Palindrome

Palindrome (pronounced pal-in-drohm)

(1) A word, line, verse, number, sentence, etc, reading the same backward as forward.

(2) In biochemistry, a region of DNA in which the sequence of nucleotides is identical with an inverted sequence in the complementary strand.

1638: From the Ancient Greek παλίνδρομος (palindromos) (running back again; recurring, literally “literally "a running back”) the construct being πάλιν (pálin) (again, back) + δρόμος (dromos) (direction, running, race, racecourse).  Pálin was from the primitive Indo-European kwle-i-, a suffixed form of the root kwel- (revolve, move round) (kw- becomes the Greek p- before some vowels.  The word palindrome was first published by Henry Peacham (1578-circa 1645) in The Truth of Our Times (1638).  Although derived from the Greek root palin + dromos, the Greek language uses καρκινικός (carcinic, literally “crab-like”) to refer to letter-by-letter reversible writing.  The related palinal (directed or moved backward, characterized by or involving backward motion) dates from 1888.  Palindrome & palindromist are nouns, palindromically is an adverb and palindromic an adjective.

The noun palinode (poetical recantation, poem in which the poet retracts invective contained in a former satire) dates from the 1590s and was from either the sixteenth century French palinod or the Late Latin palinodia, from the Greek palinōidia (poetic retraction), again from pálin; the related form were palinodical & palinodial.  The word palinode was sometimes applied to the apologia artists and others in the Soviet Union were compelled to publish, were they accused of formalism or something just as heinous.

Pierre Laval (1883–1945), the palindromic Prime Minister of France 1931-1932, 1935-1936 & de facto prime minister in the Vichy Government 1942-1944.  He was executed by a French firing squad in 1945.

Perhaps surprisingly, the longest known palindromic word is not German despite their fondness for lengthy compounds.  According to the Guinness Book of World Records the record is held by the 19 character saippuakivikauppias which is Finnish for “a travelling salesman who sells lye (caustic soda)”.  It’s said not often to come up in conversation and seems to exist only a curiosity used to list the world’s longest known palindrome.  In English, palindromes of a few characters are common but examples with more than seven letters are rare.  Tattarrattat, as it’s usually spelled, has 12 characters but it’s a bit of a fudge because it’s also an onomatopoeia so some lexicographers insist it doesn’t count.  Tattarrattat is the sound made by knocking on a door.  Also cheating but clever is the 11 letter aibohphobia meaning a fear of palindromes, the construct being the suffix -phobia + its reverse.  Adding to the charm is that it’s doubtless a non-existent condition, but it’s suspected there are a few of those in the literature of psychiatry.  From India, there's kinnikinnik, a smoking mixture of bark & leaves (but no tobacco.  English’s longest “real” palindrome appears to be detartrated, the past participle of detartrate (to remove tartrates (salts of tartaric acid), especially from fruit juices and wines, in order to reduce tartness or sourness).  Not only is it a real word but it describes a common process in the industrial production of foods and beverages.

Announced on an auspicious date.

On 2 February 2020, Lindsay Lohan (b 1986), in a now deleted Instagram post, for the first time publicly acknowledged her relationship with Bader Shammas (b 1987), a group photograph from Dubai, including the couple and her sister Aliana, captioned: "@aliana lovely night with sister and my boyfriend bader💗".  The couple would later marry.  2 February 2020 (02-02-2020) was the twenty-first century’s only eight-digit global palindrome (ie it works with either the MM-DD-YYYY or DD-MM-YYYY convention).  The last eight-digit global palindrome happened 908 years earlier on the even more numerically symmetrical 11 November 1111 (11-11-1111) and the next one will be 908 years hence on 3 March 3030 (03-03-3030).  Six and seven digit palindromes are more common.

Palindromic sentences are often created and these are judged not by length but by their elegance.  Leigh Mercer (1893–1977) was a word nerd and recreational mathematician who devised the classic "A man, a plan, a canal: Panama!" and this approach was in the 1980s taken to its logical extreme in two novels, Satire: Veritas (1980, 58,795 letters) by David Stephens and Dr Awkward & Olson in Oslo (1986, 31,954 words) by Lawrence Levine, both said to be palindromically perfect and wholly nonsensical.  Shorter but of admirable clarity are the many baptismal fonts in Greece and Turkey which bear the circular 25-letter inscription NIYON ANOMHMATA MH MONAN OYIN (Wash (my) sins, not only (my) face).  This appears also in several English churches.

Sixteenth century German "oath skull" on which defendants swore their oaths in the Vehmic courts (the Vehmgericht, Holy Vehme or Vehm, the alternative spellings being Feme, Vehmegericht & Fehmgericht), a tribunal system established in Westphalia during the late Middle Ages.

Created essentially because of the inadequacies of the official justice system, they're now often referred to as "proto-vigilante" courts but for centuries they filled a niche before they came increasingly to be associated with injustice and corruption before finally being abolished in 1811, a half-decade after the dissolution of the Holy Roman Empire, the source of their original authority.

