Decapitate

Decapitate (pronounced dih-kap-i-teyt)

(1) To cut off the head; to behead.

(2) Figuratively, to oust or destroy the leadership or ruling body of a government, military formation, criminal organization etc.

1605–1615: From the fourteenth century French décapiter, from the Late Latin dēcapitātus, past participle of dēcapitāre, the construct being dē- + capit- (stem of caput (head), genitive capitis), from the Proto-Italic kaput, from the Proto-Indo-European káput- (head) + -ātus.  The Latin prefix dē- (off) was from the preposition dē (of, from); the Old English æf- was a similar prefix.  The Latin suffix -ātus was from the Proto-Italic -ātos, from the primitive Indo-European -ehtos.  It’s regarded as a "pseudo-participle" and perhaps related to –tus although though similar formations in other Indo-European languages indicate it was distinct from it already in early Indo-European times.  It was cognate with the Proto-Slavic –atъ and the Proto-Germanic -ōdaz (the English form being -ed (having).  The feminine form was –āta, the neuter –ātum and it was used to form adjectives from nouns indicating the possession of a thing or a quality.  The English suffix -ate was a word-forming element used in forming nouns from Latin words ending in -ātus, -āta, & -ātum (such as estate, primate & senate).  Those that came to English via French often began with -at, but an -e was added in the fifteenth century or later to indicate the long vowel.  It can also mark adjectives formed from Latin perfect passive participle suffixes of first conjugation verbs -ātus, -āta, & -ātum (such as desolate, moderate & separate).  Again, often they were adopted in Middle English with an –at suffix, the -e appended after circa 1400; a doublet of –ee.  Decapitate, decapitated & decapitating are verbs, decapitation & decapitator are nouns.

As a military strategy, the idea of decapitation is as old as warfare and based on the effective “cut the head off the snake”.  The technique of decapitation is to identify the leadership (command and control) of whatever structure or formation is hostile and focus available resources on that target.  Once the leadership has been eliminated, the effectiveness of the rest of the structure should be reduced and the idea is applied also in cyber warfare although in that field, target identification can be more difficult.  The military’s decapitation strategy is used by many included law enforcement bodies and can to some extent be applied in just about any form of interaction which involves conflicting interests.

The common English synonym is behead and that word may seem strange because it means “to take off the head” where the English word bejewel means “to put on the jewels”.  It’s because of the strange and shifting prefix be-.  Behead is from the Middle English beheden, bihefden & biheveden, from the Old English behēafdian (to behead).  The prefix be- however evolved from its use in Old English.  In modern use it’s from the Middle English be- & bi-, from the Old English be- (off, away), from the Proto-Germanic bi- (be-), from the Proto-Germanic bi (near, by), the ultimate root the primitive Indo-European hepi (at, near) and cognate be- in the Saterland Frisian, the West Frisian, the Dutch, the German & Low German and the Swedish.  When the ancestors of behead were formed, the prefix be- was appended to create the sense of “off; away” but over the centuries it’s also invested the meanings “around; about” (eg bestir), “about, regarding, concerning” (eg bemoan), “on, upon, at, to, in contact with something” (eg behold), “as an intensifier” (eg besotted), “forming verbs derived from nouns or adjectives, usually with the sense of "to make, become, or cause to be" (eg befriend) & "adorned with something" (eg bejewel)).

A less common synonym is decollate, from the Latin decollare (to behead) and there’s also the curious adjective decapitable which (literally “able or fit to be decapitated”) presumably is entirely synonymous with “someone whose head has not been cut off” though not actually with someone alive, some corpses during the French Revolution being carted off to be guillotined, the symbolism of the seemingly superfluous apparently welcomed by the mob.

1971 Citroën DS21 Décapotable Usine.

Just as pleasing though less bloody were the special Citroëns crafted by French coachbuilder Henri Chapron (1886-1978) between 1958-1974, the most numerous of which were the 1325 Citroën ID & DS décapotable usines (a "factory convertible", described sometimes as Cabriolets Usines or Cabriolets d'Usine, the significance of usine (factory) being the valuable sales feature of the Citroën corporate warranty) built between 1960-1971.  In 1958, three years after the DS had been released, Chapron completed his first two-door décapotable (the La Croisette) which, with a companion coupé (Le Dandy), was presented at that year’s Paris Motor Show.  The public reaction was positive but, bespoke creations, they were expensive although sufficient demand existed for Chapron to begin small-scale manufacturing.

1963 Citroën Le Dandy & 1964 Citroën Palm Beach by Chapron.

Demand was however higher at a lower price-point, Citroën's dealers reporting many enquiries about a décapotable and the factory thus contracted with Chapron to design one based on the DS, using as many standard components as possible; it was this which became the décapotable usine which, introduced in 1960, remained on the list until 1971.  They were notably less expensive than Chapron’s originals which, with varied and more intricate coachwork, were built to special order between 1958-1974 under the model names La Croisette, Le Paris, Le Caddy, Le Dandy, Concorde, Palm Beach, Le Léman, Majesty, & Lorraine; all together, 287 of these were delivered and reputedly, no two were exactly alike.

