Showing posts sorted by date for query Shuttle. Sort by relevance Show all posts
Showing posts sorted by date for query Shuttle. Sort by relevance Show all posts

Tuesday, March 7, 2023

Shuttle

Shuttle (pronounced shuht-l)

(1) In weaving, a device in a loom for passing or shooting the weft thread through the shed from one side of the web to the other, usually consisting of a boat-shaped piece of wood containing a bobbin on which the weft thread is wound (ie the tool which carries the woof back and forth (shuttling) between the warp threads on a loom).

(2) In a sewing machine, the sliding container (thread-holder) that carries the lower thread through a loop of the upper thread to make a lock-stitch.

(3) In transport, a public conveyance (bus, train, ferry, car, limousine aircraft), that travels back and forth at regular intervals over a particular route, especially a short route or one connecting two transportation systems; the service provided by such vehicles.

(4) In badminton, as shuttlecock, the lightweight object, built with a weighted (usually rubber-covered) semi-spherical nose attached to a conical construction (historically of feathers but now usually synthetic) and used as a ball is used in other racquet games. Shuttlecock was also once widely used as the name of the game but this is now rare.

(5) As space shuttle, vehicle designed to transport people & cargo between Earth and outer-space, designed explicitly re-use with a short turn-around between missions (often with initial capital letters).  The term shuttlecraft is the generic alternative, “space shuttle” most associated with the US vehicle (1981-2011).

(6) To cause (someone or something) to move back and forth by or as if by a shuttle, often in the form “shuttling”.

(7) Any device which repeatedly moves back and forth between two positions, either transporting something or transferring energy between those points.

(8) In electrical engineering, as shuttle armature, a H-shaped armature in the shape of an elongated shuttle with wires running longitudinally in grooves, used in small electrical generators or motors, having a single coil wound upon a the bobbin, the latter usually formed in soft iron.

(9) In diplomacy, as shuttle diplomacy, the practice of a diplomat from a third country shuttling between two others countries to conduct negotiations, the two protagonists declining directly to meet.

Pre 900: Shuttle was a merge from two sources. From (1) the Middle English shutel, shotel, schetel, schettell, schyttyl & scutel (bar; bolt), from the Old English sċyttel & sċutel (bar; bolt), the notion being shut + -le.  Shut was from the Middle English shutten & shetten, from the Old English scyttan (to cause rapid movement, shoot a bolt, shut, bolt), from the Proto-Germanic skutjaną & skuttijaną (to bar, to bolt), from the Proto-Germanic skuttą & skuttjō (bar, bolt, shed), from the primitive Indo-European skewd & kewd- (to drive, fall upon, rush). The -le suffix was from the Middle English -elen, -len & -lien, from the Old English -lian (the frequentative verbal suffix), from the Proto-Germanic -lōną (the frequentative verbal suffix) and was cognate with the West Frisian -elje, the Dutch -elen, the German -eln, the Danish -le, the Swedish -la and the Icelandic -la.  It was used as a frequentative suffix of verbs, indicating repetition or continuousness.  From (2) the Middle English shitel (missile; a weaver's instrument), shutel, schetil, shotil, shetel, schootyll, shutyll, schytle & scytyl (missile; projectile; spear), from the Old English sċytel, sċutel (dart, arrow) (related to the Middle High German schüzzel and the Swedish skyttel), from the Proto-Germanic skutilaz, (related to the Middle High German schüzzel and the Swedish skyttel) and cognate with the Old Norse skutill (harpoon), the idea akin to both shut & shoot.  Shuttle is a noun, verb & adjective, shuttling is a noun & verb and shuttled and shuttles are verbs; the noun plural is shuttles.  The adjectival form shuttle-like is more common than the rare shuttlesque (which is listed as non-standard by the few sources to acknowledge its dubious existence).

A Lindsay Lohan advertising mural on the back of one of the airport shuttle buses run by Milan Malpensa International Airport in northern Italy.

The original sense in English is long obsolete, supplanted by the senses gained from the weaving instrument, so called since 1338 on the notion of it being “shot backwards and forwards” across the threads.  The transitive sense (move something rapidly to and fro) was documented from the 1540s, the same idea attached to the shuttle services in transport, first used in 1895 (although the intransitive sense of “go or move backward and forward like a shuttle” had been in use by at least 1843) in early versions of what would come to be known as intra-urban “rapid transit systems” (RTS), the one train that runs back and forth on the single line between fixed destinations (often with intermediate stops).  This was picked up by ferry services in 1930, air routes in 1942, space travel in 1960 (in science fiction) and actual space vehicles in 1969.  Shuttle in the sense it evolved in English is used in many languages but a separate development was the naming of the weaving instrument based on its resemblance to a boat (the Latin navicula, the French navette and the German Weberschiff).  The noun shuttlecock dates from the 1570s, the “shuttle” element from it being propelled backwards and forwards over a net and the “cock” an allusion to the attached anti-aerodynamic construction (originally of feathers) which resembled a male bird's plume of tail feathers.  The term Shuttle diplomacy came into use in the 1970s thanks to tireless self-promotion by Dr Henry Kissinger although the practice (of “good offices”) dates back centuries.