The pattern on the skull was based on a multi-directional palindromic grid created by some word nerds in Ancient Rome.  Later re-discovered etched onto a wall in the doomed city of Herculaneum, it reads Sator Arepo Tenet Opera Rotas (The sower, Arepo, makes the wheel work) and it works whether read vertically, horizontally, or in the diagonal.  These types of palindromic squares are called pentacles and the SATOR was the most commonly found in the Western Esotericism of late antiquity.  They were used by Kabbalists, Gnostics, alchemists and other pre-medieval mystics in the creation of magic spells, amulets, potions etc and were thus often seen in the shops of apothecaries.

sator: sower/planter
tenet: he/she/they/it holds/has/grasps/possesses
opera: work/exertion/service
rotās: wheels

There has been speculation about the the meaning of this pentacle, some a little fanciful, but the consensus is things were made up just to fit, rather as "the quick brown fox jumps over the lazy dog" was coined to use each letter in the alphabet and "DICK HOOD DID EXCEED" serves no purpose other than to appear the same if inverted and viewed in a mirror.  The truly palindromic “never odd or even” spelled backwards remains “never odd or even”.    

Gild

Gild (pronounced gild)

(1) To coat with gold, gold leaf, or a gold-colored substance.

(2) To render something with a bright, pleasing, or specious aspect; having the color or appearance of gold.

(3) Smear with blood; to make red, as with blood (archaic except in historic reference).

(4) To adorn in some way.

(5) In cooking, to render some surface with a golden appearance.

(6) To make appear drunk (now rare).

1300–1350: From the Middle English gilden & gulden (to gild, to cover with a thin layer of gold), from the Old English gyldan (akin to gold) and related to the Old Norse gylla (to gild), the Old High German ubergulden (to cover with gold) (the verb from gultham (gold)) and the Middle High German vergülden, from the Proto-West Germanic gulþijan, from the Proto-Germanic gulþijaną, from gulþą (gold).  In historic UK use, the noun gildsman was an alternative spelling of guildsman (a man who is a member of a guild).   Gild is a noun & verb, gilding is a verb & adjective, gilded is a verb, begild is a verb & adjective and begilded & gildable is an adjective.

1967 Cadillac Eldorado.

The figurative use of gild apparently began in the late sixteenth century.  The noun gilding (golden surface produced by gilding (the verb)" was from the mid fifteenth century, the verb pre-dating the form by some two decades.  The adjective gilded emerged 1400 as the past participle of the Middle English gilden and by the early fifteenth century was used also as a noun with the sense of "gilding".  The noun eldorado entered English in the 1590s from the Spanish El Dorado (the golden one ( the name given in the sixteenth century to the country or city laden with gold believed to lie in the heart of the Amazon jungle)); it was derived from the past participle of dorar (to gild), from Latin deaurare (to gild, to gild over), the construct being de- (probably used here as an intensifier) + aurare (to gild), from aurum (gold).  The legend began with the tales of early Spanish explorers and, regarding gold, there would once have been some truth in the story but, in the way of such things, there was embellishment (gilding the story as it were) until Eldorado was thought a city where the “streets were paved with gold” and for two centuries this drew explorers and adventurers.

Cartoon with a modern feeling: Chicago Labor Newspaper's (1894) critique of the policies of the Pullman railroad company.

The terms “gilded age” and “golden age” are sometimes confused, the former coined by Mark Twain (1835-1910) and Charles Dudley Warner (1829-1900) as the title of their 1873 novel.  The Gilded Age: A Tale of Today was a novel which satirized greed and political corruption in post-Civil War America and it lent the name to the period of US history (circa 1870-circa 1900) immediately prior to the era of progressivism and reform when something was done about political corruption and economic exploitation by the trusts (rail, steel etc).  A gilded age is thus suggestive of a time in which things seem superficially attractive and there is prosperity but the activity conceals the squalor and ugliness beneath.  Whenever there are periods of great social and economic inequality such as that which has evolved in the West over the last four-odd decades (trickle-down economics and its better disguised successors) with aggregated wealth high but disproportionately held by a tiny minority, the term gilded age is often suggested as a descriptor: Gilded age 2.0 in the fashionably modern parlance).  A golden age differs in that it’s associated with a period of peace, prosperity and progress, often expressed by historians in phrases such as the “golden age of the Gupta dynasty” which referred to the Gupta Empire in India which existed between the fourth and sixth centuries.

Gilding the lily: 1959 Chevrolet Impala convertible with after-market accessories (1) rear fender skirts (spats) and (2) “Continental” spare tyre kit.  The “Continental” alluded to was the Ford Motor Company’s original Lincoln Continental (1940–1942 & 1946–1948), first seen in 1939 in the one-off vehicle commissioned for his personal use by Edsel Ford (1893–1943; president of the Ford Motor Company (FoMoCo) 1919–1943).  The Continentals included both features but use of skirts was common whereas the externally mounted spare type housing had become unusual and it became for decades a signature motif of Lincolns and much beloved for just as long by the after-market industry, “Continental kits” appearing on some most improbable cars. 