1972 Citroën SM (left) & 1971 Citroën SM Mylord by Chapron (right).

The wheels are the Michelin RR (roues en résine or résine renforcée (reinforced resin)) composites, cast using a patented technology invented by NASA for the original moon buggy.  The Michelin wheel was one-piece and barely a third the weight of the equivalent steel wheel but the idea never caught on, doubts existing about their long-term durability and susceptibility to extreme heat (the SM had inboard brakes).

1968 Citroën DS state limousine by Chapron (left) and 1972 Citroën SM Présidentielle (right).

In the summer of 1971, after years of slowing sales, Citroën announced the end of the décapotable usine and Chapron’s business model suffered, the market for specialized coach-building, in decline since the 1940s, now all but evaporated.  Chapron developed a convertible version of Citroën’s new SM called the Mylord but, very expensive, it was little more successful than the car on which it was based; although engineered to Chapron’s high standard, fewer than ten were built.  Government contracts did for a while seem to offer hope.  Charles De Gaulle (1890–1970; President of France 1958-1969) had been aghast at the notion the state car of France might be bought from Germany or the US (it’s not known which idea he thought most appalling and apparently nobody bothered to suggest buying British) so, at his instigation, Chapron (apparently without great enthusiasm) built a long wheelbase DS Presidential model.  Begun in 1965, the project took three years, legend having it that de Gaulle himself stipulated little more than it be longer than the stretched Lincoln Continentals then used by the White House and this was achieved, despite the requirement the turning circle had to be tight enough to enter the Elysée Palace’s courtyard from the rue du Faubourg Saint-Honoré and then pull up at the steps in a single maneuver.  Delivered just in time for the troubles of 1968, the slinky lines were much admired in the Élysée and in 1972, Chapron was given a contract to supply two really big four-door convertible (Le Presidentielle) SMs as the state limousines for Le Général’s successor, Georges Pompidou (1911–1974; President of France 1969-1974).  First used for 1972 state visit of Queen Elizabeth II (b 1926; Queen of UK since 1952), they remained in regular service until the inauguration of Jacques Chirac (1932–2019; President of France 1995-2007) in 1995, seen again on the Champs Elysees in 2004 during Her Majesty’s three-day state visit marking the centenary of the Entente Cordiale.

1972 Citroën SM Opera by Chapron (left) & 1973 Maserati Quattroporte II (right).

However, state contracts for the odd limousine, while lucrative, were not a model to sustain a coach building business and a year after the Mylord was first displayed, Chapron inverted his traditional practice and developed from a coupé, a four-door SM called the Opera.  On a longer wheelbase, stylistically it was well executed but was heavy and both performance and fuel consumption suffered, the additional bulk also meaning some agility was lost.  Citroën was never much devoted to the project because they had in the works what was essentially their own take on a four-door SM, sold as the Maserati Quattroporte II (the Italian house having earlier been absorbed) but as things transpired in those difficult years, neither proved a success, only eight Operas and a scarcely more impressive thirteen Quattroporte IIs ever built.  The French machine deserved more, the Italian knock-off, probably not.  In 1974, Citroën entered bankruptcy, dragged down in part by the debacle which the ambitious SM had proved to be although there had been other debacles worse still.   Four years later, Henri Chapron died in Paris, his much down-sized company lingering on for some years under the direction of his industrious widow, the bulk of its work now customizing Citroën CXs.  Operations ceased in 1985 but the legacy is much admired and the décapotables remain a favorite of collectors and film-makers searching for something with which to evoke the verisimilitude of 1960s France.

Judith and the decapitation of Holofernes

In the Bible, the deuterocanonical books (literally “belonging to the second canon”) are those books and passages traditionally regarded as the canonical texts of the Old Testament, some of which long pre-date Christianity, some composed during the “century of overlap” before the separation between the Christian church and Judaism became institutionalized.  As the Hebrew canon evolved, the seven deuterocanonical books were excluded and on this basis were not included in the Protestant Old Testament, those denominations regarding them as apocrypha and they’re been characterized as such since.  Canonical or not, the relationship of the texts to the New Testament has long interested biblical scholars, none denying that links exist but there’s wide difference in interpretation, some finding (admittedly while giving the definition of "allusion" wide latitude) a continuity of thread, others only fragmentary references and even then, some paraphrasing is dismissed as having merely a literary rather than historical or theological purpose.

Le Retour de Judith à Béthulie (The Return of Judith to Bethulia) (1470) by Botticelli, (circa 1444-1510).

