Cheugy

Cheugy (pronounced chew-gee)

A specialized form describing the un-cool: either (1) out of touch with current coolness and continuing to adhere to fashions or following trends which have become unfashionable or (2) trying too hard to be trendy.

2013: Coined by Gaby Rasson (b 1998) of Los Angeles, California while a student in a Beverly Hills high school although a normally reliable source (urbandictionary.com) includes the claim cheugy was “a technical term used by software engineers beginning in the mid-2000's meaning poorly maintained, damaged but narrowly functional, full of security holes, or quaintly obsolete and probably broken”.  Cheugy, cheugier & cheugist are adjectives and cheug is a noun and; the noun plural is cheugs.  Cheugyness & cheuginess have been said to exist (as non-standard noun variations of the adjective) but not all lexicographers agree cheugy or any of its derivations are “real” words although none would deny they’re slang.  The objection is that other than multiple instances of definitions and deconstructions, there’s scant evidence the word is actually in real-world use.  Most of the interest in the word seems to have been to disparage (1) those using it (rare as such folk seem to be) and (2) those who comment on those who use it (some noting the irony, some not).

Ms Rasson said she coined cheugy for the perfectly reasonable reason that the word she needed didn’t exist.  At the time, she wanted a single word descriptor for those schoolmates trying without success “to be trendy” and “…there was a missing word that was on the edge [sic] of my tongue and nothing to describe it and cheugy came to me.  How it sounded fitted the meaning.”  Ms Rasson didn’t expand on the process but it may have been a thing of phonetic association with an expression like “eww” and a word like “ugly”.  Whatever the inspiration(s), cheugy seems not to have circulated beyond the inventor’s circle of acquaintances until 2021 when it went viral in the now traditional way: appearing in a TikTok video.  In the clip, cheugy was said to be the perfect word to describe those who posted TikTok videos in hopes of being thought cool or edgy but whose content was just cringeworthy (cringey in TicTok talk).  By mid-May #cheugy had gained over 10 million views, trending on Twitter within a year and clearly feeling proprietorial, Ms Rasson tweeted that she’d “…decided to do the cheugiest thing possible and make an NFT out of the word cheugy”, entreating “place your bids cheugs.”

The Gucci Double-G belt appears on most lists of cheugy stuff.

Similar terms of derision had before existed in slang (basic, normie et al) but they didn’t convey quite the same thing so, as long as it attains critical mass, cheugy might find a niche.  It’s too soon to tell whether the word will survive in democratic, unforgiving English but there’s definitely a cheugy aesthetic or, more correctly, a number of lists of the practices, preferences and proclivities of others judged to be cheugy.  The lists were presumably predictable to those immersed in the minutiae of such things and perhaps baffling to others.  More interesting was that cheuginess appeared to be (1) a weaponized label with which GenZ and the millennials could exchange cultural blows and (2) another way to disparage women, an arsenal already large.  There will be obsessives who will read the lists and worry but it’s hard to take seriously any list which condemns lasagna.

A thousand years shall pass and lasagna will never be cheugy.

It didn’t take long for the zeitgeisters wearily to observe that the very spike in the use of cheugy meant it had itself become cheugy, enjoying a brief, shining moment of newness, before becoming dated.  In linguistics the process is known as "the snake eating its tail", a fate which the coiner of "bedint" noted was probably the fate of his creation.  Technically then, cheugy is an auto-antonym or contronym, a word with multiple meanings, one of which is defined as the reverse of one of its other meanings (a phenomenon which in structural linguistics is called enantiosemy, enantionymy or antilogy).  The common way of expressing this is “Janus word”, the name derived from Roman mythology, Janus a god of doorways (and thus also of beginnings), and of the rising and setting of the sun, usually represented as having one head with two bearded faces back to back, looking in opposite directions, historically understood as the past and the future (and adopted in linguistics to describe a word with two, opposed meanings).  Still, the word is there to be used and, some cheugs being more cheugistic than others, the comparative is "more cheugy" (or cheugier) and the superlative "most cheugy" (or cheugiest).