To refer to the 1959 Chevrolet as a “lily” is a bit of a stretch although the “batwing” rear fins (General Motors (GM) at the time preferred “seagull wings”) and the “cat’s eyes” tail-lamps remain memorable.  The 1959 GM bodies were actually a rush job because the 1958 range was thought staid, bloated and old fashioned compared with the sleek lines of the lines Chrysler had for 1957 ushered in with the slogan “Suddenly it’s 1960s”.  Accordingly (and uniquely), GM’s 1958 bodies were a one-off.  However, whatever one’s opinion of the 1959 Chevrolet, most seem to agree that adding the “Continental” spare-wheel kit and the fender skirts over the rear wheels is gilding the lily but a remarkable number appear in the auction houses so outfitted and almost all the additions are modern re-productions rather than those purchased when the cars were new, or at least young and the photographic record of the era does appear to confirm these accessories were, in period, rare indeed.  It’s thus gilding the lily and an example of the way perceptions of the past can be shaped.

The phrase “gilding the lily” is used to describe the act of adding unnecessary adornment to something already beautiful, the implication being the embellishments are beyond superfluous to the point of detracting from the perfection.  So it's used to mean "unnecessarily to adorn something already beautiful, either in poor taste (a modern expression of which is “bling”) or in an attempt to make something appear more valuable (it has also been used (though less satisfactorily) to mean “inordinately to praise someone”).  It’s of Shakespearian origin although the exact text-string “gilding the lily” appears nowhere in his works, the modern idiom a mis-quote and Lord Salisbury's words were:

Therefore, to be possess'd with double pomp,
To guard a title that was rich before,
To gild refined gold, to paint the lily,
To throw a perfume on the violet,
To smooth the ice, or add another hue
Unto the rainbow, or with taper-light
To seek the beauteous eye of heaven to garnish,
Is wasteful and ridiculous excess.

King John (circa 1594), Act IV, Scene 2 by William Shakespeare (1564–1616).

The phrase “gilded cell” seems first to have been used in the early 1980s in the US to describe the unusually pleasant conditions (compared with mainstream jails) often afforded to celebrities or the rich who have been sentenced to a form of confinement for some offence.  In use, “gilded cell” is applied to those serving sentences “in the community” rather than a jail, often when fitted with that latter-day status symbol, the “ankle bracelet” monitor.  In the US, the companion phrase used of those put in federal government jails less unpleasant than most is the usually derisive “Cub Fed” a play on the brand “Club Med”, a well-known chain of all-inclusive beach resorts.  Although the conditions in “Club Fed” institutions are more lenient, that really is a relative measure and these remain minimum-security prisons (technically usually styled Federal Prison Camps (FPC) and nothing like a luxury resort; while these prisons do have dormitory housing, minimal perimeter security, and a lower staff-to-inmate ratio, they still enforce strict routines and restrictions, along with recreational and educational programs.  Despite the public perception, the the inmate population at Club Fed is said to be quite diverse.

In idiomatic use, the use as “gilded cage” refers to a place (and, by extension, a situation) which is superficially attractive but nevertheless restrictive (a luxurious trap) and appears to have been coined by the writers of the popular song A Bird in a Gilded Cage (1900).  In the slang of apothecaries, there was also “gild the pill”, the history of which is murky but it’s said to refer to the ancient practice of coating bitter tasting pills with a thin layer of metal, the modern version of the phrase being “sugarcoat the pill”.  The phrase “gilded cage” refers to a situation where someone is in a luxurious or privileged environment but feels trapped or restricted, the image being an elaborate golden cage which is exquisitely made but a cage none the less.  Those said to live in gilded cages include (1) celebrities who may enjoy lavish surroundings and many luxuries but exist under the “media spotlight” and lack privacy, (2) those in unhappy marriages with someone rich; while they may have all the material comforts this brings, the relationship may be loveless, sexless and constrained by expectations and limitations imposed by a spouse, (3) those in high paid jobs which they don’t enjoy (or may hate); it may be the long hours, stress or travel but it’s also often the case that expectation of lifestyle (and thus expenses) rise to meet income, thus trapping them in the job, (4) members of royal families who are restricted in what they can say, do or wear and (5) politicians, who may disagree with party platform or a decision of cabinet but are compelled to “toe the line”.  The point about the idiomatic “gilded cage” is that at any time, one can escape the confines but to do so means to sacrifice much; it’s all a question of what one wants from life.

Cage

Cage (pronounced keyj)

(1) A boxlike enclosure having wires, bars, or the like, for confining and displaying birds or animals or as a protective barrier for objects or people in vulnerable positions (used in specific instances as battery cage, bird-cage, birdcage, Faraday cage, tiger cage, fish cage etc).

(2) Anything that confines or imprisons; prison and figuratively, something which hinders physical or creative freedom (often as “caged-in”).

