Chatelaine

Chatelaine (pronounced shat-l-eyn or shahtuh-len (French))

(1) The wife of a castellan; mistress of a château or castle.

(2) The mistress of an elegant or fashionable household.

(3) A hook-like clasp or a chain for suspending keys, trinkets, scissors, a watch, etc, worn at the waist by women.

(4) A woman's decorative lapel pendant or other ornament resembling this.

(5) Historic legal slang for a sub-set of acquisitive wives for whom the business of divorce is something of a calling (now less common).

1845: From the French châtelaine (a female castellan; wife of a castellan; mistress of a castle or château (country house)), the feminine form of châtelain (castle-keeper, one living in a castle) from the Old French chastelain (owner and lord of a castle, nobleman; keeper of a castle), from the Medieval Latin castellanus (occupants of a castle), the construct being castell(um) (castle, fort (chastel in French)) (diminutive of castrum (castle, fort) from the primitive Indo-European ḱes (to cut off, separate)) + -ānus (the suffix demoting “of or pertaining to”).  The use of the masculine equivalent in this context was rare because of historic social and economic structures.  In fashion, as a type of ornamental (though originally functional) piece, use dates from 1851; the idea being a piece which resembles the chain of keys a chatelaine would carry.  Chatelaine is a noun; the noun plural is chatelaines.  The French spelling does sometimes appear in English use.

Gold digging

In the slang of English divorce lawyers, chatelaine was a term for a sub-set of husband-hunting women for whom the most important criterion in their search was the quality of the house which came with the prey, the play on words based on the ancient role of the chatelaine being the "the keeper of the castle".  Applied mostly either to the impoverished gentry or aspirational young ladies seeking upward-mobility, chatelaines were famously good "housekeepers"; after the divorce they often "kept the house".  The more accessible modern form is gold-digger.  An exemplar of the type was the admirable Norah Docker (Lady Docker, formerly Callingham, formerly Collins, née Turner; 1906–1983) a dance-club hostess who was thrice-married, each husband proving more lucrative than the last.  Her most famous acquisition was Sir Bernard Docker (1896–1978), chairman of the Daimler motor company for which she helped design half a dozen cars; known as the Docker Daimlers, they were an acquired taste but certainly large and conspicuous as intended, each generating much publicity though it's doubtful they made any positive contribution to Daimler's bottom line.  Some of the more generous critics were prepared to concede some weren't as bad as the others. 

1955 Daimler DK400 Golden Zebra

The last of the Docker Daimlers, the Golden Zebra was a two-door fixed head coupé (FHC) with coachwork by Hooper, built on the existing DK400 (1954-1959) chassis.  The interior was finished with an African theme, the dashboard of ivory and the upholstery in zebra-skin while external metal trim was gold-plated.  Lady Docker personally chose the zebra skin, claiming she found mink unpleasantly hot.  It was first shown at the 1955 Paris Motor Show and it's of note this stylistic mashup of pre-war motifs and mid-century modernism appeared in the same building used for the debut of the Citroën DS which, although as ancient under the skin as the Daimler, gave the crowds a vision of the future although it would be decades before some of its implications were realized.

Sir Bernard (with cigar, left) and Lady Docker (in mink) unveiling the "Golden Daimler", Earls Court Motor Show, London, 1951.

Imposing though it was, dimensionally, being DK400-based, the Golden Zebra was actually less extravagant than some previous Docker Daimlers which had been built on the even bigger DE chassis (1946-1953) which was the last car in the UK with a straight-eight engine offered for general sale, the even more exclusive Rolls-Royce Phantom IV (1950-1956) available only to crowned royalty and heads of state.  The UK in the early 1950s was still living through a period of post-war austerity but the Docker Daimlers were surprisingly well-received by the public which seemed to enjoy the splash of color they brought to the dreariness of the time when some consumer products were still rationed.  The reaction of critics generally was less kind, the “Docker Specials” decried variously as “archaic”, “irrelevant”, vulgar or that worst of English insults: “tiresome”.  It’s thought also not a coincidence that it was during Lady Docker’s supervision of the Daimler drawing boards the royal family’s automotive allegiance switched to Rolls-Royce, the association pre-dating even the royal warrant granted in 1902 by King Edward VII (1841–1910; King of the UK & Emperor of India 1901-1910), shortly after his accession to the throne, a Daimler 6hp mail phaeton delivered to Buckingham Palace on 28 March 1900, fulfilling an order place by the king while still Prince of Wales.  So the Daimlers, in the Royal Mews since the nineteenth century, began to be relegated to secondary roles and another wouldn’t be ordered until well after The Jaguar takeover of the company in 1959.

1885 English Solid Silver Chatelaine.

The decorative belt hook or clasp worn was at the waist with a series of chains suspended from it, a design dating from antiquity when they were a convenient way of carrying useful household tools.  By the nineteenth century, in respectable households the chatelaine displayed the status of women in a household and the one with the keys to the desks and other locked cabinets was "the woman of the household".  She was the one to direct the servants and tradesmen and lock or lock the valuables of the house, possessing total authority over who had access to what.  When a woman married and moved into her father-in-law's house, the mother-in-law would often hold on to the keys but upon widowhood, they were usually passed to the oldest son's wife, status transferring with the keys.  Better to show-off this prestige, chatelaines became increasingly elaborate and expensive.  In larger houses with a full complement of servants, a similar hierarchy existed and the controller of the keys was the most senior female of the downstairs staff.

Chatelaine magazine.

Now published by St. Joseph Communications in English (as Chatelaine) and French language (as Châtelaine) editions, Chatelaine is a Canadian magazine aimed at the mid-range (5F) female market (food, feelings, family, fashion & furnishings).  It has been in continuous publication since 1928 and now exists in both print & digital formats although like many in an industry affected by declining advertising revenue and falling circulations, it has since 2017 been reduced from twelve to six editions annually.