The Book of Judith exists thus in the Roman Catholic and Eastern Orthodox Old Testaments but is assigned (relegated some of the hard-liners might say) by Protestants to the apocrypha.  It is the tale of Judith (יְהוּדִית in the Hebrew and the feminine of Judah), a legendarily beautiful Jewish widow who uses her charms to lure the Assyrian General Holofernes to his gruesome death (decapitated by her own hand) so her people may be saved.  As a text, the Book of Judith is interesting in that it’s a genuine literary innovation, a lengthy and structured thematic narrative evolving from the one idea, something different from the old episodic tradition of loosely linked stories.  That certainly reflects the influence of Hellenistic literary techniques and the Book of Judith may be thought a precursor of the historical novel: A framework of certain agreed facts upon a known geography on which an emblematic protagonist (Judith the feminine form of the national hero Judah) performs.  The atmosphere of crisis and undercurrent of belligerence lends the work a modern feel while theologically, it’s used to teach the importance of fidelity to the Lord and His commandments, a trust in God and how one must always be combative in defending His word.  It’s not a work of history, something made clear in the first paragraph; this is a parable.

Judit decapitando a Holofernes (Judith Beheading Holofernes) (circa 1600) by Caravaggio (Michelangelo Merisi da Caravaggio, 1571–1610).

The facts of the climactic moment in the decapitation of General Holofernes are not in dispute, Judith at the appropriate moment drawing the general’s own sword, beheading him as he lay recumbent, passed out from too much drink.  Deed done, the assassin dropped the separated head in a leather basket and stole away.  The dramatic tale for centuries has attracted painters and sculptors, the most famous works created during the high Renaissance and Baroque periods and artists have tended to depict either Judith acting alone or in the company of her aged maid, a difference incidental to the murder but of some significance in the interpretation of preceding events.

Judit si presenta a Holofernes (Judith Presenting Herself to Holofernes) (circa 1724) by Antonio Gionima (1697–1732).

All agree the picturesque widow was able to gain access to the tent of Holofernes because of the general’s carnal desires but in the early centuries of Christianity, there’s little hint that Judith resorted to the role of seductress, only that she lured him to temptation, plied him with drink and struck.  The sexualization of the moment came later and little less controversial was the unavoidable juxtaposition of the masculine aggression of the blade-wielding killer with her feminine charms.  Given the premise of the tale and its moral imperative, the combination can hardly be avoided but it was for centuries disturbing to (male) theologians and priests, rarely at ease with bolshie women.  It was during the high Renaissance that artists began to vest Judith with an assertive sexuality (“from Mary to Eve” in the words of one critic), her features becoming blatantly beautiful, the clothing more revealing.  The Judith of the Renaissance and the Baroque appears one more likely to surrender her chastity to the cause where once she would have relied on guile and wine.

Judith (1928) by Franz von Stuck (1863–1928).

It was in the Baroque period that the representations more explicitly made possible the mixing of sex and violence in the minds of viewers, a combination that across media platforms remains today as popular as ever.  For centuries “Judith beheading Holofernes” was one of the set pieces of Western Art and there were those who explored the idea with references to David & Goliath (another example of the apparently weak decapitating the strong) or alluding to Salome, showing Judith or her maid carrying off the head in a basket.  The inventiveness proved not merely artistic because, in the wake of the ruptures caused by the emergent Protestant heresies, in the counter-attack by the Counter-Reformation, the parable was re-imagined in commissions issued by the Holy See, Judith’s blade defeating not only Assyrian oppression but all unbelievers, heretical Protestants just the most recently vanquished.  Twentieth century artists too have used Judith as a platform, predictably perhaps sometimes to show her as the nemesis of toxic masculinity and some have obviously enjoyed the idea of an almost depraved sexuality but there have been some quite accomplished versions.

Lindsay Lohan gardening with a lopper, decapitation a less demanding path to destruction than deracination, New York City, May 2015.  She appears to be relishing the task.

Conjecture

Conjecture (pronounced kuhn-jek-cher)

(1) The formation or expression of an opinion or theory without sufficient evidence for proof; an opinion or theory so formed or expressed; guess; speculation; to conclude or suppose from grounds or evidence insufficient to ensure reliability.

(2) The interpretation of signs or omens (obsolete though still used in some superstitious circles and a common phrase among occultists).

(3) In mathematics and philology, a technical term for a statement which, based on available evidence, is likely to be true but for which there’s no formal proof.

1350–1400: From the Middle English conjecturen (infer, predict, form (an opinion or notion) upon probabilities or slight evidence), from the Old and Middle French from the Latin conjectūra (a guess; inferring, an assembling of facts; reasoning), the construct being conject(us), past participle of conjicere (to throw together; to form a conclusion).  The late Middle English verb conjecturen was a direct borrowing from the Middle French, from the Late Latin conjecturāre, derivative of the noun.  The Latin conjicere is a combining form jacere (to throw) + -ūra –ure (the Latin suffix used to form nouns of quality from adjectives).  The Latin coniectūra is derived from coniectus, perfect passive participle of cōniciō (throw or cast together; guess), the construct being con- (together) + iaciō (throw, hurl).  In Middle English, there were also peacefully co-existing forms, the noun conjecte & the verb conjecten.