Cheugy has "happened" but may or may not become embedded in English, something which relies on sustained use by a critical mass.  The size of the mass can vary, some embedded words used by a relatively small sub-set while other innovations (like "okay") are more widely adopted, sometimes even beyond English.  Fetch never happened (Mean Girls (2004)) although, as a convenient clipping of “fetching” (usually in the form quite fetching or very fetching and meaning “charming; captivating; compelling”), it might have had "fetching" not already having descended into the category of "dated".  By the early twenty-first century, "fetching" wasn't cheugy because it was so rare.

Ash

Ash (pronounced ash)

(1) The powdery, nonvolatile products and residue formed when matter is burnt; that which remains after burning; any of certain compounds formed by burning.

(2) In geology, finely pulverized lava thrown out by a volcano in eruption (technically volcanic ash).

(3) In chemistry, the non-aqueous remains of a material subjected to any complete oxidation process.

(4) Human (or animal) remains after cremation and either buried, scattered or stored in a crypt or container (usually styled as an “urn” regardless of style (always in the plural).

(5) Figuratively, mortal remains in general (always in the plural).

(6) Figuratively, the residue of anything (structures, institutions, movements, ideas, hopes etc), especially following disasters or catastrophes.

(7) In arboreal classification, any of the various oleaceous trees of the genus Fraxinus, of the olive family (especially F. excelsior of Europe and Asia or F. americana (white ash) of North America), having opposite, pinnate leaves, winged seeds and purplish flowers in small clusters.

(8) In arboreal classification, any of several trees resembling the ash, such as the mountain ash (and in Australia, any of several trees resembling the ash, especially of the eucalyptus genus).

(9) The tough, straight, close-grained wood of any of these trees, highly valued as timber because of its durability, widely used for the handles of tools (shovels, pick-axes etc) and once the choice material for the frames of many early automobiles.

(10) The largely archaic æsc (the symbols Æ & æ) (ash) from the Old English (the plural æscas).  The digraph æ represents a front vowel approximately like that of the “a” in the Modern English “hat” and the character is used also used to represent this sound in the International Phonetic Alphabet (IPA).

(11) A light silvery grey colour, often with a brownish tinge.

(12) As the ash-blonde hair color, a spectrum expressed in solid and variegated forms which blends or interpolates various classic blondes, silver-greys, and the lighter shades of brown.

(13) The acronym for Action on Smoking & Health, non-governmental organizations (NGO) in eth UK, Ireland & New Zealand, chartered as a charities (though through interaction with government they function sometimes in a way similar to QANGOs).

(14) To removed the burned tobacco from the end of a burning cigar or cigarette (usually by “flicking”, “tapping” or tapping the unburned section on the rim of an ashtray  The used to describe emptying the ask from the bowl of an extinguished pipe is less common.

(15) In agriculture, to cover newly-sown fields of crops with ashes.

Pre 950: From the Middle English asshe & aisshe (powdery remains of fire), from the Old English asce & æsce, from the Proto-West Germanic askā, from the Proto-Germanic askǭ, from the primitive Indo-European hes-.  It was cognate with the Frisian esk, the Dutch asch, the Swedish aska, the Danish & Norwegian aske, the Old Norse & Old High German aska (from which German gained German Asche) and the Gothic azgo (from the unattested Germanic askōn- (though the evolution of the Gothic is murky).  It was akin to the Latin ārēre (to be dry) (from which English ultimately gained arid) and āra (altar), the Oscan aasaí (on the altar), the Tocharian ās- (dry out; to get dry), the Sanskrit ā́sa- (ashes) and the Hittite hassi (on the hearth), from the primitive Indo-European root as- (to burn, glow).  The Spanish and Portuguese ascua (red-hot coal) are Germanic loan-words.  Ash is a noun & verb, ashiness is a noun, ashed is a verb, ashing is a noun & verb, ashen is an adjective & verb and ashless is an adjective; the noun plural is ashes.  The UK dialectal plural axen was from the Middle English axen & axnen, from the Old English axan & asċan (ashes) and was the plural of the Old English axe or æsċe (ash).  Some dictionaries do list it as rare but for (non-historic) purposes it’s archaic.