(3) The car or enclosed platform of an elevator.

(4) In underground mining, (1) an enclosed platform for raising and lowering people and cars in a mine shaft & (2) the drum on which cable is wound in a hoisting whim.

(5) A general descriptor for any skeleton-like framework.

(6) In baseball (1) a movable backstop for use mainly in batting practice & (2) the catcher's wire mask.

(7) In ice hockey and field hockey, a frame with a net attached to it, forming the goal.

(8) In basketball, the basket (mostly archaic).

(9) In various sports which involve putting a ball or other object into or through a receptacle (net, hole), to score a goal or something equivalent.

(10) In fashion, a loose, sheer or lacy overdress worn with a slip or a close-fitting dress.

(11) In ordnance, a steel framework for supporting guns.

(12) In engineering (1) various forms of retainers, (2) a skeleton ring device which ensures the correct space is maintained between the individual rollers or balls in a rolling bearing & (3) the wirework strainers used to remove solid obstacles in the fluids passing through pumps and pipes

(13) To put (something or someone) into some form of confinement (which need not literally be in a cage).

(14) In underwear design, as cage bra, a design which uses exposed straps as a feature.

(15) In computer hardware, as card cage, the area of a system board where slots are provided for plug-in cards (expansion boards).

(16) In anatomy (including in zoology) as rib-cage, the arrangement of the ribs as a protective enclosure for vital organs.

(17) In athletics, the area from which competitors throw a discus or hammer.

(18) In graph theory, a regular graph that has as few vertices as possible for its girth.

(19) In killer Sudoku puzzles, an irregularly-shaped group of cells that must contain a set of unique digits adding up to a certain total, in addition to the usual constraints of Sudoku.

(20) In aviation, to immobilize an artificial horizon.

1175–1225: From the Middle English cage (and the earlier forms kage & gage), from the Old French cage (prison; retreat, hideout), from the Latin cavea (hollow place, enclosure for animals, coop, hive, stall, dungeon, spectators' seats in a theatre), the construct being cav(us) (hollow) + -ea, the feminine of -eus (the adjectival suffix); a doublet of cadge and related to jail.  The Latin cavea was the source also of the Italian gabbia (basket for fowls, coop).  Cage is a noun, verb and (occasional) adjective, caged & caging are verbs (used with object) and constructions include cage-less, cage-like, re-cage; the noun plural is cages.

The noun (box-like receptacle or enclosure, with open spaces, made of wires, reeds etc) typically described the barred-boxes used for confining domesticated birds or wild beasts was the first form and form circa 1300 was used in English to describe "a cage for prisoners, jail, prison, a cell".  The noun bird-cage (also birdcage) was in the late fifteenth century formed to describe a "portable enclosure for birds", as distinct from the static cages which came to be called aviaries.  The idiomatic use as “gilded cage” refers to a place (and, by extension, a situation) which is superficially attractive but nevertheless restrictive (a luxurious trap) and appears to have been coined by the writers of the popular song A Bird in a Gilded Cage (1900).  To “rattle someone's cage” is to upset or anger them, based on the reaction from imprisoned creatures (human & animal) to the noise made by shaking their cages.  The verb (to confine in a cage, to shut up or confine) dates from the 1570s and was derived from the noun.  The synonyms for the verb include crate, enclosure, jail, pen, coop up, corral, fold, mew, pinfold, pound, confine, enclose, envelop, hem, immure, impound, imprison, incarcerate, restrain & close-in.

Wholly unrelated to cage was the adjective cagey (the frequently used derived terms being cagily & caginess), a US colloquial form meaning “evasive, reticent”, said to date from 1896 (although there had in late sixteenth century English been an earlier cagey which was a synonym of sportive (from sport and meaning “frolicsome”)).  The origin of the US creation (the sense of which has expanded to “wary, careful, shrewd; uncommunicative, unwilling or hesitant to give information”) is unknown and despite the late nineteenth century use having been attested, adoption must have been sufficiently hesitant not to tempt lexicographers on either side of the Atlantic because cagey appears in neither the 1928 Webster’s Dictionary nor the 1933 supplement to the Oxford English Dictionary (OED).

John Cage (1912–1992) was a US avant-garde composer who, inter alia, was one of the pioneers in the use of electronic equipment to create music.  He’s also noted for the 1952 work 4′33″ which is often thought a period of literal silence for a duration of that length but is actually designed to be enjoyed as the experience of whatever sounds emerge from the environment (the space, the non-performing musicians and the audience).  It was an interesting idea which explored both the definitional nature of silence and paralleled twentieth century exercises in pop-art in prompting discussions about just what could be called music.