Derived forms include the adjective conjecturable, the adverb conjecturably, the noun conjecturer and the verbs (used with our without the object) conjectured and conjecturing.  The verbs misconjecture & misconjectured and the noun misconjecturing are valid words but so rare that some dictionaries list them as obscure.  Indeed, given the meaning of the root, it can be argued there’s little difference between conjecture and misconjecture although it could be useful in describing things in retrospect.  For those times when conjecture seems not quite right, there’s surmise, inference, supposition, theory, hypothesis, suppose, presume, guesswork, hunch, presumption, guess, fancy, opinion, conclusion, notion, guesstimate, gather, figure, conclude, feel, deem & expect.

The Oesterlé–Masser Conjecture

The Oesterlé–Masser conjecture, a problem in number theory, is named after the mathematicians Joseph Oesterlé (b 1954) and David Masser (b 1948) who first published their speculation in the 1980s and popularly known as the abc conjecture, based on the equation which underlies it all.  The conjecture postulates that if a lot of small prime numbers divide two numbers (a) and (b), then only a few large ones divide their sum (c); basically, if you add lots of primes together the result is divisible only by a few large numbers.  Mathematicians concur that intuitively this seems likely because of the nature of prime numbers but a proof has proved elusive.  It’s of interest to the profession because it might resolve some of the fundamental problems in Diophantine geometry, a typically arcane fork of number theory but beyond the implications for mathematics, given the importance of prime numbers in commerce, ICT and diplomacy (primes underpin encryption), other fields may be significantly affected. 

Japanese mathematician Shinichi Mochizuki san (b 1969) has been working on the problem for some thirty years and, over the decades has circulated within the community many un-published papers, none of which garnered much support.  Not discouraged, Mochizuki San persisted and in 2012 posted on his website, four papers 500 pages in length, claiming they contained the definitive proof (including a new theory called inter-universal Teichmüller theory (IUTT)).  While some of his peers actively disagreed with his methods or conclusions, most either ignored his work or said it couldn’t be understood, one recently commenting his experience was something like “reading a paper from the future, or from outer space”.

Several years later, despite conferences staged to explain Mochizuki san’s work to other mathematicians, there is no consensus and he has been accused of not doing enough to communicate (in the sense of explaining) his ideas.  While there are some who claim to have both read his work (that alone an achievement) and understood it (more admirable still given how much that depends on knowledge of other work he has developed over decades), they're a small sub-set of number theorists, most of whom remain sceptical or dismissive .  Interest was stirred in 2018 when two noted German mathematicians, Peter Scholze (b 1987) and Jakob Stix (b 1974), published a paper in which they asserted a critical part of Mochizuki san’s work (said to be central to the proof), was wrong.  Unusually in this matter, their work was based not only on analysis but a face-to-face meeting with Mochizuki san.  The discussion however concluded with neither sided able to persuade the other, something like three pocket calculators sitting on a table, unable to agree on the best method of determining a number without knowing that number.

In April 2020, it was announced the claimed proof would be published in the Japanese journal Publications of the Research Institute for Mathematical Sciences (RIMS).  Although Mochizuki san was RIMS's chief editor, the institution noted he was “…not involved in the review” or the decision to publish.  There was scepticism but in 2021, the material appeared in RIMS and the number theory community awaits with interest to see if there are defections from the tiny “proven” faction or the more populated “unproven”.

It's not just number theorists who have engaged with Mochizuki san.  Ted Nelson (b 1937), a US sociologist who as long ago as 1963 invented the term hypertext, thinks the controversial Japanese professor may be the inventor of Bitcoin.  Dr Nelson noted that that Bitcoin creator "Satoshi Nakamoto san" appears to have existed long enough only to (1) introduce Bitcoin, (2) stimulate excitement and (3) disappear and thought this similar behavior to that of Mochizuki san who has some history of making mathematical discoveries and posting them to the internet to be found, rather than publishing.  Not many share the suspicion, noting that while a grasp of high-level mathematics would have been essential to build the Blockchain, Mochizuki san is not known to have any background in software development although, given Bitcoin may have been developed by a team, that may not be significant.  Dr Nelson remained convinced and in 2013 offered to donate one Bitcoin (then trading at $US123) to charity were Mochizuki san to deny being the inventor.  It's not known if Dr Nelson revised the terms of his offer as the Bitcoin price moved.

Bedint

Bedint (pronounced buh-dent (U) or bed-ent (non-U))

(1) Something which suggests a bourgeois aspiration to the tastes or habits of the upper classes.

(2) A generalized expression of disapproval of anyone or anything not in accord with the social standards or expectation of the upper classes.

(3) Any behavior thought inappropriate (ie something of which one for whatever reason disapproves).