The various trees gained the common name ash from the Old English æsc, which was related to the primitive Indo-European word for the tree, while the generic name originated in Latin from a primitive Indo-European word for birch.  Both words were also used to mean “spear” & “shaft” in their respective languages because the straight, tough and durable timber was ideal for such purposes.  From the Old High German asc was derived the German Esche, with an altered vowel from the adjectival derivative eschen (which in Middle High German was eschîn.  It was akin to the Latin ornus (wild mountain ash), the Welsh onnen, the Ancient Greek ὀξύα (oxúa) (beech), the Old Armenian հացի (hacʿi), the Russian yáseń, the Polish jesion, the Czech jasan, the Lithuanian úosis, the Armenian hatsi and the Albanian ah (beech), all ultimately from the primitive Indo-European ōs (ash (tree)).  Although the close-grained timber of the ash is tough, it also has outstanding elasticity which allows it to be formed into shapes so was the preferred wood for spear-shafts and later came to be favored by coach-builders, many of the early automobiles also constructed with ash frames.

Forms have been coined as needed (as a portmanteau or with or without the hyphen) including ash-gourd, ash-pan, ashtray, ashcan, ash-pit fly-ash, ash-borer, pearl-ash, pot-ash & soda ash.  Potash (a class of potassium minerals of similar applicability to potassium carbonate and widely used in the production of fertilizers) is one of the most extensively mined minerals in the world.  One inventive use was noted in 1945 when the US military designated their internment camp for suspected Nazi war criminals as “Ashcan”; impressed, the British dubbed their holding facility “Dustbin”.  The ash-bin (receptacle for ashes from a fire and other refuse) seems not to have been recorded until 1847 although such devices would have been in use for centuries.  Similarly, the word ash-tray (reusable receptacle for the the ashes of the tobacco of smokers) first appears only in 1851 although they were doubtlessly among the first companion products after tobacco was introduced to the Western world after the early European exploration of the Americas in the late fifteenth century.  The ash-heap (stack or pile of ashes or other refuse) dates from the 1640s and seems to have been invented by foundry workers, who presumably produced more ash than most, at a time when their processes were mostly wood-fired.  The ash-pit (repository for ashes, especially in the lower part of a furnace) was first recorded in 1797 and reflected the increasing size of furnaces technological progress made possible; it was the “big brother” to the earlier ash-hole, in use since the 1640s, which continued to be used to describe the architecture of smaller installations.  It’s not known if regional variations in pronunciation meant “ash-hole” sometimes cause problems.

Lindsay Lohan imagined as an ash-blonde.

The phrase “ashes to ashes” is from the Church of England’s (Anglican) burial ritual, mentioned first in the Book of Common Prayer (1549) as part of the service's committal: “Forasmuch as it hath pleased Almighty God of his great mercy to take unto himself the soul of our dear brother [or sister] here departed, we therefore commit his body to the ground; earth to earth, ashes to ashes, dust to dust.”  It’s an echo of biblical passage from Genesis 3:19: “In the sweat of thy face shalt thou eat bread, till thou return unto the ground; for out of it wast thou taken: for dust thou art, and unto dust shalt thou return.”  Over time, “ashes to ashes” transcended its religious origin and has come to be used to allude to the cyclical nature of life and the inevitability of death.  Long pre-dating Christianity, ashes, as a reminder of finality, had been an ancient symbol of grief or repentance, their presence a part of pagan rituals and the early Church picked this up, the tradition beginning when Pope Gregory I (circa 540–604; usually styled Saint Gregory the Great, pope 590-604) sprinkled ashes on the heads of penitents on the first day of Lent although it wasn’t formalized in the ecclesiastical calendar until the fourteenth century, “ashes” having come to mean “the mortal remains of a person” by at least the late thirteenth century and alluded to the ancient custom of cremation.  The use to refer to the finely pulverized lava ejected from volcanoes dates from the 1660s.