The related forms jail and goal are of interest.  Jail as a noun dates from circa 1300 (although it had by then been used as a surname for at least a hundred years) and meant "a prison; a birdcage".  It was from the Middle English jaile, from the Old French jaiole (a cage; a prison), from the Medieval Latin gabiola (a cage (and the source also of the Spanish gayola and the Italian gabbiula)), from the Late Latin caveola, a diminutive of the Latin cavea.  The spellings gaile & gaiole were actually more frequent forms in Middle English, these from the Old French gaiole (a cage; a prison), a variant spelling thought prevalent in the Old North French, which would have been the language most familiar to Norman scribes, hence the eventual emergence of goal which emerged under that influence.  It’s long been pronounced jail and the persistence of gaol as the preferred form in the UK is attributed to the continued use in statutes and other official documents although there may also have been some reluctance to adopt “jail” because this had come to be regarded as an Americanism.

The cage bra

The single strap cage bra.

A cage bra is built with a harness-like structure which (vaguely) resembles a cage, encapsulating the breasts using one or more straps.  Few actually use the straps predominately to enhance support and the effect tends to be purely aesthetic, some cage bras with minimal (or even absent) cup coverage and a thin band or multi-strap back.  Designed to be seen, cage bras can be worn under sheer fabrics, with clothes cut to reveal the construction or indeed worn alone, the effect one borrowed from engineering or architecture where components once concealed (air conditioning ducting, plumbing, electrical conduits etc) are deliberately exposed.  It’s thus a complete reversal of the old rule in which the sight of a bra strap was a fashion-fail.  The idea has even been extended to sports bras which actually have long often used additional, thick straps to enhance support and minimize movement, especially those induced by lateral forces not usually encountered.  The cage bra's salient features include:

Lindsay Lohan in harness cage bra with sheer cups and matching knickers.

(1) The straps are a cage’s most distinctive feature.  The most simple include only a single additional strap across the centre while others have a pair, usually defining the upper pole of each cup.  Beyond that, multiple straps can be used, both at the front and back, some of which may have some functional purpose or be merely decorative.  Single strap cage bras are often worn to add distinctiveness to camisoles while those with multiple straps are referred to as the harness style and have the additional benefit (or drawback depending on one’s view) of offering more frontal coverage, the straps sometimes a framework for lace or other detailing; this is a popular approach taken with cage bralettes.

Front and back views of modestly-styled criss-cross cage bras.

(2) Many cage bras are constructed around a traditional back band, especially those which need to provide lift & support while those (usually with smaller cups) have a thin band (merely for location) or none at all.  In this acknowledgement of the laws of physics, they’re like any other bra.  Those with a conventional back band (both bras and bralettes) are often constructed as the V-shaped cage, the symmetrical straps well suited to v-necks or even square necks and paired with cardigans or more structured jackets or blazers, they’re currently the segment's best-sellers.  A more dramatic look is the criss-cross cage but fashionistas caution this works well only in minimal surroundings so accessories should be limited to earrings or stuff worn on the wrist or beyond.

Example of the cage motif applied to a conventional bra, suitable for larger sizes.

(3) As a general principle, the cage bras manufactured tend to be those with cup sizes in the smaller range, supply reflecting the anticipated demand curve.  However, even the nominal size (A, B, C etc) of the cups of cage bras can be misleading because they almost always have less coverage than all but the most minimal of those used by conventional bras and should be compared with a demi cup or the three-quarter style of plunge bras.  That said, there are strappy designs which include molded cups with underwires suitable for larger sizes but it’s a niche market and the range is limited, the scope for flourishes being limited by the need to preserve functionality, a demand which, all else being equal, tends to increase with as mass grows.  Unlike the structural underwire, many of the "underwireish" parts of a cage bra purely are decorative.

Examples of designs used to fabricate harness cage bras which can be worn under or over clothing or, in some cases, to augment a more conventional bra or bralette.

(4) Despite the specialized nature of cage bras, some are multi-purpose and include padding with all the usual advantages in concealment and additional volume, permitting use as an everyday garment rather than one used exclusively for display.  Some include removable padding so the bra can be transformed into a see-through design.

Choker cage bra.

(5) The methods of closure type vary.  The most uncompromising designs actually have no closure mechanism; the idea being one would detract from the purity of the lines so this requires the wearer to pull it over the head.  Other types use both front and back closures, usually with conventional hook & clasp fittings (so standard-sized extenders can sometimes be used) but there are some which borrow overtly from the traditions of BDSM underwear (the origin of the cage bra motif) and use extravagantly obvious buckles and even the occasional key-lock.  The BDSM look is most obviously executed in the choker cage bra which includes a neck choker as a focal point to accentuate the neck and torso, something best suited to a long, slender neck.  Buyers are are advised to move around when trying these on because the origins of the BDSM motif lay in devices used in Medieval torture routines so a comfortable fit is important.

Cage bralette.

(6) Almost all cage bras continue to use the same materials as conventional garments, the fabrics of choice being nylon or spandex, their elasticity permitting some adjustments to accommodate variations in shape or location.  Sometimes augmented with lace, fabric, mesh or metal rings, straps can also be made from leather.

(7) Ricki-Lee Coulter in illusion dress, March 2022.