The Abbotsleigh class of 2020 pondering time flying faster than a weaver’s shuttle.

The motto of the Sydney girl’s school Abbotsleigh is tempus celerius radio fugit (Time flies faster than a weaver's shuttle), the idea behind that said to be: “As the shuttle flies a pattern is woven, with the threads being the people, buildings and events. The pattern is Abbotsleigh as it continues to grow in complexity and richness each year”.  Quite whether a weaver’s shuttle (said by some detractors to have been chosen as symbolic of the "proper" place of women being in a state of domestic servitude for the convenience of men) is appropriate for a girls’ school in the twenty-first century has been debated.  The motto came from the family crest of Marian Clarke (1853-1933), Abbotsleigh’s first headmistress (principle) and was maintained using the family’s grammatically dubious form tempus fugit radio celerity until 1924 when the correct syntax was substituted.  It’s an urban myth the mistake was permitted to stand until 1924 as a mark of respect while Ms Clarke was alive; she lived a decade odd after the change although the family’s heraldry was apparently never corrected.

The US (left) and USSR (centre) space shuttles compared with a badminton shuttlecock (right).  The shuttlecock is rendered in a larger scale than the shuttles.

The US Space Shuttle was operated by the National Aeronautics and Space Administration (NASA) between 1981-2011 as the low Earth orbital vehicle which was the platform for its Space Transportation System (STS).  The plans, based on ideas first explored in science fiction a decade earlier, for a (mostly) reusable spacecraft system were first laid down in 1969 and despite intermittent funding, test flights were first undertaken in 1981.  Five Space Shuttles were eventually built to completion and between 1981-2011, there were over a hundred missions.  The stresses imposed on the craft were considerable which meant both the mission turn-arounds were never as rapid as had been hoped and the extent to which components could be reused had to be revised.  There was controversy too about the failures of NASA’s procedures which resulted in the two accidents in which all seven crew aboard each shuttle were killed.  The programme was retired in 2011.

Lindsay Lohan getting off the NAPA Shuttle, The Parent Trap (1998).

Common in the early days of civil aviation, the term "to disembark" (get off) was borrowed from nautical use and was the companion of "embark" (get on).  Of late "to deplane" has entered English which seems unnecessary but the companion "to disemplane" was more absurd still; real people continue to "get on" and "get off" aircraft.

The Soviet Union’s space shuttle, construction of which began in 1980, unsurprisingly, was visually very similar to the US vehicle, there being only so many ways optimally to do these things.  The USSR’s effort was the Буран (Buran) (Snowstorm or Blizzard), the craft sharing the designation with the Soviet spaceplane project and its spaceships, known as "Buran-class orbiters".  Although more than a dozen frames were laid down, few were ever completed to be flight-ready and the Buran’s only flight was an un-crewed orbital mission in 1988 which was successful.  The deteriorating economic and political situation in the Soviet Union meant the programme stalled and in 1993 it was abandoned by the new Russian government.  The striking similarity between the profile of the US & Soviet space shuttles and a badminton shuttlecock is coincidental but not unrelated.  The space craft are designed as aerodynamic platforms because, although not of relevance in the vacuum of space, they did have to operate as aircraft while operating in Earth’s atmosphere whereas the shuttlecock is designed deliberately as an anti-aerodynamic shape.  The shuttle’s shape was dictated by the need to maximize performance whereas a shuttlecock is intentionally inefficient, the shape maximizing air-resistance (drag) so it slows in flight.

Henry Kissinger, shuttling between dinner companions (left to right), Dolly Parton (b 1946), Diane von Furstenberg (b 1946), Diana, Princess of Wales (1961-1997) and Carla Bruni (b 1967).

The term shuttle diplomacy describes the process in which a mediator travels repeatedly between two or more parties involved in a conflict or negotiation, in circumstances where the protagonists are unable or unwilling to meet.  Ostensibly, the purpose of shuttle diplomacy is to facilitate communication between the parties and reach a resolution of the dispute(s) but, being inherently political, it can be used for other, less laudable goals.  The practice, if not the term, has a long history, instances noted from antiquity and the Holy Roman Empire was renowned for the neutral diplomats who would travel back and forth between kings, princes, dukes and cardinals.  During both the Conference of Vienna (1814-1815) and the Paris Peace Conference (1919-1920) the negotiations were marked by sometimes intransigent politicians sitting in rooms while a notionally disinterested notables shuttled between them, oiling the machinery by giving and taking until acquiescence was extracted.  A celebrated example of the process played out between 1939-1940 when Swedish businessman Birger Dahlerus (1891-1957) played a quixotic role as amateur diplomat, shuttling between London and Berlin in what proved a doomed attempt to avoid war.  It long seen as something noble (if misguided) and it was only years later (when the UK Foreign Office’s papers on the matter were declassified) the extent of the Swede’s conflicts of interest were revealed.

Richard Nixon (left) meets Henry Kissinger (right).