1920s:  A coining attributed to variously to (1) English writer and diplomat Harold Nicolson (1886–1968), (2) his wife, the writer Vita Sackville-West (1892–1962) or (3) speculatively, Vita Sackville-West’s family.  The word is of Germanic origin and although there are variants, a common source is the Middle Dutch bedienen, the construct being be- +‎ dienen.  The Middle Dutch be- was from the Old Dutch bi- & be-, from the Middle High German be-, from the Old High German bi-, from the Proto-Germanic bi-, from the primitive Indo-European hepi and was used to indicate a verb is acting on a direct object.  Dienen was from the Middle Dutch dienen, from the Old Dutch thienon, from the Proto-Germanic þewanōną and meant “to be of assistance to, to serve; to serve (at a tavern or restaurant); to operate (a device).  In the rituals of the Roman Catholic Church, it has the specific technical meaning of “to administer the last sacraments (the last rites).  A bedient (the second third-person singular present indicative of bedienen) was thus a servant, a waiter etc.  The acceptable pronunciation is buh-dent, bed-int, be-dit or anything is the depth of bedintism. 

The idea thus is exemplified by a maître d'hôtel (the head waiter in a good restaurant) who, well dressed and well mannered, appears superficially not dissimilar to someone from the upper classes but of course is someone from a lower class, adopting for professional reasons, some of their characteristics (dress, manner, speech (and sometimes snobbery) etc).  Whoever coined the word, it was certainly popularized by Harold Nicholson and Vita Sackville-West.  It seems initially to have been their shared code for discussing such things but soon became common currency amongst the smart set in which they moved and from there, eventually entered the language although not all dictionaries acknowledge its existence.  It one of those words which need not be taken too seriously and is most fun to use if played with a bit (bedintish, bedintesque, bedintingly bedinded, bedintism, bedintology et al).  As a word, although from day one weaponized, bedint was subject to some mission-creep to the point where, as Lewis Carol’s Humpty Dumpty explained to Alice: "When I use a word," Humpty Dumpty said, in rather a scornful tone, "it means just what I choose it to mean—neither more nor less."  Humpty Dumpty to Alice in Alice Through the Looking-Glass (1871) by Lewis Carroll (1832–1898).

Harold Nicolson & Vita-Sackville West, London, 1913.

As originally used by Nicolson & Sackville-West, bedint, one the many linguistic tools of exclusion and snobbery (and these devices exist among all social classes, some of which are classified as “inverted snobbery” when part of “working-class consciousness” or similar constructs) was used to refer to anyone not from the upper class (royalty, the aristocracy, the gentry) in some way aping the behavior or manners of “their betters”; the behavior need not be gauche or inappropriate, just that of someone “not one of us”.  Nicolson didn’t exclude himself from his own critique and, as one who “married up” into the socially superior Sackville family, was his whole life acutely aware of what behaviors of his might be thought bedint, self-labelling as he thought he deserved.  His marriage he never thought at all bedint although many of those he condemned as bedint would have found it scandalously odd, however happy the diaries of both parties suggest that for almost fifty years it was.

Harold Nicolson & Vita-Sackville West, Sissinghurst Castle Garden, Kent, 1932.

Bedint as a word proved so useful however that it came to be applied to members of the upper classes (even royalty) were they thought guilty of some transgression (like dullness) or hobbies thought insufficiently aristocratic.  The idea of some behavior not befitting one’s social status was thus still a thread but by the post-war years, when bedint had entered vocabulary of the middle-class (a bedint thing in itself one presumes Nicolson and Sackville-West would have thought), it was sometimes little more than a synonym for bad behavior (poor form as they might have said), just an expression of disapproval.

Harold Nicolson & Vita-Sackville West, Sissinghurst Castle Garden, Kent, 1960.

The biographical work on Nicolson reveals a not especially likable snob but, in common with many fine and sharp-eyed diarists, he seems to have been good company though perhaps best enjoyed in small doses.  One of those figures (with which English political life is studded) remembered principally for having been almost a successful politician, almost a great writer or almost a viceroy, he even managed to be almost a lord but despite switching party allegiances to curry favor with the Labour government (1945-1951), the longed-for peerage was never offered and he was compelled to accept a knighthood.  His KCVO (Knight Commander of the Royal Victorian Order, an honor in the personal gift of the sovereign) was granted in 1953 in thanks for his generous (though well-reviewed and received) biography of King George V (1865-1936, King of England 1910-1936), although those who could read between the lines found it not hard to work out which of the rather dull monarch’s activities the author thought bedint.  As it was, Nicolson took his KCVO, several steps down the ladder of the Order of Precedence, accepting it only "faute de mieux" (in the absence of anything better) and describing it “a bedint knighthood”, wondering if, given the shame, he should resign from his clubs.

Wedding day: Duff Cooper & Lady Diana Manners, St Margaret's Church, London, 2 June 1919.