Craftspersons (and some these days are other than male) in the Morgan factory at Malvern Link, Worcestershire in the UK, fashioning & fabricating ash frames (left) and 1973 Morgan +8 (right).

With only detail changes, the appearance of the roadsters (and the underlying ash frame, the patterns for which haven’t changed since 1937) in 2023 has little changed since the 1950s and the ancestry of the machines from the 1930s is obvious, the similarities out-numbering the differences.  It’s a persistent myth that under the skin, the Morgan’s platform is made entirely of wood but the truth is the chassis has always been rendered in steel & aluminum onto which is mounted the ash frame, to which the aluminum external panels are attached.  Each roadster takes three weeks to complete.

The “Ashes obituary”, 1882.

The Ashes is the (usually biannual) test cricket series conducted between Australia and England (who toured as the MCC (Marylebone Cricket Club) until 1970).  The term “The Ashes” dates from a satirical obituary published in a UK newspaper in 1882, the day after Australia recorded its first test victory on English soil.  The “obituary” noted the death of English cricket and that “the body will be cremated and the ashes taken to Australia”.  The idea caught on and as a prelude to the MCC’s next tour of Australia in 1882–1883, the press frequently mentioned the importance of regaining “those ashes”.  This the MCC’s captain vowed to do and after taking an unassailable 2-0 lead in the three-match series the job was done and some ladies presented him with a small urn (of unknown provenance although it may have been used for scent) said to contain the ashes of a wooden bail, humorously referred to as “the ashes of Australian cricket”.  Although it took some years before the contest between the teams was institutionalized as “the Ashes” since the 1920s that’s how they’ve been known.

Former England captain Mike Brearley (b 1942) with the Ashes urn, 1977.

The actual “ashes”, the original urn which has rarely left the MCC Museum at Lord's Cricket Ground in London since being presented to the club in 1927, is tiny, just over four inches (105 mm) high which is remarkable for a trophy which is of such significance to both nations.  It’s something like the sense of English understatement expressed when one compares No 10 Downing Street to something like the Élysée Palace which isn’t a wholly fair juxtaposition but they are, in a sense, comparable national symbols.  Certainly, the modest Ashes urn (originally a mass-produced, terracotta item little different from the thousands sold at the time in seaside souvenir shops) has about it noting of the grandeur of something like the America’s Cup (known as the Auld Mug; 1.1m (43 inches) high and weighing in at a hefty 14 kg odd (30+ lb) or any number of trophies in sports like rugby, football, tennis et al.  As a consolation for the original remaining locked up the MCC, in recent series, larger trophies with designs which acknowledge the little urn are now awarded to the victorious team.

Sir Lewis Hamilton contemplating a "plastic" trophy, Silverstone, 2014.

So trophies don’t have to be imposingly large or obviously expensive to be sought after as long as they’re vested with an appropriate history.  However, there can be some expectation of bling for those won by those contesting one-off events of some significance and Formula One driver Sir Lewis Hamilton (b 1985), prompted apparently by being awarded a “plastic” trophy after winning the 2014 British Grand Prix at Silverstone, later suggested it looked like it might be worth about £10, rather less than the traditional RAC (Royal Automobile Club) Gold Cup (he was subsequently presented with the cup at a press conference).  Warming to the topic though, Sir Lewis said he’d noted an obvious decline in the quality of the trophies awarded to Grand Prix winners and that he’d brought the matter to the attention of the then head of the F1 Bernie Ecclestone (b 1930).  It’s estimated the Ashes urn in 1882 would have been purchased for less than whatever was the equivalent then of £10 in 2014 so history and aura can be worth more than bling.

Lindsay Lohan with some trophies.  Sir Lewis might reflect things could have been worse.