The term entered the language in 1973 when Dr Henry Kissinger (1923-2023; US national security advisor 1969-1975 & secretary of state 1937-1977) used it to refer to his efforts to negotiate an end to the Yom Kippur War between Israel and its Arab neighbors.  Kissinger shuttled between Tel Aviv, Cairo and other Middle Eastern capitals in an attempt to broker a ceasefire and improve diplomatic relations, enjoying some success, achieving a bilateral peace between Egypt and Israel as well as a number of disengagement agreements.  Some historians and foreign policy scholars however, while acknowledging what was achieved, have suggested that it was the Kissinger’s approach to the region in the years leading up to the war which contributed to the outbreak of hostilities.

Kissinger has also been criticized on the basis that shuttle diplomacy was never anything more than him playing a game of realpolitik on a multi-dimensional chessboard rather than an attempt to imagine a regional architecture which could produce a comprehensive peace plan in the Middle East, his emphasis on securing something in the interest of the US (a treaty between Egypt and Israel) meaning the vital issue of Palestine and its potential to assist in securing long-term peace in the region was not just neglected but ignored.  Cynics, noting his academic background and research interests, compared his shuttle diplomacy with the travels of emissaries in the Holy Roman Empire who would travel between the Holy See, palaces and chancelleries variously to reassure the troubled, sooth hurt feelings and cajole the diffident.  There was also the idea of Henry the self-promoting celebrity who could bring peace to Vietnam and Nixon to China, the political wizard who solved problems as they arose.  Certainly, the circumstances in which Kissinger was able to use shuttle diplomacy as a political narrative were unique.  He’d first undermined and then replaced William Rogers (1913–2001; US secretary of state 1969-1973) as secretary of state and even before becoming virtually the last major figure still standing from Richard Nixon’s (1913-1994; US president 1969-1974) first term as the Watergate affair took its toll, essentially took personal control of the direction of US foreign policy.  As he put it “one of the more cruel torments of Nixon’s Watergate purgatory was my emergence as the preeminent figure in foreign policy”.

Elizabeth Holmes in black gown with cleavage slit.

So, opportunistic his initiatives may have been but there were after all real problems to be solved and it seems unfair to criticize Kissinger for doing what he did rather than constructing some counter-factual grand design which might have created a permanent, settled peace in the Middle East.  However, among realists (and Kissinger was dean of the school), even then there were few who believed such a thing was any longer possible possible (certainly since the conclusion of the six-day war in 1967) and Kissinger certainly achieved something and to do that it’s necessary to understand there are some problems which really can only endlessly be managed and never solved.  Some problems are insoluble, something lost on many US presidents infected more than most by the diminishing but still real feelings of optimism and exceptionalism that have for centuries characterized the American national character.  Until he met Elizabeth Holmes (b 1984; CEO of US biotech company Theranos 2003-2018), nothing fooled Henry.

Friday, February 3, 2023

Flute

Flute (pronounced floot)

(1) A woodwind instrument consisting of a tube with a row of finger-holes (or keys) which produce sound through vibrations caused by air blown across the edge of the holes, often tuned by plugging one or more holes with a finger; the Western concert flute, a transverse side-blown flute of European origin (in colloquial use, a recorder, also a woodwind instrument).

(2) An organ stop with wide flue pipes, having a flutelike tone.

(3) In architecture or engineering (particularly the manufacture of firearms), a semi-cylindrical vertical channel, groove or furrow, as on the shaft of a column, in a pillar, in plaited cloth, or in a rifle barrel to cut down the weight.

(4) Any groove or furrow, as in a ruffle of cloth or on a piecrust.

(5) One of the helical grooves of a twist drill.

(6) A slender, footed wineglass with a tall, conical bowl.

(7) A similar stemmed glass, used especially for champagne and often styled as "champagne flute".

(8) In steel fabrication, to kink or break in bending.

(9) In various fields of design, to form longitudinal flutes or furrows.

(10) A long bread roll of French origin; a baguette.

(11) A shuttle in weaving, tapestry etc.

(12) To play on a flute; to make or utter a flutelike sound. 

(13) To form flutes or channels in (as in a column, a ruffle etc); to cut a semi-cylindrical vertical groove in (as in a pillar etc).

1350-1400; From the Middle English floute, floute & flote, from the Middle French flaüte, flahute & fleüte, from the twelfth century Old French flaute (musical), from the Old Provençal flaüt (thought an alteration of flaujol or flauja) of uncertain origin but may be either (1) a blend of the Provencal flaut or  flaujol (flageolet) + laut (lute) or (2) from the Classical Latin flātus (blowing), from flāre (to blow) although there is support among etymologists for the notion of it being a doublet of flauta & fluyt.  In other languages, the variations include the Irish fliúit and the Welsh ffliwt.  The form in Vulgar Latin has been cited as flabeolum but evidence is scant and all forms are thought imitative of the Classical Latin flāre and other Germanic words (eg flöte) are borrowings from French.

Portrait of Archduchess Maria Antonia of Austria (later Queen Marie Antoinette of France (1774-1792)), circa 1768, oil on canvas by Martin van Meytens  (1695–1770).