So a knighthood, a thing which many have craved, can be bedint if it's not the right knighthood.  When the Tory politician Duff Cooper (1890–1954) ended his term (1944-1948) as the UK's ambassador to France, the Labor government (which had kept him on) granted him a GCMG (Knight Grand Commander of the order of St Michael & St George) and although he thought his years as a cabinet minister might have warranted a peerage, he accepted while wryly noting in his diary it was hardly something for which he should  be congratulated because: "No ambassador in Paris has ever failed to acquire the it since the order was invented and the Foreign Office has shown how much importance they attach to it by conferring it simultaneously on my successor Oliver Harvey (1893-1968), who is, I suppose, the least distinguished man who has ever been appointed to the post".  Still, Cooper took his "bedint" GCMG and when a Tory government returned to office, he was raised to the peerage, shortly before his death, choosing to be styled Viscount Norwich of Aldwick.  His wife (Lady Diana Cooper (1892–1986) didn't fancy becoming "Lady Norwich" because she though it "sounded like porridge" and took the precaution of placing notices in The Times and Daily Telegraph telling all who mattered she would continue to be styled "Lady Diana Cooper".  They had a "modern marriage" so differences between them were not unusual.

Bottomage

Bottomage (pronounced bot-uh m-ree)

In the marine insurance division of Admiralty law, a contract, of the nature of a mortgage, by which the owner of a ship borrows money to make a voyage, pledging the title of the ship as security.

1615-1625: From Middle English as as an addition to Admiralty law, modelled on the Dutch bodemerij, equivalent to bodem (bottom; hull of a ship) + -erij (–ry).  Bottom is from the Middle English botme & bottom (ground, soil, foundation, lowest or deepest part of anything), from the Old English botm & bodan (bottom, foundation; ground, abyss), from the Proto-Germanic buthm, butmaz & budmaz, from the primitive Indo-European bhudhno (bottom).  It was cognate with Old Frisian boden (soil), the Old Norse botn, the Dutch bodem, the Old High German & German Boden (ground, earth, soil), the Icelandic botn and the Danish bund and was related also to the Irish bonn (sole (of foot)), the Ancient Greek πυθμήν (puthmḗn or pythmen) (bottom of a cup or jar), the Sanskrit बुध्न (budhna) (bottom), the Avestan buna, the Persian بن‎ (bon) (bottom) and the Latin fundus (bottom, piece of land, farm), from which, via French, English gained “fund”.  The suffix -age was from the Middle English -age, from the Old French -age, from the Latin -āticum.  Cognates include the French -age, the Italian -aggio, the Portuguese -agem, the Spanish -aje & Romanian -aj.  It was used to form nouns (1) with the sense of collection or appurtenance, (2) indicating a process, action, or a result, (3) of a state or relationship, (4) indicating a place, (5) indicating a charge, toll, or fee, (6) indicating a rate & (7) of a unit of measure.  Bottamage is a noun; the noun plural is bottomages.

The sense of bottom as “posterior of a person (the sitting part)” is from 1794; the “verb to reach the bottom of” from 1808 and the expression “bottom dollar (the last dollar one has) is from 1857.  The meaning "fundamental character or essence" is from the 1570s and the variation “to get to the bottom of some matter” is from 1773; “bottoms up” as the call to finish one's drink is from 1875 while to do or feel something from “the bottom of (one's) heart” is from 1540s.  The bottom-feeder, originally a technical term in the classification of fishes, dates from 1866, the figurative sense ("one of the lowest status or rank" or an "opportunist who seeks quick profit usually at the expense of others or from their misfortune") noted from 1919.  Bottomage also sometimes appears in Australia as an alternative spelling of "bottom-age" (used in aged based sporting competitions to list the oldest age permitted to participate).

On the bottom.

Bottomage (sometimes referred to as bottomry), is a financing arrangement in maritime law whereby the owner or master of a ship borrows money “upon the bottom (or keel) of it” with an agreement to forfeit the ship itself to the creditor if the loan and interest is not paid at the time nominated, after the ship's safe return.  The contracts tended to be executed when a ship in a foreign port needed emergency repairs and it wasn’t possible to arrange funds in other ways.  Now rare because developments in maritime law discounted the bottomage bond's priority as against other liens and improvements in communications made international money transfers more efficient.  Hardly used since the nineteenth century and now of only historic interest.

It was an unusual, hybrid form of financing and one almost wholly peculiar to the pre-modern sea-trade.  It wasn’t a conventional loan because the lender accepted part of the risk, ships sinking not infrequently.  Nor was it insurance because there was nothing which explicitly secured the risk to the merchant's goods.  Bottomage can be thought of as a type of futures contract in that the insurer has purchased an option on the venture's final profit.  The risk being greater, a bottomage bond giving no remedy to the lender against the owners of the ship or cargo personally, rates were always much higher than the historic trading average of around 12%.

Doctors' Commons (1808), the High Court of Admiralty in session, Designed and etched by Thomas Rowlandson (1757–1827) & Auguste Charles Pugin (1768–1832 London), aquatint by John Bluck (1791–1832), Lambeth Palace Library collection, London.