Although usually worn under or over clothing, the cage bra concept can be integrated and the gaps inherent in the use of straps mean the style is ideal for illusion clothing.

Treadmill

Treadmill (pronounced tred-mil)

(1) A device for producing rotary motion by the weight of people or animals, treading on a succession of moving steps or a belt that forms a kind of continuous path, as around the periphery of a pair of horizontal cylinders (also called a treadwheel (archaic)).

(2) An exercise machine that allows the user to walk or run in place, usually on a continuous moving belt.

(3) Figuratively, a process or situation in which continued effort leads to or is required for remaining at a particular state or level without moving ahead; any monotonous, wearisome routine in which there is little or no satisfactory progress.

(4) By extension, anything repetitive and unending.

(5) In molecular biology, as treadmilling, the apparent locomotion of certain cellular filaments by adding protein subunits at one end, and removing them at the other, a phenomenon observed in many cellular cytoskeletal filaments.

1822: The construct was tread + mill.  Tread was from the Middle English tred, from treden (to tread), from the Old English tredan, from the Proto-West Germanic tredan, from the Proto-Germanic trudaną.  Mill was from the Middle English mylne & mille, from the Old English mylen, from the Proto-West Germanic mulīnu (mill), from the Late Latin molīna, molīnum & molīnus (mill), from the Latin verb molō (grind, mill), related to the Proto-Germanic muljaną (to crush, grind (related to the later English millstone).  Although speculative, some etymologists have suggested a relationship with the surname Milne, based on an associative link with the profession of some sort of milling.  The synonyms for the physical devices have variously included mill, stepper & everlasting staircase, and in the figurative sense, chore, drudgery, groove, labor, pace, rote, routine, rut, sweat, task, toil, travail & moil.  Treadmill is a noun, treadmilling is a noun & verb, treadmilled is a verb (the forms treadmillish & treadmillesque are both non-standard); the noun plural is plural treadmills.

Depiction of penal treadmill (the wheel).

Treadmills originated as a means of translating human energy into mechanical action to be applied to tasks such as moving water or air, grinding grain or making more efficient processes like the kneading of dough.  All such devices had since the mid sixteenth century tended to be known as treadwheels and the name treadmill wasn’t widely adopted until 1822 when a machine, invented by the son of a miller and used in English jails since 1818, was introduced into the US prison system, the intention in both places being to occupy the prisoners (on the basis of the theory that “the Devil makes work for idle hands”) and harness the energy produced for some useful purpose (although it’s unclear to what extent the devices were ever used a power source).  Designed ultimately to accommodate a dozen-odd men at a time, penal treadmills were rotating cylinders with steps built into the external surface, the prisoners essentially “walking uphill” for up to 4000 metres (14,000 feet) per day.  In prison slang the treadmills became known as “the wheel” and they were widely used in England until a decline in the late nineteenth century before use was discontinued in 1902; In the US, they were rare and extinct by mid-century, prison administrations preferring to apply the labor of inmates directly to some productive purpose.  The penal treadmill (the wheel) is best remembered as being one of the punishments to which Oscar Wilde (1854-1900) was subjected during some of the two-year sentence he received after being convicted of gross indecency.

Lindsay Lohan on treadmill, Planet Fitness Super Bowl commercial, 2022.

The figurative senses allude to the way running on a treadmill requires continued effort and motion in order to remain in the same place and it’s used to refer either to one’s continued application to a specific task without making discernible progress towards the goal or the general idea of being “stuck in a rut”, leading a repetitive existence.  The idea for the familiar modern device dates from the early twentieth century and in medicine, sports and the military, variations emerged as required but by the 1970s, they became a standard piece of gym equipment and have become increasingly elaborate, linked to diagnostic and monitoring sensors and even the generation of electricity, some commercial operations granting users credits against the charges for use.

The term "euphemism treadmill" was coined by Harvard professor and psycholinguist Steven Pinker (b 1954) to describe the process by which euphemisms become as emotionally or politically loaded as the words supplanted.  It was the same idea as “euphemism cycle” which University of Oregon linguist Sharon Henderson Taylor had mentioned as long ago as 1974 but more exact in that the process is lineal rather the cyclical; once cancelled, euphemisms seem forever doomed.  Linguists call this the move from euphemism to dysphemism and while it’s impossible to know how long this has existed as a social phenomenon, the implications differ greatly between (1) purely oral cultures, (2) one where written or other records exist and (3) the digital era.  It’s now not uncommon for words individuals used decades earlier (at a time when use was either common or at least tolerated) to be produced so an understanding of historical context matters.  The word retard for example was once thought neutral and inoffensive compared with the earlier terms (idiot, imbecile & moron) which had migrated from clinical use to become slurs used as general-purpose insults against anyone.  Retard suffered the same fate and it may be the currently acceptable terminology (intellectual disability, individual with an intellectual disability & intellectually and developmentally disabled) will undergo the same process although none roll of the tongue as easily as retard and IDD is not effortless so they may endure as neutral.  The solution, Pinker pointed out, was that people should be educated to "think differently" about the subject, substituting euphemisms when progress inevitably from sanitized to slurs just kicks the can down the road. 