Fluted & fluting both date from the 1610 while the verb (in the sense of "to play upon a flute" emerged in the late fourteenth century and the use to describe grooves in engineering dates from 1570s and the tall, slender wine glass, almost a century later although the term "champagne flute" didn't enter popular use until the 1950s.  The champagne flute is preferred by many to the coupé (or saucer) even though it lacks the (since unfortunately debunked) legend that the shape of the latter was modelled on Marie Antoinette’s (1754-1793) left breast.  Elegant though it is, the advantages of the flute are entirely functional, the design providing for less spillage than a coupé, something which comes to be more valued as lunch progresses and the slender, tapered shape is claimed better to preserved the integrity of the bubbles, the smaller surface area and thus reduced oxygen-to-wine ratio maintaining the aroma and taste.

Grand Cru's guide to the shape of champagne glasses.

Among musical instruments, there are a dozen or more distinct types of flute.  Early French flutes differed greatly from modern instruments in having a separate mouthpiece and were called flûte-a-bec (literally "flute with a beak").  The ancient devices were played directly, blown straight through a mouthpiece but held away from the player's mouth, the modern transverse (or "German") flute not appearing until the eighteenth century and the familiar modern design and key system of the concert flute were perfected 1834 by Bavarian court musician & virtuoso flautist Theobald Boehm (1794–1881), the fingering system known to this day as "Boehm system").  The architectural sense of "furrow in a pillar" dates from the mid-seventeenth century and was derived from the vague resemblance to the inside of a flute split down the middle.  One imaginative linguistic adoption was the use in the 1940s (apparently first in the US) of “playing the skin flute” to mean “to perform fellatio” and while it’s used still in that sense in certain LGBTQQIAAOP circles, in general use it has spread, describing “a male in the act of masturbation”.  Use shifted to fruit, either by virtue of use at the time being almost exclusively oral rather than written (linguistically, that’s classified as an example of an imperfect echoic) or because "fruit" was then in use as a gay slur.  Flute is a noun, fluting is a noun, verb & adjective and fluted is a verb & adjective; the noun plural is flutes.

Fluted grill on 1972 Series 1, 4.2 Litre Daimler Sovereign.

In British use, one who plays the flute is a flautist (pronounced flaw-tist (U) or flou-tist (non-U)), from the Italian flautista, the construct being flauto (flute) + -ista.  The -ist suffix was from the Middle English -ist & -iste, from the Old French -iste and the Latin -ista, from the Ancient Greek -ιστής (-ists), from -ίζω (-ízō) (the -ize & -ise verbal suffix) and -τής (-ts) (the agent-noun suffix).  It was added to nouns to denote various senses of association such as (1) a person who studies or practices a particular discipline, (2), one who uses a device of some kind, (3) one who engages in a particular type of activity, (4) one who suffers from a specific condition or syndrome, (5) one who subscribes to a particular theological doctrine or religious denomination, (6) one who has a certain ideology or set of beliefs, (7) one who owns or manages something and (8), a person who holds very particular views (often applied to those thought most offensive).  The alternative forms are the unimaginative (though descriptive) flute-player and the clumsy pair fluter although the odd historian or music critic will use aulete, from the Ancient Greek αλητής (aulēts), from αλέω (auléō) (I play the flute), from αλός (aulós) (flute).  The spelling flutist is preferred in the US and it's actually an old form, dating from circa 1600 and probably from the French flûtiste and it replaced the early thirteenth century Middle English flouter (from the Old French flauteor).

Daimler, the fluted grill and US trademark law

1972 Daimler Double-Six Vanden Plas.

Vanden Plas completed only 342 of the Series 1 (1972-1973) Daimler Double Sixes, the later Series 2 (1973-1979) & 3 (1979-1992) being more numerous.  The flutes atop the grill date from the early twentieth-century and were originally a functional addition to the radiator to assist heat-dissipation but later became a mere styling embellishment.  Although some sources claim there were 351 of the Series 1 Double-Six Vanden Plas, the factory insists the total was 342.  British Leyland and its successor companies would continue to use the Vanden Plas name for some of the more highly-specified Daimlers but applied it also to Jaguars because in some markets the trademark to the Daimler name came to be held by Daimler-Benz AG (since 2022 Mercedes-Benz Group AG), a legacy from the earliest days of motor-car manufacturing and despite the English middle class always pronouncing the name van-dem-plarr, it's correctly pronounced van-dem-plass.