The Admiralty Court in England dates from the mid- fourteenth century and its creation appears linked to the victory of Edward III’s (1312–1377; King of England 1327-1377) fleet in the battle of Sluys in 1340, one of the opening engagements of the Hundred Years' War (1737-1453).  A specialist tribunal which appears to have been charged with keeping peace at sea and dealing with piracy, as the High Court of Admiralty it developed its own distinct procedures and practices and was attended by a specialist group of solicitors (called proctors), its advocates educated in civil rather than common law; those trained only in common law not permitted to appear.

Bottamage re-imagined, Lindsay Lohan at the beach.

The advocates of the Admiralty Court were all Doctors of Law and were variously described as belonging to the College of Advocates, the College of Civilians or the Society of Doctors' Commons and specialized in ecclesiastical and civil law.  They were admitted to practice by the Dean of Arches who served the Archbishop of Canterbury and, practicing from Doctors’ Commons, cluster of buildings on Knightrider Street between St Paul’s cathedral and the north bank of the Thames they were most concerned with Admiralty and Church law although the advocates also verified and stored documents such as wills and marriage and divorce certificates.  The Doctors’ Commons was unusual in that while it resembled a modern Inn of Court in that it housed a library, a dining hall and rooms from which lawyers practiced, it also contained a court-room where the Admiralty Judge sat.  The arrangement persisted until the reforms of the Victorian Judicature Acts (1873-1875), the College of Advocates abolished in 1865 and the High Court of Admiralty transferred to became part of the unified High Court in 1875 although the tradition of a specialist Admiralty Judge and a specialist Admiralty Bar continues to this day.  In the US, one unique quirk of admiralty courts seemed to one lawyer to offer a possibility, the argument being a judgement should be set aside because the flag hanging in the courtroom didn't have the traditional fringe and thus was not properly constituted.  This the judge rejected and no attempt was made to seek leave to appeal.

The symbol of the Admiralty Court is the Admiralty Oar, traditionally displayed in court when a trial is in progress.

After the passage of the Judicature Acts, Admiralty jurisdiction moved to the newly created division of Divorce, Probate and Admiralty, referred to within the profession as the 3W (wives, wills & wrecks) and this lasted until the 1970 Administration of Justice Act which shifted divorce to the Family Division and probate to Chancery.  The Admiralty Court became part of the Queen’s Bench Division and claims are now dealt with by one of its two judges: the Admiralty Judge and the Admiralty Registrar, the arrest and release of ships handled by the Admiralty Marshal.

Whig

Whig (pronounced wig)

(1) To move along briskly (obsolete except in Scotland).

(2) A political party in Great Britain and the United Kingdom between 1679-circa 1860 and in the and US circa 1834-1855 (initial capital).

(3) Slang for a conservative member of the Liberal Party in Great Britain (used both with and without initial capital).

(4) Slang for certain factions in the US Republican Party (used both with and without initial capital).

(5) A (rarely used) historical term for a seventeenth-century Scottish Presbyterian, especially one in rebellion against the Crown (used both with and without initial capital).

(6) In Northern English dialectal use, acidulated whey, sometimes mixed with buttermilk and sweet herbs, used as a cooling beverage (obsolete).

(7) Buttermilk (now rare)

Circa 1657: The British political movement later called Whig began to emerge in the mid-1650s, (“emerged” is a better expression than “was formed”), in part perhaps a disparaging use of the 1640s whigg (a country bumpkin) but the greater influence was the 1649 Whiggamaire (later Whiggamore) (the Covenanters, adherents of the Presbyterian cause in western Scotland who marched on Edinburgh in 1648 to oppose Charles I)  The sense, from circa 1635, of a country bumpkin may have been linked to "a horse drover," from the dialectal verb whig "to urge forward" + mare (in the sense of a horse).  In 1689 the name was first used in reference to members of the British political party opposed to the Tories.  The American Revolution era sense of "colonist who opposes Crown policies" is from 1768 and, as early as 1825, was applied to opponents of Andrew Jackson and taken as the name of a political party (1834), most of the factions of which were absorbed by the Republican Party between 1854-1856.  The adjective whiggish (used usually as a disparaging way of describing the tendencies of some towards the philosophies of the Whigs while claiming alignment with another political faction) is from the 1670s, the noun whiggery (principles or practices of the Whigs) noted during the next decade.  Whig, Whiggishness & Wiggery are nouns, Wiggish is an adjective; the noun plural is Whigs.

Portrait of Lord Shelburne (1776), oil on canvas, by Joshua Reynolds (1723–1792).

The Whigs were a faction of the Tory party which later became a party in its own right.  In its varied forms, the Whigs operated between 1679 and the late nineteenth-century, their philosophy based on a defense of constitutional monarchism and an opposition to absolutism, the part the Whigs played in British politics later absorbed by Tory factions and the Liberal Party although strains of its philosophy can sometimes be seen still in the Labour Party (depending on which faction is in the ascendant).  Structurally, the morphing of a Tory faction into a formalized party had far-reaching consequences which continue to this day; no prime-minister since Lord Shelburne (1737-1805; UK prime-minister 1782–1783) has attempted to govern without the support of a party.