Structurally though, the process can be seen as inevitable because it’s associative, a product of the interplay between a descriptor and that it denotes.  Gay (a word with a centuries-long history in sexual politics) emerged in the late twentieth century as the preferred term to replace all the slurs referring to homosexuals, recommended by many even as preferable to homosexual which, despite being a neutral descriptive formation, had come to be regarded by many as a slur or term of derision.  Of course, being associative, gay soon came also to be used as a slur (and as a synonym for strange, weird, un-cool or queer (in its more traditional sense)) though the negative application is now socially proscribed so gay in its modern sense may survive.  So, the change of a descriptor doesn’t necessarily change attitudes.  Just because gay became preferred to homosexual didn’t mean homophobia vanished although, interestingly, although there’s a record of the word gayphobia from as early as the 1990s, it never caught on.

Lindsay Lohan on treadmill, Planet Fitness Super Bowl Commercial, 2022.

Of interest too is the succession of terms which replaced the infamous N-word.  Negro (which probably already is N-word 2.0 except in historic references) was in the 1960s used in the sense of something purely descriptive by mainstream figures such as John Kennedy (1917-1963; US president 1961-1963) and civil rights activist Martin Luther King (1929-1968) but it too came to be regarded as slur and was replaced by black.  Negro did though have an interesting history.  When first used in print in English in the mid-sixteenth century it was nearly always capitalized, the uncapitalized use beginning to appear in the late eighteenth century and becoming the standard form in twentieth although there were activists who insisted an initial capital was justified as a mark of respect, despite this being etymologically dubious.  It’s now rare because it carries connotations of earlier discrimination although remains acceptable in context, such as when used by the National Association for the Advancement of Colored People (NAACP).

The matter of capitalization had also affected the use of black, some activists claiming its should be capitalized whereas white should not and that too is a purely political argument given the word initially gained currency because it was thought white’s linguistic equivalent.  In many ways that was true but it was controversial because, as used, it wasn’t exactly synonymous with Negro which is why the more precise African American became popular in the 1980s, again for reasons of seeking social equivalence (Polish-Americans, Italian-Americans, Irish-Americans et al).  Black, in practice, is often used to refer to dark-skinned people whether or not of African descent and for this reason it became unfashionable.  Other sub-sets have also moved in their own direction, the Fox News audience now preferring “the 13%”.

The distinction between colored people and people of color puzzles some but is entirely due to the historical association of colored and colored people with racism both subtle and overt.  People of color is a construction without the baggage and to date has generally be used to assert identity or in a celebratory sense and technically it’s a synonym for non-white because all those not white can so self-classify.  However, language evolves and there’s no guarantee "people of color" & "POC" won’t evolve to become slurs.  So, it can be a linguistic minefield and while the general principle is that people should be described as they wish to be described (or referenced not at all), at least for now, "people of color" seems safe despite a critique which suggests it entrenches the notion of "whiteness" as the apex of desirability and consigns all other skin tones to a kind of miscellany of "the other".

Routine

Routine (pronounced roo-teen)

(1) A customary or regular course of procedure.

(2) Commonplace tasks, chores, or duties as must be done regularly or at specified intervals; typical or everyday activity.

(3) Regular, unvarying, habitual, unimaginative, or rote procedure.

(4) An unvarying and constantly repeated formula, as of speech or action; convenient or predictable response; in informal use something perfunctory or insincere; merely procedural.

(5) In computer programming, a complete set of coded instructions directing a computer to perform a series of operations; that series of operations (also as sub-routine (as part of a larger routine) & co-routine (run in conjunction) although few programmers use the hyphens).

(6) In entertainment, an individual act, performance, or part of a performance, as a song or dance, given regularly by an entertainer.

(7) Of the nature of, proceeding by, or adhering to routine.

(8) Dull or uninteresting; commonplace.

(9) One of the key concepts in ethnomethodology (a discipline in sociology focused on the methods groups use to create societal order) and related to routinization of authority, the process through which a charismatic authority becomes a bureaucracy

(10) As RAT (routine activity theory), a sub-field of criminology.

(11) In poker, as Royal Routine, an alternative name for the royal straight flush.

1670–1680: From the Middle English routine (customary course of action; more or less mechanical performance of certain acts or duties), from the sixteenth century French routine from the Middle French route (road, route), from the Old French route & rote (usual course of action, beaten path; a customary way), the construct being rout(e) + -ine (a diminutive suffix), from the Latin rupta (broken, ruptured, burst), perfect passive participle of rumpō, from the Proto-Italic rumpō (break, I break, I violate), from the primitive Indo-European Hrunépti & Hrumpénti (to break), from the root Hrewp-.  Routine is a noun & adjective, routineness, routinization & routiner are nouns, routinize is a verb and routinely is an adverb; the noun plural is routines.