1976 Daimler Double-Six Vanden Plas two door.

The rarest Double-Six Vanden Plas was a genuine one-off, a two door built reputedly using one of the early prototypes, a regular production version contemplated but cancelled after the first was built.  Jaguar would once have called such things fixed head coupés (FHC) but labelled the XJ derivatives as "two door saloons" and always referred to them thus, presumably as a point of differentiation with the XJ-S (later XJS) coupé produced at the same time.  Despite the corporate linguistic nudge, everybody seems always to have called the two-door XJs "coupés".  Why the project was cancelled isn't known but it was a time of industrial and financial turmoil for the company and distractions, however minor, may have been thought unwelcome.  Although fully-finished, apart from the VDP-specific trim, it includes also some detail mechanical differences from the regular production two-door Double-Six although both use the distinctive fluted finish on both the grill and trunk (boot) lid trim; the car still exists.  The two-door XJs (1975-1978) rank with the earliest versions (1961-1967) of the E-Type (XKE; 1961-1974) as the finest styling Jaguar ever achieved and were it not for the unfortunate vinyl roof (a necessity imposed by the inability of the paint of the era to cope with the slight flexing of the roof), it would visually be as close to perfect as any machine ever made.

Using one of his trademark outdoor settings, Norman Parkinson (1913-1990) photographed model Suzanne Kinnear (b 1935) adorning a Daimler SP250, wearing a Kashmoor coat and Otto Lucas beret with jewels by Cartier.  The image was published on the cover of Vogue's UK edition in November 1959.

Although Daimlers had, in small numbers, been imported into US for decades, after Jaguar purchased the company in 1960, there was renewed interest and the first model used to test the market was the small, fibreglass-bodied roadster, probably the most improbable Daimler ever and one destined to fail, doomed by (1) the quirky styling and (2) the lack of product development.  It was a shame because what made it truly unique was the hemi-headed 2.5 litre (155 cubic inch) V8 which was one of the best engines of the era and remembered still for the intoxicating exhaust note.  The SP250 was first shown to the public at the 1959 New York Motor Show and there the problems began.  Aware the small sports car was quite a departure from the luxurious but rather staid line-up Daimler had for years offered, the company had chosen the pleasingly alliterative “Dart” as its name, hoping it would convey the sense of something agile and fast.  Unfortunately, Chrysler’s lawyers were faster still, objecting that they had already registered Dart as the name for a full-sized Dodge so Daimler needed a new name and quickly; the big Dodge would never be confused with the little Daimler but the lawyers insisted.  Imagination apparently exhausted, Daimler’s management reverted to the engineering project name and thus the car became the SP250 which was innocuous enough even for Chrysler's attorneys and it could have been worse.  Dodge had submitted their Dart proposal to Chrysler for approval and while the car found favor, the name did not and the marketing department was told to conduct research and come up with something the public would like.  From this the marketing types gleaned that “Dodge Zipp” would be popular and to be fair, dart and zip(p) do imply much the same thing but ultimately the original was preferred and Darts remained in Dodge’s lineup until 1976, for most of that time one of the corporation's best-selling and most profitable lines.  The name was revived between 2012-2016 for an unsuccessful and unlamented compact sedan.

US market 2001 Jaguar Vanden Plas (X308).  These were the only Jaguars factory-fitted with the fluted trim.

Decades later, US trademark law would again intrude on Jaguar’s Daimler business in the US.  The company had stopped selling Daimlers in the US with the coming of January 1968 when the first trickle (soon to be a flood) of safety & emission regulations came into force, the explanation being the need to devote and increasing amount of by then scarce capital to compliance, meaning the marketing budget could no longer sustain small-volume brands & models.  In Stuttgart, the Daimler-Benz lawyers took note and decided to reclaim the name, eventually managing to secure registration of the trademark and Daimlers have not since been available in the US.  However, there was still clearly demand for an up-market Jaguar and so the Sovereign name (used on Daimlers between 1966-1983) was applied to Jaguar XJ sedans which although mechanically unchanged were equipped with more elaborate appointments.  Sales were good so the US market also received some even more luxurious Vanden Plas models and during the XJ’s X308 model run (1997-2003), the VDP cars were fitted with the fluted grill and trunk-lid trim as an additional means of product differentiation.  It would be the last appearance of the flutes in North America.

1999 Jaguar XJ8 Vanden Plas (US market model).

Although some might dismiss the interior fittings of the Vanden Plas models as “bling”, there were nice touches.  The ones based on the X308 series Jaguar XJ (1997–2003) featured the fold-down picnic-tables so beloved by English coachbuilders but rather than the usual burl walnut veneer, the pieces were solid timber.  The factory seems never to have discussed the rationale but it may be it was cheaper to do it that way, the veneering process being labor-intensive.

Pim Fortuyn in Daimler V8, February 2002 (left), paramedics attending to him at the scene of his assassination a few paces from the Daimler, 6 May 2002 (he died at the scene) (centre) and the car when on sale, Amsterdam, June 2018 (right). 

Jaguar became aware the allure of the flutes was real when it emerged a small but profitable industry had emerged in the wake of the company also ceasing to use the Daimler name in European markets; by the 1990s, it was only in the UK, Australia & New Zealand that they were available.  However, enterprising types armed with nothing more than a list of Jaguar part-numbers had created kits containing the fluted trim parts and the Daimler-specific badges, these shipped to dealers or private buyers on the continent so Jaguar XJs could become “Daimlers”.  The company took note and re-introduced the range to Europe, the Netherlands a particularly receptive market.  One notable owner of a real long wheelbase (LWB) Daimler V8 (X308) was the Dutch academic and politician Pim Fortuyn (1948-2002), assassinated during the 2002 national election campaign, by a left-wing environmentalist and animal rights activist.