In the US, a Whig Party was active in the mid-nineteenth-century and four US presidents belonged to the party while in office.  Formed originally in opposition to the policies of Democratic President Andrew Jackson, the Whigs supported the supremacy of the congress over the presidency and favored a program of modernization, banking, and economic protectionism to stimulate manufacturing.  Not directly related to the British Whigs, party founders chose the name to echo those of the eighteenth-century who fought for independence, nodding also in the direction of the earlier Federalist Party but would later dissolve because of internal tensions over the expansion of slavery to the territories.  Charmingly, many joined the short-lived Know Nothing Party; most eventually drifted back to the Democrats or Republicans although the name is revived from time-to-time but without much electoral success.  Of late, some belonging to the more conservative factions in the Republican Party are labeled Whigs and this can be either in disparagement or self-referentially.

The term “Whig historian” was first recorded in 1924.  Despite the temptation, it really can’t be used in any neutral sense because of the legacy of the words of Sir Herbert Butterfield (1900–1979; Regius Professor of Modern History and Vice-Chancellor of the University of Cambridge) who, early in life, published the book for which he is still remembered: The Whig Interpretation of History (1931).  In that slim volume, he defined Whig history as "the tendency in many historians... to emphasise certain principles of progress in the past and to produce a story which is the ratification if not the glorification of the present."  Both "Whig historian" and the "Whig interpretation of history" are thus loaded terms.  Sir Herbert, it was clear, was thinking of the English tradition of historiography but his critique has been widely adopted, the idea of the retrospective creation of a line of progress toward the glorious present a theme now explored not only by the odd Whig but also the post-modernists.

Lindsay Lohan in blonde wig (asymmetric bob) on the Late Night with Jimmy Fallon show, New York, November 2012.

The word wig (a head of real or synthetic hair worn on the head for various reasons) is unrelated to Whig.  Dating from the 1660s, it was a clipping of the French periwig (a wig, especially the large, stylised constructions worn by both men & women) which was an alteration of the Middle French perruque (wig).  The word “wig” in 1730s England was adapted to created the informal “bigwig” (an important person), based on the fashion at the time for those in authority to wear large, elaborate wig, the idea (presumably not without foundation) that the more important the person, the bigger the wig.  The same linkage explains the military slang “brass hat” (a high-ranking officer), based on the brass embellishments or insignia applied to the hats of the upper ranks.  The term persists (even outside the military) even though the metal is now rare even on the hats of dress uniforms but there's still often gold braid to justify the connection.

Lilohan

Lilohan (pronounced lie-low-han)

A dialectal variant of English.

2016: The construct was Li(ndsay) + Lohan.  Lilohan is a non-geographically specific dialect of English, the name a contraction derived from that of its creator, Lindsay Lohan.  It appears to use a conventional US English vocabulary but is delivered, with an occasionally halting delivery, in an accent vaguely Russian or eastern European.  Lilohan is a proper noun (the spelling LiLohan is non-standard).

Lindsay Lohan explained things by saying it was “…a mixture of most of the languages I can understand or am trying to learn”, adding that she’d been “…learning different languages since I was a child.  I'm fluent in English and French can understand Russian and am learning Turkish, Italian and Arabic”. A limited edition LiLohan clothing line was released to welcome the latest addition to Earth's linguistic diversity.  Estimates are somewhat inexact but it's thought there are still some 7000 languages being spoken on Earth but the number is in decline; some extant languages may have but a handful of speakers remaining and neither extensive written records nor any programme to ensure preservation.  Almost half of the languages on Earth are spoken only by a few thousand.  A philanthropic endeavor, part of the proceeds from each LiLohan item sold will benefit Caudwell Children and the Disaster and Emergency Management Presidency of Türkiye (AFAD).  An example of Lilohan being spoken may be heard here and the clothing range is available in black and white in a range of sizes: Tank tops and T-shirts are US$24.99; sweatshirts US$39.99.

Lindsay Lohan with Recep Tayyip Erdoğan (b 1954; prime-minister or president of the Republic of Türkiye since 2003), First Lady Emine Erdoğan B 1955) and Syrian refugee, the prolific tweeter Bana Al-Abed (b 2009), Presidential Palace, Ankara, Türkiye, 27 January 2017.

The AFAD (Afet ve Acil Durum Yönetimi Başkanlığı), created in 2009, is the government’s central agency for emergency management and civil protection.  The AFAD conducts pre-incident work, such as preparedness, mitigation and risk management, during-incident work such as response, and post-incident work such as recovery and reconstruction.  The AFAD is under the auspices of the Ministry of Interior and coordinates the activities of NGOs with private and governmental agencies.  It additionally formulates and implements policies and in a disaster or emergency, is the state’s sole responsible organization.