Routine can be merely descriptive of something periodic or a construct and thus neutral or convey something negative in the sense in which the synonyms include conventional, everyday, ordinary, rut, humdrum, unremarkable, habitual, perfunctory & insincere.  In other European languages the descendants include the Catalan (rutina), Dutch (routine), Galician (rutina), Hungarian (rutin), Italian (routine), Portuguese (rotina), Spanish (rutina) & Turkish (rutin).  The rather unhappy noun of action routinization (a being or becoming routine; action of imposing a routine upon) was a creation of US English in 1916 as a development from the verb routinize (subject to a routine, make into a routine) which dates from 1893.  The adjectival sense "of a mechanical or unvaried character, habitually done in the same way" has been used since at least 1917 and was a direct development from the noun.  The now familiar theatrical or athletic performance sense of "carefully rehearsed sequence of actions" dates only from 1926.

In the context of the card game, the word poker is an adaptation of US English of uncertain origin and there’s no evidence of any relationship to other meanings.  Quite why the card game was so-named has attracted speculation but no documentary evidence has ever emerged.  It may be related to the German Pochspiel (a similar card game) from the German pochen (to brag as a bluff (literally "to knock, rap” (and thus the suggested link to the verb poke))) from the Middle High German bochen & puchen, from the Proto-Germanic puk-, which is probably imitative.  An alternative idea is that it was related to the French poquer from poque, (a similar card game and a move in pétanque (a form of boules (in the sense of the game, a shortening of the French jeu de boules)), a game played with metal bowls with origins in the south of France).  The earlier version of the game was in English called brag and the US form seems first to have been played in 1829 on the lower reaches of the Mississippi, presumably among riverboat gamblers and the location, with the French influences, does support some French connection in the etymology.  Interestingly, it appears the original form seems to have been played with a 20-card pack (10-J-Q-K-A) evenly dealt among four players; the full-deck version not played until the 1840s.

Lindsay Lohan's Royal Routine in The Parent Trap (1998)

The Royal Routine (more commonly known as the royal flush) is the least likely winning combination in five-card poker and cannot be beaten unless “agreed rules” are being played which includes an ascendency of suits; in that case, one Royal Routine can beat another, however unlikely such an occurrence may be.  Because in poker all suits are usually of equal value, most prefer to “split the pot” if, after a count-back, two or more hands are equal although rules for a variety of tie-break mechanisms have been defined.  In ascending order, the winning possibilities in poker are:

The Royal Routine (royal flush). The Ace down to the 10 in one suit.  Under standard poker rules, the odds against holding a Royal Routine are 649,739:1.

The straight flush: There are 40 different straight flush possibilities and the odds against are 72,192:1; although in a sense a Royal Routine is just another straight flush, it’s rarer because fewer cards are available for one to be assembled.

Four of a kind: Also called "quads", the odds against are 4,165:1.

Full house: Originally called the "full boat" (a hint of the game’s origins on the lower reaches of the Mississippi) 3744 different full house combinations are available and to players, few things are more annoying than having one’s full house beaten by another on a count-back.  The odds against are 4,165:1.

The flush: Any 5 cards of the same suit, non consecutive with the winning hand determined by the highest individual card held.  5148 different combinations of a flush are available and the odds against are 508.8019:1.

The straight: Originally known as the wheel (another allusion to the Mississippi, this one referencing the wheeled paddles of the ships which plied the route), any 5 consecutive ranked cards in multiple suits where the ace can be high or low (an ace high straight is also called the "broadway").  10240 different straight combinations are possible and the odds against are 253.8:1.

Three of a kind: In some circles called "the trips" or a "set", there are 54,912 different possibilities of 3 of a kind are available and the odds against are 46.32955:1

Two Pairs: There are 123,552 possible two pair combinations and it’s reputedly the game’s most over-bet hand; the odds against are 20.03535:1.

The pair: Any two cards of the same rank.  The odds against are 1.366477:1.

Card High:  The hand with the highest single card wins and there are over 2½ million winning combinations; the odds against are 0.9953015:1.

The Boeing B-29 Superfortress (one of the special Silverplate series) which dropped the one-off, uranium A-Bomb on Hiroshima on 6 August 1945 was named Enola Gay in honor of the mission commander’s mother (Enola Gay Tibbets (née Haggard).  Enola Gay is well known but on the Hiroshima mission were six other B-29s, two of which were named after poker hands (with scatologic graphics), reflecting the popularity of the game among the military.  The three reconnaissance planes which were tasked to report weather conditions over the possible target cities were Jabit III, Full House & Straight Flush; the mission reserve B-29 was Top Secret, Necessary Evil was the camera plane which photographed the bombing and The Great Artiste carried a scientific crew with monitoring equipment.  Poker was quite a thing then and when Richard Nixon (1913-1994; US president 1969-1974) in 1945 returned from his South Pacific tour of duty it was with thousands of dollars in poker winnings, his history including one rare Royal Routine and a prize pot of US$1500 won with a bluff on a pair of twos.