Lindsay Lohan with stainless steel Rolex Datejust (Roman numeral dial) with fluted white gold bezel.

Wednesday, March 3, 2021

Jumbo

Jumbo (pronounced juhm-boh)

(1) An informal descriptor for a very large person, animal, or thing, applied especially to an unusually large version of something usually smaller.

(2) In commerce, a term (sometimes interpolated into a brand) used to suggest a large version of something.

(3) A general term for wide-bodied passenger airplanes although historically most associated with the Boeing 747 (1969).

(4) In (mostly in the US) nautical use, a forestaysail having a boom (jumbo boom) along its foot, used especially on schooners; a sail used in place of a course on a square-rigged ship, having the form of an isosceles triangle set apex downward.

(5) In engineering & mining, as drilling jumbo, a platform-mounted machine used to drill rock.

(6) As mumbo-jumbo, a historic term used of paganism, originally referring to deities or other supernatural beings worshipped some West African peoples (usually in the form of an idol representing such a being). It was later adopted to describe any speech which was either technical jargon understood only by specialists or anything genuinely meaningless or incomprehensible.

1800–1810: Of uncertain origin but there is evidence the first use of the word by English-speakers was as an imperfect echoic of what was heard by European explorers or colonists in Africa.  It entered popular use after Jumbo, an East African elephant (1860-1885) was in 1882 exhibited by PT Barnum (1810-1891) of the Ringling Brothers & Barnum & Bailey Circus.  The name may be derived from either the Swahili jambo (matter, thing) or jumbe (chief, headman) although some sources cite the Sanskrit जम्बु (jambū or jambul) (rose apple).  Most convincing comes from the anthropological record of west-Africa where jumbo was used to describe a "clumsy, unwieldy fellow" (1823), itself possibly from a word for elephant in a West African language, perhaps the Kongo nzamba.  As a modifier (formally & informally) to impart the sense of largeness, jumbo is appended as required: jumbo jet (and jumbojet), jumbo mortgage, jumbomania, jumbo slice, superjumbo, jumbo sandwich, jumbo cigar, jumbo burger, jumbo cola et al.  Walt Disney’s musical cartoon Dumbo (1941) influenced the adoption of dumbo to mean “someone not intelligent”, the use documented by 1951 but the oral use probably pre-dates that.  Jumbo is a noun & adjective, jumboization (and jumboisation) are nouns, jumboize (and jumboise) are verbs; the noun plural is jumbos.

PT Barnum's publicity materials were created prior to "truth in advertising" laws.

The original Jumbo (the elephant) was an exhibit in London Zoo, the institution having purchased the beast from French explorers who were said to have captured it as a calf in Abyssinia in 1861.  Barnum purchased Jumbo in 1862 (much to the displeasure of the English) and immediately began in the US one of his typically extravagant advertising campaigns which emphasised both what a coup he’d achieved by wresting it from the British Empire and what an extraordinary size the creature was.  His circus toured the country with Jumbo a star attraction until in September 1885 it was killed near Saint Thomas, Ontario when struck by a freight train.

Perhaps curiously, the noun mumbo-jumbo seems not to have fallen from the linguistic treadmill, despite its origin and early colonial associations.  It entered English in 1738, based on an account of an incident in 1732 which occurred near Sami (in modern-day Gambia).  In the publications of the time, the Mumbo Jumbo was described as a costume “idol” used by men to frighten others and as coercive tool to regulate behaviour; it was used especially against women to induce their submission.  In hours of daylight, the costume was mounted on a stick placed at the outskirts of the village while by night a man would dress in it, visiting the homes of women or others deemed a problem, disputes “settled” and punishments bestowed.  Other spellings noted in the eighteenth century include Munbo Jumbo, Numbo Jumbo and Mumbo Chumbo and the original account ascribed the practice to Mandingo but linguistic anthropologists have never been able to trace an obvious Mandingo term which might be the source, the suggestions including mama dyambo (pompom-wearing ancestor) and mamagyombo (magician who exorcises troubled ancestor spirits).  It may have been borrowed from another Niger-Congo language and the European colonial transcriptions were the French moumbo-dioumbo & moumbo-ioumbo and the Portuguese mumban-jumban.  On the basis of the colonial-era accounts, the tradition (of uncertain age) must have been widespread with all settlements in the region was said to have a Mumbo Jumbo and by the mid-nineteenth century it had in English become a byword for a “superstitious object of senseless worship”, evolving by the 1890s to describe any speech which was either technical jargon understood only by specialists or anything genuinely meaningless or incomprehensible, use presumably reinforced and encouraged by some perception of association with “mumble”.  In that sense, it somewhat differed from the pseudo-Latin “hocus-pocus” which described words or incantations wholly fake and intended to deceive.  Despite the history, mumbo jumbo seems still acceptable in English and why it hasn’t yet been condemned as racist or cultural appropriation isn’t clear.

Jambo!  Lindsay Lohan in Mean Girls.

Much has changed in the twenty-first century and it’s doubtful all of “You got your freshmen, ROTC Guys, preps, JV jocks, Asian nerds, cool Asians, varsity jocks, unfriendly Black hotties, girls who eat their feelings, girls who don't eat anything, desperate wannabes, burnouts, sexually active band geeks, the greatest people you will ever meet, and the worst.  Beware of The Plastics.” would appear were the Mean Girls (2004) script to be written today, mere mention of ethnicity now often deconstructed as some level of racism.  Cady (the white protagonist raised (somewhere) in Africa) uses the Swahili greeting "jambo(from -amba (to say) which linguistic anthropologists say was probably derived from the Proto-Bantu (there’s a similar term in Zulu)) to introduce herself to a table of “Unfriendly Black Hotties”.  The script never makes explicit just where in Africa Cady may have spent her youth but this, along with another couple of cultural and linguistic clues do hint it may have been among sub-Saharan ethnic groups although whether that was intentional isn’t documented.  However, “jambo” is one of several similar words used on the continent linked both to the later evolution in English of jumbo and mumbo jumbo and it may be jumbo was either a direct phonetic spelling recorded by Europeans or just a mis-heard rendition.

The prototype of first jumbojet (Boeing 747) on show on the forecourt at the Boeing’s factory in Seattle, Washington, 1968 (left), at the Paris Air Show in 1969 with a Concorde in the background (centre) and the last 747 (a freighter), also on the Boeing forecourt, November 2022.

End of the line: The last of the 1574 Boeing 747s built over 54 years leaves the assembly line.

Jumbo was a big elephant and the word was soon used to describe large examples of other things.  In commercial use, the first use seems to have been Jumbo Cigars, sold in 1886.  The best known use in the modern age is probably jumbo-jet (also appears jumbojet), probably first used by Boeing engineers circa 1960 although the first documented reference is from 1964.  It replaced the earlier Boeing engineering-slang jumbo-707, probably because a three syllable phrase is always likely to prevail over one with seven.  In the narrow technical sense, jumbo-jet came to refer to all wide-bodied (ie multi-aisled) passenger airplanes built since the late 1960s, but, being first, it tends most to be associated with Boeing’s 747.  Thus, when in the early 2000s, the even larger Airbus 380 took to the skies, the term superjumbo (and super-jumbo) was used by some, the airframe’s point of visual differentiation from the 747 being the Boeing’s famous hump being extended along the fuselage to the tail section, creating a double-decker.  The term (which had earlier been used of the stretched 747s) however never quite caught on in the same way because the 380 was unique and a class of superjumbos thus never emerged to demand a descriptive generic term.  As it was, economics conspired against the A380 and the circumstances in which it flew were very different to those envisaged in the late 1980s when first the project was conceived for not only had advances in engineering and materials allowed a new generation of twin-jet jumbos to operate at a much lower passenger cost per mile but airports, their systems and physical infrastructure optimized around the 747’s capacity, proved unwilling to make the changes needed to accommodate higher peak demand.  After little more than a dozen years of assembly, Airbus in 2021 ceased production of A380 after some 250 had been built.

One of NASA’s Boeing 747s, adapted as a heavy-lift platform to “piggy-back” the US Space Shuttles (left).  The Soviet Union (and briefly the Russians) used the one-off Antonov An-225 Мрія (Mriya (dream or inspiration)) to piggy-back its  Буран (Buran (Snowstorm or Blizzard)), the USSR's space shuttle (right).  The An-225, with the largest wingspan and heaviest take-off weight of any aircraft ever to enter operational service, was destroyed in the early days of the Russian invasion (the 2022 "Special Military Operation”) of Ukraine.

The 747 proved more enduring a successful and was a machine which was truly revolutionary in its social consequences.  Just as Boeing’s earlier 707 (1958) had been instrumental in making trans-Continental air travel a viable and reliable means of transport for a small number of people, the economics of scale made possible by the 747 meant such trips became accessible for many more.  Between 1968 and 2022, almost 1600 were built in a variety of lengths and configurations and it was for decades the faithful workhorse of many airlines, but it ultimately fell victim to the same financial squeeze that doomed the A380, twin-engined aircraft able to carry almost as many passengers at a significantly lower cost.  By 2016 it was clear demand had dwindled and most of the production thereafter was for freight operators still attracted by the 747’s unique combination of capacity, reliability and range.  As passenger 747s progressively are retired, many will be converted to freighters, an relatively simple operation envisaged even during the design process in the 1960s.  Many flyers however noted the 747’s demise with some regret.  None denied the advantages of airframes built from composite materials nor the enhanced economy of the twin-engine configuration but for those who flew for hours above 30,000 feet (9000+ m), knowing one was in a metal cylinder with the redundancy of four engines imparted great confidence.

Lindsay’s Olives in sizes to suit.  Black olive martinis are a cult.

In commercial use, obvious comparative terms like “small”. “medium” & “large” are commonly used and “extra” is often appended to “small” & “large”.  In the sizing of clothing, “extra” is used in multiples, labelled usually as XL XXL XXXL etc to indicate ascending graduations of large (L).  With the “Extra Large”, this is on the model of the DD, DDD, FF etc bra cup descriptors used by some manufacturers although the use varies, a DD sometimes the same as an E and sometimes something between a D & E.  However, at the other end of the size range, the multiple letters work the other way, an AAA cup smaller than an AA which is smaller than an A.  Linguistically, that does make sense because with bras the multiple letters are synonymous with “extra”, the AA being extra small and the DD extra large.  The alpha-numeric nomenclature used (30A, 32D etc) is maintained presumably because something like a "Jumbo" or "Colossal" bra might lack sales appeal.  Where manufactures want to use descriptors which indicate a larger size beyond something like extra large, they’ll trawl the alphabet, thus product packaging described as “jumbo”, “super” “mega”, colossal” “super”, “maxi” etc.  Unlike S-M-L, there’s no defined ascendant order so it might be that where one manufacturer’s jumbo is larger than their colossal while with some it may be the other way round.

Lyndon Johnson in mansplaining mode.  His wife Claudia (1912-2007) was styled Lady Bird Johnson and his two children were Lynda Bird Johnson (b 1944) and Luci Baines Johnson (b 1947); old Lyndon was most pleased he'd contrived for his whole family to wear the initials “LBJ”.

Lyndon Johnson's (LBJ, 1908–1973; US president 1963-1969) conversation was sprinkled with vulgarities, some of which entered the political vernacular.  His own nickname for his penis was “jumbo” although had he studied the descriptive hierarchy used in the packaging of olives, he might have preferred “colossus”; the tales of him describing, discussing and displaying the organ are legion.  At least at the anatomical level, the presidential penis wasn’t much in the news between LBJ and the public filing in 1994 by Paula Jones (b 1966) of a document deposited pursuant to her action against Bill Clinton (b 1946; US president 1993-2001) citing sexual harassment, dating from his time as governor of Arkansas.  Ms Jones alleged an Arkansas State Police Trooper instructed her to report Mr Clinton's hotel room in the Excelsior (now the Little Rock Marriott) where Mr Clinton propositioned her, during which he exposed his penis.

Penthouse magazine, December 2000.  The covergirl & centerfold Pet of the Month (PotM) was Suzette Spencer (b 1979).  The edition contained the interview titled: Paula Jones Uncovered! How The Far Right Used And Abused Her To Destroy Clinton.

The sentence in the filing which captured the media’s attention was that Ms Jones indicated she was able to prove the validity of at least part of her claim because she could describe certain “distinguishing characteristics” of Mr Clinton’s penis.  Sadly, 1994 was a time before memes and the web was in its infancy so the wealth of speculative depictions which would these days be inevitable never appeared.  Sadly for political junkies, just what were those “distinguishing characteristics” remains a mystery because the judge issued an order barring her from elaborating on the matter prior to the trial and, though appetites were whetted and expectations high, unfortunately the matter never reached trial so the only statement on the record is the one issued by Mr Clinton’s legal team: “…in terms of size, shape, direction, whatever the devious mind wants to concoct, the president is a normal man.  There are no blemishes, there are no moles, there are no growths.”

Jumbo spark plugs.  This was actually advertising the strength of the spark rather than the plug, some of the Jumbo line of plugs physically smaller than than some offered by the competition.  The need for higher-performance spark plugs arose as higher octane gas (petrol) permitted compression ratios to rise.

David Lloyd George (left) while Chancellor of the Exchequer (the UK’s finance or treasury minister) with Winston Churchill (1875-1965; UK prime-minister 1940-1945 & 1951-1955), the Home Secretary (interior minister), London, 1910.

Of course, Monica Lewinsky (b 1973) must have had some “special knowledge” but it was something she seemed disinclined to discuss and in the hearings conducted prior to her appearance before the grand jury, the most prosecutors could elicit was that she “didn’t agree” with the description filed three years earlier by Ms Jones.  Given Ms Jones words can be construed only as an indication Mr Clinton’s penis was in some way (or ways) “abnormal”, the implication in what Ms Lewinsky said (or failed to say) was that things, anatomically, were “normal”.  Curiously, Ken Starr (1946–2022; independent counsel investigating the Clinton-era Whitewater affair and other matters) chose not to force Ms Lewinsky clarify things by listing the intimate details (the “nuts & bolts” as it were); it was a rare example of restraint in his pursuit of the Clintons.  When Albert James (A.J.) Sylvester (1889–1989; principal private secretary (PPS) to Lloyd George, 1923-1945) in 1947 published The Real Lloyd George, drawn from his diaries, the entry which drew most comment an admiring comment about the Welsh Wizard’s penis: “…the biggest I have ever seen.”  Disappointing some, Mr Sylvester didn't burden his readers with the details or extent of the observational history which made his comparison possible but it's presumed he was on some basis an empiricist.  Sylvester pre-deceased the social media age so was spared being asked whether the Lloyd George appendage would best be described as a "jumbo" or "colossus".